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00:00:26Quincey.
00:00:28She must have a transfusion of blood.
00:00:30Then I shall give it.
00:00:32I'd give the last drop of my blood for Lucy.
00:00:34I do not ask as much as that, but yes, let us prepare
00:00:36Cortoff's sleeve roller.
00:00:38Now, little lady,
00:00:40here is your mess.
00:00:42Si.
00:00:44I lift you so that you may swallow easy.
00:00:46Come now.
00:00:48Drink up like a good child.
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00:02:11¡Gracias por ver el video!
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00:06:01I think so.
00:06:01Good. And under here?
00:06:03No, no.
00:06:04I don't think we should say anything to Lucy's mother about what we've been doing.
00:06:08It'll only make her more anxious.
00:06:10I agree.
00:06:12To any questions, answer doctor's orders.
00:06:17So, tonight we can sleep in peace,
00:06:20and tomorrow young John and I will come to see if my spell has worked.
00:06:23Good night.
00:06:25Good night, Lucy.
00:06:26Don't leave me!
00:06:29My dear, it'll be all right.
00:06:31We must trust the doctor.
00:06:34Good night.
00:06:35Good night.
00:06:36Good night.
00:06:38Good night.
00:06:40Good night.
00:06:42Good night.
00:06:44Good night.
00:06:46Good night.
00:06:48Good night.
00:06:50Good night.
00:06:52Good night.
00:06:53Good night.
00:06:55Good night.
00:06:57Good night.
00:06:58Good night.
00:07:02Good night.
00:07:03Good night.
00:07:04No, no, no.
00:07:34No, no, no.
00:08:04No, no, no.
00:08:34Oh, no.
00:08:39Oh, no.
00:08:41Oh, no.
00:09:11Oh, no.
00:09:18Oh, no.
00:09:27Oh, no.
00:09:31Oh, no.
00:09:38Oh, no.
00:09:39Oh, no.
00:09:43Oh, no.
00:09:44Oh, no.
00:09:52Oh, no.
00:09:53The struggle is proving too much for her.
00:09:55Oh, no.
00:09:56Oh, no.
00:09:57Oh, no.
00:09:58Oh, no.
00:09:59Oh, no.
00:10:00Oh, no.
00:10:01Oh, no.
00:10:02Oh, no.
00:10:03Oh, no.
00:10:04Oh, no.
00:10:05Oh, no.
00:10:06Oh, no.
00:10:07Oh, no.
00:10:08Oh, no.
00:10:09Oh, no.
00:10:10Oh, no.
00:10:11Oh, no.
00:10:12Oh, no.
00:10:13Oh, no.
00:10:14Oh, no.
00:10:15Oh, no.
00:10:16Oh, no.
00:10:17Oh, no.
00:10:18Oh, no.
00:10:19Oh, no.
00:10:20Oh, my.
00:10:22Well, that's right, you and I can't hold the pallet.
00:10:24That's right.
00:10:25Oh, no, she won't.
00:10:26She's dying.
00:10:27It's gone February, Quincy.
00:10:29They're not back, Quincy.
00:10:30It is fine.
00:10:31Yes.
00:10:32Yeah.
00:10:33Yes, of course.
00:10:49Oh, Quincy, my love, I'm so glad you've come.
00:11:14No, no, no. Hold it by the hand. It will comfort her more.
00:11:21I've been to see the house again, sweetheart. It's gonna be all ready to move into right after our honeymoon.
00:11:31Oh, Quincy. Oh, Quincy, my love. I'm so glad you've come.
00:11:53Come. Kiss me.
00:11:58Now turn your life!
00:12:00No, Quincy!
00:12:02Oh, Professor. My true friend.
00:12:17Oh, Professor. My true friend. Guard him. Oh, and give him peace.
00:12:38I swear it, my dear young miss. Come, Quincy. Take it by the hand. And kiss her on the forehead. But only once.
00:12:53It is over. She's dead.
00:13:10Oh, God. Why? Why? Oh, Quincy.
00:13:17Come, come, Quincy. Look at her. Now look at her well.
00:13:23She doesn't look sick anymore. God is merciful.
00:13:28She's at peace. It is the end.
00:13:32Not so, alas. It is only the beginning.
00:13:39Isn't it wonderful to be home again, my dearest?
00:13:57There were months when I thought I would never see you or England again.
00:14:01Won't Mummy and Lucy be surprised when we tell them that we're married?
00:14:04Mm-hmm. We'll start to have something right away.
00:14:07Only mean it. Promise me one thing.
00:14:10What, my darling? Promise me.
00:14:13What? Promise me that you will never, as long as we live, cook me paprika chicken.
00:14:19Paprika? Nein, nein.
00:14:22No, my good man. What do I owe you?
00:14:43Oh, my God! Look! Look! Look!
00:15:00It's only the cab driving away.
00:15:02No, no. He took no money. It's him. It's...
00:15:06It's all right. Don't move anymore.
00:15:11But you don't understand. It was Count Dracula.
00:15:15Yes, darling. Let's go indoors.
00:15:21Oh, my God. I thought I had imagined it all.
00:15:34There was just no way of letting you know how ill she'd become.
00:15:38When was the funeral? The day before yesterday.
00:15:51Such terrible homecoming, my day, young people.
00:15:53You must believe we did everything we could.
00:15:57Doctor Sue and I have an assignation. We must take our leave.
00:16:16Oh, no.
00:16:19Oh, no.
00:16:20Oh, no.
00:16:21Oh, no.
00:17:23¿Qué estás haciendo?
00:17:38Como ves.
00:17:40Y luego?
00:17:42Vrá la cabeza.
00:17:44¿Qué? ¿Mutilates a body? ¿Por qué? ¿Por qué? ¡Es monstruoso!
00:17:51Friend John, I know you loved her, but there are certain things of which you have little knowledge.
00:17:55I do nothing without good cause.
00:18:03The body's not there.
00:18:05That is good logic as far as it goes.
00:18:09Come.
00:18:10Now, I will tell you what I believe, and then we must speak with Quincy.
00:18:32Body snatchers.
00:18:33With the key to the vault.
00:18:35No, no, no, no, no. Try again, young Seren.
00:18:37John. John, look.
00:18:40Good Lord.
00:18:50Hello. Hello.
00:18:52Well, now, what have we here?
00:18:55I've been in a blue-full lady.
00:18:59Blue-blue-full?
00:19:01Blue-full.
00:19:02Do you mean beautiful, perhaps?
00:19:05Do you?
00:19:06Yes.
00:19:07Don't you think it is time that you are at home?
00:19:10Yes.
00:19:11Good.
00:19:12What have you got there?
00:19:14Oh, for me?
00:19:15Oh, thank you.
00:19:17Good.
00:19:18Well, now.
00:19:20Up you come, and off we go.
00:19:23My, my.
00:19:24What a handsome young man you are.
00:19:27I'm still with a playful lady.
00:19:29Yes?
00:19:29Oh, my God.
00:19:38Oh, my God.
00:19:41Oh, no.
00:19:43Oh, no.
00:19:45Not so soon.
00:19:46First, I must ask you, are you willing to believe what John Seward and myself have told you?
00:19:55I'm sorry, Professor.
00:19:56I reckon I find it impossible.
00:19:57The wounds on the throat of that child, do they suggest nothing to you concerning the death of Miss Lucy?
00:20:02Are you saying that those small holes in the child's throat were made in the same way as Lucy's?
00:20:07Alas, no, I am not.
00:20:08Well, what in Pete's name are you saying?
00:20:10They were made by Miss Lucy.
00:20:14You're insane.
00:20:16She has already joined the ranks of the undead.
00:20:20The undead?
00:20:22The Nosferatu.
00:20:24The walking dead.
00:20:26Those who cannot die.
00:20:27Who are cursed with immortality.
00:20:29Who must go on age after age.
00:20:32Adding new victims.
00:20:33Multiplying the evils of the world.
00:20:37You see, Quincy?
00:20:38She became the prey of a vampire.
00:20:39She is now a vampire herself.
00:20:45And now, I must tell you the terrible thing I propose to do.
00:20:54Okay.
00:20:55No, no.
00:20:56Please, you can take this.
00:20:58Thank you, Professor.
00:20:58Thank you.
00:21:09Look.
00:21:28No.
00:21:38No, no.
00:21:38No, no.
00:21:38No, no.
00:21:39Can't be Lucy.
00:21:40No, no.
00:21:40No, no, no, no.
00:21:58Come to me, Quincy.
00:22:24Come, my love.
00:22:28Leave these others, and we can rest together for eternity.
00:22:38No!
00:22:40Answer me, friend, Quincy.
00:22:58Am I to proceed with my work?
00:23:00Come on!
00:23:07Come on!
00:23:08Come on!
00:23:10Come on!
00:23:12It is dawn.
00:23:30Come on!
00:23:31We can begin our work.
00:23:33John, the bags.
00:23:38John.
00:23:39John, please.
00:23:40Thank you.
00:23:41Great, Quincy.
00:23:51When this undead lady becomes truly dead, then her soul shall again be free, and she shall
00:23:59take her place among the angels.
00:24:00So, John.
00:24:01Thank you.
00:24:02It will be a blessed hand that shall strike the blows.
00:24:18No.
00:24:19No.
00:24:20Brave, young friend.
00:24:21A moment's courage, and it is done.
00:24:25So, place the point over the heart.
00:24:30So, take the stake in your left hand, take the hammer in your right hand, and when I begin
00:24:40read the prayer for the dead, strike in God's name, so that the undead shall pass away.
00:24:52It is done.
00:25:22Come on, Quincy.
00:25:23It's all over.
00:25:24It's all over.
00:25:25It's all over.
00:25:26All right, Jack.
00:25:29Good.
00:25:30Come, Quincy.
00:25:33Let me show you something.
00:25:37You see, no longer is she the devil's undead, but God's true dead, whose soul is with him.
00:25:50John, take Quincy back to the house.
00:25:51Give him a stiff brandy.
00:25:52Make him rest.
00:25:53I shall complete the exorcism, and we shall all meet tomorrow.
00:25:57Come, Quincy.
00:25:58Come, Quincy.
00:26:00Come, Quincy.
00:26:02Let her drink...
00:26:04Do you see.
00:26:10Okay.
00:26:11¿Qué pasa?
00:26:41So, there is no doubt in any of our minds that Mr. Jonathan's journal and Madame Mina's account of our summer days in which we prove that Count Dracula is a vampire and in this country.
00:26:51No doubt at all.
00:26:52Good. Your journey to Whippy. Was it rewarding?
00:26:55I think so. I spoke to the harbormaster and the local solicitor.
00:26:59Fifty boxes of earth were brought ashore from the wreck and delivered to Carfax.
00:27:04I don't grasp the significance of these boxes or the earth.
00:27:09Yes. It is only on earth that has once been consecrated, once been, uh...
00:27:13Hallowed?
00:27:14Exactly. Thank you.
00:27:15Earth that has once been hallowed that the vampire can first seek sanctuary.
00:27:20And where has this earth come from?
00:27:21From the graves of Castle Dracula, from the Count's ancestors, from his children, his children's children, all hallowed grounds in the eyes of God.
00:27:31And we must stamp out this terrible and mysterious enemy.
00:27:37Do we fight?
00:27:41What's the hell?
00:27:45I answer for Mina and myself.
00:27:47Help me in, Professor.
00:27:49I will do whatever I can, of course.
00:28:00Yes.
00:28:01Little fly, by summer's play, my thoughtless hand hath brushed away.
00:28:15Am not I a fly like thee?
00:28:19Art not thou a man like me?
00:28:22For I dance and drink and sing, till some blind hand shall brush my wing.
00:28:33Mr. Renfield?
00:28:35Mr. Renfield, I'd like to introduce you to Mrs. Harker.
00:28:39Good evening.
00:28:42How do you do?
00:28:43You're the doctor, you're the lady.
00:28:47I, myself, am an instance of a man who once held a strange belief.
00:28:53Indeed, Mr. Renfield.
00:28:54What was that?
00:28:57I used to fancy that by consuming a multitude of living things, I could prolong life indefinitely.
00:29:06Isn't that so, Doctor?
00:29:07That is so, Mr. Renfield.
00:29:10And you no longer hold that belief?
00:29:13Oh, I have some advice on the subject of Madam Mina.
00:29:33Jonathan.
00:29:37Her help has been all important, but now she must have no more to do with this terrible affair.
00:29:42The risk is too great.
00:29:44She is too precious.
00:29:45And we men will act all the more free, knowing that she is not in danger.
00:29:49Very well.
00:29:50I'll take her back to Hampstead and then return here.
00:29:52I'll take her back to Hampstead.
00:29:59Thank you.
00:30:02¿Qué pasa?
00:30:32No, John. Producers, get it in keys. Operate on this rock.
00:30:54It appears the camp has a penchant for stacking these boxes with holy places.
00:30:59Now, Jonathan, you know the land of the house and grounds.
00:31:03Is there a chapel?
00:31:04Yes, there is.
00:31:06Good.
00:31:06They need us to.
00:31:07God.
00:31:15Humanus tors, Dominic.
00:31:29God in heaven.
00:31:30¡Stench!
00:31:50¡Sickening!
00:31:52¡Streme, yes!
00:31:54¡Síme, yes!
00:31:58¡Síme, no!
00:32:00¡Síme!
00:32:02¡Síme!
00:32:03¡Síme!
00:32:04¡Síme!
00:32:06¡Síme, no!
00:32:10¡Mávame!
00:32:12¡Élojito, que élojito!
00:32:14¡So, es!
00:32:15¡Mávame!
00:32:16Con este consecuero de la hosta, tengo permiso.
00:32:21Con los partidos de la hosta,
00:32:23voy a descargarlos y descargarlos,
00:32:26así que nunca más pueda que él pueda en ellos.
00:32:28Ven, Quincy, open la banca.
00:32:31¡Vamos!
00:32:46¡Gracias!
00:33:16¡Gracias!
00:33:46¡Gracias!
00:34:16¡Gracias!
00:34:46¡Gracias!
00:35:04You are so young.
00:35:06So lovely.
00:35:08So, after our visit last night to the Carfax House, at least we know that 29 boxes out of the 50 have been sanctified and rendered harmless.
00:35:22The Count can no longer find refuge there.
00:35:25But, where are the 21 boxes that have been removed?
00:35:30I'm sorry I'm late.
00:35:33Poor Mina's not feeling very well.
00:35:36I told her to stay in bed for a while.
00:35:38Now, John, Mina's very anxious to speak with your patient Renfield again.
00:35:42She thinks there might be some kind of a link between him and the Count.
00:35:45That he may talk to her openly.
00:35:48What do you think, Professor?
00:35:50I don't know.
00:35:52I don't know. It might work. It might help.
00:35:55Oh, thank you.
00:35:57She felt the evening might be the most rewarding time.
00:36:00Very well, I'll arrange it.
00:36:02Oh, good.
00:36:04Good afternoon, everybody.
00:36:06I've got in touch with Carter Patterson now.
00:36:08They tell me they picked up those 21 boxes from Carfax and delivered them to an address in Mayfair.
00:36:14And it's 21 H, has to feel close.
00:36:17Mayfair.
00:36:18Well done, young Quincy.
00:36:19Well done.
00:36:20That should be our next port of call.
00:36:22And now, how about a nice cup of cocoa?
00:36:27Thank you, Professor.
00:36:32Good evening, Mr. Renfield.
00:36:33I'll be nearby when you're ready to leave, Miss.
00:36:34If you take my meaning.
00:36:35Thank you.
00:36:36Good evening, Mr. Renfield.
00:36:37Who are you?
00:36:38I'm Mrs. Harker.
00:36:39We spoke yesterday.
00:36:40Where?
00:36:41In the garden.
00:36:42I was with Dr. Seward.
00:36:43I was very interested in what you were saying about her,
00:37:11I was very interested in what you were saying about eternal life.
00:37:15You look different today.
00:37:17Do I?
00:37:19Quite different.
00:37:23Tell me, then, more about your theories, flies and spiders and so on.
00:37:31The wings of a fly are typical of the aerial powers of the psychic faculties.
00:37:36Yes, I can see the analogy.
00:37:38The ancients did well to typify the soul as a butterfly.
00:37:43Are you interested in souls, Mr Renfield?
00:37:48Of course I'm not.
00:37:52Life is all I want.
00:37:55Doesn't each life possess a soul?
00:37:58What?
00:37:59Even a fly and the sparrow.
00:38:02Can one take a life without being responsible for the soul?
00:38:08Why don't you go on about souls?
00:38:11I don't want to know about souls.
00:38:13I had a terrible dream last night.
00:38:17You're trying to confuse me.
00:38:19Mr Renfield, will you help me?
00:38:20Why?
00:38:21I feel we understand each other.
00:38:29In this dream I had, dogs were barking on the heath.
00:38:35I thought I heard you shouting, protesting.
00:38:40I couldn't understand what you were saying.
00:38:42I dreamt that my life was being slowly drained away.
00:38:51And that when I had no more blood, my soul would never find peace.
00:39:00Your soul?
00:39:01Yes.
00:39:02What do you think, Mr Renfield?
00:39:10That in some way I, I could have been so sinful
00:39:14that I must spend my afterlife in purgatory?
00:39:18That in some way, I could have been so happy.
00:39:48I pray, God, I may never see your sweet face again.
00:39:54May he bless you and keep you.
00:39:58Thank you.
00:40:00Goodbye, Mr Renfield.
00:40:02Thank you, sir.
00:40:12Thank you, sir.
00:40:13Dr Seward.
00:40:14Dr Seward.
00:40:17You must let me go at once from here.
00:40:19Go, Mr Renfield.
00:40:20But why?
00:40:22Now.
00:40:23This very hour.
00:40:24Let them take me in a straight waistcoat.
00:40:28Manacles.
00:40:29Leg iron.
00:40:30Even to prison.
00:40:31Let me go.
00:40:33This is something Mrs Harkin said that's upset for.
00:40:39If I were free, I shouldn't hesitate a moment to tell you,
00:40:42but I'm not my own master.
00:40:43So let me go, let me go, let me go, let me go, let me go, let me go, let me go, let me go, let me go, let me go, let me go, let me go.
00:40:46I'm afraid we shall have to wait until the morning to discuss it.
00:40:56I'm not a limiter, you know, mad fit.
00:40:59I'm a sane man.
00:41:01Fighting for his freedom.
00:41:03Come, Mr Renfield.
00:41:04No more of this.
00:41:06Come.
00:41:07I want you to go to your room.
00:41:09Try to behave more discreetly.
00:41:13Dr Seward.
00:41:16I trust you will do me the honor to remember that when this night is out, I did what I could to convince you.
00:41:28Yes.
00:41:29Renfield.
00:41:29No.
00:41:33No.
00:41:34No.
00:41:35No.
00:41:47No.
00:41:49No.
00:41:50I could have been so sinful
00:42:11That I must spend my afterlife in purgatory
00:42:14Why did you refuse what I have sent you?
00:42:18I do not want you here
00:42:22Why?
00:42:26If thought is life and strength and breath
00:42:30And the want of thought is death
00:42:33Then am I a happy fly
00:42:38If I live or if I die
00:42:41You should be overjoyed
00:42:47By what I have sent you
00:42:49You have sent me nothing
00:42:50Look at me
00:42:51Look at me
00:42:53I have sent you
00:42:59A human being
00:43:00A living person
00:43:02She's initiated
00:43:04Take from her and give to her
00:43:08The two of you will live forever
00:43:11God give me strength
00:43:15He has previously shown the same growing excitement as for example when he asked for a kitten
00:43:34This excite
00:43:35I would not send her soul to purgatory
00:43:49Who?
00:43:50Whose?
00:43:52He has started
00:43:54Mrs. Hawker
00:43:57I've got me now
00:43:58Go to her
00:43:59Go to her
00:44:01Go to her
00:44:01Oh my god
00:44:05Take my soul to your buzzer
00:44:09Bowls get my carriage
00:44:17Quickly
00:44:17Let's get to Hamster
00:44:20Jonathan
00:44:44Jonathan
00:44:48Jonathan
00:44:52Jonathan
00:44:56Wake up
00:44:57Wake up
00:44:58Jonathan
00:44:59Your husband will not awake
00:45:02I need your blood
00:45:12I need
00:45:15I need
00:45:15I need
00:45:16It
00:45:17I need
00:45:18I need
00:45:19I need
00:45:21To
00:45:22To
00:45:23Your husband
00:45:24I need
00:45:25To
00:45:26Make
00:45:27To
00:45:28First
00:45:29The
00:45:41First
00:45:42No, no, no, no, no.
00:46:12No, no, no, no, no.
00:46:42No, no, no, no, no.
00:47:12Drink, drink, drink, live, live, drink, drink, drink.
00:47:30No, no, no, no, no, no, no, no, no.
00:47:46¿Qué es lo que pasa?
00:48:02Jonathan
00:48:02No
00:48:04I'm going
00:48:05What's happened?
00:48:08Professor, what are you doing in here?
00:48:10John
00:48:10The Count has been here
00:48:12Why didn't you wake me?
00:48:15I tried, I tried
00:48:17Mina, that blood
00:48:19Yes, yes
00:48:20Don't touch me
00:48:22I mustn't touch you
00:48:25I mustn't get you
00:48:27Madame Mina, Madame Mina
00:48:28Have no fear
00:48:29God will protect you
00:48:31And we shall now invoke yourself
00:48:34By touching your forehead
00:48:36With the Holy Eucharist
00:48:38In nomine patris
00:48:39A feely
00:48:40A spiritus
00:48:42Sancti
00:48:45Unclean
00:48:50Even the Almighty
00:48:53Shunsched me
00:48:55Professor
00:49:03Ah, thank you
00:49:18My books tell me that he was an extraordinary man
00:49:25Soldier
00:49:26Cunning statesman
00:49:29No branch of study was too difficult for him
00:49:32And the power of his brain
00:49:33Has survived his death
00:49:35In nomine patris
00:49:40In nomine patris
00:49:40In feeling
00:49:42In spiritus sancti
00:49:45Amen
00:49:48But he shall not escape
00:49:52We shall corner him
00:49:54And we shall drive the stake
00:49:57Through his heart
00:49:58I pray God that I may do the deed
00:50:01God will act in his own way
00:50:03And in his own time
00:50:05Loving
00:50:23To be justified
00:50:25To be seen
00:50:26manchmal
00:50:57A symbol of trouble and trial by which our Christian faith is tested.
00:51:02You seek to destroy me.
00:51:04Why?
00:51:05Because of what you are and what you've done.
00:51:07We must survive, all of us.
00:51:10The blood of a human for me, a cooked bird for you.
00:51:14Where is the difference?
00:51:15The difference between good and evil.
00:51:19I am bound to this earth. I make it my domain.
00:51:23You will die in a miserable, allotted span.
00:51:27I have centuries before me.
00:51:30Why in God's name did you ever leave your castle?
00:51:34We must recruit disciples, just as your leader has done.
00:51:38You shall not capture any more souls.
00:51:41Souls?
00:51:43There is no blood to drink from souls, if there be such things.
00:51:47We are pledged to rid the world of you.
00:51:51It will not be easy.
00:51:52I do not die like the bee when I sting once.
00:52:00I become stronger.
00:52:03Vampires are nourishment to one another.
00:52:07Beautiful, fundamental nourishment.
00:52:10And your wife, Mr. Harker, is mine.
00:52:17All righty.
00:52:17All righty.
00:52:18You think you will leave me with no place to rest?
00:52:45I know that you must fight.
00:53:02But it must not be a fight of hate.
00:53:05That poor soul who has brought about all this misery is the saddest one of all.
00:53:09Mina, how can you say such things?
00:53:11If I could send his soul to burning hell forever, I would do it.
00:53:15Hush, Jonathan.
00:53:18You must be pitiful to him.
00:53:20Just as someday you may have to be pitiful to me.
00:53:26Also,
00:53:27I believe the Count
00:53:30can somehow force me
00:53:32to tell him what I know
00:53:34and be in league against you.
00:53:35I don't believe that.
00:53:37No.
00:53:39Do you think that I don't look at myself in the mirror?
00:53:42Oh, dearest, don't.
00:53:43Yes, yes.
00:53:44We must face facts, however unpleasant.
00:53:47Tell me, how many boxes did you find at Bouncy?
00:53:50Eight.
00:53:50And at the mile end?
00:53:51Four.
00:53:52And sanctified them all?
00:53:53Yes.
00:53:54One box left.
00:53:55Madam Mina,
00:53:57you are the wisest of us all.
00:53:59So tell us,
00:54:01where do you think the last box is?
00:54:04There's only one place he'd feel really safe.
00:54:25There's only one place he'd feel really safe.
00:54:26There's only one place he'd feel really safe.
00:54:27There's only one place he'd feel really safe.
00:54:28There's only one place he'd feel really safe.
00:54:29There's only one place he'd feel really safe.
00:54:30There's only one place he'd feel really safe.
00:54:31There's only one place he'd feel really safe.
00:54:32There's only one place he'd feel really safe.
00:54:33There's only one place he'd feel really safe.
00:54:34There's only one place he'd feel really safe.
00:54:35There's only one place he'd feel really safe.
00:54:36There's only one place he'd feel really safe.
00:54:37There's only one place he'd feel really safe.
00:54:38There's only one place he'd feel really safe.
00:54:39There's only one place he'd feel really safe.
00:54:40There's only one place he'd feel really safe.
00:54:41There's only one place he'd feel really safe.
00:54:42¡Suscríbete al canal!
00:55:12¡Suscríbete al canal!
00:55:42¡Suscríbete al canal!
00:56:12¡Suscríbete al canal!
00:56:14¡Suscríbete al canal!
00:56:16¡Suscríbete al canal!
00:56:18¡Suscríbete al canal!
00:56:20¡Suscríbete al canal!
00:56:22¡Suscríbete al canal!
00:56:24¡Suscríbete al canal!
00:56:26¡Suscríbete al canal!
00:56:28¡Suscríbete al canal!
00:56:30¡Suscríbete al canal!
00:56:32¡Suscríbete al canal!
00:56:34¡Gracias!
00:57:04¡Gracias!
00:57:34¡Gracias!
00:58:04¡Gracias!
00:58:30¡Gracias!
00:58:32¡Gracias!
00:58:34¡Gracias!
00:58:36¡Gracias!
00:58:38¡Gracias!
00:58:40¡Gracias!
00:58:42¡Gracias!
00:58:44¡Gracias!
00:58:46¡Gracias!
00:58:48¡Gracias!
00:58:50¡Gracias!
00:58:52¡Gracias!
00:58:54¡Gracias!
00:58:56¡Gracias!
00:58:58¡Gracias!
00:59:00¡Gracias!
00:59:02We're coming home. We're coming home.
00:59:09We cannot.
00:59:11We cannot.
00:59:27Yes.
00:59:29You are safe here.
00:59:30It is for you, I fear.
00:59:34For me.
00:59:38None safer from them than me.
00:59:43I, too, am their sister.
00:59:49Come. Come with us.
00:59:52Sweet sister, come.
00:59:54Come with us.
00:59:55Come.
00:59:55Come, sweet sister.
01:00:02Come, sweet sister.
01:00:03Come.
01:00:05Come with us.
01:00:06Sweet sister, come.
01:00:08Come with us.
01:00:11Come, sweet sister.
01:00:16Come.
01:00:17Come.
01:00:18Come.
01:00:19Come with us.
01:00:49Come with us.
01:01:19Come with us.
01:01:49Come with us.
01:02:19Come with us.
01:02:20Come with us.
01:02:21Come with us.
01:02:22Come with us.
01:02:23Come with us.
01:02:24Come with us.
01:02:25Come with us.
01:02:26Come with us.
01:02:27Come with us.
01:02:28Come with us.
01:02:29Come with us.
01:02:30Come with us.
01:02:31Come with us.
01:02:32Come with us.
01:02:33Come with us.
01:02:34Come with us.
01:02:35Come with us.
01:02:36Come with us.
01:02:37Come with us.
01:02:38Come with us.
01:02:39Come with us.
01:02:40Come with us.
01:02:41Come with us.
01:02:42Come with us.
01:02:43Come with us.
01:02:44Come with us.
01:02:45Come with us.
01:02:46Come with us.
01:02:47Come with us.
01:02:48Come with us.
01:02:49Come with us.
01:02:50Come with us.
01:02:51Come with us.
01:02:52Come with us.
01:02:53Come with us.
01:02:54Come with us.
01:02:55Come with us.
01:02:56Come with us.
01:02:57Come with us.
01:03:02¡Gracias!
01:03:32¡Gracias!
01:04:02¡Gracias!
01:04:32¡Gracias!
01:05:02¡Gracias!
01:05:32¡Gracias!
01:05:34¡Ah!
01:05:35¡Ah!
01:05:36¡Ah!
01:05:37¡Ah!
01:05:55Jonathan, I think we should try out the screen.
01:05:58The hour has come, Madame Nina.
01:06:26Are you afraid?
01:06:28No, of course not.
01:06:30I'm in your hands.
01:06:32We are both of us in God's hands.
01:06:36I'm in your hands.
01:06:38We are both of us in God's hands.
01:06:42We are both of us in God's hands.
01:06:48We are both of us in God's hands.
01:06:52We are both in God's hands.
01:06:58¡Ah!
01:07:28¡Ah!
01:07:51¡Ah!
01:07:54¡Ah!
01:07:56¡Gracias!
01:08:11¡Gracias!
01:08:13¡Gracias!
01:08:25¡Oh, Madame Mina, ¡bué dan!
01:08:43¡Gracias!
01:08:45¡Gracias!
01:08:47¡Gracias!
01:08:49¡Gracias!
01:08:52¡Gracias!
01:08:59Un minuto, ¡quickly! ¡Quickly! ¡Cutado!
01:09:13¡Gracias!
01:09:43¡Gracias!
01:10:13¡Gracias!
01:10:15¡Gracias!
01:10:22¡Princy!
01:10:25Pincy!
01:10:27¡Princy!
01:10:29¿Qué se estáル haciendo?
01:10:35Princy, ¿quédó?
01:10:36Tenés unidos...
01:10:38¡Princy!
01:10:39¡Préjecate!
01:10:41¡Oh! ¡Oh! ¡Oh, boys! ¡Oh! ¡Quickly! ¡Quickly, John! ¡The box!
01:11:07¡Quickly, quickly! ¡The sun has but one more flicker, and it will be gone!
01:11:11¡Suscríbete al canal!
01:11:41¡Suscríbete al canal!
01:12:11¡Gracias!
01:12:13Jonathan, espera.
01:12:43Dust to dust, ashes to ashes.
01:12:59Look, there's no more mark.
01:13:04Jonathan, is it really true?
01:13:09It is true.
01:13:13You have nothing more to fear.
01:13:25Thank you, God, for protecting us
01:13:27and for all your mercies
01:13:29and for choosing us to be your instruments for good.
01:13:35Amen.
01:13:37Amen.
01:13:43Amen.
01:13:44Amen.
01:13:45Amen.
01:13:46Amen.
01:13:47Amen.
01:13:48Amen.
01:13:49Amen.
01:13:50Amen.
01:13:51Amen.
01:13:52Amen.
01:13:53Amen.
01:13:54Amen.
01:13:55Amen.
01:13:56Amen.
01:13:57Amen.
01:13:58Amen.
01:13:59Amen.
01:14:00Amen.
01:14:01Amen.
01:14:02Amen.
01:14:03Amen.
01:14:04Amen.
01:14:05Amen.
01:14:06Amen.
01:14:07Amen.
01:14:08Amen.
01:14:09Amen.
01:14:10Amen.
01:14:11Amen.
01:14:12Gracias por ver el video
01:14:42Gracias por ver el video
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