- 7/21/2025
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Short filmTranscript
00:00:00You
00:00:30Oh, my God.
00:03:00Cut it, cut it, cut it, goddammit!
00:03:06You've done this take 18 times.
00:03:14You've missed your mark three times in a row.
00:03:16What is your problem, ma'am?
00:03:18It is you who I nept, sir, not me.
00:03:22Glass.
00:03:25You're not only talking to a horror star, but an eminent actor.
00:03:31I played Julius Caesar on Broadway before you were born.
00:03:36I did Oscar Wilde and George Bernard Shaw on the London stage before you were a gleam in your daddy's eye.
00:03:43I will not get excited.
00:03:46My blood pressure pills.
00:03:49Please spare us the heart attack, Conrad.
00:03:52I don't give a shit what you did 40 years ago.
00:03:56All I'm interested in is whether or not you can do a commercial today.
00:04:01Why don't you get Orson Welles or Larry Olivier, Sir Lawrence to you.
00:04:07I wish to God I had, because you certainly weren't my choice, Conrad.
00:04:11Oh, crap, let's take a break, take 10 minutes, take 20 minutes, what's the difference?
00:04:24Stop.
00:04:41Oh, crap, let's take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break, take a break
00:05:11He's dead.
00:05:18Take 19.
00:05:35Did you see the accident, sir?
00:05:41Back to the mansion.
00:06:11Now I can live in peace, like all other men.
00:06:17Now I can live in peace, like all other men.
00:06:29I thank you on behalf of the City College Cinema Department and my students in the Film Society.
00:06:39Now, without further delay, allow me to introduce the man we've all been dying to meet, the last of the great giants of the horror cinema.
00:06:49It's my great honor to introduce Mr. Conrad Ragsoff.
00:07:05It's my great honor to introduce Mr. Conrad Ragsoff.
00:07:35Ladies and gentlemen, dear friends, Professor Markovitz,
00:07:45I thank you from the bottom of my heart for inviting me.
00:08:03The honor of being here is entirely, entirely my own.
00:08:16You know, I thought the world had forgotten me a little, and I felt bitter, and a little disappointed, and sick at heart.
00:08:44I would like to say...
00:08:50I would like to say...
00:08:54I would like to...
00:08:56I would like to say...
00:08:58...
00:09:00...
00:09:02...
00:09:04...
00:09:06...
00:09:08...
00:09:10...
00:09:14...
00:09:16What's your name?
00:09:31Meg.
00:09:46I am getting ready to die.
00:09:53I have so much to do and I have never died before and I want to do it right.
00:10:08Go and get Wolfgang.
00:10:16Conrad, my old friend.
00:10:29Stop acting.
00:10:31Do your job as a director.
00:10:33Is everything ready?
00:10:34Yes.
00:10:35Everything.
00:10:36You better do a good job or you're fired.
00:10:41Especially the funeral.
00:10:45I want it to be magnificent.
00:10:50It's my last performance.
00:10:53And I want an Oscar.
00:10:55Do you understand?
00:10:57I want to die like a star.
00:11:01Conrad.
00:11:02Conrad.
00:11:03Conrad.
00:11:04Are you dead?
00:11:08Really dead?
00:11:10Yes, Conrad.
00:11:11Yes, Conrad.
00:11:12I will direct your funeral, your last performance, just as I directed all the others.
00:11:24You always said, the red carnation is your signature.
00:11:37There.
00:11:38Perfect.
00:11:39You are dressed for your greatest role.
00:11:40Death.
00:11:41All my life I wanted to tell you off.
00:11:44Now I can't.
00:11:45The world is at last rid of you.
00:11:46And I am rid of you too.
00:11:47In pace requiescat.
00:11:48When I found you, you were nothing but a second-rate waiter.
00:11:52I gave you your first part and you were last.
00:11:59The world is at last rid of you,
00:12:02and I am rid of you too.
00:12:04In pace requiescat.
00:12:11When I found you, you were nothing but a second-rate waiter.
00:12:15I gave you your first part, and you were last.
00:12:20You made millions, and I got dreck.
00:12:23But without me, you would be nothing!
00:12:28Good night, sweet prince of Ham.
00:12:33Go to hell. Go straight.
00:12:58Take twenty.
00:13:06Take twenty.
00:13:08Take twenty.
00:13:19Hey, hey, hey.
00:13:49Hey, hey, hey.
00:14:19Great Conrad Ragshoff is dead, and he will not allow his remains to be cremated because he claims he is coming back from the dead.
00:14:30Conrad Ragshoff lived like a movie star, and he is buried like one, too, in a monument that is a fitting memorial.
00:14:37His ruins have lost one million dollars.
00:14:40Unfortunately, his old director friend, Wolfgang Hamner, suffered a fatal heart attack and never lived. See this day.
00:14:49The End
00:14:54MISERVE LUNARMA GIAVICTINA
00:15:06ALLA PATENZA GENONARIT VOLVO
00:15:18MISERVE LUNARMA GIAVICTINA
00:15:30CHE LUNARMA GIAVICTINA
00:15:36COU'L FAI MA LUNARMA GIAVICTINA
00:15:38CHE LUNARMA GIAVICTINA
00:15:48LUU LUNARMA GIAVICTINA
00:15:58LUNARMA GIAVICTINA
00:16:02CHE LUNARMA GIAVICTINA
00:16:04CHE LUNARMA GIAVICTINA
00:16:12Thank you, my friends, for coming to my funeral.
00:16:18I'm appearing before you today in a pre-recorded tape.
00:16:24One of many I did before my untimely demise.
00:16:29You see, I didn't want anyone but me to star at my own funeral.
00:16:35Afterwards, please be my guests back at the mansion.
00:16:39Today, eat your fill of caviar and enjoy a cool glass of champagne.
00:16:50Ladies and gentlemen, a toast to me.
00:17:03I hope you won't find the mausoleum in bad taste.
00:17:08The board of cemetery directors objected at first,
00:17:12but then they decided I was a tourist attraction.
00:17:18You see, a star in life is a star in death.
00:17:27Remember, every time you see one of my films on TV,
00:17:33you're not only watching me,
00:17:36but I am watching you.
00:17:39You.
00:17:52Bravo!
00:17:52It was a moving funeral.
00:18:08It was downright unforgettable.
00:18:09Hundreds of corners, flowers filling the chapel.
00:18:12Conrad gave his own farewell sermon from a TV screen.
00:18:15Conrad's widow, Eddarazzo, obviously, pushing away the curious,
00:18:19of those who came for a last glimpse of this great actor.
00:18:22As the funeral procession left the chapel and headed toward the great mausoleum.
00:18:26The mausoleum, something else, had loomed above the other gravestones.
00:18:30100 feet long, solid granite, a neon star twinkling with the name Ratzong.
00:18:38Hey, what are you up to, Ben?
00:18:40Yeah. You stoned her just getting weird on us.
00:18:44Let's find out.
00:18:49You know, the whole funeral was just like another scene in one of his flicks.
00:19:05I mean, I could see him get up in that, in those supreme deluxe tales of his
00:19:10and just go wandering around the streets of Hollyweird, looking to suck some blood.
00:19:14Oh, I'll find around here are a lot of tacky hookers.
00:19:26He lives.
00:19:29He stalks.
00:19:31He sucks.
00:19:35Listen.
00:19:37Listen to the wolves.
00:19:38They are the children of the night.
00:19:43Their voices are like music to my ears.
00:19:55Hey.
00:19:58Let's go visit him.
00:20:01Tell me you're kidding.
00:20:04Let's go.
00:20:05Get the flashlights.
00:20:08There's got to be a way to get in here.
00:20:14Come on.
00:20:14Come on.
00:20:17You all right?
00:20:20Hey.
00:20:23Are you sure you were?
00:20:28Are you guys serious?
00:20:30Here we go.
00:20:31Ready.
00:20:32Ready.
00:20:33One, two, three, go.
00:20:38One, two, three, go.
00:20:39Okay.
00:20:44I don't like going in there.
00:20:46He said he was coming back from the dead.
00:20:48Get sucked in by all that supernatural bullshit.
00:20:51I mean, his whole life was a B-movie.
00:20:53They're going to be.
00:20:53Okay.
00:20:57What's that?
00:20:59What?
00:21:05Wake me up when it's over.
00:21:07Oh, my God.
00:21:08You're so cute.
00:21:09Is that it?
00:21:10Yeah, I think so.
00:21:11Come on, Oscar.
00:21:12Come on.
00:21:13Hey.
00:21:14You know Star is buried here.
00:21:16Look.
00:21:17Shh.
00:21:18Shh.
00:21:19Shh.
00:21:20Shh.
00:21:21Shh.
00:21:22Shh.
00:21:23Shh.
00:21:24Shh.
00:21:25Shh.
00:21:26Shh.
00:21:27Shh.
00:21:28Shh.
00:21:29Shh.
00:21:30Shh.
00:21:31Shh.
00:21:32Shh.
00:21:33Shh.
00:21:34Shh.
00:21:35Shh.
00:21:36What?
00:21:37Locked.
00:21:38What?
00:21:39Locked.
00:21:40Right.
00:21:41Right.
00:21:42Right.
00:21:43Shh.
00:21:44Shh.
00:21:45Shh.
00:21:46Shh.
00:21:47Shh.
00:21:48Shh.
00:21:49Shh.
00:21:50Shh.
00:21:51Shh.
00:21:52Huh?
00:21:53No, no.
00:21:54Shh.
00:21:55Hey.
00:21:56Huh?
00:21:57The roof.
00:21:58Do it.
00:21:59Do it.
00:22:00You got it?
00:22:01Go.
00:22:02You got it?
00:22:03Go for it.
00:22:06Hey, Stu.
00:22:07Guys.
00:22:08There's a skylight up here.
00:22:09Can you get in?
00:22:10Well, I think so.
00:22:11I'll try.
00:22:12Do it.
00:22:13Do it.
00:22:14All right.
00:22:15Come on.
00:22:16Come on.
00:22:17Come on.
00:22:18Come on.
00:22:19Come on.
00:22:20My God!
00:22:21Go, go.
00:22:22I'll go.
00:22:23I'll go.
00:22:24I'll go.
00:22:24Go.
00:22:26I'll go.
00:22:27Go.
00:22:28Go.
00:22:29Go.
00:22:30Go.
00:22:31Go.
00:22:32Go.
00:22:33Go get your hands from.
00:22:34Go.
00:22:35Go.
00:22:36Go.
00:22:37Go.
00:22:38Go.
00:22:39Go.
00:22:40Go.
00:22:41Go.
00:22:42Zoe, open the goddamn door.
00:22:43Go.
00:22:45I bid you welcome to the castle, Ragsall.
00:22:59Yeah.
00:23:15Good evening. This is Konrad Raktsov coming to you from the dead.
00:23:32Yes.
00:23:33How kind of you to visit my crypt. I hope you are staying a thousand years.
00:23:41If you have broken in, you probably will.
00:23:45For at the end of the message, the door to the tomb will smash us forever.
00:23:57Get the door! Get the door now!
00:23:59Let me conclude. Remember, I who am here was once like you. And you who are there will one day be like me.
00:24:23What are you doing?
00:24:28How do you open this thing?
00:24:34Saint.
00:24:37I got it.
00:24:38Oh, man.
00:24:42Look at that.
00:24:44He's got his tails and his cape on just like Bela Lugosi.
00:24:48Yeah. Everything except breath.
00:24:54Look at his eyes. They're still open.
00:24:57God. They're not seeing shit.
00:25:02Good evening, sir. I enjoyed your last performance very, very, very, very much.
00:25:08Don't stop that.
00:25:09So, what do we do now?
00:25:19Why don't we, uh, invite him home for dinner?
00:25:26Oh, shit.
00:25:28Oh, shit.
00:25:39Oh, shit.
00:25:40Oh, shit.
00:25:44Oh, shit.
00:26:01Ah, come on, the door goes!
00:26:05Come on, come on.
00:26:07Come on, come on.
00:26:09Come on.
00:26:11Keep on.
00:26:13Keep on.
00:26:15Keep on.
00:26:17Keep on.
00:26:19Keep on.
00:26:25Yes.
00:26:27I feel good.
00:26:29Oh, yes.
00:26:31Oh, yes.
00:26:33Well,
00:26:37here we are.
00:26:39The question is,
00:26:41why are we doing this?
00:26:43Well, man, it's simple.
00:26:45I mean, we love
00:26:47Conrad, right?
00:26:49And Errol Flynn
00:26:51did it to John Barrymore?
00:26:53I bet. Yes.
00:26:57Listen, it's very simple.
00:26:59I mean, the plan is, we're just gonna
00:27:01keep him here tonight
00:27:03and take him back in the morning.
00:27:05Right?
00:27:06Right.
00:27:07Right.
00:27:08Right.
00:27:09Is he?
00:27:11Oh, Jesus.
00:27:13Oh, Jesus.
00:27:23Oh, what a blanket.
00:27:25What a nail.
00:27:27Oh, Jesus.
00:27:29Oh, Jesus.
00:27:30Oh, Jesus.
00:27:31Oh, Jesus.
00:27:32Oh, Jesus.
00:27:33Oh, Jesus.
00:27:34Oh, Jesus.
00:27:35Oh, Jesus.
00:27:36Oh, Jesus.
00:27:37Oh, Jesus.
00:27:38Oh, Jesus.
00:27:39Oh, Jesus.
00:27:40Oh, Jesus.
00:27:41Oh, Jesus.
00:27:42Oh, Jesus.
00:27:43Oh, Jesus.
00:27:44Oh, Jesus.
00:27:45Oh, Jesus.
00:27:46Oh, Jesus.
00:27:47Oh, Jesus.
00:27:48Oh, Jesus.
00:27:49Oh, Jesus.
00:27:50Oh, Jesus.
00:27:51Oh, Jesus.
00:27:52Oh, Jesus.
00:27:53Oh, Jesus.
00:27:54What are you looking at?
00:27:57What are you looking at?
00:27:59I'm looking. Don't look at me when I meet you.
00:28:01Come and see me.
00:28:02Come and see me.
00:28:03Come and see me.
00:28:04Come and see me.
00:28:05Come and see me.
00:28:06Come and see me.
00:28:07Come and see me.
00:28:08Come and see me.
00:28:13Order.
00:28:14Order.
00:28:18Conrad, you've filmed here more than once.
00:28:20You probably know this place like the back of your hand.
00:28:24What can I say?
00:28:25Welcome home.
00:28:28Oh, and long life.
00:28:33Speech.
00:28:34Speech.
00:28:35Oh, yes.
00:28:37Speech.
00:28:38Speech.
00:28:39Speech.
00:28:40Your silence is most eloquent, my lord.
00:28:55Oh, come on, Meg. Where is your sense of humor? Pasadena?
00:29:01Hey, that's my gal you're talking to.
00:29:02I just don't think it's funny.
00:29:03Oh, come on, Meg.
00:29:04You know, I can hardly believe that's Conrad over there.
00:29:06It's pretty weird.
00:29:07Conrad, I always wanted to be your bride.
00:29:08Once I stole a ring from my mother and I secretly married you.
00:29:13On our wedding night, we made love in your coffin.
00:29:23Once, I stole a ring from my mother and I secretly married you.
00:29:30On our wedding night, we made love in your coffin.
00:29:36It was beautiful.
00:29:53Oscar, come on, let's dance.
00:30:02I got it.
00:30:04What about Conrad?
00:30:06Huh?
00:30:09Conrad, would you like to dance with me?
00:30:12Seed up.
00:30:15Sir.
00:30:23No.
00:30:30No.
00:30:32No.
00:30:36No.
00:30:41No.
00:30:44No.
00:30:49Ha, ha, ha, ha.
00:31:19Oh, that's, that's nice.
00:31:22Let me, uh, let me get a shot of that.
00:31:24Society scrub.
00:31:27Great.
00:31:45Okay, good.
00:31:49Oh, well, let us call it a wrap.
00:31:57It has been a night to remember.
00:32:03Huh?
00:32:04Yeah.
00:32:04Yeah.
00:32:07Watch out, watch out.
00:32:11Easy, easy.
00:32:13Oh, I feel your hands.
00:32:16No, no, no, not bad.
00:32:19All right, how about it?
00:32:20He's going to sleep.
00:32:24All right, here.
00:32:25Come on.
00:32:28You're going to watch him.
00:32:30It's all right.
00:32:31All right, look up.
00:32:33All right, in the middle.
00:32:34I got him, I got him.
00:32:35You got him?
00:32:36All right, here we go.
00:32:37All right.
00:32:38All right.
00:32:39All right.
00:32:40All right.
00:32:41I'm going to go.
00:32:42He needs gun.
00:32:43Move.
00:32:44Move, move, move, move.
00:32:45Oh, yeah.
00:32:46Oh, yeah.
00:32:47Okay, here we are.
00:32:50Good night, Conrad.
00:32:57Come on.
00:32:58Go, 9-1-2-3-3-4-5-6-7-5-6-6-6-6-6-6-6-6-6-7-6-6-6-6-6-6-6-5-6-6-6-6-6-6-6-7b4-6-6j66x-6-6-7-6-6-617x8-6-6-6-3-6-6-6-6-7.
00:33:15Well, it looks like we've got our work set up for us.
00:33:17Looks like a piggy.
00:33:18It looks like a piggy.
00:33:19You checked the whole territory?
00:33:21Yeah, from a foot, for instance.
00:33:23Yeah, from a foot, for instance.
00:33:25Looks like there were about four people involved.
00:33:27Any sign of cult activity like black candles, red drapings, even incense ashes?
00:33:37Not so far, sir, no.
00:33:39And there's no ransom notes of any kind.
00:33:42What do they want with his body?
00:33:48What should I do, Mrs. Ruhner?
00:33:50Tell me, what should I do?
00:33:52Don't ask me, Etta. Ask Comrade. You must ask him. He'll tell you.
00:34:04Do you really believe there is life after death?
00:34:09The soul lives after death. Why not the body?
00:34:22How do we begin?
00:34:29Get me some articles of his clothing.
00:34:32And then get me his pyramid.
00:34:34Carl Joseph.
00:34:36I'm trying to reach you, Conrad Ragshoff, in the name of all holy and unholy spirits.
00:34:50Listen.
00:34:53I'm trying to bridge the gulf between there and here, life and death.
00:35:00And death. Where is your body?
00:35:05Let my thoughts pierce the great void.
00:35:11Oh, God, help me. Help me to reach you.
00:35:30We're in a dark tunnel.
00:35:33We're trying to get to the end.
00:35:45I feel you now, Conrad.
00:35:49I'm getting closer.
00:35:50I'm getting closer.
00:36:01Look.
00:36:05God.
00:36:08You're going to feel his presence inside my body.
00:36:13He's close to us.
00:36:16He's trying to speak.
00:36:18No.
00:36:21Oh.
00:36:22Dearest Lord.
00:36:24Help him.
00:36:25Help him to breathe through the walls.
00:36:28The walls.
00:36:30No.
00:36:48What was that?
00:36:51What was that?
00:36:52Oh.
00:36:53The walls.
00:36:54I'll be at the front of you.
00:36:55The walls.
00:36:56The walls.
00:36:58The walls.
00:36:59Those walls.
00:37:00The walls.
00:37:01The walls.
00:37:02The walls.
00:37:04The walls.
00:37:06Yeah.
00:37:07Yeah.
00:37:08We're freaking out. He's dead as a fish.
00:37:19Yeah, yeah. What was that noise?
00:37:23I don't know. I don't believe the dead walk.
00:37:26I don't believe in life after death. The dead are dead.
00:37:34They don't walk and they don't scream.
00:37:38I don't believe in life after death.
00:38:08His words are tumbling out now. Becoming sentences.
00:38:14What is he saying? Ask him what he wants me to do.
00:38:17An eye for an eye. A tooth for a tooth.
00:38:21Ask him where he is.
00:38:27Where are you, Conrad?
00:38:29The house.
00:38:32A big house.
00:38:35A house big to yourself.
00:38:38Conrad. Conrad, darling, dearest.
00:38:46When you left me, where did you go?
00:38:52I went into darkness.
00:38:57Then into flames.
00:39:01Then I came back.
00:39:05You brought me back.
00:39:08If that's where you've been, then send them that stole your body there too.
00:39:23Send them into the flames. Burn them.
00:39:27Burn them.
00:39:29Burn them. Burn them!
00:39:32Burn them!
00:39:33Psst!
00:40:03Please...
00:40:06I'm trying to get you, I'm getting you.
00:40:08Mardin, Jesus.
00:40:11Mardin...
00:40:12Mardin...
00:40:13Mardin...
00:40:19I'm trying to get you, I'm trying to get you.
00:40:21Mardin, Jesus.
00:40:28What the hell?
00:40:29I don't think I'm trying to get you in because...
00:40:31Oh my god.
00:41:01Hello.
00:41:20Who is this?
00:41:22It doesn't matter who I am.
00:41:24But them.
00:41:26The people who have your husband's body.
00:41:28What? What do you want?
00:41:32I want to help you, Mrs. Ragshoff.
00:41:36Someone's coming.
00:41:58Zane?
00:42:28Oh, my God.
00:42:38I just saw someone over there.
00:42:58You blew it for me.
00:43:02I was really getting into that.
00:43:04You're guilty of coitus interruptus.
00:43:07You know, I could suffer deep psychological damage.
00:43:10I could become a mental cripple for life.
00:43:12Will you shut up?
00:43:14I'm trying to tell you I saw someone.
00:43:16Look, Donna, it's 3 a.m. in the goddamn morning.
00:43:19Everybody's crashed.
00:43:21It's just a figment of your imagination.
00:43:27I'll go check it out anyway.
00:43:29Okay?
00:43:31Okay.
00:43:33Oscar.
00:43:36I want you to look everywhere.
00:43:39Even in the attic.
00:43:40Come on.
00:43:41There's nobody up there except Conrad.
00:43:43The attic's the one place I don't have to check.
00:44:10You can see.
00:44:12Where are you?
00:44:14I'm not PhD at all.
00:44:15But I know where I'm coming.
00:44:16The attic's the right place is left.
00:44:17And so, you're a little bit too late.
00:44:18I'm wearing a mask.
00:44:19I don't have to check my clothes.
00:44:20And I'm wearing a mask in there.
00:44:21You're a little bit too late.
00:44:22I'm wearing a mask.
00:44:23I have a mask.
00:44:24You're feeling so sweet.
00:44:25I'm wearing a mask.
00:44:26You're a little bit too late.
00:44:27That's how you coming up.
00:44:28I'm wearing a mask.
00:44:34That's how you coming out.
00:44:35I'm not a mask, it's under my face.
00:44:37And so, that's how you're looking at that mask.
00:44:39I'm locked in the attic.
00:44:48Donna!
00:44:50I'm locked in the attic!
00:44:53Donna!
00:44:56I'm locked in the attic!
00:44:59Donna!
00:45:09I'm locked in the attic!
00:45:16I'm locked in the attic.
00:45:25I'm locked in the attic.
00:45:29I'll be locked in the attic.
00:45:35Look, if this is some kind of joke or something, I don't think it's funny.
00:46:05I don't think it's funny.
00:46:35Saint God damn it, would you just stop it?
00:46:53Come on, you're scaring the shit out of me.
00:47:05Come on, you're scaring the shit out of me.
00:47:27Come on, you're scaring the shit out of me.
00:47:39Come on, you're scaring the shit out of me.
00:47:51Oscar?
00:48:21Come on, stop fooling around.
00:48:51Are you hiding?
00:49:02Oscar?
00:49:11Oscar?
00:49:21Are you up here?
00:49:51Oscar, stop it now.
00:50:08You scared me.
00:50:11Oscar?
00:50:24Look here.
00:50:28Oscar, come back to bed.
00:50:35Oscar?
00:50:36Oscar!
00:50:39Oscar?
00:50:45Oh, my God.
00:50:51Oh!
00:50:54Oh!
00:50:56Oh, my God!
00:50:59Oh!
00:51:00Oh!
00:51:01Oh!
00:51:02Oh!
00:51:03Oh!
00:51:04Oh!
00:51:05I'm going to have this phone monitor 24 hours a day.
00:51:30And when she calls, we're going to have our answer.
00:51:35Oscar!
00:51:36Donna!
00:51:37Oh, I looked all over upstairs.
00:51:42Nothing.
00:51:43Found Oscar's headphones in his room, though.
00:51:47He never goes anywhere without these things.
00:51:49I have looked upside down and backwards.
00:51:54I mean, if they had gone somewhere, they would have left a note or something, for crying out loud.
00:51:59Has anyone checked the cellar?
00:52:04I'm not going down there.
00:52:07They're not in the cellar, Bo.
00:52:09What?
00:52:10The cellar.
00:52:11No, I'm not going down there.
00:52:13I'll check.
00:52:17I'm not going down there.
00:52:18I'm not going down there.
00:52:19I'll check.
00:52:20I'll check.
00:53:54Hey, get the hell out of here.
00:53:58Come up here.
00:54:00Come up here.
00:54:02Come up here.
00:54:04Come up here.
00:54:08Come up here.
00:54:12Come up here.
00:54:14Come up here.
00:54:16Come up here.
00:54:18Come up here.
00:54:20Come up here.
00:54:22Come up here.
00:54:24Maybe.
00:54:26In the meantime, we're left in the shit up to our necks.
00:54:30She's probably very happily surfing in Malibu.
00:54:32Come up here.
00:54:34Come up here.
00:54:36Come up here.
00:54:38Come up here.
00:54:40Come up here.
00:54:42Come up here.
00:54:44Come up here.
00:54:46Oh, my God.
00:55:16Hey, open the door.
00:55:23Hey!
00:55:25Open the goddamn door!
00:55:30Open the door!
00:55:34Welcome to the Rugs of Family Saga.
00:55:37Shut up.
00:55:38You're not only locked in, but these fumes will consume you within the next hour.
00:55:44I don't believe you. Shut up!
00:55:46Goodbye.
00:55:48See you soon.
00:55:51The side of the river.
00:56:16I'm sorry.
00:56:17Come on.
00:56:18I'm sorry.
00:56:20I'm sorry.
00:56:21He knows. We got to move fast.
00:56:24We got to find Bobo.
00:56:25I know that.
00:56:26Where the hell is he anyway?
00:56:51Yes!
00:57:21No! Not Lelina!
00:57:28Go away.
00:57:51Help me, Evie.
00:58:06Where are they?
00:58:07I'm in the environment.
00:58:15Look at you.
00:58:17I'm in the environment.
00:58:28Mom.
00:58:33Evie.
00:58:38Help me, Evie.
00:58:42Donna, where are you?
00:58:47Donna.
00:58:55Donna, are you up here?
00:58:58Where are you?
00:59:06Donna.
00:59:17Oh, my God.
00:59:18Oh, God.
00:59:19Oh, God.
00:59:24Oh, God.
00:59:30Oh, God.
00:59:36Oh, God.
00:59:38Oh, my God.
00:59:41Please.
00:59:53Please.
00:59:55Please.
00:59:57Oh, my God.
01:00:08Oh, my God.
01:00:38Evie?
01:00:40You'll be back.
01:00:42Evie?
01:00:49Evie?
01:00:57She was here one minute.
01:01:00She was gone.
01:01:03First Oscar and Donna.
01:01:06Now Eve.
01:01:09What's going on?
01:01:12I can't take it, Saint.
01:01:15Okay, honey.
01:01:16I'm gonna get out of this house for good.
01:01:18When?
01:01:19Now.
01:01:20What are we gonna do with Conrad?
01:01:22We're gonna dump him.
01:01:23No!
01:01:25We gotta put him back where we found him.
01:01:28Where he belongs.
01:01:38Yeah.
01:01:40Yeah.
01:01:41Yeah.
01:01:43You're right.
01:01:45He belongs there.
01:01:47I owe him that.
01:01:48Saint.
01:01:49I'm not going back there, man.
01:01:51No way.
01:01:52Stu, don't give me a ton of shit.
01:01:53Just go upstairs and get the flashlights and let me worry about the details.
01:01:56Saint.
01:01:57Go!
01:02:10Stu.
01:02:22Stu.
01:02:23Stu.
01:02:24Stu.
01:02:25Stu.
01:02:26Stu.
01:02:27Stu.
01:02:28Stu.
01:02:29Stu.
01:02:30Stu.
01:02:31Stu.
01:02:32Stu.
01:02:33Stu.
01:02:34Stu.
01:02:35Stu.
01:02:36Stu.
01:02:37I don't know.
01:03:07I don't know.
01:03:14I'm coming.
01:03:20I'm coming.
01:03:23I'm coming.
01:03:25I'm coming.
01:03:29No.
01:03:31No!
01:03:33No!
01:03:35Get away!
01:03:38Get away from me!
01:03:42Help!
01:03:48Help!
01:03:49Help!
01:03:50Help!
01:03:51Help!
01:03:52Help!
01:03:53Help!
01:03:56Help!
01:03:58Help!
01:03:59Help!
01:04:01Help!
01:04:02Help!
01:04:03Let's go.
01:04:33No, no, no, no, no.
01:05:03Meg, have you seen Stu?
01:05:11I thought he was with you.
01:05:14God.
01:05:16He's not in this room either.
01:05:18Uh, look, I know you're not going to like this,
01:05:22but you're going to have to help me take Conrad back to the cemetery.
01:05:25I won't go near that place again.
01:05:27Meg, come on.
01:05:27And I'm not staying here either.
01:05:29Meg.
01:05:31I used to love this old house.
01:05:33I hate this house.
01:05:38Honey, the walls are so cold.
01:05:41Did you know that a woman committed suicide here once?
01:05:44Did you know that?
01:05:44Yes, I did.
01:05:46I can feel her ghost.
01:05:49I know that someone is after me.
01:05:52Meg, come on, honey, honey.
01:05:54Come on, don't get crazy on me, okay?
01:05:58Meg, I love you.
01:06:00Everything's going to be just fine.
01:06:02All you've got to do is just come with me and wait in the hearse.
01:06:08Come on, honey.
01:06:09Come on.
01:06:11Come on.
01:06:12Come on.
01:06:13Come on.
01:06:14Come on.
01:06:15First, we've got to try and find Stu.
01:06:18Okay?
01:06:20I hope to God nothing's happened to him.
01:06:23I'm going to go look in the back.
01:06:25You look around the side of the house.
01:06:27Please, Meg.
01:06:28We are running out of time.
01:06:30It is going to be lights.
01:06:32Please.
01:06:34Do you think that the dead can come back to life?
01:06:37No, I don't.
01:06:39We did something bad.
01:06:41I know someone is after me.
01:06:54Stewie!
01:06:57Stu!
01:07:04Stu!
01:07:09Stu!
01:07:09Stu!
01:07:10Stu!
01:07:10Stu!
01:07:10Stu!
01:07:11Stu!
01:07:40Stu!
01:07:41Oh, my God.
01:08:11Wipee! Wipee! Wipee! Wipee! Wipee!
01:08:41See, I'm going to go to the police and tell them everything.
01:08:50I'm sorry.
01:08:52Look, I'm not trying to stop you.
01:08:57Did you see? I'm scared.
01:09:01I don't know what's going to happen to us.
01:09:03You can't stop me.
01:09:11Where's my husband's body?
01:09:23Where'd you get this number?
01:09:25From Conrad.
01:09:27Damn it!
01:09:31Look, I'm sorry, Meg, but time has run out.
01:09:36I need you with me.
01:09:38I need you with me.
01:09:39I don't have time for this nonsense anymore.
01:09:42Look, I am going to get the car, and you are going to go running upstairs, and you are going to pack your stuff, and you're going to do it now.
01:09:48You are going to go now.
01:09:49Go!
01:09:55I knew they had the imagination, but I didn't believe they had the guts.
01:10:01Okay, Professor.
01:10:03I'm going to check it out for you.
01:10:04But you've got to give me something more substantial, to connect Radsov, something with your kids.
01:10:13I need something to work with.
01:10:15Do you understand me?
01:10:16Maybe just a red carnation.
01:10:30Frank?
01:10:33We're going to need a search warrant from Judge Stewart.
01:10:36Get it the first thing in the morning.
01:10:37Who's there?
01:10:51Who's there?
01:10:53Oh, my God.
01:11:23Yeah.
01:11:38No!
01:11:44No, Conrad!
01:11:53No!
01:12:23Hey!
01:12:25Hey!
01:12:26Hey!
01:12:29Hey!
01:12:31I'm not going to be kidding.
01:12:34I'm not going to be kidding.
01:12:35It's going to be a good time.
01:12:36I'm not going to...
01:12:38I'm not going to be working.
01:12:39I'm not going to be a bad guy.
01:12:40Here you go.
01:12:42Hey!
01:12:43Hey!
01:12:44Hey!
01:12:53Beg. Beg.
01:13:23I love you.
01:13:40I can't take you with me anymore.
01:13:47I gotta go make things right.
01:13:52I love you.
01:14:02I love you.
01:14:07I love you.
01:14:13I love you.
01:14:19Let's go.
01:14:49Let's check on the sign down at 24th and Ramona, the sign down at 24th and Ramona.
01:14:59Where is Saint Meg?
01:15:05Where do you live, girl?
01:15:19Come on.
01:15:21Come on.
01:15:22Come on.
01:15:24Come on.
01:15:27Come on.
01:15:29Come on.
01:15:52Welcome again to the Rags of Saga.
01:16:20Brought to you uninterrupted by commercials.
01:16:25I love a captive mode.
01:16:29Is it getting hot in here?
01:16:31A trifle stifling?
01:16:35Don't breathe in those fumes.
01:16:37They're really nasty.
01:16:50I'm going to get you.
01:16:57I'm going to get you.
01:17:03I'm going to get you.
01:17:09I'm going to get you.
01:17:16I'm going to get you.
01:17:18I'm going to get you.
01:17:24I'm going to get you.
01:17:39I'm going to get you.
01:17:45I'm going to get you.
01:17:54I'm going to get you.
01:17:58I'm going to get you.
01:18:04Oh, my God.
01:18:34Oh, my God.
01:19:04Oh, my God.
01:19:34Oh, my God.
01:20:03Oh, my God.
01:20:33Oh, my God.
01:21:03Oh, my God.
01:21:33Oh, my God.
01:22:03Oh, my God.
01:22:05Oh, my God.
01:22:33Oh, my God.
01:22:35Oh, my God.
01:22:37Oh, my God.
01:22:39Oh, my God.
01:22:45Oh, my God.
01:22:47Oh, my God.
01:22:49And you thought you could take it with you.
01:22:59And you thought you could take it with you.
01:23:01Oh, my God.
01:23:11Oh, my God.
01:23:21Good evening, madam.
01:23:23Good evening, madam.
01:23:25Oh, my God.
01:23:35Oh, my God.
01:23:37Oh, my God.
01:23:39Come to me, my God.
01:23:49Come to me, my love.
01:23:51Come to me, my love.
01:23:53Oh, my God.
01:23:55Oh, my God.
01:24:03Oh, my God.
01:24:05Oh, my God.
01:24:07Hell is not as bad as you think.
01:24:28It's actually quite pleasant.
01:24:31Maybe the food is a trifle overcooked and the champagne Californian.
01:24:37But you do meet the most interesting people.
01:24:41I hope in future you will show more respect for the dead.
01:25:07Oh, my God.
01:25:12Oh, my God.
01:25:14Oh, my God.
01:25:16Oh, my God.
01:25:18I don't know.
01:25:48I don't know.
01:26:18I don't know.
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