- anteayer
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
Categoría
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CortometrajesTranscripción
00:02:22We are now below the deadline,
00:02:24the Financial and Diamond District.
00:02:26Here there are more diamonds by the square foot than any part of the world, including the transform.
00:02:46Good afternoon, Captain.
00:02:47How are you, Peter?
00:02:48Oh, hello, Captain Tyler.
00:02:49Hello, Molly.
00:02:50Mr. Draven is expecting me.
00:02:56Captain Simon, is with you.
00:02:58Can you come in?
00:03:00Thank you.
00:03:01How are you, Miss Abrams?
00:03:03Oh, good afternoon, Captain.
00:03:05Sit down.
00:03:06Thanks.
00:03:07Have a cigar?
00:03:08Oh, thank you.
00:03:09What's on your mind?
00:03:11These diamonds.
00:03:12These and a lot more to come.
00:03:14And, oh, pardon me.
00:03:16This is Mr. Eberle, Captain Simon.
00:03:18Mr. Eberle.
00:03:19I'd like to know you, Captain.
00:03:21Mr. Eberle and I are negotiating our very large consignment of diamonds.
00:03:25And we thought that you should be warned about it.
00:03:28Wise precaution.
00:03:29Are you collecting the consignment here?
00:03:31Yes, they're for my firm in Chicago.
00:03:33But they're not to be shipped for nearly a week.
00:03:36Well, don't worry.
00:03:37We've got a pretty good line on all the boys in town.
00:03:40And not one of them will dare to shove his nose below the deadline.
00:03:43I'll just tell my men to keep their eyes peeled.
00:03:46And if they do see anybody below the deadline that looks suspicious at all,
00:03:49to bring them in for questioning.
00:03:51Well, by the way, where is your deadline now, Captain?
00:03:55Still canal seat?
00:03:56Yes.
00:03:57And if any of them come south of that line, it'll be just too bad.
00:04:02Well, so long.
00:04:03Bye-bye.
00:04:04Well, I know where to get a nice solitaire for you, Molly, as soon as you give Terry Mulvaney the gate.
00:04:16You'll be too old by that time, Captain Simon.
00:04:18You're never too old.
00:04:25Yes, sir.
00:04:26All right, good day, Captain.
00:04:27Goodbye, Peter.
00:04:33Oh, Miss Fitzgerald, would you mind working an hour or two later tonight?
00:04:37Certainly not, Mr. Hayden.
00:04:38Mm-hmm.
00:04:39Then as soon as you're through, bring in your notebook.
00:05:00Hello?
00:05:02Hello, Molly, my darling.
00:05:04Terry, dear, I have to work late tonight, so don't wait for me.
00:05:07I'll have supper downtown.
00:05:08You can meet me near the subway entrance around nine.
00:05:11Sure, darling, I'll be there when me buttons all shine.
00:05:15Right.
00:05:16Right.
00:05:30Good evening, sister.
00:05:31Half on a left.
00:05:36Terry!
00:05:42What's the matter, darling?
00:05:43Oh, yes, it would be Casanova.
00:05:45And what's that?
00:05:46Oh, a fellow that thinks that offering a girl a lift is a driver's license.
00:05:49Is that so?
00:05:50I'll take care of him.
00:05:51Oh!
00:05:52Don't you worry about a little thing like that.
00:05:54You think I'd exchange your homer face for anything in the world?
00:05:56No, wait a minute.
00:05:57What was that, Craig?
00:06:02It goes for me, too, darling.
00:06:04Oh, yes.
00:06:10Hello, Eddie, dear.
00:06:11Oh, good evening, Miss Everton.
00:06:13How are you this evening?
00:06:14Why do people always think it's like absolutely questions?
00:06:17Well, well, little dear.
00:06:19Oh, thank you.
00:06:20Have you had this supper?
00:06:21Yes, thank you.
00:06:22Hmm.
00:06:23Glass of milk and a sandwich, I suppose, standing up at some lunch counter.
00:06:27Oh, well, this rush will soon be over, and then I'll have my evening to myself again.
00:06:31Would you like to see, Terry?
00:06:32Uh-huh.
00:06:33I'm a fixer.
00:06:37Well, are you still here?
00:06:39I thought it was time for you to be going home instead of coming here visiting.
00:06:42Well, I suppose it is a little late for elderly people, but Molly and me won't find if you want to go to bed.
00:06:47If you expect me to resent that, you're wrong.
00:06:50Why don't I still just sit down? You've been on your feet all day, haven't you?
00:06:53I tell you, that's what I have.
00:06:56Poor dogs.
00:06:57Every time I make them walk, they get sorry.
00:07:00And when are you going to get this advancement you're after?
00:07:03Well, the exams are in June, and by July you'll see me a full-fledged detective.
00:07:08Then crime will automatically cease, I suppose.
00:07:11Oh, no, not immediately.
00:07:13You see, there's the honeymoon first.
00:07:15Terry Mulvaney, if you don't make Molly the happiest wife in the world, you'll have me to answer you.
00:07:20It won't be for the water time.
00:07:22Molly needs a rest.
00:07:24That man Abrams worked her too hard.
00:07:27I don't know what people want with diamonds anyway.
00:07:30Useless things.
00:07:32And yet, they can't buy them, they steal them.
00:07:34Oh, no, not much chance these days.
00:07:36What?
00:07:37Top of crimes in the world are never solved.
00:07:39Well, here, let me hold it away.
00:07:41Well, at last I found a useful policeman.
00:07:47Oh, I don't know.
00:07:48Molly found one.
00:07:49Did you ever try it?
00:07:50Are you two still zickering?
00:07:51Let me help you.
00:07:52Well.
00:07:53What are you sewing on now, darling, if I'm permitted to ask?
00:07:54A pillow slip, Mr Mulvaney, for that red head of yours.
00:07:56You'd think you two were married already.
00:07:57When I was a girl, no young lady would have said such a thing.
00:07:59Did you think to, or was it sworn?
00:08:00I think you'd better confine yourself to questions of more importance.
00:08:06Have you got your book, Terry?
00:08:09Oh, yes, sir.
00:08:10Oh, yes.
00:08:11That's it, sir.
00:08:12Ya, ya, ya, ya, ya, ya, ya, ya.
00:08:42Ya, ya, ya, ya, ya, ya.
00:09:12Ya, ya, ya, ya, ya, ya.
00:09:14Ya, ya, ya.
00:09:16Ya, ya, ya, ya.
00:09:18Ya, ya, ya.
00:09:20Ya, ya, ya, ya, ya, ya.
00:09:22Ya, ya, ya, ya, ya.
00:09:24Ya, ya, ya, ya, ya, ya, ya.
00:09:26Ya, ya, ya, ya, ya, ya, ya.
00:09:28Ya, ya, ya, ya, ya, ya.
00:09:30Ya, ya, ya, ya, ya, ya.
00:09:32Ya, ya, ya, ya, ya, ya.
00:09:34Ya, ya, ya, ya, ya, ya, ya.
00:09:36Ya, ya, ya, ya, ya, ya, ya.
00:09:38No, no, no.
00:10:08I've seen him play a fish for months before she took the hook.
00:10:18All right.
00:10:19But when does Abrams get in the balance of that good time?
00:10:21That's all I want to know.
00:10:25Why pull this job a day too soon?
00:10:27When by waiting another day, we could get maybe a hundred grand more.
00:10:33What'll you bet I can find out by tomorrow night?
00:10:38Come on.
00:10:39I'll split a grand with you.
00:10:41Five hundred apiece.
00:10:42Okay.
00:10:43That's a bet.
00:10:44You can land that pitch, Gerald Lane.
00:10:47You've got it coming.
00:10:48Mr. Ackroyd?
00:10:58Right, young lady.
00:10:59And you are Miss, uh...
00:11:00Mr. Abrams, secretary.
00:11:02Can you wait a moment, please?
00:11:03With pleasure.
00:11:03I come to look for a diamond, and behold, I find a thrill.
00:11:09Uh, careful.
00:11:10So many synthetic thrills on the market these days.
00:11:13Ah, but then I'm an excellent judge.
00:11:15Professional, I would think.
00:11:16On the contrary.
00:11:18Amateur in its literal sense.
00:11:21Mr. Abrams, Mr. Ackroyd's here.
00:11:26Can you go in, please?
00:11:27Sorry I'm so late.
00:11:41I suppose it's about your closing time.
00:11:43Well, it's never closing time when we have a client.
00:11:46Won't you sit down?
00:11:46You said over the phone you were looking for a stone of about, uh, five carats.
00:11:54Yes.
00:11:55A yarder.
00:11:58Send in the stones I selected for Mr. Ackroyd.
00:12:04Oh, that looks like a very fine stone you have in your ring.
00:12:08May I see it?
00:12:09Yes.
00:12:10I picked that up in, uh, Hatton Garden.
00:12:16Why, you know diamonds.
00:12:20It's perfect.
00:12:21Can you match it?
00:12:23Well, you can judge for yourself.
00:12:39Did I use your glass?
00:12:40Certainly.
00:12:46Aren't you going home, Molly?
00:12:51Doesn't look like it, does it?
00:12:53I had a date, too.
00:12:54Woman who proposes, but business disposes.
00:12:57Well, I'll be glad to get home and dispose of that corned beef and cabbage that's waiting for me.
00:13:01Well, these are the best, but neither is as good as mine.
00:13:13I'm afraid you're right, but I shall have more in Thursday, and I think, final ones.
00:13:19Would you call them?
00:13:21I'm not sure, but, uh, I think I could make it Friday.
00:13:25Well, I'm very sorry, but they'll be gone then.
00:13:27Tell me what I'll do.
00:13:33I'll give you thousands of that one.
00:13:42Miss Fitzgerald, make out a receipt for Mr. Eckroyd for $1,000.
00:13:52Well, that's that.
00:13:53Here's your receipt, Mr. Eckroyd.
00:14:05Thank you.
00:14:06I'm sorry to have been the cause of keeping you so late, but, uh, perhaps I can drive you home.
00:14:12Well, I am rather late.
00:14:13Then why don't you let Mr. Eckroyd take you home.
00:14:16All right.
00:14:17Good night.
00:14:18Good night.
00:14:18Good night.
00:14:19Good night.
00:14:23Thanks a lot.
00:14:47You see, I'm not so bad.
00:14:48Wouldn't you take me on approval for a while?
00:14:53Someone else?
00:14:55There's the proof.
00:14:58Hello, Terry.
00:15:00This is Mr. Eckroyd, Officer Mulvaney.
00:15:03Good to know you, indeed.
00:15:04So you're the reason she was so anxious to get home.
00:15:07Meaning what?
00:15:09Well, you see, Mr. Abrams and I kept her a little late, and, uh, I offered to make amends.
00:15:14Oh, so you're a friend of Mr. Abrams, though.
00:15:16That's different.
00:15:16Well, I'm afraid I don't follow.
00:15:19Terry thought you were another smart aleck, like the one that tried to pick me up the other night.
00:15:24Well, I, uh, might be sorely tempted, but, uh, I don't think I'd try.
00:15:30I, uh, seem to be a better judge of character than you are.
00:15:33Well, uh, good night, Mr. Mulvaney.
00:15:36Good night, Mrs. Jane.
00:15:37Thanks again, Mr. Eckroyd.
00:15:39Don't mention it.
00:15:39Thank you.
00:15:39Thank you.
00:15:39Thank you.
00:15:39Thank you.
00:15:46What's the matter?
00:15:54You don't seem to like the gentleman.
00:15:56I do not.
00:15:57Oh, Terry, you need never be jealous of me.
00:16:00As a matter of fact, I only accepted his offer that I wouldn't keep you waiting.
00:16:03Well, who is he?
00:16:03All I know is that he just bought a diamond for a thousand dollars.
00:16:08Hmm.
00:16:09I thought he was another one of those matches, like the one last night.
00:16:12Oh, I'm not that sweet.
00:16:15You're in love with me, aren't you?
00:16:16Uh-huh.
00:16:16Yes, Spike?
00:16:22You're right.
00:16:24She had to be seen to be appreciated.
00:16:27Yeah.
00:16:27I thought she'd appeal to your sense of proportion.
00:16:30Yeah.
00:16:32Now I have another object in line.
00:16:34And now a snog, it appears, with a hundred grand.
00:16:36Eh?
00:16:38You'd better dig for five hundred, Dutch.
00:16:40You too, Spike.
00:16:42Did you find out?
00:16:43I not only got a good look at the office, but I found out that the consignment will be complete on Thursday night.
00:16:52To top it off, I drove the young lady home.
00:16:56That wins the bet, I think, Dutch.
00:16:58You're a wonder, Flash.
00:17:01Yeah?
00:17:02Well, it cost me a grand to do it.
00:17:05I bought that one.
00:17:10Only worth eight hundred.
00:17:11Well, I'll get most of it back.
00:17:16Take a look at the girl's writing, Spike.
00:17:18Would you imitate it?
00:17:20So she couldn't tell the difference herself?
00:17:22What's on your mind?
00:17:25She seems to prefer an Irish harness bowl to me.
00:17:29Me and what, he says.
00:17:31Oh, so you're a friend of Mr. Abrams?
00:17:33Well, that's different.
00:17:35I'd like to push the ugly mug of him down his own throat.
00:17:37All right, forget it.
00:17:40We've got to think about this job ahead of us.
00:17:43That's just what I'm doing, Dutch.
00:17:45When you're pulling a big job, it's always safer to have some goat to take the rap.
00:17:50Sure.
00:17:51It satisfies the public and gives the cops a chance to stay there, Richard.
00:17:54Right.
00:17:56And this is where I kill two birds with one stone.
00:17:59Officer Mulvaney will be the goat.
00:18:01And Miss Fitzgerald will be...
00:18:03In circulation again.
00:18:04How are you going to do all this?
00:18:08Easy.
00:18:10Just practice on our handwriting, Spike.
00:18:13And we'll send Terry a billy-doo on Thursday.
00:18:15Three.
00:18:28Thank you.
00:18:28Thank you.
00:18:33¡Gracias!
00:19:03¡Gracias!
00:19:33¡Gracias!
00:20:03¡Gracias!
00:20:05¡Gracias!
00:20:35¡Gracias!
00:21:05¡Gracias!
00:21:27¡Gracias!
00:21:35Keep your hat on your mug.
00:21:36You want that brick top to give you away?
00:21:39Now turn to the wall.
00:21:40Apologies.
00:21:41Start now.
00:21:48Move over.
00:21:51Keep him up.
00:22:05Move over.
00:22:35You're just the guys I'm looking for.
00:22:45Put him up.
00:22:46Put him up.
00:22:47Put him up?
00:22:48What's the rib?
00:22:48Cut out the innocent stuff.
00:22:50Now wait a minute.
00:22:50This is no time for kidding.
00:22:51You've got to help me find the guys that slugged me.
00:22:53I wish we were kidding, Terry, but you're under arrest.
00:22:55Under arrest?
00:22:56Well, what am I under arrest for?
00:22:58Murder and robbery of the Abrams office.
00:23:00Now wait a minute.
00:23:01The Abrams office?
00:23:01Well, how about mommy?
00:23:02Is she hurt?
00:23:03You ought to know.
00:23:04You were there.
00:23:05You can't get away with this.
00:23:06Abrams recognized you and your pug, Peters.
00:23:08They all heard the other two call you by name.
00:23:10And even if they hadn't, that rogue and red hair would give you away.
00:23:13We saw you heading for Abrams' office just before the stick-up.
00:23:16Oh, I must have been framed.
00:23:18Say, will you take me back to where they held me?
00:23:21You'll find the rope that was tied me up and the blindfold and the tape that was over me mouth.
00:23:25Wouldn't hurt to take a look.
00:23:26Even if we did, what would that prove?
00:23:28We could have planted them.
00:23:30I was slugged, I tell you.
00:23:31Sure, I was on me way to Abrams.
00:23:33But Molly asked me to call for her.
00:23:34Here, look at me, Sad Pucky.
00:23:36You'll find a note from her.
00:23:37There's nothing there.
00:23:39You killed a guy in cold blood, Merva, ain't he?
00:23:41And it'll take more than a bluff to get you out of it.
00:23:43They must have risked me after they slugged me.
00:23:46Oh, please, will you take me...
00:23:47Yeah, we'll take you back to Abrams' office.
00:23:48And Captain Simon's there and you can tell it to him.
00:23:50Go ahead, Max, wouldn't you?
00:23:53Runny, put that handkerchief over his face.
00:24:01Ah, we've got you, Mulvaney.
00:24:03You might just as well confess.
00:24:05But it couldn't be, Terry.
00:24:06Well, naturally, you wouldn't admit it.
00:24:08But I don't think it'll be very difficult to prove that you were his accomplice.
00:24:13Now you'll leave her out of this.
00:24:16Mr. Abrams, is that the man who led the hold-up men?
00:24:21It is.
00:24:22Without a doubt, it is.
00:24:25I've seen Mulvaney many times.
00:24:28I couldn't be mistaken.
00:24:30Mr. Abrams, are you sure that he is the man that shot Peters?
00:24:35Yes, I'm sure he is.
00:24:37I was slugged, I tell you.
00:24:40All right, Bill.
00:24:41Take him away and lock him up.
00:24:42Oh, Terry.
00:24:44Terry.
00:24:45It isn't true, darling.
00:24:46I was framed.
00:24:47I'm going to prove it.
00:24:49He's just putting on an axe.
00:24:50Take him away.
00:24:52I have a few more questions that I want to ask you.
00:24:55Don't let him bully you, Molly, and don't you worry about me.
00:24:58I'm sorry, Bill, but I was framed, and I can't stop it in jail.
00:25:23I'll tell you, sir.
00:25:27Two, six, five, three, two.
00:25:31I'll send it right out.
00:25:32Okay.
00:25:34Calling all cars.
00:25:36Attention, all cars.
00:25:38Mulvaney has escaped in a police car.
00:25:40License number, two, six, five, three, two.
00:25:43He drove north on Avenue A.
00:25:45Block all roads and bridges leading from the city.
00:25:48He's handcuffed but armed.
00:25:49Bring him in, boys.
00:25:50That's all.
00:26:00Yes, sir.
00:26:01What can I do for you?
00:26:03There's nothing to be scared of, buddy.
00:26:05You know what I tell you.
00:26:06I want you to cut these handcuffs off me.
00:26:08Yeah, but what do they do to me for helping a prisoner escape?
00:26:11They're helping an innocent man, and you'll be glad of it one day.
00:26:14Come on, hurry up.
00:26:20And after they're off, you're going to plug me?
00:26:29I'll make a bargain with you.
00:26:31I won't hide my hair on your head.
00:26:32We keep still about this.
00:26:34All right.
00:26:37Calling all cars.
00:26:38Attention, all cars.
00:26:39Mulvaney reported seen on Lincoln Highway speeding west.
00:26:42Use special caution.
00:26:44He's probably listening to these broadcasts, so we can't give location of blockades.
00:26:47That is all.
00:26:48Come on.
00:26:48Hurry up.
00:26:49Repeating broadcast 47.
00:26:51Mulvaney reported seen on Lincoln Highway speeding west.
00:26:54Step on it, Dave.
00:26:55We must be right on his tail.
00:27:01Thanks.
00:27:01He just left.
00:27:30Mulvaney just left.
00:27:31He made me cut his handcuffs.
00:27:32He went in that direction.
00:27:55Do you belong in these parts?
00:27:58What's the next?
00:28:01Don't you know what train you're on?
00:28:05Oh, sure.
00:28:06Pitchy thing.
00:28:08They've got to go back to Hopewell Junction to get that.
00:28:17Where to, sir?
00:28:18Albany.
00:28:20$5.85.
00:28:21Change the fine planes and chatham.
00:28:27Change the fine planes and chatham.
00:28:27Change the fine planes and chatham.
00:28:27Change the fine planes and chatham.
00:28:27Change the fine planes and chatham.
00:28:30Change the fine planes and chatham.
00:28:31Change the fine planes and chatham.
00:28:32Change the fine planes and chatham.
00:28:33Change the fine planes and chatham.
00:28:34Gracias.
00:29:04Gracias.
00:29:05Gracias.
00:29:06Gracias.
00:29:07Gracias.
00:29:08Gracias.
00:29:09Gracias.
00:29:15We've got this police wire at Billings.
00:29:17The man in section 9 answers the description exactly.
00:29:20Take a walk, too.
00:29:21But don't let him see a look at it.
00:29:23And if you think he's the guy,
00:29:24we'll stop and send a wire ahead for the sheriff,
00:29:27crime claims.
00:29:28Right.
00:29:29Now, looky, Mr. Gerald.
00:29:31I'm not as interested in the capture of Mulvaney
00:29:33as our friend the detective is.
00:29:35But I'm an investigator for the insurance company.
00:29:38Y mi trabajo es obtener el diamante. ¿Vas a ayudarte? ¿Vas a ayudarte? ¿Vas a ayudarte?
00:29:43No sé nada. No creo que Terry tenía nada que hacer con él.
00:29:47¿No es porque viste que viste que viste?
00:29:49No, no. Terry no lo hizo.
00:29:51¿Por qué me llamó mi nombre?
00:29:53No, uno de los hombres llamó Terry.
00:29:56Me repetí el nombre en amazón.
00:29:58Nunca pensé que era Terry Morvén.
00:30:00¿Para que admitas?
00:30:01Yo solo pensé que tenía que trabajar tarde después de que el diamante se volviera.
00:30:05Sí, sí.
00:30:07¿Estás en el hábito de pintar?
00:30:09No.
00:30:10Pero tú te pintaste en el momento más conveniente, ¿no?
00:30:15Oh.
00:30:17Sí, sí.
00:30:22Gracias.
00:30:26Hello.
00:30:27This is Stenton calling by request, Bill.
00:30:30Ay, Diddle Diddle, the cap'n the fiddle.
00:30:32¿Qué es eso?
00:30:33You got him?
00:30:34That's great.
00:30:35Okay.
00:30:38You don't know anything, eh?
00:30:39Then let me tell you something.
00:30:41Mulvaney's been caught and he's confessed and he said that you were in on him.
00:30:44I don't believe it.
00:30:45The game's up, girlie.
00:30:46You better cut out the bluffing.
00:30:47You're doing the bluffing.
00:30:48If Terry had been caught, don't you think you would have been overjoyed?
00:30:51You said you sat there watching my reaction.
00:30:53You better learn to act.
00:30:55Sorry, I can't say the same thing to you.
00:30:57But I'm very glad to know just how clever you are.
00:30:59Well, they both think they're clever.
00:31:01Mulvaney has as much chance of getting away as the well-known dog with rubber legs has.
00:31:05How's this?
00:31:06Deal certain passenger on number 19 is Mulvaney.
00:31:07Wanted for murder.
00:31:08Meet train at Pine Plains.
00:31:09I hope there's a reward out for him.
00:31:10Maybe there is.
00:31:11We'll stop at Clinton and shoot this ahead.
00:31:12We'll start at Clinton and shoot this ahead.
00:31:37We'll soon have trouble hitting him in the morning.
00:31:41Gracias por ver el video.
00:32:11Gracias por ver el video.
00:32:41Gracias por ver el video.
00:33:11Gracias por ver el video.
00:35:41Gracias por ver el video.
00:41:11¿Qué?
00:41:13¿Qué?
00:41:15¿Qué?
00:41:17¿Qué?
00:41:19¿Qué?
00:41:21¿Qué?
00:41:23¿Qué?
00:41:25¿Qué?
00:41:27¿Qué?
00:41:29¿Qué?
00:41:31¿Qué?
00:41:33¿Qué?
00:41:35¿Qué?
00:41:37¿Qué?
00:41:39¿Qué?
00:41:41¿Qué?
00:41:43¿Qué?
00:41:45¿Qué?
00:41:47¿Qué?
00:41:49¿Qué?
00:41:51¿Qué?
00:41:55¿Qué?
00:41:57¿Qué?
00:41:59¿Qué?
00:42:01¿Qué?
00:42:03¿Qué?
00:42:05¿Qué?
00:42:07¿Qué?
00:42:09¿Qué?
00:42:11¿Qué?
00:42:13¿Qué?
00:42:15¿Qué?
00:42:17¿Qué?
00:42:19¿Qué?
00:42:21¿Qué?
00:42:23¿Qué?
00:42:25¿Qué?
00:42:27¿Qué?
00:42:29¿Qué?
00:42:31¿Qué?
00:42:33¿Qué?
00:42:35¿Qué?
00:42:37¿Qué?
00:42:39¿Qué?
00:42:41¿Qué?
00:42:43¿Qué?
00:42:45¿Qué?
00:42:47¿Qué?
00:42:49¿Qué?
00:42:51¿Qué?
00:42:53¿Qué?
00:42:55¿Qué?
00:42:57¿Qué?
00:42:59¿Qué?
00:43:01¿Qué?
00:43:03¿Qué?
00:43:05¿Qué?
00:43:07¿Qué?
00:43:09¿Qué?
00:43:11¿Qué?
00:43:12$8,000, yes, and you won't have to go to court and give half of it away to some attorney.
00:43:17$8,000, that would come in handy.
00:43:20Why, yes, of course it would.
00:43:22Incidentally, here's the check that the insurance is just left and also his form of a release.
00:43:29You can sign that if you care to. It's entirely up to you.
00:43:34Doc, I wonder if I can have that in cash.
00:43:36Why, I suppose so. Just endorse the check and I'm quite sure they'll cash it.
00:43:42Come in.
00:43:52Thank you, sir.
00:43:55Won't you sit down?
00:43:58You're the investigator employed by the insurance to be on the Abrams robbery.
00:44:02All right.
00:44:03Well, sir, I'd like to write it around.
00:44:05Commendable ambition, but I don't see the point.
00:44:09Well, Mr. Pearson, it's only a hunch but a faith in human nature.
00:44:12Would you mind telling me who you are and what you are?
00:44:15Well, I'm just a dumb bug and training over here at Artie Dolan's and I come from Colorado.
00:44:20I had a brother here on the bus and he got into a bit of trouble.
00:44:23We were pals from the time we were kids and I'm sure that he'd never do anyone any harm.
00:44:28Mr. Pearson, that man was Terry Mulvaney.
00:44:33Mulvaney?
00:44:34Yes.
00:44:35Terry Mulvaney.
00:44:37Now I have a bit of money and I'd like to use it to clear his name.
00:44:41Have you seen the police?
00:44:43No.
00:44:44The cops were only looking for convictions.
00:44:46He was wanted for murder.
00:44:48His death closed the case.
00:44:50Now you have no axe to grind or politics to play.
00:44:53That's right.
00:44:54I'm a private individual, responsible only to myself and the insurance company.
00:44:57And your object is to recover the stolen property.
00:45:00Right again.
00:45:01You may be a pub, but you're by no means dumb.
00:45:04Now your brother told a queer story to the police.
00:45:07But if his story was true, who framed him?
00:45:09Then what reasons would they have?
00:45:11That I don't know.
00:45:12But it gave you and the cops a wrong stare, didn't it?
00:45:15Oh, thank you, sir.
00:45:17By the way, do you happen to know what I can find these gals?
00:45:20I don't know what address, but her name is, uh...
00:45:22Fitzgerald.
00:45:22Just a minute.
00:45:23I'll look it up for you.
00:45:30Miss Jennings, get the Mulvaney file.
00:45:32Quick, the fingerprint ready.
00:45:52Identical.
00:46:04He's our man.
00:46:13As long as you know the town, I'll show you over to Mrs. Fitzgerald.
00:46:25Oh, well, that's never...
00:46:25Oh, that's all right.
00:46:27Only be careful not to shock her.
00:46:29Remember, she thinks you're dead, Larry.
00:46:33How did you know?
00:46:34Because your yarn sounded phony.
00:46:36I watched you closely and decided that your hair might have been dyed.
00:46:39So I perceived it to get your fingerprints in my cigarette case.
00:46:43And they compared exactly with the ones found on the stolen police car.
00:46:47You think I wanted to be a detective?
00:46:48You're doing all right.
00:46:50We're going to work together on this case.
00:46:52I take it that's what you want.
00:46:54It's more than I expected.
00:46:56Tell me, how did you work this substitution with the dead man?
00:46:59Well, I heard a couple of the wrecking crew say that his face was all gone,
00:47:02so when they went for the stretcher, I emptied my pockets into his.
00:47:06Quick thinking, my lad.
00:47:07Yeah, but I didn't think very long.
00:47:09When they come true, I was in the hospital.
00:47:11And the nurse was reading the newspaper soon.
00:47:13In other words, you woke up and found yourself dead.
00:47:15That's about it.
00:47:16Well, you've awakened to plenty of worry.
00:47:18And we've got to solve this case before the police get on to you.
00:47:21They won't ever get on to me.
00:47:23Because I really have got a brother, Ed, in Colorado.
00:47:26Does Molly know that?
00:47:27Sure.
00:47:27Why?
00:47:28Then you've got to remain Ed, even to her.
00:47:31Oh, I could never fool Molly.
00:47:33The doctor didn't change me that much.
00:47:35You must try.
00:47:36You know, brothers sometimes look very much alike.
00:47:38Well, I want Molly to know that I ain't dead.
00:47:40All right.
00:47:41Tell her, Terry, escape to your place in Colorado.
00:47:43You came east to clear up the case.
00:47:45Well, couldn't I?
00:47:46No, no, you can't take that chance with Molly.
00:47:48She might give you away by word or look.
00:47:50And at a time like this, that'd be too much of a risk.
00:47:52So, come on.
00:47:53Well, you're a hard man.
00:48:02We saw Pearson outside talking to a guy.
00:48:05Pearson?
00:48:06Oh, the insurance company's loose.
00:48:08Forget him.
00:48:09What'd you find out?
00:48:10Well, we didn't get rid of a few grand's worth.
00:48:12It's safer right now.
00:48:14You don't think Pearson means anything?
00:48:16Not a thing.
00:48:16He used to park on Molly's trail, but he's given that up.
00:48:20And I still claim you shouldn't have given that name a job here.
00:48:22Why?
00:48:23Well, flops have brought down bigger guys than you, Cliff.
00:48:27Oh, forget it.
00:48:29Pour yourself a drink.
00:48:30Good evening, Molly.
00:48:54Why are you so happy?
00:48:56Now that I've got a job again, can't you leave me alone?
00:48:58Please don't get me fired.
00:49:00Oh, don't worry about that.
00:49:02I just wanted you to meet a friend of mine.
00:49:04This gentleman here has convinced me that Mulvaney was in...
00:49:06Terry!
00:49:15No.
00:49:16Ed.
00:49:18Terry told you about me, didn't he?
00:49:20Would you mind if we sat down?
00:49:21Costner!
00:49:28Yes, Terry did tell me about you, but you might be his twin.
00:49:34Now, is that nice?
00:49:35Here, I thought I was much better looking.
00:49:37You talk like him, too.
00:49:39Of course, your hair is dark and your nose is different, but it's very much dead.
00:49:44He's not dead, Molly.
00:49:46He escaped from the train wreck.
00:49:49He's not dead?
00:49:50Are you sure?
00:49:54Have you seen him?
00:49:56Yes.
00:49:57He's at my place in Colorado.
00:50:00Is he well?
00:50:01He's well as I am, and I never felt better in my life.
00:50:04Now, if he'll dance with me, I'll tell you all about him.
00:50:06Oh, I'm glad you're happy to dance in this dance.
00:50:08I want to tell Auntie.
00:50:09Can we all go home?
00:50:10You can tell me on the way.
00:50:11No, wait a minute.
00:50:12Wait a minute.
00:50:12How about your supper?
00:50:13I'm glad you're happy to eat.
00:50:16Come on, Mr. Spencer.
00:50:17No, you two run along.
00:50:19I'll stay here.
00:50:21Hey, boss.
00:50:22The person that ate we saw him with outside was talking to Molly.
00:50:25She's acting up like a two-year-old.
00:50:33Now, don't you get scared the next time you see me.
00:50:36Good night, Ed.
00:50:37And you be careful.
00:50:39Careful as what?
00:50:39Oh, you know, a nice young fellow, and a pretty girl, and a romantic moon.
00:50:44Must I tell you the rest of that?
00:50:45Come on, Mr. Moe, baby.
00:50:47Come on, Mr. Moe.
00:50:55Boss, looks like you've been asleep at the sledge.
00:51:04If you're having this to Mr. Ackroyd's kindness, I'd still be out of wood.
00:51:08Isn't that right?
00:51:09That's right.
00:51:11Now, look.
00:51:12There's some money that you're needing, but I...
00:51:14Oh, you know.
00:51:15I couldn't think of it.
00:51:16I'm doing nicely now.
00:51:18Young man, you're hot in the right place, but I can't say the same for your brain.
00:51:22That's me.
00:51:23Now, wait a minute.
00:51:24Maybe Mr. Stibbert is right.
00:51:25I'm always right.
00:51:26I objected to your brother as a policeman, but no young man in his senses would ever take up
00:51:31prize-fighting as a profession.
00:51:32Look now, how about Dean Tunney?
00:51:36He seems to have gone all right for himself.
00:51:38And since he got any sense, he quit.
00:51:41Just the same, I want you to know that you brought more happiness into this house than you've been here for many a days.
00:51:48I like you.
00:51:51Thanks.
00:51:52You know, that goes for the both of us, and if I wasn't in love already, I'd be asking you to marry.
00:51:56Oh, go along with you.
00:51:58You're just another Terry yourself.
00:52:00Good night, and God bless you.
00:52:10Well, I guess I'd better be going, too.
00:52:13Oh, no.
00:52:14I want to hear it all over again.
00:52:18Again?
00:52:19Oh, my dear child, I told you in the taxi, I told you in the parking, just after telling your Aunt Mary here.
00:52:24I know, you're a jolly.
00:52:27I didn't mean to say that.
00:52:28Well, what's wrong with calling me a darling?
00:52:32I don't know.
00:52:32Something just came over me.
00:52:34I suppose it's because I'm so grateful to you, Mr. Mulvaney.
00:52:38I thought you promised to call me Ed.
00:52:44What's the matter?
00:52:46I don't know, Ed.
00:52:48I think I've known you forever.
00:52:52Just the way I want you to feel.
00:52:54You don't understand.
00:52:56Please go.
00:52:58I'm sorry.
00:53:04Will you forgive me?
00:53:05For what?
00:53:06I was going anyway.
00:53:08I suppose you think I'm crazy.
00:53:09I feel crazy.
00:53:11After all these months of anxiety, you suddenly appear and sweep it all away.
00:53:14I want you to know how happy you've been, and how grateful I am to you.
00:53:19You shouldn't have done that.
00:53:29You misunderstood.
00:53:29I think not.
00:53:32But it isn't fair.
00:53:34You know I'm engaged to Terry, and you said you were in love with somebody else.
00:53:36I said no such thing.
00:53:39You did.
00:53:39You told that, Mary.
00:53:42You met?
00:53:42I said no such thing.
00:53:44I'll stand in love and walk.
00:53:48Good night, Molly, dear.
00:53:49I said no such thing.
00:54:05No, no, no, no, no, no.
00:54:35No, no, no, no, no.
00:55:05No, no, no, no, no, no.
00:55:35No, no, no, no, no, no, no.
00:55:37No, no, no, no.
00:55:39No, no, no.
00:55:41No, no, no, no.
00:55:43No, no.
00:55:45No, no, no, no.
00:55:47No, no.
00:55:49No, no.
00:55:51No, no, no.
00:55:53No, no.
00:55:55No, no.
00:55:57No.
00:55:59No.
00:56:01No.
00:56:03No.
00:56:04No.
00:56:06No.
00:56:07No.
00:56:09No.
00:56:10No.
00:56:11No.
00:56:12No.
00:56:13No.
00:56:14No.
00:56:15No.
00:56:16No.
00:56:17No.
00:56:18No.
00:56:19No.
00:56:20No.
00:56:21No.
00:56:22No.
00:56:23No.
00:56:24No.
00:56:25No.
00:56:26No.
00:56:27No.
00:56:28No.
00:56:29No.
00:56:30No.
00:56:31No.
00:56:32No.
00:56:33No.
00:56:34No.
00:56:35No.
00:56:36No.
00:56:37No.
00:56:38No.
00:56:39No.
00:56:40No.
00:56:41No.
00:56:42No.
00:56:43No.
00:56:44No.
00:56:45No.
00:56:46No.
00:56:47No.
00:56:48No.
00:56:49No.
00:56:50No.
00:56:51No.
00:56:52No.
00:56:53que se lo llevan todo el mundo.
00:56:55¿Puedo hacer eso?
00:56:57Creo que debes esperar.
00:57:01Mollie estaba diciendo que Pierson es en la Moulvaney.
00:57:04¿Qué significa que es en la Moulvaney?
00:57:07Es lo que quiero saber.
00:57:11¿Sonday voy a ir a la vez?
00:57:18¿Qué?
00:57:19¿Qué pasa?
00:57:21No, Mollie está me ha buscado.
00:57:23Eso es lo que he escuchado.
00:57:25No.
00:57:27No.
00:57:28¿Se supone que me alegra?
00:57:29No.
00:57:31¿No?
00:57:33¿Pero una vez más importante aquí?
00:57:37¿Qué pasa?
00:57:39Dame un buen trabajo.
00:57:41¿Por qué?
00:57:43¿Pero?
00:57:45¿Ahora?
00:57:46¿Tienes cambiando a la Gona ¿?
00:57:48Claro, eso es lo que aprendes que usaban en la misma.
00:57:50Unfortunately, this job calls for brains.
00:57:54However, I'll try you out.
00:57:56I want you to go back there and get to know a pug from Colorado.
00:57:59He's a brother of Terry Mulvaney's.
00:58:02What's he look like?
00:58:04You saw him last night going out with Molly.
00:58:08Oh, I thought there was something familiar about that mudslice.
00:58:12What do I do, spoil his looks?
00:58:14No, nothing so cruel.
00:58:16Just get his confidence and...
00:58:18All right, Ed, you're shaping up fine.
00:58:27Now, let's call it a day.
00:58:29Thanks, Artie.
00:58:31Say, I haven't seen you around here much before, have I?
00:58:33No, I'm a chauffeur now.
00:58:34I can't get around like I used to.
00:58:36But I like to work out with you whenever I can.
00:58:37Well, let go of a double.
00:58:39Let's make it up, huh?
00:58:41Okay.
00:58:41Well, I have to be on my way as soon as I hit the shower.
00:58:46How do you feel?
00:58:46Well, sure, and I'm feeling fine.
00:58:48There's nothing like a good workout in the shower.
00:58:50Yeah, I'm going to get with you again.
00:58:51Or maybe some night when we have the car, we'll go places.
00:58:54Well, I'm not much for that night stuff.
00:59:04Say, Al!
00:59:05Who is it you work for?
00:59:07Flash Actroyer, the guy that owns the Alhambra.
00:59:10Oh, that's funny.
00:59:13I met a gal that works there.
00:59:14She used to be engaged to my brother.
00:59:17Boy, did I fall for her.
00:59:18What's her name?
00:59:20Molly Fitzgerald.
00:59:21You mean she used to work there?
00:59:23What's the matter?
00:59:23Was she tired?
00:59:24She walked out.
00:59:25Didn't you know?
00:59:26I haven't seen her today.
00:59:28I don't see why she should quit.
00:59:30I don't know.
00:59:32Search me.
00:59:34Looks all right to me, boss.
00:59:36Get him a sap, maybe.
00:59:37Admitted he'd fallen hard for Molly.
00:59:40He said that, did he?
00:59:42Yeah.
00:59:43But what do you care?
00:59:44Just give me the word.
00:59:45You'll get him.
00:59:50Bring him up here.
00:59:51Nah, you're talking.
00:59:57I'm telling you, I couldn't be mistaken.
00:59:59No two men could ever whistle exactly like that.
01:00:02Let me know that he should be working as a showover.
01:00:05Maybe not as funny as you think.
01:00:15I just got your message.
01:00:17Oh.
01:00:18You're not mad at me after all, eh?
01:00:20I mean for...
01:00:22Excuse me?
01:00:28For existing your letter.
01:00:32Are you going to learn to love me?
01:00:35That's not fair to me or to Terry.
01:00:38I told you before that all's fair in love and war.
01:00:41Repeating it doesn't make it so.
01:00:43Molly.
01:00:43You know, from the first minute I walked into that place last night and laid eyes on you,
01:00:54the heart within me stopped.
01:00:55And then it started to pound a little bit of a pound.
01:00:58That sounds something like love, doesn't it?
01:01:01Not necessarily.
01:01:02It could be indigestion.
01:01:05Once a snooper, always a snooper.
01:01:08That's what I'm being paid for.
01:01:11Why did you walk out on that coin?
01:01:13That he had about Terry a hold of him giving me a job.
01:01:16How did you come to meet him in the first place?
01:01:18He came to buy a diamond to neighbor me.
01:01:20That checks.
01:01:21With what?
01:01:22Theory, young man.
01:01:23How long before the robbery was that?
01:01:27Just a few days.
01:01:28And if he bought a diamond, he got a receipt.
01:01:31Yes, I made it out myself.
01:01:33Better than I expected.
01:01:34Then that would give them a copy of your handwriting.
01:01:39Remember the note from you that Terry told the police about?
01:01:42Yes.
01:01:43Well, that would put Terry just where they wanted him.
01:01:46One of them might have had red hair.
01:01:48Or he could have worn a red wig.
01:01:49And if he was able to imitate Terry's broom.
01:01:53Oh.
01:01:53What's the matter?
01:01:55Ackroyd.
01:01:56Ackroyd gave me a perfect imitation of him.
01:01:58Hmm.
01:02:00That checks.
01:02:01Somehow I think we're getting places.
01:02:04Do you really think so?
01:02:06Yes, I do.
01:02:07And you needn't worry about a job anymore.
01:02:09I can get you back with Abrams anytime you want.
01:02:11But you'll soon have Terry back and then you'll be getting married.
01:02:14Yeah, wait a minute.
01:02:15Wait a minute.
01:02:15What's that crack?
01:02:17Do you think wanting to take a cop when she has a chance to get an open coming jugelite like myself?
01:02:27Oh.
01:02:28Maybe I shouldn't have said that.
01:02:30The poor kid, she don't know whether it's Terry or Ed, she looks.
01:02:34Leave it to me.
01:02:35What's the matter, Mistress Jarrell?
01:02:46Mr. Pearson, you really believe Terry's in Mr. Stone?
01:02:49Why certainly.
01:02:50Why do you ask?
01:02:51Because I don't know whether I should tell even you, but that's Terry.
01:02:56What are you talking about?
01:02:58That's Terry, more lady, not his brother Ed.
01:03:00I wondered why I was so attracted to him.
01:03:02I thought it was his voice, but his eyes were the same, too.
01:03:04Go on.
01:03:05It was when he cupped his hand to his ear and said, what's that crack that I knew for a second?
01:03:10I tell you, Terry's come back from where I don't know, but I'm afraid.
01:03:12There's nothing to be afraid of.
01:03:14Terry didn't come back from the dead.
01:03:16He came back from the hospital.
01:03:17I've known it all along.
01:03:19Then I've been the goat.
01:03:20I'm going to give him a piece of my mind.
01:03:23Oh, just a moment.
01:03:24It was all my fault.
01:03:25I insisted.
01:03:26I was afraid that, try as you might, you would give him away.
01:03:30He had no right to make love for me.
01:03:31Well, who had a better right?
01:03:33Never let you wait.
01:03:36Don't you tell him.
01:03:42Run along, you two.
01:03:44I've got to go down to police headquarters.
01:03:45Will you see me home, Ed?
01:03:47Will I?
01:03:48In a taxi further pack.
01:03:50Ed, there's something I must tell you, and it may relieve your mind.
01:04:03Well, my darling, you go right ahead and tell me.
01:04:05I've been true to Terry all this time, even though Auntie and everybody said I was a fool.
01:04:11They did?
01:04:13Yes, and it wasn't until he disappeared that I found out what a wretch he really was.
01:04:18Well, that couldn't be so.
01:04:19It's a pack of lies, I tell you.
01:04:21No, the truth's all right.
01:04:24Well, just show me one blackout.
01:04:25It would ever say a thing against me, well, against me brother.
01:04:28I can show you a dozen people who bribe me.
01:04:32Girl, you're wrong.
01:04:33Well, it's lies, I tell you.
01:04:35It's lies.
01:04:38Now, tell me what you're laughing at.
01:04:41Terry Mulvaney, alias, from an air.
01:04:44Now, Terry, you're lying to me anymore.
01:04:51Oh, my darling.
01:04:56Oh, Terry, what happened?
01:05:01Why didn't you tell me?
01:05:02I was making me escape on a train, and it was wrecked.
01:05:06I changed places with a dead man.
01:05:08I'll carry you, poor dear.
01:05:09No.
01:05:10I was never so rich in all my life.
01:05:13You might think I'm terrible.
01:05:15But it was mean of you not to tell me.
01:05:17Mr. Pearson wouldn't let me.
01:05:19I know he told me.
01:05:20Hey, now, wait a minute.
01:05:39This ain't the place I told you to go.
01:05:40Right.
01:05:41But it's the place you're going.
01:05:44Well?
01:05:45What's the racket?
01:05:46No racket at all.
01:05:47A guy just wants to talk to you.
01:05:49Come on, both of you.
01:06:14So, here you are.
01:06:16Well, what do you want?
01:06:18Just this.
01:06:19I don't stand for anybody muscling in on my territory.
01:06:23Meaning, Mrs. Fitzgerald?
01:06:26You've guessed it, Mulvaney.
01:06:29You flatter yourself, don't you?
01:06:32My advice to you is to get out of town at night.
01:06:36Because if you're here in the morning, you'll be in the morgue, see?
01:06:38As for you, Mr. Fitzgerald, you'd better come back to work.
01:06:44If you don't, there'll be a shortage discovered in your accounts.
01:06:48And that, after being mixed up in a diamond robbery, would be just too bad.
01:06:53Just a minute.
01:06:54Just a minute.
01:06:56So about.
01:06:58He gets noisy.
01:07:00You know what to do.
01:07:02But, boss, this guy isn't that Mulvaney.
01:07:05What do you mean?
01:07:06I heard him in the cab, saying that he had changed places with a dead man.
01:07:10His real name is Terry Mulvaney.
01:07:13That it is.
01:07:15What about it?
01:07:16You want it for murder.
01:07:17What are you doing back in town?
01:07:20Looking for the guy that flamed me.
01:07:22Still sticking to that story.
01:07:25Who do you suspect now?
01:07:28Who do you think?
01:07:33Got the car handy, Al?
01:07:34Sure, boss.
01:07:37See them home.
01:07:44That guy knows more than he was telling.
01:07:46Pearson must be on to something.
01:07:48I knew that name would snag it sooner, Anita.
01:07:50Who snagged?
01:07:52Maybe they don't know a thing.
01:07:54I'm just not taking any chances.
01:07:59The alley's full of cops.
01:08:16What do you mean?
01:08:18Now, wait a minute.
01:08:18What's the idea?
01:08:19Are you all right, sir?
01:08:30Are you all right, sir?
01:08:44Why, sure he's all right.
01:08:46What do you think?
01:08:47I've been threatening it, Artie Nolan first.
01:08:57Everything checks.
01:08:59Did Terry all the credit for recovering those, Mr. Abrams?
01:09:02Terry, you always wanted to be addicted, didn't you?
01:09:05That I did, sir.
01:09:05Well, the chief says you are.
01:09:08Maybe you could use this, solidator.
01:09:12I think you'd much rather have a wedding ring.
01:09:15You can have them both.
01:09:16Off the house.
01:09:17Well, I'm going to have a wedding ring.
01:09:28ž
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