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Click here to watch all the full episodes of Yeh Moh Moh Ke Dhaage -
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Yeh Moh Moh Ke Dhaage is a likeable love story of a very unlikely couple. Raidhan Raj Katara aka Mukhi is a 42 years old villager who promises his sister Mishri that he would get married despite his unsettling feelings. Mishri brings Mukhi to Ahmedabad to find a suitable girl for him. Mukhi bumps into a 21 years old girl, Aru in an ashram.
Set in the backdrop of vibrant Gujarat, Yeh Moh Moh Ke Dhaaghe is an unusual love story between two very different people, Mukhi and Aru. Mukhi is a highly evolved son-of-soil 42 years old man who is respected, mature and at peace with himself. Aru is 22 year old today's girl from Ahmedabad. She wants to be as rich as Ambanis. She is Ambitious, responsible, result oriented, multi tasker and impatient. Both of them come from very diverse backgrounds. Both are poles apart. Both belong to different generations. Both have different ways of looking at things. The show will chronicle their journey as destiny brings them together in the most unusual circumstances.
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Click here to watch all the full episodes of Yeh Moh Moh Ke Dhaage -
https://www.youtube.com/playlist?list=PLzufeTFnhupx5SwiIbtFtSzQf6_4LY_nm
Yeh Moh Moh Ke Dhaage is a likeable love story of a very unlikely couple. Raidhan Raj Katara aka Mukhi is a 42 years old villager who promises his sister Mishri that he would get married despite his unsettling feelings. Mishri brings Mukhi to Ahmedabad to find a suitable girl for him. Mukhi bumps into a 21 years old girl, Aru in an ashram.
Set in the backdrop of vibrant Gujarat, Yeh Moh Moh Ke Dhaaghe is an unusual love story between two very different people, Mukhi and Aru. Mukhi is a highly evolved son-of-soil 42 years old man who is respected, mature and at peace with himself. Aru is 22 year old today's girl from Ahmedabad. She wants to be as rich as Ambanis. She is Ambitious, responsible, result oriented, multi tasker and impatient. Both of them come from very diverse backgrounds. Both are poles apart. Both belong to different generations. Both have different ways of looking at things. The show will chronicle their journey as destiny brings them together in the most unusual circumstances.
Dear Subscriber, If you are trying to view this video from a location outside India, do note this video will be made available in your territory 48 hours after its upload time.
More Useful Links :
* Visit us at : http://www.sonyliv.com
* Like us on Facebook : http://www.facebook.com/SonyLIV
* Follow us on Twitter : http://www.twitter.com/SonyLIV
Also get Sony LIV app on your mobile
* Google Play - https://play.google.com/store/apps/details?id=com.msmpl.livsportsphone
* ITunes - https://itunes.apple.com/us/app/liv-sports/id879341352?ls=1&mt=8
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TVTranscript
00:00Moha Moha Ke Rage
00:08Hmm!
00:09Maharaj bhai!
00:10The answer is your question in Hamdawaad, right?
00:13Come on!
00:15Come on!
00:16No, you come on, I'll take it.
00:17Hey, come on!
00:18Hilda!
00:19Take it easy, come on.
00:20Where?
00:21I'm calm for 8 hours.
00:22I'm calm for 16 hours.
00:24When it's up and up and up,
00:27it's okay.
00:28I'm calm for you.
00:30As long as I'm calm,
00:32I'm calm for you.
00:33And I'm calm for you.
00:34I'm calm for you.
00:35I'm calm for you.
00:36I'm calm for you.
00:37And at this time,
00:39you won't get chocolate.
00:41Rami Benza,
00:44I'm going to be a mess.
00:46My lord,
00:48you played such a nice meal.
00:51Now I'll have to eat a little bit.
00:54Of course, of course.
00:56You'll go?
00:57You won't go?
00:58Why won't you go?
00:59You won't go.
01:00Come on.
01:01You won't go.
01:02Come on.
01:03Thank you, boy.
01:06You won't go.
01:07You won't go.
01:08You won't go.
01:09You won't go.
01:10You won't go.
01:11You won't go.
01:12You won't go.
01:13You won't go.
01:14You won't go.
01:15You won't go.
01:16You won't go.
01:17You won't go.
01:18You won't go.
01:19You won't go.
01:20You won't go.
01:21You won't go.
01:22You won't go.
01:23You won't go.
01:24You won't go.
01:25You won't go.
01:26You won't go.
01:27You won't go.
01:28You won't go.
01:29You won't go.
01:30You won't go.
01:31You won't go.
01:32You won't.
01:33It's my son.
01:34But...
01:35I should.
01:36Look at all.
01:37You won't go.
01:38You won't go.
01:39You won't.
01:40No.
01:41I don't know.
01:43I don't think I'm...
01:45You won't go.
01:57Mahara!
01:58Your husband,
02:00You can't do a gas cylinder.
02:02You don't need to eat food.
02:08Rukhi ji, the food is empty.
02:11I'm waiting for your food.
02:13Be careful, be careful.
02:15Be careful.
02:16It's sweet.
02:17Ha ha ha ha ha ha ha ha ha ha!
02:24Mere zindaki me asli mithas to dub aay gi bhaila?
02:27Jab teyere liye e aachchi se leadeke mullegi?
02:30Pata nahin kab haoga aya sa?
02:32Kitne dhin tak raayenge ghe ghar se do?
02:41Bahraj,
02:42Is kir me kitni bhi sakar dalviye ameet hi ne hodi.
02:47Your face is so proud of me.
02:50Hey!
02:51Dingly!
02:53Go!
02:54Or this will go away.
02:59If you had a good food,
03:01then you would say that I would make a good food.
03:05Lord!
03:06It's a good mood to make food.
03:10The hot water.
03:12The hot water on the stove.
03:15It's the same, the same, the same, the same, the same, the same, the same, the same, the same, the same, the same, the same, the same, the same, the same.
03:31What do you think of your life?
03:32It's a true story, Mukhiji.
03:35If you look at this woman, you see her face in a face, she'll get a little bit.
03:39My mother's mother is the land and the quality of it.
03:43But don't tell me, we will meet the right girl when we will meet the right girl.
04:04Billy, your food!
04:10What a big food!
04:12No.
04:12Let's eat.
04:13Let's eat.
04:14When you have a taste, you should eat sweet.
04:18You should eat.
04:19Let's eat.
04:27Let's eat.
04:28Let's eat.
04:29Let's eat.
04:40Fuck.
04:41I'm not a vampire.
04:43I'm not a vampire anymore.
04:45Hey, hey, hey, hey!
04:46Don't worry about it.
04:47I'm a vampire.
04:49Who is a vampire?
04:52It's no predator.
04:56No, it doesn't work properly.
04:58It's just killing 100 jobs in your head.
05:02I sleep in the night, ding-a-ling.
05:04I'm scared.
05:06No one will die.
05:16We've reached.
05:26We'll be here.
05:30Here.
05:32Why are you saying this?
05:34It will be a little bit.
05:36Here.
05:38This is a good place.
05:40Here.
05:42Now, whatever time you say,
05:44here.
05:46Your father is here.
05:48Hurry up.
05:50The other side is standing.
05:52Papa, come on.
05:54Let's go.
05:56It's a very good place.
05:58I've come to the village first.
06:00I've come here.
06:02Papa, come here.
06:04Mama, come here.
06:06Let's go.
06:14Come here.
06:16Let's go.
06:18If he knows that he's going to stop the problem of his house,
06:22then the whole impression will get worse.
06:24Come here.
06:26Hey, brother.
06:28Where is the manager?
06:30Yes.
06:31Yes.
06:32Hey.
06:33Hey, the perfect man.
06:35The whole thing came out.
06:36Come here.
06:37Come slowly.
06:38Come slowly.
06:39Hey, Munim.
06:40What are you saying?
06:41You have used the village to go to the village.
06:42What are you doing?
06:43What are you saying?
06:44What is the village to go to the village?
06:45What are you doing?
06:46The village to go to the village.
06:47What are you doing?
06:48No, the village to go.
06:49I don't know.
06:50I'm sure you've gone.
06:52I'm going to see.
06:53Look.
06:54Look.
06:55Oh, man.
06:56Let's go to the village.
06:58Yes, Muni.
06:59Will you eat the village in the village?
07:01What?
07:04Oh, what do you think?
07:06Oh, brother.
07:07There's someone on the counter.
07:09Oh, wait.
07:10Come here.
07:11Come here.
07:12Come here.
07:13Come here.
07:14Why is this light gone?
07:16Oh, man.
07:17Go.
07:18Go.
07:19Help them.
07:20I'll leave you.
07:21I'll leave you.
07:22I'll leave you.
07:23I'll leave you.
07:24I'll leave you.
07:25I'll leave you.
07:26Come here.
07:27What are you doing?
07:28Yes.
07:29Oh, man.
07:30Huh?
07:31I'll leave the village for the village.
07:33I'll leave you.
07:34Chattori?
07:35Oh, forgive me.
07:37There's a fuse.
07:38And there's no electrician.
07:40I can't even get a fuse.
07:41I can't even make a fuse.
07:44I can't even make a fuse.
07:45I can't even make a fuse.
07:46Oh, don't worry.
07:47Don't worry.
07:48You're my daughter.
07:49It's good to make a fuse.
07:50Oh, it's good.
07:51Yeah.
07:52Papa, I'll make a fuse.
07:53I'll make a fuse.
07:54I won't do it.
07:55Madam, please, see.
07:56Everyone will be very frustrated in their rooms.
07:59If there are all rooms,
08:01I mean, you'll have to be in their rooms.
08:03Where are you from?
08:04Where is the meter room?
08:05Yes.
08:06To the second right.
08:08Go.
08:09The next step.
08:23Satsang with Mooji
08:53Yes, Mr. Mureem Ji, you've come here, isn't it?
08:58Thank you, Mukhi Ji.
09:00Thank you, Mr.
09:01Thank you, Mr.
09:08I knew that every person looks like this.
09:11Well, I've seen him in this room.
09:23What are you doing?
09:32What are you doing?
09:33What are you doing?
09:34Like you're shooting someone.
09:38Why are you doing this?
09:39What?
09:40Like you're shooting someone.
09:41Why would I shoot someone?
09:42I'm shooting someone.
09:43Where did you go?
09:44It was on the right side.
09:45I'm coming to the right side.
09:46I'm coming to the right side.
09:47Oh, okay.
09:48Do you need a camera?
09:49Yes.
09:50Where did you go?
09:51Where did you go?
09:52Where did you go?
09:53Where did you go?
09:54Where did you go?
09:55Where did you go?
09:56It was on the right side.
09:57I'm coming to the right side.
09:58Oh, okay.
09:59Do you need a camera?
10:00Three people can live so big.
10:01Yes.
10:02These people.
10:03Room number 105.
10:04800 rupiah.
10:05800 rupiah.
10:06800 rupiah?
10:07One night.
10:08No one night.
10:09No one night.
10:10Yes.
10:11Yes.
10:12Yes.
10:13These people.
10:15Room number 105.
10:16Yes.
10:17800 rupiah.
10:18800 rupiah?
10:19No one night.
10:20No one night.
10:21Okay, Papa.
10:22Where do you go?
10:23Where do you go?
10:24Go to the left side.
10:25Okay.
10:26Here.
10:27Listen.
10:28I need the last camera to the right side.
10:29I need a little peace to my mom.
10:30Yes.
10:31The last one.
10:32All right.
10:33Let's go, Papa.
10:34Come on.
10:35Hey, brother.
10:36This is a little bit less.
10:37It's reasonable.
10:38Hey, Papa.
10:39Go ahead.
10:40Before that.
10:44What?
10:45Before that?
10:49Before that.
10:50Before that.
10:51What?
10:52Before that.
10:53Before that.
10:54Let's go.
10:55Let's go.
10:56From the street.
10:57Left and right.
11:00Come on.
11:01Come on.
11:04Hey.
11:05Come on.
11:06Come on.
11:07I've just arrived.
11:08Hey, Papa.
11:09Hurry up.
11:10Yes.
11:11Hurry up.
11:12Hurry up.
11:13Hurry up.
11:14Come on.
11:15Come on.
11:16Come on.
11:17Come on.
11:18What's happening
11:20now?
11:21Where are you?
11:22No.
11:23No.
11:24No.
11:25No.
11:26No.
11:27800.
11:28One night.
11:30I was waiting here last time.
11:32I was waiting for 100.
11:34The house was just a hundred.
11:35You grow up.
11:36Don't start.
11:37Don't start.
11:38But the house is big enough.
11:40If we're having to stay here for three, four days.
11:42If you want to buy tomatoes, you will have 4-5,000 dollars.
11:45And I'm going to ask you, where did you come from?
11:47Brother, you have to buy tomatoes, which you are doing.
11:50Fixed rate is 6.
11:51If you want to live, then stop.
11:53No, you don't have to leave it in the morning.
11:54Okay?
11:55No, no, no.
11:58Look, I had come to do this.
12:01Don't tell this to my daughter.
12:03If you have a daughter,
12:06you can understand my story.
12:08Every daughter is a superstar.
12:11If I have a daughter,
12:14I've come to talk about money here,
12:16it will be bad.
12:18Okay.
12:20I'm going to help you.
12:23But I'm going to help you.
12:25I'm going to help you.
12:33You will get some meat for food.
12:36They say,
12:37When you have a heart, you don't need to eat some meat.
12:44The house is closed.
12:46I will not get anything.
12:48You will run.
12:49You will run.
12:50You are the only food.
12:55Our new guest.
12:58I am the only food.
12:59Yes.
13:00No food.
13:01No food.
13:04Yes.
13:05Yes.
13:06Okay.
13:07I would make my hands now.
13:08No.
13:09I would make my hands.
13:10I could tell you how they are.
13:11Oh, gross.
13:17Totally.
13:18And when you are,
13:19you must eat meat.
13:21Yes.
13:22No.
13:23No.
13:24Yes.
13:25Yes.
13:26Yes, Krishna.
13:34Arudi, did you say the doctor said that you have to do 10,000 in a day?
13:39In the room, there is also a hell of a fire.
13:41Let's do it.
13:43Hey, mommy, what's your name?
13:45What's your name?
13:46We'll come here.
13:47What's your name?
13:48Come on.
13:49Come on, papa.
13:51Papa!
13:52Ashoj.
13:53Desert.
13:56Sweet dish?
13:57Huh?
13:58There was a good man.
13:59He gave it.
14:02Come on.
14:03I've also missed.
14:04I forgot to ask him for the name of the man.
14:07It's good.
14:08I mean, it's good to eat food in the room.
14:12We don't need to stay here for two days.
14:15The people living here are very sad.
14:18You'll be angry with the wrong people.
14:21I was a good man.
14:24I'm surprised by thinking that in today's times,
14:27there's such a good man in the world.
14:29I thought it was a good man in the world.
14:34You are dead.
14:35The people living here are very happy.
14:40It's okay.
14:41I got tired.
14:42I got tired.
14:43I've got tired, haven't I got tired.
14:44I've got tired.
14:45I've got tired.
14:46We're not long enough.
14:48We're not.
14:49I need a period of time.
14:51I'm sorry.
14:52I've got tired.
14:53Don't take water in the place.
15:00Don't go away from it.
15:23Now, we have to go to Sankei's house in front of Sankei's house.
15:27We'll have to see that.
15:35Oh, man!
15:36Man!
15:37Man!
15:38Man!
15:39Man!
15:40Man!
15:53Go!
15:55Hello!
16:23Hey, what's wrong?
16:26Hey, what's wrong?
16:27Hey!
16:28Hey!
16:42What's wrong?
16:43What?
16:44Wait.
16:45Let me see something.
16:48Let me see.
16:49What's wrong with the child?
16:50The child needs to be?
16:51What's wrong with the child?
16:52Hey, hey, hey.
16:53The child needs to be your child.
16:54You won't be able to do this night.
16:55You won't be able to do this night.
16:57Huh?
16:58Hey!
16:59What are these questions?
17:00The machine gun is firing me.
17:01I got to meet you.
17:04So, at night?
17:05When it's necessary,
17:06you won't be able to see the child's house.
17:08And if you got to meet the child,
17:10you'll be able to do this night.
17:11This is the child.
17:21Hey, what are you moving on?
17:22The child's hands?
17:23What are you going to put in the man's house?
17:25We'll be able to ask the child.
17:26Do you want to ask yourself?
17:27I'm going to ask you.
17:28No.
17:29What are you going to ask?
17:30I will tell you what's wrong with your questions?
17:40Oh!
17:41Oh my God.
17:45Oh, I feel very sad.
17:48So, I'm a little drunk.
17:50Why did you run?
17:52Oh, that is a dog.
17:54I was the dog called the dog.
17:56I started to run the dog.
17:58I don't know that I am the dog about the dog.
18:04What was the job necessary?
18:06A girl?
18:11I want to see a girl.
18:14Just tell you.
18:15She was able to do the phone, right?
18:20The phone is dead, right?
18:22Hey!
18:24She's dead.
18:25She's charged now.
18:27I'm over here.
18:28I think I'll tell you personally.
18:30I'm ready tomorrow, right?
18:32Bye.
18:33Hello?
18:34Ghatam, I can call you later.
18:36Don't you?
18:54Ashuj!
18:56Why is the water in your hand?
18:58The water in your hand.
19:01The water in your hand.
19:06So, it's for drinking water, right?
19:08How do you ask questions?
19:10The water in your hand.
19:11I bought the water in your hand.
19:16Why did you buy the water in your hand?
19:17What is the water in your hand?
19:19What is the water in your hand?
19:21What is the water in your hand?
19:23I'm gonna use the water in your hand,
19:24I'll wash.
19:25When I was in a pan,
19:26I'll pour it.
19:28I'll leave it like the water.
19:29Okay, I'm afraid it's not good.
19:30It's good about a show.
19:32I'm dying.
19:34I'm dying.
19:35I'm dying.
19:36I'm dying.
19:37I'm dying.
19:38I'm dying.
19:39I'm dying.
19:40I'm dying.
19:41I'm dying.
19:42And I'm dying.
19:43I'm dying.
19:44Let's take a look at the dog!
19:51Let's take a look at the dog!
19:54Let's take a look at the dog!
19:59Shikrashna.
20:07Shikrashna.
20:29I am not sure how to live in the city.
20:34Where is the saddest?
20:36Where is the saddest?
20:38Where is the saddest?
20:41Where is the saddest?
20:44Where is the saddest?
20:47Where is the saddest?
20:50I can say the truth.
20:52But I still have to say that.
20:55Why should you know the saddest?
20:57My house has so many problems
20:59that we have to leave the house in the house.
21:02It will happen to me.
21:05But I am a client.
21:07I have to keep my own image.
21:11But I will keep this two days
21:14and I will keep my mom and dad.
21:27I will keep my mom and dad.
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