- 2 days ago
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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people!
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here!
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay, ready.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot!
00:01:00Turn it over! Give me the other flat side, idiot!
00:01:02Come on, let's go!
00:01:04Oh, Jesus Christ!
00:01:06Come on!
00:01:13Good, back in it, back in it, back in it.
00:01:15That's a good dog.
00:01:17You're such a good dog.
00:01:28Good.
00:01:30Alright, that's fine.
00:01:32Good.
00:01:33Alright, that's fine.
00:01:34Hang on, man.
00:01:36Gotcha.
00:01:38Very much.
00:01:40Alright, that is great.
00:01:42I think he looks good, don't you?
00:01:56We're out of film.
00:01:57Alright, take five. We're reloading now.
00:01:59This is the dumbest dog in the whole world.
00:02:01Where the hell did you get such a dumb dog?
00:02:03It's my dog. I trained that dog. I love this dog.
00:02:05And you are as dumb as the dog.
00:02:07And you are as dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America,
00:03:04along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club
00:03:13to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion.
00:03:40And is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:50Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:38Women were second-class citizens then, and they still are today.
00:04:43But let me tell you what.
00:04:47Things are changing.
00:04:54Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:17Good morning, ladies, and welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:07I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:17And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:32Yes!
00:06:33I want to thank you so much for having me here tonight.
00:06:47I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:50I mean, I can't believe it.
00:06:51I mean, God, this is beautiful.
00:06:52I mean, this woman could be the president of the United States.
00:06:53I got to see this again.
00:06:54This is history in the making.
00:06:55I mean, this is tape at its best.
00:06:56I got history right in front of me.
00:06:57I can't believe it.
00:06:58Let me rewind this.
00:06:59Let me see this again.
00:07:00Come on.
00:07:01Let's go, man.
00:07:02Oh, my Lord.
00:07:03I will tell you, you should remain barefoot and pregnant.
00:07:05Well, ladies, all of this is going to change, ladies.
00:07:08Yes!
00:07:0950-50.
00:07:1050%, honey.
00:07:11Come on.
00:07:12Come on.
00:07:13Come on.
00:07:14Come on.
00:07:15Wake them up.
00:07:16I don't want to be the president of the United States.
00:07:17You're the president of the United States.
00:07:18I got to see this again.
00:07:19This is history in the making.
00:07:20I mean, this is tape at its best.
00:07:21I got history right in front of me.
00:07:22I can't believe it.
00:07:23Let me rewind this.
00:07:24Let me see this again.
00:07:25Come on.
00:07:26Let's go, man.
00:07:27Oh, my Lord.
00:07:28I will tell you, you should remain barefoot and pregnant.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36I know.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of the clothes.
00:07:46I'm not talking peace, ladies.
00:07:48I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:57Yes!
00:07:58Yes!
00:07:59Yes!
00:08:00Let's get the pie, please.
00:08:01Let's get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:11Sous-titrage MFP.
00:08:41Okay. I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine. What about the deal?
00:08:50Okay. For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies.
00:09:16I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23Girl, I see you, walk in that certain way.
00:09:43There's something about you that turns heads the other way.
00:09:49They all adore you. That's easy to see.
00:09:53They're all you're loving.
00:09:55But it won't be me.
00:09:57It's something that you just come to my heart.
00:10:00Girl, I don't turn about.
00:10:03It's something that you just come to my heart.
00:10:05Oh, girl, I can't see you with somebody else.
00:10:13I gotta have you, darling, now.
00:10:18Hold me and nobody else.
00:10:23Gonna make you love me.
00:10:26Hold you through the dark.
00:10:28Look what you've just done in my heart.
00:10:40Oh, baby.
00:10:42Look what you've just done in my heart.
00:10:45Yeah.
00:10:46Look what you've just done in my heart.
00:10:49Girl, I don't turn about.
00:10:51Look what you've just done in my heart.
00:10:54Oh, baby, look what you've just done in my heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:20They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say,
00:11:52Men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down,
00:12:11and it's still gonna be a manhole in the eyes of God,
00:12:13in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate
00:12:27is gonna teach you, darling.
00:12:30Okora Hotel.
00:12:38Oh, yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Uh, yes.
00:12:56Tell her that her studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:13I'll be down in a minute.
00:13:15Okay, thank you.
00:13:16Okay, thank you.
00:13:45So, let's go.
00:15:33...
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00:16:11Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
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00:25:35C'est parti.
00:26:05C'est parti.
00:26:35C'est parti.
00:27:05C'est parti.
00:27:07C'est parti.
00:27:38C'est parti.
00:27:39C'est parti.
00:27:40C'est parti.
00:27:41C'est parti.
00:27:42C'est parti.
00:27:43C'est parti.
00:27:44C'est parti.
00:27:45C'est parti.
00:27:46C'est parti.
00:27:47C'est parti.
00:27:48C'est parti.
00:27:49C'est parti.
00:27:50C'est parti.
00:27:51C'est parti.
00:27:52C'est parti.
00:27:53C'est parti.
00:27:54C'est parti.
00:27:55C'est parti.
00:27:56C'est parti.
00:27:57C'est parti.
00:27:58C'est parti.
00:27:59C'est parti.
00:28:00C'est parti.
00:28:01C'est parti.
00:28:02C'est parti.
00:28:03C'est parti.
00:28:04C'est parti.
00:28:05C'est parti.
00:28:06C'est parti.
00:28:07C'est parti.
00:28:08C'est parti.
00:28:09C'est parti.
00:28:10C'est parti.
00:28:11C'est parti.
00:28:12C'est parti.
00:28:13C'est parti.
00:28:14C'est parti.
00:28:15C'est parti.
00:28:16C'est parti.
00:28:17C'est parti.
00:28:18C'est parti.
00:28:19C'est parti.
00:28:20C'est parti.
00:28:21C'est parti.
00:28:22C'est parti.
00:28:23C'est parti.
00:28:24C'est parti.
00:28:25C'est parti.
00:28:26C'est parti.
00:28:27C'est parti.
00:28:28C'est parti.
00:31:17Si nous nous étudions pas souvent, nous nous arrivions à notre magie de la suite.
00:31:24Oui.
00:31:26C'est l'actuel de la suite.
00:31:29Juste entre nous.
00:31:31Nous l'avions fait partout.
00:31:33En dehors, en dehors, dans ma chambre.
00:31:40C'était magnifique.
00:31:42Oui, c'est vrai.
00:31:43C'est un souvenir.
00:31:47Oui.
00:31:48Oh, excuse me.
00:31:49Now tell me, will you be travelling alone?
00:31:52Uh...
00:31:53No, I'll be travelling with my wife.
00:31:58Your wife?
00:31:59Mm-hmm.
00:32:00Of course.
00:32:01Sorry.
00:32:02No harm done.
00:32:04Now, you want me to write that up?
00:32:06Yeah, sure thing, pal.
00:32:09Like I said, I want a first class all the way.
00:32:13I'll take the beach.
00:32:14I'll take the sand.
00:32:15I'll take the nightlife.
00:32:16But, I definitely do not want that wrong.
00:32:19Oh!
00:32:20Hello?
00:32:21This is Dick.
00:32:22What can I do for you?
00:32:23Look, Richard.
00:32:24I have nothing against you.
00:32:26Please let me go.
00:32:27Not until you act is together, my darling.
00:32:31Okay.
00:32:32You're wrong.
00:32:33Your work is fine.
00:32:34What do you do?
00:32:35It's fine.
00:32:36It's fine.
00:32:37It's fine.
00:32:38It's fine.
00:32:39It's fine.
00:32:40It's fine.
00:32:41I'm gonna have to go.
00:32:42It's fine.
00:32:43I'm gonna have to go.
00:32:44It's fine.
00:32:45It's fine.
00:32:46It's fine.
00:32:47It's fine.
00:32:48It's fine.
00:32:49I don't want to go.
00:32:50It's fine.
00:32:51It's fine.
00:32:52You're right, I'm sorry
00:32:55Let me explain something to you, darling
00:32:58Okay, I kidnapped you
00:33:00I kidnapped you, you know what that means?
00:33:03The FBI is involved with this as we speak even here
00:33:06And I'm not going to let you out until you get your head straight
00:33:10And that, my love, is quite up to you
00:33:14Look, Richard
00:33:16I have nothing against you
00:33:19Please let me go
00:33:21Not until you get your act together
00:33:24I know, you're right, I'm sorry
00:33:28Not only do I hate women who use foul words
00:33:32But I hate women who lie
00:33:34Good night, sweetheart
00:33:36Oh no!
00:33:39Richard!
00:33:40Richard, come back!
00:33:43Oh please, don't go away
00:33:45Oh please, you gotta come back
00:33:49You've gotta talk to me, Richard, please
00:33:53Oh God
00:33:55Oh God, no, go away
00:33:59Please, Richard
00:34:05Please
00:34:08Yes, my darling
00:34:12I can hear you
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard
00:34:19I have money
00:34:21I have a lot of money
00:34:25I don't need new money
00:34:27What do you want then?
00:34:30I want you to be a nice little girl
00:34:32I want you to be nice to the men who support you
00:34:36I want you to be barefoot and not pregnant
00:34:39I hate kids
00:34:40Look
00:34:43I will do whatever you want
00:34:48I have got to get out of here
00:34:52I am going crazy in here
00:34:54Okay
00:34:55Take off the towel
00:34:57I want to see you
00:35:00You can see me?
00:35:08You've been watching me?
00:35:10Just relax, baby
00:35:11How do I turn off this fucking thing?
00:35:16It's locked
00:35:17I control it from here
00:35:18Just relax, okay?
00:35:19What is it?
00:35:22Is it a peephole dick, you prick?
00:35:25Oh, no, not a peephole
00:35:27Not for Dickie Boy
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it
00:35:38And I will find it
00:35:41I am going to smash the shit out of it
00:35:45Don't even give it a thought, baby
00:35:46You'll never find it
00:35:48Never
00:35:48You bastard
00:35:49You sick son of a bitch
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention
00:35:56I'm the guy with the key to your mind
00:35:59God, I hate you
00:36:01You are the lowest of the low
00:36:03You listen to me, Dickie Boy
00:36:07When I get out of here
00:36:09You are dead meat
00:36:11Don't do it!
00:36:15Don't do it!
00:36:15That was a bad idea, baby
00:36:23You best plug that back in
00:36:26Fuck you!
00:36:28Good night, sweetheart
00:36:32Oh, this is just perfect
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you?
00:36:41Huh?
00:36:42Reality gets to be a little tough
00:36:44And you can't take it
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something
00:36:50I'm still gonna find it
00:36:52And when I find it
00:36:54You can watch yourself
00:36:55For the rest of your fucking life
00:36:57The nightlife
00:37:07Hat from Daughter
00:37:11Ha ha ha ha
00:37:12Ha ha ha ha
00:37:15Ha ha ha ha
00:37:15Ha ha ha ha
00:37:16Ha ha
00:37:17Ha ha ha
00:37:18Ha ha ha
00:37:19Ha ha ha
00:37:19Sous-titrage MFP.
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00:47:54J'aurais aimé mon cœur et j'aurais voulu faire quelque chose pour vous.
00:47:57Mais, s'il vous plaît, s'il vous plaît.
00:48:07Pour un pour vous-même, d'arrivée.
00:48:09C'est génial.
00:48:14C'est à vous, bébé.
00:48:20C'est génial.
00:48:24C'est génial.
00:48:26C'est génial.
00:48:27J'aimerais voir ce que vous pensez.
00:48:37C'est très bon.
00:48:38Après, je vais partager la méthode et la réciproque avec vous,
00:48:41afin que nous connaissons une autre mieux.
00:48:44Le secret est que j'ai utilisé deux egg yolks en la sauce à l'intérieur.
00:48:48C'est très bon.
00:48:51C'est très bon.
00:48:53Richard, peut-on nous parler ?
00:48:56Bien sûr.
00:48:57C'est ce que je suis là pour.
00:48:59C'est bon.
00:49:01Je voulais savoir quand je peux sortir.
00:49:03Je veux dire, quand je peux sortir.
00:49:06C'est assez à vous.
00:49:08Vous savez ça maintenant.
00:49:09C'est bon.
00:49:10Pourquoi vous pourrez-vous plus de wine, ok ?
00:49:12C'est bon.
00:49:15Vous savez, ce soir, je vais être le déjeuner de la voiture.
00:49:18Est-ce que nous allons sortir ?
00:49:20Non, non.
00:49:22Je ne peux pas vous entrer à aller à un endroit.
00:49:24Non.
00:49:25Oui, vous pouvez.
00:49:26Je m'en prie.
00:49:27Bien, vous savez.
00:49:28Bien.
00:49:29Bien.
00:49:30Je me sens.
00:49:31Bien.
00:49:32Tú devons l'appannie The breadcr't питait beaucoup.
00:49:34Bien.
00:49:35Je m'en prie.
00:49:36Je m'en prie.
00:49:37Je m'en prie.
00:49:38C'est parti Pol yours en toilette.
00:49:39Bien.
00:49:41Quiat c'est un peuillard.
00:49:42Just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:58By my name.
00:50:00They called me Dick.
00:50:04What did they call you?
00:50:06By my name.
00:50:08How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:22Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:30I represent the truth.
00:50:34You have a very nice voice.
00:50:36Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:51:06Oh, I got your back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs and I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:22No, just lucky.
00:51:24What about you?
00:51:26Here.
00:51:28I mean, how did you get into your crazy business?
00:51:32That was funny.
00:51:36I went to New York to become an actress.
00:51:42I was 19.
00:51:44What a joke.
00:51:46So what happened?
00:51:48I found out I was no actress.
00:51:54Then what?
00:51:58My mom needed money.
00:52:00I didn't know how to do anything.
00:52:02Cheers.
00:52:06I'm not ashamed.
00:52:08It was in all the papers.
00:52:10I did nude dancing at a Times Square bar.
00:52:18Well, I mean, uh...
00:52:20How'd you handle that?
00:52:22It was easy.
00:52:24I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:42Turn guys on.
00:52:44Doesn't matter if you're naked or not.
00:52:46It's a turn-on.
00:52:48It's a sexist thing, so you're a sexist.
00:52:52I didn't say that.
00:52:54Yes, you did.
00:52:56Well, men just take advantage.
00:53:00Oh...
00:53:02So...
00:53:04So when you're stuck naked in front of those good old boys...
00:53:08I mean, uh...
00:53:10Who has the advantage then?
00:53:20Why don't you play me some music?
00:53:24I want to dance for you.
00:53:26I want to dance for you.
00:53:28I want to dance for you.
00:53:30You have to dance for you.
00:53:32Oh, God.
00:53:34You're right.
00:53:36I want to dance for you.
00:53:38I want to dance for you.
00:53:40Fuck?
00:53:42Sometimes.
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