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00:00Transcribed by ESO, translated by —
00:30Maybe the capitalists diseased, they are all obscene.
00:35Mussolini yesterday, and today Mauro Carpiano.
00:39Carpiano is one of many.
00:41Is that quite accurate?
00:44He's rich enough to be able to afford the public image.
00:47Wouldn't you say Carpiano is the most powerful political influence to emerge in the last decade?
00:52It's one point of view.
00:54To say any less would be naive.
00:56And you're not naive.
00:57So I can only surmise you're cautious.
01:01Where Carpiano is concerned, it is necessary to be cautious.
01:04He has a mind in every shadow.
01:10Carpiano's father?
01:11He was highly respected?
01:12He was a capitalist, but a man of some integrity.
01:17Unlike his son.
01:20The death of the father was... convenient.
01:24Look, I despise Carpiano and everything he stands for.
01:31Yes, I've read your articles.
01:34You've been exposing men like Carpiano all over the world.
01:37You can help me.
01:39How?
01:40One name.
01:41One piece of information.
01:44Morreiter.
01:45Morreiter is dead.
01:46He's alive.
01:47He committed suicide two months after the crash.
01:49It was in all the papers.
01:50He's alive.
01:51And I intend to find him.
01:54Trust me.
01:57Trust me.
01:58Please.
02:04Maybe I can help you.
02:06But it's difficult.
02:07I know.
02:28疲L速度.
02:37Why are you trying to tell me?
02:42I know!
02:47For me, it's the same!
02:48¶¶
03:18¶¶
03:33Hello, darling. Hello.
03:35I don't know what you must think of me.
03:39I completely forgot.
03:41I do apologize, particularly as I invited you.
03:44Lena Hayden.
03:45Harry Rue.
03:50I think Harry Wolfe gave you. He's an admirer.
03:52Oh.
03:53I like your work.
03:54And?
03:55And I think you're a tough journalist.
03:59You latch on to something you don't let go. I like that.
04:02Articulate as well.
04:04Could I have a brandy?
04:06Here.
04:15How was more than that? It was intellectual subjection.
04:20A deliberate distortion of values.
04:22Miss Hayden?
04:23Yes.
04:24Telephone call for you.
04:25Thank you. Excuse me.
04:33Hello?
04:34Yes?
04:36Yes, of course.
04:38When?
04:39I'll come right away.
04:46I'm glad you like her.
04:47I thought she'd be your cup of tea.
04:49Heh.
04:50I'm sorry. I have to go.
04:52Maybe we could lunch tomorrow.
04:54Perhaps we could go to Torcello.
04:56Fine.
04:57That'd be lovely.
04:58Good.
04:59Goodbye.
05:00Bye.
05:01Davey.
05:02Bye.
05:03Bye.
05:08That way I am glad.
05:09That's all.
05:10I have never seen her so on edge before.
05:30Maria, what's happened?
05:32My brother has regained consciousness.
05:34Oh, thank God.
05:35But there is permanent spine damage.
05:39I'm sorry.
05:40His first words were for you.
05:42He's decided to help you, and you'll be contacted tomorrow.
06:00Yes.
06:03It's so nice to see you.
06:05I love you staying here.
06:13So, no, no, no, no, no.
06:15No, no, no, no.
06:16Please, you take it.
06:17It's Giancarlo.
06:31Sorry about that.
06:32They're friends of my husband's.
06:33I haven't seen them for a long time.
06:38Hello.
06:39Hello, dear.
06:40Hi.
06:41They're not worth the price.
06:42Hmm?
06:44Oh, he was so persistent.
06:47Shall we go?
06:48Would you mind if we stop on the way?
06:49I have to see someone.
06:50Of course not.
07:00Let's go.
07:10Looks deserted.
07:30I won't be long.
07:31Right.
07:32I won't be long.
07:33Right.
07:49Carlo?
08:00Carlo?
08:28Carlo?
08:30Oh, my God.
09:00Oh, my God.
09:03Oh,
09:28Oh, my God.
11:27It was then that I realized it was true, everything I'd heard about Carpiano.
11:32And that's when you thought we might be useful?
11:35Yes.
11:41Antonio Carpiano died 1965.
11:47Yeah, I recall he was an industrialist, killed in an air crash on his way to Geneva.
11:51It was on the front page of all the Italian papers.
11:54He was murdered.
11:57The cause of the crash was officially a fuel tank explosion.
12:06Do you have any reason to suggest anything else?
12:07Certainly no apparent reasons.
12:09But what?
12:11They knew nothing of his son Myro's political ambitions.
12:15To get what he wanted, he needed money.
12:17Lots of money.
12:18His share of the inheritance was estimated at well over 50 million.
12:21The sole heir?
12:22The wife was dead. He was an only child.
12:25Didn't anybody put two and two together?
12:26Not really. Not until now. Why should they?
12:30Morlite was Antonio Carpiano's secretary.
12:33Probably his closest friend and confidant.
12:36He knew all about the son and his dreams.
12:38Didn't Morlite commit suicide?
12:41A body was found in the lagoon badly decomposed.
12:45His sister Elaine identified him, but...
12:47You think Morlite is still alive.
12:50I know he is.
12:52And I'm very close to finding him.
12:54He's here somewhere.
12:56He knows the truth about Carpiano.
12:58Yes.
12:59He's the only one that could expose him.
13:01And I intend to write the truth.
13:04That Carpiano arranged his own father's death.
13:06I don't believe it.
13:14Buon attimo.
13:20It is the Contessa di Contini?
13:22Yes.
13:23Forgive my forwardness.
13:25I knew your husband.
13:26We fenced together in Rome.
13:28A fine swordsman.
13:30I am Mauro Carpiano.
13:31And this is Miss Hayden and Mr. Rule.
13:36Miss Hayden I have met.
13:39Mr. Rule?
13:41I found your last article stimulating,
13:45though somewhat misinformed in places.
13:47Really?
13:48Yes.
13:51Maybe we could meet and talk together at length
13:53at some future date.
13:55Perhaps you would consider an in-depth interview.
13:57That might be fascinating.
13:58Why don't you contact my press secretary and arrange it?
14:06Are you in Venice long?
14:08Long enough.
14:09I thought you were in Rome.
14:12Yes.
14:16Are you a journalist also, Mr. Rule?
14:19No.
14:20You are American?
14:22Yeah.
14:23A perplexing country, America.
14:26So many voices.
14:27So many factions.
14:29That's right.
14:31That's what makes it interesting.
14:35Please excuse me.
14:37I must be going.
14:37Of course.
14:39Miss Hayden?
14:40Miss the room?
14:42Ruthie is conscious.
14:45I beg your pardon?
14:47A young student.
14:48He had an accident.
14:51I'm sorry to hear that.
14:54I'm sorry.
14:57All right, tell us all you know about Moorladder.
15:22If we're going to find him, we've got to know everything we can.
15:27We think we've found Moorladder's sister.
15:40Did you know Gabriel in Venice?
15:42Yes, and you must hurry.
15:44If he finds the old man first, everything will have been for nothing.
15:50Yes, sir.
15:51We are going to find him.
15:52Yes, sir.
15:53We are going to find him.
15:54Yes, sir.
15:55We are looking for Elaine Moorladder.
15:56Uh, there's no one of that name here.
15:57...
16:10It's just a sucker.
16:11Break out.
16:13Okay.
16:17Senora?
16:18Si?
16:19We are looking for Elaine Moorlighter.
16:22Uh, there's no one of that name here.
16:25You are not?
16:25No, no.
16:26Please, please, we're closing.
16:28Your brother's in danger.
16:30My brother is dead.
16:36Who are you?
16:38We are here to help.
16:40Carbiano's in Venice.
16:45He knows my brother's alive.
17:10Come on.
17:10Hey.
17:16Come on.
17:21Hey.
17:22Hey.
17:22Yes, sir. We're looking for a guy named Paolo.
17:40I've got a letter from his sister.
17:52I will take you to him.
17:57Had Carpiano already tried to silence you?
18:01No. Up until then, all he tried to do was to buy my silence.
18:05But I knew it was only a matter of time.
18:08I knew it was only a matter of time.
18:11I knew it was only a matter of time.
18:14I knew it was only a matter of time.
18:17I knew it was only a matter of time.
18:20I knew it was only a matter of time.
18:22When you've met at once, the next time is not so hard.
18:25Are you all right? Would you like to rest?
18:28No, no, no, no.
18:29It's a relief to tell someone after so long.
18:33So, you arranged the suicide?
18:38I was in hiding.
18:40Every day waking, not knowing that was the day they'd find me.
18:45And the body was found in the lagoon.
18:48It was Helen's idea to claim it.
18:52The age and build were the same.
18:55It had been in the water for months.
18:59And the deception worked.
19:01At least, until now.
19:05Another boat with many, many is coming.
19:07Tal Piano.
19:08We need a car.
19:09Over there.
19:14Over there.
19:23Sì, sì, basta girare la chiave.
19:24Yes, yes, just to drive the key.
19:54Follow in the boat, cut them off.
20:00Hey, Rocky, what are you doing?
20:03Go, go, go, go!
20:05Let's go, let's go!
20:24All right, get a boat, any boat. I'll meet you at the landing stage.
20:50Yes, all right.
20:54Telephone?
20:56Yes, over there.
20:57All right.
21:10Yes, yes, the police is right.
21:24I'll get this going.
21:26Avanti, avanti.
21:28Go.
21:30I'll get this going.
21:32Avanti, avanti.
21:34Go.
21:36Go.
21:37Go.
21:38Go.
21:39Go.
21:41Go.
21:42Notepad.
21:43Go.
21:44Go.
21:47Go.
21:48Yeah?
21:49Moane.
21:50On the left, on the piano, we are on!
21:53On the left, on the right, on the left.
22:18Go!
22:23my dear moorlighter
22:32you're supposed to be dead
22:47you must forgive my associates they are sometimes over enthusiastic
22:52please accept my apologies does that mean we can go but of course
22:58I still intend to write the whole story based on the ramblings of an old man who
23:07faked his own death you're looking very old Paolo and very pale
23:14oh your sister how is she
23:24that will be the police you did call them mr. rule
23:34sergente sono marocca piano è un affare politico
23:59he'll explain how it was all an unfortunate misunderstanding a top
24:04priority call to Rome and the whole thing will never have happened
24:08si si va bene grazie
24:11va bene andate
24:14you will shortly be leaving venice i may not see you again so goodbye
24:25venice
24:32venice
24:40venice
24:42venice
24:46venice
24:48venice
24:55venice
24:57venice
24:59you better write that article in