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Designed For Desire – Full Movie (2025)
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:48I don't have time to ask twice.
01:50I don't have time to ask twice.
02:20Hello, this is Cecilia.
02:29Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello?
02:39Ms. Brooks?
02:40Shit.
02:44Who is this woman?
02:46His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh!
02:56Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes.
03:03Right now.
03:04So, Ms. Brooks, what do you see in this room?
03:26Well, it's deliberate.
03:30Controlled.
03:32Powerful.
03:33It's impressive.
03:35But...
03:36But?
03:37It's not...
03:40satisfying.
03:41Bold again.
03:45Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:04All yours.
04:05Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:26I don't plan to.
04:30The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38I don't know.
04:52Pappy, your phone's upside down.
04:53Hi.
04:57How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey.
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that.
05:36I did not agree to this.
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Hmm.
05:50How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:03What the fuck?
06:06A gift in exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh, my God.
06:47Goodbyes are always so hard.
06:49Put me down.
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:25Oh, my God.
07:26Is this really happening?
07:28I'm stuck.
07:29This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56Enjoying the view?
08:19No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:31The building.
08:32The build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in 10 minutes.
08:42Great.
08:44I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:00Feel pressure deeper, make hearts near.
09:03Danger, Asia.
09:04She like the danger of eating the ride.
09:07Can't fake the hunger, nowhere to hide.
09:10Oh, my pink pepper.
09:11She want the power, takes the control.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer.
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here.
09:55And I'll ensure they know where to keep their mouth shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:21By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40Who is...
10:41We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh...
11:10Um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here, I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:37I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh...
11:57This would be a great place to mount small cuffs.
12:03I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000
12:42Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:58There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:14Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:30I won't ask twice.
13:31Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen,
14:38it is my pleasure to welcome you all to
14:40the annual architectural ball
14:43proudly hosted by the Mercer Group.
14:49I'd also like to welcome and introduce
14:51our newest interior designer,
14:54Mr. Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado,
15:14please enjoy your drinks
15:15and have a wonderful night.
15:24May I have this dance?
15:26Oh, okay.
15:31Sterling!
15:32I was hoping that maybe we could
15:35walk and talk.
15:37Or maybe
15:37dance and discuss.
15:40You must be working so hard.
15:42I was thinking
15:44maybe you would benefit from a designer
15:47who really knows you.
15:50Your past.
15:52I'm not interested in rehashing
15:53our relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a
16:02difficult person to work for.
16:08You know you can come to me
16:10if you need anything.
16:16Get your hands off of her!
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester
16:26came to play!
16:31Get him out of here.
16:36It's alright, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink?
16:43I'm gonna take care of this.
16:48Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position
17:01treating you?
17:03It's demanding.
17:05The client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty
17:09to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:16Oh!
17:18Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board
17:34was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled every aspect of my life,
17:50every movement I make.
17:52You're obsessive, cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel excuse me.
18:19I have work to do.
18:20This hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know
19:06that I worked on these all night.
19:17Maybe if you stayed at the gala,
19:18you would have learned something.
19:20Learned what?
19:21You follow through with your obligations
19:22so you wouldn't waste your time
19:24working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night
19:32and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think?
19:38Maybe, just maybe,
19:40that's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:58Oh my God.
20:02Excuse me, Miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room,
20:09it's because the insurance ran out or...
20:22Miss Brooks?
20:25Yes?
20:26I just wanted to inform you
20:27that your grandfather just received
20:28his first round of stem cell treatment.
20:30he's being very well taken care of.
20:32I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:37I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed
20:55your undivided attention,
20:57I meant it.
20:58Now the only thing
21:01you have to worry about
21:02is me.
21:05I'm not your slave.
21:11Five designs
21:12by tomorrow morning.
21:19You're welcome.
21:19I've been expecting you.
21:28I have a feeling
21:28I'll be impressed.
21:30Brushed work
21:31is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company
21:43before I was old enough
21:44to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control
21:53everything after all.
21:54I'm going to deliver
21:55these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:05It's beautiful.
22:11I do have a request, though.
22:16I was wondering if I could
22:17I could have a little freedom?
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well,
22:27I need to keep track of you.
22:30I mean,
22:30what if...
22:32Sterling,
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know
22:38if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean,
22:42you'll be free as a bird.
22:43I do have more surprises
22:58to show you.
22:59But, um,
23:01you're gonna have to wait
23:02till tomorrow.
23:03Hmm.
23:04Full of surprises,
23:05aren't you?
23:06Yeah.
23:06And that's why
23:11I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be
23:29anyone working today.
23:30We were just swinging by
23:31to assess a minor
23:32electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're gonna come back tomorrow
23:35with the rest of the crew
23:36and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:03Hmm.
24:04It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work
24:12to be intentional.
24:13Intentional.
24:16Well, I would argue
24:17that this elevates
24:19the intention of the space.
24:21The juxtaposition
24:22between control and chaos.
24:24You have good eyes,
24:25Miss Brooks.
24:27Follow me.
24:28Okay.
24:28Your second task for the client.
24:37Master bedroom
24:38and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
24:50Yes.
24:50Is it not what you thought?
25:10No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:18There's no signal.
25:20Yeah, the soundproofing
25:21they put up
25:22cuts signal.
25:24What?
25:25No.
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone
25:42notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask
25:53about the client.
25:54Just tell me.
25:55No, it's not.
25:57Is she...
25:58more?
26:00I built this room
26:02because I believed
26:03in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:25Sir, your...
26:347 o'clock is waiting upstairs.
26:50Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:13Ah!
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care
27:24of your grandpa
27:24and Crumpet
27:25until you return.
27:27Sweetie,
27:27what are you doing home?
27:29What am I doing?
27:32This is Agnes,
27:33my nurse.
27:34She's taking care of me.
27:35Oh.
27:37I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you
27:44in your apartment?
27:46If you're there,
27:47there's no need
27:47for Agnes to stay employed.
27:49Ceci,
27:49you're ruining my chances.
27:51Go back, Ceci.
27:52Oh, okay.
27:53Okay.
27:54Everything's all right.
27:56Agnes has taken
27:56very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um,
28:00it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:03Okay.
28:03Okay.
28:03Okay.
28:07What the hell?
28:15He has a girlfriend?
28:23What was I thinking?
28:37Got you now, bitch.
29:06I found her address.
29:26Sterling.
29:29Sterling.
29:29Can we talk?
29:30I don't have the time,
29:31Miss Brooks.
29:32Sterling,
29:32it's important.
29:33Please.
29:33Well,
29:33I'm dealing with something.
29:34Figure it out yourself.
29:36You might want to ask me
29:46why I'm here,
29:47you psycho.
29:48I don't give a damn
29:49what you have to say.
29:51I don't trust you.
29:52Well,
29:52maybe you should start
29:53because I know
29:55a dirty little secret
29:56about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts
30:12being compromised,
30:13facing bankruptcy,
30:14and becoming the embarrassment
30:16of architecture,
30:17we could merge
30:18as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:25Because someone
30:27pretty close to you
30:28seems to be worried
30:28about you.
30:29Besides,
30:30if you don't
30:31accept this buyout,
30:33I'll publish
30:35the information,
30:36and Mercer Designs
30:38will go bye-bye.
30:39Is that a threat?
30:40Think of it
30:41more of a
30:43bribe.
30:48Get the hell
30:49out of my property
30:49and out of my sight.
30:52Now!
31:05Miss Brooks,
31:07in my office
31:07immediately.
31:09Are you sure
31:09you want me in there
31:10or not your other
31:11woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs,
31:18but they're not
31:19the originals.
31:19The originals
31:20are missing
31:21or lost.
31:23What do you mean,
31:24lost?
31:24I finished the designs
31:25last night
31:26and I fell asleep,
31:27but when I woke up
31:28they weren't in my room
31:29anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that
31:33to the next girl
31:34you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure
31:40you're the one
31:41who's talking
31:41about losing sketches.
31:43Something you won't
31:44have to deal with
31:45anymore.
31:47Marley's gonna be
31:47taking you
31:48to the project mansion.
31:50Hopefully you can
31:51figure out
31:52your sketches
31:52problems there.
31:54You may go.
32:01Take her and her
32:02belongings
32:02to the project mansion.
32:04Anything I should know,
32:05sir?
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:12Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh...
32:26had to get some artwork
32:28for the client.
32:31You don't trust me.
32:33That too.
32:35You not trusting me?
32:37You were the one
32:37with another woman
32:38after all that
32:39I did this all
32:40for you, bullshit.
32:41Okay, what woman
32:41are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel
32:48any better, I...
32:49I promise I'm looking
32:53into her.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to her, sir.
33:22I promise.
33:36Let's go inside.
33:37It's a fire on the inside
33:42Eyes like knives you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:00You're the secret I can't keep
34:04Breath on glass you trace my name
34:07No one else can play this game
34:10You don't ask you just take
34:14And I give and I pray
34:16Well hello I'm here for Mr. Brooks
34:21I'm sorry what exactly is this for?
34:23I'm the treatment nurse
34:24I'll be taking him to his appointment for today
34:27Oh Mr. Brooks doesn't have an appointment today
34:29I can assure you he does
34:30Well thank you for coming
34:36Can I bring Crumpet?
34:38Yes Mr. Brooks
34:39Bring the cat
34:40Hello Cecilia
35:01I'll need your full cooperation
35:03I have something of yours you might want back
35:06Now that I've got your attention
35:08I need a little favor
35:10Bring me Mercer's Legacy One design
35:12You can't do this
35:13But see I already have sweetheart
35:16Give me the designs
35:17Tell Sterling and your sweet old pappy dies
35:20And your little cat too
35:22Your choice
35:23I've been reviewing project management assets
35:26You're four days late on the Hudson property
35:29The client is not happy
35:30Mr. Mercer is not happy
35:33Pick it up or I'll give your work to her
35:35She's three days ahead
35:36Is that a personal email?
35:39Sweetie you don't have to do this
36:00Too late old man
36:01Who the fuck are you?
36:04Your worst nightmare
36:06Baby
36:07I'm glad I'm so glad you made it
36:09I set all this up for you
36:11This better work
36:14No
36:16No you won't
36:17You won't
36:26No you won't
36:27No you won't
36:28Go
36:29No you won't
36:30No you won't
36:31No you won't
36:31I beat your hand
36:33Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:01I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:30No one.
37:31I, uh, just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:41So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want it to get messed up.
38:00I'm trusting you right now.
38:12I know.
38:14What the hell is going on?
38:30Good girl.
38:33Right on time.
38:38Good girl.
38:49Right on time.
38:52Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:56Come on, Cecilia.
38:59Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Cissy, don't!
39:26Get out of here!
39:27Look, look!
39:40I've had a change of heart.
39:45Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off,
40:14you and that little tracker
40:17and this entire place will go bye-bye
40:19and then that will pave way
40:21for the construction site
40:22of all hail designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:39But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear,
40:51is the contact for Sterling's project mansion.
40:55What?
40:56Why does that matter?
40:58Well,
40:59once I have the contact,
41:02I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names
41:07attached to any property.
41:11That will never happen.
41:17Who's the client?
41:18How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did,
41:32I wouldn't tell you.
41:33So...
41:43Tell me.
41:46Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word,
42:13which makes it kind of harder to believe you.
42:15So,
42:17tell you what.
42:18This is how it's going to go.
42:20You're going to tell me,
42:22and then you,
42:24Pappy,
42:24and little Kitty
42:25will go free
42:27while Mercer Designs burns to the ground.
42:30or
42:32I could kill you
42:35right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:45Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:50I'll tell you!
42:51I'll tell you!
42:51I'll tell you!
42:51I'll tell you!
43:00Tell me...
43:02everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:10I know she's very private,
43:13very secretive.
43:15She only talks to Sterling.
43:16She's an older,
43:19conservative woman.
43:21Liar!
43:23That night that I dosed Sterling
43:25with that sleeping elixir,
43:27I found your little project mansion
43:30and that newly built BDSM room.
43:33Oh, and then all the plans
43:34that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat, too.
44:03Well, then.
44:05Looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweetness,
44:11but our short little affair
44:13is over.
44:15Excuse me.
44:17Well,
44:18obviously I don't need
44:19your services any longer.
44:22Besides,
44:23I don't
44:24do
44:25witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36No!
44:36Sterling, please,
44:37you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up
45:12the Legacy One
45:13and the third floor!
45:16Wait, how do you know
45:16about the Legacy One project?
45:17That was confidential.
45:19That little bitch.
45:20She told Vincent
45:21everything!
45:22No,
45:22she's lying.
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:30When I thought I saw you
45:32with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:49No!
45:51Jump to the knife!
45:53Get right here!
45:53Get right here!
45:54Stop!
45:54No!
45:55Vincent, yes, please!
45:57You have the right
45:58when you're silent!
46:00Anything you say
46:01can't move against
46:01against you
46:02and you're going to fall!
46:02No!
46:02Get this, my sir!
46:04Wait, no, no,
46:04I'm Hines-verse.
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:08But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent,
46:17we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27We'll always find you.
46:31How?
46:36Because I know you.
46:38That moment in the parking lot,
46:40I knew from your eyes
46:42that you needed me.
46:48I will always keep you safe.
46:53Hey, hey,
46:54would you two take it someplace else?
46:56Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows,
47:21he knows.
47:25Agnes,
47:26it's been a long time
47:27since I've met someone
47:28as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:34I love you, Agnes.
47:45Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I'm jealous,
48:11Woke up
48:12when the sky was playing
48:14Coffee tastes like sugar dreams
48:17Traffic sounds like melodies
48:20Since you've been around
48:22Everything feels brand new
48:25Sunlight dancing in my mind
48:27Come here.
48:28And I don't know what you do
48:31But love just fits like truth
48:33You've got to be flowing
48:37This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:48Um...
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:10It's me.
49:12What?
49:13This...
49:15This is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:31Wait.
49:32One second.
49:41Ah.
49:44I thought if we put them next to each other
49:46It would create balance.
49:47Balance?
49:48Yes.
50:04But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:14You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:32Yes.
50:33Yes, Sterling.
50:42I said yes to you
50:45To forever too
50:48To every dream we're walking through
50:52We got so homes by away,
50:54Too, too.
50:55To everything that happens,
50:56Do one more.
50:57Maybe he tied up with us.
50:58There's a feeling.
51:00I have.
51:02There's a feeling that,
51:03Where do to go?
51:04Have a feeling?
51:05I know.
51:06I can't do it.
51:07It's been a feeling.
51:08I can't do it.
51:09I can do it.
51:11I can do it.
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