Learning to Drive (2015) Full Movie HD

Light Stories

Learning to Drive (2015) is a warm and thoughtful drama about an unexpected friendship between a writer and her driving instructor. As they help each other navigate life’s personal challenges, their connection grows stronger. A gentle, inspiring story about second chances, personal growth, and moving forward—both on the road and in life.

Transcript

00:00:30...

00:01:00...

00:01:02...

00:01:04...

00:01:06...

00:01:08...

00:01:10...

00:01:12...

00:01:14...

00:01:20...

00:01:22...

00:01:24...

00:01:30...

00:01:32...

00:01:34...

00:01:38...

00:01:40...

00:01:42...

00:01:44...

00:01:50...

00:01:52...

00:01:54...

00:01:56...

00:02:06...

00:02:08...

00:02:10...

00:02:20...

00:02:22...

00:02:24...

00:02:26...

00:02:36...

00:02:38...

00:02:40...

00:02:42...

00:02:48...

00:02:50...

00:02:52...

00:02:54...

00:02:56...

00:03:00...

00:03:02...

00:03:04...

00:03:06...

00:03:08...

00:03:10...

00:03:14...

00:03:16...

00:03:18...

00:03:24...

00:03:26...

00:03:28...

00:03:30...

00:03:32...

00:03:38...

00:03:40...

00:03:42...

00:03:44...

00:03:46...

00:03:52...

00:03:54...

00:03:56...

00:03:58...

00:04:30...

00:04:44...

00:04:46...

00:04:48...

00:04:56...

00:04:58...

00:08:00...

00:08:10...

00:08:12...

00:08:14...

00:08:16...

00:08:48...

00:08:58...

00:09:00...

00:09:02...

00:09:04...

00:09:06...

00:09:08Tu sais, tu veux ce que tu veux.

00:09:10Vérimont suit tu.

00:09:11Tu te ressembles dangerously, dangerously healthy.

00:09:14Alors, pourquoi tu viens et me rester avec moi?

00:09:16Ils peuvent te mettre sur la farm.

00:09:17Tu peux y aller.

00:09:18La train est sur le autre côté du pays.

00:09:21Et je, bien sûr, je ne peux pas me drive.

00:09:24Pourquoi pas?

00:09:25Pourquoi ne pas?

00:09:26Je ne peux pas te drive.

00:09:27Je ne peux pas te dire.

00:09:28Je ne peux pas te dire.

00:09:29C'est pas facile.

00:09:30Je ne peux pas te dire.

00:09:31Et même si je peux,

00:09:33c'est trop loin,

00:09:34et c'est en milieu de la maison,

00:09:36et il n'y a pas Internet.

00:09:37Mais, tu ne veux pas aller?

00:09:38Il y a tellement de souvenirs dans cette maison.

00:09:40Tasha,

00:09:42quand je pense que tu et Dad n'est pas ensemble,

00:09:44c'est me tellement upset.

00:09:46Je suis bien.

00:09:48Et tu es ici, tout seul.

00:09:50En cette maison.

00:09:52Please ne pas être upset.

00:09:54Je pensais que tu es pas upset.

00:09:56Nous avons weatheré cette fois.

00:09:58Chaque 7 ans que l'Iche arrive à lui,

00:10:00il devient restless,

00:10:01il fait quelque chose de juvenile.

00:10:03Donc, à 21 ans,

00:10:04nous sommes dans notre 3D-Iche.

00:10:07ou c'est mal menopause.

00:10:09Ou c'est mal menopause.

00:10:10Ou c'est mal menopause.

00:10:11Instead of buying a motorcycle,

00:10:12Daddy decided to give adulterer a spin.

00:10:16Tell you what,

00:10:17when he comes home,

00:10:22we'll drive up to visit.

00:10:24Uh-huh.

00:10:25He'll drive up to visit.

00:10:26Mm-hmm.

00:10:27Dad's not coming home.

00:10:29Go look upstairs.

00:10:30He didn't take any of his books.

00:10:31What does that tell you?

00:10:32Go look.

00:10:33He said he filed for separation yesterday.

00:10:46He said he filed for separation yesterday.

00:10:51And he uses you to deliver that method.

00:10:56I hope she knows she'll have to pay for his keep

00:10:59because he's a loser.

00:11:00In 20 years, he couldn't get tenure.

00:11:03How anyone besides me could consider him romantic material is stupefying.

00:11:13It's stupefying.

00:11:14So you are upset.

00:11:15No, I'm not.

00:11:17I'm disgusted.

00:11:28You're gonna stay for dinner.

00:11:32Well, I...

00:11:33Yeah.

00:11:34I...

00:11:36I actually...

00:11:41I told Dad that I would eat with him.

00:11:47So this is just a visit?

00:11:49Stopping by to see if Mom's a basket case...

00:11:51No, that's not.

00:11:52...and then know and then run that message back to him?

00:11:53Thanks.

00:11:54You can go now.

00:11:55Mom, that's...

00:11:56No, I mean it.

00:11:58I have work to do.

00:12:00I just got here.

00:12:02Please don't walk away.

00:12:04Please.

00:12:32Please.

00:12:33Please.

00:12:34I love you.

00:12:35Oh...

00:12:37Oh, my.

00:12:38Hold me.

00:12:41There you go.

00:12:42I apologize.

00:12:44I'm afraid that I can turn it away.

00:12:45Keep writing for the intention of his own business.

00:12:48I'm so amㅋㅋㅋ

00:12:49because John already stepped on the team on my phone.

00:12:51KAUSE На proyecto

00:12:52I was&m..

00:12:53...and wanted to make sure for the happenstasy.

00:12:54I enjoyed Jordan at home so the freaking home.

00:12:56I watched her as he was Observatory for her.

00:12:58And he has stayed with me.

00:12:59This episode is unmanned and kept intent reviews of me...

00:13:01Vous avez l'air dans mon coffre.

00:13:05Oh.

00:13:07Ok.

00:13:09Oh, juste un moment, juste...

00:13:13Je pense...

00:13:15Oh, c'est pathetic.

00:13:17Je vais vous donner des vraies.

00:13:19Je ne veux rien. Je veux aider.

00:13:23Vous voulez aider?

00:13:25C'est impossible. Vous ne pouvez pas être de New York.

00:13:27Oui, je suis de Queens.

00:13:29C'est pas vraiment de New York, mais...

00:13:32Vous êtes très gentil, et je vous remercie.

00:13:35Vous êtes sûr que je ne peux pas vous donner quelque chose?

00:13:51Hey.

00:13:53Vous avez une carte?

00:13:59...

00:14:39Sous-titrage Société Radio-Canada

00:15:09I'm going to get my license, buy a new car, and drive up and see you so we can eat some dirt together. Love you.

00:15:22All right, we all ready? Fifteen seconds.

00:15:25I heard about you and Ted. I'm really sorry.

00:15:29Heard what exactly?

00:15:31What?

00:15:32Well, that you and here's...

00:15:33No, no, no. We're just taking a breather. God's sake.

00:15:37And joining me for today's topic, Are Critics Necessary, are three of our most influential critics, film reviewer J. Howard Mintz, Paige Belmap, who covers art, and of course, book critic Wendy Shields.

00:15:48Let's start with you, Wendy. It's good to have you back.

00:15:50Always a pleasure.

00:15:52Wendy, no child dreams of being a literary critic. What drew you to it?

00:15:57No child.

00:15:58I wanted anything to do with words. I grew up in a household that was far from peaceful, and books just floated me away.

00:16:11It's part of my job to review bad books, too, but the good ones still carry me off.

00:16:19Well, what are the current authors you enjoy reviewing?

00:16:22Many, but Martin Amis, Toni Morrison, Delia Krause.

00:16:33I especially love her short stories. You know, the magazine has published most of them.

00:16:39What?

00:16:40Nobody likes Delia Krause?

00:16:42Well, I do.

00:16:48Delia Krause, whore.

00:16:50We thought you knew!

00:16:50No! I thought it was one of Ted's students. Now I get it. She was writer-in-residence last year. She plowed through half the faculty. We all said Delia Krause would fuck gravel.

00:17:01Fuck!

00:17:03Come on. Well, maybe it won't last. He'll be back.

00:17:06Oh, God.

00:17:06Every time I open up the magazine, I'm gonna have to see her name.

00:17:18Are you heading to the office?

00:17:22Let's head back to the office.

00:17:23No, no. I think I'm gonna...

00:17:27I'm gonna work from home for a while, I think.

00:17:32Who is it?

00:17:39Darwin Singh Tour for your driving lesson, please.

00:17:42Oh, God.

00:17:47I completely forgot.

00:17:49Anyway, I've changed my mind about lessons.

00:17:52Why, if I may ask?

00:17:57I'm really sorry. I'll pay you for today.

00:18:00Don't pay me, but I will ask a small favor from you.

00:18:05Of course.

00:18:06Come sit in the car. The driver sits.

00:18:08So you get used to it.

00:18:09I'm in the middle of work.

00:18:10Let me do my job, just a little.

00:18:23Seat belt fast.

00:18:24Fast position turns on the electrical system, second position.

00:18:34Next, you have three mirrors, rear view, left and right.

00:18:38I really don't need to learn this.

00:18:40My husband drives, so...

00:18:42I never learned to cook because I thought my mother would always be there to cook for me.

00:18:46Then there was half a world between us.

00:18:48And so I make my own food.

00:18:52Your point?

00:18:53No point.

00:18:55Turn your head so you can see the blind spot.

00:18:57And the left shoulder.

00:18:59Turn your head.

00:19:01Left shoulder.

00:19:03So you can see the blind spot.

00:19:05Now put on your left signal.

00:19:06Other side of the wheel.

00:19:12Put on your left signal.

00:19:14Now turn your wheel all the way to the left.

00:19:20Put on the brake.

00:19:22Now you are in drive.

00:19:25Now the gas pedal.

00:19:32What happened?

00:19:33We're moving.

00:19:34That's good.

00:19:35I think I don't like this.

00:19:37Well, you have to go forward now because I haven't taught you how to back out.

00:19:40Now, shake your mirrors again.

00:19:42Turn your head.

00:19:43Oh, jeez!

00:19:45Nothing will happen.

00:19:46I'm always here with the other brake.

00:19:49Now, press your foot.

00:19:53Press the pedal gradually.

00:19:57Down and release.

00:19:59Press the pedal gradually.

00:20:01Gently.

00:20:03Press the pedal relatively.

00:20:03Press the pedal to your wheel.

00:20:10InstallECT so you can turn your foot.

00:20:13Hear?

00:20:14Wear it!

00:20:15Up and out!

00:20:15Wait!

00:20:16Eh, ma ancienne a envoyé une photo.

00:20:20Ah, elle a l'air d'être sour.

00:20:21Elle a beaucoup de complain.

00:20:22Qu'est-ce que vous n'avez pas encore regardé ?

00:20:24Vous savez, chaque fois que vous trouvez une raison pour ne pas les gens,

00:20:27je ne sais pas combien de ans il va être plus tard,

00:20:29jusqu'à ce qu'ils sont allés et que vous restez en soi.

00:20:31Vous pensez que dans votre tête, vous pensez que vous êtes encore dans la prison.

00:20:34Be quiet ! Vous n'avez jamais parlé de moi comme ça encore.

00:20:37Vous êtes un garçonné, un garçonné quand je vous ai pris.

00:20:39Je vous ai promis de m'aider à vous aider.

00:20:40Maintenant, vous avez été chiqués et désespérés.

00:20:41Et vous avez acheté des gouttes,

00:20:46et vous avez été chiqués et avec des gouttes.

00:20:48Ils disaient que ça nous mettait les randlesnicks dans la desert.

00:20:51Un de la border de l'aise ne va pas venir.

00:20:54Eh, ça a travaillé, oui ?

00:20:55Ça a travaillé.

00:21:01A apprendre à voir tout.

00:21:03Votre yeux, vous allez de l'avant à l'avant,

00:21:06et un bloc à l'avant.

00:21:08Vous voyez les marques sur le road,

00:21:10Les lights, les signes.

00:21:13Il y a trop beaucoup à lire.

00:21:15Il y a de temps.

00:21:17Il faut savoir de la vie et de la vie.

00:21:20Quand tu vois un gars qui est en train d'ahir,

00:21:23essayez-vous de ce qu'ils font ensuite.

00:21:24Oh!

00:21:25C'est bon.

00:21:27C'est bon.

00:21:29Le plus grand problème de la voiture est tout le monde.

00:21:31Tu ne peux pas toujours truste les gens pour vivre proprement.

00:21:35C'est pas la vérité.

00:21:38C'est la lumière de la lumière.

00:21:41C'est pas grave que la lumière de la lumière est comme à dire stop et danger.

00:21:45Il meurtrape que c'est que c'est quand tu es safe.

00:21:48C'est pas grave, c'est pas grave.

00:21:49Tu ne veux pas parler, Wendée.

00:21:50Quand tu ne veux pas parler, tu ne veux pas voir.

00:21:53C'est pas la lumière.

00:22:00Ted!

00:22:01Don't you love me anymore?

00:22:14No.

00:22:15But why?

00:22:19How did I fail you?

00:22:21What should I have done?

00:22:24Pay attention.

00:22:26Oh, God!

00:22:27Oh, my God!

00:22:29Why didn't you see her?

00:22:30Oh, my God!

00:22:31Were you wondering?

00:22:32Oh, my God!

00:22:35I'm never going to be good at this.

00:22:37Never.

00:22:38Every time it will get easier.

00:22:40Now, drive on.

00:22:43Can you please drive me home?

00:22:45No, you will do it.

00:22:46No, you will do it.

00:22:46I will help.

00:22:51Take the wheel, press the pedal.

00:22:53I will do it.

00:23:00Elle peut toujours avoir un ou deux enfants.

00:23:03Donc, pourquoi n'elle n'a pas été mariée ?

00:23:05Elle a été engagée une fois, mais les policiers m'entraînent sa fiancée,

00:23:09comme ils ont fait à Samir.

00:23:11Elle a été faite pour longtemps et elle a besoin de lui en maison.

00:23:14Maintenant qu'il est mort, elle n'a pas à aller.

00:23:17Elle est perfecte.

00:23:18Elle est la meilleure pour toi, Darwan.

00:23:20Et très bien-être.

00:23:22Tu vois la photo ?

00:23:23Oui, mais...

00:23:24Je peux parler avec elle et voir comme on va nous faire ?

00:23:28Elle n'a pas à la téléphone.

00:23:29Elle pense qu'elle sait qu'elle est doulée.

00:23:32Elle dit qu'il ne va pas me.

00:23:35Il ne va pas, Margie.

00:23:36Je ne vais pas penser à ça.

00:23:39Raspir, prends le téléphone à la fenêtre.

00:23:41Show me les streets, le sun, le sky, tout ça.

00:23:45Margie, c'est l'heure de l'heure.

00:23:49Tu ne peux pas voir rien.

00:23:52Oh.

00:23:55Alors, hallelujah, sis.

00:23:57Vous savez, c'est à l'heure que vous avez commencé à conduire.

00:23:58Je suis juste pour Tasha, pas parce que je n'ai besoin.

00:24:01Je sais.

00:24:02Debi, vous avez besoin de drive.

00:24:03Vous vivez dans les suburbs.

00:24:05Ici, nous avons des choses comme subways.

00:24:07Et...

00:24:08Et...

00:24:09Et...

00:24:09...

00:24:28C'est comme ça.

00:24:29C'est comme ça.

00:24:30C'est comme ça.

00:24:31C'est comme ça.

00:24:32C'est comme ça.

00:24:33C'est comme ça.

00:24:34C'est comme ça.

00:24:35C'est comme ça.

00:24:36C'est comme ça.

00:24:38C'est comme ça.

00:24:39C'est comme ça.

00:24:40C'est comme ça.

00:24:41Is there a vending machine?

00:24:42They just like them young.

00:24:44They can mold them however they like, teach them tricks.

00:24:47Like waking them up every morning with a nice blowjob.

00:24:52Maybe that's all Ted ever really wanted.

00:24:54Honestly, it's nirvana for them.

00:24:57Then why do we do it?

00:24:59That is way too much work.

00:25:01Oh, my God!

00:25:02Why do you think they call it a job?

00:25:04Oh, my God!

00:25:08No, this mouth is retired, okay?

00:25:11A full pension.

00:25:15High five!

00:25:16Wah, gigipee!

00:25:17Wah, gigipee!

00:25:18You get overexcited.

00:25:20Calm down.

00:25:21It's a very difficult one to hold.

00:25:24High five, Wendy.

00:25:27He wants support.

00:25:29Or a 25% share of your income.

00:25:31He claims he supported you while you pursued your career.

00:25:33I know, I know.

00:25:34This is the man who was jealous of my career.

00:25:36He criticized everything I did to undermine me.

00:25:40Wendy, it's normal.

00:25:41Each side asks for the outrageous and they meet somewhere in the middle.

00:25:44Don't take it personally.

00:25:48Just give him everything.

00:25:51If he agrees to be castrated.

00:25:55He'll let you stay in the house if you buy him out.

00:25:58I can't possibly afford that.

00:26:04Or split 50-50 if you sell.

00:26:10I have to move out?

00:26:11I am that house.

00:26:12It's like asking me to move out of me.

00:26:17Maybe it's too big now.

00:26:18I can't believe this.

00:26:19It's where we raised Tasha.

00:26:20It's where we were happy.

00:26:21It's...

00:26:22Okay.

00:26:23It's...

00:26:24Okay.

00:26:25It's where we were idiots.

00:26:26And we squandered our marriage.

00:26:28And we never made love when we should have.

00:26:29And we never fought when we should have.

00:26:30And we never fought when we should have.

00:26:31And we read and read and read.

00:26:32And went totally fucking blind.

00:26:35Oh, I want my house.

00:26:36I want my house.

00:26:37I want my house.

00:26:38I want my house.

00:26:39I want my house.

00:26:40I want my house.

00:26:42I want my house.

00:26:43I want my house.

00:26:44I want my house.

00:26:45I want my house.

00:26:46I want my house.

00:26:47I want my house.

00:26:48I want my house.

00:26:49I want my house.

00:26:50I want my house.

00:26:51I want my house.

00:26:52I want my house.

00:26:53I want my house.

00:26:54I want my house.

00:26:55I want my house.

00:26:56I want my house.

00:26:57I want my house.

00:26:58I want my house.

00:26:59I want my house.

00:27:00I want my house.

00:27:01I want my house.

00:27:02I want my house.

00:27:03I want my house.

00:27:04I want my house.

00:27:05Je veux ma maison !

00:27:07Je veux ma maison !

00:27:15Il y a un autre gars ?

00:27:17Probablement, c'est lui.

00:27:19Il y a quelqu'un.

00:27:21I.C.E.

00:27:22C'est vous ?

00:27:24D'Alwan Singh Tour, un citoyen d'Amérique.

00:27:26C'est votre papier.

00:27:27Oui, c'est ça.

00:27:28C'est parti !

00:27:35Comment ils ont laissé ?

00:27:36Comment ils laissent vous ?

00:27:37Political asylum !

00:27:422,000.

00:27:43Il est en train d'un des wirees !

00:27:49Prite !

00:27:50Prite !

00:27:51Oh, mon Dieu !

00:27:53Prite !

00:27:55Prite !

00:27:56Prite !

00:27:57Prit, oh my god, I'm sick of this.

00:28:01Take your time, take your time, they've gone, take your time.

00:28:05I really thought they had me this time.

00:28:08No, they took Teji and Ram, thank god you're safe.

00:28:13Only till next time.

00:28:23They will find us another place.

00:28:26No.

00:28:27I'm going to go live with my girlfriend in Chinatown.

00:28:31You have a girlfriend?

00:28:33They won't look for me if I'm with her.

00:28:35She's Jewish.

00:28:40Come on, Uncle D.

00:28:41You had to know I was going sometime, right?

00:28:45This is a very poor decision.

00:28:48My sister will blame me.

00:28:50Don't worry, I'll just tell her,

00:28:51Ma Ji, this is America.

00:28:54And I can do what I want.

00:28:58As long as they don't ask for my papers.

00:29:01Point your eyes at the middle of the lane, the same as a gun.

00:29:19Your peripheral vision sees all the rest.

00:29:24Oh, whoa, whoa!

00:29:25Osama!

00:29:26Oh, I thought we killed you!

00:29:27Shut up, asshole!

00:29:29Asshole, shut the...

00:29:31Does that happen to you often?

00:29:35Every day, people try to push your buttons.

00:29:38You don't engage with them, especially when you drive.

00:29:41Now, you are on top of a crosswalk.

00:29:44Next time, stop where you can't see the lines.

00:29:49You have the light.

00:29:56Oh, my God. God damn it!

00:29:58Don't lean on the horn.

00:30:01It's not a boat.

00:30:02Just a shortcut.

00:30:03I just... I don't understand why men have to do that.

00:30:07Wag their balls in your face.

00:30:09I think it's time to discuss road rage.

00:30:12You must learn to be calm and relaxed.

00:30:15Not only to drive, but in your life as well.

00:30:18And how do you manage that?

00:30:21Prayer helps me. I pray every day.

00:30:23I unfriended God a long time ago.

00:30:25I'm mad at your God, too.

00:30:33I'm sorry.

00:30:35Tell me where you want to drive.

00:30:40To go somewhere else.

00:30:41How do you want to get there?

00:30:43How?

00:30:45Do you want to arrive in one piece or two pieces or three?

00:30:48Don't patronize me.

00:30:52Look at me.

00:30:59It doesn't matter what is going on in your life out there.

00:31:03You must shut it out.

00:31:07When you are here, when you are at the wheel of a car,

00:31:11this is all there is.

00:31:14Your life, right now.

00:31:18So take care of it, please.

00:31:33You look fine.

00:31:51Therefore, I am.

00:31:53So many choices when you're single.

00:32:03Do I get a one-bedroom or a two?

00:32:06Or a high-rise or a low-rise?

00:32:09We're looking for a place in Nyack.

00:32:11That's a long commute.

00:32:21I enjoy the drive.

00:32:25You're leaving me the joy of sex?

00:32:27Yeah, it's yours.

00:32:28I gave it to you for Valentine's.

00:32:31I don't remember reading it.

00:32:33Why don't you put it in a drawer?

00:32:37Hand it here.

00:32:37Let's see if there's anything we didn't cover.

00:32:46Missionary.

00:32:47Check.

00:32:50Standing.

00:32:51Check.

00:32:54Rear entry.

00:33:01Oh.

00:33:02Check.

00:33:04Okay, I guess that's it.

00:33:18No, I found some photos.

00:33:21You might want.

00:33:23Nice ruler.

00:33:27Tasha was what, six?

00:33:28She was eight.

00:33:30Okay.

00:33:31Okay.

00:33:34This is hard.

00:33:44Yes.

00:33:50I'm finding I can do hard things.

00:33:55I'm learning to drive, you know.

00:33:56Well, that's a scary thought, Miss McGill.

00:33:58I can drive, I can keep a clean house, I can wear a tight skirt, I can make a cherry pie.

00:34:10I can make you love me again.

00:34:12I know.

00:34:12I can, I can, I can give you what you need.

00:34:17Wendy, no, this, this just isn't you.

00:34:20Since when, since when did you become a lab dancer?

00:34:25Where, oh my God.

00:34:29Sweetheart, don't, don't.

00:34:31It's so nice.

00:34:32Hold on, holy shit.

00:34:42Hey, hey, hey, hey, I'm here, I'm here, I'm coming, I'm coming.

00:34:45I don't want to hear it, pal.

00:34:46Sorry, sorry, man, my, my, my wife just kicked me out of my, I got a bunch of shit in the car.

00:34:50My problem, read the signs.

00:34:51Dude, come on, please, man, come on.

00:34:52You know the drill.

00:34:53You can't take the car, man, oh, fuck!

00:35:03She's not that kind of a woman.

00:35:05And how do you know?

00:35:07She will be modest, I think.

00:35:08This would shock her.

00:35:09Trust me, Uncle D, all women, they want these things.

00:35:13No, no, I don't want her to get the idea that this is how I think of her.

00:35:16It's disrespectful.

00:35:17Oh, come on, it's bad enough that you don't understand women,

00:35:20but you don't even understand yourself.

00:35:21Just, here.

00:35:24Preet, it's distracting.

00:35:27Huh?

00:35:28Distracting.

00:35:30Oh, shit.

00:35:32Sorry.

00:35:34No, wait, no.

00:35:35No, no, no, no.

00:35:38Okay.

00:35:39Oh, I'm, I'm lost.

00:35:42Wendy, how do you know if you put in enough salt and pepper

00:35:45when you're making a stew?

00:35:49You taste it.

00:35:50Right.

00:35:51So what do you do when you lose track of which way the car is pointing

00:35:54when you parallel park?

00:35:59You taste it.

00:36:00You just let the car move back a tiny bit

00:36:03and see which way it goes.

00:36:05You taste the direction.

00:36:07And then you adjust the seasoning.

00:36:10Right.

00:36:11You adjust a little bit and a little bit.

00:36:14And now I've made myself hungry.

00:36:16I will go home and make myself a curry.

00:36:22You look very nice today.

00:36:27Thank you.

00:36:28Wendy, what does a woman like for a gift?

00:36:33I don't, I don't know.

00:36:34Candy, uh, flowers.

00:36:38Speaking for myself, a book of poetry.

00:36:41Ah.

00:36:41My husband gave me that on our first date

00:36:44and every anniversary he'd mark a certain love poem

00:36:47and ask me to read it as he lay his head on,

00:36:50on my lap.

00:36:51It was a perfect gift.

00:36:54Yes, a fine idea.

00:36:56What about you?

00:36:58What present do you like?

00:37:00A check, of course.

00:37:01Ha, ha, ha!

00:37:07Bye.

00:37:08Next time.

00:37:09Bye.

00:37:30Bye.

00:37:32Bye.

00:37:32How can you claim the Moroccan lamp

00:37:40as a premarital asset?

00:37:42We bought it together, Ted.

00:37:45Hold on.

00:37:51Hear that?

00:37:53That's me tearing it in half

00:37:55so now you can shove it up both your ass

00:37:58and your lawyer's.

00:38:02Are they ever going to fix the air conditioning?

00:38:09I will take you someplace cooler.

00:38:15Oh, my God.

00:38:16It's a bridge.

00:38:17Yes.

00:38:18Today you are going over a bridge.

00:38:20I can't.

00:38:21I have a fear of heights.

00:38:22You take it slowly and now go straight.

00:38:24Please, please don't make me do this.

00:38:26Wendy, you must move.

00:38:27Why are you forcing me to do this, Darwin?

00:38:29Why?

00:38:29Because I know what you can do better than you.

00:38:32Oh, my God.

00:38:34Oh, my God.

00:38:36Don't look down.

00:38:38Focus on the middle of the lane.

00:38:39Oh, oh.

00:38:40It's just another road,

00:38:41only it's in the sky.

00:38:44Don't look down.

00:38:45Don't look down.

00:38:45This is terrifying.

00:38:46Yes, it's terrifying.

00:38:48Fear is good.

00:38:49When you are afraid,

00:38:50you pay more attention.

00:38:52No more tuning out, Wendy.

00:38:53We have a lot of merging to do.

00:38:55Thank you.

00:38:56That was a very nice man.

00:38:59Very nice man.

00:39:00You are not breathing properly.

00:39:02You are hyperventilating.

00:39:03Breathe.

00:39:08Now we are on land.

00:39:10Okay.

00:39:11You can let go the death grip now.

00:39:14Congratulations.

00:39:14Queens is part of New York, too.

00:39:19We don't have skyscrapers

00:39:20and Times Square

00:39:21and Trump palaces,

00:39:23but we only have more people.

00:39:25Many different people.

00:39:26Families.

00:39:28You have family here, too?

00:39:30Just my nephew.

00:39:31My sister's son.

00:39:33She lives in Punjab.

00:39:35Your parents?

00:39:36They're dead.

00:39:37I didn't tell you to turn.

00:39:42I'm showing you my Queens.

00:39:46This is where I grew up.

00:39:49You are from Queens?

00:39:54You played a good joke on me.

00:40:01My dad used to sit in his car

00:40:04just like that.

00:40:05listening to the game on the radio

00:40:08whenever my mother kicked him

00:40:10out of the house,

00:40:10which was pretty often.

00:40:12He took off one day.

00:40:15Never saw him again.

00:40:20My sister and I were left alone

00:40:21to raise our mother.

00:40:28I'm not going to hang on.

00:40:35I can't believe you got me here.

00:40:38I'm allergic to Queens.

00:40:40There will be a reward.

00:40:44Wait here.

00:40:45I'm not going to hang on.

Catégorie

Transcription

Recommandations