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00:00:00Bhaji, good morning.
00:00:10Morning, morning Kapil.
00:00:11Bhaji, I thought that we have the third season
00:00:15and you are the first time.
00:00:17So, do you plan a special entry
00:00:20like you are coming to film.
00:00:21It's a very easy entry.
00:00:23Do you have two tanks?
00:00:25A tank?
00:00:26Why?
00:00:27It's a little bit of a tank.
00:00:29I'm talking about the tank.
00:00:31Oh, that?
00:00:32That's what you have done already.
00:00:34I don't want to take a little bit.
00:00:35No, tell me something else.
00:00:37Four horses.
00:00:39This season is going to be going to get horses.
00:00:42But they are busy.
00:00:44They are busy.
00:00:45Okay.
00:00:46So, what can they do?
00:00:49Two motorcycles.
00:00:52Why do you have two horses?
00:00:54Two horses, two horses, two tanks.
00:00:56You also have two judges.
00:00:58You have two horses.
00:00:59Yes, that's right.
00:01:00So, what do you do?
00:01:01Do you have a different way?
00:01:02Do you have two horses?
00:01:03Yes.
00:01:04Do you have two horses?
00:01:05Yes.
00:01:06And then you have two horses.
00:01:07This is the best.
00:01:08You have never done that.
00:01:09Never done that.
00:01:10It will be a different entry.
00:01:11You will enjoy it.
00:01:12Damn.
00:01:13Two horses, Ajit Devgan.
00:01:14Wow.
00:01:15Come on.
00:01:16Come on.
00:01:17Come on.
00:01:18Yeah.
00:01:19Good evening and welcome to the Great Indian Coffee Show.
00:01:49Thank you, Shupriya. Please, please, Virajman. Thank you.
00:01:55You are liking my Lili Bili Sili Chilli, baby.
00:01:58I love them, but today you have made Prittor and Jitok today.
00:02:04That's why we are in Punjabi E-Tire, because the guest here is coming from Punjab.
00:02:09Who is coming from here?
00:02:10Look, Sardar Ji is with you.
00:02:12If the son of Sardar also comes, how do you feel?
00:02:15Oh!
00:02:17My last thing is going to be changed.
00:02:19You want to change my whole thing?
00:02:21My show is clean.
00:02:22Don't be scared.
00:02:23Son of Sardar is coming from the movie.
00:02:25His guests are coming from here today.
00:02:27Oh!
00:02:29Please welcome Mr. Ajay Devan, Mr. Ravi Kishan, and very beautiful Mr. Muranai Thakul.
00:02:39Welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome, Ajay sir.
00:02:51Welcome, Muranai Thakul.
00:02:53Welcome, Ravibiyah.
00:02:55Ajay sir, Ravibiyah, Muranai Thakul, you are very welcome.
00:03:01Our third season is our first season.
00:03:03Ajay sir, why are you so late late?
00:03:05I am waiting for you to come back.
00:03:07I am waiting for you to come back.
00:03:09When he will come back, I will come back.
00:03:11Oh!
00:03:12He's coming back.
00:03:13Son of Sardar will come back when he will come back.
00:03:15Son of Sardar's role.
00:03:17Son of Sardar's role will involve a major,
00:03:23and when you are in the position of your comfort zone,
00:03:25you will be happy.
00:03:26But,
00:03:29your entry entry will be the symptom of this matter
00:03:33and the pit will be the symptom of this matter.
00:03:37Yes!
00:03:38He will be the symptom of your entry.
00:03:40In your entry, the symptom of this matter,
00:03:42he will be the symptom of this matter.
00:03:44One line, let them say, when will this mahlak be used?
00:03:50You are taking six places, do you know how much it will be used?
00:03:58This is a big expert, Raviviyah.
00:04:00Like the whole thing is not a bad job,
00:04:02when the forest is gone,
00:04:04they make it up in the morning,
00:04:06they make it up in the morning.
00:04:07As they have prepared the grass,
00:04:08the grass came up,
00:04:09they said,
00:04:10you will be beautiful to see the sun of the sun.
00:04:11Where you go, Akshay Paji, you will have a
00:04:13kitchen of a kitchen.
00:04:15They don't have to throw up.
00:04:20You are very loving now.
00:04:22Now you are always loving.
00:04:33This is our old friend.
00:04:34I've also come here a lot.
00:04:36But today,
00:04:38We've never seen such a long neck as Kapil Sharma.
00:04:45That means...
00:04:46What is this neck?
00:04:48The neck is such a long neck?
00:04:50Who is that?
00:04:51Who is that?
00:04:52Who is the bootpacker?
00:04:53Who is that?
00:04:54Who is that?
00:04:55Who is that?
00:04:56Who is that?
00:04:57Who is that neck?
00:04:59There was a neck like this.
00:05:00The neck of the neck.
00:05:01The neck of the neck.
00:05:02The neck of the neck.
00:05:03After years, the whole whole world,
00:05:04the whole wish for Netflix,
00:05:05192 countries,
00:05:06the neck of the neck of the neck.
00:05:13People lose weight,
00:05:14but you've done so much,
00:05:16the neck of the neck also.
00:05:17That's how it works.
00:05:18That's how it works.
00:05:19That's how it works.
00:05:20Oh, thanks.
00:05:22But, Rabi, I'm so happy for you.
00:05:24Yes.
00:05:25What have you done with the ladies?
00:05:26Yes, yes.
00:05:27Netflix said,
00:05:28make sure to mention it.
00:05:29But you came to Oscar.
00:05:31Wow.
00:05:32It's so...
00:05:33What?
00:05:34Wow.
00:05:35Yes.
00:05:36I was relying on...
00:05:39Wow.
00:05:40Wow.
00:05:41I was doing something right now.
00:05:42I became a kid in the Villain.
00:05:43I was a kid in Gorekpur.
00:05:44I became a kid.
00:05:45And I thought,
00:05:46maybe someone would be calling me
00:05:47acting.
00:05:48But it is the same kid.
00:05:50It is a kid.
00:05:51It is a kid.
00:05:52It is different.
00:05:53It is different.
00:05:54It came from a new film.
00:05:55It was a small film.
00:05:56It was a small film.
00:05:57It was the director of Kiran Khair.
00:05:58The lady.
00:05:59It was a police officer.
00:06:01But you were mind-blowing in La Pata Lake.
00:06:21I was going to say, but I kept quiet.
00:06:31In his set, you know that it's a comedy film.
00:06:34It's a very serious film.
00:06:36Yes.
00:06:37Oscar, Oscar.
00:06:38So, there was a comedy too, seriously.
00:06:41I said, it was a bit open.
00:06:43It wasn't open.
00:06:44It was about half a day.
00:06:45Half a day later, I said,
00:06:46I'm going to take you seriously.
00:06:48I didn't know what to do.
00:06:49I realized what to do.
00:06:51Actually, actually,
00:06:52we were from Singham.
00:06:54I will thanks to him,
00:06:55that they called me one day,
00:06:56which never happened to me.
00:06:58He was 13-39 years old.
00:06:59He was the phone and said,
00:07:00Rabeek, what are you doing?
00:07:01I said,
00:07:02I said,
00:07:03Sanju Baba is going to come to Sanjadat
00:07:05at Sanap Sardar,
00:07:06because of their visa rejected their visa.
00:07:09Did he do it?
00:07:11I was so happy.
00:07:12Sanju Dhat is an cult man.
00:07:15And in that place,
00:07:16we found our own love.
00:07:19Now, think about our own work.
00:07:22And we are in Sanjadat's role.
00:07:25Unbelievable!
00:07:27It's a big compliment also, no, Ravi?
00:07:29And a very big compliment.
00:07:31Hey, brother,
00:07:33you have to know that in Climax,
00:07:35I have a lot of hero.
00:07:37Swarth is coming.
00:07:39In Climax, everyone wants to take their lines.
00:07:41I was standing there.
00:07:43The director-sahab, Vijay Arora Ji,
00:07:45they said that,
00:07:47give Ravey a line,
00:07:49keep the camera on Ravey,
00:07:51and keep the camera on Ravey.
00:07:53And silently, he was just standing.
00:07:55He just kept quiet. He was just standing there.
00:07:57And this is not my hand.
00:07:59We fight for lines.
00:08:01Because, Guru, this is a purpose.
00:08:03This happens when you don't be insecure.
00:08:05When you know that he's stuck.
00:08:07And the most important thing is that
00:08:09you're not important,
00:08:11the film is important.
00:08:13You have to do it for the film.
00:08:15You have to do it for the film.
00:08:17Super. Absolutely.
00:08:19I have a story.
00:08:21I was filming a very multi-starrer.
00:08:23And I was a negative villain.
00:08:25And I left someone's shooting.
00:08:27And it was that
00:08:29you have to kill me in Climax.
00:08:31One will kill me.
00:08:33One will kill me in three heroes.
00:08:35Now, I was sitting in Vanity Van
00:08:37in the morning.
00:08:38It was in the morning.
00:08:39It was in the evening.
00:08:40It was in the evening.
00:08:41And I had to go to another shooting.
00:08:43I asked the AD.
00:08:44I called him.
00:08:45I said, what happened?
00:08:46Why didn't you call me?
00:08:47He said,
00:08:48I'll kill him.
00:08:49I'll kill him.
00:08:50I'll kill him.
00:08:51I'll kill him.
00:08:52I said,
00:08:53I'll put a knife in the middle.
00:08:54I'll kill myself.
00:08:55You can go.
00:08:59You need to go to another set.
00:09:01You can go.
00:09:02You can go to another set.
00:09:04He plays the type of plays.
00:09:05He plays.
00:09:07Thanks to him
00:09:08that I am
00:09:09Son of Sardar.
00:09:10For the first time,
00:09:11you will see whole entire
00:09:12of the whole of the whole
00:09:13of Bihar.
00:09:14I'm a good one.
00:09:18I was like, I was like,
00:09:20I was like,
00:09:22Sanjay sir,
00:09:24this is the first part of the work.
00:09:26Now he's Raviyah.
00:09:28Sanjay sir is Punjabi, right?
00:09:30Suddenly he is Raviyah from UP.
00:09:32How did this come in your mind?
00:09:34We have worked out this character,
00:09:37which was his father,
00:09:39and they were doing this in every city.
00:09:41Oh
00:10:11Dancer got him in London.
00:10:13They were working in a restaurant
00:10:15and they told me that
00:10:17he was angry and angry and angry
00:10:19and angry and angry.
00:10:21And then I think
00:10:23that my father will stop
00:10:25and I will break his hands.
00:10:27That's why I will accept it.
00:10:29So this film is so fun.
00:10:31You guys are enjoying this film.
00:10:33After a very long time
00:10:35without any
00:10:37words, Kamal's family
00:10:39with 5-6 tickets
00:10:41you can see this film.
00:10:43Sir, I have a question
00:10:45about you.
00:10:47We were filming a little bit
00:10:49and we lost a little weight
00:10:51and now we will go to Amritsar
00:10:53and we will grow up and eat it.
00:10:55We will keep you so much.
00:10:57How difficult it is.
00:10:59Look at the camera.
00:11:01We don't have to wear jackets
00:11:03but the people in the back
00:11:05like this.
00:11:07It's like the back
00:11:09is like this.
00:11:11V-shaped.
00:11:12I must say that
00:11:13when we were in the set
00:11:15and since I was shooting
00:11:17with so many actors
00:11:19it was the first time.
00:11:21But when we sit on Sir's side
00:11:23and we were watching our diet
00:11:25and Sir, in between the short also
00:11:27we would go and work out.
00:11:29He would go and work out.
00:11:31That is the amount of dedication.
00:11:33When you are in the set
00:11:35it feels like it came out.
00:11:37Come sit with them.
00:11:39I will come here.
00:11:41I will do it.
00:11:43I will do it.
00:11:45I will do it.
00:11:47I will do it.
00:11:49No, no, no, no.
00:11:51My personal question is
00:11:53how is this house?
00:11:55it will ride the bill on the plane.
00:11:57As you off the side,
00:11:58it will come from the inside
00:11:59from the inside.
00:12:01Guru, I'm telling her
00:12:03that this won't be seen.
00:12:04You have the rest of the show.
00:12:05Look at all.
00:12:06I will watch Switzerland for you.
00:12:08I will never see you.
00:12:09Whoa.
00:12:11Mrunal,
00:12:12Mrunal.
00:12:13Mrunal,
00:12:15Mrunal's leadership,
00:12:16are you happy with him?
00:12:17Nobody happy sometimes.
00:12:19But after the end
00:12:20where he ends.
00:12:21I don't know why I asked you about it.
00:12:23You know, Mrunal is not happy to be more than a hero.
00:12:28He didn't have a job in the jersey.
00:12:31He had a problem with Ritik's private job.
00:12:34He had a problem with Delcare's government job.
00:12:37In real life, 50-60,000 girls want to become a hero in your life.
00:12:43I got an association with them.
00:12:45They signed me and asked me to ask Mrunal,
00:12:49if you want to go to Sanofsardar 2,
00:12:53then you will know what you need to do.
00:12:57Raviyah, you have a Neta.
00:13:00You have to suggest someone to Murnal.
00:13:03How do you find a life partner for your life?
00:13:06Look, this is a very difficult question.
00:13:08The whole country, the whole wish.
00:13:10I don't know that if you have a Neta married,
00:13:13then after a month, after a month, the house will come.
00:13:17If we will marry this,
00:13:19then after a month, after a month, after a month,
00:13:21after a month, after a month, after a month.
00:13:23Then after a month, the son will call him.
00:13:25If he's a son, then he'll call his uncle?
00:13:26No.
00:13:27No.
00:13:28Who will come to the next?
00:13:29I mean,
00:13:30The situation will be too small.
00:13:31You will forget the birthday,
00:13:32anniversary,
00:13:34you will forget the 30th birthday.
00:13:36I mean, he will come and come in at night.
00:13:38But you never know.
00:13:39Neta is a good person.
00:13:42You have an image that was made, they are emotional people, they are family people, I am a good person, I have never thought of it.
00:13:57If you don't give a mic in your hands, you put it in your mouth.
00:14:01He knows this.
00:14:24I want to get married, I want to have children.
00:14:31Let's change the topic.
00:14:33Ajay sir, the son of Sardar tool is coming.
00:14:35First of all, RAID 2 is hit.
00:14:38I have seen two, like I love my baby.
00:14:41Two is coming.
00:14:43My two numbers are coming.
00:14:46Ajay sir's date of birth and my date of birth is the same.
00:14:48Two numbers are coming, Ajay sir, do you believe?
00:14:50Your two numbers are coming, my 3-4-5 is coming.
00:14:53How?
00:14:55Drishan 3, Dhawal 4, Golmal 5.
00:14:59Yes, yes.
00:15:01Before I talk about it, I had a friend of Ajay sir, a fan of Ajay sir.
00:15:07He said to me, you have to ask me a question.
00:15:10Ganga Ram Ji is writing a question.
00:15:12Ganga Ram Ji's question is, Ajay sir, your Golmal series is a big comedy film, a big hit.
00:15:16The Dhammal series is a big hit.
00:15:18You do comedy in your films.
00:15:20The show is made for comedy.
00:15:22Why do you become serious?
00:15:24Philip Dashifu Saloon has worked.
00:15:25The cycle is killing me from epsilon.
00:15:26Ganga Ram Ji.
00:15:27Ganga Ram Ji's question is, Rajayan Gay theatre has been his 키has done recently.
00:15:30Ganga Ram Ji当然 was relevant to the show.
00:15:31Ganga Ram Ji Nurished has been accused of the show.
00:15:48You know, at 6 o'clock,
00:15:50at 11 o'clock in the morning,
00:15:52at 11 o'clock in the show.
00:15:54I'll tell you.
00:15:56One film is in Mumbai,
00:15:58and the other is in South.
00:16:00One is here and one is here.
00:16:02Do you want to go here or do you want to go here?
00:16:04I wanted to ask you something.
00:16:06I didn't want to go here.
00:16:08One is shooting here,
00:16:10one is shooting here,
00:16:12one is shooting here,
00:16:14one is shooting here.
00:16:16In the set-up and in the set-up.
00:16:18Nothing here.
00:16:20Dad, Dad, Dad.
00:16:22I always say,
00:16:24Dad, Dad.
00:16:26Yeah, I said,
00:16:28Dad, Dad, Dad.
00:16:30Dad, Dad, Dad.
00:16:32It's a lot of confusion.
00:16:34How many languages have you done?
00:16:36In fact, only Hindi and Telugu.
00:16:40But have you learnt Telugu?
00:16:42No.
00:16:44Okay.
00:16:45Murnal is a good one.
00:16:46It's a good one.
00:16:48You'll be a good one.
00:16:49I think all of them are good.
00:16:50What will happen today?
00:16:52I'm in the mood.
00:16:54I'm in the mood.
00:16:56What did you leave?
00:16:58They have wings.
00:17:00I have a good one.
00:17:03I have a good one.
00:17:04But now,
00:17:05I'm with a baby.
00:17:07Now,
00:17:08you're talking about baby.
00:17:09You've broken a lot.
00:17:10I don't have a subscription.
00:17:11I feel like they didn't get a subscription at home.
00:17:18I'm going to tell you something about Ajay Sir.
00:17:21You all know that there are superstars who do every genre of films.
00:17:24Thriller, Crime, Raid.
00:17:27Now he's also super hit.
00:17:28Comedy in Golmal, Dhamal.
00:17:30Action in Singham.
00:17:32In small towns, Ajay Sir,
00:17:34there's a saloon.
00:17:36They don't leave any work.
00:17:38Like one's cutting,
00:17:42then the other's shave.
00:17:44With the cutting of his cutting,
00:17:46they start to shave.
00:17:48So he won't go.
00:17:50If the third comes,
00:17:51they start to do facial.
00:17:53So you don't have to leave anything.
00:17:55How do you keep the producers of these 5-5 methods?
00:17:59I actually learned this from Siddhupaji.
00:18:02He put it in Rumal Cricket,
00:18:04one in Politex.
00:18:08There's only one Rumal here.
00:18:10No, no.
00:18:11There's a whole bed here.
00:18:16Oh!
00:18:17Come on!
00:18:18There's a little bed here.
00:18:20There's a little bit of Archanan Ji's Rumal.
00:18:22Oh!
00:18:25Ladies, see,
00:18:26you'll meet Ajay Sir,
00:18:28Murnal and Ravi,
00:18:29and now it's time
00:18:30to enter the other of the son of Sardar II
00:18:32to enter the mind of this man.
00:18:33Please welcome Mr. Windu Dara Singh,
00:18:38Mr. Sanjay Mishra,
00:18:40Mr. Deepak Dobreyal
00:18:41and very beautiful Kupra Singh.
00:18:43Yes, sir.
00:18:45Mindu Paji.
00:18:50Deepak bhai, Deepak bhai.
00:18:51Hello.
00:18:52Hello, Kunal, Kunal.
00:18:54Sanjay bija.
00:18:56Kunal, Kunal.
00:19:03Ajay, sir.
00:19:04Did you get them?
00:19:05Lily, Billy, Sili, Chilli.
00:19:07Just like your artist, right?
00:19:10Ravi bhai hai, Mindu Paji hai, Sanjay ji hai, Deepak bhai.
00:19:13How do you feel like your brother?
00:19:17Now I understand why your tagline is here.
00:19:19Every star will grow up.
00:19:26You can say that every star will grow up.
00:19:29You can say that Ravi bhai hai,
00:19:31you can't say that.
00:19:36Glamour needs to be together.
00:19:38It's a little bit of a feature.
00:19:40It's a little bit of an eye out.
00:19:41Lily, Billy, Sili, Sili.
00:19:42You guys go, back stage.
00:19:49I really like that Ajay sir's film,
00:19:51Mrunal and Kubra also.
00:19:53This is the reason why we came to Son of Sardar.
00:19:56You know, Vindu Paji is standing behind.
00:19:58So, it's like that.
00:19:59When did he go?
00:20:00Vindu Paji.
00:20:01Vindu Paji.
00:20:03Vindu Paji's name is Virendra Singh Randhawa.
00:20:06Yeah.
00:20:07Vindu Paji,
00:20:08you've got a name in 40 people.
00:20:09Vindu Paji,
00:20:11you've kept the name based on your name
00:20:12or the family based on your name based on your name?
00:20:14This is genetic.
00:20:15We know from childhood.
00:20:16The two daughters of the Dara's sons have a name based on their name.
00:20:19Vindu Paji,
00:20:21Vindu Paji,
00:20:22a great person.
00:20:23But it's fun to see, Paji.
00:20:24What is the story?
00:20:25Paji,
00:20:26Son of Sardar.
00:20:27Paji, you're a Sardar.
00:20:28I'm a Sardar.
00:20:29I'm a Sardar.
00:20:30The rest of the daughters?
00:20:31Tee Pak,
00:20:33brother and Kubra have also come first.
00:20:35Sonjay,
00:20:37you've come the first time in the last 12 years.
00:20:39I was very happy to meet you.
00:20:41This is the first time?
00:20:42Have you ever had such a place,
00:20:43have you ever made such a place?
00:20:45Or have you ever had to be famous at night?
00:20:48Have you ever had to be famous at night?
00:20:51Have you ever had to be a actor?
00:20:53I've never had to be a actor.
00:20:54I've never had to be a actor.
00:20:55I've never had to be a actor.
00:20:56It's been a actor.
00:20:57Yes, it's been a film for now.
00:20:58The film is also done.
00:20:59But,
00:21:00one thing is power.
00:21:01One thing is a thing.
00:21:02We often take a good script
00:21:05to go to the family of Baba's family,
00:21:07they go to Sardar.
00:21:08They go to Sardar.
00:21:10When we become a film,
00:21:12it's a great actor.
00:21:14Wow,
00:21:16you're not at this point.
00:21:18If I am a big guy,
00:21:20I will come back to myself.
00:21:21Hey, Sanjay Bhia, you are good.
00:21:25We have to wait for you.
00:21:26It's a good thing.
00:21:27Yeah, it's a good thing.
00:21:29One to one.
00:21:30This is a very strange thing.
00:21:32See, I think that every big director, actor, producer
00:21:38has to come to you.
00:21:39This is your love, Sanjay Bhia.
00:21:40You have to say this.
00:21:41No, it's all.
00:21:42When you come to the movies,
00:21:45we have to say that Sanjay sir, but everyone
00:21:47will tell us that they will shoot the film
00:21:48and they will go to the mountains.
00:21:50Yeah.
00:21:50What are you trying to look at the mountains?
00:21:52What are you going to do in the mountains, Sanjay Bhia?
00:21:55I don't know.
00:21:55I have an actor, Woody Helen,
00:21:57who had studied and said that the actors
00:22:00should talk to the film.
00:22:01No, but the good work they can go to the Shariyam.
00:22:08Get out of the lake.
00:22:11Why do you do this?
00:22:13You are doing so good, then why don't you talk to the film?
00:22:15But no, generally, okay.
00:22:17Look, when you meet with senior colleagues,
00:22:19you don't have to learn anything like this.
00:22:22But generally, why do you say that?
00:22:23Why do you have to say that?
00:22:24You keep your hands up.
00:22:26Make sure to prepare yourself.
00:22:28If you have one mind, one body, one body.
00:22:30People will say that you do this in the past 20 years.
00:22:33But Sidhu ji, he came from cricket,
00:22:34he came from the parliament.
00:22:35He came from the cricket, he came from the parliament.
00:22:39Sidhu sir, Sanjay sir,
00:22:41You know, they talk very well.
00:22:43I mean, in a day, I was very frustrated.
00:22:45I asked them if they were young or not.
00:22:48I mean, it's wise.
00:22:50It's a big deal.
00:22:52I haven't even called myself in the name of the day.
00:22:55Oh, boy.
00:22:58I don't think I'm a bad.
00:22:59I don't think I was born when I was born.
00:23:01So, my mother has become this girl.
00:23:04I'm a bad guy.
00:23:07I'm a bad guy.
00:23:08I'm a bad guy.
00:23:10I was a bad guy.
00:23:12I had a bad guy.
00:23:14But I had to be the girl.
00:23:16So, my colleague told me that if he comes to a good guy.
00:23:18I'm a bad guy.
00:23:20What do you mean?
00:23:21What do you mean?
00:23:22What do you mean?
00:23:24When I was born, when I was born,
00:23:27I was born in a hospital.
00:23:29I had to be a kid in the corridor.
00:23:31So, do you become a granddaddy.
00:23:34I'm a baddaddy brother.
00:23:38Deepak Bhai's face, look at Deepak Bhai's face.
00:23:42When you see, you look happy.
00:23:44You look at them in the morning,
00:23:46they checked out and didn't bounce.
00:23:49What is this, Deepak Bhai?
00:23:51Do you keep any competition in your mind
00:23:53or keep 6-7 flat?
00:23:55No, he's also here in Kapil Sharma Show.
00:23:58You're like that.
00:23:59You start from there, everyone.
00:24:01Today, you've put a black hat.
00:24:02What's your look?
00:24:03What's your look?
00:24:04The other one.
00:24:05They're looking at their eyes.
00:24:07They're looking at what other people are saying.
00:24:10Where's your look?
00:24:11I'm standing behind the street.
00:24:12We're looking at that,
00:24:13and we're looking at the man's face.
00:24:15What's the matter?
00:24:17It's like that.
00:24:18We're talking about shaving and
00:24:19we'll kick it in the face.
00:24:24They're running,
00:24:25keep it in the sand.
00:24:30Secret Games, you all have seen.
00:24:32Netflix debut was done.
00:24:34Kubra, when everyone saw the first time in the Secret Games,
00:24:37people got a subscription to Netflix.
00:24:40No, you can see it in Varsova too.
00:24:47They also have to be on Instagram.
00:24:49They keep their jokes and jokes.
00:24:51Did you know how to come to our show?
00:24:53When I'm ready?
00:24:55When I'm doing live shows,
00:24:56I think I'll get a chance.
00:24:58No, I know Kubra.
00:25:00We've done a lot of live shows.
00:25:02When you came as an actor in the Secret Games,
00:25:04I was shocked.
00:25:05Wow, you've done great work.
00:25:08Welcome, Kubra.
00:25:09So happy for you.
00:25:10Thank you, thank you.
00:25:12Have you made a hairstyle?
00:25:14Have you kept a hair dresser?
00:25:17Yes, it's a child.
00:25:19Let's have a child.
00:25:21You're looking very pretty.
00:25:22Caps, finally.
00:25:23Now you're going to flirt with me.
00:25:25When I'm married, I won't do it on camera.
00:25:29I'm doing it.
00:25:31It's okay.
00:25:32You need a motivation for a person.
00:25:35It doesn't change the past.
00:25:37Yes, that's right.
00:25:38Let's go to the film.
00:25:40This is the Son of Serdar Tuk shooting.
00:25:43It was in foreign.
00:25:44If I tell you the name of the locations,
00:25:45it's so beautiful.
00:25:46Glanko.
00:25:47Glanfinan.
00:25:48Kurloos.
00:25:49Don.
00:25:50Lothian.
00:25:51If you give all these names,
00:25:53but if you give them a chemist,
00:25:54you'll give them one,
00:25:55you'll give them one, two, three,
00:25:56you'll give them.
00:25:59Sanjay,
00:26:00when you first know Glanfinan,
00:26:01you'll know that Glanfinan,
00:26:02one time in my mind,
00:26:03you'll tell me that
00:26:0412-year-old or 18-year-old.
00:26:05Glanfinan.
00:26:06Glanfinan.
00:26:07Glanfinan.
00:26:08No, you'll hear the name of Glanfinan.
00:26:09No, you'll hear the name of Glanfinan.
00:26:10No, you'll hear the name of Glanfinan.
00:26:11Only glass.
00:26:12Only glass!
00:26:13Glanfinan.
00:26:14Yeah, yeah.
00:26:15You'll hear those names hearing us before.
00:26:16No, I was going to get into this for a moment.
00:26:18You know, I wasn't even thinking about that.
00:26:28I am going to get there.
00:26:32Now, it's a bit cold,
00:26:33How will the day be cut?
00:26:35When you meet Ajay brother and get out,
00:26:36you've seen a very beautiful girl.
00:26:39By God.
00:26:40I said, will this shoot us with us?
00:26:42I said, yes, yes.
00:26:43Oh.
00:26:44So it will be done with her.
00:26:48Thank you, Deepak Dobriyal.
00:26:58Deepak had kept all his heart.
00:27:01What happened to Deepak?
00:27:03What happened to Deepak?
00:27:04What happened to Deepak?
00:27:06Actually, in backstory,
00:27:07people don't know.
00:27:08He's a woman in the film.
00:27:10Oh.
00:27:10Yeah.
00:27:11Yeah.
00:27:12It's a beautiful street.
00:27:13Very beautiful.
00:27:14Wow.
00:27:15That's why we have to maintain this beauty.
00:27:20And it's a very good,
00:27:21a proper woman.
00:27:24Oh.
00:27:24We also see it.
00:27:26How do you know a proper woman?
00:27:28Because it's a whole set.
00:27:30I've tried to get a gun.
00:27:32What?
00:27:33What happened to Deepak?
00:27:34Yeah.
00:27:35Actually, actually.
00:27:36What happened to Deepak?
00:27:36What happened to Deepak?
00:27:38All the tall guys, you know?
00:27:40Foreign kakmi.
00:27:40All the foreign guys.
00:27:41They were foreign.
00:27:42And they were foreign.
00:27:43They were a shardarji.
00:27:44He was a sardarji.
00:27:45He was a sardarji.
00:27:46One sardarji.
00:27:47He was a sardarji.
00:27:48I'll take him a wedding.
00:27:49Oh, my God, wow.
00:27:51The way they made him look, the way he carried himself.
00:27:57This man started like this for 40 days.
00:28:01What do we do when we go to the restaurant and eat?
00:28:06We don't change the clothes. We dress with a girl.
00:28:10And the most important thing is to get them.
00:28:13Why do we go to the lady's clothes?
00:28:16Your party was a little too late.
00:28:19So he was in the middle and I would go to the hotel.
00:28:21So I'd like to go one hour and get to the hotel.
00:28:23Then I'd like to go this way.
00:28:25And I said, okay, I'm going to go.
00:28:28But we had to go to the bathroom.
00:28:31We went to the men's bathroom and went to the women's.
00:28:35And they stood up and said, what's that?
00:28:38No, no, no, no.
00:28:40We went to the bathroom in a girl's costume.
00:28:42And she went to the men's bathroom and got a laugh.
00:28:45I'll go back and forth.
00:28:48And then, other way.
00:28:50After that, ladies were the same.
00:28:52No, no, start.
00:28:54There was a girl in the washroom.
00:28:57She also laughed.
00:28:58She told me that she went on the phone.
00:29:00She went on the phone and went on the phone.
00:29:02She said, you don't want to go.
00:29:04So, you don't go.
00:29:06She was in the gents.
00:29:08She laughed and said, oh God.
00:29:10And my hand was going to get the ladies.
00:29:12No, no, no!
00:29:14He's a boy!
00:29:20What?
00:29:22Good, I don't know
00:29:52Hello
00:30:22Hello, what was this all?
00:30:24We killed ourselves
00:30:26What was it?
00:30:27What was it?
00:30:29Where was it?
00:30:31Where was it?
00:30:33Let's come from this door
00:30:36Because that door was empty
00:30:40Who are you guys?
00:30:42Those who have to be limited
00:30:44But you have to be in the army
00:30:48What was it?
00:30:50And what are you guys doing?
00:30:52Those who have to be loved
00:30:54We have to be in the house
00:30:56We have to be in the house
00:30:58You were scared
00:31:00Don't worry about the people
00:31:01You don't have to be scared
00:31:02Don't sit with the people
00:31:03Don't sit with the people
00:31:04Don't sit with the people
00:31:05Don't lie
00:31:06Don't lie
00:31:07Don't lie
00:31:08Don't lie
00:31:09Don't lie
00:31:10Oh, God, tell me, what are you coming to do?
00:31:14Yes.
00:31:15It's just for the raid.
00:31:19Then you're late, you're late.
00:31:21Now, Sanof Sardar 2 is coming.
00:31:23That was Ajay Devgana's raid.
00:31:25Yes.
00:31:26We came to Ajay Devgana's raid.
00:31:28Are you talking about Ajay Devgana's raid?
00:31:30I'm just like that.
00:31:35It's just that it's a duplicate of Ajay Devgana.
00:31:39And you'll be looking at them.
00:31:41What are you talking about?
00:31:42What are you talking about?
00:31:44What are you talking about?
00:31:45It's a duplicate, brother.
00:31:47You've come to your head, Ajay Devgana.
00:31:50Hey.
00:31:51You've got your head, Ajay Devgana.
00:31:53You've got your head, Ajay Devgana.
00:31:55You've got your head, Ajay Devgana.
00:31:59Ajay.
00:32:02What's going on, Guru?
00:32:04You have to tilt a little bit.
00:32:06You've got your head.
00:32:07How are you here and Ajay Devgana?
00:32:10You've got your head.
00:32:12You've got your head.
00:32:14Well, you, besides the video,
00:32:16you've got your head, Ajay Devgana.
00:32:17You're here and Ajay Devgana.
00:32:18You have the head, Ajay Devgana.
00:32:19You have to tilt a little bit.
00:32:20You have to tilt a little bit.
00:32:21How many do you do, Ajay Devgana?
00:32:22Yeah.
00:32:23Oh
00:32:25Raviji
00:32:27Your duplicate bun kick it the program can let him
00:32:32Take it after chill on cutting up kiss about catch along going to buy some yoga
00:32:37The association keep permit cabinet I have a duplicate but take over
00:32:41On the association of our association
00:32:43Adda
00:32:45a
00:32:47Dda
00:32:49Ajay Devgana duplicate association
00:32:53I am the original manager of this business.
00:33:01This is from marketing, this is from HR, this is from papad and this is from chitni.
00:33:08What are you saying about papad and chitni?
00:33:11It's like that.
00:33:14That's right, Ajay, you don't have to worry about duplicates.
00:33:20This is your doctor.
00:33:22Your new naks is fine.
00:33:24Your attitude is a little less.
00:33:29Your attitude is fine.
00:33:31And how good you are going to do this.
00:33:33It's not good.
00:33:34It's true, brother.
00:33:36Way to go, way to go.
00:33:40That's nice.
00:33:44Way to go.
00:33:46That's nice.
00:33:49You're doing well.
00:33:56Anyway, it's my way or skyway.
00:34:01Let me tell you, it's released in 25 years.
00:34:05It's released in 25 years.
00:34:08You're doing it.
00:34:10It's released in 25 years.
00:34:15It's released in 25 years.
00:34:19It's released there.
00:34:20It's released in 25 years.
00:34:22Just like me, you're doing it.
00:34:24I speak your voice.
00:34:25Look, I'm talking about this, okay?
00:34:28I'm doing this.
00:34:29I'm doing this.
00:34:30I'm doing this.
00:34:31I'm doing this.
00:34:32You can tell yourself,
00:34:33what are you doing?
00:34:35We'll eat all of them.
00:34:36We'll eat all of them.
00:34:37Why?
00:34:38Why?
00:34:39Here, sir,
00:34:40we'll talk about this.
00:34:41We'll teach you this.
00:34:42We'll teach you this.
00:34:43We'll do it.
00:34:44We'll do it.
00:34:49Add it.
00:34:50Add it.
00:34:52Add it.
00:34:55Add it.
00:35:05Add it.
00:35:06Add it.
00:35:07Add it.
00:35:20Add it.
00:35:22Tanga.
00:35:23Come on, come on.
00:35:31Madness.
00:35:33Today, the whole thing is the most duplicate in India.
00:35:37No doubt, no doubt.
00:35:39In Vihar, in U.P.
00:35:42But, Ajay, I wanted to ask you,
00:35:45what does it make you feel?
00:35:49It makes you feel good only.
00:35:51But some people get very upset.
00:35:53You should feel blessed that people are giving you that kind of respect.
00:35:56I'm so happy you think so, yeah.
00:36:01People start imitating you.
00:36:03People start mimicking.
00:36:05Then, imagine that your life has been so successful.
00:36:08It's a hit.
00:36:09You've become a cult.
00:36:11Absolutely.
00:36:15What you've talked about now,
00:36:17I say that someone's name,
00:36:19the land, the hotel.
00:36:20It's a very small thing.
00:36:21If someone's name is a call,
00:36:23it's a very big thing.
00:36:25Like, when we go to school,
00:36:27we were young children,
00:36:28and they said,
00:36:29I'll take your daddy.
00:36:30Is your daddy Dara Singh?
00:36:32Yes.
00:36:33Very true.
00:36:34I'm sure not.
00:36:35I'm sure not.
00:36:36I'm sure not.
00:36:37I'm sure not.
00:36:38I'm sure not.
00:36:39I'm sure not.
00:36:40I'm not.
00:36:41I'm sure not.
00:36:42I always don't wear the girls.
00:36:43We were young children,
00:36:44we had a lot of girls in school,
00:36:46but we had a lot of boys in school and college.
00:36:47But, when I was young,
00:36:48people didn't believe that he was Dara Singh's son.
00:36:51Then, I started to exercise,
00:36:52and she started to do it.
00:36:53And they were doing it,
00:36:54and we knew that she was Dara Singh's son.
00:36:55He is Dara Singh's son.
00:36:56But Dara Ji has another speciality.
00:36:58He didn't have a Punjabi accent in Hindi pictures.
00:37:02He's doing it and he's doing it.
00:37:04He's doing it and he's doing it and he's doing it.
00:37:06Someone heard a story that said,
00:37:08we're from Punjab,
00:37:10we'll have a little accent in Hindi.
00:37:13Someone told me the story.
00:37:15Dara Ji was doing a lot of Hindi films.
00:37:17So one time he did dubbing the Punjabi film in Chandigarh.
00:37:20So the dubbing engineer was sitting there.
00:37:24So Dara Ji has asked,
00:37:26listen to me,
00:37:28is there a Hindi accent in Punjabi?
00:37:31Every one of them has a habit.
00:37:37The habit is like,
00:37:38we're doing a prank.
00:37:40That's when it happened?
00:37:41No.
00:37:42That's when it happened?
00:37:43No.
00:37:44That's when it happened.
00:37:45No, that's when it happened.
00:37:46No, that's when it happened.
00:37:47But I thought it would happen.
00:37:48We were all ready.
00:37:49Because they're doing it.
00:37:50No, no.
00:37:51Senov Sardar Minho has done a lot of bad.
00:37:52What did he do?
00:37:53There was a scene in the scene
00:37:54that I'm going to go somewhere
00:37:55and our whole group
00:37:56and a sump comes in.
00:37:57Oh!
00:37:58So sump?
00:37:59What is that?
00:38:01There are a lot of sump,
00:38:03shooting people.
00:38:04I said, sump is a sump.
00:38:05Shooting people?
00:38:06I mean, sump is a sump.
00:38:07I mean, sump is a sump.
00:38:08It doesn't mean sump.
00:38:09It doesn't mean sump.
00:38:10It doesn't mean sump.
00:38:11It's a sump.
00:38:12It's a sump.
00:38:13It's a sump.
00:38:14It's a sump.
00:38:15A lot of sump.
00:38:16It doesn't feel like
00:38:17you're annoyed with?
00:38:18Why isn't Serious?
00:38:19So sump is a lot of sump!
00:38:21Oh!
00:38:22What?
00:38:23What the...
00:38:24What?
00:38:25You see a girl,
00:38:26you see a girl.
00:38:27You see a joke.
00:38:28You see a girl.
00:38:29You see a girl,
00:38:30you see a girl.
00:38:31You see a girl.
00:38:32Wow!
00:38:33Oh, wow.
00:38:34Ravi Bhai's idea we've heard that every night,
00:38:37before sleeping, we're going to sleep with Shri Mati-ji.
00:38:40If you're going to sleep with your skin,
00:38:42how many days do you keep your vaccine?
00:38:47I mean, yeah, I love.
00:38:50But she never let me do that.
00:38:51But whenever she's sleeping.
00:38:53Oh, sweet.
00:38:54Oh, sweet.
00:38:55Yeah.
00:38:58Because she was so sad when she didn't have money.
00:39:01Absolutely.
00:39:02She didn't leave me alone.
00:39:04Today, whoever I am, she was with me.
00:39:08My son is in front of me.
00:39:10He knows the way she managed me.
00:39:14I'm going to sleep with my skin.
00:39:16How sweet.
00:39:17What a joke.
00:39:18The man is guilty, the more I'm going to sleep with my skin.
00:39:21Oh, my God.
00:39:25He's playing on front foot today, sir.
00:39:27Oh, my God.
00:39:42You can also put it with a dollar.
00:39:47Why do you cut your hair?
00:39:48The truth is it?
00:39:49This was a little ritual.
00:39:50One time I feel like I'm staying in the office
00:39:53with some feelings, feelings,
00:39:55that you have adopted.
00:39:57If you stay in one place,
00:39:59I feel like you will go to the next set.
00:40:01You will go to the next set.
00:40:02You are also alive in this hope
00:40:03that your hair will come from here.
00:40:08You know, Sanjay brother,
00:40:10Mr. Ajay sir, I love them.
00:40:12I think it will be their 5th film,
00:40:14maybe 14-15 films in the 7th.
00:40:16So,
00:40:17have they opened their office
00:40:18or are you still in their office?
00:40:23They don't know where they live.
00:40:25Where are they?
00:40:26I'm in Lonavela,
00:40:27I'm in Banares,
00:40:28I'm still studying.
00:40:29When shooting happens,
00:40:31Sanjay is a poor man.
00:40:33What?
00:40:34He's a poor man.
00:40:35He's a poor man.
00:40:36He's a poor man.
00:40:37He's a poor man.
00:40:39He's a poor man.
00:40:41He's a poor man.
00:40:42He was introduced to him on
00:40:45a horse.
00:40:47He has put his husband
00:40:49for four years in his home.
00:40:50Ah!
00:40:51He's it!
00:40:52Well, he's his clothes.
00:40:54He's like,
00:40:56he's all who...
00:40:57What's your name?
00:40:58What is your name?
00:40:59There are so many people who love my brother, who also love my father, who also love my father.
00:41:06So it's a good thing to keep your books together.
00:41:10When will you listen to him? He's a film hit, he's a business, he's an actor, he's an actor.
00:41:15This is a small thing that you don't know.
00:41:20One of my dear friends is Guruji.
00:41:24It's a small thing, it's a small thing and it's a small thing.
00:41:29Now you're living in it.
00:41:32All these people are living in a different way.
00:41:36Our country is like this.
00:41:38Hindu, Muslim, Sikh, Hizai, all these are.
00:41:40And our film is like this.
00:41:43This is Guru's philosophy.
00:41:45The first one is God's light, the power of God.
00:41:48One is God's light, which one is God's light.
00:41:51This is the most important thing, Guru.
00:41:54Miss Vence in politics.
00:41:56meanings.
00:41:57When did you put the men in Cristo?
00:41:58Here, I go.
00:41:59But I love said that.
00:42:01People used to put the men in Cristo.
00:42:04How did you do it.
00:42:05I last year before they say you were just quel conductivity men.
00:42:08But you're doing something for you.
00:42:10In your life comes out of fact.
00:42:13You're doing something for the women.
00:42:15Who are just ten days.
00:42:17Do it.
00:42:18They want people to trust you.
00:42:19Come on, but you did.
00:42:20You're doing something for them.
00:42:21I did it.
00:42:23How did the divine come from?
00:42:33Shidhu Sahib, you have proved that if a person takes good care
00:42:40and does it show time to time,
00:42:43then he also shows the effect in this age.
00:42:47Do you understand?
00:42:48Shidhu Sahib, do you understand?
00:42:50You have done it.
00:42:51What will you see in this situation?
00:42:53What will you say?
00:42:55You don't know what to say.
00:42:57Everyone is laughing and laughing.
00:43:00Son of Sardar is also two.
00:43:02Siddhu's twins are twins.
00:43:11Siddhu's twins are twins.
00:43:12Why are you crying sir?
00:43:16Listen.
00:43:17He's not coming.
00:43:19Son of Sardar 2.
00:43:21Ajay Devganji's film is coming in the theater.
00:43:24It's a film?
00:43:25Yes.
00:43:26I'm going to ask you about a kid.
00:43:34Take this back.
00:43:41Ankar!
00:43:42Ankar, what's happening?
00:43:44It's not happening.
00:43:46Take it, take it.
00:43:48Go, go.
00:43:49You're coming back.
00:43:51What are you laughing at them?
00:43:54You took the wrong information here.
00:43:58We don't know how many people are doing this.
00:44:04There are great people.
00:44:06Sorry, Baba.
00:44:07It's wrong with me.
00:44:08Ajay Sahib,
00:44:10a father,
00:44:12a father's fault of his son's fault.
00:44:14He asked you to apply a skirt for forgiveness.
00:44:16Hey, Baba!
00:44:17you
00:44:22i think this skirt is a very small
00:44:24baby
00:44:25don't play it
00:44:27I have to play another skirt
00:44:30watch this
00:44:31oh
00:44:32oh
00:44:33oh
00:44:34oh
00:44:35oh
00:44:36oh
00:44:37oh
00:44:38oh
00:44:39oh
00:44:40oh
00:44:41oh
00:44:42oh
00:44:43oh
00:44:44oh
00:44:45oh
00:44:46Take a look at it and gain it.
00:44:50Sir, it's a funny, funny and warm.
00:44:55It's the parking lot we can do in the airport.
00:44:56We can do the same time.
00:44:58Hey, have a look at it.
00:44:59Have a look at it.
00:45:00Have a look at it.
00:45:01Are you sure that you're talking about it?
00:45:05He says such lines for murnal to impress me.
00:45:10You're so big, you're very proud.
00:45:14You're a good friend, right?
00:45:16So, you can't beat a direct line.
00:45:18That's why funny lines are made.
00:45:22You know that girls like girls.
00:45:25You like girls?
00:45:26Yes.
00:45:27You like girls?
00:45:28Yes, son.
00:45:29Ronal.
00:45:30Yes.
00:45:31You will be very happy to know that
00:45:34my and my family have a great relationship.
00:45:36Yes.
00:45:37In childhood, I used to play a lot with girls.
00:45:40I used to play a lot with girls.
00:45:41I used to play a lot with girls.
00:45:42I used to play a lot with girls.
00:45:45I used to play,
00:45:46I did not know about you in a lot of girls.
00:45:49How do you do things in Netflix?
00:45:54Sorry, but I didn't know.
00:45:57Baba,
00:46:00it's a cobra.
00:46:01No, son, it's a cobra.
00:46:06Baba,
00:46:08it's a cobra.
00:46:09No, son, it's a cobra.
00:46:10No, my father is a cobra.
00:46:12He's a cobra.
00:46:13He's a cobra.
00:46:15Now can you excuse? I want to speak to them.
00:46:30What a film.
00:46:32This film is comedy, romance, action, tragedy, jealousy.
00:46:38Jealousy. Jealousy.
00:46:39We have jealousy.
00:46:40He made a film from Punjab and made a film.
00:46:45Jealousy.
00:46:48We didn't have a film.
00:46:50You're right, Baba.
00:46:52We didn't have a film in Punjab.
00:46:55We didn't have a film from Punjab.
00:46:57We didn't have a film from that.
00:46:59You can see wherever you go.
00:47:01You can cry.
00:47:03There is a film in a film.
00:47:05He asked for forgiveness for people.
00:47:08So, Baba, if someone will eat me,
00:47:10I will give him a film.
00:47:12A film.
00:47:15This is a film.
00:47:16This is a film.
00:47:18This is a film.
00:47:19Ajay Sahib, this is so much fun.
00:47:21He wants to marry him.
00:47:22He wants to marry him
00:47:24so that he can drink the milk on Suhaagrath.
00:47:26he wants to marry him.
00:47:30And with him he wants to marry him.
00:47:32After all, he will marry him.
00:47:34Where did he ask?
00:47:35This isn't true, Baba.
00:47:39I want to marry in the truth.
00:47:41I want to marry him, Baba.
00:47:43Of course!
00:47:43Baba, probably you've forgotten.
00:47:45I'm not a little guy who doesn't look.
00:47:48Yes.
00:47:49Now, I am a young boy.
00:47:52My son has grown up, huh?
00:47:55Yes, Baba.
00:47:58Love you, my children.
00:47:59Love you, Baba.
00:48:04Ajay Sahib,
00:48:07when your children are growing up, I don't know.
00:48:12It's the case of yesterday.
00:48:13He was sitting on his hands and sitting on his hands.
00:48:18Baba, that was our baby's child, Baba.
00:48:22It's the case of all, Baba.
00:48:24You're taking my money.
00:48:26Don't cry, my children.
00:48:28Baba, I'm not crying.
00:48:30Don't cry.
00:48:32Why do you have tension?
00:48:34I'm your father.
00:48:36Tell me, what will you do?
00:48:37I'll ask you from Kapil.
00:48:38Tell me, what will you do?
00:48:39Baba, ask me a hazelnut caramel macchiato.
00:48:43What did you say?
00:48:45Hazelnut caramel macchiato.
00:48:48You were born in Tanzania?
00:48:52Yeah.
00:48:54They made a film on Punjab on Punjab.
00:48:57You want a Punjabi dish?
00:48:59Okay, Baba.
00:49:00You want one glassy?
00:49:02Yes, Kapil.
00:49:03I want a glassy.
00:49:04Okay.
00:49:05And I want a hazelnut caramel macchiato.
00:49:11Wow, Baba, wow.
00:49:13What?
00:49:14What?
00:49:15I've heard of Punjab,
00:49:16I'm asking myself,
00:49:17I'm asking them for a special item.
00:49:18So, Punjabi people are also staying in the village.
00:49:21I've asked them for Canada.
00:49:23Yes.
00:49:24Yes.
00:49:25Now, I'm going to sit with my mother's fingers
00:49:26or my father's fingers.
00:49:27What do you want to do?
00:49:28Why?
00:49:29Now we're painting the play of initiative
00:49:30by consulting and stopping Sieg.
00:49:31Da, you'll know that, Baba!
00:49:32That day, you'll see,
00:49:33whatever will happen with you.
00:49:34You'll play a theory with me.
00:49:35You'll play a theory with me.
00:49:36No, not the theory of this,
00:49:37it'll play a theory with you.
00:49:38You'll play it with me.
00:49:39Well, go!
00:49:40The truth is nothing you've had to say,
00:49:43which has shown us by playing with me.
00:49:45The truth is not been done,
00:49:46but you can do it before.
00:49:47What do you mean?
00:49:48I called him that man who doesn't even get out of your mouth and not get out of your mouth.
00:49:55I called him the village of Babuji!
00:49:59Babuji?
00:50:18Babuji?
00:50:39And the man who killed the sheep, was the cookery.
00:50:42That's the thing.
00:50:43That's what happens, Baba Ji.
00:50:44But you've come to the work.
00:50:46Oh yes.
00:50:47Tell him first.
00:50:49Where's your father?
00:50:51Where's your father?
00:50:52Where's your father?
00:50:53If you have the courage, come in.
00:50:55I won't come.
00:50:57I'll call him.
00:50:58I'll call him the way.
00:51:00What?
00:51:01He's gone twice.
00:51:02He's got a red flag.
00:51:04He's got a red flag.
00:51:05He's got a red flag.
00:51:06He's got a red flag.
00:51:09Come, Baba Ji.
00:51:11Come, Baba Ji.
00:51:12Come, Baba Ji.
00:51:13Come, Baba Ji.
00:51:14I called him the way.
00:51:16Come, Baba Ji.
00:51:18Come, Baba Ji.
00:51:20Come, come.
00:51:21No, nothing.
00:51:22This is nothing.
00:51:23Yes, Baba Ji.
00:51:24One time, I got a suraj, which is a red flag.
00:51:28I also called him the way.
00:51:30Because it was closed.
00:51:31I said,
00:51:32Come on, come on.
00:51:34Come on.
00:51:35Come on.
00:51:36Come on, the sun.
00:51:37Oh.
00:51:38Come on.
00:51:39Come on, the sun.
00:51:40Oh, God.
00:51:41I am sorry.
00:51:42He's all right.
00:51:43I'm sorry.
00:51:44I'm sorry.
00:51:45I am sorry.
00:51:46How are you getting here?
00:51:47I'm sorry.
00:51:48You're a bad man.
00:51:49I'm sorry.
00:51:50I'm sorry.
00:51:51I'm sorry.
00:51:52I'm sorry.
00:51:53I'm sorry.
00:51:54I'm sorry.
00:51:55I'm sorry.
00:51:56I'm sorry.
00:51:57I'm sorry.
00:51:58I'm sorry.
00:51:59I'm sorry.
00:52:00With due respect, Baba Ji, I don't say that, Baba Ji,
00:52:10I don't say that, Baba Ji, I don't say that,
00:52:12but I don't say that, but I don't say that.
00:52:15Look, I respect a lot of science,
00:52:18because we've come to eat from science.
00:52:22I respect a lot of science,
00:52:24but you may have heard that what's going on
00:52:26and what's going on, what's going on?
00:52:30With due respect, Baba Ji,
00:52:33your thoughts are very strong.
00:52:37Yes.
00:52:39In this time, I have given you the freedom of your skirt,
00:52:43and you say, are you strong?
00:52:51You've come here first,
00:52:53you've come here first.
00:52:55Ajay Devgana Ji, I know that you've produced this film.
00:52:59I'll tell you how to spend money in the film.
00:53:02How?
00:53:03If you start shooting at 11 o'clock,
00:53:06then you'll spend money on your dance.
00:53:08Oh, that's a great idea, Baba Ji.
00:53:11I've said that you have a job.
00:53:13You'll keep shooting at 4 o'clock.
00:53:15Breakfast, lunch, you'll spend money on both of them.
00:53:18If you have to do it, I'll say that you'll spend
00:53:20at 11 o'clock at 11 o'clock.
00:53:22Then you'll spend money on breakfast, lunch,
00:53:23and dinner at 3 o'clock, Baba Ji.
00:53:25I'll tell you, don't keep shooting at 11 o'clock.
00:53:28You'll spend money on your day.
00:53:30That's it.
00:53:32And when you're shooting at 11 o'clock,
00:53:35then you'll spend money on the next day.
00:53:37I'll tell you, I'll tell you,
00:53:38you'll spend money on 4 o'clock.
00:53:39You'll spend money on lunch, Baba Ji.
00:53:40I'll tell you, you'll spend money on night.
00:53:43You'll spend money on dinner.
00:53:44I'll tell you, I'll stay at 2 days to buy money on two days.
00:53:49I'll spend money on two days.
00:53:50Listen, listen, you'll spend money on your day.
00:53:52What are you doing?
00:53:53Just do it.
00:53:53Now you've just done it.
00:53:55Look, you're saving money on two days.
00:53:56One producer, we've spent money on it.
00:53:57So you'll spend money on 20 days.
00:53:59What was the film?
00:54:03What was the film?
00:54:05What was the film, Baba Ji?
00:54:08No, no, Sidhuji, wrong, wrong.
00:54:13I don't know, this is Shahanshah.
00:54:16Shahanshah?
00:54:17Shahanshah, Baba Ji. Give up, Baba Ji, give up.
00:54:19The film was closed.
00:54:22It was closed.
00:54:24It was closed.
00:54:26It was closed.
00:54:28You are doing this.
00:54:30I am doing this.
00:54:31I am doing this.
00:54:32I am doing this.
00:54:33Do you guys guess which picture is?
00:54:35Yes, I am.
00:54:37Ready, ready, ready.
00:54:39I will give you a hint.
00:54:40This film is Ajay Devgan Ji.
00:54:42Okay.
00:54:45Ata Ma Ji, Sat Kali Singham.
00:54:47No, no.
00:54:48One minute.
00:54:49If Ata Ma Ji is not a city, then who is it?
00:54:52Give up.
00:54:53Give up, give up.
00:54:54This is Drishyam.
00:54:56One minute.
00:54:57How can this Drishyam happen?
00:54:58I am thinking, where am I going to hide your skin?
00:55:00Where am I going to hide your skin?
00:55:05So, this game is not a game.
00:55:07Come on, come on with me.
00:55:09Come on with me.
00:55:10Come on, son.
00:55:11Oh my God.
00:55:14Oh my God.
00:55:15Come on.
00:55:16Come on.
00:55:17Come on.
00:55:18Ata Ma Ji, Sat Kali Singham.
00:55:20No.
00:55:21Drishyam.
00:55:22Drishyam.
00:55:23This is Drishyam.
00:55:24No.
00:55:25So, which film is this?
00:55:26Give up, give up, give up.
00:55:27Give up, give up.
00:55:28Give up.
00:55:29This is Athithi.
00:55:30When will you go?
00:55:31Yes.
00:55:32I will sit on Athithi.
00:55:33I will not know.
00:55:34I will go in tension.
00:55:35When will you go?
00:55:36When will you go?
00:55:37I will do something.
00:55:38I will do something.
00:55:39Okay?
00:55:40Okay.
00:55:41Okay.
00:55:44Ata Ma Ji, Sat Kali Singham.
00:55:46No.
00:55:47Abu Ji, what are you doing every time?
00:55:49I will tell you once.
00:55:51This is Ata Ma Ji, Sat Kali.
00:55:53This is Singham.
00:55:55No.
00:55:56Drishyam.
00:55:57No.
00:55:58When will you go?
00:55:59No.
00:56:01Give up.
00:56:02Give up, give up.
00:56:03Give up.
00:56:04How will you go?
00:56:06How will you go?
00:56:07This director is thinking.
00:56:08Why did I make it?
00:56:09Why did I make it?
00:56:14Babu Ji.
00:56:16Look, Deepak Ji.
00:56:17What are you doing?
00:56:18I am doing it.
00:56:19You also do a film.
00:56:22Come on, Babu Ji.
00:56:23One, two.
00:56:24One, two.
00:56:25Come on.
00:56:26Come on, Babu Ji.
00:56:27Okay.
00:56:28Ready, Babu Ji.
00:56:29Ready.
00:56:34This is Drishyam.
00:56:36Good.
00:56:37Do you?
00:56:38Where will you go?
00:56:39Himmat One.
00:56:40You should.
00:56:41Your daughter.
00:56:42Give up.
00:56:43Come on.
00:56:44Come on, Babu Ji.
00:56:45Everybody that is Tom.
00:56:46Come on.
00:56:47Good, Babu Ji.
00:56:48Good job, good job, good job.
00:56:55Good job.
00:56:56Good job.
00:56:57Good job, brother.
00:56:59Brother, brother.
00:57:00I'll give you a hint to someone?
00:57:02Yes.
00:57:03The hint comes first, brother.
00:57:04It's done.
00:57:05It's done, brother.
00:57:06You heard the hint first?
00:57:07I'll give you a hint.
00:57:08I'll give you a hint.
00:57:09Look, Guru.
00:57:10The cricket game,
00:57:11when someone makes 200 or 100,
00:57:13they kill all of them.
00:57:15I'll give you a stand for this performance.
00:57:18Absolutely brilliant.
00:57:21Absolutely outstanding.
00:57:24Come on, Guru.
00:57:26Hey, Krishna.
00:57:27Thank you, Sunil.
00:57:28Come on.
00:57:29Come on.
00:57:30Come on.
00:57:32Come on.
00:57:33Come on.
00:57:34Come on.
00:57:35Come on.
00:57:36Come on.
00:57:37Come on.
00:57:38Come on.
00:57:40Come on.
00:57:42Come on.
00:57:43Come on.
00:57:44Come on.
00:57:45Come on.
00:57:46Come on.
00:57:48Ajay, before you guys go,
00:57:50it was so much fun having you all over here.
00:57:53But Ajay, this time you just didn't laugh.
00:57:55You made us laugh.
00:57:57Actually.
00:57:58Really.
00:58:00So that means you're learning something from our show.
00:58:04But how did you enjoy the show?
00:58:05It's always fun coming here.
00:58:07I feel so comfortable that I can be free and love the way the whole thing is.
00:58:14This guy is getting funnier and funnier.
00:58:15Yeah.
00:58:16Absolutely.
00:58:17Actually.
00:58:18Ajay sir,
00:58:19front foot.
00:58:20What a joke.
00:58:21What a joke.
00:58:22And it's so fun.
00:58:23You all are so great.
00:58:25When we talk to you,
00:58:26it's so fun.
00:58:27So you think about it.
00:58:28When you see them on the big stage,
00:58:30how fun it will be.
00:58:31So,
00:58:32all the best wishes.
00:58:33Ajay sir and Khari Keem.
00:58:35And friends,
00:58:36we'll meet with the next next show.
00:58:38With some new guests.
00:58:40Until then,
00:58:41the great Indian couple show.
00:58:42Every fanboy will grow our family.
00:58:44Only on Netflix.
00:58:45Good night Shepha Khair.
00:58:47Good night Shepha Khair.
00:58:48Good bratari.
00:58:52Good morning.
00:58:53To the efforts of our four guests.
00:58:56Good morning.
00:58:57They have taken every big celebrity interview.
00:58:59There was all a common name,
00:59:01so I thought we would call it four together.
00:59:03I am very young.
00:59:04I don't look 31,
00:59:05but I am very young.
00:59:06Who said 31 is young?
00:59:08We all had a recapture in childhood.
00:59:12They said that they don't talk to eat food.
00:59:14If this is the case, if Kamiya has accepted it,
00:59:16it will be a loss of crores.
00:59:20Where are you?
00:59:21You will be checking.
00:59:22No, don't leave.
00:59:23No, don't leave Salman Khan.
00:59:24You come here.
00:59:26The king has interviewed such a person
00:59:28that has not been able to do our country.
00:59:31We will talk about the king of the king.
00:59:34When talking about him,
00:59:35you will have to be the king of thousands of crores.
00:59:39How did he answer this question?
00:59:40I was walking in London,
00:59:41and he saw me.
00:59:42We talked about 2-3 hours,
00:59:43and then he thought,
00:59:44let's do it.
00:59:45And then we did it.
00:59:50This beat that you are on,
00:59:51is it a cabbage or a chicken?
00:59:53I'm not so expert
00:59:54that I can tell the male and female.
00:59:58Saurabh,
00:59:59you don't have any questions
01:00:00in which you are afraid of eating.
01:00:01And you don't have any questions.
01:00:02You don't have any questions on camera.
01:00:04I don't know,
01:00:05anyone will kill me.
01:00:07And the camera...
01:00:10You want to sit back for me.
01:00:11How are you moving over?
01:00:13I'm wild.
01:00:14Leave that aside.
01:00:15I'm great.
01:00:34To be honest,
01:00:35and find a mobile phone.
01:00:36Where do you put me out?
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