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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people!
00:00:42Alright, let's go. Bring that light right in here.
00:00:44Down here!
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot!
00:01:00Turn it over! Give me the other flat side, idiot!
00:01:02Come on, let's go!
00:01:04Oh, Jesus Christ!
00:01:06Come on!
00:01:13Good, back in it, back in it, back in it.
00:01:15That's a good dog.
00:01:17You're such a good dog.
00:01:28Good.
00:01:30Alright, that's fine.
00:01:32Good.
00:01:33Alright, that's fine.
00:01:34Hang on, man.
00:01:36Gotcha.
00:01:38Very much.
00:01:40Alright, that is great.
00:01:42I think he looks good, don't you?
00:01:56We're out of film.
00:01:57Alright, take five. We're reloading now.
00:01:59This is the dumbest dog in the whole world.
00:02:01Where the hell did you get such a dumb dog?
00:02:03It's my dog. I trained that dog. I love this dog.
00:02:05And you are as dumb as the dog.
00:02:07And you are as dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America,
00:03:04along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club
00:03:13to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion.
00:03:40And is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:50Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:38Women were second-class citizens then, and they still are today.
00:04:43But let me tell you what.
00:04:47Things are changing.
00:04:54Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:17Good morning, ladies, and welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:07I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:17And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:32Yes!
00:06:33I want to thank you so much for having me here tonight.
00:06:47I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:50I mean, I can't believe it.
00:06:51I mean, God, this is beautiful.
00:06:52I mean, this woman could be the president of the United States.
00:06:53I got to see this again.
00:06:54This is history in the making.
00:06:55I mean, this is tape at its best.
00:06:56I got history right in front of me.
00:06:57I can't believe it.
00:06:58Let me rewind this.
00:06:59Let me see this again.
00:07:00Come on.
00:07:01Let's go, man.
00:07:02Oh, my Lord.
00:07:03I will tell you, you should remain barefoot and pregnant.
00:07:05Well, ladies, all of this is going to change, ladies.
00:07:08Yes!
00:07:0950-50.
00:07:1050%, honey.
00:07:11Come on.
00:07:12Come on.
00:07:13Come on.
00:07:14Come on.
00:07:15Wake them up.
00:07:16I don't want to be the president of the United States.
00:07:17You're the president of the United States.
00:07:18I got to see this again.
00:07:19This is history in the making.
00:07:20I mean, this is tape at its best.
00:07:21I got history right in front of me.
00:07:22I can't believe it.
00:07:23Let me rewind this.
00:07:24Let me see this again.
00:07:25Come on.
00:07:26Let's go, man.
00:07:27Oh, my Lord.
00:07:28I will tell you, you should remain barefoot and pregnant.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36I know.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of the clothes.
00:07:46I'm not talking peace, ladies.
00:07:48I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:57Yes!
00:07:58Yes!
00:07:59Yes!
00:08:00Let's get the pie, please.
00:08:01Just get them, honey.
00:08:02Come on!
00:08:03I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:11Sous-titrage MFP.
00:08:41Okay. I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine. What about the deal?
00:08:50Okay. For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies.
00:09:16I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23Girl, I see you, walk in that certain way.
00:09:43There's something about you that turns heads the other way.
00:09:49They all adore you. That's easy to see.
00:09:53They're all you're loving.
00:09:55But it won't be me.
00:09:57It's something that you just come to my heart.
00:10:00Girl, I don't turn about.
00:10:03It's something that you just come to my heart.
00:10:05Oh, girl, I can't see you with somebody else.
00:10:13I gotta have you, darling, now.
00:10:18Hold me and nobody else.
00:10:23Gonna make you love me.
00:10:26Hold you through the dark.
00:10:28Look what you've just done in my heart.
00:10:40Oh, baby.
00:10:42Look what you've just done in my heart.
00:10:45Yeah.
00:10:46Look what you've just done in my heart.
00:10:49Girl, I don't turn about.
00:10:51Look what you've just done in my heart.
00:10:54Oh, baby, look what you've just done in my heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:20They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say,
00:11:52Men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down,
00:12:11and it's still gonna be a manhole in the eyes of God,
00:12:13in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate
00:12:27is gonna teach you, darling.
00:12:30Okora Hotel.
00:12:38Oh, yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Uh, yes.
00:12:56Tell her that her studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:13I'll be down in a minute.
00:13:15Okay, thank you.
00:13:16Okay, thank you.
00:13:45All right, let's go.
00:14:15Sous-titrage Société Radio-Canada
00:14:45Sous-titrage Société Radio-Canada
00:15:15Sous-titrage Société Radio-Canada
00:15:45Don't worry, baby.
00:16:12I'm here to help you.
00:16:16Everything's gonna be just fine.
00:16:42I'm here to help you.
00:16:44I'm here to help you.
00:16:49I'm here to help you.
00:16:56Hello.
00:17:07What's going on?
00:17:12Where am I?
00:17:21Why do you ask?
00:17:24Who the fuck are you and why am I here?
00:17:28I don't like women who use profanity.
00:17:32You don't?
00:17:34No.
00:17:35Well, then you just tell me a few things.
00:17:39What the fuck is going on?
00:17:40Where the fuck am I and who the fuck are you?
00:17:46And who the fuck are you?
00:17:47You'll find out, Manny.
00:17:53I'll be right back.
00:17:54I'll be right back.
00:17:55I'll be right back.
00:17:56I'm here to help you.
00:17:57I'll be right back.
00:17:58I'm here to help you.
00:17:59I'll be right back.
00:18:00Hold on.
00:18:01I'll be right back.
00:18:03Let's do the fuck up.
00:18:05Don't worry.
00:18:06I'll be right back.
00:18:07Let me do it.
00:18:08Let's do it.
00:18:09I'll be right back.
00:18:10I'll be right back.
00:18:12I'll be right back.
00:18:13Let's do it.
00:44:56I'm not taking any calls, sweetheart, and I'm going to get some water, alright?
00:45:12Jeez.
00:45:26I'm going to get some water.
00:45:56God, you are persistent.
00:46:08Jeez.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm going to make it as easy on you as possible.
00:46:23Now all you've got to do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you've got to do is come over here and plug it back in.
00:46:44You want something to drink? Plug it back in.
00:46:45You want something to eat? Plug it back in.
00:46:47It's that simple. Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:04You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:15We'll do it your way.
00:47:16Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:41Soon, you'll have running water.
00:47:46And tonight,
00:47:47tonight I'm going to fix you a beautiful steak with Bernays sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul,
00:47:55and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:11Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:37Later, I'll share the method and the recipe with you,
00:48:41as soon as we get to know each other better.
00:48:44The secret is, though,
00:48:45that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:49It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:00I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:12You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:22No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:27I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that,
00:49:32it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:37Oh.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:50:00They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:25You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:09So, after that, I invented this crazy thing
00:51:13that helps idiots program their VCRs,
00:51:15and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:21No, just, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:29That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So what happened?
00:51:47I found out I was no actress.
00:51:53Well, then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:09I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:27I actually enjoyed it.
00:52:31I got off on guys watching me.
00:52:34It was a turn-on.
00:52:36That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:02So, so when you're, uh, stuck naked in front of those good old boys,
00:53:10I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:27I want to dance for you.
00:53:33Ah.
00:53:33Ah.
00:53:37Ah.
00:53:38Ah.
00:53:38Ah.
00:53:39Ah.
00:53:39Ah.
00:53:40Ah.
00:53:41Ah.
00:53:41Ah.
00:53:42Ah.
00:53:42Ah.
00:53:43Ah.
00:53:49Ah.
00:54:02Ah.
00:54:03Ah.
00:54:07Ah.
00:54:09Ah.
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01:15:09Jésus, Jésus, Jésus.
01:15:39So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me, and I mean forgive me,
01:15:49and if you can find a way to reciprocate my love,
01:15:52I will be with you always.
01:15:59Jesus Christ.
01:16:09Jesus Christ.
01:16:39You don't even believe this girl has been kidnapped, do you?
01:17:05Do you know whether she's up in Aspen, Colorado,
01:17:10shacked up with some guy, or in New York, or France, or, huh?
01:17:16No, I don't know where she is.
01:17:19And neither do I.
01:17:20This is a shitty way to make a living.
01:17:32Let's go to lunch.
01:17:35You need to get out of here, man.
01:17:38Blow the snake off of you.
01:17:40Let the lady come in and clean the place up.
01:17:43Start fresh.
01:17:43A cop with a heart?
01:17:46I love him.
01:17:48Thank you.
01:17:50Just brush my teeth.
01:17:53All right, my back.
01:17:54I'll make a couple of calls off your list.
01:17:56Hello, this is Sergeant Lytel of LAPD.
01:18:13Yes, do you rent limos out of your place?
01:18:15I want to know if you're renting out a black limo 18 days ago.
01:18:23That would be the fifth.
01:18:24Yeah.
01:18:25Okay.
01:18:26I'll wait.
01:18:26545, you say?
01:18:35A black one?
01:18:37Uh-huh.
01:18:39And do you happen to have the guy's name?
01:18:42Yeah, sure, I got it.
01:18:45You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, I got it.
01:18:49Thank you, thank you.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:55Thank you.
01:18:56Let's do lunch.
01:18:59Hey, I got a lead.
01:19:02You got a what?
01:19:04A lead.
01:19:05You know what a lead is, don't you?
01:19:08Talk to me, Jim.
01:19:09I called this guy up in Pacoima.
01:19:12He says that he rented a black limo to this guy at this address at 545 a.m. on the morning of the fifth.
01:19:21Great.
01:19:23Hey, I just dialed the next number on your list.
01:19:26What's the problem?
01:19:29No problem.
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me?
01:19:35Acting like there's a problem?
01:19:37Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43He got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:52You people, how you work?
01:19:56Because I know damn well that since you know you can't go in and arrest him, you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:07I don't tell me the racial innuendos are starting.
01:20:10There was no racial innuendos.
01:20:17I just call them as I see them.
01:20:20I call a spade a spade.
01:20:21I was talking about LAPD, the way you people do business.
01:20:28I should have spoken more clearly.
01:20:31I should have been referring to you people as assholes.
01:20:34Real nice.
01:20:36Real good.
01:20:37I'm out of here.
01:20:38Sam.
01:20:41What?
01:20:43Good luck.
01:20:43You owe me 50 cents for that phone call.
01:20:53See ya.
01:21:00You okay?
01:21:01Great.
01:21:02Gets a little rough up in here.
01:21:05Come on, mate.
01:21:06Great.
01:21:09Well, come here.
01:21:10I want you to see something.
01:21:13Here.
01:21:13Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope.
01:21:23Here, grab this, okay?
01:21:24Because we're going to have to pull ourselves up the rest of the hill.
01:21:26I'm going to lead the way, okay?
01:21:28Okay, you were behind me?
01:21:29Yeah.
01:21:29Okay, here we go.
01:21:31Hold up.
01:21:38Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:48That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:21:58Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:18Really is nice up here, isn't it?
01:22:19All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42It's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:55You've got to forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:20You've got the talent.
01:23:23Let's make it a team play.
01:23:25You really mean that?
01:23:33Yes, I do.
01:23:42Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed?
01:23:53I'll be waiting for you, baby.
01:23:55All right, man.
01:24:02Mwah!
01:24:03Emanuel!
01:24:15Emanuel!
01:24:15Emanuel!
01:24:17Emanuel!
01:24:19Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
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