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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08Alright.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. Alright, that's fine.
00:01:30That's a good dog.
00:01:32Good. Alright, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. Alright, take five. We're reloading now.
00:02:10This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:14It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:20As dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:49So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Jesus.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:19Let me tell you a little about men, ladies.
00:05:24They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies,
00:05:46Some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:05:59Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:32I want to thank you so much for having me here tonight.
00:06:45I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:08I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:21Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of them.
00:07:46When I'm talking piece, ladies, I'm not talking a small piece.
00:07:53I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Let's get them, honey.
00:08:03Come on.
00:08:04I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:13Thank you.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year. You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies. I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:28Oh, oh, oh, oh, oh, oh.
00:09:39Girl, I see you walking that certain way. There's something about you that turns heads the other way.
00:15:04Sous-titrage Société Radio-Canada
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00:16:10Don't worry, baby.
00:16:12I'm here to help you.
00:16:14Everything's gonna be just fine.
00:16:16Everything's gonna be just fine.
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00:19:37Good morning ladies and welcome to a man's world
00:19:43You know what I think we're gonna have to rethink that dumb speech of yours, but don't worry
00:19:47I mean we're gonna make it right here. You know I want you to memorize everything stupid word you say
00:19:53I want you to see the look on your face
00:19:56But you know it's like anything else. I want you to see every arrogant sarcastic expression that you presented to that audience
00:20:05But don't worry. It's gonna be okay. We're gonna make it out just
00:20:14Now
00:20:15What would you like for lunch?
00:20:18Nothing. I want nothing from you. Oh
00:20:21Oh, okay. Well, I tell you what there's a buzzer right on that table in front of the TV and
00:20:29If you just push it
00:20:32I'll bring you anything you need
00:20:35Leave it dirty Emmanuel
00:20:51let's go
00:21:12Yeah
00:21:14Mmm
00:21:17Follow you around
00:21:21All right, give it a shot, baby.
00:21:32Help me!
00:21:36Can somebody help me?
00:21:41Save your breath, sweetheart.
00:21:43You'll need it later.
00:21:45You can't get out. No one can hear you.
00:21:47I'm in charge now.
00:21:48The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:22:03Hey, mister!
00:22:08Hey, asshole!
00:22:14You know your fucking TV set isn't working?
00:22:18Aren't there any other assholes that live in this area?
00:22:32Are you deaf?
00:22:34I didn't hear this fucking buzzer!
00:22:38Where the fuck are you?
00:22:39You fucking jerk!
00:22:44Are you deaf?
00:22:45What the fuck?
00:22:47Hello?
00:22:48Hello?
00:22:52Oh man.
00:22:55Oh, man.
00:23:16Hello.
00:23:18This is your friendly chef.
00:23:20How may I be of service?
00:23:21I'd like something to eat.
00:23:27Mmm.
00:23:28Well, I tell you, that sounds reasonable.
00:23:31All you have to do is use the word please.
00:23:35Please.
00:23:37Well, how do you like that, sweet cakes?
00:23:41You're finally making some progress, and it hasn't even been 24 hours.
00:23:47Breakfast is served in 30 minutes.
00:23:51Breakfast in bed.
00:24:09For the only lady in the house.
00:24:16Not bad, huh?
00:24:17I make my bernet sauce with a little brandy.
00:24:21I'm impressed.
00:24:22Well, thank you.
00:24:24I studied with a great chef at the Waldorf Astoria in New York.
00:24:28Lovely.
00:24:29Well, thank you once again.
00:24:30My specialty is pastry.
00:24:35Wow.
00:24:35Now, I want to know who you are and why I'm here.
00:24:40Well, my dear, you already know why you're here.
00:24:43That's to give you time and instruction until you get your pretty little head straightened out.
00:24:47As for me, I am your chef and host.
00:24:51And, in due time, if you're really nice and kind, I may even be your lover.
00:24:57You should live so fucking long.
00:25:03I told you that I don't like that kind of language from a woman.
00:25:06I don't want to have to say it again.
00:25:14What's your name?
00:25:15My name is Richard.
00:25:18Hello, Richard.
00:25:21What did they call you in school?
00:25:24Did they call you Ricky?
00:25:25Did they call you Dicky?
00:25:31Or did they just call you Dick?
00:25:55Oh, my God.
00:25:58I don't know what you mean.
00:26:03Okay.
00:26:07Oh, my God.
00:26:21Oh, my God.
00:26:24Ah...
00:26:25Ah...
00:26:26Ah...
00:26:31Help!
00:26:34Richard!
00:26:37Help!
00:26:38Help!
00:26:52You're about as dumb as a box that rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:58Please help me.
00:27:00Honey, you just said a magic word, please.
00:27:03My neck gun is caught on something here at the waist and I can't pull back out.
00:27:07Oh. Well, that's no problem.
00:27:11Okay, try it again.
00:27:15Go on.
00:27:19I can't do it!
00:27:21Why not? You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:25Okay, well, I'll tell you what. Let me check out the situation. Let me check this out, okay?
00:27:30Okay?
00:27:31Alright, I'm checking it out.
00:27:33You know, the only thing I can figure is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:41Hmm.
00:27:42Well, I'll tell you what. I can take this thing off its hinges and you'll be wearing a door for the rest of your life.
00:27:46Please.
00:27:51That's better.
00:27:52You know what? You're starting to get to me.
00:27:56The possibility exists is that you may even be getting better.
00:28:02But I doubt it.
00:28:03I don't believe this.
00:28:12Children.
00:28:16Healing with children.
00:28:17Oh, this is that fake butter. I hate this shit, don't you?
00:28:32Alright.
00:28:34Alright, this is the gold we have been searching for.
00:28:39Oh, yes.
00:28:41Oh, yes.
00:28:43Oh, yes.
00:28:46Oh, yes, baby.
00:28:49Oh, yeah.
00:28:50Come on, come on, come on, come on.
00:28:51Move over a little bit.
00:28:52I see a touch of you, babe.
00:28:53Come on.
00:28:54Come on, honey.
00:28:56Come to daddy.
00:28:57That's it. That's better.
00:28:59Oops, not enough.
00:29:00Just get your magi...
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:05Let me strike a close-up on your magic spot.
00:29:11Okay.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:27Yeah, no, I want to...
00:29:29I want to go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be magnificent. First class all the way.
00:29:46Of course.
00:29:47I like the ocean, but it has to be more than that.
00:29:52I want something that oozes love.
00:29:57Oozes?
00:29:58I beg your pardon?
00:29:59Oh, excuse me, oozes. I was just flashing on something.
00:30:03Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the people in the travel business might call me Mr. T because T stands for travel, of course.
00:30:15So you've come to the right place.
00:30:16Oh.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:23Oh!
00:30:25Hold your breath, you'll be screaming for oxygen.
00:30:27This.
00:30:28This is Antigua.
00:30:32The island of beaches.
00:30:35Five years ago, very dear.
00:30:39Well, close, intimate.
00:30:42A friend of mine and I spent five glorious days there.
00:30:45It was magnificent, I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other.
00:30:52And put them in a seal.
00:30:55An empty orange juice bottle and hiding under this rock.
00:30:59Look, this is the very rock.
00:31:01And the nights.
00:31:03Don't ask, the nights were magical.
00:31:07The wind, the people.
00:31:10The island, the beaches.
00:31:12The beaches.
00:31:14The love poems.
00:31:16Then when the mood struck us, which was quite often, we would adjourn to our magical suite.
00:31:24Yeah.
00:31:26This is the actual suite.
00:31:30Just between us.
00:31:32We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:37It was magnificent.
00:31:42I bet.
00:31:44What a memory.
00:31:46Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:58Your wife?
00:32:00Of course.
00:32:02Sorry.
00:32:03No harm done.
00:32:05Now you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach, I'll take the sand, I'll take the nightlife.
00:32:16But, I definitely do not want that, bro.
00:32:19Oh!
00:32:35Hello.
00:32:37This is Dick.
00:32:39What can I do for you?
00:32:41Look, Richard.
00:32:43I have nothing against you.
00:32:47Please let me go.
00:32:49Not until your act is together, my darling.
00:32:52Okay.
00:32:54You're right, I'm sorry.
00:32:55Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you, you know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:13Look, Richard.
00:33:16I have nothing against you.
00:33:19Please let me go.
00:33:21Not until you get your act together.
00:33:24I know.
00:33:26You're right, I'm sorry.
00:33:28Not only do I hate women who use foul words,
00:33:32but I hate women who lie.
00:33:34Good night, sweetheart.
00:33:36Oh no!
00:33:38Richard!
00:33:39Richard!
00:33:41Richard, come back!
00:33:43Oh please, don't go away.
00:33:47Oh please, you've got to come back.
00:33:50You've got to talk to me, Richard.
00:33:52Please!
00:33:54Oh God.
00:33:58Oh God, no, go away.
00:34:04Please, Richard.
00:34:07Please.
00:34:10Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:36I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:43Look.
00:34:45I will do whatever you want.
00:34:50I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:57I want to see you.
00:34:59I want to see you.
00:35:05You can see me?
00:35:07You've been watching me?
00:35:10Just relax, baby.
00:35:11How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:20What is it?
00:35:22Is it a peephole dick, you prick?
00:35:25Oh no, not a peephole.
00:35:27Not for dicky boy.
00:35:29Dicky boy is much too clever for that, isn't he?
00:35:31Oh, it's gotta be something else, huh?
00:35:33How about a TV camera?
00:35:34How does that sound?
00:35:36And when I find it,
00:35:38and I will find it,
00:35:41I am gonna smash the shit out of it!
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:47Never!
00:35:49You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are anyway?
00:35:54You listen to me and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:58God, I hate you!
00:36:01You are the lowest of the low!
00:36:04You listen to me, dicky boy.
00:36:07When I get out of here,
00:36:09you are dead meat!
00:36:14Don't do it, don't do it!
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:25Fuck you!
00:36:28Good night, sweetheart.
00:36:31Oh, this is just perfect.
00:36:33Oh, what's the matter, dicky boy?
00:36:35Reality gets to be too much for you?
00:36:37Huh?
00:36:39Reality gets to be a little tough,
00:36:40and you can't take it.
00:36:42You gotta turn off the sound, huh, buddy?
00:36:44Well, let me tell you something.
00:36:46I'm still gonna find it.
00:36:48And when I find it,
00:36:50you can watch your mind.
00:36:52I'm still gonna find it.
00:36:53And when I find it,
00:36:54you can watch yourself
00:36:55for the rest of your fucking life!
00:36:57Oh, my God!
00:36:59Oh, my God!
00:37:00I'm still doing the same thing,
00:37:01and I'm still doing it.
00:37:03Oh, my God!
00:37:04Oh, my God!
00:37:05That's all right!
00:37:18Oh, my God!
00:37:19Oh, my God!
00:37:21That's all right!
00:37:22C'est parti.
00:37:52C'est parti.
00:38:22C'est parti.
00:38:29Turner, detective agency.
00:38:30Jerry Turner, please.
00:38:32Sam Weston calling.
00:38:33Please hold.
00:38:35Hello.
00:38:36Mr. Turner, this is Sam Weston.
00:38:39Hey, Sam.
00:38:40Just make it Jerry, okay?
00:38:42Okay, Jerry.
00:38:43How are we doing?
00:38:44Well, Sam, while you were flying in first class from New York, I found the last person to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel.
00:38:59Helped her out to the phony limo.
00:39:01Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick and go out and do some more business together.
00:39:12I can have her here on Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:19Hello?
00:39:45Hello?
00:39:45I have no water in here.
00:39:52What's going on?
00:39:55Richard, I have no water.
00:40:03How many ways do I love you?
00:40:09I'm gonna show you now.
00:40:12I'll buy you nice little things and a big diamond ring.
00:40:20Oh, wow.
00:40:23You said that you didn't love me.
00:40:27Honey, I got class and style.
00:40:31I'll make sure we're together in stormy weather.
00:40:38Mile after mile after mile.
00:40:42Yeah.
00:40:43How many ways do I love you?
00:40:47Let me tell the world.
00:40:50Let me tell them all.
00:40:51I'll buy you a rainbow.
00:40:55I'll buy you the moon.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the sides of the hall.
00:41:04Throw in the sleaze and all.
00:41:07You'll be the queen of the fall.
00:41:10The gown was $600 and $25.
00:41:25However, if you'd wish to purchase the undergarments we discussed, I'm sure we can come to some kind of agreement for a discount.
00:41:32Let's say, um, 5%.
00:41:35Well, that sounds okay.
00:41:37I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:41I'm sorry, sir.
00:41:42But we don't model underwear.
00:41:45Why not?
00:41:47Company policy.
00:41:48Who said what company?
00:41:49This company.
00:41:50You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why'd you come and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:59Sir, this is a respectable establishment.
00:42:02Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:13I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:20Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh, oh, let's see.
00:42:28A 10% discount seems, uh, pretty respectable to me.
00:42:34Don't you think?
00:42:34Well, look at that.
00:43:02Front page, above the fold, in living color.
00:43:08I really am fantastic.
00:43:32Good morning, Emmanuelle. I have something very special for you.
00:43:39Something pink for pink lady.
00:43:43How are you?
00:43:45Hey you, what's going on here?
00:43:47Plug it back in. There's a little bra for you in black.
00:43:49I've been calling you all day. I don't have any water and where the hell's my food?
00:43:52Plug it back in and things will be quite beautiful for you.
00:43:55Here's something royal for a royal lady.
00:43:57Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you. Just plug it back in.
00:44:03Another thing for pink lady. Here's a little thing for purple.
00:44:06I want some goddamn water. I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life. There they are. Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass. Give me some water.
00:44:19Come on. Here's the little undies for the baby.
00:44:21You prick. You turned the water off, didn't you?
00:44:24You got it, sweetheart. And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, well, Jesus Christ.
00:44:35I got faith in you. I mean, I think you'll figure it out.
00:44:40I'm not taking any calls, sweetheart.
00:44:56And I'm going to get some water, all right?
00:45:11Jeez.
00:45:13From my heart.
00:45:14You're in your heart.
00:45:15God is you.
00:45:16God bless you.
00:45:17You're right.
00:45:18Come on in.
00:45:19You're right.
00:45:20And what you can do is see you get me.
00:45:21I think he's a boy.
00:45:22I'm not even Speak for sure.
00:45:23You're a man.
00:45:24I'm not even a boy.
00:45:25You're a boy.
00:45:26You're a boy.
00:45:27You have a boy.
00:45:28Next time.
00:45:29You're a boy.
00:45:30You're a boy.
00:45:31Okay.
00:45:32I'm a boy.
00:45:33You're a boy.
00:45:34I'm a boy.
00:45:36Sous-titrage MFP.
00:46:06Oh, God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm going to make it as easy on you as possible.
00:46:23Now, all you got to do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you got to do is come over here and plug it back in.
00:46:44You want something to drink, plug it back in.
00:46:45You want something to eat, plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:14We'll do it your way.
00:47:16Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:36Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:46And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you, as soon as we get to know each other better.
00:48:44The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:54Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:05That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:12You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:36I'll hear this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:58By my name.
00:49:58They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:27No, I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:57Oh, I got you back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:19Oh, no, just, just lucky.
00:51:25But what about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:33I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So, what happened?
00:51:49I found out I was no actress.
00:51:51Well, then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:09I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:27I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:58Well, men just take advantage.
00:53:01Oh.
00:53:05So, when you're, uh, stuck naked
00:53:08in front of those good old boys,
00:53:10I mean, uh,
00:53:11who has the advantage then?
00:53:22Why don't you play me some music?
00:53:24I want to dance for you.
00:53:29I want to dance for you.
00:53:33Ah.
00:53:33I want to dance for you.
00:53:47I care.
00:53:48I'm yet there.
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