- yesterday
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I think it's gonna be good.
00:01:32I'm looking for the traffic of Napoli.
00:01:34I'm looking for the traffic of Napoli.
00:01:36I'm looking for the first place.
00:01:43Shit.
00:01:45Woah.
00:01:46I can't buy my wallet.
00:01:51The real estate case?
00:01:53No.
00:01:54The real estate case.
00:01:55Somewhere?
00:01:57Maybe it's in my car.
00:02:00Deadly.
00:02:01vaccines…
00:02:02
00:02:04«Cosa c'è chi?»
00:02:06Che hai perso?
00:02:07R seized, per pass…
00:02:08non c'è niente, non ha cacciato niente
00:02:13non c'è niente non c'è niente
00:02:15non c'è niente
00:02:16no c'è niente
00:02:19no c'è niente
00:02:20You just give her a minut
00:02:21Just get this完成 a second.
00:02:22Uno, un momento, un momento
00:02:23Do you know her shit?
00:02:24Non c'è niente per per tre femme
00:02:25I miss un cman
00:02:28Where did you have it last?
00:02:30The train station, I think?
00:02:32The exchange group?
00:02:34Oh, Jamie.
00:02:36I'm sorry.
00:02:38That bastard at the train station started when you dropped all your stuff.
00:02:42This is 170, not 70.
00:02:44Where do we need to go?
00:02:46I don't know.
00:02:48I don't know.
00:02:50I don't know.
00:02:52I don't know.
00:02:54I don't know.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think it's nice.
00:03:26It's nice.
00:03:28Yes, I have a credit card.
00:03:30The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:34Okay?
00:03:36Five, five, three, three.
00:03:38Seven, six, four, five.
00:03:40Eight, seven, eight, seven.
00:03:42Nine, one, five, seven.
00:03:44Nine, one, five, seven.
00:03:46on file on my computer yes i have them here okay five five three three seven six four five
00:03:58eight seven eight seven nine one five seven five seven yeah expires 12 15. no she'll definitely
00:04:12need another card sent out immediately we're here for two weeks no i'm working here
00:04:21yes i'll hold you love how they ask as if i have a choice
00:04:27do you know what i'm going to try to do while i'm here besides learn italian i don't know why
00:04:32you think that's so ridiculous you don't at all i admire you i just think it's too late for me
00:04:39that's not true you can't teach an old dog new tricks and besides what's the point the whole
00:04:47bloody world speaks english well i'm going to finally transcribe the tapes yes all right okay
00:05:02well if you can see it through to the end i think that's wonderful
00:05:05what does that mean nothing nothing i think it's a fantastic idea jen i always have you know that
00:05:21shouldn't sound very supportive
00:05:25you have my support i'm sorry if that came out wrong
00:05:29i just know how emotional listening to them can be has been for you i think enough time has passed
00:05:38well that's great
00:05:59i don't know why do you think he killed himself
00:06:08um
00:06:10david foster wallace
00:06:13oh um i don't know
00:06:17you can't get a sense by his writing
00:06:20you have to read it when i'm done though
00:06:21do you think he recognized a blank infinity just stretching out
00:06:34he got to this point maybe where it was just day after day after day
00:06:38i really don't know just so tedious
00:06:42and then of course he felt guilty most people think life is too short and there he was all the
00:06:48talent in the world and it wasn't that
00:06:50jane can i can we not talk about this
00:06:54just just just a bit moment
00:07:12love you love you i love you
00:07:21love you
00:07:25Do you feel all right?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:45Mm-hmm.
00:07:55Mm-hmm.
00:08:25Mm-hmm.
00:08:55Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:19I think you're boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39Mm-hmm.
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:12I'll see you later.
00:10:18testing testing okay do you have any stories for my book what kind of stories stories are you
00:10:30prepared or i can ask them a list of stories that dad told me about go ahead and ask from
00:10:35your father's list god rest his soul let's start with the war we went into an air raid shelter my
00:10:42mother your great-grandmother she was shaking sirens wailed and and then there was a sound of
00:10:49a bomb and the man next to us he said i was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away there was blood in his hair he was all alone that nearly finished my
00:11:04mother you know here we were in this tiny town in england miles from germany from russia
00:11:12from italy from any front lines and this man he had blood in his hair
00:11:19good night
00:11:31more
00:11:43We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels nice if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:11Uh, scusi.
00:13:12Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:16Sorry, I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the month.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:46How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:36You're making me feel like a stalker.
00:15:48Fuck.
00:15:49You're making me feel like a stalker, fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11Grazie.
00:16:21What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day,
00:17:15and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago
00:17:26with this volunteer organization
00:17:28dedicated to studying the relic populations
00:17:31of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college,
00:17:41and they paid for me to come over.
00:17:43Before connecting flights,
00:17:44it's a 72-hour plane ride,
00:17:45but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program
00:17:57after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island
00:18:03because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia,
00:18:09so when I come over,
00:18:10I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed,
00:18:13in case you didn't know,
00:18:14is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name
00:18:23of this great-uncle who lives on the island,
00:18:25so I show up.
00:18:27He answers the door,
00:18:28and he's, like, the oldest fucker I've ever seen,
00:18:30easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall,
00:18:37and he mumbles a couple of things to me
00:18:38in some crazy dialect,
00:18:40ushers me inside,
00:18:41pours me a glass of wine,
00:18:42and leads me to this basement apartment,
00:18:44and, uh, yeah, I never left.
00:18:53And, uh, yeah, I never left.
00:19:23Love teaches me to feed on flames and tears,
00:19:43to turn withered hope green through desire,
00:19:48to re-enslave my heart each time
00:19:51and love frees his noble face
00:19:53from that heavy disdain.
00:19:57Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guy book this morning,
00:20:07didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian
00:20:12by committing to memory
00:20:13all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history
00:20:21and the muscular thighs of his sculptures, yes,
00:20:25but that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:32Let's hear the poem.
00:20:35Come on.
00:20:36De lacrime a de faco
00:20:40nutria l'alma.
00:20:44Con secca speme
00:20:46rinvedia la voglia.
00:20:50Lega di nuovo il cuore
00:20:52quando di scioglia.
00:20:55Segna maggiore la vista
00:20:57tierra ed alma.
00:20:59I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:18All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:28White or red?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:33So you're really not gonna tell me what you do?
00:21:40I write freelance articles
00:21:42about parties and fashion trends
00:21:43in town and country UK.
00:21:46There's something else.
00:21:54I'm writing a book
00:21:55about my grandmother's experiences
00:21:57in rural England
00:21:58living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now,
00:22:05I don't know.
00:22:09What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:17I love to listen.
00:22:34That's tangled up.
00:22:35Oh, God.
00:22:36Awful as it was,
00:22:43it made you stronger.
00:22:45These days,
00:22:46people whine about all sorts of things.
00:22:49I'm not one of those old people
00:22:50who think my time had the only joy
00:22:52and the only problems.
00:22:52We all have our own private wars
00:22:56every era,
00:22:57but it was nothing like
00:22:59it really brought people together,
00:23:01the war.
00:23:02We helped each other
00:23:04during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves,
00:23:10then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like,
00:23:20it's like a window in time.
00:23:23The sort of thing
00:23:23which you always did
00:23:25before someone died,
00:23:26you know?
00:23:27My husband thinks
00:23:28I'm never gonna finish it.
00:23:30I shouldn't care
00:23:31what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:44Buongiorno.
00:23:44I got pregnant,
00:23:54so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:14I didn't go back after that
00:24:30to the States.
00:24:31Did you ever hear that story
00:24:40about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb
00:24:51says that anyone you're destined to meet,
00:24:55like your soulmate
00:24:56or your family
00:24:58or, you know,
00:25:01someone you bump into
00:25:02on the street,
00:25:03we're all connected
00:25:04by this red string.
00:25:05It can be tangled or stretched,
00:25:11but it can never be broken.
00:25:12there's this moment
00:25:19in the tape.
00:25:21I'm sitting,
00:25:22waiting
00:25:22in the airport bar
00:25:24for my flight
00:25:24and I'm talking
00:25:27into the recorder,
00:25:28rambling on
00:25:29about how I'm about
00:25:30to embark
00:25:31on this amazing adventure
00:25:32and how I'm going to show
00:25:34World War II
00:25:35from a totally
00:25:36different perspective.
00:25:38But?
00:25:46I don't know
00:25:47if it's that interesting.
00:25:50That's the whole point,
00:25:51isn't it?
00:25:53Keeping it interesting
00:25:54for yourself.
00:25:55Maybe.
00:26:00Maybe I just want
00:26:01to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:32What do you mean?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh my God.
00:26:41Oh my gosh.
00:26:43Oh my gosh.
00:26:44Oh no.
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo.
00:26:53Hey.
00:26:53Hey.
00:26:54Hey.
00:26:54Hey.
00:26:55It's the carabinerary.
00:26:56Hey.
00:26:57It's the police.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:26:59Yeah.
00:27:00Oh my gosh.
00:27:01Yeah.
00:27:03Hey.
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07Look.
00:27:09We can't back.
00:27:10We haven't got any money.
00:27:14Oh my gosh.
00:27:15Hey.
00:27:17Oh my gosh.
00:27:18Oh my gosh.
00:27:19So I'll be back.
00:27:20Oh my gosh.
00:27:21See you.
00:27:21Oh my gosh.
00:27:22Oh my gosh.
00:27:23It's the carabinerary.
00:27:23There you go.
00:27:24It's the carabinerary.
00:27:25Oh my gosh.
00:27:25Oh my gosh.
00:27:25Oh my gosh.
00:27:26We can't go back.
00:27:28We're going to the carabinerary.
00:27:29Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Let's go.
00:27:51Why are we still running?
00:27:52I don't know why we're still running.
00:27:59Oh, my God.
00:28:14It went up my nose.
00:28:21Did we come back?
00:28:23Maybe.
00:28:26Maybe it's not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:37No.
00:28:41Fair enough.
00:28:50I've got to go...
00:28:52catch a fairy.
00:28:53Hey.
00:29:02Why do violists keep their viola cases on their dashboards?
00:29:08Why?
00:29:09So they can park in handicapped spots.
00:29:09Oh.
00:29:10Happy birthday.
00:29:12Why?
00:29:22So they can park in handicapped spots.
00:29:32Happy birthday.
00:30:49Are you awake?
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:12It's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:19Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:26They stayed with me too.
00:31:28Jane.
00:31:30Tony.
00:31:32Got some pastries.
00:31:34Jane.
00:31:35Jane.
00:31:36Tony.
00:31:37Got some pastries.
00:31:42Still asleep?
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35They were wonderful times
00:32:37I never had an American boyfriend
00:32:41I liked some of them
00:32:43They were nice boys, but
00:32:45I didn't want to leave my mom and dad
00:32:51I wish I had sometimes
00:32:54You know when you were 19 and the world just felt so open
00:32:57And carefree and full of possibility
00:33:00You reminded me of that
00:33:03At that time
00:33:05You were 19 when we met
00:33:07Yeah
00:33:08I wouldn't have described you as carefree back then
00:33:11Not at all
00:33:11Well I felt nostalgia
00:33:13Or something for youth
00:33:15You're not old, Jane
00:33:17We ran out on the bill
00:33:19You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well
00:33:25It was
00:33:25It was fun
00:33:28It was just fun
00:33:30How's work?
00:33:43The conductor's actually a descendant of Walter Lake
00:33:46Which is fascinating
00:33:47The three of us should plan a dinner before we leave
00:33:50I'd like that
00:33:51Jane?
00:33:56Oh my god
00:34:00This is Caleb
00:34:02Hi
00:34:03No, no, we were just talking about you
00:34:05We were?
00:34:06That's so weird
00:34:07That's it, please
00:34:08Sit down
00:34:08Join us
00:34:09What?
00:34:10I don't know
00:34:11I don't know
00:34:12I don't know
00:34:13I don't know
00:34:14I don't know
00:34:15I'm actually going to get back pretty soon
00:34:21That's okay
00:34:22I already ate
00:34:23So I'll just grab a coffee
00:34:25I'll just grab a coffee
00:34:25Grab the check, please
00:34:36In a cafe, play, play
00:34:38Oh, no, thank you
00:34:44Jane, you don't smoke
00:34:50Yes, I do
00:34:52Sometimes, at parties
00:34:54You didn't know that
00:34:57Well, I don't do it a lot
00:34:59Grazie
00:35:03Grazie
00:35:05Italian food's so overrated
00:35:10I love it
00:35:12There's no variety
00:35:14English food, on the other hand
00:35:16Say what you like about it
00:35:18There's nothing like a good steak and kidney pie
00:35:20I went to this party the other day
00:35:23In this villa
00:35:23Owned by this
00:35:24Old, drunk
00:35:26Ex-pat
00:35:27They had like a private chef
00:35:29And everything
00:35:29And they were serving this
00:35:31Like loaf of meat
00:35:33Covered in sauce
00:35:34With all these other
00:35:35Loaves
00:35:36And this girl came over to me
00:35:37And said it was cat
00:35:38No
00:35:39No joke
00:35:40Like a roasted mommy cat
00:35:42And her kittens
00:35:44That is disgusting
00:35:45True story
00:35:47Why don't you tell Leonard
00:35:53One of your viola jokes
00:35:55Come on
00:35:59I'm selling my ant
00:36:01Come on
00:36:03Let's hear one
00:36:04I have one
00:36:09What is the definition
00:36:13Of perfect pitch
00:36:16What?
00:36:20When you throw a viola
00:36:22Into the dumpster
00:36:23Without hitting the rim
00:36:24You didn't just make that up
00:36:27I did
00:36:27It's too good
00:36:28I did
00:36:29Well, I'm impressed
00:36:30And I'm stealing it
00:36:31You can pretty much
00:36:33Make that joke
00:36:34About any instrument
00:36:35Did you play anything, Caleb?
00:36:40This and that, you know
00:36:41Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah
00:36:49I'm going to get back to work
00:36:50So what's next
00:37:01New agenda
00:37:01Caleb?
00:37:03Um
00:37:03I'm thinking
00:37:05Tibet
00:37:05Oh, Tibet
00:37:07Really?
00:37:07Yeah
00:37:08There's this thing
00:37:08Called the Shantan Festival
00:37:09At the end of the summer
00:37:10Yeah, I've heard about that
00:37:11That's where the
00:37:12Buddhist monks
00:37:13Unroll all the tapestries
00:37:14On the hill, right?
00:37:16The monks
00:37:16It's the monks
00:37:17The monks
00:37:17It's so pretty
00:37:18How do you support yourself?
00:37:22You know
00:37:22Bit of this
00:37:23Bit of that
00:37:23All right then
00:37:30I'll walk you
00:37:31Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen
00:37:35I have a piece of paper
00:37:50You guys should definitely
00:37:51Come over to the island
00:37:52I'll take you somewhere fun
00:37:54You know
00:37:54Don't knock on the front door
00:37:56I'll come around the side
00:37:56I need Regina
00:37:58This
00:38:00There you go
00:38:02Thank you
00:38:05And thanks again
00:38:07For yesterday
00:38:07Oh, no problem
00:38:08Hey
00:38:11Ciao
00:38:13How stoned are you?
00:38:23Come on, man
00:38:24We should tell him
00:38:24It's not a big deal
00:38:25So you're saying
00:38:29You smoke back at her
00:38:30Occasionally
00:38:31Can we do something fun tonight?
00:38:35Sure
00:38:35I'm fine from here
00:38:40Okay
00:38:41See you after work
00:38:42Yep
00:38:43I'll be waiting
00:39:01Hey
00:39:15God, you scared me
00:39:16Are you following me?
00:39:19Maybe
00:39:19Is that weird?
00:39:22Yeah
00:39:23I couldn't sleep last night
00:39:33You told me you were staying near the port
00:39:38So I got the first ferry this morning
00:39:40I came looking for you
00:39:42And I can't believe I found you
00:39:46Well, you're staying near the port
00:39:55I set you in the port
00:39:56Okay, I eat
00:39:57Well, that's The best
00:39:57I did
00:39:57Everything
00:39:58You told me
00:39:59You're on
00:40:00What?
00:40:01I got the next answer
00:40:02Okay, I got the right
00:40:02We tried
00:40:02I leave
00:40:03For everything
00:40:04What are we doing?
00:40:30I think we're making it out.
00:40:31It's so sexy and beautiful.
00:40:36It's so beautiful.
00:40:41I can't do this.
00:40:53I can't do this.
00:41:09Why?
00:41:16Do you do this a lot?
00:41:21What?
00:41:22Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:25What?
00:41:26Do you seduce women?
00:41:28Is this what you do?
00:41:29You need to be less serious.
00:41:32Do you feel me?
00:41:39Do you feel me?
00:41:41We have to wait for you.
00:41:42You need to be more successful.
00:41:44Wait for me.
00:41:45Do you want to see you?
00:41:46Oh, so do you think your name's a great honor?
00:41:50Are you sure?
00:41:51And I can't do this.
00:41:52I know I can't do this a lot, but I can't.
00:41:54I can't do it.
00:41:55I can't do it.
00:41:56I know that you are good.
00:41:57A few words of love that I can't do it.
00:42:30There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:00Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:19I do deserve that.
00:43:29I know, it doesn't work for your husband.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a mess in my day.
00:43:40I've got so much stuff to do.
00:43:41I'm sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:55I've just got to work this thing out before tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:44:15I'm sorry.
00:44:16Okay.
00:44:46Leonard, can we talk?
00:45:16Say cheese.
00:45:29You should kind of be in the middle.
00:45:35Hold on a second.
00:45:42That's what our living room is missing.
00:45:59What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wait.
00:46:25What did you do?
00:46:41What did you do?
00:46:51What did you do?
00:46:55What did you do?
00:47:01What did you do?
00:47:15What did you do?
00:47:20What did you do?
00:47:32What did you do?
00:47:36What did you do?
00:47:40What did you do?
00:48:35Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:05I think I need to be less serious.
00:49:11Yeah.
00:49:13Will you put my pants on?
00:49:16Okay.
00:49:35Oh, hi.
00:53:17You make me feel nervous.
00:53:19You make me feel calm.
00:53:25You want a drink?
00:53:49You want a drink?
00:53:50You want a drink?
00:53:59You want a drink?
00:54:09I don't know.
00:54:11It's...
00:54:12Yeah.
00:54:13I just shuffled around all night.
00:54:17It must be lonely.
00:54:47It must be lonely.
00:55:17It must be lonely.
00:55:47It must be lonely.
00:56:17It must be lonely.
00:56:19I was walking.
00:56:21All night.
00:56:23I'm thinking.
00:56:25You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:29I have to go to work.
00:56:31Can you be late?
00:56:35No, I can't be late.
00:56:37I never tell you.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:45People are depending on me.
00:56:47I have to go to work.
00:56:49I have to go to work.
00:56:51Okay.
00:56:53You're going to have to go to work.
00:56:55You're going to have to go to work.
00:56:57I'll do it.
00:56:59We're going to go to work.
00:57:01If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:59If you go out like that again, just tell me. Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:12Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:26If one little thing had changed in my grandmother's life, I might not be here.
00:59:35Sometimes I worry I'm not honoring her.
00:59:41With the book?
00:59:45No, with my life.
00:59:52This is it, you know.
00:59:57It ends with me.
01:00:02In the harvest time we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:22The horses back then, they were kept beautifully.
01:00:32Dad used to dress them all up. Brass things and little horseshoes.
01:00:38He put braids on them. They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one. Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:01:00They were lovely days, really.
01:01:08They're gone. For me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know, it's different for you. In some ways, it's easier.
01:01:20You haven't got the war. People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the...
01:01:36...of the time.
01:01:39Time is shiftable.
01:01:51There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Oh, sorry.
01:02:11Ah!
01:02:13What is it?
01:02:15Oh!
01:02:17Oh, you...
01:02:19You all right?
01:02:21Oh.
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26Oh!
01:02:27It's bleeding.
01:02:28Oh, it's fine.
01:02:30It's fine. It's fine. It's fine. It's fine.
01:02:33You losing it?
01:02:35Yes.
01:02:36Oh!
01:02:37Fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French. He's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:20I have songs, you feel civilizations, zusammen.
01:03:21In my life cycle.
01:03:22Which means he is still alive and travels yesterday.
01:03:23Absolutely.
01:03:29Nice, nice.
01:03:30Nobody's a rock.
01:03:31Who is a rock.
01:03:32I don't know who is a rock.
01:03:33I have mountains.
01:03:34I have mountains tips and my waist up cool to be away to this.
01:03:36They come with you.
01:03:37And I will not know who are frictions.
01:03:39Only my knees and my knees.
01:03:43I will not try to wind up food for my ankles.
01:03:46I have mountains, in my feet.
01:03:48Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back in the...
01:04:11Long day?
01:04:14God, when did I know?
01:04:15I don't think I'd chance at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:09Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:43I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:55Jane.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:00What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29Yes.
01:08:30That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:47I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:18I'm sorry.
01:09:19I'm sorry.
01:09:20I shouldn't have done that.
01:09:20I shouldn't have done that.
01:09:22I shouldn't have done that.
01:09:23I shouldn't have done that.
01:09:24I shouldn't have done that.
01:09:25No.
01:09:26You had every right to lose your temper.
01:09:27No, no, no, no, no, no.
01:09:29If you think that this is what's going to make you feel better, then you should go.
01:09:35You should go with him.
01:09:35You've been through a terrible, terrible thing, Jane.
01:09:36No.
01:09:37That is not what this is about.
01:09:38Of course it is.
01:09:39You don't love me anymore, Leonard.
01:09:40You don't love me.
01:09:41That's rubbish.
01:09:42This is your ticket.
01:09:43The day after my performance, meet me at the train station.
01:09:48Our train is at 4.30.
01:09:49We'll go home together.
01:09:50No.
01:09:51No.
01:09:52No.
01:09:53No.
01:09:54No.
01:09:55No.
01:09:56No.
01:09:57No.
01:09:58No.
01:09:59No.
01:10:00No.
01:10:01No.
01:10:02No.
01:10:03No.
01:10:04No.
01:10:05No.
01:10:06No.
01:10:07No.
01:10:08No.
01:10:09No.
01:10:10No.
01:10:11No.
01:10:12No.
01:10:13No.
01:10:14No.
01:10:15No.
01:10:16No.
01:10:17No.
01:10:18No.
01:10:19No.
01:10:20No.
01:10:21No.
01:10:22No.
01:10:23No.
01:10:24No.
01:10:25No.
01:10:26No.
01:10:27No.
01:10:28No.
01:10:29No.
01:10:30No.
01:10:31No.
01:11:32Hi.
01:11:44Hi.
01:11:48You want some?
01:12:00Oh, thanks.
01:12:30Frank and Elsa coming over in a couple hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:00I'm thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:13:14Yeah.
01:13:16Yeah.
01:13:18Yeah.
01:13:20Yeah.
01:13:22Yeah.
01:13:24Yeah.
01:13:26Yeah.
01:13:28Yeah.
01:13:30Yeah.
01:13:32Yeah.
01:13:34Yeah.
01:13:36Yeah.
01:13:38Yeah.
01:13:40Yeah.
01:13:42Yeah.
01:13:44Yeah.
01:13:46Yeah.
01:13:48Yeah.
01:13:50Yeah.
01:13:52Yeah.
01:13:54Yeah.
01:13:56Yeah.
01:13:58Yeah.
01:14:00Yeah.
01:14:02Bye, good luck.
01:14:32Jase, you've got to come over to this side, the train's going to be here in a minute.
01:15:02It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:06I hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:38Did you ever go clear?
01:16:41No, shut that thing off.
Recommended
1:05:42
|
Up next
1:39:45
0:23
1:12:09
0:18
1:31:12
1:22:20
1:24:00
1:58:32
1:17:34
50:19
41:52