- 2 days ago
Category
🎥
Short filmTranscript
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00:40:44What do you think?
00:40:45Our sheriff is a guy.
00:40:47I'm not a guy.
00:40:49I'm not a guy.
00:40:50I'm not a guy.
00:40:51Who said that?
00:40:53You're very upset.
00:40:55I'm upset because of you.
00:40:57I'm going to eat and eat.
00:40:59Good night.
00:41:03What's the matter?
00:41:05My dad is very upset.
00:41:09Why are you complaining?
00:41:11I told you that I didn't want to go to hell.
00:41:13Let's go to hell.
00:41:21Hello.
00:41:22You said that you would have taken your car from the dairy.
00:41:26But there are some things.
00:41:27There are also some things.
00:41:33I say shut up.
00:41:36Now I didn't start to talk about it.
00:41:38And you are shut up.
00:41:40You are talking about it?
00:41:43Are you talking about it?
00:41:44Are you talking about it?
00:41:45You are talking about it?
00:41:47Why do you speak from it?
00:41:49I amur and Pujay's wedding in the next month.
00:41:56It means that we have only two weeks left.
00:42:01You can't wait for the next month.
00:42:04You can't wait for the wedding.
00:42:06You can't wait for the wedding.
00:42:08You can't wait for the wedding.
00:42:10But you can't wait for the wedding.
00:42:14You can't wait for the wedding.
00:42:17I amur and Pujay's wedding in the next month.
00:42:21So you can't wait for the wedding.
00:42:23You can't wait for the wedding.
00:42:25Okay?
00:42:26Yes.
00:42:27You can't wait for the wedding.
00:42:30We can't wait for the wedding.
00:42:33And we can watch our wedding.
00:42:35We'll wait for the wedding.
00:42:37Okay? Bye.
00:42:39Bye.
00:42:41Pujay!
00:42:42Pujay!
00:42:43Pujay!
00:42:47Whata thought you did it?
00:42:48Pujay, there is a good way.
00:42:50Why?
00:42:51She is here.
00:42:52Annika, your wedding is here.
00:42:53You are going for the next month.
00:42:54I will be ready for the next month.
00:42:55And I will be ready for the wedding.
00:42:56Then my old son will be the thief.
00:42:59And I will bring you a bride.
00:43:01I will do nothing.
00:43:02Pujay!
00:43:03I will be ready for the wedding.
00:43:04Pujay!
00:43:05Pujay!
00:43:06Before I come, go and get ready.
00:43:08Where?
00:43:09Come on.
00:43:10Didi, she's going to go shopping with Amar.
00:43:15Shopping?
00:43:16Who is it?
00:43:20I understand. Carry on.
00:43:23But I'll go home soon.
00:43:25After that, I'm late.
00:43:27Did you not forget that?
00:43:29It's not a thing, Didi.
00:43:31I don't give any lady late night.
00:43:35Take care.
00:43:38Bye.
00:43:39Bye.
00:43:40Bye, Didi.
00:43:46Hi, sweetheart.
00:43:48You?
00:43:49How did you get out of here?
00:43:51Sweetheart, you get out of here.
00:43:53If you get out of here, you'll reach your house.
00:43:57You didn't want to talk to me on the phone.
00:44:00That's why I'll get out of here.
00:44:02Shut up.
00:44:04Shut up?
00:44:06Come on.
00:44:07Come on.
00:44:08Come on.
00:44:09Come on.
00:44:10Come on.
00:44:11Come on.
00:44:12Come on.
00:44:13Come on.
00:44:14Come on.
00:44:15Come on.
00:44:16Come on.
00:44:17Come on.
00:44:18Come on.
00:44:19Come on.
00:44:20Come on.
00:44:21Come on.
00:44:22Come on.
00:44:23Come on.
00:44:24Come on.
00:44:25Come on.
00:44:26Come on.
00:44:27Come on.
00:44:28Come on.
00:44:29Come on.
00:44:30Come on.
00:44:31Come on.
00:44:32Come on.
00:44:33Come on.
00:44:34Come on.
00:44:40Come on.
00:45:01See you next time.
00:45:02Pooja!
00:45:04Pooja!
00:45:06Where are you?
00:45:08When are you waiting?
00:45:10Pooja, leave me.
00:45:12I know.
00:45:14What do you know?
00:45:16This is my husband.
00:45:18Pooja, tell me.
00:45:20Rakesh?
00:45:22That's our college, Rakesh.
00:45:24That's Lucha Lafanga.
00:45:26How are you?
00:45:28I've seen my husband and Rakesh
00:45:30Pooja, tell me.
00:45:32I can't believe you.
00:45:34I didn't believe you.
00:45:36You're the only one girl.
00:45:38You're the only one girl.
00:45:40Pooja, tell me.
00:45:42I've seen the truth.
00:45:44I've seen it.
00:45:46I've seen it.
00:45:48I've seen it.
00:45:50I can't believe you.
00:45:52I have seen it.
00:45:54But I've seen it.
00:45:56I've seen it.
00:45:58I had known about the name of the Rakesh.
00:46:02But I had known about them.
00:46:05But I had told them about them.
00:46:07But I didn't know about them.
00:46:10You know, that hotel is a very good name.
00:46:13You want to say that?
00:46:15I want to say that,
00:46:17that you and Rakesh are not sure.
00:46:20I don't want to say that one thing.
00:46:23I love you, Pooja.
00:46:46I love you, Pooja.
00:46:48I say that one thing,
00:46:50I'm holding my head with my hands.
00:46:52I've said something.
00:46:54I'm not saying it to you.
00:46:55I didn't want to say it to you.
00:46:57But I was not saying it to you.
00:46:59I was just saying it to you.
00:47:01Okay.
00:47:04I'll ask you to go about it.
00:47:06I'll be right back to you.
00:47:09I'll go.
00:47:10I'm going to go.
00:47:15What have you given me?
00:47:25I want my heart.
00:47:29Who is this?
00:47:30Come on.
00:47:36You?
00:47:37Dolly doll, come on, come on.
00:47:39Hi, macho.
00:47:41You are already ready to be prepared.
00:47:43What is this?
00:47:44Let's go shopping.
00:47:47No, not shopping.
00:47:49You don't have to mind me.
00:47:52You understand me.
00:47:54We will go shopping.
00:47:56We will go shopping.
00:47:58We will go shopping.
00:48:01Love it, love it, love.
00:48:02No, first love.
00:48:06Oh, this is a girl.
00:48:08Shopping, dinner, cinema, go.
00:48:12I mean, you understand.
00:48:16Come on, let's go.
00:48:18This?
00:48:20This is who?
00:48:21You, you, you, you, you.
00:48:25You need a girl.
00:48:26What is this next time?
00:48:29You will never forget.
00:48:31You do not let me fight.
00:48:31That's why I was told that I was going to come back and forth.
00:48:38That's why I was getting away from you.
00:48:42What? I'm telling you.
00:48:44You got away from me.
00:48:46What's the problem?
00:48:48What's the problem?
00:48:50What's the problem?
00:48:52You?
00:48:54Yeah!
00:48:55Okay!
00:48:56So, here she is going to go.
00:48:58Oh, darling!
00:48:59What did she say?
00:49:00Shut up!
00:49:01You and me, I have to give this to you.
00:49:02Why did she say that?
00:49:03Shut up!
00:49:04You and me, I have to give this to you.
00:49:06Because I have to give this to you.
00:49:09Because I have to give this to you.
00:49:11And today, you have to give me a bluff?
00:49:15Darling, I have to give this to you.
00:49:17Shut up!
00:49:19Shut up!
00:49:20You have to give this to you.
00:49:25And now, what was the need for this?
00:49:28Now, you have to give this to you.
00:49:31What is this?
00:49:32You try to believe me.
00:49:33She is a sick woman.
00:49:36She has said what?
00:49:37Believe me.
00:49:38She is saying that she is running her clothes.
00:49:41And I have to say that I will succeed.
00:49:43I will cry and say that I have to give her to you.
00:49:46Now, tell me what I am going to do.
00:49:48Liar!
00:49:49There are photos of you on your left hand.
00:49:51And you will do a blackmail.
00:49:53Darling, I have no bluff with you.
00:49:55Look.
00:49:56I have to give this to you.
00:49:58I have to give this to you.
00:49:59You have to give this to me.
00:50:00I have to give this to you.
00:50:02You have to give this to me.
00:50:04Because I love you.
00:50:05And if you have to give this to me,
00:50:06if you have to give this to me,
00:50:10then you will not be good.
00:50:12You have to give this to me.
00:50:13I have to give this to you.
00:50:15You have to give this to me.
00:50:17How are you?
00:50:24Pooja, are you not sleeping?
00:50:30When your baby is late, your baby can't sleep.
00:50:36Where did you go?
00:50:38Mama, I was going to shopping.
00:50:40Are you ready for your wedding?
00:50:42Okay, so do shopping.
00:50:45Where are you?
00:50:47She has ordered me. I will get the delivery tomorrow.
00:50:51Okay.
00:50:52Where are you going to shopping center?
00:50:54And who are you going to?
00:50:56Pooja, why are you asking for the question of CID?
00:50:59This is not my question.
00:51:02Who are you going to?
00:51:03No, I am alone.
00:51:05But who are you going to be with someone?
00:51:08Who are you going to say?
00:51:10Who are you going to say?
00:51:12This is a joke.
00:51:13No, you are joking.
00:51:14I'm saying.
00:51:15Pooja, don't you talk to me.
00:51:17How do you know Rakesh?
00:51:19Who are you learning from Rakesh?
00:51:21Who is Rakesh?
00:51:22I'm Rakesh.
00:51:23I was with him watching the Rahkshi tour.
00:51:24And you asked who is Rakesh.
00:51:26You are wrong.
00:51:28But you're wrong.
00:51:29Yes.
00:51:30That's wrong.
00:51:31You are wrong.
00:51:32But it's true.
00:51:34Is Rakesh.
00:51:35I'm Rakesh from Rakesh.
00:51:36Why did you do that?
00:51:38I know it.
00:51:40My mother, I'm a kid.
00:51:42She's a man and a girl.
00:51:44She's a man and a girl.
00:51:46No one can't be in bed.
00:51:48And you can't.
00:51:50I understand that you were so cute.
00:51:54When I was with Amar,
00:51:56it's obvious that you're going to get me out.
00:52:00When are you listening to me?
00:52:02If you have reached your eyes, what will happen to you?
00:52:05Do you think?
00:52:06What will happen to you?
00:52:07What will happen to you?
00:52:12It's my fault.
00:52:13If you have said one thing to me,
00:52:16you didn't say anything to me.
00:52:18I didn't say anything to you.
00:52:20If you look at the face, you can see.
00:52:23If you don't think about it,
00:52:25you will never reach your eyes.
00:52:28But there is a request.
00:52:31Don't keep your eyes on the Rakesh.
00:52:34Don't keep your eyes on the Rakesh.
00:52:36You will never reach your eyes.
00:52:38We will all die.
00:52:40We will die.
00:52:41We will die.
00:52:47Kaminah,
00:52:49if you have to know your story,
00:52:52then you will die.
00:52:54I will die.
00:52:56I will request him to Rakesh.
00:53:00I will meet you.
00:53:02I will meet you.
00:53:16Hello, Pooja.
00:53:17Please, Pooja.
00:53:19Please, Pooja.
00:53:20Please, Pooja.
00:53:21I am very very sorry.
00:53:22Pooja,
00:53:23I have to not say anything about COVID-19.
00:53:26I don't know what to say.
00:53:28I don't know what to say.
00:53:30I don't know what to say.
00:53:32I don't know what to say.
00:53:34I don't know what to say.
00:53:36Pooja.
00:53:38Please forgive me.
00:53:40I'm very grateful for you.
00:53:42Why are you going to go on your own?
00:53:44What you've seen,
00:53:46what you've seen,
00:53:48it's true.
00:53:50What you've seen,
00:53:52it's not worth seeing.
00:53:54Pooja.
00:53:56I'm sorry.
00:53:58Pooja.
00:54:00Yes.
00:54:02Pooja.
00:54:04What are you saying, Pooja?
00:54:06I'm sorry.
00:54:08I'm sorry.
00:54:10Pooja.
00:54:12I'm sorry.
00:54:14Pooja.
00:54:16Yes.
00:54:18Pooja.
00:54:20What are you saying, Pooja?
00:54:22I'm sorry.
00:54:24I'm sorry.
00:54:26I'm sorry.
00:54:28I'm sorry.
00:54:30I'm sorry.
00:54:32I'm sorry.
00:54:34I'm sorry.
00:54:36I'm sorry.
00:54:38I'm sorry.
00:54:40I'm sorry.
00:54:42I'm sorry.
00:54:44I'm sorry.
00:54:46I'm sorry.
00:54:48I'm sorry.
00:54:50I'm sorry.
00:54:52I'm sorry.
00:54:54I'm sorry.
00:54:56I'm sorry.
00:54:58I'm sorry.
00:55:00I'm sorry.
00:55:02I'm sorry.
00:55:04I'm sorry.
00:55:06I'm sorry.
00:55:08I'm sorry.
00:55:10I'm sorry.
00:55:12I'm sorry.
00:55:14I'm sorry.
00:55:16You will find out.
00:55:18HelIC益
00:55:20Amin
00:55:22Yes.
00:55:24Yes.
00:55:28It's been a fine.
00:55:30On Youtube.
00:55:32I will be sure to keep you in the face.
00:55:36You have to put your hands on your face and put your hands on your face.
00:55:40I will not be able to keep you in the face.
00:55:52Hello.
00:55:53Hello.
00:55:54I have told you how many times you can't get here.
00:55:56It was necessary.
00:55:58Look, you've got to exploit me and done everything.
00:56:02I can give you nothing.
00:56:03You've got to buy your hands on your face.
00:56:05If you have to buy your hands on your face,
00:56:07you have to buy your hands on the face.
00:56:09I mean, your hands on your face.
00:56:12Then think about yourself.
00:56:15If you have to buy my hands on your face,
00:56:19you will not get it.
00:56:23Yes, you will not be able to get it.
00:56:25You will make it.
00:56:27Least is the right person in your face.
00:56:29When you see this character'smüş,
00:56:31you will have to show you himself.
00:56:33My name is about to get your hands on your face.
00:56:35Why don't you want me to embrace my life?
00:56:37If you have to try and push your eyes on your face,
00:56:40I will not eat your hands on your face.
00:56:42I will eat your hands.
00:56:45I will eat your hands on your face.
00:56:46No, I will not eat your hands.
00:56:48But you understand me my J scribble,
00:56:50Don't worry, don't worry about me, I need the instrument in any case.
00:56:54You don't have to give me a big body for giving me.
00:56:57You know, if you're going to get married,
00:56:59you'll have to go with me. Simple.
00:57:02How can you think I can do it?
00:57:05It's my mind, so I can think.
00:57:08Don't waste time.
00:57:11Get up,
00:57:12get up,
00:57:14and go back to my house.
00:57:18You know me, Hotel Roxy,
00:57:22room number 302.
00:57:25So, let me tell you,
00:57:28that I won't do this work,
00:57:29won't do it, won't do it, won't do it, won't do it.
00:57:37Namaste.
00:57:42I will not stop this damage.
00:57:45I will not stop this damage.
00:57:48Come in.
00:58:04What a surprise.
00:58:07Splendid surprise.
00:58:09Guys, the house is our God's day.
00:58:13We've never seen them.
00:58:15We've never seen them.
00:58:19It seems like you are waiting for someone.
00:58:22Smart girl.
00:58:24Ah, okay.
00:58:26All the apartments are cancelled.
00:58:28Why are you here?
00:58:32Taxi.
00:58:34I meant to say,
00:58:36you are here.
00:58:39When the house is gone,
00:58:41the fire brigade is called.
00:58:44Yes.
00:58:45But when the male body is gone,
00:58:48where do you go?
00:58:50It's a young man, right?
00:58:53Okay.
00:58:54It's your own fire brigade.
00:58:58Oh, he's so backward.
00:59:01He says,
00:59:03it's your first time.
00:59:05She's scared.
00:59:06It's a long time.
00:59:07It's not a long time for me.
00:59:08But,
00:59:09this is a long time for me.
00:59:10That's something.
00:59:11It's a long time for me.
00:59:12That's a long time for me.
00:59:13What are you doing here?
00:59:15I'm going to take a break.
00:59:17Okay.
00:59:19I'm going to finish this.
00:59:21Cheers!
00:59:29Honestly, I don't believe it.
00:59:31I don't believe it.
00:59:33I believe it will come, gentlemen.
00:59:35Okay.
00:59:37What's up?
00:59:43Let's go.
00:59:45Let's go.
00:59:47Let's go.
00:59:49Let's go.
00:59:51Let's go.
00:59:53Please.
00:59:55Okay.
00:59:57Let's go.
00:59:59Let's go.
01:00:01Let's go.
01:00:03Life is lovely.
01:00:13Let's go.
01:00:27Aha.
01:00:29Hai hai hai.
01:00:31Aha.
01:00:33Ah-ha!
01:01:03Where are you?
01:01:10Where are you?
01:01:13Where are you?
01:01:17Are you standing there?
01:01:20Come on!
01:01:23Come on!
01:01:26Come on!
01:01:29This is the truth that you and your wife are coming.
01:01:35When you came here, I thought that something happened.
01:01:38What I see and what I see and what I see, is that something happened.
01:01:43And I saw you as a drink.
01:01:47Understand?
01:01:49They gave me photographs and negatives.
01:01:52What will you do?
01:01:54Or I will kill you.
01:01:56Kill you.
01:01:58Bajaa!
01:01:59This is the truth that the shor doesn't go.
01:02:03If the shor doesn't go,
01:02:05then the shor doesn't go.
01:02:07If the shor doesn't go,
01:02:09you will hear the shor's voice.
01:02:11Now it will be the shor.
01:02:13Bajaa!
01:02:15What?
01:02:16No!
01:02:21No!
01:02:24No!
01:02:25No!
01:02:26No!
01:02:27No!
01:02:28No!
01:02:29No!
01:02:30No!
01:02:31Where will I go?
01:02:32No!
01:02:33No!
01:02:34No!
01:02:35No!
01:02:36I'm scared of my mind!
01:02:39Let's go!
01:03:09Go on, Ebe!
01:03:39k
01:03:52in
01:03:57dd di agcha kiya joh apne s papi ka ant kar diya
01:04:01isne koiyko kye žindhiki berbaad ki hai
01:04:04maht se chhoi ti saza be in safi ho tdi
01:04:07You are the power of evil.
01:04:10No more evil.
01:04:27Start your work.
01:04:29Lord,
01:04:30Mr. Pooja Verma,
01:04:33the raqesh agni hutri's blood is a blood.
01:04:37Police to the police 사람들이 on the basis of the police,
01:04:42as well as the police should be cut off.
01:04:46The Raqesh Agni Huhtri's death was a death to have been killed,
01:04:51which was the police from the police.
01:04:54This death was a death to have the proof of the terrorist,
01:04:58which is the expert's death was previously confirmed.
01:05:07My Lord, I have accepted this puja and said that they had to save the blood for their own self-defense.
01:05:21But there is no truth.
01:05:24The truth is that after the blood of the blood of the blood,
01:05:29they had to save the blood of their own blood.
01:05:33Why? Is it true?
01:05:35No, objection my Lord.
01:05:37My brother,
01:05:39he is a human being said to me as a man,
01:05:42a man who said to me,
01:05:44a man who made a man who made a man.
01:05:45If I had a woman,
01:05:48why would he surrender you?
01:05:50Because he would surrender her to his son's death.
01:05:54This is an understanding and knowledge.
01:05:58He knows how he went to the room with the staff.
01:06:01।
01:06:31and Pooja's purpose was self-defense.
01:06:36Mr. Pooja,
01:06:38the defense lawyer said that Rakesh was a blackmailer.
01:06:44Is this true?
01:06:46Yes.
01:06:47We all know this truth.
01:06:49You too?
01:06:51Yes.
01:06:53Mr. Pooja, did you get to meet Rakesh or Rakesh?
01:06:59Yes, I was alone.
01:07:02Why to be noted on, sir?
01:07:06Mr. Pooja,
01:07:08when he knew that Rakesh was a blackmailer and Iyash,
01:07:12you got to meet him alone and he was alone in his camera.
01:07:15Why?
01:07:16Objection, Milord.
01:07:18Overruled.
01:07:20Yes, Mr. Pooja.
01:07:21Tell me why he was there.
01:07:24I was invited to him to invite him.
01:07:28Does it?
01:07:29What about me?
01:07:31To call on my wedding,
01:07:33Or to call him
01:07:34paraぎ?
01:07:36Objection, Milord.
01:07:37Sustain.
01:07:38What do you want to say, Milord?
01:07:39Milord, I want to say that
01:07:42the case of screaming rape, rape, rape
01:07:45without any truth in it.
01:07:46In it, no good friend, no good friend or a hotel in the home,
01:07:51the man and the man never went to him.
01:07:54That's why he should go out there!
01:07:56Yes...
01:07:57He could wear his and
01:08:01Objection.
01:08:02Overruled.
01:08:03Try to get him into the mud.
01:08:05Very well, Lord.
01:08:07Lord, look at this lady's face.
01:08:10Don't forget, we can say that
01:08:12that his age has been
01:08:14If this is true, then she would have taken care of her house.
01:08:21Why did she do this?
01:08:22Good question.
01:08:23But why did she do this?
01:08:25Rakesh is a good man.
01:08:28But he also had a human guilt.
01:08:31He loved one girl.
01:08:33And one day, when he knew this,
01:08:35Rakesh's bad and bad,
01:08:37he gave him his love.
01:08:41And Rakesh has left it.
01:08:43Yes, he has left it.
01:08:45That's the same thing.
01:08:47Don't go away, don't go away, don't go away.
01:08:50Don't listen to this story.
01:08:54He was a satyug, he was a kaliyug.
01:08:57Yes, he was a satyug.
01:08:59He was a kaliyug, and that's why his father died in his mind.
01:09:02If you don't mind your story, you'll have to expand the case.
01:09:05My lord, Rakesh has been passed away.
01:09:08But that was a man.
01:09:13The man in his mind was a stranger.
01:09:15Your madness did not accept the past.
01:09:17He was a lady in his mind.
01:09:20But that's the man in his mind he was a feline.
01:09:22He was a man of his mind.
01:09:24But his assyug, he was a woman of his lots.
01:09:26But he was a girl not having this.
01:09:28He was a man of his knees.
01:09:30He was a man of his arms and they didn't have to die.
01:09:33The man was also a man of my eyes.
01:09:35But he was a man of my eyes.
01:09:37I don't know.
01:10:07I'm not going to do that.
01:10:09The story of the turning point is now going to be the same.
01:10:12But the other day, I gave up to you the other day.
01:10:15He had to make up his own way.
01:10:16He tried to make his own way,
01:10:19and this was his way to the road.
01:10:23And he was going to be the right way.
01:10:28The chief of the Mmsafjai probably wants to go through the action.
01:10:32I want to give him a give-in.
01:10:34I want to give him a give-in.
01:10:35My Lord, this is the glass that Mr. Pooja and Rakesh are the symbol of the lab report which tells us that the glass with the rum with the rum, which was one minute ago.
01:10:51My Lord, this is possible that Rakesh has made the drink for Pooja?
01:10:55Yes, it is possible.
01:10:57But we cannot forget that Mr. Pooja himself from Rakesh has gone.
01:11:03That means she had a purpose.
01:11:05Rakesh has no purpose. Miss Pooja has no purpose.
01:11:09My Lord, I would like to ask you two of them,
01:11:13which will ask Ms. Pooja to which extent was Rakesh's body.
01:11:18My first girl is a girl who loves Rakesh.
01:11:22Miss Dolly Ayer.
01:11:25Your name is Dolly Krishna Ayer.
01:11:28What did you love Rakesh to Rakesh?
01:11:30Yes, she was.
01:11:31She was not.
01:11:32Now I do.
01:11:33If Rakesh is not there, then what?
01:11:35She will always stay in love for me.
01:11:38Very sentimental.
01:11:40Good one, tell me.
01:11:42Is Rakesh Miss Pooja a good look at her?
01:11:45No.
01:11:46No.
01:11:47No.
01:11:48No.
01:11:49No.
01:11:50No.
01:11:51No.
01:11:52No.
01:11:53No.
01:11:54No.
01:11:55No.
01:11:56No.
01:11:57No.
01:11:58No.
01:11:59No.
01:12:00No.
01:12:01No.
01:12:02No.
01:12:03No.
01:12:04No.
01:12:05No.
01:12:06No.
01:12:07No.
01:12:08No.
01:12:09No.
01:12:10No.
01:12:11No.
01:12:12No.
01:12:13No.
01:12:14No.
01:12:15No.
01:12:16No.
01:12:17No.
01:12:18No.
01:12:19No.
01:12:20No.
01:12:21No.
01:12:22No.
01:12:23No.
01:12:24No.
01:12:25No.
01:12:26No.
01:12:27No.
01:12:28No.
01:12:29No.
01:12:30No.
01:12:31No.
01:12:32No.
01:12:33No.
01:12:34No.
01:12:35No.
01:12:36No.
01:12:37No.
01:12:38No.
01:12:39No.
01:12:40No.
01:12:41No.
01:12:42No.
01:12:43that he will make his own punishment and if he didn't do it,
01:12:49he will kill him.
01:12:52Jaj sahab, this Nagin has killed him.
01:12:58No, Jaj sahab, he is saying something wrong.
01:13:03Don't say anything in front of you.
01:13:06You can go Miss Dolly. Thank you.
01:13:10Lord, my name is Mr. Khanna.
01:13:15Your name?
01:13:16Suraj Khanna.
01:13:17Miss Dolly has said anything?
01:13:19Yes.
01:13:21What do you think is right?
01:13:22100%.
01:13:24How do you know?
01:13:25I, Rakesh, and Dolly are friends.
01:13:29We didn't have any friends.
01:13:31We didn't have any friends.
01:13:33Miss Pooja was back to Rakesh.
01:13:37Yes.
01:13:38What?
01:13:39What?
01:13:40Yes.
01:13:41Yes.
01:13:42Yes.
01:13:43Yes.
01:13:44Yes.
01:13:45Yes.
01:13:46Yes.
01:13:47Yes.
01:13:48Yes.
01:13:49Yes.
01:13:50Yes.
01:13:51Order, order.
01:13:57Yes, it is.
01:13:59But it has said that if you will become a flower, then it will be just a child.
01:14:05But Judge sahab, I didn't know that in this flower, there will be so many of you.
01:14:11Yes, you can.
01:14:13No, Judge sahab.
01:14:25No, Judge sahab.
01:14:28Pooja is a clean and clean girl.
01:14:35Kamaagni, pyaaz, bhug, shabdao ka istimaal joha wakil sahab nai kiya hai, usse to Pooja waakiv tak nahi hai.
01:14:43Kawn hai aap?
01:14:44Milord, hee mulzima ki badehi behan hai Miss Kaamna Devi.
01:14:47Aap kaat gharay mein aaiye.
01:14:54Kya kahna hai aapko?
01:14:56Judge sahab, meeri Pooja bilkul nirdosh hai.
01:15:00Uusne kabhi eek chiti tak nahi maari, to insaan ka khun kaisi kar sakti hai?
01:15:05Par sare gawaa aur saboot, isse qatil sabit kar rahe hai.
01:15:08Judge sahab, gawaa kharii dee jaa sakti hai, aur saboot banaye jaa sakti hai.
01:15:13Dhonu gawaa joh paeish kiyee gaye hai, voha rakeish ke karibhi dost hai.
01:15:17Isi liye unhunne pooja ke khilaab gawaai hi di hai.
01:15:20Or saboot?
01:15:21Asli qatil ko bachane ke liye, Pooja ne janabuch kar banaye hai.
01:15:25Korn hai asli qatil?
01:15:26Kya haap usse janti hai?
01:15:28Ji haan, mein janti houn.
01:15:29Didi!
01:15:30Nahin Pooja, abor nahin.
01:15:33Tujhe khokar toh me jeetet jee mar jauungi.
01:15:39Judge sahab, asli qatil, mein huun.
01:15:48Nahin Didi, nahin.
01:15:49Haan Pooja, asli qatil, mein huun Judge sahab, mein huun.
01:15:53What a drama, milord.
01:15:55What a family drama.
01:15:56Apeni choti behen ko bachane ke liye,
01:15:58Badi behen kya anokha family drama kar rahi hai.
01:16:01Kaamna Devi,
01:16:02Is anokhe family drama me,
01:16:04Suspens thriller ka masala bharne ki kooshis kar rahi hai.
01:16:07Milord, aap zara in se poochhye,
01:16:09Maqdool ko katil karne ke pichhe,
01:16:11Akhir in ki paas wajay kya thi?
01:16:13Jawaab diji, jawaab diji.
01:16:15Bataati houn, judge sahab.
01:16:17Nahin Didi,
01:16:18Tumhye meri qasm.
01:16:20No interruption.
01:16:22Judge sahab,
01:16:23Raakish ke paas,
01:16:24Meri kuch aisi tatswereh thi,
01:16:26Jis se woh mujhe blackmail kiya karta tha.
01:16:28Agar aisi baat thi,
01:16:29Toh aapne apna gunah,
01:16:30Uus din kyun hini qabool kiya,
01:16:31Jis din,
01:16:32Pulis,
01:16:33Aapke bhehen ko giftaar karke leja raha raha thi.
01:16:35Jawaab diji,
01:16:36Aapne us din,
01:16:37Uus se kyun nahi bachaya,
01:16:38Jabki aap janati thi,
01:16:39Ki ye gunah qabool karke,
01:16:40Woh aap hi ki jaan ki hifazat kar rahi hai.
01:16:42Boliye.
01:16:43Jawaab diji,
01:16:44Jawaab diji,
01:16:45Uus din,
01:16:46Jawaab diji,
01:16:47Aap is liye khámosh rahi,
01:16:49Kyo ki aapne ye khun kiya hi nahi.
01:16:51Nye.
01:16:53Vakil sahab,
01:16:54Sahi farma rahe hai.
01:17:10Judge sahab,
01:17:11Khun meh nahi kiya tha.
01:17:13Uus ki wajah hai,
01:17:19Uus din,
01:17:20Menni kaamna ur rakeish ki baat e phone pere sunni.
01:17:22Rakeish kaamna ko dhamka raha tha.
01:17:24Or tabhi,
01:17:25Menni faesla kiya,
01:17:26Ki rakeish ko maarane ke baad hi kaamna ko mukti mil sakti hai.
01:17:43Menni faesli.
01:17:44Eee.
01:17:46Menni faesli.
01:17:47Menni faesli.
01:17:48Your.
01:17:49I aap.
01:17:50I am aap.
01:17:52I am aap.
01:17:53I am aap.
01:17:54Menni faesli.
01:17:55I am aap.
01:17:56Otele hae.
01:17:58I grab rakeish ki baat euri.
01:18:00I am aap.
01:18:01Let's go.
01:18:31Let's go.
01:19:01Let's go.
01:19:31Let's go.
01:20:01Let's go.
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