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FunTranscript
00:00:000
00:00:10Haji good morning.
00:00:11Morning Kapil.
00:00:12Haji what did you think?
00:00:13That your third season is the season and you're coming first.
00:00:16Then you will get that special entry as you see in films.
00:00:21It is a big entry.
00:00:23No, I need 2 tanks.
00:00:25A tank.
00:00:27I'm talking about a tank or a tank.
00:00:29I'm talking about a tank or army.
00:00:31Oh, that's it.
00:00:32You already did it.
00:00:33You can't get a little bit of a bag.
00:00:35Tell me something else.
00:00:37Four horses.
00:00:39The season is going to be going to get horses.
00:00:41But they're busy.
00:00:43They're busy.
00:00:45Okay.
00:00:47What can they do?
00:00:49Two motorcycles.
00:00:51Why do you want to make them two horses?
00:00:53Two horses, two horses, two tanks.
00:00:55You've also got two horses.
00:00:57So you're going to get them?
00:00:59Yeah, that's it.
00:01:01Then what do we do?
00:01:03Do something different.
00:01:05Do a job.
00:01:07This is the best.
00:01:09You've never done it.
00:01:11It's a good entry.
00:01:13Two horses.
00:01:15Wow.
00:01:25Good evening.
00:01:27And welcome to the great Indian Kapi show.
00:01:36Good evening.
00:01:37And welcome to the great Indian Kapi show.
00:01:39Woo!
00:01:46Good evening.
00:01:47And welcome to the great Indian Kapi show.
00:01:49Woo!
00:01:57You're liking my little Billy Chili Chili, baby.
00:01:59I love them.
00:02:00But today, you've made the Silly Billy Chili Chili.
00:02:02You've made Prittor and Jitok.
00:02:04That's why it's in Punjabi E-tar.
00:02:06Because today, the guests are coming from Punjab.
00:02:08They're coming from Punjab.
00:02:09Okay.
00:02:10Who's coming from?
00:02:11Hey, look.
00:02:12Sardar Ji, are you with me?
00:02:13Yes.
00:02:14If the Son of Sardar also comes, how would you feel?
00:02:15Oh!
00:02:16Oh!
00:02:17Oh!
00:02:18Oh!
00:02:19Oh!
00:02:20Oh!
00:02:21Oh!
00:02:22Oh!
00:02:23Oh!
00:02:24Oh!
00:02:25Oh!
00:02:26Oh!
00:02:27Oh!
00:02:28Oh!
00:02:29Oh!
00:02:30Oh!
00:02:31Oh!
00:02:32Oh!
00:02:33Oh!
00:02:34Oh!
00:02:35Oh!
00:02:36Oh!
00:02:37Oh!
00:02:38Oh!
00:02:39Oh!
00:02:40Oh!
00:02:41Oh!
00:02:43Oh!
00:02:44Oh!
00:02:45Oh!
00:02:46Oh!
00:02:47Hey!
00:02:48Hey, Welcome!
00:02:49Welcome, embedded Wayne, welcome, welcome, welcome, Welcome, welcome, Ajay sir!
00:02:52Welcome, Marunala.
00:02:53Ok, Jitri, welcome, Rambi Hassi.
00:02:54Welcome, Rabhi.
00:02:55Raji!
00:03:00Ajay sir, Rabhi, Marunala, man is congratulations on owning your status.
00:03:03Achah, we've got our third season, Ajay sir, first get right up.
00:03:07Can you have such late for work?
00:03:08I'm waiting for that when he will be a leader, then I'll be back.
00:03:11Oh, that's right.
00:03:13Son of Sardar will come soon when the audience will be a leader.
00:03:19Because Son of Sardar's role will be effective.
00:03:23You will have fun to see in this form.
00:03:28It will be very fun.
00:03:29But you will have an entry on this story.
00:03:32It will be a guarantee that the group will be successful in the box office.
00:03:38Yes.
00:03:39It will be successful.
00:03:40Your entry will be a guarantee that the group will be successful in the box office.
00:03:44Give them one line.
00:03:46Give them a line.
00:03:47When will this place be a leader?
00:03:50If you take six places, do not know how much he will be a leader.
00:03:59This is an expert, Raviyah.
00:04:00The same as the work is not bad at night.
00:04:02If the food is cooked,
00:04:04they will make it in the morning.
00:04:06As they are prepared for the food,
00:04:08the people come and say,
00:04:09you will be a good person to see in the world.
00:04:11If you look at the place,
00:04:13you will be a good person to see in the world.
00:04:14You will be a good person.
00:04:15This is not a good person.
00:04:16They will not have to be a good person.
00:04:17.
00:04:20Munal, you are very beloved.
00:04:22You are always loved.
00:04:28Thank you, my name.
00:04:33This is our old story.
00:04:35I've come here for a few years.
00:04:37But I, like this,
00:04:39I've never had such a long time
00:04:41that Kapil Sharma,
00:04:43we've never had such a long time.
00:04:45I mean, this is what the teeth are behind the teeth.
00:04:48The teeth are so big.
00:04:50I don't know.
00:04:52Who is the good packer?
00:04:54Who is the mark-marker?
00:04:56He can break the tree.
00:04:58I mean, this is where the teeth were.
00:05:01The teeth were burnt.
00:05:02After years, the whole whole world,
00:05:04the whole wish for Netflix and the 192 country
00:05:06can see their gardens.
00:05:08Oh, thanks.
00:05:09But, Rabi, I'm so happy for you.
00:05:11What have you done in La Pata ladies?
00:05:13Yes.
00:05:14Netflix had said mention.
00:05:15You have been going to Oscar.
00:05:17Wow.
00:05:18Wow.
00:05:19It's a good thing.
00:05:20Oh, thanks.
00:05:21Wow.
00:05:22Wow.
00:05:23So happy for you.
00:05:25Yeah.
00:05:26Yes.
00:05:27Yes.
00:05:28Yes.
00:05:29Yes.
00:05:30Yes.
00:05:31Yes.
00:05:32Yes.
00:05:33Yes.
00:05:34Yes.
00:05:35Yes.
00:05:36Yes.
00:05:37Wow.
00:05:39Yes.
00:05:40Then I did nothing before,
00:05:40didn't I really feel anything.
00:05:42Then I was born in Mahadeo's body.
00:05:44I was born in Gorakpur.
00:05:45Then I thought maybe I would call myself into acting.
00:05:49But that's my body.
00:05:51You keep going from a different country.
00:05:54It was new to me.
00:05:55A movie came.
00:05:56A small movie came out.
00:05:57The director of Kiran Kher.
00:05:59La Pata ladies.
00:06:00A police officer of the role was.
00:06:02It was a pig who ate.
00:06:04Sorry.
00:06:05It was a pig that ate one place.
00:06:07But you were mind-blowing in La Pata Ladies.
00:06:22I was going to say, but I kept quiet.
00:06:37Oscar, Oscar.
00:06:38So, there was a comedy too, seriously.
00:06:41I said, it was a bit open.
00:06:43I didn't open it. It was a half day.
00:06:45I said, I'm going to take seriously.
00:06:48I didn't know what to do.
00:06:49I realized what to do.
00:06:51Actually, I will thank him.
00:06:55One day, they called me a phone,
00:06:57which never happened to me.
00:06:5833-34 years ago.
00:06:59I called him and he said,
00:07:01Ravik, what are you doing?
00:07:02I said,
00:07:03I was so happy.
00:07:13Sanju Dutt is a cult man.
00:07:15And in the midst of that,
00:07:17we found our own love.
00:07:20Think about our own money.
00:07:23And in Sanju Dutt's role.
00:07:25Unbelievable.
00:07:27It's a big compliment also, Ravik.
00:07:29And a very big role.
00:07:31Hey, brother.
00:07:33You have to know that in Climax,
00:07:35I'm a hero.
00:07:37Swarth is coming.
00:07:39In Climax,
00:07:40everyone wants to take their lines.
00:07:42I was standing there.
00:07:43The director, Vijay Arora Ji,
00:07:45they say,
00:07:46Ravik, give me all the lines.
00:07:48Put the camera on Ravik,
00:07:49and the Climax on Ravik.
00:07:51And silently, he was just standing.
00:07:53You will see Climax on this film.
00:07:55He just kept quiet.
00:07:57He was just standing there.
00:07:58And he was just standing there.
00:07:59He was just standing there.
00:08:00He was standing there.
00:08:01He was standing there.
00:08:02Because, Guru, this is a purpose.
00:08:04This is when you're not insecure.
00:08:06When you know that it's a trap.
00:08:08And the other important thing is that
00:08:10you're not important.
00:08:12The film is important.
00:08:14Super.
00:08:15Absolutely.
00:08:16You have to do it for the film.
00:08:17Super.
00:08:18Absolutely.
00:08:19Just ask the AD.
00:08:20I called him.
00:08:21I said, what happened?
00:08:22Why did you call me?
00:08:23Why did you call me?
00:08:24Why did you call me that?
00:08:25Why did you call me that?
00:08:26Why did you call me that?
00:08:27Why did you call me that?
00:08:28I'm not going to call them.
00:08:29My name is Nama.
00:08:30I was a negative villain.
00:08:31I had to leave someone's shooting.
00:08:32Now, this was the reason I had to call me.
00:08:33I had to call me that one of the three heroes.
00:08:35And now, I was in Vanity Van.
00:08:36I had to leave the morning.
00:08:37I had to leave the morning.
00:08:38I had to leave another shooting.
00:08:39Just ask the AD.
00:08:40and I went to another shooting.
00:08:43I asked the lady, I called him, I said,
00:08:45what happened? Why didn't you call me?
00:08:47He said, he's standing, the hero is saying,
00:08:49I'll kill him, he'll kill him.
00:08:51I'll kill him.
00:08:52I came to the set and I said,
00:08:53I'll give you a gun, I'll kill myself.
00:08:58I went to the right pocket and the other set.
00:09:04He's the type of play.
00:09:06Thanks to him, that I will see a woman in Sanav Sardar.
00:09:11First time, you will see a whole whole of Bhairat,
00:09:12a whole of Bihari Sardar.
00:09:19I didn't ask this question, Ajay Paji.
00:09:21If Sanjay Sir was the actor in the first part,
00:09:27now Raviyah came.
00:09:28Sanjay Sir is also Punjabi.
00:09:31Suddenly, Raviyah is from UP.
00:09:32How did this come to your mind?
00:09:34This character, we've done his work-out,
00:09:37which was his father's father,
00:09:39was killed in every city.
00:09:42So, the truck driver was killed in Bihar,
00:09:44so he killed in Bihar.
00:09:46So, he came.
00:09:48He didn't teach Punjabi,
00:09:51but he said Punjabi in Bihar.
00:09:53Yes, it means killed in Bihar.
00:09:54That's the case, my mother married me.
00:09:57Don't go.
00:09:58Yes, my mother married me.
00:10:00My father's three daughters.
00:10:03One is in Punjab.
00:10:05He was driving in Bihar a few days.
00:10:07My mother got there.
00:10:09We got there.
00:10:11Then, a pole dancer got there in London.
00:10:13They were working in the restaurant.
00:10:16They said,
00:10:16he killed his mother.
00:10:18He killed his mother.
00:10:20And then, I think that my father will stop.
00:10:25So, I'll break his hands.
00:10:26That's what you will believe.
00:10:29My God.
00:10:29So, you're enjoying this film.
00:10:31You're enjoying this film.
00:10:33After a very long time,
00:10:36Bihar,
00:10:36you can watch a film with Kamal's family.
00:10:40You can watch a film with 5-6 tickets.
00:10:45Sir, I have a question to you.
00:10:46We were filming a little bit.
00:10:48We lost a little weight.
00:10:50We will go to the hospital.
00:10:51We will go to the hospital.
00:10:52We will eat a little bit.
00:10:53We will keep you.
00:10:54You will maintain it.
00:10:56It's not so difficult.
00:10:57Today, there is a camera.
00:10:58Under the belt.
00:11:00Look at the camera.
00:11:01I don't have to wear a jacket.
00:11:03We said,
00:11:03the jacket is in the back of the people.
00:11:05Why is it like that?
00:11:07It's like that from the back.
00:11:09It's like that from the back is like that.
00:11:11Reshape.
00:11:12I must say that
00:11:14when we were in the set,
00:11:15and because I was shooting with so many actors first,
00:11:19it's like that.
00:11:20But when we sit on the side,
00:11:22we were watching our diet.
00:11:24And Sir, in between the shots also,
00:11:26we would fight and talk.
00:11:29He would go and work out.
00:11:31Wow.
00:11:31So, that is the amount of dedication.
00:11:33When you're in the set,
00:11:35it seems like it's coming out.
00:11:37Just sit with them.
00:11:39I'm going to go there.
00:11:40I'm not going to go there.
00:11:41I'm going to do it.
00:11:43I'm going to do it.
00:11:44I'm going to do it.
00:11:45I'm ready for this exchange.
00:11:48No, no, no.
00:11:49I'm just a personal question.
00:11:52How do you get to this house?
00:11:5412 years of money,
00:11:56and if you lose the money from politics,
00:11:58you'll come out.
00:11:59I'm going to do it.
00:12:02Guru,
00:12:03I tell you,
00:12:04you won't have to see this show.
00:12:05You'll see everything.
00:12:07I'll see you in Switzerland,
00:12:08but I won't see it.
00:12:12Mrunnal,
00:12:13the manager of the agency,
00:12:15are you happy?
00:12:18Some woman is happy.
00:12:20But it will end up.
00:12:21I don't know why I asked you.
00:12:23Mrunnal is happy with her.
00:12:28I don't have a job for her.
00:12:30There was a problem in the jersey.
00:12:31There was a problem in the Super 30,
00:12:32in the Ritik's private job.
00:12:33There was a problem in the Super 30.
00:12:34There was a problem in the Ritik's private job.
00:12:34There was a problem in the Sita Raman.
00:12:35There was a problem in the Delker.
00:12:36There was a problem in the government job.
00:12:37There was a problem in the real life of 50,000-60,000 girls.
00:12:40They want to become a hero in your life.
00:12:43I got a association.
00:12:44I got a association.
00:12:46They signed me and sent me.
00:12:48They asked me to ask me if I'm going to go to this house.
00:12:50I think when you see Sun and Sardar 2,
00:12:53you'll see what you need to do.
00:12:55What do you need to do?
00:12:58Raviyah, you are also a Neta.
00:13:00You also have a Neta.
00:13:01Do you have to suggest someone to Murnal?
00:13:03How do you find a life partner for your life?
00:13:06Look, this is a very difficult question.
00:13:09The whole country, the whole wish.
00:13:10I don't know that if you have a Neta married,
00:13:14after a month, after a month, the house will come.
00:13:17If you have a Neta married,
00:13:19and after a month, the house will come.
00:13:22After a month, the house will come.
00:13:24After a month, the house will come.
00:13:26If you have a son, the uncle will come.
00:13:28He will come.
00:13:29No.
00:13:30I mean, the situation will be very small.
00:13:32You will forget the birthday, the anniversary.
00:13:34You will forget the 30th year.
00:13:36You will forget the 30th year.
00:13:38He will come.
00:13:38He will come.
00:13:40He will come.
00:13:40But you never know.
00:13:41Neta is a good person.
00:13:43What does that mean?
00:13:44You have a different image that you have made.
00:13:51They are emotional people.
00:13:53They are family people.
00:13:54I am a good person.
00:13:55I would never think of this.
00:13:57Really?
00:13:58Neta would not give a mic to her.
00:13:59You would have put it in his mouth.
00:14:01It's a little bit.
00:14:07But I am here, I am here.
00:14:09I am here, I am here.
00:14:11He knows this.
00:14:12But let me tell you.
00:14:13Neta or Abhineta?
00:14:15What will I get?
00:14:16I am saying that I will get married.
00:14:17Avoid this topic.
00:14:18I will get married.
00:14:20What?
00:14:20My dream is my dream.
00:14:23Really?
00:14:23How do I get married?
00:14:26I want to have children.
00:14:27No, that's for me.
00:14:28Okay.
00:14:31Okay, let's change the topic.
00:14:33Yeah.
00:14:34Ajay, sir, son of Sardar, tool is coming.
00:14:36Before that, rate two, I hit.
00:14:39Two, I have seen that are great.
00:14:40Like my baby Kiss-Kiss, I love you.
00:14:42Two is coming.
00:14:43Don't do it.
00:14:44Don't do it.
00:14:45Don't do it.
00:14:45Don't do it.
00:14:46Ajay, sir, my date of birth and my date of birth are the same.
00:14:48Two numbers are our lucky, Ajay, sir.
00:14:50Do you believe me?
00:14:51Your two numbers are lucky.
00:14:52My three, four, five are lucky.
00:14:53How?
00:14:54How?
00:14:55How?
00:14:55Drishan 3, Dhamal 4, and Golmal 5.
00:14:59Oh, yes.
00:14:59Yes.
00:15:00No.
00:15:01I don't know.
00:15:02I have a question.
00:15:03I have to talk to you about this.
00:15:05I've come to Ajay, sir.
00:15:06I've got a fan of Ajay, sir.
00:15:07He said,
00:15:08I've got a question from Ajay, sir.
00:15:09I've got a question from Ajay, sir.
00:15:11I'm writing a question from Ganga Ram ji.
00:15:12Ganga Ram ji's question is,
00:15:13Ajay, sir, your Golmal series is a big comedy film,
00:15:16a big hit.
00:15:17The Dhamal series is a big hit.
00:15:19You do comedy in your films.
00:15:21Which shows are made for comedy,
00:15:22where are you going to be serious?
00:15:30Ganga Ram ji's question is,
00:15:31when I film the film,
00:15:33I'll check my name.
00:15:34When I'm here,
00:15:36I'll check my name.
00:15:43Ganga Ram, you understand?
00:15:46The journey of the Murnal is great.
00:15:48It's a big problem.
00:15:49At 6 o'clock in the morning,
00:15:50at 11 o'clock at Kapil Sharma's show.
00:15:52Yeah.
00:15:54Yeah, right?
00:15:54I'll tell you.
00:15:56Murnal, one film is in Mumbai,
00:15:58the other one is in South.
00:15:59One is in there and one is in there.
00:16:01So, you're in there or you're in there?
00:16:05I wanted to ask you something.
00:16:06It doesn't make a difference.
00:16:07In one film, you're in there.
00:16:09You're in shooting there,
00:16:10one is in there and one is in there.
00:16:12Yeah.
00:16:13Murnal,
00:16:14you can see the menu and what changes in the menu
00:16:17in the set-up and in the set-up.
00:16:19Nothing.
00:16:19My dad and my dad are in there.
00:16:22It's just a change.
00:16:24I always say,
00:16:24Anna, Anna.
00:16:25And they're like,
00:16:26Yeah?
00:16:27I said, Anna.
00:16:27Oh, sorry, dadah.
00:16:29I'm dadah.
00:16:30I'm a dadah.
00:16:31I'm a dadah.
00:16:32Sometimes it's a lot of confusion.
00:16:34How many languages have you done?
00:16:36Murnalabhita Kapil.
00:16:37In fact, it's only Hindi and Telugu.
00:16:40But have you learned Telugu?
00:16:41Have you spoken a little bit?
00:16:42Ardhamahinda.
00:16:44Oh, okay.
00:16:45Murnalabhita Kapil is a good one.
00:16:47The journey is a good one.
00:16:48You go to your good one.
00:16:49I feel all good.
00:16:50I feel all good.
00:16:52What's going on now?
00:16:53I'm in the mood.
00:16:56What do you want to leave?
00:16:58They're just wings.
00:16:59I feel all good.
00:17:30I feel all good.
00:17:47ask me to shave her before she will not go.
00:17:51So when he comes in this moment,
00:17:52he can start with facial hair.
00:17:54So, you can leave it or do not.
00:17:56How do you put your five five-to-ball policies
00:17:59in terms of productivity?
00:18:00Actually, I'll teach this to Sidhu so-called.
00:18:04He has put one Rhoemala on cricket and one politics.
00:18:08Well, one Rhoemala?
00:18:10No, not here, its a whole lot.
00:18:17Oh, come on.
00:18:18Here he is, right?
00:18:20He is also a little bit of Archana Ji's Rumaal.
00:18:25Please, see,
00:18:27you are now with Ajay Sarasim Murnal and Ravi Bhaiya.
00:18:30Now it's time for the son of Sardar II
00:18:32to the other people of the country.
00:18:34Please welcome Mr. Windu Dara Singh,
00:18:38Mr. Sanjay Mishra,
00:18:40Mr. Deepak Dobreyal
00:18:42and very beautiful Kupra Singh.
00:18:45Windu Paji.
00:18:47Deepak Bhai, Deepak Bhai.
00:18:51Hello.
00:18:52Hello, Kupraan.
00:18:53How are you?
00:18:54Sanjay Bhaiya.
00:18:56Hoonam.
00:18:57Hoonam.
00:19:03Ajay Sarasim, you get them?
00:19:05Lily, Lily, Silly, Chilly.
00:19:07Like your artist, right?
00:19:10Ravi Bhaiya, Mindu Paji, Sanjay Ji, Deepak Bhai.
00:19:13How do you feel to give your brother?
00:19:15Think about your tagline.
00:19:17What is your tagline?
00:19:19Each person will grow up.
00:19:26You can even say each person
00:19:27that every person will grow up.
00:19:28You can even say that each person will grow up.
00:19:29If you see Ravi Bhaiya,
00:19:30you can even say that.
00:19:31You can even say that.
00:19:32You guys go. Backstage.
00:20:02Bindu Bhai's name is Virendra Singh Randhawa.
00:20:07In total, there are 40 people who have a name.
00:20:10Bindu Bhai, do you have to keep your health,
00:20:13or do you have to keep your health?
00:20:15This is genetic. We know from childhood,
00:20:17Dara Ji's two sons have a health.
00:20:20Bindu Bhai, you are a very good person.
00:20:22But it's fun to see him.
00:20:23What is this?
00:20:25Son of Sardar.
00:20:27You are a Sardar.
00:20:28I am Sardar.
00:20:29I am Sardar.
00:20:30I am Sardar.
00:20:32The rest of the people?
00:20:33Dipak, Bhai and Kubra have also come to our show.
00:20:36Sanjay Bhai, you have the first time in the last 12 years.
00:20:40It was a great pleasure to meet you.
00:20:42This is the first time?
00:20:43Have you ever made such situations?
00:20:45Have you ever made such a place?
00:20:46Or do you have to be famous at night?
00:20:48Have you ever made such a place?
00:20:51Have you ever made such a place?
00:20:53You have come to become an actor, right?
00:20:55I am Sardar.
00:20:56Have you ever made such a film?
00:20:57Have you ever made such a film?
00:20:59Yes.
00:21:00But one thing is a thing.
00:21:01We have always made such a script.
00:21:02We come to the life of god's relationship.
00:21:07Yes.
00:21:08We go to Sardar.
00:21:10We go to Sardar.
00:21:11When a film is made,
00:21:12we are a great actor.
00:21:14He gets into the movies.
00:21:16He gets into the movies.
00:21:17Yeah, we get into the movies.
00:21:18The movies are also coming.
00:21:19Yes.
00:21:20So I will get into the movies.
00:21:21I will be himself.
00:21:22Oh, Sanjay Bhia, you are beautiful.
00:21:24We are waiting for you.
00:21:25Do you know what you're talking about?
00:21:27It's a good thing.
00:21:29One to two.
00:21:31This is a very strange thing.
00:21:33Look at that every big director, actor, producer
00:21:37has to come.
00:21:39This is your love, Sanjay Bia.
00:21:41No, it's all.
00:21:43When we came to Sanjay sir,
00:21:45we were talking about that
00:21:47but we were talking about shooting the film
00:21:49in the mountains.
00:21:51Are you trying to find some
00:21:53in the mountains, Sanjay Bia?
00:21:55I don't know. I have an actor, Woody Allen
00:21:57who had studied it
00:21:59and said that actors should talk to the film.
00:22:01No, but who do good work,
00:22:03they can swim, Sharyam.
00:22:07Don't kill me!
00:22:11Why do you do that?
00:22:13You're doing good work.
00:22:15But no, genuinely.
00:22:17Look, when you meet senior
00:22:19people like this, you don't need to learn anything.
00:22:21Why did they say that?
00:22:23Why did they say that?
00:22:25You should be prepared for yourself.
00:22:27You should be prepared for yourself.
00:22:29If you have one mind, one body, one body,
00:22:31people will say that.
00:22:33I'm doing this in the past 20 years.
00:22:35But Sidhu Ji is coming from cricket
00:22:37and coming from the parliament.
00:22:39Sidhu Sir, Sanjay Sir
00:22:41they do great things.
00:22:43I was very frustrated.
00:22:45I asked them if you were young
00:22:47or not.
00:22:49That's not wise.
00:22:51It's a big deal.
00:22:53I haven't called me any names.
00:22:55Oh, big.
00:22:57I don't think I was born
00:22:59when I was born.
00:23:01My mother has become this girl.
00:23:03I was born.
00:23:05I was born.
00:23:07I was born.
00:23:09uh,
00:23:10I, when I was born
00:23:11I started a bulge
00:23:13for it.
00:23:15I was born.
00:23:17I was born.
00:23:19I was born.
00:23:21I was born.
00:23:23I have the first daughter's birth,
00:23:27she was born in the hospital,
00:23:29she was sitting in the corridor.
00:23:31So, once you get a happy birthday, you become a grandfather.
00:23:34We are the first...
00:23:40Look at the face of Deepak brother.
00:23:42When you see, you look happy.
00:23:44You look like him in the morning,
00:23:46and he had checked out where he was.
00:23:49What's the path, Deepak brother?
00:23:51Do you keep any competition in mind or keep 6-7 flat in the kitchen?
00:23:55No, that's also in Kapil Sharma Show.
00:23:58That's how it starts with everyone.
00:24:01Today, you've put a pink smile on your face.
00:24:02What's your view?
00:24:03What's your view?
00:24:04The other's view.
00:24:07This is the view of the view of the other's view.
00:24:10Where are they from?
00:24:11You're sitting behind us, you're looking at us.
00:24:13This guy is looking at us.
00:24:17What's the matter?
00:24:18I feel like we're going to shave it and then we're going to face it.
00:24:24We're going to sit down.
00:24:25We're going to sit down with Chaturmurk.
00:24:30You all have seen the Secret Games.
00:24:32There was a debut of Netflix.
00:24:34When we saw the first time in the Secret Games,
00:24:37people got a subscription to Netflix.
00:24:40No, they're also seen in the Naoaz.
00:24:43They were also seen on Instagram.
00:24:49They're still playing their jokes.
00:24:51You're going to be doing this show?
00:24:53When I'm ready?
00:24:54When I'm doing live shows,
00:24:56I'm going to say, I'll get a chance.
00:24:58I'll get a chance.
00:24:59I know Kubra's very solid.
00:25:00We've done a lot of live shows.
00:25:01But as an actor,
00:25:03I was shocked.
00:25:05Wow, you worked well.
00:25:08Welcome, welcome, Kubra.
00:25:09So happy for you.
00:25:10Thank you, thank you, thank you.
00:25:21You're looking very pretty.
00:25:22Caps, finally.
00:25:23Now you're going to like flirt with me.
00:25:24When I'm married, I won't do it on camera.
00:25:29What do you do?
00:25:31I'm like, okay.
00:25:33You need a motivation for a person.
00:25:35I don't think it's changing.
00:25:37Yes, that's right.
00:25:39Let's go to the film.
00:25:41Son of Sardar, Tuk.
00:25:43It was in foreign.
00:25:44If I tell you the name of the locations,
00:25:45it's so beautiful.
00:25:46Glanko.
00:25:47Oh.
00:25:48Glantfinan.
00:25:49Curloss.
00:25:50Don.
00:25:51Lothian.
00:25:52If you give all these names,
00:25:53if you give them a chemist,
00:25:55he'll give them one or two letters.
00:25:59Sanjay, when you first know Glantfinan,
00:26:02you'll have to come to mind that
00:26:04you're 12-year-old or 18-year-old.
00:26:05Glantfinan.
00:26:06Glantfinan.
00:26:07What?
00:26:08Glantfinan.
00:26:09Glantfinan.
00:26:10Glantfinan.
00:26:11Only glass.
00:26:12No, but Glantfinan.
00:26:13Luthian.
00:26:14Can you hear your name?
00:26:15No.
00:26:16I'm going to get into it.
00:26:18I'm going to get into it.
00:26:20J ик-
00:26:21Cikkeldan.
00:26:22And I told him they had a phone for you,
00:26:23I'm going to call Maaj.
00:26:24I'm going to call maRY sir.
00:26:25отк�� я подозvak.
00:26:27I got there.
00:26:29I got to go.
00:26:31I got there very calculated.
00:26:31Nowпieß了 please a little bit.
00:26:33The day will go out and stop break.
00:26:34Now, when I met z Ozzy,
00:26:35when I met her and gave them sides,
00:26:37there's a very beautiful girl.
00:26:38Bye God.
00:26:40I said they're going to shoot us.
00:26:42I said yes.
00:26:42He's a woman in the film.
00:27:09Oh, yeah.
00:27:11Yeah.
00:27:12It's a beautiful street.
00:27:13It's very beautiful.
00:27:14Wow.
00:27:15That's why we have to maintain everything.
00:27:20And it's a very good, a proper woman.
00:27:23Like, we're going to see it.
00:27:25How do you think it's a proper woman?
00:27:27Because it was a whole set.
00:27:31Oh, actually, actually.
00:27:36Oh, all the tall guys, you know?
00:27:39They hide.
00:27:40They hide.
00:27:41They hide.
00:27:42They hide.
00:27:43They hide.
00:27:44They hide.
00:27:45Oh, my God.
00:27:46Oh, my God.
00:27:48The way he, they made him look.
00:27:51The way he carried himself.
00:27:55Wow.
00:27:56This whole person, he's a little bit like a girl.
00:27:58Wow.
00:27:59And what do you do?
00:28:00If we go to a restaurant, we eat.
00:28:02Oh, yeah.
00:28:03So, we don't change clothes.
00:28:04We don't dress.
00:28:05With a wig wig wig.
00:28:06And it's the most important thing.
00:28:07Why do you go to a lady's clothes?
00:28:08That's why you eat.
00:28:09I don't think we go to a hotel.
00:28:10It's the most important thing.
00:28:11Why do you go to a lady's clothes?
00:28:12Why do you go to a lady's clothes?
00:28:13That's why I ate a lady's clothes.
00:28:14Why do you go to a lady's clothes?
00:28:15Why do you have to eat?
00:28:16Why do you go to a lady's clothes?
00:28:17That's why we have a party.
00:28:18I was a little too late at that time.
00:28:19So, she was in the beach.
00:28:20I had to go there.
00:28:21She wanted to go there.
00:28:22I had to get one hour.
00:28:23I could get one hour.
00:28:24So, she said, you can go in the hour?
00:28:25I said, okay.
00:28:26I did.
00:28:27I did.
00:28:28It's Kurt, what?
00:28:29When you were?
00:28:30I was in jail for a washroom.
00:28:31We went to men's washroom.
00:28:33No no no, no no, she was good at her.
00:28:38No no no, she was a girl in the classroom.
00:28:40She was in a man's classroom, so she was just a man.
00:28:45She was a man to cry.
00:28:48She was a girl in the classroom, and she was laughing.
00:28:54She was a girl in the classroom, she was laughing.
00:28:59that's why I left it on the phone
00:29:01I was on the phone and went on the phone
00:29:03and went on the phone
00:29:05so you don't go
00:29:07and he was in the air
00:29:09and he was laughing
00:29:11and my hands were holding me
00:29:13and he was like no no no
00:29:15he's a boy
00:29:17oh my father
00:29:19what happened
00:29:23that was
00:29:25what happened
00:29:27that was
00:29:29my năm
00:29:31as
00:29:35the
00:29:37the
00:29:39jesus
00:29:41and
00:29:43what happened
00:29:45hu
00:29:47in
00:29:49the
00:30:21Hello, what was this?
00:30:23We lost ourselves.
00:30:26Where did the people come from?
00:30:30Where did the people come from?
00:30:33Come from this door, because that door was empty.
00:30:38Who are you?
00:30:41Those who have no need for them, but they are only in the army.
00:30:48What did the people come from?
00:30:50And what did the people come from?
00:30:52Those who have no need for them, we will come from the people come from the house.
00:30:58Don't hurt yourself.
00:31:00Do you think you're scared from the above?
00:31:02Don't sit with the above.
00:31:04Don't sit with the above.
00:31:06Don't sit with the above.
00:31:08Don't sit with the above.
00:31:09Don't sit with the above.
00:31:11Don't sit with the above.
00:31:12Don't sit with the above.
00:31:15Do you think you've got a red?
00:31:18Oh, so you're late, you're late now.
00:31:21Sanof Sardar 2 is coming, brother.
00:31:23That was Ajay Devgan Kireg.
00:31:25Yes.
00:31:26We came to Ajay Devgan Kireg.
00:31:28Are you talking about Ajay Devgan Kireg?
00:31:30I am just like that.
00:31:35It's just that it's a duplicate of Ajay Devgan.
00:31:39Okay.
00:31:40And you will find them.
00:31:41What are you doing?
00:31:42What are you doing?
00:31:43What are you doing?
00:31:44It's not a duplicate, brother.
00:31:47The actual people have come.
00:31:49You've got to go and get Ajay Devgan.
00:31:50Hey.
00:31:52Go and get Ajay Devgan, no one knows.
00:31:54Yeah.
00:31:55I'll go and get Ajay Devgan.
00:31:59Ajay.
00:32:00Oh, oh, oh.
00:32:02Oh, oh, oh.
00:32:03You have to go, Guru.
00:32:04You have to tilt a little bit.
00:32:06Yeah.
00:32:07You have to go, Ajay Devgan.
00:32:09Hey.
00:32:10Hey.
00:32:11Hey.
00:32:12Hey.
00:32:13Hey.
00:32:16Hey.
00:32:18Hey, baby.
00:32:19Hey.
00:32:19Hey, my name.
00:32:20Hey.
00:32:21Come.
00:32:22Go.
00:32:25Hey.
00:32:26내일
00:32:27Your duplicate bun kick it the program can let him
00:32:32Take it up a chill on cutting a kiss about cut a long cut a guy's up yoga
00:32:37The association keep a bit capital you have a duplicate, but take over
00:32:41On the association of our association
00:32:43Adda
00:32:45a DDA
00:32:50Ajay Devgan duplicate association
00:32:57I'm a regional manager of this business.
00:33:01This is a marketing business.
00:33:03This is a HR business.
00:33:05This is a paper business.
00:33:07What are you saying?
00:33:09You're a paper business.
00:33:11That's how it is.
00:33:15But, Ajay, you don't have any doubt
00:33:17that you're doing a duplicate business.
00:33:19You're doing it.
00:33:21You're doing it.
00:33:23You're doing it.
00:33:25You're doing it.
00:33:29You're doing it.
00:33:31But you're doing it.
00:33:33You're doing it.
00:33:35They're the real ones, brother.
00:33:37Way to go.
00:33:39Way to go.
00:33:41That's nice.
00:33:43Way to go.
00:33:49You're doing it well.
00:33:55Anyway.
00:33:57It's my way or skyway.
00:34:01Say it.
00:34:0325 years ago.
00:34:0525 years ago.
00:34:07You're doing it.
00:34:09You're doing it.
00:34:11You'd also do it.
00:34:13Speak deep into your sound.
00:34:15It's your sound.
00:34:17It's your sound.
00:34:18It's been 25 years ago.
00:34:19It's a vision building.
00:34:20That's what it's filmed again.
00:34:23Look.
00:34:24I'm doing it myself.
00:34:25fountain.
00:34:27Say it myself.
00:34:29Then I am playing theumenical again.
00:34:31If I can tell you you're using.
00:34:33Justin, what is up?
00:34:34All right, I am so excited.
00:34:35Now I'll kill..
00:34:37Yes, sir, I'm going to train and learn how to do this.
00:34:43I'm going to go here.
00:35:07We have created ourselves,
00:35:09we have our own human life.
00:35:13We have created ourselves,
00:35:16we have our own human life.
00:35:19Oh, it's gone, Guru. It's gone.
00:35:24Come on, friend.
00:35:30Madness.
00:35:33The whole India has been the most duplicate.
00:35:36Ajay Devgane.
00:35:37No doubt, no doubt.
00:35:38A lot of lookalike.
00:35:39In Vihar, in UP, a lot of...
00:35:41But Ajay, I wanted to ask you,
00:35:44what does it make you feel?
00:35:48It makes you feel good only.
00:35:50But some people get very upset.
00:35:52No, in fact, you should feel blessed that
00:35:54people are giving you that kind of respect.
00:35:56I'm so happy you think so, yeah.
00:36:01People start imitating you,
00:36:03people start mimicking,
00:36:05then you understand that your life
00:36:07is so successful.
00:36:09It's a hit.
00:36:10You become a cult.
00:36:11Absolutely.
00:36:15You said,
00:36:17I say,
00:36:18if someone's name,
00:36:19if someone's name,
00:36:20if someone's name,
00:36:22it's a very big thing.
00:36:24If someone's name,
00:36:25it's a very big thing.
00:36:26Like, we went to school,
00:36:28and the other one said,
00:36:30I'll take your daddy.
00:36:31Is your daddy Dara Singh?
00:36:32Yes, very true.
00:36:34I'm sure not.
00:36:36I'm sure not.
00:36:37I'm sure not.
00:36:40I'm sure not.
00:36:41I'm sure not.
00:36:42I'm sure not.
00:36:43I'm sure not.
00:36:44I'm sure not.
00:36:45I'm sure not.
00:36:46I'm sure not.
00:36:47I'm sure not.
00:36:48I'm sure not.
00:36:49I'm sure not.
00:36:50I'm sure not.
00:36:51Right.
00:36:52So,
00:36:53I've never seen that.
00:36:54I've never seen that.
00:36:55I'm sure not,
00:36:56but you've never seen that.
00:36:57There is another special thing, they don't have a Punjabi accent in Hindi pictures.
00:37:02One time, one time, one time, one time.
00:37:06One time, one time, one time.
00:37:07Someone heard a story that says,
00:37:09we are Punjab,
00:37:11you will have a little accent in Hindi.
00:37:13Someone told me the story.
00:37:15He said, Dara Ji was doing Hindi films,
00:37:17so one time, he went to dubbing the Punjabi film in Chandigarh.
00:37:21The dubbing engineer was sitting there,
00:37:25so Dara Ji has asked,
00:37:27listen to me,
00:37:29is there a Hindi accent in Punjabi?
00:37:35Every one has a habit,
00:37:37such as Ajay Sar's habit is,
00:37:39we are doing a prank prank.
00:37:41This time?
00:37:42No.
00:37:43This time?
00:37:44No.
00:37:45This time?
00:37:46No.
00:37:47This time?
00:37:48No.
00:37:49This time?
00:37:50No.
00:37:51No.
00:37:52What happened?
00:37:53There was a scene that,
00:37:54I was going to go,
00:37:55where our whole group comes from,
00:37:56and a sump comes from.
00:37:57So, sump?
00:37:59What is that?
00:38:01There are a lot of sump,
00:38:03shooting people.
00:38:04I said, sump is a sump.
00:38:05Shooting people?
00:38:06I mean, sump is not a sump.
00:38:07I mean, sump is not a sump.
00:38:09I don't have to worry about sump.
00:38:10They have to worry about sump.
00:38:12Look at that.
00:38:13This is the same.
00:38:14Hey, let me leave it.
00:38:15He is very sump.
00:38:16I don't feel that, Sanjay sir.
00:38:18What?
00:38:19What?
00:38:20What?
00:38:21What?
00:38:22What is this?
00:38:24What a bad guy!
00:38:25What?
00:38:26That's a bad guy.
00:38:27That's my Instagram joke.
00:38:29That's a bad guy.
00:38:31Oh.
00:38:32Wow!
00:38:33Wow.
00:38:34Ravi Bhai's advice we've heard is that every night,
00:38:37before sleeping, we're going to sleep with Shri Mati-ji's pants.
00:38:40If you want to sleep with your pants,
00:38:42how many times do you keep your vaccine?
00:38:47I mean, yeah, I love it.
00:38:50But she never let me do that.
00:38:52But whenever she's sleeping.
00:38:53But it's a very good thing.
00:38:55What's the problem with this?
00:38:57Yeah.
00:38:58Because she was so sad when she didn't have money.
00:39:01Absolutely.
00:39:02She didn't leave me with my hands.
00:39:05But today, whoever I am,
00:39:07she was very worried about me.
00:39:09My son is in front of me.
00:39:11He knows the way she managed me.
00:39:14She's like the pants.
00:39:16What a joke.
00:39:17What a joke.
00:39:19The man is guilty, the man is more guilty.
00:39:21Oh, my brother.
00:39:25He's playing on front foot, Ajay, sir.
00:39:27I'm sorry.
00:39:30Deepak bhai.
00:39:31Deepak bhai.
00:39:32Deepak bhai.
00:39:33This is a habit.
00:39:34This is a habit.
00:39:35This is the same as the film's schedule.
00:39:36It's the same as the salon.
00:39:37You go to the salon.
00:39:38You go to the salon.
00:39:39You cut the hair.
00:39:40Deepak bhai.
00:39:41You cut the hair.
00:39:42What's the fear of your hair?
00:39:43You cut the hair.
00:39:44You cut the hair.
00:39:45The hair.
00:39:46Why are you cut the hair?
00:39:47Is this true?
00:39:48It was a little ritual.
00:39:50I mean,
00:39:51I feel like I'm staying in the salon.
00:39:53Some feelings, feelings,
00:39:55you adopt.
00:39:57So, if you stay in one,
00:39:59you feel like you're going to go to the next set.
00:40:01You're going to go to the next set.
00:40:02You're going to this hope
00:40:04that your hair will come from here.
00:40:08You know, Sanjay bhai, Ajay sir,
00:40:11his love is very much.
00:40:12I think,
00:40:13I think,
00:40:14they'll have a five-year-old film.
00:40:15Maybe 14-15 film in the last set.
00:40:16So,
00:40:17they've been closed in their office
00:40:19or you live in their office?
00:40:23They don't know where they live.
00:40:25Where are they?
00:40:26Where are they?
00:40:27I'm in Lonavela.
00:40:28I'm in Banares.
00:40:29Where are they?
00:40:30Where are they?
00:40:31Where are they?
00:40:32Sanjay is a poor man.
00:40:33What?
00:40:34He's a poor man.
00:40:35He's a poor man.
00:40:36He's a poor man.
00:40:37He's a poor man.
00:40:38He's a poor man.
00:40:39He's a poor man.
00:40:40There are.
00:40:41He's a poor man.
00:40:43His shop is a poor man.
00:40:45He's got a poor woman.
00:40:47He's got a poor woman.
00:40:48He's got a poor man.
00:40:49That's my father.
00:40:50And he's got a poor man.
00:40:51He's got a poor man.
00:40:52I'm not too hungry.
00:40:53He's got a poor man.
00:40:55because what is your life's life?
00:40:57There are books in your life,
00:41:00like the people who love my brother and the poor,
00:41:04who love him.
00:41:06So it's a good thing to keep them up with their own.
00:41:10When will you listen to them?
00:41:12They're a film hit.
00:41:13They've done so much business.
00:41:14They're like this, they're like this.
00:41:16They're like this little bit.
00:41:18You don't listen to me.
00:41:20One of mine is my friend of mine,
00:41:22and that's Guruji.
00:41:24It's a little bit of a
00:41:26and it's a little bit of a
00:41:28God!
00:41:30Now you are living in it.
00:41:32All these people are living in a different way.
00:41:34What the truth is?
00:41:36Our country is like this.
00:41:38Hindu, Muslim, Sikh, Hizai
00:41:40and our film is like this.
00:41:42Everything is like this.
00:41:44This is the philosophy of the Guru.
00:41:46God is the first light of the power of the power of the power of the power of the power of the power of the power of the power.
00:41:52Thank you, Guruji.
00:42:22Subscribe now.
00:42:26Guys, do you call him your policy?
00:42:28Yes.
00:42:29upon, Jie...
00:42:33Rudolph, we found...
00:42:35I have proved that if a person takes a good job and does time-to-time exercise,
00:42:42he also shows the effect of this age.
00:42:45You will not have to accept it.
00:42:48Sidhu will not have to accept it.
00:42:51What will you show in this age?
00:42:53What will you show in this age?
00:42:55You will not know.
00:42:57Everyone is laughing and laughing.
00:43:00The son of Sardar is also two.
00:43:02Sidhu is twins.
00:43:05This is a fact.
00:43:12Sidhu.
00:43:13Sidhu.
00:43:14Come here, sir.
00:43:15Come here, sir.
00:43:16Come here.
00:43:17Sir, don't give him the son of Sardar to.
00:43:21This is the original film.
00:43:23of this age?
00:43:24Yes.
00:43:25I've asked about you about female.
00:43:28Let's give him this back.
00:43:31Give him this back.
00:43:34I'll go back.
00:43:41Ankar!
00:43:42Ankar, what's happening?
00:43:43It's not happening.
00:43:46Take it, take it!
00:43:48Go, go.
00:43:49We're back.
00:43:52What are you laughing at them?
00:43:54You were taking the wrong information here.
00:43:59We are so stupid to see how we are doing this.
00:44:04There are great people.
00:44:06I'm sorry, Baba.
00:44:07You're wrong with me.
00:44:09Ojoe, a father made a mistake of his son.
00:44:13He asks you for forgiveness of your skirt.
00:44:16Baba!
00:44:22Your skirt is very small, Baba.
00:44:25Don't do it.
00:44:27I've brought another skirt to you.
00:44:30Look at this.
00:44:34I'm sorry, Baba.
00:44:35You can't get to that one, Baba.
00:44:36I've been waiting for this.
00:44:37You're not alone.
00:44:38I'm sorry.
00:44:39My father is soous.
00:44:41He's gone with his hands.
00:44:42He's gone with his hands.
00:44:43He's gone with his hands.
00:44:44What's his skirt?
00:44:45Kind of wearing her skirt.
00:44:46And does he paint the skirt?
00:44:47And does he paint the skirt?
00:44:48Yes, Sir.
00:44:49You're not alone.
00:44:50I'm sorry.
00:44:51It's a dirty, ugly, and warm,
00:44:54It's a park.
00:44:55It's a parking lot on the airport.
00:44:56It's late now.
00:44:57I love you.
00:44:58Hey, come on.
00:44:59Come on.
00:45:00Come on.
00:45:01Come on.
00:45:02Why are you going to get up?
00:45:04He says these lines to impress me.
00:45:07You are so great.
00:45:12You are married, right?
00:45:15You can't beat a straight line.
00:45:17That's why he beats funny lines.
00:45:20He knows that women like women.
00:45:25You like women?
00:45:27Yes, son.
00:45:29Rinald.
00:45:30Yes.
00:45:31You know, I'm very happy that
00:45:33I and my women have a great relationship.
00:45:36I used to play a lot with women.
00:45:39I used to play women in women.
00:45:41Hey, Ghachou.
00:45:42They are women.
00:45:44You've become so big,
00:45:46I don't even know about women and women.
00:45:49I'm going to come to Netflix.
00:45:52Sorry.
00:45:54Sorry.
00:45:57I didn't know.
00:45:59Baba.
00:46:00You're a cobra.
00:46:01No, son.
00:46:02You're a cobra.
00:46:04Baba.
00:46:06You're a cobra.
00:46:08No, son.
00:46:09He's a cobra.
00:46:10No, Baba.
00:46:11You're a cobra.
00:46:12He's a cobra.
00:46:13You're a cobra.
00:46:14How are you doing here?
00:46:16Now can you excuse? I want to speak to them.
00:46:30What a film.
00:46:32In this film there is comedy, romance, action, tragedy, jealousy.
00:46:38Jealousy. Jealousy.
00:46:39We have jealousy.
00:46:41I made a film from Punjab and made a film from Punjab.
00:46:46We have not made a film from our own.
00:46:50You are right, Baba.
00:46:52We have made a film from Punjab.
00:46:54We have not made a film from Punjab.
00:46:55We have not made a film from Punjab.
00:46:57We have not made a film from this reason.
00:46:59When you see, wherever you go, you always laugh.
00:47:02There is a film in a film,
00:47:05I'd like to hear from you.
00:47:08If my Italy will eat,
00:47:10I'll send it to him.
00:47:12From the food!
00:47:13It's very sad to eat.
00:47:18Ajayi Sahib, there is so much love for her.
00:47:21She wants to do a wedding too,
00:47:23so she will drink the milk on the holidays.
00:47:27And she will get food with her.
00:47:33Where does it?
00:47:35In this case, there is no truth, Baba.
00:47:38I want to marry in truth.
00:47:40I want to become a doula, Baba.
00:47:43Baba, probably you are forgetting.
00:47:45I am not a little girl.
00:47:48I am a young man, Baba.
00:47:53My son has grown up.
00:47:55Yes, Baba.
00:47:57Love you, my child.
00:47:59Love you, Baba.
00:48:01Ajay Sahib,
00:48:06when the children are growing up, I don't know.
00:48:11It's the case of today.
00:48:13He was sitting on his hands,
00:48:15he was shaking his hands.
00:48:17Baba, that was our baby's child, Baba.
00:48:23You are all in front of me, Baba.
00:48:26No, no, no, my child.
00:48:28Baba, I'm sorry.
00:48:30No, no, no, no, no, no.
00:48:32Why do you have tension?
00:48:33I am your father, I am.
00:48:35Tell me, what will you drink?
00:48:36I will ask you from Kapil.
00:48:37Tell me, what will you drink?
00:48:39Baba, ask me a hazelnut caramel macchiato.
00:48:42What did you say?
00:48:44Hazelnut caramel macchiato.
00:48:47What did you say in Tanzania?
00:48:49You were born in Tanzania?
00:48:54They have made a film on Punjab,
00:48:56which is a Punjabi dish.
00:48:58What did you say?
00:48:59Okay, Baba.
00:49:00Now, ask me one recipe.
00:49:01Yes, Kapil.
00:49:02I have a recipe for this.
00:49:03Okay.
00:49:04And I have a hazelnut caramel macchiato.
00:49:11Wow, Baba, wow.
00:49:12Wow.
00:49:13When I listen to Punjab,
00:49:15I'm asking myself a food item.
00:49:17Punjabi people also stay in food.
00:49:19I have asked for Canada.
00:49:21He asked for Canada's business.
00:49:23Yes, yes, yes.
00:49:24Now I'm eating my mother's tea
00:49:25or in my father's tea.
00:49:26What do you say?
00:49:29Now, play a game of science,
00:49:30play a game of science.
00:49:31That is your day, Baba,
00:49:32you will have to know that
00:49:33that you have to play a game of science.
00:49:35Not the science,
00:49:36it's 87, the 88.
00:49:37You will play it with your own.
00:49:39Oh, come on!
00:49:40Everything I have not needed to be made
00:49:42by you.
00:49:43No matter what I did,
00:49:44but it can be done before.
00:49:46to be able to do that, right?
00:49:48What do you mean?
00:49:49That person called you,
00:49:50who doesn't even get out of your mouth.
00:49:53You don't even get out of your mouth.
00:49:54What's that?
00:49:55I called you to the village of Babuji.
00:49:59Babuji?
00:50:16I'll call you to the village of Babuji.
00:50:19My Babuji, I'll call you to the village of Babuji.
00:50:22Babuji.
00:50:23Where did I go, Dad?
00:50:27Oh, my brother.
00:50:28Listen, here's the son of the father.
00:50:31Son of the father.
00:50:32Hey, son of the father.
00:50:33In our childhood, son,
00:50:35he called his son as a kid.
00:50:36He called his horse.
00:50:38He called his horse.
00:50:39And he called his horse.
00:50:42That's what he called.
00:50:43It's going to happen, Baba Ji, but if you come to the work, please do it.
00:50:47Oh, yes.
00:50:48Tell her first.
00:50:49Where is your father?
00:50:52Where is your father?
00:50:54If you have the courage, please come in.
00:50:56It won't come.
00:50:57I will call her.
00:50:58I will call her the way.
00:51:00What?
00:51:00She fell apart.
00:51:02She fell apart.
00:51:04She fell apart.
00:51:05She fell apart, Papa.
00:51:10She fell apart.
00:51:11She fell apart.
00:51:13Listen.
00:51:14I called her the way, and she came.
00:51:17Yes.
00:51:18Come, Baba, come.
00:51:21Come, come.
00:51:21There's nothing.
00:51:22There's nothing.
00:51:23Yes, Baba Ji.
00:51:24Once again, I have the courage that you give.
00:51:28I also called her the way, because it was closed.
00:51:31I told her,
00:51:32I was standing in front of you,
00:51:34and I said,
00:51:35Oh, the courage of the courage.
00:51:38Baba Ji, with due respect,
00:51:42Baba Ji, I don't have the courage to tell you about that.
00:51:44That's how it came, Baba Ji.
00:51:46That's how it came.
00:51:48With due respect, Baba Ji, I didn't say that, Baba Ji,
00:52:10With due respect, Baba Ji, your thoughts are very strong.
00:52:38In this time, I have given you the freedom of wearing a skirt, and you are saying that you don't have to think about it.
00:52:50You have come here, you have come here, you have come here.
00:52:54I know that you have produced this film.
00:52:58I will tell you how to save money in the film.
00:53:02If you start shooting at 11 o'clock, you will save money.
00:53:08That's a great idea, Baba Ji.
00:53:10I have said that you have a job.
00:53:12You keep shooting at 4 o'clock.
00:53:14Breakfast, lunch will save money for both of you.
00:53:16I have to say that I will save money at 11 o'clock.
00:53:20Breakfast, lunch, dinner will save money for three o'clock, Baba Ji.
00:53:24I have said that you will also save money for 13 o'clock, and the cash will save money for tonight.
00:53:34görün sarà until the end of that nap��.
00:53:36If you come here, stay for breakfast for 11 o'clock again.
00:53:37I have said that you will save money to 4 am.
00:53:38Later when you are spending money too outside.
00:53:39I tell you, keep it for running and keep it at 11 o'clock.
00:53:45We will save the shooting for two days, two days.
00:53:49I am saying...
00:53:50Just, just, what are you doing?
00:53:52Just do it.
00:53:53Just do it.
00:53:55Look, we have saved two days,
00:53:56one producer has saved like this,
00:53:58and we have saved 22 days.
00:54:02Which film was it?
00:54:03That film.
00:54:06Which film was it, Baba Ji?
00:54:09It's a girl.
00:54:10No, no, Sidhuji, wrong.
00:54:12I know, this is Shahanshah.
00:54:16Shahanshah?
00:54:17Shahanshah, Baba Ji. Give up, Baba Ji, give up.
00:54:19The film was closed.
00:54:23It wasn't.
00:54:24It wasn't.
00:54:25Because in the 70 days,
00:54:26it was closed.
00:54:28You are doing this.
00:54:30I am doing this.
00:54:32I am doing this.
00:54:33Can you guess which picture is?
00:54:35Yes, please.
00:54:36Tell me, Baba Ji.
00:54:38Ready, ready.
00:54:39I will give you a hint.
00:54:40This film is Ajay Devgan Ji.
00:54:42Okay.
00:54:45Aata Ma Ji, Satkali, Singham.
00:54:46No, no.
00:54:47One minute.
00:54:48If Aata Ma Ji, Satkali,
00:54:50then who is here?
00:54:51Give up.
00:54:52Give up?
00:54:53Give up.
00:54:54It's a drishyam.
00:54:56One minute.
00:54:57How can this drishyam happen?
00:54:58I am thinking,
00:54:59where am I hiding?
00:55:00Where am I hiding?
00:55:05So this game is playing like this?
00:55:07Come with me.
00:55:09Come with me.
00:55:10Come, son.
00:55:11Come with me.
00:55:12Come with me.
00:55:13Come with me.
00:55:14Oh my God.
00:55:15Come with me.
00:55:16Come with me.
00:55:17Aata Ma Ji, Satkali, Singham.
00:55:20No.
00:55:21No.
00:55:22Drishyam.
00:55:23Drishyam.
00:55:24No.
00:55:25So which film is this?
00:55:26Give up.
00:55:27Give up.
00:55:28Give up.
00:55:29Aatithi.
00:55:30When will you go?
00:55:31Yes.
00:55:32I will sit at home.
00:55:33Aatithi.
00:55:34I don't know.
00:55:35I'm in tension.
00:55:36When will I go?
00:55:37When will I go?
00:55:38I will do something.
00:55:39Okay?
00:55:40Okay.
00:55:41Give up.
00:55:42Give up.
00:55:43Give up.
00:55:44Give up.
00:55:45Give up.
00:55:46Give up.
00:55:47Aatithi.
00:55:48Aatithi.
00:55:49Aatithi.
00:55:50Yes.
00:55:51This is not the same thing.
00:55:53It's not the same thing.
00:55:54This is the same thing.
00:55:55Drishyam.
00:55:56No.
00:55:57No.
00:55:58When will I go?
00:55:59No.
00:56:00Give up.
00:56:01Give up.
00:56:02Give up.
00:56:03Give up.
00:56:04How will you get the same thing?
00:56:06How will you get the same thing?
00:56:07The director is thinking, why did I make it?
00:56:13No.
00:56:15Look.
00:56:16Look, Deepak Ji.
00:56:17What are you doing?
00:56:18We are going to do it. You also make a film, right?
00:56:23Come on, Baba Ji. One, one.
00:56:24You have a big idea.
00:56:25Come on, Baba Ji.
00:56:28Okay. Ready, Baba Ji. Ready.
00:56:34This is Drishyam.
00:56:37When will you go to Aditi?
00:56:39Himmatwala.
00:56:42Give up, give up.
00:56:44Come on, my sister.
00:56:48Come on, Baba Ji.
00:56:55Good job.
00:56:57Good job.
00:57:00Baba Ji.
00:57:01I will give you a hint to someone.
00:57:03The hint will be given first, Baba Ji.
00:57:05It's done.
00:57:05It's done, Baba Ji.
00:57:06You heard the hint of the first.
00:57:08What do I do?
00:57:09Look, Guru.
00:57:10The game of cricket,
00:57:11when someone makes 200 or 100,
00:57:13they kill all the balls.
00:57:15I will give you a standing ovation for this performance.
00:57:18Absolutely brilliant.
00:57:19Right.
00:57:21Absolutely outstanding.
00:57:23Absolutely outstanding.
00:57:24Howe, Guru?
00:57:25This is your goal.
00:57:26Hey, Krishna.
00:57:27Pick up, Sumil.
00:57:29Go, go, go.
00:57:30Come, go.
00:57:34Come, come, come, come.
00:57:35Come, come.
00:57:36Come, come, come.
00:57:38Come, come, come, come.
00:57:40It was so much fun having you all over here, but this time you just didn't laugh, you made
00:57:57us laugh.
00:57:58Actually.
00:57:59Really.
00:58:00So that means you are learning something from our show, huh?
00:58:05But how did you enjoy the show?
00:58:06It's always fun coming here, I mean, I feel so comfortable that, you know, I think
00:58:10I can be free and I love the way the whole thing is.
00:58:15This guy is getting funnier and funnier.
00:58:16Yeah, yeah.
00:58:17Absolutely.
00:58:18But actually, Ajay sir, what's the truth?
00:58:22And it's so fun with everyone.
00:58:24You all are so great.
00:58:26When we talk with you, it's so fun.
00:58:28So you will think about it when you see them on the big screen.
00:58:31So how fun it will be.
00:58:32So many best wishes to Ajay sir and our team.
00:58:36And, friends, we'll see you for the next week.
00:58:39We'll see you with some new guests.
00:58:40We'll see you the great Indian couple show.
00:58:42Every fan of our guests will be our guest.
00:58:44Only on Netflix.
00:58:45Good night Shabakhaer.
00:58:46Good night Shabakhaer.
00:58:47Good night Shabakhaer.
00:58:48Good night Shabakhaer.
00:58:49Good night Shabakhaer.
00:58:51Good night Shabakhaer.
00:58:53Good night Shabakhaer.
00:58:54Good night Shabakhaer.
00:58:56Good night Shabakhaer.
00:58:57Good night Shabakhaer.
00:59:04I am very young.
00:59:05I don't look 31, but I am 31.
00:59:09Other than 31?
00:59:12Everyone said that they don't talk to eat food.
00:59:14If this is the case, if Kamiya has accepted it, it will be a loss of crores.
00:59:20Where are you?
00:59:21You should check.
00:59:22Are you checking?
00:59:23No, don't leave it alone.
00:59:24We don't leave Salman Khan, you should come.
00:59:26The king has interviewed a kind of individual,
00:59:29which has not been able to do our country.
00:59:31We will talk to him from the close to the king.
00:59:35When you talk to him, you have to be the king of thousands of crores.
00:59:39How did he answer that?
00:59:40I was walking in London and it was lit.
00:59:43We talked to him for 2-3 hours,
00:59:44and then he thought, let's do it.
00:59:46And then we took it.
00:59:51This beat that you're on, is it a cow or a cow?
00:59:54I'm not an expert that I can tell the male and female.
00:59:58Saurabh Bhai, no one ever asks such a question
01:00:01in which you are afraid of hitting.
01:00:02And after that, there are 60 people of the team.
01:00:04They can do it too.
01:00:05How do you do this question?
01:00:07I've also gone on camera.
01:00:09I know that no one will kill me in the camera.
01:00:11And if the camera is cut, I'll cut it.
01:00:13I'm hoping for the camera.
01:00:14Oh, my God.
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