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Super Dancer chapter 5 episode 1
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00:00:00Bhaji, good morning.
00:00:02Morning, morning Kapil.
00:00:04Bhaji, I thought that our third season is the first time.
00:00:08So, do you plan a special entry for the film?
00:00:10It's a big entry.
00:00:12I'm going to take two tanks.
00:00:14Why?
00:00:16I'm not going to take a tank.
00:00:18I'm going to talk about a tank.
00:00:20I'm going to talk about a tank.
00:00:22I'm going to talk about a tank.
00:00:24I'm going to talk about a tank.
00:00:26Why?
00:00:28I'm talking about a tank or a tank.
00:00:30Okay, that's it.
00:00:32That's what you've done already.
00:00:34I don't want to take a little bit.
00:00:36Tell me something else, Bhaji.
00:00:38Four horses.
00:00:40This season is going to be going to get horses.
00:00:42But they're busy.
00:00:44They're busy.
00:00:46So, what can they do?
00:00:50Two motorcycles.
00:00:52Why do you have two horses?
00:00:54Two horses, two horses, two tanks.
00:00:56You've got two horses.
00:00:58So, you're going to take them?
00:00:59Yes, that's it.
00:01:00Then, what do we do?
00:01:02It's a different one.
00:01:03Do a job.
00:01:04Yes.
00:01:05Two horses.
00:01:06Yes.
00:01:07This is the best.
00:01:08You've never done that.
00:01:09Never done that.
00:01:10It's a different entry.
00:01:11It's going to be fun, Bhaji.
00:01:12Damn.
00:01:13Two horses, Bhaji.
00:01:14Wow.
00:01:15I was mad at you.
00:01:16Yeah.
00:01:17Yeah.
00:01:18Oh, yeah.
00:01:20Oh, yeah.
00:01:22Come on.
00:01:23Come on.
00:01:27Come on.
00:01:28Yeah.
00:01:30Come on.
00:01:31Yeah.
00:01:32Yeah.
00:01:37Oh, yeah.
00:01:38Good evening and welcome to the Great Indian Kapi Show.
00:01:52You are liking my Lili Bili Sili Chili, baby.
00:01:58I love them.
00:01:59But today you have made a song for Sili Bili Chili.
00:02:04That's why it's in Punjabi E-Tire, because those guests are coming from here, they are coming from Punjab.
00:02:09Okay.
00:02:09Who is coming from here?
00:02:10Look, Sardar Ji is with you.
00:02:12Yes.
00:02:13If Son of Sardar also comes, how do you feel?
00:02:17My last car is going to be changed.
00:02:19You want to be changed my whole car?
00:02:21I know it will be cleaned up in the show.
00:02:22Don't be scared.
00:02:23Son of Sardar is coming from the movie.
00:02:25His guests are coming from here today.
00:02:30Please welcome Mr. Ajay Devkan.
00:02:34Mr. Ravi Kishan and very beautiful Murnaal Thakul.
00:02:48Ajay, welcome, welcome, welcome, welcome, welcome, Ajay sir.
00:02:52Welcome Murnaal.
00:02:53Welcome, Ajay.
00:02:54Welcome, Ravi.
00:02:55Welcome, Ravi.
00:02:59Ajay sir, Ravi bhiya, Murnaal, you are very welcome.
00:03:04Our third season is just the first time.
00:03:06Ajay, why are you so late late?
00:03:07I'm waiting for you.
00:03:08I'm waiting for you.
00:03:09When this leader will come, then I will come.
00:03:10Oh.
00:03:11Oh.
00:03:12Oh.
00:03:13Oh.
00:03:14Oh.
00:03:15Oh.
00:03:16Oh.
00:03:17Oh.
00:03:18Oh.
00:03:19Oh.
00:03:20Oh.
00:03:21Oh.
00:03:22Oh.
00:03:23Oh.
00:03:24Oh.
00:03:25Oh.
00:03:26Oh.
00:03:27Oh.
00:03:28But in your entry, you have a guarantee that the Guru will be a great deal in the box office.
00:03:37Yes, it will be a great deal.
00:03:40Your entry is a guarantee that the box office will be a great deal in the box office.
00:03:45Give them one line.
00:03:46Give them a moment.
00:03:47When will this place be a great deal?
00:03:49If you take six places, do not know how much will it be?
00:03:58This is an expert, Raviviyah.
00:04:00It is not a good deal in the morning.
00:04:02If you have a garden in the morning,
00:04:04they will make a garden in the morning.
00:04:06As they have prepared the grass,
00:04:08when they come here,
00:04:09they will say,
00:04:10you will be beautiful to see the sun of the sun.
00:04:12If you come here,
00:04:13it will be a garden garden.
00:04:15This is not a good deal.
00:04:20Munnal, you are very loving.
00:04:22You are always loving.
00:04:32.
00:04:34We are all in this world.
00:04:36But we have never seen that great deal with Kaipil Sharma.
00:04:42We have never seen this.
00:04:43That's a great deal!
00:04:45That's a great deal!
00:04:46It means these teeth are Bennys?
00:04:48There are so many?
00:04:49So long!
00:04:50How long?
00:04:51They said, who is a good packer who is killed by the market?
00:04:56He can stand up the tree.
00:04:59There was noak here. He was burned down.
00:05:02After years, the whole world, the whole world, the whole wish for Netflix, 192 countries,
00:05:06they could see their gardens.
00:05:13People lose weight.
00:05:15But if you've done so much, your noak also lose weight.
00:05:18That's fine.
00:05:19Oh, thank you.
00:05:23But, Rabi, I'm so happy for you.
00:05:24What have you done with the ladies?
00:05:26Yes, yes.
00:05:27Netflix said, you should have to mention.
00:05:29But you came to the Oscar.
00:05:31Wow, wow.
00:05:33What about you?
00:05:37I was doing a lot of my 34 years ago.
00:05:40Wow, wow.
00:05:40Yes, I didn't have anything.
00:05:42Then, I became a group of Mahadev.
00:05:44I became a group of Gorakhpur.
00:05:46Then, I thought that maybe someone would call me
00:05:48acting in my acting.
00:05:49Then, but it's a group of people.
00:05:51You think it's different.
00:05:52It's different.
00:05:54He said, no, and a film came.
00:05:56It was a small film.
00:05:57Kiran Khair was the director.
00:05:59La Patah Ladies.
00:06:00It was a police officer.
00:06:02He was eating water.
00:06:04I'm eating water.
00:06:05He was eating water at one place.
00:06:08And that was the Oscar.
00:06:09But you were mind-blowing in La Patah Ladies.
00:06:13But Rabi,
00:06:14you've been so exhausted in your work.
00:06:17I was going to say, but I kept quiet.
00:06:24In La Patah Ladies,
00:06:29we're doing the set of Sanav Sardar,
00:06:30and we're also doing the set of Dhamal.
00:06:31We're doing the set of Dhamal.
00:06:33You know, it's a comedy film.
00:06:35It's a very serious film.
00:06:36Yes.
00:06:37Oscar, Oscar.
00:06:38So, there's a comedy too, seriously.
00:06:40I was going to say,
00:06:42I thought, it's a bit open.
00:06:43Yeah.
00:06:44I didn't open it.
00:06:44I thought it was a half a day.
00:06:45And then, I was told,
00:06:47I'm going to take it seriously.
00:06:48I didn't know why I was going to.
00:06:49I realized that I was going to do it.
00:06:51Actually, actually, I will thanks to him that one day they called me a phone
00:06:57which was never happened to me in 13-36 years.
00:06:59I called him and said, Ravik, what are you doing?
00:07:02I said, I said, Sanju Baba is going to be here,
00:07:05but Sanjidat is going to be rejected in Sanav Sardar.
00:07:07So, for any reason, he rejected his visa.
00:07:10You said, you will do it?
00:07:11I was so happy.
00:07:13Sanju is a cult man.
00:07:15And in that place, we were going to go through our own love.
00:07:20Now, think about our own money and our own role in Sanjidat.
00:07:26Unbelievable.
00:07:27It's a big compliment, Ravik.
00:07:29And a very big role.
00:07:31Hey, brother.
00:07:33You have to know that in the climax,
00:07:35I am a hero.
00:07:37It is always coming.
00:07:39In the climax, everyone wants to take their lines.
00:07:42I was standing there.
00:07:43The director, Vijay Arora Ji,
00:07:46Ravik, give all the lines.
00:07:48Put the camera on Ravik,
00:07:49put the climax on Ravik.
00:07:50And silently, he was just standing.
00:07:53You will see the climax of this film.
00:07:55He just kept quiet.
00:07:57He was just standing there.
00:07:58And this is not my hand.
00:08:00We fight for the lines.
00:08:02Because, Guru, this is a purpose.
00:08:04This happens when you are not insecure.
00:08:06When you know that it is a trap.
00:08:08And the most important thing is that you are not important.
00:08:12The film is important.
00:08:14You have to do it for the film.
00:08:16Super.
00:08:17Absolutely.
00:08:18I will tell you a story.
00:08:20I was a very multi-starrer.
00:08:21I was filming a lot of names.
00:08:22I don't know my name.
00:08:23I was all my friends.
00:08:24And I was a negative villain.
00:08:26I left someone's shooting.
00:08:28Now, I have to kill someone in the climax.
00:08:31Someone will kill someone.
00:08:32Someone will kill me from the three heroes.
00:08:35Now, I'm sitting in the Vanity Van.
00:08:37I was in the morning,
00:08:38it was in the evening,
00:08:39it was in the evening.
00:08:40And I would go to another shooting.
00:08:43Just ask the AD.
00:08:44I called him.
00:08:45I said, what happened?
00:08:46Why did you not leave me?
00:08:47He said, he's standing in the back.
00:08:48He's saying, I'll kill him.
00:08:50He'll kill him.
00:08:51I'll kill him.
00:08:52I'll kill him.
00:08:53I'll kill him.
00:08:54I'll kill him.
00:08:55I'll kill him.
00:08:56I'll kill him.
00:08:58You'll get to go.
00:08:59You'll get to go right-pucket
00:09:01and get to the other set.
00:09:03Yeah.
00:09:04He's playing the type of game.
00:09:06I'll kill him.
00:09:08Thanks to him that,
00:09:08I will see you in the back of the city.
00:09:10First time, you will see the whole world,
00:09:12whole country, whole country,
00:09:13whole country.
00:09:14Ah, ah, ah, ah.
00:09:16Ah, ah, ah, ah.
00:09:17Ah.
00:09:18Ah, ah, ah, ah, ah, ah.
00:09:19Ah, ah, ah, ah.
00:09:20Ah, ah, ah, ah, ah, ah.
00:09:20Mr. Ajay Paji, Sanjay Sir was the first part in the first part.
00:09:26Now, Ravi Bhaiya came. Sanjay Sir is also Punjabi.
00:09:30Suddenly, Ravi Bhaiya came from UP.
00:09:32So, how did this come to your mind?
00:09:34This character we had worked out with him,
00:09:37who was N.K. Pita Ji, was in the city.
00:09:41Okay.
00:09:42So, truck driver was in Bihar,
00:09:44so he was in Bihar.
00:09:46So, he came.
00:09:48The Punjabi is not able to do it,
00:09:50but the Punjabi is in Bihar.
00:09:52Yes, it means,
00:09:53it means,
00:09:54brother,
00:09:55I married my mother.
00:09:57Don't go!
00:09:58Yes, brother, I married my mother.
00:10:00My father has three wives.
00:10:03One is in Punjab,
00:10:04the truck took us to Bihar some days,
00:10:06my mother got married.
00:10:08We got married.
00:10:10Then, a pole dancer got him in London.
00:10:12They were working in the restaurant,
00:10:15and they said,
00:10:16the bullies were laughing,
00:10:17and they gave her mother to her English.
00:10:21And then, I think that my father will stop,
00:10:24so I will break his hands.
00:10:26That's what I will say.
00:10:28My God.
00:10:29I will be thinking about this film.
00:10:30You have such a joy.
00:10:31You are so happy.
00:10:32After a very long time,
00:10:34without any words,
00:10:35you can see a film with Kamal's family.
00:10:39What?
00:10:40What?
00:10:41Wow.
00:10:44Sir, I have to ask you one thing.
00:10:46We were also filming,
00:10:47we lost some weight in that room,
00:10:49and now we will go to the restaurant,
00:10:50and eat it again,
00:10:51and have to eat it again.
00:10:52How long are you looking for?
00:10:54You keep maintaining it.
00:10:55You keep maintaining it.
00:10:56You keep maintaining it.
00:10:57It's not so difficult.
00:10:58Even today,
00:10:59there is a camera on the belt.
00:11:00Yes.
00:11:01Look at the camera.
00:11:02We don't have to wear a jacket.
00:11:03We said,
00:11:04the jacket is in the back of the people.
00:11:05Why?
00:11:06It's like this.
00:11:07It's like this.
00:11:08It's like this.
00:11:09It's like this.
00:11:10It's like this.
00:11:11It's like this.
00:11:12I must say,
00:11:13that when we were in the set,
00:11:15and since I was shooting so many actors with the first time,
00:11:18I was shooting so many actors.
00:11:20But when we were sitting on the side,
00:11:22we were watching our diet,
00:11:23and sir,
00:11:24in between the shots also,
00:11:26we would go and work out.
00:11:29He would go and work out.
00:11:30Wow.
00:11:31So that is the amount of dedication.
00:11:33When you are in the set,
00:11:34it feels like it's coming out.
00:11:36Let's sit with them a little bit.
00:11:38I'll come here.
00:11:40I'll take it.
00:11:41I'll do it.
00:11:42I'll do it.
00:11:43I'll do it.
00:11:44I'll do it.
00:11:45I'll do it.
00:11:46No, no, no.
00:11:48No, no, no, no, no, no.
00:11:49Okay.
00:11:50I'm only a personal question.
00:11:51How do you go to this house?
00:11:5312 years old,
00:11:55I'll take the bills off.
00:11:56Just as if it's gone from politics,
00:11:57I'll get out of it.
00:12:01Guru,
00:12:02I'm telling you,
00:12:03you don't have to see this show.
00:12:04You can see everything.
00:12:05I'll see you in Switzerland,
00:12:07but I'll see you in Switzerland.
00:12:08I'll see you in the show.
00:12:11Manal,
00:12:12the government,
00:12:13the agency,
00:12:14are you happy with that?
00:12:15No,
00:12:17No,
00:12:18no,
00:12:19no,
00:12:20no,
00:12:21all happy,
00:12:22no.
00:12:23I know.
00:12:24You can see how you'll know.
00:12:25Do you know,
00:12:26Bruno,
00:12:27he doesn't feel happy with his side of the hero.
00:12:28Okay.
00:12:29He didn't have a job in your jersey,
00:12:30he didn't have a problem.
00:12:31Ha ha ha ha.
00:12:32He didn't have a job.
00:12:33He didn't have a problem.
00:12:34He didn't have a private job with her.
00:12:36He doesn't have a problem.
00:12:37He didn't have a job in his life.
00:12:38He doesn't have a problem.
00:12:39So,
00:12:40I told him,
00:12:41he didn't have a job in your life.
00:12:42A part of his life
00:12:43I think, when you see Sun and Sardar II, you will know what you need to do.
00:12:57Raviviyah, you are also an Abhineta.
00:13:00You have to suggest someone to Murnal.
00:13:03How should you find a life partner for your life?
00:13:06You have done a very difficult question.
00:13:08The whole country, the whole wish.
00:13:10I don't know whether with Murnal is married after it's a month,
00:13:15after a month, the house will come.
00:13:16If Murnal is married after this,
00:13:19it will be about 5, 4 years later in class.
00:13:23Then how should Juan and Sardar be married with the son?
00:13:27No, he will come to the house.
00:13:29Fifteen, the marriage will be less likely.
00:13:31You will forget the year anniversary.
00:13:35You will forget the year 30th.
00:13:36The year will come and come at a night.
00:13:38But you never know.
00:13:40Neta is also a good person.
00:13:42He is a good person.
00:13:48You have a different image.
00:13:50They are emotional people.
00:13:52They are family people.
00:13:54I am a good person.
00:13:56I would never think wrong.
00:13:58I would never give a mic to her.
00:14:00You put it in the mouth.
00:14:02He knows this.
00:14:24I want to get married.
00:14:26I want to have children.
00:14:28Let's change the topic.
00:14:32Mr. Son of Sardar is coming.
00:14:34Before that,
00:14:36Raid 2 is hit.
00:14:38I have seen 2.
00:14:40Like my baby loves me.
00:14:422 is coming.
00:14:44You have two numbers.
00:14:46Mr. Date of birth and my date of birth are the same.
00:14:48Two numbers are my number.
00:14:50Your number is my number.
00:14:52My number is 3-4-5.
00:14:54How?
00:14:56Mr. Dhamal 4-5.
00:14:58Mr. Dhamal 5-5.
00:15:00Yes.
00:15:02Before I talk about this,
00:15:04I had a question from Ajay Sir's fan.
00:15:06He said,
00:15:08You ask Ajay Sir's question.
00:15:10Ganga Ram Ji is writing the question.
00:15:12Ganga Ram Ji's question is,
00:15:14Ajay Sir,
00:15:15Your Gholmal series is a great comedy film.
00:15:16It's a great hit.
00:15:17Dhamal series is a great hit.
00:15:18You always do comedy in your films.
00:15:20The shows are made for comedy.
00:15:22Why do you get serious?
00:15:24The show is an amazing place.
00:15:26That is a great hit.
00:15:28Get back at all.
00:15:30Ganga Ram Ji's question.
00:15:32Ganga Ram Ji says,
00:15:33When a film begins,
00:15:34Checking me the name is at your name.
00:15:35When I come here,
00:15:36Checking me the name is at home.
00:15:37Ganga Ram Ji said,
00:15:38Ganga Ram Ji says,
00:15:39I know how much are you?
00:15:42Ganga Ram Ji told you.
00:15:44The journey of Murnaal is amazing.
00:15:46The big issue is that
00:15:49He will come out on the ėėė´ of the morning.
00:15:51Oh!
00:15:53I'll tell you,
00:15:55one film is in Mumbai,
00:15:57and the other is in South.
00:15:59One is in there and one is in there.
00:16:01Do you want to go there or do you want to go there?
00:16:05I didn't want to go there.
00:16:07One film is in there,
00:16:09one is shooting in there,
00:16:11one is in there and one is in there.
00:16:13Oh!
00:16:15Do you see the menu in the menu,
00:16:17in the set-up and in the set-up?
00:16:19My dad is here, my dad is here,
00:16:21my dad is here.
00:16:23I always say,
00:16:25and they're like,
00:16:27yeah, I said,
00:16:29oh sorry, my dad,
00:16:31my dad is here,
00:16:33my dad is here.
00:16:35How many languages have you done?
00:16:37Hindi and Telugu.
00:16:39But have you learnt Telugu?
00:16:41Are you speaking a little bit?
00:16:43Oh, okay.
00:16:45What's your name?
00:16:47What's your name?
00:16:49I'm in the mood.
00:16:51What's your name?
00:16:53I'm in the mood.
00:16:55What do you think?
00:16:57What did you leave the wings?
00:16:59They're just wings.
00:17:01We love the wings,
00:17:03the wings,
00:17:05the wings,
00:17:06the wings They're so close to them.
00:17:09I was like,
00:17:10haben we lost a lot of money?
00:17:11It's not a sufficient amount.
00:17:12I feel like they have posted a subscription from home.
00:17:16I'm going to tell you something about Ajay sir.
00:17:21You all know that there are such superstars who do every genre of films.
00:17:24Thriller, Crime, Raid.
00:17:27He's also super hit.
00:17:28Comedy, Golmal, Dhamal.
00:17:30Action, Singham.
00:17:32In the small cities, Ajay sir,
00:17:34there's a saloon.
00:17:36They don't leave any work.
00:17:40Like one's cutting,
00:17:42then the other guy comes.
00:17:44They start to shave.
00:17:48So he won't go.
00:17:50The third guy comes, he starts to start facial.
00:17:52So you don't leave anything.
00:17:54How do you put these 5-5 methods of producers?
00:17:58I actually learned this from Siddhupaji.
00:18:02He put one Ruhal in cricket,
00:18:04one in politics.
00:18:08But one Ruhal is also kept here.
00:18:10No, here is the whole Chandra.
00:18:14Oh!
00:18:16Oh!
00:18:17Oh, come on!
00:18:18Here's the chandra,
00:18:19right?
00:18:20That's the little Archana Ji's Ruhal.
00:18:22Oh!
00:18:24Please welcome Mr. Vindu Dara Singh.
00:18:26Mr. Sanjay Mishra.
00:18:27Mr. Deepak Dobryyal.
00:18:28And very beautiful Kupra Sai.
00:18:30Vindu Paji!
00:18:31Hello!
00:18:32Hello, Kupra.
00:18:33How are you?
00:18:34Hello.
00:18:35Hello, Kupra.
00:18:36How are you here?
00:18:37How are you here?
00:18:38Hello, Kupra.
00:18:39How are you?
00:18:40Hello, Kupra.
00:18:41How are you here?
00:18:42Hello.
00:18:43How are you here?
00:18:44How are you here?
00:18:45How are you here?
00:18:47Hello, Kupra.
00:18:48Deepak Bhai.
00:18:51Hello.
00:18:51Hello, Kudran.
00:18:53Hello, Kudran.
00:18:54Hello, Kudran.
00:18:55Sanjay Bhaiya.
00:18:57Namak.
00:19:00Hello.
00:19:02Hello.
00:19:03Hey, sir.
00:19:04You get them like Lily, Lily, Silly, Chilly.
00:19:08Like your artist, right?
00:19:10It's called Ravi Bhaiya, Mindhupaji, Sanjay Ji.
00:19:12Deepak Bhai.
00:19:13How are you feeling, brother?
00:19:15Give the same words.
00:19:17Now I've come to understand why your tagline is
00:19:20Every year will grow up
00:19:26You can tell them that every year will grow up
00:19:29But if you look at Raviyah, you can't say this
00:19:36Glamour needs to be with you
00:19:38A little bit of a feature every year
00:19:41Let's go, let's go
00:19:43You guys go back stage
00:19:47I feel good that Ajay Sar's film is also called Murnal and Kubra
00:19:53This is how we get to the Sun of Sardar
00:19:56Not that Vindu Paji is standing behind it
00:19:58So it feels like a couple of years
00:20:00Vindu Paji, put it in a long way
00:20:03Vindu Paji's name is Virendra Singh Randhawa
00:20:06In total, there are 40 people who have a name
00:20:09Vindu Paji, you have kept the health of your family
00:20:13This is genetic
00:20:16We know from childhood
00:20:17Dara Ji's son
00:20:18Both son's son's son
00:20:20Vindu Paji is such a love
00:20:22Vindu Paji is such a love
00:20:23But it's fun to see the Paji
00:20:24What is the story of Nar Ji?
00:20:25What is the story of Nar Ji?
00:20:26Son of Sardar
00:20:27Paji, you are a Sardar
00:20:29Bamih Sardari, Ambar Khan
00:20:31organ says that to others
00:20:33Tipak, Badit aren't her brothers
00:20:34How many friends and sisters have come first?
00:20:37Sanjay, you have the first time in the last 12 years.
00:20:41I was very happy to meet you.
00:20:42It's the first time?
00:20:43There are no situations, no real life?
00:20:46Or you don't have any interest to be famous at night?
00:20:52It's not your wish.
00:20:53You're here to become an actor, right?
00:20:55I'm Sanjay, but...
00:20:56You're now?
00:20:57You're now.
00:20:58There's also an 80's film.
00:21:00But one thing is a good thing.
00:21:03Sometimes we take good scripts and go to Sahih Baba's house.
00:21:09We go to Siddhi Vinayak.
00:21:12And when a film is made, there is a big actor.
00:21:16They come back with us.
00:21:19So, every day I will become big, I will come back myself.
00:21:23Sanjay Bia, you are good. We are waiting for you.
00:21:27That's a good thing.
00:21:30One to one day.
00:21:31It's a very strange thing.
00:21:34That every director, actor, producer has to come.
00:21:39This is your love, Sanjay Bia.
00:21:41I don't know. It's all of them.
00:21:42How many films have come,
00:21:45we all say that Sanjay sir comes,
00:21:46but we all say that they shoot the film in the mountains.
00:21:50Yes.
00:21:51What are you trying to find out on the mountains?
00:21:53What are you trying to find out on the mountains, Sanjay Bia?
00:21:55I don't know.
00:21:56I have an actor, Woody Allen,
00:21:58but I've also studied.
00:21:59So, he said that the actors should speak to the film.
00:22:01No.
00:22:02But those who do good work,
00:22:03they can go to the mountains, Sanjay Bia.
00:22:08Don't die.
00:22:09Don't die.
00:22:11Don't die.
00:22:12Don't die.
00:22:13Don't die.
00:22:14Don't die.
00:22:15Don't die.
00:22:16Don't die.
00:22:17Look, when you meet senior leaders,
00:22:19you don't need to learn anything from senior leaders,
00:22:21but why do they have to say that they should be a man?
00:22:24What do you want to do?
00:22:25You stay in yourself.
00:22:26You have to prepare yourself.
00:22:28If you have one body,
00:22:29one body, one body,
00:22:31one body, one body,
00:22:32one body,
00:22:33the other body,
00:22:34I've done this last 20 years.
00:22:35But Sidhu Ji is coming from cricket,
00:22:36and coming from here,
00:22:37and coming from here,
00:22:38and comes from the parliament.
00:22:39Sidhu sir, Sanjay sir,
00:22:41you know,
00:22:42he does a lot of things.
00:22:44I was a very worried.
00:22:45I was very disappointed then.
00:22:46I asked you,
00:22:47did you ever say you were young?
00:22:48We always wanted you,
00:22:49I did a lot of things.
00:22:50I said,
00:22:51wise,
00:22:52Ajay, don't even call me any names with the name.
00:22:55Oh, boy.
00:22:58I don't ever think I was born once.
00:23:01I had a miss mother who was born with me.
00:23:04She was old.
00:23:06I'm not a soul.
00:23:11I had a fight for my young people.
00:23:14But I was there until his sister said,
00:23:17if he gets a son, then he's very fun.
00:23:19I'm sorry.
00:23:21I'm sorry.
00:23:22I'm sorry.
00:23:23When the first daughter was born,
00:23:27she was in the hospital.
00:23:29She was sitting in the corridor.
00:23:31So, you'll be a father and a father.
00:23:40Look at Deepak brother's face.
00:23:42When you see, you look happy.
00:23:44You look like she's in the morning,
00:23:46she's not going to bounce.
00:23:49What is this, Deepak?
00:23:51Do you keep a competition in mind
00:23:53or keep a flat 6-7?
00:23:55No, that's also in Kapil Sharma Show.
00:23:58You start from there, everyone.
00:24:00You have a pink hat.
00:24:02What is your view?
00:24:03What is your view?
00:24:04The view of the other.
00:24:06This view of the view of the other.
00:24:08It's because the view of the other's view
00:24:10is that they're looking at it.
00:24:12They're looking at it.
00:24:14This man is looking at it.
00:24:16What a difference.
00:24:18When I'm notpromised,
00:24:20we're gonna do these
00:24:21for the turn.
00:24:22They're running.
00:24:24We're running.
00:24:25I'm running.
00:24:26You just put the durchaus of it.
00:24:27This one on the board.
00:24:30You've seen the secret games.
00:24:32Netflix debut was your debut.
00:24:34When I watched it for the first time
00:24:36in the Secret Games,
00:24:37everyone trained online.
00:24:39You had received a subscription on Netflix.
00:24:41Oh, no, you can see in the Nwaz, too.
00:24:47This is also on Instagram.
00:24:49They keep killing their jokes.
00:24:51Did you know that you were going to come to our show, Kubra?
00:24:53When am I ready?
00:24:55When I'm doing live shows, I think I'll get a chance.
00:24:59I know Kubra's very solid.
00:25:00We've done a lot of live shows.
00:25:02But when you came to the Secret Games,
00:25:04I was shocked.
00:25:05Wow, you worked great.
00:25:08Welcome, Kubra.
00:25:21You're looking very pretty.
00:25:22Caps, finally, now you're going to flirt with me.
00:25:25When I'm married, I don't do it on camera.
00:25:29I'm going to do it.
00:25:31I'm fine.
00:25:33I just need a motivation for a person.
00:25:36When you come to the Quran, you don't change.
00:25:37Yes, that's right.
00:25:39Let's go to the film.
00:25:40Look, Son of Serdar Tuk's shooting is in foreign.
00:25:44If I tell you the name of the locations,
00:25:45how beautiful it is.
00:25:46Glanko, Glanfinan, Kurloos, Don, Lothian.
00:25:52I'm going to go to the film.
00:25:53If you're a chemist, you'll get out of it.
00:25:54If you're a chemist, you'll get out of it.
00:25:56You'll get out of it.
00:25:57I'll get out of it.
00:25:59Sanjay, when you first know Glanfinan,
00:26:02you'll get to know Glanfinan,
00:26:02you'll get to know that you'll get 12-year-old
00:26:04or 18-year-old.
00:26:05Glanfinan.
00:26:06Yeah?
00:26:07I'll get out of it.
00:26:09I'll get out of it.
00:26:10Only glass.
00:26:12No, Glanfinan.
00:26:14Lothian.
00:26:14Can you hear your name?
00:26:16No, I'm going to go up with the film.
00:26:22I told you,
00:26:23I'll get out of the phone.
00:26:23You'll get out of it tomorrow.
00:26:24I told you,
00:26:25I'll get out of it.
00:26:26I'll get out of it.
00:26:27I'll get out of it.
00:26:29I'll get out of it.
00:26:31Now, it's a little cold.
00:26:33How's the day cut?
00:26:34I'll get out of it.
00:26:36I'll get out of it.
00:26:37Look at a beautiful girl.
00:26:39Bye, God.
00:26:40I told you,
00:26:40I'll shoot you with us.
00:26:42I'll get out of it.
00:26:43I'll get out of it.
00:26:44So, I'll get out of it with her.
00:26:46I'll get out of it.
00:26:48I'll get out of it.
00:26:49Deepak Dobriyal.
00:26:55I've never heard that before.
00:26:58Deepak has kept everyone's heart.
00:27:00Huh?
00:27:01No one of Deepak's like that.
00:27:03What's the time?
00:27:06Actually, people don't know about Deepak's like that.
00:27:07He's a woman in the film.
00:27:09Oh.
00:27:10Yeah.
00:27:11Yeah.
00:27:12It's a beautiful street.
00:27:13Very beautiful.
00:27:14Wow.
00:27:15That's why I have to maintain all this music.
00:27:20And a very good,
00:27:21a proper woman.
00:27:24We'll see it and see it.
00:27:26How do you say a proper woman?
00:27:27Because it's a whole set.
00:27:30It's a whole set.
00:27:32The whole henchmen stand with gun.
00:27:35Actually, actually.
00:27:36The whole henchmen,
00:27:38all the tall guys,
00:27:39you know,
00:27:39they hired.
00:27:41They hired all of them.
00:27:42They hired a very good friend.
00:27:44He was a good friend.
00:27:46He was a good friend.
00:27:47He said,
00:27:48I'll get married.
00:27:49Oh, my God.
00:27:50Wow.
00:27:51Wow.
00:27:52The way he...
00:27:54They made him look.
00:27:56The way he carried himself.
00:27:58Wow.
00:27:58For 40 days, this man is like a little bit.
00:28:02What do we do at night?
00:28:04If we go to a restaurant, eat, eat,
00:28:07then we don't change clothes.
00:28:08We dress with a girl.
00:28:10With a wig.
00:28:12And the most important thing was it.
00:28:14Why do we go to a lady's clothes so that we can eat in three days?
00:28:17That was a party. My hotel was a little far.
00:28:19It was in the middle. I would have to go.
00:28:21I would have to get one hour to get one hour to get one hour.
00:28:24I would have to go like this.
00:28:26I would have to go, okay.
00:28:27I would have to go.
00:28:28It's Kurt Ward when you are.
00:28:29But we had to go to the washroom.
00:28:32We went to the men's washroom.
00:28:34We went to the women's clothes.
00:28:35And we stood out and said, what is going on?
00:28:38No, no, no. Who was going to go?
00:28:40We went to the washroom.
00:28:41We went to the girl's clothes.
00:28:42We went to the men's washroom.
00:28:44So, we had to laugh.
00:28:45Go back, go back.
00:28:49And then we went to the other way.
00:28:50Then we went to the lady's clothes.
00:28:52No, no.
00:28:53No, no, no.
00:28:55He's a boy.
00:28:56He's a boy.
00:28:57He's a boy.
00:28:57He was also laughing.
00:28:59He told me that he went to the other way.
00:29:01He was on the phone.
00:29:02He was on the phone.
00:29:03He was on the phone and fell in the wrong way.
00:29:04You don't go.
00:29:05So, he was talking about it.
00:29:07And he was in the same place.
00:29:08He went to the other way.
00:29:09So, he was laughing.
00:29:10Oh, God.
00:29:10And I had to get my hands and put them into ladies.
00:29:13And then I thought, no, no, no.
00:29:15He's a boy.
00:29:16He's a boy.
00:29:17He's a boy.
00:29:18Oh, my son.
00:29:20What happened?
00:29:21Good, I know.
00:29:51Good, I know.
00:30:21Hello, what was this all?
00:30:23We killed ourselves.
00:30:26Where did we come from?
00:30:30Where did we come from?
00:30:33Let's come from this door, because that door was empty.
00:30:39Who are you?
00:30:41Those who have to be limited.
00:30:44But you have to be limited.
00:30:47What are you doing?
00:30:49What are you doing?
00:30:51Those who have to be limited.
00:30:54We have to come from the house.
00:30:57Don't hurt yourself.
00:31:00Do you think you're scared from the top?
00:31:02Don't sit here.
00:31:03Don't sit here.
00:31:04Don't sit here.
00:31:06Don't sit here.
00:31:08Don't sit here.
00:31:09You can tell me.
00:31:10I have to come from the house.
00:31:13I have to go back and say,
00:31:15Say.
00:31:17That's a great deal.
00:31:19Then you're late, you're late.
00:31:21Sanof Sardar 2 is coming, brother.
00:31:23That was Ajay Devgan Kireg.
00:31:25Yes?
00:31:26We came to Ajay Devgan Kireg.
00:31:28Are you talking about this?
00:31:30I'm just like that.
00:31:35It's just that it's a duplicate of Ajay Devgan.
00:31:39Okay.
00:31:40And you're looking at them.
00:31:42What are you doing?
00:31:43What are you doing?
00:31:46It's not a duplicate, brother.
00:31:48Somebody come here.
00:31:51Jaha, come here, Ajay Devgan Kireg,
00:31:54you're looking for him all.
00:31:54I found you and I will leave your head and go.
00:31:58Ajay.
00:32:00Whoa.
00:32:01Whoa, whoa, whoa, whoa.
00:32:03Oh, whoa, whoa, whoa.
00:32:04You have to tilt a few little, understand?
00:32:06Yeah, that's right.
00:32:07It's right, that's right.
00:32:08It's right, that's right.
00:32:10Hey, Ajay Devgan Kireg.
00:32:12Hey.
00:32:14What?
00:32:15I guess you are up here at Akur here at Akurni Murnail Thakur and here I have to look at
00:32:21how
00:32:21Oh
00:32:23Oh
00:32:25VG
00:32:27Yeah, duplicate but the program can let him
00:32:32Take it up a chill on Katika kiss about Katila on Katika by so
00:32:36Okay, the association keep up it. Okay, but take over
00:32:40What's the association?
00:32:42Our association, ADDA.
00:32:44ADDA?
00:32:46A-D-D-A.
00:32:48What does this stand for?
00:32:50Ajay Devgana Duplicate Association.
00:32:59I am a regional manager.
00:33:01They are from marketing.
00:33:03They are from HR.
00:33:05They are from papad.
00:33:07They are from chutney.
00:33:09What are you saying?
00:33:11It's like that.
00:33:15But, Ajay,
00:33:17I don't think you are going to be doing it.
00:33:20You are going to be doing it.
00:33:22You are going to be doing it.
00:33:24Your attitude is a little less.
00:33:29You are going to be doing it.
00:33:31And how good you are going to be doing it.
00:33:33You are not going to be doing it.
00:33:35They are the real ones, brother.
00:33:37Way to go.
00:33:39Way to go.
00:33:40Way to go.
00:33:41That's the nice.
00:33:43Way to go.
00:33:45Way to go.
00:33:46Way to go.
00:33:47Way to go.
00:33:48Way to go.
00:33:49Way to go.
00:33:50Way to go.
00:33:51Anyway, it's my way or skyway.
00:33:55Say it's my way.
00:33:56It's my way.
00:33:57Its my way is skyway.
00:33:58Wait, you have to give me.
00:34:01I am saying it.
00:34:02It has been released in 25 years.
00:34:0425 years ago.
00:34:0525 years ago.
00:34:08You are on a run.
00:34:09It is not what you are doing.
00:34:11My voice is on your voice.
00:34:13A
00:34:43Yeah?
00:34:48Look, add it to the head.
00:34:50Add it to the head.
00:34:52Add it to the head.
00:34:52Add it to the head.
00:35:13Add it to the head.
00:35:21Add it to the head.
00:35:23Now the head.
00:35:28Add it to the head.
00:35:33Add it to the head.
00:35:36No doubt.
00:35:38We had many U.P.
00:35:40But Ajay, I wanted to ask you,
00:35:43how do you feel when you mimic yourself?
00:35:46What does it make you feel?
00:35:48It makes you feel good only.
00:35:49But some people get very upset.
00:35:52No, in fact, you should feel blessed that
00:35:54people are giving you that kind of respect.
00:35:56I'm so happy you think so, yeah.
00:36:01People start imitating you.
00:36:03People start mimicking.
00:36:05Then imagine that your life is so smooth.
00:36:09It's a hit.
00:36:09You've become a cult.
00:36:11Absolutely.
00:36:15What you've talked about now,
00:36:17I say that someone's name is a hotel,
00:36:20but it's a very small thing.
00:36:21If someone's name is a situation,
00:36:24it's a very big thing.
00:36:25We used to go to school,
00:36:27and they used to go to school,
00:36:28and the other one would say,
00:36:29I'm going to take my dad.
00:36:31Is your dad Dara Singh?
00:36:32Yes. Very true.
00:36:34You were your dad.
00:36:35Have you ever played in school or college?
00:36:38Have you ever played with Dara Ji?
00:36:40I'm sure not.
00:36:41I've never played in the fight.
00:36:43We were very young.
00:36:44We had a lot of fights in school and college.
00:36:46But first, it was very young.
00:36:48People didn't believe that he was Dara Singh's son.
00:36:51Then he started exercise.
00:36:52He was doing it.
00:36:53So, now, people would think that he was Dara Singh's son.
00:36:55But Dara Ji has another speciality.
00:36:58He didn't have a Punjabi accent in Hindi pictures.
00:37:01He was doing it.
00:37:02He was doing it.
00:37:03He was doing it.
00:37:04He was doing it.
00:37:05He was doing it.
00:37:06I was doing it.
00:37:07Someone heard a story that said,
00:37:08we're from Punjab.
00:37:10He will have a little accent in Hindi in Hindi.
00:37:13Someone told me the story.
00:37:15Dara Ji was doing a lot of Hindi films.
00:37:17So, one time,
00:37:18he did dubbing the Punjabi film in Chandigarh.
00:37:20So, the dubbing engineer was sitting there.
00:37:24So, Dara Ji asked,
00:37:25you should listen to me.
00:37:27Do you have a Hindi accent in my Punjabi?
00:37:30It's not the same in Punjabi?
00:37:31SubtÃtulos.
00:37:32SubtÃtulos.
00:37:33SubtÃtulos.
00:37:34SubtÃtulos.
00:37:36SubtÃtulos.
00:37:37SubtÃtulos.
00:37:39SubtÃtulos.
00:37:40SubtÃtulos.
00:37:41SubtÃtulos.
00:37:42SubtÃtulos.
00:37:43SubtÃtulos.
00:37:45SubtÃtulos.
00:37:47SubtÃtulos.
00:37:49No, no, Sanof Sardar Minho has made me very bad.
00:37:52What did he do?
00:37:53There was a scene where I'm going,
00:37:55where our whole group comes from.
00:37:57Oh!
00:37:58So, sump?
00:38:00Yes, what is it?
00:38:02There are a lot of sump shooting.
00:38:04I said, sump is a sump.
00:38:06Shooting?
00:38:07I mean, sump doesn't mean sump.
00:38:10Oh, he's got a sump.
00:38:12Let's see.
00:38:13Oh, let's go.
00:38:15He's got a sump.
00:38:17I don't think Sanjay sir, you're scared from the face.
00:38:20Why?
00:38:21What?
00:38:22What?
00:38:24What happened?
00:38:26You're a girl, you're a girl.
00:38:27You're a girl.
00:38:28You're a girl.
00:38:29You're a girl.
00:38:30You're a girl.
00:38:31You're a girl.
00:38:32Wow.
00:38:34We've heard a story about Ravi's brother's brother.
00:38:36Every night,
00:38:37they're laying their pants on their shoulders.
00:38:40If you're laying your pants on your shoulders,
00:38:42how many days will you keep your hands on your shoulders?
00:38:44I mean, yeah, I love it.
00:38:49But she never let me do that.
00:38:51But whenever she's sleeping.
00:38:53Oh, sweetie.
00:38:54Oh, sweetie.
00:38:55Yeah.
00:38:56Because that was my fault when I didn't have money.
00:39:01Absolutely.
00:39:02She didn't leave her with me alone.
00:39:05So today,
00:39:06whoever I'm,
00:39:07she was worried about me.
00:39:09My son is still in front of me.
00:39:11He knows that.
00:39:12She managed me.
00:39:14She's the right person.
00:39:16How sweet.
00:39:17What the matter is?
00:39:19The man, as much as guilty,
00:39:20the more the more the more the more the more the more the more.
00:39:21Oh, my son.
00:39:25Oh, my son.
00:39:26You are playing in the suit, Ajay sir.
00:39:30Deepak bhai is also a habit.
00:39:32Like the schedule of the film is finished,
00:39:34he goes to the saloon,
00:39:35all his hair is cut off.
00:39:36All of them?
00:39:37You are doing so well, Deepak bhai.
00:39:39Why do you cut off your hair?
00:39:40What is your fear?
00:39:41You can cut off your collar.
00:39:47Why do you cut off your hair?
00:39:48Is it true?
00:39:49This was a bit of a ritual.
00:39:50I mean,
00:39:51one time I feel like
00:39:53you have some feelings, feelings,
00:39:55all those things.
00:39:56You have to adopt.
00:39:57So, if you stay in one,
00:39:59you feel like you will go to the next set.
00:40:01You are also alive
00:40:03in this hope that
00:40:04your hair will come from here.
00:40:08You know, Sanjay bhai,
00:40:10Ajay sir,
00:40:11it's a big love.
00:40:12I think it will be their five films,
00:40:14maybe 14-15 films in the last set.
00:40:16So,
00:40:17have they opened their office
00:40:19or are you in their office?
00:40:23I don't know where they are.
00:40:24Where are you?
00:40:25Where are you?
00:40:26I am in Lonaavala.
00:40:27I am in Banaras.
00:40:28I am in Banaras.
00:40:29Where are they?
00:40:30When shooting is a big girl.
00:40:31Yes.
00:40:32Sanjay is a poor man.
00:40:33What are you talking about?
00:40:34He is a poor man.
00:40:35He is a poor man.
00:40:36He is a poor man.
00:40:37He will get vegetables in the car.
00:40:39He will get a drink of a drink.
00:40:40One time,
00:40:41a man is sitting behind him.
00:40:45He is a poor man.
00:40:47He is a poor man.
00:40:48He is a poor man.
00:40:49He is a poor man.
00:40:50He has a poor man.
00:40:51He is a poor man.
00:40:54He is a poor man.
00:40:55He is a poor man.
00:40:56He is a poor man.
00:40:57Why is he a poor man?
00:40:58What is his poor man?
00:40:59What do you think about?
00:41:00There are books for life.
00:41:01There are books.
00:41:02Some of the people who love brothers and sisters.
00:41:04They love the poor and the poor,
00:41:06they love the poor.
00:41:07So,
00:41:08it's a good thing.
00:41:09You should hold books.
00:41:10When will you listen to him?
00:41:12He is a movie,
00:41:13he has made a business.
00:41:14He is an actor.
00:41:15He is an actor.
00:41:16This is a small thing that you don't get to hear.
00:41:20One of my faithful friends is Guruji.
00:41:25He is a little bit of a dream and he is a little bit of a dream.
00:41:30You are still living in the midst of this.
00:41:32All of these people are living in a different kind of life.
00:41:36Our country is also like this.
00:41:38Hindu and Muslim Sikhs are all of us.
00:41:41And our film is also like this.
00:41:43This is the Guru's philosophy.
00:41:45God is a great director.
00:41:47God is great, Guruji.
00:41:50God is great.
00:41:52God is great.
00:42:15Yes
00:42:31Yes, you are Canadian
00:42:33It's not a
00:42:35īŋŊā¤Ēā¤¨āĨ ā¤ĒāĨā¤Ģ ā¤ā¤° ā¤Ļā¤ŋā¤¯ā¤ž ā¤šāĨ
00:42:37ā¤ā¤ŋ ā¤
ā¤ā¤° ā¤ā¤¨ā¤¸ā¤žā¤¨ ā¤
ā¤āĨā¤āĨ ā¤āĨā¤°ā¤žā¤ ā¤˛āĨ
00:42:39ā¤ā¤° ā¤
ā¤ā¤° ā¤ā¤žā¤ā¤Ž ā¤āĨā¤ā¤žā¤Ž ā¤ā¤āĨā¤¸ā¤°ā¤žā¤ā¤ ā¤ā¤°āĨ
00:42:42Yes.
00:42:43He also shows the effect of this age.
00:42:45Do you want to know?
00:42:48Sidhu, don't you want to know.
00:42:50You've done it.
00:42:51What will you show in this age?
00:42:53What will you show in this age?
00:42:55What will you say?
00:42:56You don't know?
00:42:57What is it?
00:42:58Everyone is laughing and laughing.
00:43:00What is it?
00:43:01Son of Sardar is also two.
00:43:02Sidhu is twins.
00:43:08Twins are twins.
00:43:09Sidhu.
00:43:12Sidhu.
00:43:13He's done.
00:43:14Sir.
00:43:15Hey, hey.
00:43:16Sir.
00:43:17Sir.
00:43:18You don't have to know.
00:43:19Son of Sardar 2.
00:43:21This is a film of Ajay Devganji.
00:43:23It's a film?
00:43:25Yes.
00:43:26I've asked about the poor people.
00:43:33Let's take this back.
00:43:40It's a film.
00:43:41Ankar!
00:43:42Ankar, what did you do?
00:43:43It didn't happen.
00:43:46Let's take this back, take it!
00:43:47Let's take this back!
00:43:48What is it?
00:43:49Your vagina is coming back, you!
00:43:52What are you shouting at them?
00:43:54You also had this wrong information to come here?
00:43:59We are always looking so old.
00:44:02I
00:44:05They're big-big people
00:44:07Sorry, Baba, you're wrong with me
00:44:09Ojoe, sir
00:44:11A father did a mistake of his son
00:44:14He asks you a skirt to give me forgiveness
00:44:16Hey, Baba!
00:44:22Your skirt is very small from the first time, Baba
00:44:25Don't give it to you
00:44:27Hey, I'm going to give you a second skirt
00:44:32Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:44:40Sir, sir, my papa is so delicious.
00:44:42It's not even coming from his hand.
00:44:44What?
00:44:45Papa's skirt, wearing and wearing.
00:44:51Sir, this is a weird, fun and warm.
00:44:55This is parking in the airport.
00:44:56Today, we come to the late time.
00:44:58Hey, come and take it.
00:44:59Come and take it.
00:45:00Come and take it.
00:45:02Hey, why are you talking about that?
00:45:05He says such lines to impress me.
00:45:10You're so beautiful.
00:45:13You're married, right?
00:45:15So you can't kill a direct line.
00:45:18That's why you kill funny lines.
00:45:21You know that girls like girls like girls.
00:45:25You like girls?
00:45:25Yeah.
00:45:26They like girls like girls.
00:45:27Yeah, son.
00:45:29Ronal.
00:45:30Yes.
00:45:31I'm happy to know you that my and my wife have a great relationship.
00:45:36I used to play a lot with my wife.
00:45:39I can play a lot with my wife.
00:45:41Ghojoo, she's a girl.
00:45:43She's so big, she doesn't know what you're talking about with my wife and my wife.
00:45:48How do you do this?
00:45:50I'll come to Netflix.
00:45:52Sorry, I didn't know.
00:45:57Baba, is this a cobra?
00:46:01No, son, is this a cobra.
00:46:06Baba, is this a cobra?
00:46:09No, son, is this a cobra.
00:46:10No, Baba, is this a cobra.
00:46:12Oh, this is a cobra.
00:46:18This is a cobra everywhere.
00:46:20Who has kept it?
00:46:24Can you excuse me?
00:46:25I want to speak to them.
00:46:27What's that?
00:46:31What a film.
00:46:33In this film, comedy is, romance is, action is, tragedy is, jealousy is.
00:46:39Jealousy?
00:46:40Jealousy?
00:46:41Jealousy?
00:46:42We have a jealousy.
00:46:43I have made a film from Punjab.
00:46:46We have not brought our film.
00:46:50You are right, Baba.
00:46:52We have made a film from Punjab.
00:46:54We have not brought our film.
00:46:55I don't have to get it from this reason.
00:46:59Look, wherever you go, you keep smiling.
00:47:03In a film, there was no forgiveness for idli.
00:47:08Father, if someone eats my idli,
00:47:10I'll give it to him.
00:47:12From his dough!
00:47:16This makes it so hard to eat.
00:47:19Ajay Sahib is so excited to eat him.
00:47:22He wants to marry him,
00:47:24so that he wants to drink water in a cold night.
00:47:31And he wants to eat meat with it.
00:47:34Where is meat?
00:47:36There is no truth in this story, Father.
00:47:39I want to marry in truth.
00:47:41I want to become a dhula, Father.
00:47:43Father, perhaps you are forgetting.
00:47:45I'm not a little gugglou.
00:47:49Now I'm a young man, Father.
00:47:52My son has grown up.
00:47:54Yes, Father.
00:47:57Love you, my children.
00:47:58Love you, Father.
00:47:59Love you, Father.
00:48:04Ajay Sahib,
00:48:06One is a young man.
00:48:07With a young man,
00:48:08I don't know.
00:48:09When I grow up,
00:48:10I don't know.
00:48:11It's a young man.
00:48:13Yesterday's story.
00:48:14I think he's been so mad
00:48:15on the floor.
00:48:16He was sitting on his hands.
00:48:18Baba, that was our baby's child, Baba.
00:48:23You're all saying, Baba, you're having fun.
00:48:27No, no, my child.
00:48:28Baba, I'm very scared.
00:48:30No, no, no.
00:48:33Why do you get tension? I'm your father.
00:48:36Tell me what you'll drink. I'll ask you to ask you.
00:48:39Baba, ask me a hazelnut caramel macchiato.
00:48:44What did you say?
00:48:45Hazelnut caramel macchiato.
00:48:48What did you say in Tanzania?
00:48:54They made a film on Punjab.
00:48:57I asked a Punjabi dish.
00:48:58Baba, ask me one glass.
00:49:02Yes, Kapil, I have a glass and a hazelnut caramel macchiato.
00:49:11Baba, Baba, wow.
00:49:13Wow.
00:49:14I'm going to ask you to ask me about Punjab.
00:49:15I'm asking you to ask yourself a foreign item.
00:49:17Yes, Punjabi people also remain in the foreign country.
00:49:19I asked you to ask you about Canada.
00:49:21I asked you to ask you about Canada.
00:49:23Yes, yes.
00:49:24Now, I'm going to sit on my mother's hands.
00:49:26I'm going to sit on my father's hands.
00:49:27Why do you want to sit on your hands?
00:49:27Now, let's stop playing the game.
00:49:29Let's stop playing the game.
00:49:31You'll know that, Baba, you'll have to play the game.
00:49:33You'll have to play the game.
00:49:35You'll play the game.
00:49:36You'll play the game.
00:49:37You'll play the game.
00:49:38You'll play the game with the game.
00:49:39Oh, boy.
00:49:40What's the matter?
00:49:41This is not all that has happened to me that I have to play the game.
00:49:45It's not the matter of the matter, but it might last.
00:49:47I mean?
00:49:48I called him that man who doesn't even get out of your mouth.
00:49:52You don't get out of your mouth.
00:49:54What's that?
00:49:55I called him to the village of Babuji!
00:49:59Babuji?
00:50:18Hey, Babuji, come here!
00:50:20My Babuji, come here!
00:50:23Babuji?
00:50:25Who came from, boy?
00:50:29This is the son of a master here.
00:50:31Son of a master?
00:50:32In our life, only the son of a master,
00:50:35the son of a master,
00:50:37the father who called him Kuputr,
00:50:39and, who wasing a girl who called him Kuputr,
00:50:42this is what the kind of Haan
00:50:44is coming, Babuji.
00:50:45But, let's do your work.
00:50:47I'll call him.
00:50:49Where is your father?
00:50:52What's going on, Papa?
00:50:53If you're the courage, come back.
00:50:56It won't come.
00:50:57I'll call him.
00:50:58I'll call him.
00:51:00What?
00:51:00I got to call him.
00:51:02I'll call him to the rear.
00:51:03I'll call him to the rear.
00:51:05Come on, Papa.
00:51:10Come on.
00:51:11Come on, Papa.
00:51:12Come on, Papa.
00:51:13Come on, Papa.
00:51:14Come on, Papa.
00:51:15Come on, Papa.
00:51:16Come on, Papa.
00:51:17Come on, Papa.
00:51:18Come on, Papa.
00:51:19Come on, Papa.
00:51:20Come on, Papa.
00:51:21No, this is nothing.
00:51:22This is nothing.
00:51:23Yes, Baba Ji.
00:51:24Once, I have the surge that you give me.
00:51:27I also call him to the bully because it was closed.
00:51:30I said,
00:51:32I'm standing up.
00:51:33I'm standing up.
00:51:34I'm standing up.
00:51:35Come on.
00:51:36Oh, the surge.
00:51:37Oh.
00:51:38Baba Ji.
00:51:39With due respect.
00:51:41Baba Ji.
00:51:42I don't want to talk to you.
00:51:44I have the surge.
00:51:45I have the surge.
00:51:46I have the surge.
00:51:47That's why I came.
00:51:48I have the surge.
00:51:50You understand me.
00:51:52I have the surge.
00:51:53In the surge.
00:51:54I don't know.
00:51:55If the surge surge,
00:51:56then they're the surge.
00:51:57They won't come here.
00:52:01Now, Devaganah Ji.
00:52:02They won't go here.
00:52:03We won't come here.
00:52:04We won't drink the surge.
00:52:06That's a little bit.
00:52:07With due respect, Baba Ji.
00:52:08I don't have to say that.
00:52:10With due respect, Baba Ji, your thoughts are very strong.
00:52:38In this time, I have given you the freedom of wearing a skirt.
00:52:43Do you think about it?
00:52:51Many of you have come.
00:52:53First of all, the film is coming.
00:52:55I know that you have produced this film.
00:52:58I will tell you how to save money in the film.
00:53:02If you start shooting at 11 am,
00:53:06you will save money in the film.
00:53:09That's a great idea, Baba Ji.
00:53:11I am saying that you have a job.
00:53:12You keep shooting at 4 am.
00:53:14Breakfast and lunch will save money in both of you.
00:53:17I have to say that you will save money at 11 am.
00:53:21Breakfast, lunch and dinner will save money at 3 am, Baba Ji.
00:53:24I am saying that you will save money at 3 am, Baba Ji.
00:53:27See that you will save money at 10 am.
00:53:30Yes yes when you go to my shooting,
00:53:32then at 11 am like that you will save money at 11 am.
00:53:34Don't you save money at 11 am?
00:53:36The last thing at 12 am.
00:53:37I am saying that you will save money at 4 am.
00:53:39Lunch and I will save money at night.
00:53:40I'll save money at night at 8 am.
00:53:42I will save money at night too.
00:53:43Especially when you save money at 2 am.
00:53:44I said that you will save money at 12 am.
00:53:45I'll keep shooting for two days.
00:53:47We'll save money for two days.
00:53:49I'll say that...
00:53:50Just, just, what are you doing?
00:53:52Just do it.
00:53:53Just do it.
00:53:54Look, we've saved money for two days.
00:53:56One of the producers has spent money for two days.
00:54:02Which film was it?
00:54:03That film...
00:54:06Which film was it?
00:54:08It's a film.
00:54:10No, no, Sidhuji, wrong.
00:54:12I don't know.
00:54:15This is Shahanshah.
00:54:16Shahanshah?
00:54:17Shahanshah, bauji.
00:54:18Give up, bauji.
00:54:19Give up.
00:54:20The film was closed.
00:54:21It was closed.
00:54:23It wasn't.
00:54:24It wasn't.
00:54:25Because for two days,
00:54:26it was closed.
00:54:27It was closed.
00:54:29Aji, Aji, Aji.
00:54:30We're talking about this.
00:54:31I'll do this.
00:54:32I'll do this.
00:54:33I'll do this.
00:54:34Do you guys guess which picture is?
00:54:35Yes.
00:54:36Tell me, bauji.
00:54:38Ready, ready, ready.
00:54:39I'll give you a hint to this film,
00:54:41Ajay Devgan Ji.
00:54:42Okay.
00:54:43Okay.
00:54:44Ata Amaji Satkali Singham.
00:54:47No, no.
00:54:48One minute.
00:54:49If Ata Amaji Satkali isn't here,
00:54:51then who is here?
00:54:52Give up.
00:54:53Give up?
00:54:54Give up.
00:54:55Give up.
00:54:56It's a drishyam.
00:54:57One minute.
00:54:58How can this drishyam happen?
00:54:59I'm thinking where I'm going to hide.
00:55:01I'm going to hide my teeth.
00:55:06So this game is playing such a game.
00:55:08Come with me.
00:55:09Come with me.
00:55:10Come with me.
00:55:11Come with me.
00:55:12Come with me.
00:55:13Come with me.
00:55:14Oh my God.
00:55:15Come with me.
00:55:16Come with me.
00:55:17Ata Amaji Satkali Singham.
00:55:18No.
00:55:19Drishyam.
00:55:20No.
00:55:21Drishyam.
00:55:22No.
00:55:23Drishyam.
00:55:24No.
00:55:25No.
00:55:26What film is this?
00:55:27Give up.
00:55:28Give up.
00:55:29Give up.
00:55:30When will you go?
00:55:31Yes.
00:55:32I'm sitting at home.
00:55:33I don't know.
00:55:34I'm in tension.
00:55:35When will you go?
00:55:36When will you go?
00:55:37When will you go?
00:55:38I will do something.
00:55:39Okay?
00:55:40Okay.
00:55:41Okay.
00:55:42No.
00:55:43No.
00:55:44Ata Amaji Satkali Singham.
00:55:46No.
00:55:47No.
00:55:48No.
00:55:49No.
00:55:50No.
00:55:51No.
00:55:52No.
00:55:53No.
00:55:54No.
00:55:55No.
00:55:56No.
00:55:57No.
00:55:58No.
00:55:59No.
00:56:00I don't know.
00:56:01Give up.
00:56:02Give up?
00:56:03Give up.
00:56:04How will you become that?
00:56:06Oh my God.
00:56:07I'm thinking about that.
00:56:08Why did I build this?
00:56:11No.
00:56:12No.
00:56:13Oh
00:56:16Babuji, see Deepak Ji, what are you doing?
00:56:18You are doing it, you also do a film, right?
00:56:21Come on Babuji, one, one.
00:56:24You are a big one.
00:56:25Come on Babuji.
00:56:26Okay, ready Babuji, ready.
00:56:33This is Drishyam.
00:56:36When will you go Aditi?
00:56:38Himmatwala.
00:56:40Himmatwala.
00:56:41Give up, give up.
00:56:43Come on Babuji, all of you.
00:56:55Good job.
00:56:56Good job.
00:56:58Hey Babuji.
00:57:00I will give you a hint to you.
00:57:02The hint is given before, Babuji.
00:57:04It's gone.
00:57:05It's gone, Babuji.
00:57:06You heard the hint before me?
00:57:08Look Guru,
00:57:09When you play cricket,
00:57:11when someone makes 200 or 100,
00:57:13they hit all the balls.
00:57:15I will give you a standing ovation for this performance.
00:57:18Absolutely brilliant.
00:57:20Absolutely outstanding.
00:57:23Come on, Guruji.
00:57:25Hey, Krishna.
00:57:26Thank you, Sunil.
00:57:27Bomb, bomb.
00:57:28Come on.
00:57:29Come on.
00:57:30Come on.
00:57:31Come on.
00:57:32Come on.
00:57:33Come on.
00:57:34Come on.
00:57:35Come on.
00:57:36Come on.
00:57:37Come on.
00:57:38Come on.
00:57:39Come on.
00:57:40Come on.
00:57:41Come on.
00:57:42One time,
00:57:43the son of Sardar,
00:57:44for the whole team.
00:57:45Ajay, before you guys go,
00:57:50it was so much fun having you all over here.
00:57:52But Ajay, this time you just didn't laugh.
00:57:55You made us laugh.
00:57:56Actually.
00:57:57Really.
00:57:58So that means you are doing something with our show.
00:58:02You are learning.
00:58:03But how did you enjoy the show?
00:58:05It's always fun coming here.
00:58:07I feel so comfortable that I can be free and love the way the whole thing is.
00:58:14This guy is getting funnier and funnier.
00:58:15Yeah, yeah.
00:58:16Absolutely.
00:58:17But Ajay, actually Ajay sir,
00:58:18front foot pe chakka.
00:58:19Kya bad hai?
00:58:21And it's so much fun with you all.
00:58:23You all are so great.
00:58:25When I talk to you, it's so much fun with you.
00:58:27So you think about it when you see them on their own
00:58:30and how much fun it will be.
00:58:31So, all the best wishes Ajay sir and all the team.
00:58:34And friends, just so much for today.
00:58:37We will meet again with some new guests.
00:58:40Until next time, we will be watching The Great Indian Couple Show.
00:58:42Every fan of our show will be great.
00:58:44Only on Netflix.
00:58:45Good night.
00:58:46Shepa Khaer.
00:58:57I'm very young. I don't look 31. But I am 31.
00:58:59Who said that is young?
00:59:00We all spoke in a shepard.
00:59:01After a month, we said that we don't talk to the dog.
00:59:03If you tell them the dog, we don't talk to the dog.
00:59:04I'm very young. I don't look 31.
00:59:06But I am 31.
00:59:07But who said that 31 is young?
00:59:09We all told them all about the dog's house.
00:59:10If you don't talk to the dog's house.
00:59:13If you know this story,
00:59:15then it's a waste of the dog's.
00:59:17What happened?
00:59:18You're checking.
00:59:19You're checking.
00:59:21No.
00:59:22Shut up.
00:59:23Don't leave Salman Khan.
00:59:26Raj has interviewed a kind of speciality
00:59:29which has not been able to do our country.
00:59:31We will talk to Raj Shahani.
00:59:35If you talk to him, you will have to be the king of thousands of crores.
00:59:39How did he answer that?
00:59:40I was walking in London and I was looking for it.
00:59:43We talked for 2-3 hours and then he thought, let's do it.
00:59:46Then we did it.
00:59:51What is the beat that you're on?
00:59:52Is it the cabbage or the chicken?
00:59:54I'm not so expert that I can tell the male and female.
00:59:58Saurabh, no one has any questions like this
01:00:01that you're afraid of getting to get to.
01:00:02And after that, 60 people can do it.
01:00:05How do you deal with this situation?
01:00:07I've also gone on camera.
01:00:09I know that no one will kill me in the camera.
01:00:11And when the camera is cut, I'll cut it.
01:00:24I know that.
01:00:39Will she break this down?
01:00:40We'll have to pick her up.
01:00:40I'll cut the rotation down.
01:00:41I'll cut it apart.
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