- anteayer
COMEDIA DRAMÁTICA
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
Categoría
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CortometrajesTranscripción
00:01:59¿Qué tal de ir a mi casa?
00:02:09¿Qué te dice? Aquí están las personas.
00:02:11Ahora, hasta ahora.
00:02:13Voy a salir de esto.
00:02:14No te deberías de ir a la flor de flowers
00:02:17sin que me dejan de ir a la luz.
00:02:29¿Qué es esto, un carrera de carrera?
00:02:33No.
00:02:34¿Qué es tu nombre y dónde está tu licencia?
00:02:37Mi nombre es Jefferson.
00:02:39Tomas H.
00:02:42Aquí está mi licencia.
00:02:47¿Puedo ver esto, officer?
00:02:52¡Terrible!
00:02:53¡Absolutamente terrible!
00:02:55¿Qué significa terrible?
00:02:56Bueno, tu hand-rítes.
00:02:58Mi hand-rítes?
00:02:59No, no, no, no, no.
00:03:00No entiendo.
00:03:01Es la forma que te cruzas tu T.
00:03:03Muy alto, y la mitad, ojo, y la pequeña cosa que te ponen de la parte de la W.
00:03:07¿Qué estás haciendo?
00:03:09No, nada.
00:03:10Solo, no te debería ser un copo en la primera vez.
00:03:13¿Qué?
00:03:13Según tu hand-rítes, tienes lo que es conocido como...
00:03:17...la gran artística habilidad.
00:03:19¿Tengo qué?
00:03:20Artística habilidad.
00:03:21¿Qué?
00:03:21¿Vale, tú deberías ser un escritor, o un pintor, o un cantor?
00:03:27No, ¿verdad?
00:03:28Sí, un escritor, ¿eh?
00:03:31O un cantor?
00:03:32O un pintor?
00:03:38¿Cómo te lo sabes?
00:03:39Mira, aquí estoy estudiando el libro.
00:03:41La gráfica y las seis enseñanzas.
00:03:43¿Por qué?
00:03:44Estuve estudiando por tanto tiempo.
00:03:45Es un hombre que nunca he visto.
00:03:47¿Vale?
00:03:48Sí, espera un momento, voy a mostrar.
00:03:50Aquí, read that.
00:03:55To Susie.
00:03:56¿Qué es John Henderson?
00:03:59¿Qué es eso?
00:04:00Bueno, bueno, tú ves, este Henderson,
00:04:01ha mailed his order in.
00:04:02Y él enclajó el cartón para ser miscaried con las flores cada día.
00:04:06Así que estudiando su hand-rítima y...
00:04:08¡Bingo!
00:04:09Right away, yo sabía que no se podía marcar.
00:04:11¿Por qué no?
00:04:11Bueno, mira ese art.
00:04:13¿Vale?
00:04:13¿Vale?
00:04:13¿Vale?
00:04:14¿Vale?
00:04:14¿Vale?
00:04:15¿Vale?
00:04:16Es como una mujer.
00:04:17¿Vale?
00:04:17¿Vale?
00:04:18Oh, esa es correcta.
00:04:20¿Vale?
00:04:20¿Vale?
00:04:20¿Vale?
00:04:20¿Vale?
00:04:21¿Vale?
00:04:21¿Vale?
00:04:21¿Vale?
00:04:22¿Vale?
00:04:22¿Vale?
00:04:23¿Vale?
00:04:23¿Vale?
00:04:23¿Vale?
00:04:24¿Vale?
00:04:24Oh, sure.
00:04:25So long, boys.
00:04:26So long, officer.
00:04:33Wait right here.
00:04:34There's a fire plug there.
00:04:35Supposing the police come along.
00:04:37But you always say I'll only be a minute.
00:04:41¿Vale?
00:04:42¿Vale?
00:04:43¿Vale?
00:04:43¿Vale?
00:04:43¿Vale?
00:04:43¿Vale?
00:04:44¿Vale?
00:04:44¿Vale?
00:04:45¿Vale?
00:04:46Oh, hello, Jimmy.
00:04:55Come on in.
00:04:56Thank you, Miss Carrie.
00:04:59Oh, they're lovely, aren't they?
00:05:01Yeah, I guess so.
00:05:05What's the matter, Jimmy?
00:05:08Look, are you going to marry this Henderson?
00:05:10Why, I don't know.
00:05:13Why do you ask?
00:05:14No, I hate to tell you this.
00:05:16But you might as well know now as later.
00:05:19My goodness, this sounds serious.
00:05:20It is.
00:05:21You can't marry him.
00:05:22Why?
00:05:23Because I'm a graphologist and I've analyzed his handwriting and, well, he's a weakling.
00:05:28Are you sure?
00:05:29Absolutely.
00:05:29My analysis is never wrong.
00:05:31Why, Henderson's handwriting is, well, it's womanish.
00:05:34He could, look, let me explain it to you.
00:05:39My handwriting is terrible.
00:05:41What's that?
00:05:42Why, you shouldn't have been a cop on account of the graph.
00:05:45Are you accusing me of taking graft?
00:05:47Uh, no, sir.
00:05:49I was just trying to tell you that you could make more money on other jobs.
00:05:52Another word out of you and I'll drag you out of this car.
00:05:55Yes, sir.
00:06:01Oh, my goodness.
00:06:03Oh, me.
00:06:07You see, Miss Carrie, it's all done by science.
00:06:09But, Jimmy, what I don't...
00:06:10Uh-uh.
00:06:11Don't you argue with me, because I like you.
00:06:13And I don't want to see a nice girl like you make a...
00:06:16make a serious mistake.
00:06:21Well, how do you do, Mr. Henderson?
00:06:24Oh, now, Jimmy, I...
00:06:24Uh-uh.
00:06:25Don't you try to kid me.
00:06:27That's your hand.
00:06:28Well, so is that.
00:06:29You're not going to give me away.
00:06:31Of course not.
00:06:33What I can't figure out is,
00:06:34what's a pretty girl like you doing sending flowers to yourself?
00:06:38Well, I got sick and tired of hearing my roommate crow about her boyfriend sending her flowers,
00:06:43so I...
00:06:43Oh, I...
00:06:44Yeah, it's all right, too.
00:06:47It doesn't matter now.
00:06:49I can't afford John Henderson anymore.
00:06:51I lost my job.
00:06:53So I noticed.
00:06:55And I decided to take care of that.
00:06:57How?
00:06:58Well, I don't know myself yet.
00:07:00But don't you worry.
00:07:01You just keep your chin up and let O'Brien do the worry.
00:07:03And say, I might even fix it so I can get your boyfriend, too.
00:07:07Sure.
00:07:08I don't know.
00:07:08Gracias.
00:07:38Is this what you call going to the grocery store?
00:07:43Oh, I'm sorry, Ma.
00:07:44I just stopped for a minute to do some analyzing.
00:07:46I'm looking for a boyfriend for Susie.
00:07:48Is that so?
00:07:49Susie.
00:07:50And who in the name of all the saints is Susie?
00:07:53Oh, you don't know her, Ma.
00:07:54She's an awfully sweet girl.
00:07:55She's a good friend of mine.
00:07:56Well, I'm sorry for her.
00:07:58The last time you tried to play Cupid,
00:08:00three people went to the hospital.
00:08:02Yeah, but that wasn't my fault.
00:08:04The book said that...
00:08:04Well, now you get out of here
00:08:06and analyze this grocery list for a change.
00:08:09Yes, ma'am.
00:08:14Ma, this is terrible.
00:08:16What's terrible?
00:08:17Well, according to your handwriting,
00:08:19you should have been a murderer.
00:08:21A murderer?
00:08:22Well, I'll murder you if you dare talk like that to your mother.
00:08:25But it's not me, Ma.
00:08:26It's just what graphology says.
00:08:28Don't you see that...
00:08:28Oh, you, you, you!
00:08:31You're slipping, Ma.
00:08:32Your aim's not as good as it used to be.
00:08:34I think mine's better.
00:08:36Catch that, Annie.
00:08:37Now, you remember this.
00:08:38You left that Susie alone.
00:08:40Heaven help her if you try and get her a boyfriend
00:08:42by your analyzing.
00:08:57Thank you, sir.
00:08:57Thank you, sir.
00:09:06Hurry up with those flowers.
00:09:09We have a rush delivery this morning.
00:09:14And what is that you're hiding behind you?
00:09:17Oh, this?
00:09:18Well, it's just demands and ends.
00:09:21Stuff that we don't need.
00:09:22I was taking it to a friend of mine.
00:09:24Don't ever let me catch you taking flowers in this place again.
00:09:27Now, take this to Miss Phyllis Benton.
00:09:29And remember, it's a rush order.
00:09:31And when I say rush, I mean rush.
00:09:33Yes, sir.
00:09:34And remember what I said about taking flowers.
00:09:36Oh, I'm sorry about that, Mr. Lester.
00:09:39Now that I know you don't want me to,
00:09:40it won't happen again, sir.
00:09:41Flowers for Miss Benton.
00:10:11Pick that box right back where it came from.
00:10:13And you can tell him from me
00:10:14I don't want his flowers or him
00:10:15or anything connected with him.
00:10:16Yeah, but listen, I...
00:10:21Hey, Jefferson.
00:10:22I got a boyfriend for Susie.
00:10:24Look, this Benton gal is through with her fella,
00:10:27and Susie needs a boyfriend.
00:10:29So now all I have to do is bring them together.
00:10:31But supporting Miss Susie don't like him.
00:10:33Well, she's got to like him.
00:10:35He's got a lot of money, and he's a good spender.
00:10:38And, well, he's a regular he-man.
00:10:40Yeah, and he's got brains, too.
00:10:42Gosh, I can hardly wait to introduce him.
00:10:45I'll bet.
00:10:46Come on, let's go, Jefferson.
00:10:53Oh, say, Mr. Lester,
00:10:54do you know where Bill Jones lives?
00:10:56The one that sends flowers to Phyllis Benton?
00:10:58No, he's the catch customer.
00:11:00But what do you want to know for?
00:11:01Well, Miss Benton gave me a message for him.
00:11:03She did?
00:11:04What was the missing?
00:11:05Well, she said that she didn't want his flowers,
00:11:07him, or anything he was connected with.
00:11:09So I thought if you knew where he lived,
00:11:11why, Jefferson and I could-
00:11:12But I don't.
00:11:13And besides, we don't give messages like that to our customers.
00:11:16Well, I know, Mr. Lester, you see, but-
00:11:18Get on with your next delivery, Jimmy.
00:11:20Yes, sir.
00:11:21And Jimmy.
00:11:22Yes, sir.
00:11:23Don't stop to do anything else but deliver flowers.
00:11:26Who, me?
00:11:27Oh, I wouldn't do that, Mr. Lester.
00:11:28Lester?
00:11:43Lester talking.
00:11:45Phyllis Benton wouldn't accept the flowers.
00:11:49She said she didn't want his flowers or him or anything connected with him.
00:11:52And that delivery boy wants very much to find Bill Jones.
00:11:58No.
00:11:59Don't worry.
00:12:00I stopped him on that.
00:12:03Here.
00:12:07Where is he?
00:12:08Where is he?
00:12:09Where to?
00:12:10The man that's going to fall in love with Miss Susie.
00:12:12Oh, well, I don't know yet.
00:12:14But I do know one thing.
00:12:15His name is Bill Jones.
00:12:17That's a big help.
00:12:19Well, now, listen.
00:12:19Don't you worry about it.
00:12:21Just leave it to me.
00:12:21I'll do the worry.
00:12:23Uh-huh.
00:12:24But, Mr. Cupid, if you go through that book looking all through them Joneses, we're going to be late.
00:12:29And we're going to get another traffic ticket and-
00:12:30Aren't you ashamed of yourself?
00:12:32Don't you want to get a boyfriend for a nice girl like Susie?
00:12:34Yeah, and I want to keep a job for a nice boy like Jefferson.
00:12:38Oh, now, quit complaining.
00:12:39There's nothing to it.
00:12:40All we have to do is check up on these Joneses and see which one sent the flowers to Phyllis Benton.
00:12:45That's all.
00:12:46Is that all?
00:12:46It doesn't look.
00:12:52Say, what's the idea of accusing my husband of sending flowers to another woman?
00:12:56The shop didn't have anything to do with it.
00:12:57What?
00:13:00Hello?
00:13:01No, no, we don't know anything about it.
00:13:03We didn't send them.
00:13:04Sure it was your delivery boy.
00:13:06And now my wife is leaving me because she said I sent flowers to Phyllis Benton.
00:13:10No, sir.
00:13:10No, we don't know anything about it.
00:13:20We didn't send any flowers to anybody.
00:13:23Hello?
00:13:24Listen, that kid is still upsetting the whole town looking for Bill Jones.
00:13:29I'm going to fire him.
00:13:31What?
00:13:32What do you want a nosy kid like him up there for?
00:13:34All right.
00:13:36You're the boss.
00:13:38And I still think we ought to get rid of him.
00:13:40And I'll send him right up.
00:13:42Okay.
00:13:42It's about time you got here.
00:13:50What's the matter, Mr. Lester?
00:13:51More rush orders?
00:13:52Yes.
00:13:52And besides that, what do you mean by telephoning all over town for Mr. Bill Jones?
00:13:57Well, I told you, sir.
00:13:58Miss Benton gave me a message for him.
00:13:59Haven't I told you we don't deliver messages like that to our customers?
00:14:03Now get busy and deliver a boutonniere to Mr. Fred Morgan's apartment.
00:14:08Yes, sir.
00:14:08And remember, Mr. Morgan is one of our best customers.
00:14:11So don't stop to look for any more Bill Joneses.
00:14:14Say, Mr. Lester, we're getting an awful lot of rush orders lately.
00:14:17We could certainly use a girl around here to help us.
00:14:19A girl?
00:14:20Well, yes, sir.
00:14:21And, well, she could pack flowers and give Jefferson and I a lot more time for our deliveries.
00:14:25And I know just a girl.
00:14:27Her name is Suzie Caron.
00:14:28Get going.
00:14:30Well, yes, sir.
00:14:35Yes, sir.
00:14:41Flowers for Mr. Morgan.
00:14:44Well, just a moment, please.
00:14:46Mr. Morgan wishes to see you.
00:15:11I ordered this about an hour ago.
00:15:23What took you so long to get here?
00:15:24Well, I'm sorry, but I've been looking for you.
00:15:26Me?
00:15:27Yeah.
00:15:28I've been looking all over for you, but I didn't know you were you.
00:15:31Well, I'm afraid I don't quite know the score.
00:15:33What's all this about?
00:15:34Well, you see, Phyllis Benton gave me a message to deliver to you personally.
00:15:38And, gosh, I looked every place for you, but I didn't know you were Bill Jones until just now.
00:15:43Wait a minute.
00:15:44My name is Morgan.
00:15:46Fred Morgan.
00:15:47What on earth makes you think I'm Bill Jones?
00:15:49Oh, look, I'm a graphologist.
00:15:51And the handwriting on Bill Jones' card is identical to that on your check.
00:15:55I'm glad to meet you, Mr. Jones.
00:15:56I mean, Mr. Morgan.
00:15:58Tell me, what's a clever kid like you doing delivering flowers?
00:16:04Oh, that's just a sideline.
00:16:05My real work is graphology.
00:16:07I see.
00:16:08I suppose you're wondering why I use the name Bill Jones.
00:16:12Well, yes, sir, I am.
00:16:13Young man, would you like to serve your country?
00:16:22Serve my country?
00:16:24Oh, boy, would I?
00:16:26Well, sit down.
00:16:27I'll give you a chance.
00:16:28Yes, sir.
00:16:30You see, about three years ago...
00:16:32Yes, sir?
00:16:47Fred Morgan in?
00:16:47Who shall I say is calling?
00:16:48Wait a minute, pal.
00:16:49I don't want to see him.
00:16:49I just want to know something.
00:16:50Well, I'm very sorry, sir, but...
00:16:52Now, now, I don't want to know much.
00:16:54I'd just like to know what time Mr. Morgan left his apartment.
00:16:56Yeah, he hasn't been out.
00:16:58Are you sure of that?
00:16:59Yes, sir.
00:16:59He hasn't been out.
00:17:01Okay.
00:17:02Got a match?
00:17:14Yes, sir.
00:17:15Thanks.
00:17:18Keeping you pretty busy?
00:17:18Well, we're just making a social call.
00:17:21Hmm.
00:17:23Had a lot of deliveries today?
00:17:25Yes, sir, and a lot that wasn't delivered.
00:17:28Hey, you didn't by any chance deliver some flowers to a Miss Benton, Phyllis Benton?
00:17:33Phyllis Benton?
00:17:34Oh, yes, sir.
00:17:35We delivered them flowers this morning.
00:17:37You know who sent them?
00:17:38Some Bill Jones.
00:17:41Mr. Cupid is running all over town looking for him now.
00:17:44Cupid?
00:17:45Yes, sir.
00:17:46That's a name that we call Jimmy, the delivery boy.
00:17:50What do you want to know so much about Miss Benton?
00:17:53I'm a reporter.
00:17:55Is she one of them celebrities?
00:17:57No.
00:17:57Well, that is, she wasn't until a few hours ago.
00:17:59Oh.
00:18:02Have a look at that.
00:18:10Yes, sir, she's a pretty lady.
00:18:18What's the matter?
00:18:18Can't you read?
00:18:19I can read reading, but I can't read writing.
00:18:22Oh, I see.
00:18:23Well, listen to this.
00:18:25Pretty Miss Phyllis Benton was today the victim of a ruthless killer.
00:18:28Hmm.
00:18:29Who took her life under mysterious circumstances,
00:18:31dressed in street clothes with packed bags as though leaving soon on a trip,
00:18:34the body of the girl was left in her apartment by the killer.
00:18:37Good precious of me.
00:18:39The police authorities are carefully checking every available killer's identity.
00:18:43Mm-hmm.
00:18:46You're a G-man.
00:18:48Gee, that's wonderful, Mr. Morgan.
00:18:51And you're really going to let me be your assistant?
00:18:54Yes, Jimmy.
00:18:55Gosh.
00:18:57Providing you do exactly as I tell you to do.
00:18:59Oh, don't worry.
00:19:00I will, Mr. Morgan.
00:19:00You can depend on me.
00:19:02Now, the first thing I want you to remember is
00:19:04that you're not to tell me to anybody,
00:19:06not even to the police or the reporters or anyone.
00:19:11Not even the police?
00:19:12No.
00:19:13You see, Jimmy,
00:19:14running down spies is very dangerous work.
00:19:18You can't trust anyone.
00:19:20You'll never know who might be a spy.
00:19:22They're all over the place.
00:19:24Is Miss Phyllis Benton one?
00:19:25Yes, I'm afraid she is.
00:19:28That's why I didn't use my real name.
00:19:30I use lots of different names.
00:19:32Oh, oh, I get you.
00:19:34Now, I want you to keep in close touch with me.
00:19:36And if anybody,
00:19:38anybody at all,
00:19:40ask...
00:19:40Uh-huh, all right.
00:19:41Well, it certainly is an honor to work with you, Mr. Morgan.
00:19:44Thanks.
00:19:45Better run along now, Jimmy.
00:19:46Okay.
00:19:47Uh,
00:19:48say, I don't like to mention this,
00:19:49but just between you and I,
00:19:51you know,
00:19:51I'm kind of qualified for this job.
00:19:53I used to be a Boy Scout.
00:19:55That's fine.
00:19:56Well, so long.
00:20:00What did you mean about
00:20:00Cupid looking for this Bill Jones?
00:20:02What does he want with him?
00:20:03I don't know no more, mister.
00:20:04You better ask Mr. Cupid.
00:20:05Here he come now.
00:20:06Oh, hello, Cupid.
00:20:08Hello, yourself.
00:20:09Your friend here tells me
00:20:09you delivered some flowers today
00:20:10to Miss Phyllis Benton.
00:20:12That's right.
00:20:12What if I did?
00:20:13Well, he says that a Bill Jones
00:20:14sent those flowers
00:20:15and that you're looking for him,
00:20:16and I'd like to know why.
00:20:17You talk too much.
00:20:19Why are you asking me
00:20:20all these questions?
00:20:20Well, I'm a reporter,
00:20:21and I'd like to get a line
00:20:22on Miss Phyllis Benton.
00:20:24Well, you're a reporter.
00:20:25Why don't you look her up?
00:20:26Well, I did.
00:20:27You don't need me, then.
00:20:28She was murdered this afternoon.
00:20:30What?
00:20:32Who did it?
00:20:33That's what I'd like to know.
00:20:35Now, do you want to tell me
00:20:35what you want with Bill Jones?
00:20:37Well, no.
00:20:39I'm afraid that's still my business.
00:20:41I see.
00:20:41Let me give you some advice, Cupid.
00:20:44People who know anything
00:20:44about a murder
00:20:45and try to keep it to themselves
00:20:46sometimes get into trouble.
00:20:48Well, thanks very much for nothing.
00:20:50I think I can manage
00:20:51to take care of myself.
00:20:53Okay.
00:20:53Where are we going now?
00:20:59Sit tight.
00:21:00We've got to get rid of that Snoop.
00:21:01I've got to go back up
00:21:02and talk to Mr. Morgan.
00:21:03Now, look, if he comes back
00:21:04and asks you any questions,
00:21:06you don't know anything.
00:21:07Absolutely nothing.
00:21:08Understand?
00:21:08You don't know nothing about what?
00:21:10About anything.
00:21:11About Mr. Morgan,
00:21:12Bill Jones, Phyllis Benton,
00:21:13or anything.
00:21:14Yeah, but he said
00:21:15if we don't tell what we know,
00:21:17we'll have to get in trouble.
00:21:17Yes, but if you do tell,
00:21:19you'll be a traitor
00:21:20to your country.
00:21:21Oh, Mr. Cupid,
00:21:21how could I be a traitor
00:21:22to my country
00:21:23while my grandpappy
00:21:24cooked for the United States Army?
00:21:26Oh, now, look,
00:21:27try to get this
00:21:27into that thick skull of yours.
00:21:29Mr. Morgan is a G-man.
00:21:30G-man?
00:21:31Yes, and I'm a government agent
00:21:32now, too.
00:21:33You is?
00:21:34Yes, and so are you,
00:21:35I guess.
00:21:36That is, by proxy.
00:21:38Uh, can us wear a badge?
00:21:39No, no,
00:21:40we can't wear a badge.
00:21:42We're secret,
00:21:43secret servicemen.
00:21:43Oh, you've got to keep
00:21:45it a secret.
00:21:46That's it,
00:21:46now you've got it.
00:21:48Now, look,
00:21:49you wait right here.
00:22:02Can I speak to Mr. Morgan
00:22:03again, please?
00:22:04Sure, Jimmy,
00:22:04what is it this time?
00:22:05Hey, Chief, look,
00:22:06somebody just murdered
00:22:07Ms. Benton.
00:22:08No.
00:22:10He's asking me
00:22:11a lot of questions.
00:22:12Says he's a reporter.
00:22:13What did you tell him?
00:22:14Nothing, Chief.
00:22:15Absolutely nothing.
00:22:16That's fine.
00:22:17Who do you think
00:22:18would do a terrible thing
00:22:19like that?
00:22:20I don't know.
00:22:22One of her spies,
00:22:23I suppose.
00:22:24Probably thought
00:22:24it would be safer
00:22:25to get rid of her.
00:22:27Gee,
00:22:28spies don't...
00:22:29Are you in your right mind?
00:22:34I think so.
00:22:35Why take a chance like that
00:22:36going to that crazy kid's house?
00:22:38That's just why I'm going.
00:22:39Take chances.
00:22:40I don't get it.
00:22:41Maybe he isn't just
00:22:42a crazy kid.
00:22:43Maybe he has a brother
00:22:44or a father at home
00:22:46who put him up to all this.
00:22:48That's just what
00:22:48I was thinking.
00:22:49So what did you tell him
00:22:50all that bunk for?
00:22:51Because it's the surest way
00:22:52to keep his mouth closed.
00:22:54He's the only one
00:22:55that has me connected
00:22:55with Phyllis Benton.
00:22:57I know a better way
00:22:58to close his mouth.
00:22:59That kid's going
00:23:00to be very valuable to us.
00:23:01He'll watch every move
00:23:02Callahan makes.
00:23:04He'll notice anyone
00:23:04snooping around the shop.
00:23:06And he'll fly straight to me
00:23:08with the information.
00:23:08I still don't think it's...
00:23:10My dear Phillips,
00:23:11you'll never think.
00:23:13He'll be helping us
00:23:14night and day.
00:23:15And the sweet part of it is
00:23:17a kid like that
00:23:18will never be suspected.
00:23:22Oh, but Jimmy,
00:23:22I'm afraid to barge in
00:23:23on your mother like this.
00:23:24Don't worry.
00:23:25Mother's the sweetest thing
00:23:26in the world.
00:23:27Come on.
00:23:30Sit down.
00:23:32Ma!
00:23:32Hey, Ma!
00:23:36Say, what do you mean
00:23:36by coming home
00:23:37at this hour?
00:23:38And your gingerbread mama?
00:23:40Uh, this is Susie.
00:23:41Miss Susie Carey,
00:23:42my mother.
00:23:42How do you do?
00:23:43She's going to stay
00:23:44with us tonight.
00:23:45Oh, she is?
00:23:46Yeah, and look,
00:23:47I want you to say
00:23:47that she's your niece
00:23:48from California.
00:23:49Mr. Morgan's coming over
00:23:50to see me on business
00:23:51and I want him
00:23:52to meet Susie here.
00:23:53And you say
00:23:54that she's a relative
00:23:54of yours,
00:23:55so it won't look phony
00:23:56to Mr. Morgan
00:23:56to find Susie here.
00:23:58No, I don't see.
00:23:59Oh, I'm awfully sorry,
00:24:01Mrs. O'Brien.
00:24:01I know I shouldn't
00:24:02have come here,
00:24:03but Jimmy and Susie...
00:24:04It's all right, Miss Carey.
00:24:05I know it's no fault of yours.
00:24:06It's this bright son of mine.
00:24:09Do you mind waiting
00:24:10in the kitchen a few minutes
00:24:11till I get down
00:24:12to the bottom of this?
00:24:13Certainly, O'Brien.
00:24:15Jimmy O'Brien,
00:24:16now you listen to me.
00:24:19In the first place,
00:24:20you're laner.
00:24:21Well, in the second place,
00:24:22I've told you
00:24:23time and time again
00:24:25to stop trying
00:24:26to play Cupid.
00:24:27But in the third place,
00:24:29you can't use my house
00:24:31for a lonesome club.
00:24:32I'm not...
00:24:32And in the fourth place,
00:24:34I'll tell no lies
00:24:35about Miss Carey
00:24:36being my niece
00:24:37from California.
00:24:38Oh, Mom, please.
00:24:39It's not exactly a lie.
00:24:41We're just pretending.
00:24:42Please, say she's your niece.
00:24:44I'll do nothing of the kind.
00:24:46There's Mr. Morgan now.
00:24:48Hey, Susie.
00:24:49Susie, come on out.
00:24:50He's here.
00:24:51Don't forget, Mom, please.
00:24:52She's your niece
00:24:53from California, huh?
00:24:54I will not say
00:24:55she's my niece
00:24:56from California
00:24:57or any other state.
00:24:58Oh, hiya, Chief.
00:25:04Any new developments?
00:25:05Nothing new, Jimmy.
00:25:07Come in, Mr. Morgan.
00:25:14Mother, I'd like
00:25:15to have you meet Mr. Morgan.
00:25:16How do you do, Mr. Morgan?
00:25:17It's a pleasure, Mrs. O'Brien.
00:25:19And this is my darling
00:25:19little niece
00:25:20who's just arrived
00:25:21from California,
00:25:22Miss Susie Carey.
00:25:24How do you do, Miss Carey?
00:25:26How do you do, Mr. Morgan?
00:25:28Let me take your coat, darling.
00:25:29Uh, Mr. Morgan,
00:25:30this is my graphology file.
00:25:32Uh, you and Susie
00:25:33can sit over there together
00:25:34and look at it, huh?
00:25:36Go ahead.
00:25:37Sit down.
00:25:40Well, I'm hungry now, Mom.
00:25:42I think I can eat supper.
00:25:44Come on.
00:25:44You'll excuse us,
00:25:45won't you, please?
00:25:46Yeah.
00:25:46Come on.
00:25:53Aren't you ashamed of yourself
00:25:57putting poor Miss Carey
00:25:59in such an awkward position?
00:26:00But, Ma, according to...
00:26:01Don't you say graphology
00:26:03to me again!
00:26:04Shh, Ma, they'll hear you.
00:26:23Hey, Mom,
00:26:37something must have gone wrong.
00:26:38They're not saying anything.
00:26:39You think maybe I better...
00:26:40Mind your own business.
00:26:41Yeah, but I picked him
00:26:42for Susie's boyfriend.
00:26:43I gotta do something.
00:26:50Excuse me for busting in like this,
00:26:52but I just had an idea.
00:26:54Mr. Lester says
00:26:54you're one of our best customers.
00:26:55Is that...
00:26:56Oh, yes.
00:26:57Well, Susie's gonna be
00:26:58looking for a job
00:26:59and, well, we could certainly
00:27:00use a girl at the shop
00:27:01with all these rush orders
00:27:02and everything,
00:27:02so I thought maybe...
00:27:03Why don't you speak
00:27:03to Mr. Lester?
00:27:05Well, I did,
00:27:06but Mr. Lester and I
00:27:08aren't getting along
00:27:08so well right at the present.
00:27:10Oh, excuse me, will you?
00:27:12I think that's for me.
00:27:14I left this number
00:27:14at my apartment
00:27:15in case anyone tried
00:27:16to reach me.
00:27:16Oh, come on.
00:27:17I'll show you
00:27:17where the phone is.
00:27:18Thank you.
00:27:19Right there on the table.
00:27:22Why don't you do something?
00:27:25I can't do everything.
00:27:26Well, what can I do?
00:27:27I don't know.
00:27:29Yes, this is Mr. Morgan.
00:27:31Olga was unavoidably detained.
00:27:33Oh, that's too bad.
00:27:35What shall I do
00:27:36with her corsage?
00:27:40Well, don't worry.
00:27:43I'll take care of everything.
00:27:44She'd be a cinch
00:27:45to get the job.
00:27:45Why, I'd be very glad
00:27:47to do that.
00:27:48I should think
00:27:49you would be
00:27:49a charming asset
00:27:50to the shop.
00:27:51Oh, thank you,
00:27:52Mr. Morgan.
00:27:52See, that's awful nice of you.
00:27:54No, not at all.
00:27:55And by the way,
00:27:56Miss Carrie,
00:27:56I have two tickets
00:27:58to the midnight showing
00:27:59of the golden slipper.
00:28:00I was to have taken
00:28:01my mother tonight,
00:28:02but I'm slightly indisposed.
00:28:03Am I presuming too much
00:28:04in asking you
00:28:05to go with me?
00:28:06I don't think I could.
00:28:08Oh, yes, you could, Susie.
00:28:09Sure, she'd love to go.
00:28:10Oh, but I'm not dressed.
00:28:11Well, I wouldn't give you
00:28:12time to change clothes
00:28:13and then come back,
00:28:13couldn't you, Mr. Morgan?
00:28:13Why, certainly.
00:28:15I'll call back for you
00:28:16in an hour.
00:28:17And I know
00:28:18a delightful place
00:28:19about 15 miles
00:28:20in the country
00:28:21where we can have dinner.
00:28:23Oh, oh, Susie,
00:28:24it'd be crazy about that.
00:28:25She's always like
00:28:26those out-of-the-way places.
00:28:26Well, I've settled then,
00:28:27is it?
00:28:28I'll call back for you
00:28:28in an hour.
00:28:29All right.
00:28:29Boy, everything's going
00:28:37great, isn't it?
00:28:38Oh, it is, is it?
00:28:41Say, how many more times
00:28:42have I got to tell you
00:28:43to stop playing Cupid?
00:28:45Here you've got this girl
00:28:46going someplace
00:28:47she doesn't want to go
00:28:48with a man she doesn't
00:28:49even know
00:28:50doing something
00:28:51she doesn't want to do.
00:28:52Oh, but Ma,
00:28:53I don't understand.
00:28:54He's perfect for Susie.
00:28:55Graphology says so.
00:28:57Say, Jimmy O'Brien,
00:28:57if you as much as mention
00:28:59that word in this house
00:29:01again, I will.
00:29:03You know, Mom,
00:29:04that's what I've always
00:29:04liked about you.
00:29:05You're so tough.
00:29:06Come on,
00:29:07I'll get your hat and coat.
00:29:08Oh.
00:29:13That's lovely.
00:29:15I hope you're right.
00:29:16We're taking an awful
00:29:17chance with this one.
00:29:18What else can we do
00:29:19when other dogs
00:29:19isn't a jam?
00:29:22I don't like the best people.
00:29:24Besides, I don't think
00:29:25she'll question
00:29:26wearing a beautiful cassage.
00:29:27But suppose...
00:29:28I'll do the supposing.
00:29:30Furthermore,
00:29:31I want you to give her
00:29:32a job in the shop tomorrow.
00:29:34Give her a job here?
00:29:35Yes, here.
00:29:37She's going to work out
00:29:38excellently.
00:29:42Thank you.
00:29:57Hungry?
00:30:12Am I?
00:30:19In another minute,
00:30:19I'd have been eating
00:30:20my corsage.
00:30:25I'd love to work there.
00:30:27Floral displays are so lovely
00:30:28and, well,
00:30:29this one's quite unique.
00:30:30Don't you think so?
00:30:31Like it?
00:30:32As a matter of fact,
00:30:33it's so beautiful,
00:30:34I noticed several people
00:30:35admiring it.
00:30:35this is all hearsay,
00:30:45Callahan.
00:30:46Conjecture and surmise.
00:30:47Not a word we can print.
00:30:49I'm positive
00:30:49the explosion last night
00:30:50was the work of that game.
00:30:51You haven't a shred of proof.
00:30:52I'm going to get the proof.
00:30:53I'm working on a new line.
00:30:54Okay, Callahan.
00:30:55I hope...
00:30:56Three hundred thousand
00:31:08dollars damaged.
00:31:09Not bad, huh?
00:31:11Better wait
00:31:12until we succeed
00:31:13in our biggest undertaking,
00:31:14the Barry Aircraft Company,
00:31:15before you indulge
00:31:16in congratulations.
00:31:19What about keeping
00:31:20Retslov?
00:31:21As I told you, Chief,
00:31:22you should have left
00:31:23that assignment to me
00:31:24instead of him.
00:31:25Are you making
00:31:27a suggestion
00:31:27as to how
00:31:28I should run things?
00:31:30No.
00:31:31No, not at all.
00:31:32It's out.
00:31:33Boy, this new
00:31:34graphology book
00:31:35is sure a beaut.
00:31:35It's got 182 pages in it.
00:31:38Yeah, and I got
00:31:38182 boxes.
00:31:41Hey,
00:31:42I read this book
00:31:43from cover to cover
00:31:44and I still don't know
00:31:45where I'm at.
00:31:45Oh, hiya, Cassidy.
00:31:46Well, listen,
00:31:47I just got my new one
00:31:47and as soon as I finish it,
00:31:48I'll let you read it.
00:31:49Oh, fine.
00:31:51Will you please
00:31:51stop bothering me?
00:31:53There's that lug again.
00:31:55Who, Pat Callahan?
00:31:56Yeah, you know him?
00:31:57Sure, he's a pal of mine.
00:31:58You're not very particular
00:31:59about your pals, are you?
00:32:01Hey, is he really
00:32:02a reporter?
00:32:03One of the best
00:32:03in the business.
00:32:05He certainly makes
00:32:06a hit with the girls, too.
00:32:08Oh, he does, does he?
00:32:09Well, he ain't gonna
00:32:10make a hit with Susie.
00:32:10I'll break that up.
00:32:11Jimmy?
00:32:12Uh, yes, sir.
00:32:15Get a move on
00:32:15with those deliveries.
00:32:17Right away, sir.
00:32:18Come on, Jefferson.
00:32:24Wait a minute.
00:32:26All right, let's go.
00:32:29Mr. Cupid,
00:32:30what is we waiting for?
00:32:32Mr. Lester told us to hurry.
00:32:34Here's what I'm waiting for.
00:32:35Hey, Callahan.
00:32:36Come here.
00:32:39Look, I want to give you
00:32:40a little friendly tip.
00:32:41You stay away from Susie.
00:32:42Stay out of that shop
00:32:43and keep it wonderful.
00:32:44No, honest, I'm on the level.
00:32:45I don't want to see you
00:32:46get into trouble.
00:32:47The following's pretty tough,
00:32:48you know,
00:32:48and if you're not careful,
00:32:49you're gonna get
00:32:49that nice kid Susie
00:32:50into a wonderful jam.
00:32:51I will?
00:32:52Well, thanks a million, Callahan.
00:32:53I'll still take care of Susie.
00:32:56Okay, youngster,
00:32:57have it your own way,
00:32:57but don't say
00:32:58I didn't tell you.
00:32:59Uh,
00:33:00I got an important call to make.
00:33:06Oh, me.
00:33:07What's that, Phillips?
00:33:22Hello?
00:33:24It's that kid again.
00:33:29Hello, Jimmy.
00:33:31What's on your mind?
00:33:32Listen,
00:33:33that Callahan guy
00:33:34keeps hanging around the shop.
00:33:35He's trying to get in good
00:33:36with Susie.
00:33:40Yeah, yeah, all right.
00:33:42I'll keep in touch with you, Chief,
00:33:43and I'll let you know
00:33:43anything he does.
00:33:45Right, bye-bye.
00:33:46Bye, Jimmy.
00:33:50I hope you have
00:33:51all the details correct,
00:33:52Rassloff.
00:33:53I have done a perfect job.
00:33:54Good.
00:33:54Kurt might have
00:33:55missed a detail or two,
00:33:56but not me, Chief.
00:33:58Quiet.
00:33:59Let's see the man.
00:34:01Now,
00:34:02the very aircraft
00:34:04private dining room
00:34:05is here.
00:34:07That is where
00:34:08all the big
00:34:08nib bombs
00:34:10are to have
00:34:10their anniversary
00:34:11luncheon tomorrow
00:34:12at 1230.
00:34:13I know all that.
00:34:14Let's hear the rest of the panel.
00:34:16Adjoining the dining room
00:34:17is where all
00:34:18the new
00:34:18precision instruments
00:34:20are kept.
00:34:20The bomb aiming device,
00:34:22everything.
00:34:22It's a perfect setup.
00:34:23Why?
00:34:25Why?
00:34:26Because
00:34:26against this wall
00:34:28is another table.
00:34:30That is where
00:34:31the big floral piece
00:34:32with the bomb will go.
00:34:35Ah, excellent.
00:34:37See the master
00:34:38arranges that piece
00:34:39tonight.
00:34:41I hope my assistant
00:34:42G-man
00:34:43doesn't drop it
00:34:44on the way.
00:34:48Gosh, this is terrible.
00:34:50Gee, the open W's
00:34:51as well as the loop J's
00:34:52have a bearing
00:34:53on the high cross T's.
00:34:54Good gracious,
00:34:55Mr. Kubrick.
00:34:55What's the matter
00:34:56with you?
00:34:57Well, volume 2
00:34:58changes everything.
00:34:59What's so terrible
00:35:00about that?
00:35:01What's so terrible
00:35:01about it?
00:35:02Nothing.
00:35:02Only we have to
00:35:03recheck all
00:35:04of our analysis.
00:35:06We do?
00:35:07Oh, boy, do we.
00:35:08We got a lot
00:35:08of work to do tonight.
00:35:09Well, I'm too late.
00:35:10I'm going home.
00:35:11Going home?
00:35:12That's what you think.
00:35:16I'll say, Jefferson,
00:35:16hurry up there this week
00:35:17and I want you
00:35:18to help me
00:35:18with my analyzing.
00:35:19Boy, look at this.
00:35:24Another corsage
00:35:25for Mr. Morgan
00:35:26for Susie.
00:35:27Boy, that's sure
00:35:27a beaut.
00:35:28I guess he's
00:35:29taking her out
00:35:29again tonight.
00:35:30He's sure
00:35:31falling for her.
00:35:32Miss Susie's
00:35:32a lucky girl
00:35:33to have flowers
00:35:34from two boyfriends
00:35:35in one day.
00:35:36Two boyfriends?
00:35:37Now, listen, Jefferson,
00:35:38I told you,
00:35:38Callahan is not
00:35:39her boyfriend.
00:35:40He's just...
00:35:40Get to move on now.
00:35:41I want all these flowers
00:35:42put away tonight.
00:35:43I'll take that
00:35:43to Miss Carey.
00:35:44And don't forget
00:35:45to be here an hour
00:35:46earlier in the morning.
00:35:47We have a big order
00:35:47to prepare
00:35:48for the Berry
00:35:48Aircraft Luncheon.
00:35:50Yes, sir.
00:35:53Mr. Morgan's compliments,
00:35:54Miss Carey.
00:35:55Thank you.
00:35:56Oh, they're lovely.
00:35:58You may lock up now.
00:35:59All right, Mr. Lester.
00:36:03Oh, hi, Susie.
00:36:04Where's Mr. Morgan
00:36:05taking you tonight?
00:36:05Oh, same place,
00:36:06I guess, the tavern.
00:36:07Boy, isn't everything
00:36:08going great?
00:36:09Yes, there certainly
00:36:09is a job.
00:36:10Oh, I don't mean the job.
00:36:12You know what I mean.
00:36:12I mean, boyfriend and...
00:36:14Oh, which boyfriend?
00:36:16What did I tell you,
00:36:16Miss?
00:36:17Shut up.
00:36:17Now, listen.
00:36:19Morgan is the only
00:36:19fellow for you.
00:36:20This Callahan,
00:36:21he's out, Susie.
00:36:21Strictly out, see?
00:36:23Maybe.
00:36:24Well, good night, Jimmy.
00:36:25See you in the morning.
00:36:26What do you mean, maybe?
00:36:27Oh, uh, by the way,
00:36:29Professor,
00:36:30since you're running
00:36:30my romances,
00:36:32why don't you analyze
00:36:33Mr. Callahan's handwriting?
00:36:34Callahan?
00:36:35Well, what for?
00:36:37Well, he might turn out
00:36:39better than John Henderson.
00:36:43Be quiet.
00:36:44No wonder Ma got sore.
00:36:54Her writing's swell.
00:36:56She'd like what these
00:36:57lessons say.
00:37:04Uh-huh.
00:37:05High cross T.
00:37:08Sloping Y.
00:37:14This is awful.
00:37:17It's terrible.
00:37:19Hey, Jefferson.
00:37:20Hey, hey.
00:37:20What's the matter?
00:37:21I made a mistake.
00:37:22Uh, which one?
00:37:23Well, according to this,
00:37:24Morgan isn't a G-man.
00:37:26How can you tell?
00:37:27Well, this claims he's a liar.
00:37:29How does that prove
00:37:30he ain't no G-man?
00:37:31Oh, you stoop.
00:37:31How could a liar be a G-man?
00:37:33Yeah, and that's not all.
00:37:34Volume 2 says that
00:37:35he's crooked.
00:37:36He's treacherous.
00:37:37And, well,
00:37:38well, a guy is just
00:37:38a complete phony.
00:37:40Uh, you mean that
00:37:40Mr. Morgan ain't no good?
00:37:42No good?
00:37:42Well, he's a rattlesnake.
00:37:44Susie!
00:37:50She's probably
00:37:50dancing with that
00:37:51big gorilla right now.
00:37:54Hello.
00:37:55Hello, is this the tavern?
00:37:56I'd like to speak
00:37:57to Miss Susie Carey.
00:37:59Yes, she's in the dining room.
00:38:01Carey, yeah, that's right.
00:38:02C-A-R-E-Y.
00:38:04Uh, Mr. Cubitt,
00:38:05don't you think
00:38:05that you're hearing
00:38:06a little too fast?
00:38:07What do you mean, too fast?
00:38:08I have to say Susie.
00:38:09Maybe you better wait
00:38:10until you read
00:38:11Volume 3.
00:38:12Oh, shh.
00:38:13Hello.
00:38:13Hello, Susie?
00:38:14This is Jimmy.
00:38:15Now listen closely.
00:38:16Oh, hello, Jimmy.
00:38:18What?
00:38:20Why, I can't do that.
00:38:21But you've got to.
00:38:23I don't know,
00:38:24but you find some way
00:38:25to get rid of Morgan.
00:38:26Yeah, go ahead.
00:38:26Jimmy, that's ridiculous.
00:38:28What's the matter
00:38:29with Mr. Morgan
00:38:29all of a sudden?
00:38:30Has something gone wrong
00:38:31with his T's
00:38:32or his W's acting up?
00:38:34No, no, it's not that.
00:38:35It's his Q's
00:38:36and his O's.
00:38:38Now, please,
00:38:38do what I tell you.
00:38:39No.
00:38:40And I think
00:38:40a good night's sleep
00:38:41would do you
00:38:42a lot of good, Professor.
00:38:44Bye-bye.
00:38:47Oh, isn't that
00:38:47just like a wound?
00:38:49What are we going to do now?
00:38:50No, I don't know, Jefferson.
00:38:51But I've got to find somebody
00:38:53to get her away from Morgan.
00:38:54Yeah, and I have to find
00:38:55her a new boyfriend.
00:38:57Oh, my goodness.
00:38:58Is we got to go all
00:38:59through a telephone book again?
00:39:01No, no, no, no, no.
00:39:02Now, shut up.
00:39:02Let me think.
00:39:05I got her!
00:39:06Callahan!
00:39:07Come on, Jefferson.
00:39:09Here we go again.
00:39:10Come on, come on.
00:39:17Oh, Mr. Cupid,
00:39:18what is we going to eat?
00:39:19How can you think
00:39:20of eating when you're
00:39:21serving your country?
00:39:22But, Mr. Cupid,
00:39:23I'm empty.
00:39:24Oh, come on.
00:39:28Absolutely, Jefferson.
00:39:37Morgan says he's a
00:39:38G-man running down spies.
00:39:39But, graphology says he isn't.
00:39:41So...
00:39:41So what?
00:39:42So he's a spy.
00:39:44Why, his open W's cinched that.
00:39:46They do?
00:39:46Sure.
00:39:51Hey, hey, Callahan.
00:39:53Hello, Cupid.
00:39:53Who sent you down here?
00:39:54Never mind the smart cracks.
00:39:55Something important has happened.
00:39:56Yeah?
00:39:57Yeah, I've...
00:39:58I've decided maybe
00:39:59I was wrong about you.
00:40:00So what?
00:40:00Well, so how do you spell
00:40:02your name?
00:40:02My name's C-A-double-L-E-H-A-N.
00:40:04Why?
00:40:04Mm-hmm.
00:40:06Look, would you mind
00:40:06writing it for me?
00:40:07Writing it?
00:40:08Yeah.
00:40:14What's the gang?
00:40:15Well, if this proves
00:40:16you're all right,
00:40:17you're going to get Susie.
00:40:19Hey, are you crazy?
00:40:20Oh, no, no.
00:40:21I'm a graphologist.
00:40:22Now, be quiet a minute,
00:40:23will you?
00:40:23Uh-oh.
00:40:30Uh, mister,
00:40:31give me a bottle of soda water, please.
00:40:34Well, Callahan,
00:40:35I guess I owe you an apology.
00:40:37According to volume two,
00:40:38you're all right.
00:40:39Thanks.
00:40:39Now, look,
00:40:40I've decided that
00:40:41Morgan is not the guy for Susie.
00:40:42Now, look,
00:40:43here's what I want you to do.
00:40:44You get in your car
00:40:44and go out to the tavern.
00:40:45The tavern?
00:40:46Yeah, sure.
00:40:47Susie's out there with Morgan.
00:40:48Now, go on, hurry up.
00:40:49Now, wait a minute.
00:40:49There's some things
00:40:50you and I got to talk about first
00:40:51and we better get out of sight.
00:40:53Come here.
00:40:55That kid doesn't know you.
00:40:57Hambled into the pool room
00:40:58and find out what he's up to.
00:41:00Very well.
00:41:04So,
00:41:05so Morgan owns the shop, huh?
00:41:08Can't figure out
00:41:09how he fooled me.
00:41:10If Mr. Morgan owns the shop,
00:41:12we better quit that investigation.
00:41:13Why?
00:41:14Because we're going to
00:41:15investigate ourselves
00:41:16right out of jar.
00:41:17Oh, shh, quiet.
00:41:18You sure this is Morgan's handwriting?
00:41:19Absolutely.
00:41:20He even admitted it himself.
00:41:21You mind if I take this
00:41:22down ahead once?
00:41:23No, you can have it, Callahan.
00:41:25Hey, you mean we can
00:41:26arrest Morgan now?
00:41:27No, no, not yet.
00:41:28We know a lot of things
00:41:28about him,
00:41:29but we can't prove any of it.
00:41:30For instance,
00:41:30we're sure he had
00:41:31Phyllis Benton married.
00:41:33Well,
00:41:33why would he want
00:41:34to have her murdered?
00:41:35Because she found out
00:41:35what he was using her for,
00:41:36a signal carrier.
00:41:38You got to hand it to him.
00:41:39He's plenty smart,
00:41:40using flowers for messages.
00:41:41Flowers?
00:41:42Yeah.
00:41:42What do you mean?
00:41:43Telegrams can be decoded.
00:41:45Telephone lines tap,
00:41:46but who's going to decode
00:41:47a bunch of flowers?
00:41:48Oh, I get it.
00:41:49You mean like,
00:41:50roses would mean one thing
00:41:51and violets something else?
00:41:53But smarter than that.
00:41:54It's the arrangement,
00:41:55the color combination
00:41:56and where they're worn.
00:41:57A girl wearing a coarse sarge
00:41:58could mean anything
00:41:59from arson to murder.
00:42:01Say, that's pretty...
00:42:02Oh, my gosh.
00:42:04Susie's wearing one of those.
00:42:06Now, look.
00:42:07Susie needs us both,
00:42:08so don't you know anything
00:42:09without first consulting me, see?
00:42:10All right, I won't.
00:42:11Come on.
00:42:14What's the matter?
00:42:15One of Morgan's men.
00:42:16You sure?
00:42:17Sure.
00:42:17I haven't been following
00:42:18that gang for two months
00:42:19for nothing.
00:42:20Oh, my goodness.
00:42:21What are we going to do now?
00:42:22Shh, wait a minute.
00:42:23Now, let me think.
00:42:24I got it.
00:42:25We'll put up a phony argument.
00:42:27You take your cue from me,
00:42:27Callahan.
00:42:28Right.
00:42:29Hey, you, wait a minute.
00:42:31I don't believe
00:42:32you're just a reporter.
00:42:32And you'll remember
00:42:33what I told you.
00:42:34You stay away from Susie.
00:42:35Boy, you little pissed out.
00:42:36Yeah?
00:42:36Who are you going to get
00:42:37to help you?
00:42:39And remember,
00:42:39stay out of that flower shop.
00:42:41And you keep away from Susie.
00:42:43Stay away from yourself
00:42:43unless you're not particular
00:42:44about the company you keep.
00:42:46Come on.
00:42:50Listen, you.
00:42:51I'll grab a cab
00:42:52and get to the tap.
00:42:53Anytime I want to see Susie,
00:42:54I'll see her.
00:42:56Yeah, that's what you think.
00:42:58Come on, Jefferson.
00:42:59Let's go.
00:43:00Where to now?
00:43:01We're going back to the shop.
00:43:03I think I just had a brainstorm.
00:43:09Mr. Callahan told us
00:43:11not to do anything.
00:43:11Never mind what Callahan said.
00:43:13We're going back to that shop
00:43:14and search all the files.
00:43:15We may get enough evidence
00:43:16to arrest Morgan tonight.
00:43:18Oh, well,
00:43:19he's probably taking
00:43:20Morgan's baloney seriously.
00:43:22Just the same,
00:43:23I'm going to keep my eye
00:43:23on him a little longer.
00:43:26I don't think we ought
00:43:27to go back to that shop.
00:43:29How you know
00:43:29that man back there
00:43:30at that pool room
00:43:30ain't following us?
00:43:31Well, we'll drive around
00:43:33the block
00:43:33and make sure he isn't.
00:43:34Pretty smart, huh?
00:43:35Ain't no use
00:43:36you asking my opinion.
00:43:37You wouldn't listen, no.
00:43:38I'm...
00:43:38Hello?
00:43:40Lester, listen.
00:43:42I'm about three blocks away.
00:43:45It looks like the kid's
00:43:45headed for the shop.
00:43:47Turn out the lights
00:43:47and wait.
00:43:48I'll come around
00:43:49the back way
00:43:49and meet you there.
00:43:51I think he's up to something.
00:43:59Mr. Cupid.
00:44:02Mr. Callahan told us
00:44:04not to do anything
00:44:05unless we tell him.
00:44:06And I think
00:44:07he's an awful smart man.
00:44:08Yeah, well,
00:44:09he wasn't smart enough
00:44:09to think of what
00:44:10I'm going to do.
00:44:21Jefferson,
00:44:22get that record book.
00:44:22We're going through
00:44:23everything in the place.
00:44:24Boy, I'd give anything
00:44:25to see Morgan's face
00:44:26when he finds out
00:44:26I'm trailing him
00:44:27instead of Callahan.
00:44:28Uh, Mr. Cupid,
00:44:28is you sure
00:44:29that you ain't going
00:44:30to change your mind again?
00:44:31Absolutely.
00:44:32Morgan's one spy
00:44:33that's going to be trapped
00:44:33by nothing but plain graphology.
00:44:35And with Callahan
00:44:36assisting me,
00:44:36I wouldn't be surprised
00:44:37if we rounded up
00:44:37the whole bunch
00:44:38of those dirty rats.
00:44:39But, Mr. Cupid,
00:44:40there's one thing
00:44:40about spies
00:44:41I can't understand.
00:44:42Yeah, what's that?
00:44:43Why do they have
00:44:44to investigate them so much?
00:44:45Why don't they
00:44:46take them out
00:44:46and shoot them?
00:44:47Because you've got
00:44:47to have foolproof evidence.
00:44:49Oh.
00:44:49And that's what
00:44:49we're getting right here.
00:44:50I see.
00:44:51Boy, this is great.
00:44:52Even if we're not
00:44:53real gene men,
00:44:53we're still serving our country.
00:44:55I can hardly wait
00:44:55for them to grab
00:44:56the whole bunch of them.
00:44:57This will probably
00:44:57be the biggest roundup
00:44:58of spies in the United States.
00:44:59I'm certainly going
00:45:00to make it plain
00:45:01to those newspapers
00:45:01what this country
00:45:02owes to graphology
00:45:02because...
00:45:04Is that you, Jefferson?
00:45:13It can't be.
00:45:15I'm afraid
00:45:16you're going to have
00:45:16to postpone
00:45:17that interview
00:45:17with the press.
00:45:20Reach.
00:45:22You two.
00:45:24All right,
00:45:25out that way.
00:45:31Here's the tavern.
00:45:37I'd like to talk
00:45:38to the cigarette girl
00:45:39in the dining room.
00:46:01Oh, yes, Mr. Morgan.
00:46:05I certainly do like
00:46:05working at the shop.
00:46:07I hope Mr. Lester's pleased.
00:46:09Yes, I happen to know he is.
00:46:12As a matter of fact,
00:46:13he told me so himself.
00:46:14Cigarettes?
00:46:18Thank you, no.
00:46:21I'm awfully sorry, Miss Carrie.
00:46:23I nearly forgot
00:46:24an important phone call
00:46:25I have to make.
00:46:25Will you excuse me?
00:46:26Oh, certainly.
00:46:27I'll be right back.
00:46:31Hello?
00:46:43Oh, Phillips.
00:46:45What's up?
00:46:48Okay.
00:46:49You know where to take them.
00:46:51And send somebody
00:46:52to find the other one.
00:46:54Right.
00:47:01Hello, little blue eyes.
00:47:12I knew you'd be missing me,
00:47:14so here I am.
00:47:15Wait a minute.
00:47:18Yes.
00:47:22Hello?
00:47:23The other one just arrived.
00:47:25Yeah.
00:47:27He's here now.
00:47:28All right.
00:47:28You've got to grab Callahan
00:47:32at the tavern,
00:47:33but you can't use
00:47:33the boss's car.
00:47:34It's too well known,
00:47:35so I'll drive you down
00:47:35to the garage
00:47:36where you'll pick up
00:47:36another car.
00:47:37Hey, wait a minute.
00:47:38Callahan does no thing
00:47:39about this.
00:47:39Not a thing.
00:47:39Now, leave him out of this,
00:47:40will you?
00:47:40Shut up.
00:47:41Yes, but you...
00:47:42Did you hear the man
00:47:43say shut up?
00:47:44All right, boys.
00:47:46In the car.
00:47:50Are all the Callahan's
00:47:51as crazy as you are?
00:47:52Yeah, it kind of runs
00:47:53into family.
00:47:54You see my grandfather
00:47:54one time...
00:47:55Oh, Mr. Morgan,
00:47:56Mr. Callahan.
00:47:57How do you do, sir?
00:47:58How do you do?
00:47:59Do you mind if I barge
00:48:00in long enough
00:48:00to have a drink?
00:48:02May I?
00:48:03Of course, sir.
00:48:04Mr. Morgan doesn't mind.
00:48:06No, I don't mind.
00:48:08Well, fine.
00:48:09Waiter?
00:48:10What'll it be?
00:48:11Oh, I have one, thank you.
00:48:13Oh, well, let's have
00:48:13two good American eyeballs.
00:48:16I never cared much
00:48:17for those fancy foreign drinks.
00:48:18There's a motorcycle cop
00:48:30following us.
00:48:31I think we're going to get
00:48:32a traffic ticket.
00:48:34I hope.
00:48:35Pull over to the curb.
00:48:37I'll handle this.
00:48:38One funny move
00:48:39better be the one of you.
00:48:40I'll let you have it,
00:48:41cop or no cop.
00:48:42Hey, Jimmy.
00:48:52Oh, come on, Mr. Lester.
00:48:53I didn't see you.
00:48:54It's all my fault, officer.
00:48:56I told him to hurry.
00:48:57A rush order, you know.
00:48:58Well, that's all right.
00:48:58You aren't speeding.
00:48:59I just want to talk to Jimmy
00:49:00about a book.
00:49:02Oh, the book.
00:49:02Well, Callahan's got that.
00:49:04He's at the tavern.
00:49:05Well, I'm afraid
00:49:10we'll have to be getting along.
00:49:13Good night.
00:49:14Good night, Mr. Lester.
00:49:16Good night, Jimmy.
00:49:18Good night, Mr. Lester.
00:49:24Callahan.
00:49:26Book.
00:49:28Tavern.
00:49:35So, you see,
00:49:45it runs in the family.
00:49:47I come by my love of flowers
00:49:48quite naturally.
00:49:50Wasn't that a sweet story?
00:49:52Oh, that's one of the
00:49:53sweetest stories I've ever heard.
00:49:54Look, may I have this dance
00:49:55with you and then
00:49:56I'll barge out of the party.
00:49:57Wait a minute.
00:49:58Let's all have another drink.
00:49:59No, no, thanks.
00:50:00I never take more than one.
00:50:01Well, no.
00:50:02No.
00:50:02Excuse me.
00:50:03Certainly.
00:50:05Look, I haven't got much time
00:50:21and what I'm going to say
00:50:22won't make sense,
00:50:22but you've got to listen.
00:50:23It's important.
00:50:24My goodness, you sound serious.
00:50:25I am serious.
00:50:28I got a message for you
00:50:29from Jimmy.
00:50:29He wants you to make
00:50:30some excuse to Morgan
00:50:31and get out of here.
00:50:32Oh, I get it.
00:50:33You're the one
00:50:33that had Jimmy phone me
00:50:35about all that open Y
00:50:36and crooked W stuff
00:50:37about Morgan.
00:50:37No, no, I didn't.
00:50:39Imagine one of the
00:50:40mighty Callahan's
00:50:41having to depend on a kid
00:50:42to play Cupid for him.
00:50:43Oh, now, look, Susie,
00:50:43you've got to listen to me.
00:50:44It's about Morgan.
00:50:45I beg your pardon,
00:50:46Mr. Callahan.
00:50:47You want it on the phone.
00:50:47I can't be bothered.
00:50:48But, sir, it's your paper.
00:50:51Oh, okay, okay.
00:50:53Look, I'll take you
00:50:53back to your table
00:50:54and then I'll be right back
00:50:55and you'll be ready
00:50:56to leave with me.
00:50:58Come on.
00:50:58Come on.
00:50:59Hello?
00:51:10Hello?
00:51:10Hello?
00:51:11Hello?
00:51:12Hello?
00:51:13Hello?
00:51:14Hello?
00:51:15All right, Callahan.
00:51:16You are going with us.
00:51:18Callahan!
00:51:40Don't answer.
00:51:42Get in that car.
00:51:48No, no, no, no, no.
00:52:18Someone is trailing us. I think it is a cop.
00:52:25I'll speed her up.
00:52:26Shake him off.
00:52:42Callahan, out you go.
00:52:48¡Suscríbete al canal!
00:53:18¡Suscríbete al canal!
00:53:48¡Suscríbete al canal!
00:53:50¡Suscríbete al canal!
00:53:52¡Suscríbete al canal!
00:53:54¡Suscríbete al canal!
00:53:56¡Suscríbete al canal!
00:53:58¡Suscríbete al canal!
00:54:00¡Suscríbete al canal!
00:54:02¡Suscríbete al canal!
00:54:04¡Suscríbete al canal!
00:54:06¡Suscríbete al canal!
00:54:08¡Suscríbete al canal!
00:54:10¡Suscríbete al canal!
00:54:12¡Suscríbete al canal!
00:54:14¡Suscríbete al canal!
00:54:16¡Suscríbete al canal!
00:54:18¡Suscríbete al canal!
00:54:20¡Suscríbete al canal!
00:54:22¡Suscríbete al canal!
00:54:24¡Suscríbete al canal!
00:54:26¡Suscríbete al canal!
00:54:28Oh, hello, Susie.
00:54:30Listen, will you tell Mom I won't be home tonight?
00:54:32Yeah, I'm going out of town.
00:54:35All right, I'll tell her.
00:54:37Say, Jimmy, from what Pat Callahan said tonight,
00:54:40you were right about my not going out with Mr. Morgan anymore.
00:54:43I'll tell you all about it in the morning.
00:54:45Goodbye.
00:54:46Say goodnight.
00:54:49Well, goodnight, Susie.
00:54:53Well, I guess that settles that.
00:54:55Morgan, without a doubt, you're just plain right.
00:54:59What are you all who that's a Mr. Cupid for?
00:55:01He didn't mean no harm.
00:55:03Tell the carry girl to take the floral piece to the very airport
00:55:05and give her a lot of extra flowers,
00:55:07enough to keep her there until 12.30.
00:55:13Could I talk to Mr. Callahan?
00:55:17Pat.
00:55:18Pat.
00:55:20It's me, Cassidy.
00:55:22Oh, hello, Cassidy.
00:55:24How are you feeling, Callahan?
00:55:25Oh, pretty good.
00:55:26Hey.
00:55:27Ben, bend down a little.
00:55:29I can't hear you.
00:55:33Get that nurse out of here.
00:55:34We're going places.
00:55:37He says he'd like to have a cup of tea.
00:55:45Get my pants.
00:55:45Oh, now, wait a minute, Pat.
00:55:47You're a sick man.
00:55:47Shut up and get my pants.
00:55:49Oh, gee, Pat.
00:55:50Now, you see what I mean is, you can always tell a man's character by his handwriting.
00:55:56For instance, your signature shows that...
00:55:59Ah, nonsense.
00:56:00I don't believe it.
00:56:01Put it away.
00:56:02Every day, you haven't studied graphology.
00:56:04I still don't believe in it.
00:56:06Suppose a man had palsy.
00:56:07Oh, well, that wouldn't matter.
00:56:09Because graphology would show you that.
00:56:10Yes, and his character, too.
00:56:12Now, for instance, your signature shows that you like intrigue and adventure.
00:56:16How?
00:56:16Well, just by the way he crosses the T, it has a little...
00:56:20It's very hard to see.
00:56:21Look, see right there?
00:56:23All right, put him up.
00:56:25Get his gun, Jefferson, please.
00:56:26You didn't say give me the gun.
00:56:27Get over there.
00:56:29Come on.
00:56:31Hey, give me the keys to that van.
00:56:33Jefferson, open that door.
00:56:36All right, you two.
00:56:38Get in there.
00:56:39Come on.
00:56:46Come on, Jefferson.
00:56:47Let's get out of here.
00:56:50Oh, Nico, come on.
00:57:16Hello.
00:57:31Look at the passports and everything.
00:57:33Quick, we've got to go down to the Barry aircraft company right away.
00:57:35Are you crazy?
00:57:36No, Kirk, just phoned.
00:57:36The kid got away.
00:57:37We've got to head him off.
00:57:38Come on.
00:57:46It's our only chance.
00:57:47I'll make Morgan tell me where Susie and that kid are if I have to kill him.
00:57:52Hey, look.
00:57:56There's Morgan's car leaving right now.
00:57:59Follow that car.
00:58:02All right, step on it.
00:58:03Get going.
00:58:16Hey, officer.
00:58:31Officer, I have to get up there in the dining room.
00:58:33They planted a bomb up there.
00:58:34The spies did it.
00:58:35Susie's up there, too.
00:58:36Get out of here.
00:58:37What you kids don't think of to get into a near a plane factory?
00:58:39No, honest.
00:58:40This is on the level.
00:58:41No.
00:58:41No.
00:58:41Please, let me in.
00:58:42Nobody go through.
00:58:43Oh, he won't let me in.
00:58:46You've got to do something.
00:58:54I've got it.
00:59:04Here we are, you rats.
00:59:16Hey, hey, officer.
00:59:18Look at all the smoke.
00:59:19Something must be burning.
00:59:31I'm going up in the factory.
00:59:33And look, I'll call the station and have them pick up Chrysler.
00:59:35Come on.
00:59:44Oh, here I am, Mr. Kiss.
00:59:46I'll call you.
00:59:46Come on.
00:59:49Hurry.
00:59:50Now, look.
00:59:51This is a bomb.
00:59:52It's a time bomb.
00:59:53So don't drop it.
00:59:54Heaven have you to make this case.
00:59:56Cuidado ahora, ¿estás listo?
01:00:00¡Vámonos!
01:00:02¡Vámonos!
01:00:04¡Vámonos!
01:00:16¡Jimmy, no entiendo!
01:00:18¡Vámonos después!
01:00:20¡Jimmy!
01:00:22¡Oh, oh!
01:00:24¡Vámonos después!
01:00:26¡Jimmy! Susie's upstairs!
01:00:33¡Jeperson! ¡Jeperson!
01:00:35¿Estás bien?
01:00:54¡Jeperson!
01:00:56¡Jeperson!
01:00:58Un wón!
01:01:00...curt necesario
01:01:05¡Jeperson!
01:01:07¡Jeperson!
01:01:09¡ miniensored Kaw togethiste!
01:01:15¡Jeperson!
01:01:17¡Jeperson!
01:01:19¡Jeperson!
01:01:21¡Jeperson!
01:01:23Yo tengo otra parte
01:01:23er de afectarme
01:01:24Gracias por ver el video
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