- 3 days ago
Designed For Desire (2025) - FULL [Eng Sub]
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Barber!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:46I don't have time to ask twice.
01:47I don't have time to ask twice.
02:17Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Miss Brooks?
02:40Shit.
02:44Who is this woman?
02:45And his girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh!
02:56Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes.
03:03Right now.
03:15So, Miss Brooks, what do you see in this room?
03:26Well, it's deliberate, controlled, powerful.
03:33It's impressive, but...
03:36It's not...
03:38It's not...
03:39Satisfying.
03:41Bold again.
03:45Tell me, how do you know it's satisfying?
03:48Satisfaction lies...
03:51Somewhere in between.
03:52You think you can give me that?
03:53Think you can take the risk and find out?
04:05All yours.
04:09Hey.
04:10The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:30The position's been filled.
04:32Go home.
04:33Get out.
04:36Damn.
04:37He doesn't have to be so rude.
04:52Pappy, your phone's upside down.
04:56Hi.
04:57How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Pappy, damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey.
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that.
05:32I did not agree to this.
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:51How long?
05:52Keep reading.
05:53And definitely without exception?
05:56A gift.
06:03What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:22I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my God.
06:47Goodbyes are always so hard.
06:49Put me down.
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:09No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit, I'm trapped with this monster.
07:25Oh my God, is this really happening?
07:28I'm stuck.
07:36Ahem.
07:39This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56Enjoy the view?
08:19No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in ten minutes.
08:43Great.
08:43I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:00Oh, my God.
09:11Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:21Mr. Mercer, we didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:34If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm going to have a team come in and make some final measurements over here,
09:55and I'll ensure they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:01Huh?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:31Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
10:59I hope she doesn't see right through me.
11:03So, how would you do it?
11:10Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:14Over here, I would put a chaise lounge.
11:20Lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29handles.
11:30And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:37I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:53Anyway, uh, this would be a great place to mount wall cuffs.
12:19Don't pick up.
12:23Don't pick up.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states that I receive 100% of your attention at work.
12:53Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:28I won't ask twice.
13:38Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer,
14:55Miss Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:09So, without further ado, please enjoy your drinks and have a wonderful night.
15:25May I have this dance?
15:27Oh.
15:31Sterling.
15:31I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:43I was thinking maybe you would benefit from a designer who really knows you.
15:50Your past.
15:52I'm not interested in rehashing our relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
15:59Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her.
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:27Ha ha ha ha.
16:29Get him out of here.
16:33Oh, shit.
16:36It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Yeah, you're okay.
16:41Yeah, good.
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:44Okay.
16:44Crazy night, huh?
16:53Yeah.
16:54Too crazy.
16:55I'm Nora, a close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:01It's demanding.
17:04It's demanding.
17:05I'm the client.
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:19Oh, how embarrassing.
17:21What are you doing in here?
17:26Uh, Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah.
17:33The head of the board was barking my ear off.
17:36I...
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:07I feel, excuse me.
18:19I have work to do.
18:34This hand.
18:36What if...
18:38Maybe cuffs?
18:41What if we hang something around here?
18:58Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know
19:06that I worked on these all night.
19:17Maybe if you stayed at the gala,
19:18you would have learned something.
19:20Learned what?
19:21You follow through with your obligations
19:22so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night
19:32and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think...
19:38Maybe, just maybe,
19:40that's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:48It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room,
20:09it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you
20:27that your grandfather just received
20:29his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed
20:55your undivided attention,
20:57I meant it.
21:01Now the only thing you have to worry about
21:02is me.
21:05I'm not your slave.
21:10Five designs
21:12by tomorrow morning.
21:19You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:32Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company
21:43before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:53I'm going to deliver these designs
21:56to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom?
22:20From what?
22:21Me?
22:21No.
22:22No, not you.
22:25I'm this.
22:26Well,
22:27I need to keep track of you.
22:30I mean,
22:30what if...
22:32Sterling,
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know
22:38if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean,
22:42you'll be free as a bird.
22:43I mean,
22:43you'll be free as a bird.
22:51I do have more surprises to show you.
22:59But, um,
23:00you're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises,
23:05aren't you?
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by
23:31to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:35We're going to come back tomorrow
23:35with the rest of the crew
23:36and get it resolved.
23:37Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this
24:18elevates the intention of the space.
24:21The juxtaposition between
24:22control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom
24:38and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:18What?
25:19There's no signal.
25:20Yeah, the soundproofing they put up
25:22cuts signal.
25:24What?
25:25No.
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11I wanted you.
26:41Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:12Ah!
27:13Where the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:36I'm sorry.
27:37I'm so embarrassed.
27:39Um, hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay.
27:53Okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:14He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:24I have a girlfriend.
28:37I have a girlfriend.
28:38I know you guys have a girlfriend in your half.
28:42I have a girlfriend.
28:44I have a husband.
28:53I have a girlfriend.
28:54Got you now, bitch.
29:08I found her address.
29:10Sterling. Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something. Figure it out yourself.
29:40You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised facing bankruptcy and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:34I'll publish the information and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it more of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:51Miss Brooks, in my office immediately.
31:09Are you sure you want me in there and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean lost?
31:24I finished the designs last night and I fell asleep, but when I woke up they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
31:54Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You're not trusting me?
32:37You were the one with another woman after all that I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into her.
32:55You promise?
32:58I promise.
32:59I was...
33:00Oh, no!
33:01I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to reset.
33:22Let's go inside.
33:37Let's do it.
33:52knives you cut right through every look says what you do pull me under soft and deep you're the
34:01secret i can't keep breath on glass you trace my name no one else can play this game you don't ask
34:12you just take and i give and i pray well hello i'm here for mr brooks i'm sorry what exactly is this for
34:23i'm the treatment nurse i'll be taking him to his appointment for today oh mr brooks doesn't
34:28have an appointment today i can assure you he does well thank you for coming can i bring crumpet yes
34:38mr brooks bring the cat
35:00hello cecilia i'll need your full cooperation i have something of yours you might want back
35:06now that i've got your attention i need a little favor bring me mercer's legacy one design you can't
35:13do this but see i already have sweetheart get me the designs tell sterling and your sweet old pappy
35:20guys and your little cat too your choice i've been reviewing project management assets you're four
35:27days late on the hudson property the client is not happy mr mercer is not happy pick it up or i'll give
35:34your work to her she's three days ahead is that a personal email
35:49you can't do it
35:58sweetie you don't have to do this too late old man who the fuck are you your worst nightmare baby i'm
36:08glad i'm so glad you made it i set all this up for you this better work
36:13you don't have to do this better work
36:18so
36:51Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but you knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:21Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:00It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:44Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:06Sterling versus legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:40I've had a change of heart.
39:44Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hell designs.
40:24He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:33So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:38Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know, please!
42:49Don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51Tell me everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:00Well, then.
44:05Looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweet miss, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:26Sterling, help me, please!
44:35Sterling, wait, it's a trap!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Laura, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:05I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One in the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch, she told Vincent everything!
45:22No, she's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:47No!
45:51Stop the knife!
45:53No!
45:55Vincent, yes, please!
45:57You have the right to leave me!
45:58Go on!
45:59Silence!
46:00Anything you say in the movie is against you and it's going to fall.
46:03You get this, my sir!
46:04Wait, no, no, I'm Heinzverse.
46:05I'm so sorry.
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:15Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:27I thought...
46:28We'll always find you.
46:32How?
46:32Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:44I will always keep you safe.
46:53Hey, hey.
46:54Would you two take it someplace else?
46:59Sorry, Fabi.
47:00I'll take you and Crump at home.
47:01Oh, thank goodness you're okay.
47:09I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Fabi.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:31I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my mind.
48:27Come here.
48:27I don't know what you do, but love just fits like true.
48:34You got a...
48:35This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:49Um...
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Cecilia.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This...
49:13This...
49:14This is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48But then you came in.
50:07You're kind.
50:09Old.
50:12Intuitive.
50:13Sterling.
50:13Beautiful.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33Yes.
50:34Yes, Sterling.
50:34Yes.
50:34Yes.
50:34Yes, Sterling.
50:36Yes.
50:36Yes.
50:36Yes.
50:37Yes.
50:37Yes.
50:38Yes.
50:38Yes.
50:38Yes.
50:39Yes.
50:39Yes.
50:40Yes.
50:40Yes.
50:41Yes.
50:42Yes.
50:42Yes.
50:43Yes.
50:44Yes.
50:44Yes.
50:45And now you do well.
50:45Yes.
50:45Yes.
50:45Yes.
50:46Yes.
50:46Yet.
50:47Yes.
50:47Yes.
50:47Yes.
50:48Yes.
50:48To forever, too.
50:48To every dream we're walking through.
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