- 2 days ago
In a land haunted by shadows, a man returns from death with a dark mission—possessed by a beastly force born of vengeance and sin. As the Yellow Beast awakens, chaos follows. Can humanity escape its curse?
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00:04:51Run
00:05:13Run if you can
00:05:15Don't shoot, I'm not armed
00:05:19What difference, Langdon?
00:05:23I'm sick
00:05:24I'm dying
00:05:27Langdon pleading for pity
00:05:31Langdon the traitor
00:05:34Langdon the murderer, rapist, thief
00:05:39Langdon the evil man
00:05:42The recognized evil man
00:05:48Please
00:05:52I'm too weak to try to run
00:05:55I'll do anything you ask
00:05:58Just don't kill me
00:06:00What have you got to offer?
00:06:05No
00:06:06Please, no
00:06:09I
00:06:10I mean I hurt anybody
00:06:13I'm scared
00:06:15You can't kill me
00:06:20I'm not like wild animals
00:06:22I'm a human being
00:06:27Just like you are
00:06:30Shut up
00:06:31Would you serve me, Langdon
00:06:36Without question
00:06:37Loyally for the rest of your life?
00:06:41No
00:06:41I swear
00:06:43No need for that
00:06:45I always take a man at his word
00:06:48You really are sick, you know
00:07:09That fruit you just ate is extremely toxic
00:07:15As a matter of fact, you should be dead
00:07:18And it's a wonder you're not
00:07:20Starving is such a wretched business, isn't it?
00:07:28Wretched
00:07:29Painful
00:07:30Dirty
00:07:32Dirty
00:07:35When was the last time you heard some fresh meat to eat?
00:07:47Your friend isn't coming, Langdon
00:07:50She died of bullet wounds a while ago
00:07:54Leaving a trail of canned beans and dried fish behind her
00:07:59But then she wasn't really a friend, was she?
00:08:02In a way, though, she did come through for you
00:08:07In a way
00:08:10Come now, it's good meat
00:08:19Probably better than anything you ever tasted
00:08:23Eat, my boy
00:08:26Eat
00:08:31I'll be right
00:08:32I'll be right
00:08:34I'll be right
00:08:35I'll be right
00:08:36I'll be right
00:08:37I'll be right
00:08:38I'll be right
00:08:39I'll be right
00:08:40I'll be right
00:08:41I'll be right
00:08:42I'll be right
00:08:43I'll be right
00:08:44I'll be right
00:08:45I'll be right
00:08:46I'll be right
00:08:47I'll be right
00:08:48I'll be right
00:08:49I'll be right
00:08:50I'll be right
00:08:51I'll be right
00:08:52I'll be right
00:08:53I'll be right
00:08:54I'll be right
00:08:55I'll be right
00:08:56I'll be right
00:08:57I'll be right
00:08:58I'll be right
00:12:59It's one thing to be melancholy, dear boy, but quite another to be in name.
00:13:06I think you'll find this new situation quite interesting.
00:13:15In fact, I think I will, too.
00:13:19Mr. Earle is here, Mr. Earle is here, Mrs. Yes.
00:13:34I'm ready.
00:13:35Dr. Porfirio Santos wanted in surgery, Dr. Porfirio Santos, please.
00:13:42Dr. Porfirio Santos, please.
00:13:43Dr. Goris, Dr. Goris, telephone call for Dr. Goris at main lobby desk.
00:13:48Dr. Goris, telephone call.
00:13:50Believe me, Mrs. Rogers, I'm as surprised and shocked as you are.
00:13:58There was not the slightest basis for suspecting that there was anything wrong.
00:14:03That's why I would like to see my husband.
00:14:12I would like to see my husband.
00:14:13I would like to see my husband.
00:14:14I haven't moved him from his room.
00:14:15I want to see his face.
00:14:19What happened to his face?
00:14:26Mangled beyond recognition in an industrial accident.
00:14:32He's had a number of operations.
00:14:35I've been helping here and there.
00:14:39Now, Landon.
00:14:44Just what the hell are you trying to pull, doctor?
00:15:10Asked her for Porfirio to come here immediately.
00:15:14Phil?
00:15:15Phil?
00:15:16Get these bandages off his face.
00:15:21But he can't be alive.
00:15:25You do it.
00:15:26Right now.
00:15:27What?
00:15:28Ooh.
00:15:31Okay.
00:15:32Ooh.
00:15:33They suck.
00:15:35You do it.
00:15:36Ellie throw.
00:15:37Ooh.
00:15:38問題.
00:15:39You do it.
00:15:48I see it.
00:15:53I see it.
00:16:23Stella?
00:16:35Don't touch him.
00:16:46Get help. Quick.
00:16:53Doctor. Doctor.
00:17:23Philip?
00:17:24Philip?
00:17:25Philip?
00:17:26Philip?
00:17:35Philip?
00:17:36Philip?
00:17:37Philip?
00:17:42Philip?
00:17:44I think I'm rediscovering
00:18:13the nicest part of the house you never used to think that you used to make a joke of all
00:18:20the trouble I went to having it done
00:18:24come sit by me
00:18:37it's not too cold for you
00:18:40no
00:18:49you've had a pretty rough time of it haven't you
00:18:52I never expected you to say anything like that
00:18:57I've been away a long time you should expect to be surprised I do
00:19:03I don't know you anymore
00:19:05are you sorry
00:19:07no
00:19:10I've never been afraid of you before
00:19:17you are getting chilly
00:19:19I've never been here
00:19:20I've never seen you before
00:19:23I'm excited to be ready
00:19:24I'm happy to be here
00:19:28I'm happy I never came here
00:19:30I'm good
00:19:31now
00:21:33Well, not like this, Phil.
00:21:35These people were your partners.
00:21:37Sure, you've always had control, but they trusted you.
00:21:40They put their trust in figures and ironclad notes.
00:21:43And they came out of it a lot richer.
00:21:46And a lot greedier, too.
00:21:47Phil, I don't know that I want to go along with this.
00:21:53What do you really want, then?
00:21:55A peace of mind?
00:21:56A clear conscience?
00:21:58Why not?
00:22:00Have you got a clear conscience, Earl?
00:22:02Well, what do you think I ought to do about Julia?
00:22:06I don't know what you mean.
00:22:11There aren't many women who could have stood by you all this time.
00:22:13You're right.
00:22:15You see, that's the point.
00:22:16Things aren't going to get any better.
00:22:18And there's nothing that she or I can do about it.
00:22:21So what are you going to do?
00:22:23Just throw her out like your board of directors?
00:22:26Would you like that?
00:22:30All right, Phil.
00:22:32Come out with it.
00:22:33If you're implying that there's ever been anything between Julia and me...
00:22:37Earl, I'm just trying to make things easy for you.
00:22:40Easy?
00:22:42Easy.
00:22:46Julia knows what a disaster our marriage has been,
00:22:48but she's not the kind to let go or walk away.
00:22:52Principles.
00:22:54She's not going to just wake up one morning
00:22:56and realize that it's you she's wanted all along.
00:22:59If I threw her out, neither one of us would ever see her again.
00:23:03Why should you care?
00:23:05I don't want to hurt her any more than I have to.
00:23:08If she can make a good life for herself with you,
00:23:11why shouldn't she have a chance for it?
00:23:20So why don't you and I kind of help her along, Earl?
00:23:33Why, here's Tom Milton.
00:23:48Remember him?
00:23:50You inhabited him in 54.
00:23:5255, I think.
00:23:53You know I can't for the life of me remember what I did with him.
00:23:59I'll have to look it up.
00:24:03Actually, Langdon,
00:24:05since I happened to be in the neighborhood,
00:24:07I thought I'd look you up
00:24:08and have a little therapy session with you.
00:24:10You know, bringing you back with your own face
00:24:13was an irresistible temptation.
00:24:16But it may turn out to be an awful mistake.
00:24:18What have I done?
00:24:21Nothing yet.
00:24:23But having a face of your own
00:24:25is encouraging you to think about personal identity.
00:24:29And you know we can't have that.
00:24:32I take no pleasure in it.
00:24:34Naturally not.
00:24:36But your mind wanders.
00:24:39Why do you think I keep bringing you back, Langdon?
00:24:44Apart from the pleasure you get out of it.
00:24:47To awaken the latent evil
00:24:49in the people that I come in contact with.
00:24:51Good.
00:24:53I knew you'd be sharp enough to grasp that.
00:24:56It isn't as easy as it might seem
00:24:58to find qualified agents.
00:25:01Human nature is so ambiguous
00:25:03that the propagation of evil
00:25:06is left entirely to chance.
00:25:09There's been a great deal said
00:25:12about the scarcity of truly good men.
00:25:15Why, truly evil men are just as hard to find.
00:25:20Do you realize, Langdon,
00:25:22that if you really put your mind to it
00:25:25you could be a saint?
00:25:27For our sight, of course.
00:25:29Nothing seems worth doing.
00:25:34You want to die.
00:25:37Is that it?
00:25:39Yes.
00:25:40What fantasies people pick up.
00:25:44This is all there is, you know.
00:25:47You have to stop thinking of yourself
00:25:49as a man groping towards some sort of fulfillment
00:25:53within a measured span of time
00:25:56because surely you can see
00:25:58that you stopped being mortal
00:26:00some twenty-odd years ago.
00:26:02What am I?
00:26:05Well, you're in transition.
00:26:07You're still part man
00:26:09becoming, hopefully,
00:26:11a quality,
00:26:13a pure moral force,
00:26:16so to speak.
00:26:17I am a man.
00:26:19Damned, maybe,
00:26:20but still a man
00:26:21who knows shame and sorrow
00:26:23and revulsion and regret.
00:26:34You have no idea
00:26:35how distasteful I find this.
00:26:39I wish there was some subtler
00:26:41and equally effective way
00:26:43of making a point with you.
00:26:46Do try to remember, Langdon.
00:26:48I find you quite useful,
00:26:50but I don't want you to be anybody.
00:26:53Not anybody at all.
00:26:57The pain you feel
00:26:59is only a slight pressure on the kidney.
00:27:01If you vex me further,
00:27:04I can be much more imaginative.
00:27:25Can I get you a drink?
00:27:31Earl stopped in this afternoon.
00:27:39I figured he would.
00:27:42He told me.
00:27:46He said you had to talk about me.
00:27:51Yes.
00:27:53What did you tell him?
00:27:58I think you know
00:27:59what I told him, Julia.
00:28:01Just what do you take me for?
00:28:06What was his attitude?
00:28:09I don't know what you mean.
00:28:14Did he seem interested in the idea?
00:28:31What was the point of telling him
00:28:32all those lies?
00:28:34What are you trying to do to me?
00:28:38About four months ago,
00:28:40you let an airline pilot
00:28:41pick you up at the Savoy Bar.
00:28:45Now that bothered you a lot,
00:28:47didn't it?
00:28:47you hadn't spoken to me in months.
00:28:52You didn't care whether you lived or died.
00:28:55You didn't care what happened to me.
00:28:57How was I supposed to feel?
00:28:58How was I supposed to feel?
00:29:00Just the way you did feel, Julia.
00:29:02The trouble is,
00:29:03you've never been able to forgive yourself for it.
00:29:08How long have you known?
00:29:10What difference does it make?
00:29:11Philip,
00:29:13Philip, suddenly I don't understand you at all.
00:29:21Earl is as close to being what he seems to be
00:29:23as anyone you've ever known.
00:29:25With him,
00:29:25you'd never have to wonder where you stood.
00:29:28And that's what you've always wanted,
00:29:29isn't it?
00:29:30And it's not supposed to matter
00:29:32whether I love him or not.
00:29:34What do you want, Julia?
00:29:35Love you've had.
00:29:37Why don't you settle for something you can live with?
00:29:40Who are you?
00:29:44As far as you're concerned,
00:29:45I am and can only be
00:29:47whoever
00:29:48or whatever you think I am.
00:29:55Philip?
00:30:00I need you.
00:30:08I don't want to lose you.
00:30:12Whoever,
00:30:13whatever you are.
00:30:30And what do you do?
00:30:31I don't want to lose you guys today.
00:30:32I don't want to lose you.
00:30:33I don't know.
00:30:33Whatever I do.
00:30:38I don't want to lose you,
00:30:39I don't want to lose you,
00:30:40I don't.
00:30:41I don't know.
00:30:44Oh, as long as some uninvügen,
00:30:45I don't know.
00:30:53Well,
00:30:54as you've been
00:30:55dealing with
00:30:57being in the
00:31:27What's the matter?
00:31:46Are you ill?
00:31:57What's the matter?
00:32:27Oh, my God.
00:32:57THE END
00:33:27THE END
00:33:57THE END
00:34:27Philip, is that you?
00:34:40Philip, let me in please
00:34:47I'm very tired, Julia
00:34:51I'll talk to you later
00:34:53All right
00:34:54Is there anything wrong?
00:34:57No
00:34:58There must have been some kind of weapon used
00:35:11Nobody could have done that with his bare hands
00:35:15I don't know, Lieutenant
00:35:17Even a weapon has to be handled
00:35:21What kind of a weapon would you need
00:35:29To rip out a man's heart with a single blow?
00:35:33You're not sure it was a single blow
00:35:34I wouldn't swear to it, no
00:35:36Not on something as mutilated as that
00:35:38But I would guess he was
00:35:41Hit no more than three times
00:35:43Once on the head
00:35:45And twice across the body
00:35:46With the force of a jackhammer
00:35:49And that's not all
00:35:50We picked up bits of tissue from his heart
00:35:54Lungs, digestive tract
00:35:56That looked as if they came out of a meat grinder
00:35:58No
00:36:02Well, how else can you explain the way he's been acting?
00:36:06All right
00:36:06He's having a hard time fitting into things
00:36:10Do you really think sending him away again will help him?
00:36:14I'm only suggesting that he needs psychiatric help
00:36:18That amounts to the same thing
00:36:20Don't you see?
00:36:23He needs us
00:36:24He needs me
00:36:25Not some stranger poking around in his mind
00:36:28The way they did with his body
00:36:29He's all alone
00:36:34And he doesn't want to beg for anything
00:36:37That's why I said all those things to you yesterday
00:36:43I wish that were true
00:36:46It is true
00:36:48Maybe he is lonely in a way
00:36:50But I can't reach him
00:36:52And I don't think you can
00:36:54He's grown hard
00:36:56Mean even
00:36:56He can hurt you, Julia
00:36:58And we can't risk that, can we?
00:37:02He's my brother
00:37:03That's hard to believe, too
00:37:07Julia
00:37:08I'd make very sure of my own feelings if I were you
00:37:11What?
00:37:13Why has he become so important to you?
00:37:16Only a week ago, you weren't sure you wanted to stay
00:37:18What's he done to you?
00:37:22Or is it something that you've done to yourself?
00:37:26So now we're both dangerous
00:37:28Nobody's harmless
00:37:30Even to himself
00:37:31Are you sure you're helping him this way?
00:37:34No
00:37:37Are you sure you're helping me?
00:37:50Did I rake you?
00:37:54I guess you did
00:37:55I didn't hear you come in
00:37:56Beware the Coloradans bearing gifts
00:38:00What's the occasion?
00:38:05An attack of guilt, probably
00:38:06I spent the entire day indulging myself
00:38:09Drove around
00:38:12Shopped
00:38:13Ate a fantastically expensive lunch
00:38:15Went to a movie
00:38:17Open it
00:38:20The cook says you haven't had anything to eat all day
00:38:30You must be starved
00:38:31Not really
00:38:32Dinner should be about ready, I'll go see
00:38:40Julia
00:38:41Thank you
00:38:43Thank you
00:38:59Love me.
00:39:29Love me.
00:39:59Love me.
00:40:29Love me.
00:40:30Philip.
00:40:31Philip, let me in.
00:40:35Go away, Julie.
00:40:36Go away for your own goodness.
00:40:40Philip, please let me in.
00:40:42Philip, please let me in.
00:41:12Let's go.
00:41:42Let's go.
00:42:12Let's go.
00:42:42Let's go.
00:43:12Let's go.
00:43:42Let's go.
00:44:12Let's go.
00:44:42Let's go.
00:45:12Let's go.
00:45:42Let's go.
00:45:43Let's go.
00:45:44Let's go.
00:45:45Let's go.
00:45:46Let's go.
00:45:47Let's go.
00:45:48Let's go.
00:45:49Let's go.
00:45:51Let's go.
00:45:52Let's go.
00:45:55Let's go.
00:45:58Let's go.
00:45:59Let's go.
00:46:00Let's go.
00:46:01Let's go.
00:46:02Let's go.
00:46:03Let's go.
00:46:04Let's go.
00:46:06Phil?
00:46:36What does it mean, Errol? Where is he?
00:46:51Operator, I'd like to call police headquarters, please.
00:46:54I'm assuming that this is still somewhere in this area.
00:46:57I've stripped eight precincts of every man they can spare.
00:47:00We've sealed off all possible exits from the district.
00:47:03We've started a house-to-house search.
00:47:05What about the army?
00:47:07They're on alert, but they won't come in until we ask for them.
00:47:11I'm not going to have a panic if we can help it.
00:47:14As you all know, no specific description of the fugitive has been issued.
00:47:19Except for that he's male, of medium build, with heavily scarred and mutilated face.
00:47:24Frankly, that's all I'm prepared to believe at this point.
00:47:32I thought you might want to look at these, sir.
00:47:34Pictures of a window in the house of Philip Rogers, a well-known American businessman.
00:47:43The man had an argument with his wife and locked himself in.
00:47:47Apparently, this is how he got out sometime during the night.
00:47:51Notice that there are no tool marks or abrasions of any kind on the iron bars.
00:47:57Which means that Rogers, or whoever bent those bars, did it with his bare hands.
00:48:06Oh, God.
00:48:07They have noticed there, no error online.
00:48:11Chill Wowing.
00:48:12Offering to hisалось find his life interact with with his Poison.
00:48:15Oh, man.
00:48:16Given that he's Oooh.
00:48:18You've got to find I.
00:48:21Martin Bl gravitational kara.
00:48:53I'm making some soup.
00:49:07I can't offer you anything else.
00:49:08Mateo hasn't come in yet.
00:49:27I don't know, Ed.
00:49:29I thought not.
00:49:31Why did you help me?
00:49:33The odor of blood was very strong on you when you came in last night.
00:49:38I can still smell it.
00:49:40I know it well.
00:49:42And that's why you helped me?
00:49:44I did not help.
00:49:46I just left you alone.
00:49:49I would do as much for a stray dog.
00:49:51You don't belong here.
00:49:56No.
00:49:57My nephew Mateo is the caretaker here.
00:49:59I'm just visiting him.
00:50:02Speaking of belonging, the police are liable to be here soon.
00:50:05And they may wonder what someone like you, a foreigner, is doing in a place like this.
00:50:11Yes, I guess they would.
00:50:17I see.
00:50:18That it makes real difference to you whether you are lost or saved.
00:50:26All you want is to make an end.
00:50:29No one is ever saved.
00:50:32You are an optimist.
00:50:33If things were as simple as that, there would be no need for life to run so long.
00:50:48Who are you?
00:50:50Who I am now is of no great interest to anyone.
00:50:55My name is Sabas Asnar.
00:50:59The bandit?
00:50:59You have a long memory.
00:51:03Yes.
00:51:04Sabas Asnar, the bandit.
00:51:06They didn't hang you then?
00:51:09No.
00:51:10They kept me in prison for 30 years.
00:51:14Hoping that I would die quietly.
00:51:16But after a while,
00:51:18it was no longer important.
00:51:21Only I remembered.
00:51:22And I remember as though it all happened yesterday.
00:51:30What about the others?
00:51:31The ones who followed you?
00:51:34Many of them are dead.
00:51:36The others believe I died long ago.
00:51:39It is better that they do.
00:51:41I do not have much time left.
00:51:44Time for what?
00:51:44To do what remains to be done.
00:51:49You two-faced old bastard.
00:51:55You haven't given up, have you?
00:51:58You are still rooting around for that blood-soaked soul of yours.
00:52:04You old fool, it is gone.
00:52:06And you will never find it again if you live to be a thousand.
00:52:12You are quite wrong.
00:52:14That is the one thing we never lose.
00:52:17Not even if we long to be rid of it.
00:52:21And he who gave it to you
00:52:22remains forever part of it.
00:52:26That is why you are in such agony.
00:52:27Philip Rogers, a well-known businessman of this city in connection with the killing.
00:52:56Philip Rogers is 35 years old, 5 feet, 9 inches tall, of medium build.
00:53:10I have nothing more to say.
00:53:12I'm interested in locating my husband,
00:53:14not in having him hunted down like a criminal.
00:53:17No one has even implied that he is one Mrs. Rogers.
00:53:20But surely you can understand that we are obliged to take certain measures
00:53:24in the interest of public safety.
00:53:25We do want to find your husband, Mrs. Rogers.
00:53:29And perhaps it is in his best interest that we do.
00:53:31I am not a complete fool, Inspector.
00:53:43Philip, where?
00:53:46Langdon.
00:53:46Joseph Langdon.
00:53:50I'm in no position to say.
00:53:53I never saw Langdon when we shipped the old files back to the States years ago.
00:53:57Surely it must be possible to send his file back here with photographs.
00:54:01But what for, Inspector?
00:54:03Joseph Langdon is dead.
00:54:05Not only is that a matter of record,
00:54:07you were one of those who witnessed his death.
00:54:09I thought I did.
00:54:11I saw him hit.
00:54:13I saw him fall down a rabbi in a hundred feet high.
00:54:15Twenty-four years ago.
00:54:17The man you're holding is thirty-five.
00:54:20He wasn't even in his teens at the time.
00:54:22Just what are you trying to prove?
00:54:23I don't know.
00:54:29The man you have is Philip Rogers.
00:54:32He has personal records that go back to the day he was born.
00:54:36There's a perfectly valid explanation for his change in appearance.
00:54:40His wife, his brother, his friends all know who he is.
00:54:43On the other hand, even if Langdon were alive today,
00:54:46he'd be well over fifty.
00:54:47And he wouldn't look at all like that.
00:54:49It just doesn't add up.
00:54:50Sorry to have wasted your time, Colonel.
00:55:04Not at all.
00:55:17You didn't say much in there.
00:55:20I'm not going to suggest that you should take a long rest
00:55:23if that's what you're driving at.
00:55:27Maybe I should.
00:55:30I never put much faith in hunches before.
00:55:34And I can't question the facts.
00:55:38Why am I so sure that that man is Joseph Langdon?
00:55:42This is all so pointless, Langdon.
00:56:05Let me die, then.
00:56:06I can't.
00:56:07And won't.
00:56:10Look at it this way.
00:56:12I have commitments that go back to the beginning of time.
00:56:16To hell with that.
00:56:19My life is all I'll ever know of time.
00:56:24Do what you like with me.
00:56:26I'm not afraid of you anymore.
00:56:28What incredible arrogance.
00:56:31Just who do you think you are?
00:56:35What makes you think you can ever get away from the man who placed his soul at my feet
00:56:41in trade for a bag full of rotting meat?
00:56:43You gave me the idea.
00:56:47You said I was still becoming.
00:56:50And had a choice.
00:56:52It was a mistake.
00:56:54But not a disastrous one.
00:56:57I've been making things easy for you.
00:57:01I've given you something to resist, haven't I?
00:57:04A convenient scapegoat for these recent transports of self-indulgence.
00:57:10Well, no more, Langdon.
00:57:15The next time you have a transformation, it will be entirely your doing.
00:57:20Do bear that in mind.
00:57:22You will not have another one unless you bring it on yourself.
00:57:25You will not have another one.
00:57:36You will not have another one.
00:57:40I believe you will not have another one.
00:57:43You will not have another man who plays a recognizement.
00:57:45And a master's savior.
00:57:47It will not have another one.
00:57:49But not to be able to leave you alone.
00:57:50I hope you do not have an idea.
00:57:52I hope you do not have an idea.
00:57:53it won't be any better tomorrow you really want to go through with it yeah
00:58:00let her with me go ahead you can meet us later no I'm staying with you give it a
00:58:07few moments
00:58:09but it's only a few moments
00:58:12only a few moments
00:58:15I'll tell you
00:58:17I'll tell you
00:58:19I'll tell you
00:58:21I'll tell you
00:58:23I'll tell you
00:58:25I'll tell you
00:58:27I'll tell you
00:58:29now
00:58:30all of us
00:58:32we have to wait for that
00:58:34because
00:58:35we don't want to
00:58:37take care of
00:58:39and
00:58:43I'll tell you
00:58:44if
00:58:45you
00:58:46look
00:58:47I'll tell you
00:58:48but
00:58:50I may not
00:58:51pay
00:58:52do
00:58:55Begin and done.
00:59:25Get a doctor, quickly.
00:59:27No, I'm not hurt.
00:59:29I'm okay.
00:59:55Roger, I'll call you.
01:00:25Roger, I'll call you.
01:00:56Earl found a place in a quiet part of town.
01:00:59We can stay there for a while.
01:01:03We're leaving the country, Philip.
01:01:07Was this your idea, Earl?
01:01:09No.
01:01:12I'll go along with whatever you want.
01:01:14It was my idea.
01:01:15Earl made the arrangement.
01:01:17Tomorrow night we're driving out to Corban across the bay.
01:01:20There'll be a fishing boat waiting for us.
01:01:25I won't let them take you, Philip.
01:01:28I've waited too long for you.
01:01:29What do you make of it?
01:01:41Oh, probably the smart thing to do would be to forget it altogether.
01:01:44By the way, we decided not to book the man who owns that.
01:01:50He won't leave.
01:01:51Who was Joseph Langdon?
01:02:00A U.S. Army deserter, convicted of collaborating with the Japanese, while a prisoner of war in World War II.
01:02:10Also of torturing and informing on his comrades in arms.
01:02:15He escaped from the American stockade here, enjoying some native wartime contacts in the mountains.
01:02:20But he was too much even for them.
01:02:24Murder, village, rape, very often for no comprehensible reason.
01:02:31Finally, he was alone.
01:02:33We tracked him down and killed him.
01:02:38Or so we thought.
01:02:40His body wasn't recovered.
01:02:42No.
01:02:43He was hit at least a half dozen times and fell off a high cliff into a river.
01:02:47We had divers looking for his body for almost a week.
01:02:52But they found nothing.
01:02:54I wonder what he was like.
01:02:57Educated, soft-spoken.
01:02:59It was very hard to dislike him if you knew nothing about him.
01:03:02But there was a hard, cold hatred inside him.
01:03:06Which no one could account for.
01:03:09Or bother to.
01:03:10After our meeting with the military attache the other day,
01:03:20I went to see a friend at Army Intelligence.
01:03:25He dug this up for me.
01:03:33Inspector DeSantos here.
01:03:34Yes, Mr. Rogers.
01:03:38We've been waiting to hear from you.
01:04:00Are they still in the house?
01:04:01I left them less than an hour ago.
01:04:04Inspector, I hope you understand my position.
01:04:08Your brother and Mrs. Rogers will not know of our presence here.
01:04:11Unless some imminent danger to either or both of them arises.
01:04:14I'm rather concerned about Mrs. Rogers.
01:04:18So are we.
01:04:19Ta-na.
01:04:19You should be asleep.
01:04:36You won't be much help if you don't get some rest.
01:04:47Will you stay with me, Philip?
01:04:49Will you promise not to leave me?
01:04:54You shouldn't have waited for me.
01:04:57There was nothing left to wait for.
01:05:05I did think that.
01:05:08Then you came back and changed everything.
01:05:11There's no such thing as a dead end.
01:05:14You can always get out.
01:05:16The way you came.
01:05:21You didn't.
01:05:24You came back to me.
01:05:26And you kept coming back.
01:05:28To use you.
01:05:31That's just another way of saying that you need me.
01:05:34That's all I want, Philip.
01:05:40That you need me as much as I need you.
01:05:53That's a real?
01:05:53That's real.
01:07:11Philip?
01:07:15Philip?
01:07:17Philip?
01:07:18Philip?
01:07:19No!
01:07:26No!
01:07:28No.
01:07:29No!
01:07:30No!
01:07:31No!
01:07:36No!
01:07:40No!
01:07:43No!
01:07:46No!
01:07:49No!
01:07:54Thanks, Jerry.
01:07:56Hold your fire
01:08:15Take two men outside and follow him
01:08:23Keep your distance
01:08:25Don't try to take him
01:08:26But find out where he goes and report to me
01:08:29Yes, sir
01:08:30Julia
01:08:40You did not tell me that you had a visitor around here some nights ago
01:08:56It was nobody of any importance
01:09:01It was the American killer
01:09:03The police let him go today for lack of evidence
01:09:07But you know he was here that night
01:09:09Don't you?
01:09:11It was of no importance
01:09:12No?
01:09:15Ruben and his cousin saw him leaving with dried blood all over his clothes
01:09:20He's a rich man
01:09:28How much did he give you to keep quiet?
01:09:34He gave me nothing
01:09:35He was tired
01:09:38And needed a place to sleep
01:09:40You old liar
01:09:44I took you in when no one would have you
01:09:52I let you stay
01:09:54Gave you whatever food and money I could spare
01:09:57Me
01:10:00With a sick wife and four children to worry about
01:10:04He gave me nothing
01:10:06It wouldn't help you to be stubborn, old man
01:10:17Who is it?
01:10:22Who's out there?
01:10:30Speak up
01:10:31He won't hurt you
01:10:35Get away from there
01:10:37He needs me
01:10:39Please, Mateo
01:10:43Let him in
01:10:44No
01:10:51Leave him alone
01:10:53Leave him alone
01:10:53Leave him alone
01:10:53Leave him alone
01:10:58Leave him alone
01:11:01Leave him alone
01:11:02He means no harm
01:11:03He's just afraid
01:11:04Like you
01:11:06He won't give you away
01:11:11I promise you.
01:11:13I promise you.
01:11:20Mrs. Rogers, it's imperative that we know as much about your husband as you can tell us.
01:11:25It's imperative that we know what happened last night.
01:11:30Did he say anything that might help us locate him?
01:11:34I'm sorry, Inspector.
01:11:36I can't permit you to continue.
01:11:37You let us know as soon as her condition improves?
01:11:41Yes, but I cannot tell you when that will be.
01:11:54I'll come by and see her again before I leave.
01:11:58I'd get some rest if I were you, Mr. Rogers.
01:12:01I'm okay.
01:12:07Julia?
01:12:20Julia?
01:12:27Julia?
01:12:28is he dead no he's breathing easily but he's badly hurt
01:12:58you better get a doctor yes I was just waiting for you to change you know
01:13:13what will you do I don't know I'm tired of running but it's all I can do they can't kill me
01:13:28what is your name Joseph Langdon
01:13:45my name is Joseph Langdon you have a name and a face you speak you think and there is an awful pain
01:13:55inside you whatever else you might be you are still a man there is a clinic nearby I'll bring a doctor
01:14:09here stay out of sight when I come back with him what for I will help you find a place to hide for
01:14:18a while until you know what you must do it's no good somebody tried to help me once I destroyed her
01:14:27you cannot harm me you see I want nothing from you
01:14:32don't worry they won't see us we are too big to know this I have a good feeling
01:14:52I think I'll have a better day today than I have had in a long time
01:14:59don't worry
01:15:03wait
01:15:06no
01:15:11yeah
01:15:13I don't know
01:15:17but
01:15:21yeah
01:15:23no
01:15:25yeah
01:15:29describe this place to me quickly there's a hill to the right of us tall grass to the left
01:15:46the road turns left on the side of the hill
01:15:54walking to the grass now you can't come with me
01:15:58you will never find your way out of here I will be your eyes what I tell you now
01:16:04oh
01:16:07oh
01:16:09oh
01:16:11oh
01:16:13oh
01:16:15oh
01:16:17oh
01:16:21oh
01:16:23oh
01:16:25oh
01:16:27Fire! Fire!
01:16:32The sea is firing!
01:16:39Landon! There is no way out of there!
01:16:43Come out and give yourselves up!
01:16:53Come out or be burned out!
01:16:58It's no good.
01:17:04No. Only a few meters away. The galley. They can't reach us.
01:17:10Landon! This is your last chance!
01:17:22They're not going to get themselves up. If we wait any longer, we'll lose them.
01:17:27Let's go!
01:17:33Fire!
01:17:58Maiden.
01:18:01We're going back!
01:18:03No! We're going back!
01:18:04No, we're going back.
01:18:34Don't shoot, we're coming out.
01:18:46Don't shoot!
01:19:00No!
01:19:30No!
01:19:37No!
01:19:42No!
01:19:49No!
01:19:54No!
01:20:01No!
01:20:03No!
01:20:05No!
01:20:06No!
01:20:07No!
01:20:10No!
01:20:26Please, take me to him.
01:20:29Take me to him.
01:20:35No!
01:20:36No!
01:20:41Langdon.
01:20:49Langdon.
01:20:52Langdon.
01:21:04Free for me, Langdon.
01:21:11Free for me.
01:21:19Free for me.
01:21:41The End
01:22:11The End
01:22:41The End
01:23:11No one
01:23:12I alone am answerable for what I am
01:23:16I will not serve
01:23:18But I also am
01:23:22And will not be overcome
01:23:25The End
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