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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right. That's fine.
00:01:30That's a good dog.
00:01:32Good. All right. That's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right. That is great.
00:01:48I think he looks good, don't you?
00:02:02Yeah, we're out of film. All right. Take five. We're reloading now.
00:02:06This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:10It's my dog. I trained that dog. I love this dog.
00:02:12Then you are as dumb as the dog.
00:02:14All right. Is everybody ready? Is your camera loaded?
00:02:18Yeah.
00:02:19Et vous ĂȘtes comme si le dog.
00:02:37All right.
00:02:38Est-ce que vous ĂȘtes prĂȘt?
00:02:40Est-ce que vous ĂȘtes prĂȘts?
00:02:41Oui.
00:02:42Nous sommes tous heureux ?
00:02:44Alors, donnez-moi le pire dog.
00:03:19Mais ils devraient ĂȘtre prĂȘts Ă reconnaĂźtre la face.
00:03:22Ă l'Ăąge 25,
00:03:23M. Griffith a apporté sur le front cover
00:03:25de certains des magazines les plus familles de fashion du monde.
00:03:29Les covers de Vision, Olé et Valérie,
00:03:33juste Ă nommer un peu.
00:03:34Emmanuel, comme elle est le plus important,
00:03:36elle a devenu le standard de beauté et de la fashion,
00:03:39C'est aussi un symbole de la mouvement féministe féministe.
00:03:43Elle n'a pas d'interesse dans le job de la présidente de la Présidente de la Présidente.
00:03:48Donc, Melissa, qu'est-ce qu'il y a ces rumours ?
00:03:51Eh bien, Sandra, c'est une position demandante, et elle est déjà en grande demande.
00:03:56Elle a été décrivée comme la meilleure modelle de fashion en la histoire de la business.
00:04:00Maintenant, on va changer nos caméras à Washington, D.C.
00:04:03Et Joan Harris, la présidente de la Présidente de la Présidente de la Présidente.
00:04:09Sous-titrage Société Radio-Canada
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27No, no.
00:04:29Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:38Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:12Jesus.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:25They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:54Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14Oh, my Lord.
00:07:15I will tell you you should remain barefoot and pregnant.
00:07:18Thank you.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:24Yes, 50-50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking peace, ladies, I'm not talking a small piece.
00:07:51I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the back of it.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:10Thank you.
00:08:40Okay.
00:08:41I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:01Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I know you're a very good boy.
00:09:53I know you're a very good boy, but it won't be me.
00:09:57You're a very good boy.
00:10:00Girl, it's not a ton of art.
00:10:03You're a very good boy.
00:10:06Oh, girl, I can't see you with somebody else.
00:10:13Gotta have you, darling, now.
00:10:19Hold me at nobody else.
00:10:22I'm going to make you laugh.
00:10:25Hold you through the night.
00:10:32Look what you've just done to my heart.
00:10:35Look what you've just done to my heart.
00:10:40Oh, yeah.
00:10:41Look what you've just done to my heart.
00:10:44Yeah.
00:10:45Look what you've just done to my heart.
00:10:49Look what you've just done to my heart.
00:10:53Oh, baby.
00:10:54Look what you've just done to my heart.
00:10:59Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:20They'll tell you anything they want you to hear.
00:11:25They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:31God, I hope not.
00:11:34Oh, Lord, woman.
00:11:37We have a problem here, Emmanuel.
00:11:40It's the word they.
00:11:44Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:55You should be satisfied with that advantage, but you're not.
00:11:59I think all you girls should remember the terminology, manpower, manipulate, the rights of man, manhole.
00:12:09I mean, all you girls can climb down, and it's still going to be a manhole in the eyes of God, in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel, and one Richard Tate is going to teach you, darling.
00:12:47Okora Hotel.
00:12:51Uh, yes, Miss Manuel Griffith, please.
00:12:53May I say who's calling?
00:12:55Uh, yes, tell her that our studio driver has arrived.
00:12:57One moment, please.
00:12:59Yes?
00:13:00Yes, Miss Griffith?
00:13:01Yes, your limo is here.
00:13:03What time is it?
00:13:04No, I'm an hour from now.
00:13:06Oh, no, but they moved the time up, ma'am.
00:13:08Did they tell you that?
00:13:10No.
00:13:11All right, fine.
00:13:12I'll be down in a minute.
00:13:14Okay, thank you.
00:13:16Come on.
00:13:46If you're staying or not, let's go.
00:13:49Okay, let's go.
00:13:51Add some love.
00:13:52Yes, we're, let's go.
00:13:53Thank you.
00:13:57Thank you.
00:13:58...
00:14:28Hey, buddy. I smell some gas back here.
00:14:33Hey, guy. You got a leak or something?
00:14:39Can't you get the window down?
00:14:46Hey, mister. Hey, mister, what are you doing? What are you doing?
00:14:57Open my window!
00:15:00What are you doing?
00:15:05What are you doing?
00:15:08Jesus Christ.
00:15:10What are you doing?
00:15:17Jesus Christ.
00:15:19What are you doing?
00:15:22Jesus Christ.
00:15:24What are you doing?
00:15:26Jesus Christ.
00:15:28Jesus Christ.
00:15:31Jesus Christ.
00:15:33Jesus Christ.
00:15:34Jesus Christ.
00:15:38Jesus Christ.
00:42:12Je vais te dire, je ne veux pas ça à l'heure.
00:42:14Je dois faire des golds et je veux des golds.
00:42:16Je veux que le shimmering de ça.
00:42:17Je veux que c'est magnifique.
00:42:20Alors, je vais te dire,
00:42:22pourquoi tu veux tout ce que tu veux dans une boxe et...
00:42:26Oh, je sais, un 10% discount
00:42:29semble assez respectueux pour moi.
00:42:34Tu penses?
00:42:42Oh, man.
00:42:58Insasperating.
00:43:00Well, look at that.
00:43:03Front page, above the fold,
00:43:06in living color.
00:43:08I really am fantastic.
00:43:12Good morning, Emmanuel.
00:43:37I have something very special for you.
00:43:39Something pink for pink, lady.
00:43:44How are you?
00:43:46Hey, you, what's going on here?
00:43:47Plug it back in.
00:43:48There's a little bra for you in black.
00:43:49I've been calling you all day.
00:43:51I don't have any water.
00:43:52And where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for pink, lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:24You got it, sweetheart.
00:44:24And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, my.
00:44:32Well, Jesus Christ.
00:44:35I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:09And I'm going to get some water, all right?
00:45:12Jeez.
00:45:39God, you are persistent.
00:46:08Jeez.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what.
00:46:20I'm going to make it as easy on you as possible.
00:46:23Now, all you got to do to get started again
00:46:26is plug it back in.
00:46:29Fuck you!
00:46:30You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:39All you got to do is come over here and plug it back in.
00:46:44You want something to drink?
00:46:45Plug it back in.
00:46:45You want something to eat?
00:46:46Plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:15We'll do it your way.
00:47:30Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:46And tonight,
00:47:47tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul,
00:47:55and I would do anything for you.
00:47:57But please cooperate with me.
00:48:03Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:21Once you try the steak, it's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you
00:48:41as soon as we get to know each other better.
00:48:43The secret is, though,
00:48:45that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:00I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight,
00:49:16I'm going to be the designated driver.
00:49:19Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:27I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that,
00:49:32it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you
00:49:54when you were a kid in school?
00:49:57By my name.
00:50:00They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:21Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:09So, after that,
00:51:12I invented this crazy thing
00:51:13that helps idiots program their VCRs,
00:51:16and I, uh,
00:51:17I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:21No, just,
00:51:23just lucky.
00:51:25What about you?
00:51:26I mean,
00:51:27how'd you get into your crazy business?
00:51:29That was funny.
00:51:35I went to New York
00:51:36to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:54My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:11I did nude dancing
00:52:13at a Times Square bar.
00:52:17Well, I mean,
00:52:18how'd you handle that?
00:52:22It was easy.
00:52:24I actually enjoyed it.
00:52:31I got off on guys
00:52:32watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing,
00:52:50so you're a sexist.
00:52:51I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:02So when you're stuck naked
00:53:08in front of those good old boys,
00:53:10I mean,
00:53:10who has the advantage then?
00:53:13I don't know.
00:53:21Why don't you play me some music?
00:53:27I want to dance for you.
00:53:29Do it.
00:53:34I don't know.
00:53:37Oh.
00:53:39I don't know.
00:53:39I don't know.
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