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Carnival Row Season 1 Episode 6
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Short filmTranscript
00:00I don't know what you're saying.
00:30He took his liver, just like the first two.
00:36Now, where are we on them?
00:39Have you sorted out if they had any kind of relationship?
00:44No, sir.
00:48They didn't know each other.
00:51Been on the case from the start. He's got nothing.
00:57He's a good man, Marange.
01:00Never took so much as a stiver for the work he did for us.
01:04Saw it as his civic duty.
01:07True enough, sir, but with respect, there were rumors.
01:10Rumors?
01:12Word was that he saw it as his civic duty to do other jobs, too.
01:17Jobs most doctors wouldn't touch.
01:20Such as?
01:21Abortions, reconstructions.
01:24Convicts looking to have their brands removed, that sort of thing.
01:26And pigs looking to pass.
01:29Getting their ears bobbed, their wings sheared.
01:32Hands more often than they must look care.
01:34Thank God.
01:35Well?
01:36Philo?
01:37Sir?
01:38I said it's your case.
01:39If there's a connection between the victims, then find it.
01:41Yes, sir.
01:42I said it's your case.
01:43If there's a connection between the victims, then find it.
01:44Yes, sir.
01:46I said it's your case.
01:50If there's a connection between the victims, then find it.
01:53Yes, sir.
01:54I said it's your case.
01:56If there's a connection between the victims, then find it.
01:57Yes, sir.
03:27I'm not sure I know exactly what it means.
03:30It means she turned the tables on me.
03:32That's what it means.
03:35She hadn't been there to see it.
03:37You make too much of it, Father.
03:39Now you sound like your mother.
03:41You're always trying to handle me like I'm a bottle with a bad cork that might pop off at any moment and take someone's eye out.
03:50You've always taken after her, even as a boy.
03:56The irony is, of course, that it's me she'd rather you took after.
04:01To that end, I thought I might come watch you in Parliament again today.
04:07There's no session today.
04:10Longerbane's body is lying in state.
04:13His daughter will be receiving condolences from his supporters.
04:16Really?
04:18I know.
04:21I needn't have allowed it, considering what he did to you.
04:26But remember one of the first rules of politics.
04:29Magnanimity in victory goes a long way towards disarming one's enemies.
04:34He's a very wise father.
04:42Seeing as I have little to do today, I thought I might go to the country.
04:46Perhaps we could go riding together.
04:48You well know I would greatly enjoy that, but I really should attend to my studies.
04:53Master Symes has been amassing an army of tutors on my behalf.
05:04Master Symes has been amassing an army of tutors on my behalf.
05:34to tell the truth about what these critsch are doing to our city.
05:40Never give up the faith.
05:42He stood for all of us.
06:04Morning.
06:06Hello.
06:12Who's that?
06:14A gent from last night.
06:17Do them all, actually.
06:19Seeing as the light's up.
06:21Is that strange?
06:24Not for you.
06:26He always looks grateful.
06:28Some of them are.
06:32Because you made them feel young again for the night.
06:34That they don't have to hate their own bodies.
06:37Some of them are just pigs, but I sketched them too all the same.
06:42For some reason, when you get their faces down on paper, they're easier to forget.
06:45More in there than I'd care to count.
06:55Maybe one day, when I've given up the life, I'll have a show.
06:59A whore's revenge, I'll call it.
07:01I missed you.
07:10Me too.
07:22There's been another killing.
07:23Maybe there is a connection between the victims.
07:28Maybe there's not.
07:29Could be they were just unlucky enough to cross paths with whoever this maniac is.
07:34Sir, I tracked down a cabbie who drove my ranch home last night.
07:38Says he picked him up on the road.
07:40What was he doing on the road?
07:42The driver couldn't say.
07:44Only that he picked him up outside a pig's brothel.
07:46Marange?
07:48Go check it out.
07:50The fucking case just gets uglier by the day.
07:53Will crack it, sir.
07:56Just because Philo couldn't find a connection between the victims, doesn't mean there isn't one.
08:01All right.
08:04Yes, sir.
08:05No.
08:06Yes.
08:07Yes.
08:17Hi.
08:26Let's go, let's go.
08:56This has just come for you from the dressmakers.
09:17I thought as much.
09:21I've agreed to accompany Mr. Agraeus
09:23to a charity auction at the museum this afternoon.
09:26It seems he aims to salve my humiliation with a gift.
09:30May I head out, then? Let's see it.
09:48Suddenly spared no expense.
09:53The collar suits you well, too.
09:55What is it?
09:59Please sit down.
10:03Ezra, you're scaring me.
10:07Do you remember Dr. Moran?
10:09Father's friend.
10:11Father's friend.
10:13He's been killed.
10:15What happened?
10:17The same thing that happened to the headmaster the other day.
10:23Another murder.
10:28What is this city coming to?
10:30I wonder what Mr. Finistrate can tell us about it.
10:34Has he come down?
10:36He left just after midnight.
10:38One can hear all the comings and goings in this house.
10:42The walls are paper thin.
10:44They're saying it was someone from the constabulary was killed.
10:48I trust he's all right.
10:50Good day.
10:52Good day, Mr. Grayson.
10:54A word, if you please, Mrs. Fyfe?
10:58Of course, Mr. Bagstock.
11:00Please be advised that unless this situation comes to an immediate stop, I will be vacating
11:09my room at month's end.
11:10I'm sorry, what situation?
11:12Oh, don't play for me for a fool, Mrs. Fyfe.
11:14I'd long suspected something was afoot and last night I saw you leaving his room with my own
11:19eyes.
11:20An old widow parading about like some kind of harlot.
11:23I may be an old widow, but I am a grown woman in charge of my own life.
11:29Very well, then.
11:32I expect my deposit returned expeditiously upon my departure.
11:40Mr. Bagstock.
11:41Be out by the end of the day.
12:02If I might have a moment alone with my father.
12:04Of course.
12:06Everyone, please leave.
12:07Miss Longerbane needs a moment alone.
12:11Not you, Janella.
12:15Unpin this.
12:16Terrible headache.
12:17Yes, miss.
12:21God, it's a noose.
12:23I thought it would never end.
12:24There's so many of them.
12:26I'm so sorry for your loss.
12:29Thank you so much for your kind words.
12:33Oh, but still, while I unpin it.
12:35Oh, was I at all convincing?
12:38Asking for a moment alone was a nice touch.
12:41Did you think so, father?
12:46Don't look like that.
12:53Who's there?
12:53Answer, or I'll call the guards.
13:06You're Jonah Brakesmith.
13:09I'm sorry for the intrusion, Miss Longerbane.
13:11What are you doing here?
13:14I came only to pay my respects.
13:18To the man who kidnapped you.
13:21Liar.
13:22Said the girl who just cleared the room so she could pretend to grieve her father.
13:25Come closer.
13:28Come closer.
13:40Is this close enough?
13:42Suppose it was inevitable that our paths would cross sooner or later.
13:45I have to admit, you're not at all what I expected.
13:52What did you expect?
13:54Well, certainly not someone with such evident affection for their critch handmaid for one thing.
13:59Given your performance in parliament yesterday.
14:01Of course it was a performance.
14:06I don't like the word critch.
14:08Is that so?
14:10It's a good slur, as far as slurs go.
14:14But even so, as my father's daughter, that performance would have been one I would have been a fool not to give.
14:20And you are self-evidently no fool.
14:24Despite the rumors.
14:27Rumors?
14:29The reason your father's kept you sequestered away all these years is because you had a difficult birth.
14:35And came into this world as simpleton.
14:37The birth was difficult.
14:39Cost my mother her life.
14:41And it made my father quite naturally overprotective of his only daughter.
14:44Well, whatever the reason, it sounds like you had a lonely childhood.
14:52I suppose it was.
14:55A little girl, no friends, but for the volumes in her library.
15:00No amusements, but for the litany of secrets drifting up from the smoky room down the hall.
15:08When the most important men in the city whisper and plot.
15:14It's no wonder you learned to lie so convincingly.
15:19I learned how to discern lies.
15:22Such as?
15:23I know my father didn't kidnap you.
15:29Who else, if not my father's fiercest foe?
15:31Who can say for certain.
15:33Perhaps his dearest love.
15:38I haven't the foggiest idea what you mean by that.
15:40Oh, I think you do.
15:41I think he knew before you even asked the question.
15:48My master Jonah.
15:50Is that fear in your pretty eyes?
15:55Are you scared of poor little Sophie Longerbane?
15:58Should I be?
16:03Perhaps.
16:06Perhaps not.
16:08We could be friends if we had a mind to.
16:11I suspect we have much in common.
16:14Oh?
16:14Two sole heirs.
16:17The city's two most important families.
16:22Overprotected.
16:25Chronically underestimated.
16:29There's only one difference I can see.
16:31What's that?
16:37I am free of my parents.
16:42Good day, Master Jonah.
16:43Mr. Philistrate.
17:07Home for a bath and a change of clothes, I see.
17:10Let's make a real go of this.
17:25The two of us.
17:28You can give this room up.
17:30Keep it if you like.
17:32Stay upstairs with me.
17:33I'd like that.
17:38I think I wouldn't.
17:42But I don't think I can give you the things you want.
17:45You already have.
17:47More than you realise.
17:50You're still young.
17:52You can have a family.
17:55But not with me.
17:57You said anything about that.
17:59We can work all that out, nature.
18:02But right now.
18:02I need you to listen to me.
18:06Please.
18:11The other day when you said I was hiding something, you were right.
18:16Tell me.
18:18Whatever it is, it won't matter.
18:19You said one was your old headmaster.
18:34But the others?
18:35The doctor.
18:37Who was killed last night.
18:38I think it's because...
18:42He's the one who did it to me.
18:45Did what?
18:45She brought me to him when I was a baby.
18:50The Fae.
18:52The singer?
18:56Yeah.
19:03She was...
19:08She was my mother.
19:09I didn't understand.
19:17But what you're saying doesn't make any sense.
19:21I'm half a, Portia.
19:29My wings were short.
19:30No.
19:39If this is a joke, it's not funny.
19:41It's the truth.
19:44Now you know.
19:51Get out.
19:53Get out.
19:55Take your things and get out now.
20:00I think we can get it for seven.
20:27Seven thirty-one.
20:29Again?
20:30Again?
20:30It's my lucky number.
20:58I think what12803 person should take care of.
21:04I want to be a convert in
21:05according to
23:52I'll see you there.
23:54I love you.
23:55I love you.
23:56I'm going to seal the light.
23:58I'm going to seal the light.
24:04I'm going to seal the light.
24:06I'm going to seal the light.
24:08I'm going to seal the light.
24:16Sergeant.
24:17Sykes.
24:18What are you doing there?
24:22What are you doing there?
24:23I just needed a place to think.
24:32I just needed a place to think.
24:42Finally caught up with you.
24:44Did it?
24:46Did it?
24:47Finally.
24:48Are you things I don't know?
24:56How did you find out?
24:57I could smile to face on you.
24:58Even now.
24:59Like I told you.
25:00The war fades slowly.
25:02You never said anything.
25:03What the fuck is there to say?
25:04It is what it is.
25:06All you can do is keep your mouth shut and move on.
25:08I told Portia.
25:10Why?
25:11I know.
25:12I know.
25:13I know.
25:14I know.
25:15I know.
25:16You're not.
25:17I know.
25:18I know.
25:19I know.
25:21I know.
25:22I know.
25:23Why?
25:24I know.
25:25I know.
25:26I know.
25:28I know.
25:29I know.
25:31Why?
25:33I don't know.
25:35What?
25:37I don't know.
25:39I thought maybe she'd...
25:41What?
25:43She'd accept you for what you are?
25:45Make things better?
25:47What the fuck are you thinking, Philo?
25:49If this gets out, this could destroy you.
25:51She won't tell anyone.
25:53Well, she'd better not.
25:55You're the only reason they let me live.
25:59If anything happens to you,
26:01what the fuck's gonna happen to me?
26:07O hidden one!
26:09Show us your face!
26:11Our flesh receives us!
26:13Show us your face!
26:15We seek you in darkness!
26:17Show us your face!
26:19O hidden one!
26:21Show us your face!
26:23Our flesh receives us!
26:25Show us your face!
26:27Show us your face!
26:29Show us your face!
26:31Show us your face!
26:33Show us your face!
26:35Hey!
26:37Don't you shite know that's our job!
26:39See?
26:41I can do it ten times better than you, eh?
26:43Oh, that's great!
26:45But punches aren't what you're interested in, is it, eh?
26:47You're fine with it here, Sancha?
26:49No.
26:50All right then!
26:53All is as the hidden one wills it.
26:57You ever know I'm doing it right, won't you?
26:59Eh?
27:00Like this?
27:01Watch and learn.
27:03This is the truth.
27:05They will never accept us.
27:07They will never understand us.
27:09We can make no peace with the ignorant.
27:19All right!
27:21All right!
27:23All right!
27:26Oh, do something, Moira, before he hurts himself.
27:47Can I help you, lad?
27:49I've come from the constabulary.
27:51Oh, I can see that.
27:53About the matter of a certain gentleman,
27:54we have reason to believe visited these premises last night.
27:58Since deceased.
28:00You mean Paul Morange, of course.
28:03I told the inspector who was here last night everything I know.
28:07What inspector?
28:09Tyler was there last night.
28:12Oh, he didn't say anything.
28:14Probably just slipped his mind.
28:17He hasn't been himself.
28:19I think he took what happened to the boys' home,
28:21harder than he let on.
28:22And was his headmaster after all.
28:24Closest thing he ever had to a father.
28:26What I want to know is,
28:28why was he following after Morange in the first place?
28:32The night he was killed, no less.
28:34It is curious.
28:35I'll grant you that, Sergeant.
28:36Now, you've been with him since the start of this case, haven't you, Beric?
28:40Yes, sir.
28:40Is there anything else I should be made aware of?
28:45Not out with it, man.
28:49It's to do with critch rumours.
28:52Beast they call a dark asher.
28:55Thing you raised from the dead to do your bidding.
28:58Even kill for you.
28:59Boy, I don't swear as he's seen it.
29:05Right.
29:09There he is.
29:15Keep an eye on him.
29:16Understood?
29:18Any irregularities?
29:19Oi.
29:26If you could get this upstairs.
29:29Something happened, Inspector?
29:32I decided to find new accommodations.
29:34I said to work.
29:37Remember that old fella?
29:39The one we met in the phase flat?
29:41Yeah, of course.
29:43I think I heard something about a show he's putting on,
29:45on the road.
29:45Why would you come with you, Inspector?
29:49No need.
30:02Just a quick look before the crowds.
30:06It was found in the summer of 1941
30:07when our brave lads took a loon back from the pact
30:10and held it into that ostry.
30:12It was brought across the sea, timber by timber.
30:15Mind you, there are some naughty bits.
30:19What?
30:20Oh.
30:23Oh, my God.
30:27Look at this one.
30:28Stop it.
30:31They're not supposed to be in here.
30:35Get the fuck out!
30:37No!
30:59No!
31:00Oh.
31:01Oh.
31:01Yes.
31:01You were the one.
31:02Look at me.
31:03Oh.
31:03Oh.
31:04Oh.
31:04Oh.
31:05I know who you are.
31:35What is it?
31:44What did you see?
31:49My dad.
31:51No.
31:54Are you certain?
31:55I have felt it.
31:57Common closer and closer.
32:01But surely if...
32:02If you saw what's to come, there must be some way to prevent it.
32:06My dear girl, did you learn nothing all those years sitting at me?
32:10Watching, listening.
32:12There is no cheating, death.
32:16Especially when it's to come at the hand of a dark Asher.
32:22A dark Asher.
32:27Helmy.
32:29I didn't come here to talk about my fate.
32:31You wanted to know about Jonas.
32:33No.
32:34Your safety is what matters.
32:37You must stay here until the danger has passed.
32:40Don't even try to say no.
32:41No.
32:41Get out of here!
32:53No!
33:05Ah!
33:05Sit down.
33:35I know this isn't easy for you.
34:05Perhaps some champagne?
34:07Yes, please.
34:12Imogen.
34:17Louisa.
34:19Leslie.
34:22Mr Agraeus.
34:24Two days in a row now.
34:26This must be serious.
34:28Mr Agraeus, this is Leslie Boythorn.
34:32I must say I'm surprised to see you here, Imogen.
34:37Or did Ezra suddenly find his lost fortune?
34:41As I understand it, he's putting his money to work in the shipping trade.
34:47Do I have that right, Miss Fernraes?
34:50It's quite right.
34:52Admirable to see a man apply himself when he could so easily rest on his inherited good fortune.
34:58Leslie has his eye on the most striking and triumphant painting from Augustus Hope.
35:04The Rising.
35:05More than just an eye, Louisa did.
35:07I intend to purchase it.
35:09It's expected to fetch well north of a hundred thousand gilder.
35:13What was it about it that caught your eye?
35:16I'm curious.
35:18It's a masterwork.
35:20Everyone knows that.
35:22And at that price, if it doesn't match the drapes in your drawing room, I suppose you'll just have to get new drapes.
35:29Who is that?
35:31Shall we?
35:33Hmm.
35:34Yes.
35:37She had sex with him in the carriage on the way here.
35:40How do you make that?
35:42We Puck have keen senses.
35:44I'm surprised they made it inside.
35:47That girl is so tightly wound, it's a miracle the fool didn't get stuck.
35:57Ladies and gentlemen, if you'll kindly take your seats.
36:12Get back here!
36:17Come and look.
36:18I'll take it apart.
36:19Come and walk.
36:38Did you not see what was happening?
36:39No.
36:40It doesn't matter anymore.
36:41They're gone.
36:42Who's gone?
36:43Who's gone?
36:44All of them.
36:46Leopold, Cassiopeia, Fike, Trady.
36:52They've all been deported by your lot.
36:56I'm sorry. I didn't know.
36:58Maybe it was for the best.
37:00At least I like to think so,
37:01because it's not much being an immigrant in the Burg these days, but...
37:08I shall miss them, however infuriating they could be.
37:13Tell me, Inspector.
37:15Did you keep your promise?
37:18Have you found justice for my Aisling?
37:20That's why I was looking for you, as it happened.
37:24I'd like to know more.
37:26Listen, I've only just arrived in the Burg,
37:29and I know nothing about her recent life.
37:31It's her past that interests me.
37:35I've reason to believe that she did, in fact, have a child,
37:40and that the circumstances of that child's birth
37:43may have had something to do with what got her killed.
37:49Her past.
37:50Well, it was in Oort 6, Oort 7, when she was at the height of her fame.
38:04There was someone, someone she wouldn't talk about,
38:09but I had never seen her so happy.
38:11And then, one day, something changed.
38:14She cancelled her standing engagement at the Abbey.
38:17She went away for some time. Months, in fact.
38:20And when she came back, she was changed.
38:23Sadder, somehow.
38:25And I always wondered if she'd gone away to have a baby.
38:34That was my instinct.
38:35She never said.
38:36I never asked.
38:40She wrote her song about it.
38:43At least, I like to think it was about a child that she'd given away.
38:46I'll fly for you, my child, my son, sweet dreams to you.
38:58Sweet dreams to you.
38:59My only one.
39:03You know it.
39:07If there was a child,
39:10where would she go to have the baby, do you know?
39:13She stayed with a benefactor in the crossing.
39:18A benefactor?
39:19Well, things were different in those days, Inspector.
39:22Friendships between their kind and ours were not so impossible.
39:31You wouldn't happen to know the surname of this benefactor?
39:34How could I forget?
39:38He was the finest watchmaker in the Burg
39:41at the time.
39:44Good day to you, Inspector.
40:06Next, an unparalleled work by Augustus Hope.
40:09The rising was donated by Sir Elginai and Lady Tripplethorne.
40:18The floor is open.
40:19Bidding starts at 100,000 Gilda.
40:24100,000.
40:26Do I have 120?
40:29140?
40:32175?
40:33200,000.
40:42200,000.
40:44200,000 for Mr. Leslie Boithorn.
40:46A record, friends.
40:48Do I have...
40:50225?
40:52220?
40:54Anyone?
40:55For a priceless masterpiece.
40:56210?
41:03Well then.
41:05200,000 Gilda.
41:08Going once.
41:09Going twice.
41:11300,000 Gilda.
41:12Going once.
41:13Twice.
41:15Sold.
41:17I'm sorry, but...
41:19I'm sorry, but...
41:20Do you even have that sort of money?
41:22On hand, you mean?
41:31300,000 Gilda.
41:33Going once.
41:35Twice.
41:37Sold.
41:42Champagne?
41:50Everyone's staring.
41:52Well, we could go if you'd like.
41:54No.
41:56No.
41:57No.
42:01I'm curious.
42:03Did you intend to purchase that painting today?
42:09Why did you then?
42:11Do you find it beautiful?
42:13Of course.
42:15Perhaps not 300,000 Gilda beautiful.
42:21I did it because I wanted to see his face.
42:24I wanted him to know that I could take it from him.
42:27Why?
42:29Because he took it for granted that it should be his.
42:34And what will you do with it?
42:36Hang it in my home.
42:38And then buy drapes to match it.
42:45You are not at all what I expected, Mr. Agraeus.
42:49Nor are you, Miss Burnrose.
42:51Nor are you.
43:21If it's Inspector Philistrate you're looking for, he's no longer a tenant here.
43:35Well, I heard he was looking for a new place to let.
43:40That's why I'm here.
43:42You're interested in his room, then?
43:44I'm interested.
43:47Why are you up and left?
43:48She didn't want to say nothing at first, though I got it out of her.
43:53Poor woman.
43:55You have to feel sorry for her.
43:58Being taken in like that.
44:00Still can't believe it.
44:02A half-blood passing right under our noses.
44:06It's a fucking disgrace.
44:09There's more.
44:10Go on.
44:11She told me he said the murdered Faye, the singer, was his mum.
44:22Fuck me.
44:24It all adds up.
44:26His mum, the headmaster, they both would have known the truth.
44:31What about Marange?
44:33Maybe the headmaster whispered something to him in the dark.
44:37Or maybe he's the one that clipped him back in the day.
44:41All that Akasha nonsense he made up to try and cover his tracks.
44:47By the martyr.
44:49It's been Philo all along.
44:52He killed them to hide his secret.
44:55You got a man on him now?
44:57Yeah.
44:59Then bring him in.
45:00I'll get a seat on him.
45:03I'll help you up now.
45:04I'll help.
45:05I'll help you.
45:29Can I help you, Inspector?
45:33You're a memberer?
45:35I'd just started here.
45:37Mr Spurnrose may bask in the martyr's light.
45:40Let her have what's now Miss Imogen's room.
45:43He was a good man.
45:45Progressive for his time.
45:48Even arranged for a doctor to look after her.
45:50Marange.
45:52I expect you know what happened to him.
45:55Well, there's not much more to tell.
45:57She stayed until the baby came.
46:00Cried for days after Marange left with him.
46:03The father?
46:06Did he ever visit?
46:07She never spoke of him.
46:09I had the feeling she was frightened of him.
46:14You've no idea who he was?
46:16None.
46:18Poor wee thing.
46:19He had these sad little wings.
46:23By the looks of them, I doubt he would have been able to take to the air.
46:28If he survived, that is.
46:31A lot of the time half-bloods don't, not for long anyway.
46:35I always wondered what became of him.
46:47I'm coming!
46:49I'm coming!
46:50Good evening.
46:51Where is he?
46:52Where is he?
46:53Where is he?
46:54Where is he?
47:01Rockcroft Philistrate.
47:04You're under arrest.
47:08On what charge?
47:10Suspicion of murder.
47:12Three counts.
47:19Murder.
47:21Cuff him.
47:23Cuff him.
47:37You don't have to wander anymore.
47:38Shut up, you fucking critch.
47:43Fuck!
47:45Fuck!
47:46Fuck!
47:48Fuck!
47:50Fuck!
47:52Fuck!
47:54Fuck!
47:56Fuck!
47:58Fuck!
48:00Fuck!
48:02Fuck!
48:03Fuck!
48:04Fuck!
48:12Fuck!
Recommended
47:26
|
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