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The Great Indian Kapil Show S03E05
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00:00:00Bhaji, good morning.
00:00:02Morning, morning Kapil.
00:00:04Bhaji, I was thinking that we have the third season and you are the first time.
00:00:07So, do you plan a special entry in the film?
00:00:10I mean, it's a very easy entry.
00:00:12Well, I'll do two tanks.
00:00:14A tank? Why?
00:00:16It's a little bit of a tank.
00:00:18I'll talk about a tank.
00:00:20I'll talk about an army tank.
00:00:22I'll talk about an army tank.
00:00:24Two tanks, Bhaji.
00:00:26A tank? Why? It's a little bit of a tank.
00:00:28A tank.
00:00:29I'm talking about an army tank.
00:00:31Okay, that's it.
00:00:32That's what you've done already.
00:00:34It's a little bit of a tank, Bhaji.
00:00:36Tell me something else, Bhaji.
00:00:37Four horses, Bhaji.
00:00:39It's going to be a season of marriage.
00:00:41We won't get horses.
00:00:42But they're busy.
00:00:44They're busy, right?
00:00:45Okay.
00:00:46So, what can they do?
00:00:49Two horses, Bhaji.
00:00:52Now, why do you do two horses?
00:00:54Two horses, two horses, two tanks.
00:00:55You've also put two horses.
00:00:57So, you're going to come to them, Bhaji?
00:00:58Yeah, that's it.
00:00:59So, what do we do?
00:01:01Something different.
00:01:02Do one.
00:01:03Do one.
00:01:04Give me two horses.
00:01:05Yes.
00:01:06That's the best.
00:01:08You've never done it.
00:01:09Never done it.
00:01:10It's a different entry.
00:01:11It's going to be fun, Bhaji.
00:01:12Damn.
00:01:13Two horses, Bhaji.
00:01:14Wow.
00:01:22Good evening, and welcome to the great milk coffee show.
00:01:57You're liking my little Billy Chili Chili, baby.
00:01:59I love them.
00:02:00But, today, you've made the Silly Billy Chili.
00:02:02You've made Prittor Jitok.
00:02:04That's why it's in Punjabi E-tar.
00:02:06Because, today, the guests are coming from Punjab.
00:02:08Who are coming from Punjab?
00:02:10Who are coming from?
00:02:11One, look.
00:02:12Sardar Ji is with you.
00:02:13Yes.
00:02:14How are the guests coming from?
00:02:15He's holding on wood.
00:02:17Did you start real clothes?
00:02:18He's carrying a Christmas shirt.
00:02:19You're adding my dress.
00:02:20All everything and associating should clear the show.
00:02:21It's the house.
00:02:22Pizza is done with me.
00:02:23Now, definitely the son of Sardar movie.
00:02:25He's as guests are here today.
00:02:31After your powerful speech, please, welcome Mr Ajay Devgan, Mr Rabhi Kishan and very beautiful
00:02:39Murnaet Thakul.
00:02:41Aji, welcome, welcome, welcome, welcome, welcome, Ajay sir.
00:02:52Welcome, Murunal.
00:02:54Welcome, Ravi bhaiya.
00:02:59Ajay sir, Ravi bhaiya, Murunal,
00:03:01you're very welcome.
00:03:02Okay, our third season is Ajay sir.
00:03:05Why are you so late?
00:03:07I'm waiting for you.
00:03:08I'm waiting for you.
00:03:10I'm waiting for you.
00:03:12Son of Sardar will be coming soon when the audience is serendipal.
00:03:16Son of Sardar will be a real person.
00:03:22You will be a real person in this form.
00:03:26But you will be a real person in the world.
00:03:30But you will be a real person in this story.
00:03:34In the box office, it will be beautiful in the box office.
00:03:37Yes.
00:03:38Yes.
00:03:39It will be beautiful in the box office.
00:03:40Your entry is the guarantee that in the box office, it will be beautiful in the box office.
00:03:45One line, let them tell you, when will it be beautiful in the box office?
00:03:50You have to take six places.
00:03:52What do you know how much it will be beautiful in the box office?
00:03:59This is an expert, Raviyah.
00:04:00It is not a bad thing in the morning, but if the food is hungry, it will be made up in the morning.
00:04:06Yes.
00:04:06So, as they have prepared the grass, when they come here, they have said,
00:04:09you will be beautiful to see the sun of the sun.
00:04:11Where Akshay Paji comes from, it will be beautiful to see the kessari.
00:04:14They will not be bad in the morning.
00:04:20Minnal, you are very loving.
00:04:21You are always loving.
00:04:30This is our previous myth. I have come here many times.
00:04:35But today, I have never seen such a long neck of Kapil Sharma.
00:04:41We have never seen such a long neck of Kapil Sharma.
00:04:45What is this neck?
00:04:47The neck is such a long neck.
00:04:50Who is that?
00:04:51Who is that?
00:04:53Who is that?
00:04:54Who is that?
00:04:55Who is that?
00:04:57What is this neck?
00:05:00People are burned up for weeks.
00:05:02After years, the whole village of the Netflix, the whole land of the country can see their garden.
00:05:11People lose weight.
00:05:14But if you did so, your neck will always lose weight.
00:05:17Dr. Oh, thank you.
00:05:22But Raviyah, I am so happy about you.
00:05:24What have you done with the ladies?
00:05:26Yes, yes.
00:05:27Netflix didn't say that you should mention it.
00:05:29But it came to Oscar.
00:05:31Wow.
00:05:32Wow.
00:05:32What about this?
00:05:34That's right.
00:05:37I've been doing this for 34 years.
00:05:40Wow.
00:05:40Yes.
00:05:41Then I didn't have anything.
00:05:42Then I became a group of Mahadev.
00:05:43I became a group of Gorakhpur.
00:05:45Then I thought that maybe someone would call me acting.
00:05:48But it's a group of people.
00:05:51It's different.
00:05:52It's different.
00:05:53It's different.
00:05:54It's a new film.
00:05:55It's a small film.
00:05:56Kiran Khair is the director.
00:05:58La Pata Ladies.
00:05:59It was a police officer.
00:06:01He was eating water.
00:06:03It was sitting in one place.
00:06:07And that was the Oscar.
00:06:09But you were mind-blowing in La Pata Ladies.
00:06:12But Raviyah, you were so scared of your work.
00:06:16Look, you told them about Kiran Khair.
00:06:19But Kiran is still there.
00:06:21I was going to say, but I kept quiet.
00:06:23Why?
00:06:24Kiran Khair is so sad.
00:06:26It was so sad that La Pata Ladies,
00:06:28we were on the set of Sanaf Sadar and Dhamal.
00:06:30We were also on the set of Dhamal.
00:06:31We were on the set of Dhamal.
00:06:32You know that it's a comedy film.
00:06:34It's a very serious film.
00:06:36Yes.
00:06:37Oscar to Oscar.
00:06:38It's a comedy film.
00:06:39Seriously.
00:06:41I said, it's a bit open.
00:06:42Yes.
00:06:43It's not open.
00:06:44It's a half day.
00:06:45I said, I'm going to take seriously.
00:06:48I didn't know.
00:06:49Now I realized what to do.
00:06:51Actually,
00:06:52we were in Singham.
00:06:54I will thanks to him.
00:06:55They called me one day.
00:06:56They called me one day.
00:06:57It was never happened to me.
00:06:58In 33-36 years.
00:06:59They called me and said,
00:07:00Raviyah, what are you doing?
00:07:01I said,
00:07:02I said,
00:07:03I was so happy.
00:07:11I was so happy.
00:07:13Sanju Dhat is a cult man.
00:07:15And in that way,
00:07:16in that way,
00:07:17we were going to have our own love.
00:07:19Think about it.
00:07:20They are putting their money in the film.
00:07:23And we were in Sanju Dhat's role.
00:07:26Unbelievable.
00:07:27It's a big compliment also, Raviyah.
00:07:29And a big compliment.
00:07:31Hey, brother.
00:07:33You have to know that in Climax,
00:07:35I have a lot of hero.
00:07:37Swarth is coming.
00:07:39In Climax,
00:07:40everyone wants to take their lines.
00:07:42I was standing there.
00:07:43The director says,
00:07:44Vijay Arora Ji,
00:07:46Raviyah, give me all the lines.
00:07:48Put the camera on Raviyah,
00:07:49and the Climax on Raviyah.
00:07:51And silently,
00:07:52he was just standing.
00:07:53You will see Climax on this film.
00:07:55He just kept quiet.
00:07:57He was just standing there.
00:07:58And he was just standing there.
00:08:00We fight for lines.
00:08:01Because, Guru,
00:08:02this is the purpose of this.
00:08:03This happens when the man is not insecure.
00:08:06When he knows that he is stuck.
00:08:08And the most important thing is that
00:08:10you are not important.
00:08:11The film is important.
00:08:13You have to do it for the film.
00:08:16Super.
00:08:17Absolutely.
00:08:18I have to tell you a story.
00:08:19I was a multi-starer.
00:08:21I was filming a movie.
00:08:22I have no name.
00:08:23I have all my men.
00:08:24And I was a negative villain.
00:08:26And I left someone's shooting.
00:08:28And now,
00:08:29it was that I have to kill me in Climax.
00:08:31Someone's one.
00:08:32Someone's one.
00:08:33Someone's one will kill me in three heroes.
00:08:35Now,
00:08:36I am in Vanity Van.
00:08:37I am in the morning.
00:08:38It's the morning.
00:08:39It's the evening.
00:08:40And I have to go to another shooting.
00:08:42But I asked the lady.
00:08:43I called him.
00:08:44I said,
00:08:45What happened?
00:08:45Why didn't you show me?
00:08:47He is standing.
00:08:48He is standing.
00:08:48He says,
00:08:49I am going to kill him.
00:08:50He is going to kill him.
00:08:52I am going to kill him.
00:08:53I said,
00:08:54I will kill you.
00:08:55I will kill myself.
00:08:59I will kill him.
00:09:00I will kill the other set.
00:09:03He does the type of play.
00:09:07Thanks to him.
00:09:08I am the son of Sardar.
00:09:10First time you will see a whole Bihari leader of the whole world.
00:09:19I was asked to ask this story, Ajay Paji.
00:09:21That Sanjay Sir, this director was in the first part.
00:09:27Now Ravii Bhaiya is here.
00:09:28Sanjay Sir is also Punjabi.
00:09:31Suddenly Ravii Bhaiya is from U.P.
00:09:33So how did this come to your mind?
00:09:34This character we have worked out with him.
00:09:37His father was his father.
00:09:39He was in the city.
00:09:41So when the truck driver was in Bihar, he was in Bihar.
00:09:46Then he came.
00:09:47Punjabi didn't teach them, but Punjabi is also a Bihari.
00:09:53Yes, it means that it means that it was my mother married.
00:09:57Don't go away.
00:09:58Yes, my mother married.
00:10:01My father's three daughters.
00:10:03One is in Punjab.
00:10:05He was driving with Bihar a few days.
00:10:07My mother got there.
00:10:08Yes, we got there.
00:10:11Then a pole dancer got him in London.
00:10:13They were working in the restaurant.
00:10:16They told us that he was angry and angry with his mother.
00:10:20And then I thought that my father will stop.
00:10:25He said, no, then I'll break his hands.
00:10:27You'll get to him.
00:10:29My God.
00:10:30So this film is so much fun to listen to this film.
00:10:33After a long time, Bihar,
00:10:36you can watch this film with a family of Kamal's family.
00:10:41You can watch this film with 5-6 tickets.
00:10:43Wow.
00:10:44I have to ask you a question.
00:10:46I have to ask you a question.
00:10:47We were filming a little bit.
00:10:48We had a little weight loss.
00:10:49We will go to the hospital.
00:10:50We will go to the hospital.
00:10:51We will go to the hospital.
00:10:52We will go to the hospital.
00:10:53We will keep you.
00:10:54You will maintain it.
00:10:55It's not so difficult.
00:10:56Today, there is a camera under the belt.
00:10:58You can see the camera under the belt.
00:10:59Yes, you can see the camera under the belt.
00:11:01How do you do it?
00:11:02We don't have to wear a jacket.
00:11:03We said, why do you wear a jacket under the belt?
00:11:05Why do you wear a jacket under the belt?
00:11:07It's like this.
00:11:09I mean, the back starts like this.
00:11:11V-shaped.
00:11:12I must say that when we were in the set,
00:11:15and because I was shooting so many actors with the first time,
00:11:19then it was made.
00:11:21But when we were sitting on the side,
00:11:22we were watching our diet.
00:11:24And, sir, in between the shots also,
00:11:26we would fight and talk.
00:11:29He would go and work out.
00:11:31Wow.
00:11:31That is the amount of dedication.
00:11:33When you are in the set,
00:11:35it feels like it's coming out.
00:11:37Go sit with them.
00:11:39I'll come here.
00:11:41I'll come here.
00:11:42I'll do it.
00:11:43I'll do it.
00:11:44I'll do it.
00:11:45I'll be ready for this exchange.
00:11:48Go, then.
00:11:48No, no, no.
00:11:49I'm just a personal question.
00:11:52How do you get this house?
00:11:5412 years old, the bills are broken for me.
00:11:57As if you lose politics,
00:11:58you'll get out of the house.
00:12:02Guru, I'm telling you that you don't have to watch this show.
00:12:05You can watch everything.
00:12:07I'll watch Switzerland.
00:12:08But I'll watch this show.
00:12:09I won't watch this show.
00:12:12Manal,
00:12:13the executive director of the agency,
00:12:15are you happy?
00:12:18Some woman is happy.
00:12:20But until the end comes to the end.
00:12:21I don't know why I asked you.
00:12:23You know,
00:12:24Mrunal is more than a hero's job.
00:12:28Okay.
00:12:29He didn't have a job in the jersey.
00:12:31He was a private job in the Super 30.
00:12:34He was a private job in the Super 30.
00:12:34He was a private job in the Sita Raman.
00:12:35He was a government job in the Delcare.
00:12:38In real life,
00:12:3950-60,000 girls
00:12:41want to become a hero in your life.
00:12:44I came to an association with a farm.
00:12:46They signed 60,000 girls.
00:12:48Mrunal, let me ask you,
00:12:49as many countries I squire,
00:12:52local about the A season of the years itself.
00:12:54You don't want to hear that.
00:12:55The짓 of this list,
00:12:56the simple alarming fund of the women
00:12:58that are in the 70s
00:12:59and made a US rest all.
00:13:01Do not really accept for farming,
00:13:03but not in the 80s of the standard.
00:13:06I have her,
00:13:08this new concept of the whole country.
00:13:10Remember that
00:13:12he knew that
00:13:13he was어난 us.
00:13:13Harashi is such a few causes.
00:13:14The theory of the Lwells
00:13:17If we will marry Neta with this,
00:13:20then it will be 5 years later, 4 years later, 5 years later.
00:13:24So if he will be a son, he will say his uncle?
00:13:26No.
00:13:28He will say it later.
00:13:30I mean, brother, it will be very low.
00:13:32You will forget the birthday, the anniversary.
00:13:35You will forget the 30s, the 30s.
00:13:37He will come, he will come.
00:13:38In the evening, the children...
00:13:39But you never know.
00:13:40Neta is a good person.
00:13:43He is a good person.
00:13:46He is a good person.
00:13:47I mean, it's not that you have made a different image.
00:13:51It's not that they are emotional people.
00:13:53They are family people.
00:13:54I am a good person.
00:13:55I would never think that wrong.
00:13:57Really?
00:13:58I would never give a mic to Neta.
00:14:00You would have put it in the mouth of his mouth.
00:14:07I would say, I am like this.
00:14:09I would never give a mic to him.
00:14:11He knows this.
00:14:12But tell me, Neta or Abhineta, what will I get?
00:14:16I would say, let's avoid this topic.
00:14:18I would do it, I would do it.
00:14:20What?
00:14:20My dream is my dream.
00:14:21My dream is my dream.
00:14:23Really?
00:14:23My dream is my dream.
00:14:24How do I get married?
00:14:25I want to have children.
00:14:27No, that's why I mean...
00:14:28Okay.
00:14:31I mean, it's okay.
00:14:32Let's change the topic.
00:14:33Yeah.
00:14:34Ajay, sir, Son of Sardar tool is coming.
00:14:36Before that, Raid 2 came.
00:14:38Hit.
00:14:392, I have seen it, it's amazing.
00:14:40Like my baby, who loves me?
00:14:422 is coming.
00:14:43Ah!
00:14:43Let's do it.
00:14:44Let's do it.
00:14:45My two numbers are lucky.
00:14:46Ajay, sir, date of birth and my date of birth are the same.
00:14:48Two numbers are lucky, Ajay, sir.
00:14:50Do you believe it?
00:14:51Your two numbers are lucky.
00:14:52My three, four, five are lucky.
00:14:54How?
00:14:55How?
00:14:56Drishan 3 is coming.
00:14:57Dhawal 4 is coming.
00:14:58Golmal 5 is coming.
00:14:59Oh, yes.
00:15:03Before I talk about this, I had a question from Ajay, sir.
00:15:06I had a fan of Ajay, sir.
00:15:07He said to me,
00:15:08let me ask a question to Ajay, sir.
00:15:10Ganga Ram Ji is writing.
00:15:12Ganga Ram Ji's question is,
00:15:13Ajay, sir, your Golmal series is a big comedy film,
00:15:16a big hit.
00:15:17Dhawal series is a big hit.
00:15:19You do comedy in your films.
00:15:21The show is made for comedy.
00:15:23Why do you become serious?
00:15:26Ganga Ram Ji's question is,
00:15:28when I film the film,
00:15:29I check my name.
00:15:30If I come here,
00:15:31then I check my name.
00:15:32When I come here,
00:15:34I check my name.
00:15:34I check my name.
00:15:35Ganga Ram Ji's question is,
00:15:37I understand.
00:15:38Ganga Ram Ji's question is,
00:15:39I have a great deal.
00:15:40Ganga Ram Ji's question is,
00:15:42I have a great deal.
00:15:43Ganga Ram Ji's question is,
00:15:44I have a great deal.
00:15:45The journey of Murnal's journey is great.
00:15:46The most difficult thing is,
00:15:48at the morning at 6am,
00:15:50at 11am,
00:15:51to the show at Kapil Sharma.
00:15:52Oh.
00:15:53Oh.
00:15:53That's right.
00:15:54I'll tell you.
00:15:55Murnal, one film is in Mumbai and the other one is in South.
00:15:59One is in there and one is in there.
00:16:01So, do you do it here or do it here?
00:16:05I wanted to ask you something.
00:16:07In one film, you don't do it here.
00:16:08You do it here, you do it here,
00:16:10you do it here and you do it here.
00:16:12Yes.
00:16:13Murnal, do you see the menu in the food and what changes you have
00:16:17in the set-up and the set-up?
00:16:19Nothing.
00:16:20My dad and my dad.
00:16:21I always say,
00:16:24Anna, Anna.
00:16:25And they're like,
00:16:26Yeah.
00:16:27I said, Anna.
00:16:28Oh, sorry, dad.
00:16:29I'm dad.
00:16:30I'm a dad.
00:16:32I'm a kid.
00:16:33Sometimes it's a confusion.
00:16:35How many languages have you done in Murnal?
00:16:37In fact, only Hindi and Telugu.
00:16:40But have you learned Telugu?
00:16:41Have you spoken a little bit?
00:16:43Ardham Ainda.
00:16:44Oh, okay.
00:16:45Murnal is a very good.
00:16:47The journey is a good.
00:16:48If you go to your good,
00:16:49I think it's all good.
00:16:51What are you doing today?
00:16:53I'm in the mood today.
00:16:56What are you doing today?
00:16:58What are you doing today?
00:16:59They're just wings coming.
00:17:04Naujot bhabi.
00:17:09Bhabi, come and take care of yourself.
00:17:10They're going to spread a lot.
00:17:13I think they didn't have a subscription at home.
00:17:17I'm going to tell you something about Ajay Sir.
00:17:19I'm going to tell you something about Ajay Sir.
00:17:21You all know that there are such superstars
00:17:23who play every genre of films.
00:17:25In Thriller, Drishyam.
00:17:26In Crime, Raid.
00:17:27Now he's also super hit.
00:17:29In Comedy, Golmaal.
00:17:30Dhamal.
00:17:31In Action, Singham.
00:17:33In small cities, Ajay Sir,
00:17:34there's a saloon.
00:17:37They don't leave any work.
00:17:38They don't leave any work.
00:17:40They start to shave their first time.
00:17:41They start to shave their first time.
00:17:43They start to shave their first time.
00:17:46They start to shave their first time.
00:17:48So that it won't.
00:17:49In the next time, they start to shave their first time.
00:17:51So that they don't leave anything.
00:17:53How do you keep those five-five
00:17:56methods of producers?
00:17:57I've taught this with Siddupaji.
00:17:58They've added one in Ruhmalk Cricket,
00:18:01one in Politix.
00:18:02He has put one rumal in cricket and one in politics.
00:18:08But one rumal is also kept here?
00:18:10No, here is the whole chadr.
00:18:18The chadr is the little chadr,
00:18:20the little chadr came to the rumal too.
00:18:25Please, see,
00:18:27you have met Ajaj Sarse Murunal and Raviyah.
00:18:30Please welcome Mr. Vindu Dara Singh,
00:18:33Mr. Sanjay Mishra,
00:18:35Mr. Deepak Dobreyal
00:18:37and very beautiful Kupra Singh.
00:18:40Vindu Paji.
00:18:42Hello.
00:18:43Hello, Kupra.
00:18:44How are you?
00:18:45Sanjay Bijaya.
00:18:47How are you?
00:18:48Hello, Kupra.
00:18:49How are you?
00:18:50Sanjay Bijaya.
00:18:51How are you?
00:18:52How are you?
00:18:53How are you?
00:18:54How are you?
00:18:55Sanjay Bijaya.
00:18:56How are you?
00:18:57How are you?
00:18:58How are you doing?
00:18:59Sanjay Bijaya.
00:19:04Ajaj Sarse,
00:19:05can you see Lili,
00:19:06Billy, Silly, Chilly?
00:19:08Like your artist who is the other artist,
00:19:10Ravi Baiya, Mindu Paji, Sanjay Ji, Deepak like this?
00:19:13How do you look,
00:19:14let me see my brother's response.
00:19:17Now I've taken the video,
00:19:18what's the tagline of your tagline?
00:19:19Every year will grow up.
00:19:26If you can see them, you can say that every year will grow up.
00:19:29If you can see Raviyah's story, you can say that.
00:19:36Glamour needs to be with you.
00:19:38A little bit of a feature, but it's not out.
00:19:41Let's go, let's go.
00:19:42You guys go back.
00:19:49I feel good that Ajay Sir's film has Mrunal and Kubra.
00:19:53We also know that we have to come to Son of Sardar.
00:19:56We have to sit behind Vindu Paji.
00:19:58So it feels like we have to take a look.
00:20:00Vindu Paji, take a look, take a look.
00:20:03Vindu Paji's name is Virendra Singh Randhawa.
00:20:06In total, there are 40 people who have a name.
00:20:09Vindu Paji, do you have to keep the health of your family?
00:20:14This is genetic.
00:20:16We know from childhood.
00:20:17Vindu Paji is a very beloved person.
00:20:22But it's fun to see him.
00:20:24What is the story of Nara?
00:20:25Son of Sardar.
00:20:27Paji, you are the Sardar.
00:20:28I am the Sardar.
00:20:29I am the Sardar.
00:20:30The rest of the people?
00:20:33Vindu Paji and Kubra have also come to our show.
00:20:36Sanjay, you had the first time in the last 12 years.
00:20:40It was great to meet you.
00:20:42This is the first time?
00:20:43You were the first time of the life of Nara Singh?
00:20:45Do you have any kind of experience with the RDR?
00:20:46Do you have any kind of events you have to be famous?
00:20:47Do you have any kind of love in the evening?
00:20:52You have to become an actor.
00:20:54I am the actor.
00:20:55I am the actor.
00:20:56I am the actor.
00:20:57I am the actor.
00:20:58You are the actor.
00:20:59It is.
00:21:00It is.
00:21:01One thing is that we sometimes take a good script
00:21:05and go to Sahih Baba's house.
00:21:09We go to Devinaik.
00:21:11And when a film is made,
00:21:13there is a big actor.
00:21:15Oh!
00:21:16He comes with me!
00:21:18So, when I become a big one,
00:21:20I will come myself.
00:21:22Sanjay, you are good.
00:21:24We are waiting for you.
00:21:26That's a good thing.
00:21:28Yeah!
00:21:29One to two.
00:21:30One to two.
00:21:31This is a very strange thing.
00:21:32Look at that,
00:21:33that every big director, actor, producer
00:21:37needs to come.
00:21:39This is your love, Sanjay.
00:21:40You know what?
00:21:41I don't know.
00:21:42It's all of them.
00:21:43When we came,
00:21:44we were told that Sanjay sir came,
00:21:46but we were told that
00:21:47we were shooting the film in the mountains.
00:21:49Yes.
00:21:50What are you trying to find the mountains?
00:21:52What are you trying to find the mountains?
00:21:54I don't know.
00:21:55I have an actor, Woody Allen,
00:21:57and I have been studying
00:21:58and told them
00:21:59that the actors should be
00:22:00talking to the mountains.
00:22:01No, but the good work
00:22:02they can go to the mountains,
00:22:03Sharyam.
00:22:08Do you want to kill me?
00:22:09Why are you trying to kill me?
00:22:11Why are you trying to kill me?
00:22:12You are doing so good.
00:22:13Then why are you talking to the mountains?
00:22:15But no, generally.
00:22:16Okay.
00:22:17Look, when you get to the seniors
00:22:18and the young people,
00:22:19you don't need to learn anything.
00:22:21But generally,
00:22:22why are you talking to the mountains?
00:22:23Why are you talking to the mountains?
00:22:24You have to keep your eyes.
00:22:26You have to prepare yourself.
00:22:27You have to prepare yourself.
00:22:28If you have a mind,
00:22:29one body,
00:22:30one body,
00:22:31one body,
00:22:32one body.
00:22:33It's like doing the last 20 years.
00:22:34But Sidhu Ji,
00:22:35he came from cricket,
00:22:36he came from cricket,
00:22:37he came from the parliament.
00:22:38Oh!
00:22:39Sidhu, Sanjay sir,
00:22:40they talk very well.
00:22:42I was very sorry.
00:22:43I was very frustrated.
00:22:45I had asked him,
00:22:46are you young or not?
00:22:47or not?
00:22:48It's always wise.
00:22:49It's a big deal.
00:22:50It's a big deal.
00:22:51Hey,
00:22:52brother,
00:22:53you haven't called me any name.
00:22:55Oh,
00:22:56buddha.
00:22:57I don't think I was born.
00:22:59When I was born,
00:23:00I was born.
00:23:01I was born.
00:23:02I was born.
00:23:03I was born.
00:23:04I was born.
00:23:05I was born.
00:23:06I was born.
00:23:07I was born.
00:23:08I was born.
00:23:10When I was born,
00:23:11but I was born,
00:23:12I had to die.
00:23:13I like my brother.
00:23:14To play this tournament
00:23:15when I was born.
00:23:16My brother said
00:23:17if I have beeneker music,
00:23:18then I'm loved.
00:23:21I think they're wrong.
00:23:22You know how I am.
00:23:26When I died,
00:23:27I was born,
00:23:29my boy was born at an hospital.
00:23:31So,
00:23:31you know everything,
00:23:32my parents made me now.
00:23:34That's what we are.
00:23:38Look at Deepak Bhai's face.
00:23:42When you see, you look happy.
00:23:44You look at them in the morning,
00:23:46and they didn't bounce.
00:23:49What is this, Deepak Bhai?
00:23:51Do you keep any competition in mind
00:23:53or keep 6-7 flat?
00:23:55No.
00:23:56He's also here in Kapil Sharma's show.
00:23:58He's starting from there, everyone.
00:24:00Today, you've put a black hat.
00:24:02What's your look?
00:24:03What's your look?
00:24:04The other one.
00:24:05This is a look at the other.
00:24:08I'm telling you that they're here.
00:24:10Where are they?
00:24:11We're sitting on the side of the side.
00:24:12It looks like this.
00:24:13This guy looks like this.
00:24:14What a difference.
00:24:17I think it looks like,
00:24:19when he does shave him,
00:24:20after he kills him in his face.
00:24:22He's just staring at me.
00:24:24I'm taking my face to try.
00:24:30The Secret Games of all of you have seen.
00:24:32There was a debut of Netflix.
00:24:34Kubra, when everyone saw the first time in the Secret Games,
00:24:37people received a subscription to Netflix.
00:24:40Oh, no.
00:24:41You can see it in Garsola.
00:24:47This is also on Instagram.
00:24:49They keep their jokes and jokes.
00:24:51Did you know how to come to our show?
00:24:53When I'm ready?
00:24:54When I'm doing live shows,
00:24:56I think I'll get a chance.
00:24:58No, I know Kubra.
00:25:00We've done a lot of live shows.
00:25:02As an actor in the Secret Games,
00:25:04I was shocked.
00:25:05Wow, you've done a great job.
00:25:08Welcome, Kubra.
00:25:09So happy for you.
00:25:10Thank you, thank you.
00:25:21You're looking very pretty.
00:25:22Caps, finally.
00:25:23Now you're going to flirt with me.
00:25:24When I'm married,
00:25:25I won't do it on camera.
00:25:29I do it.
00:25:31It's okay.
00:25:32You need a motivation for a person.
00:25:35It doesn't change the old days, right?
00:25:37Yes.
00:25:38That's right.
00:25:39Let's go to our film.
00:25:40Look at the Son of Serdar Tuk shooting.
00:25:42It was in foreign.
00:25:43If I tell you the name of the locations,
00:25:45see how delicious it is.
00:25:46Glanko.
00:25:47Oh.
00:25:48Glanfinan.
00:25:49Kurloos.
00:25:50Don.
00:25:51Lothian.
00:25:52If you give all these names,
00:25:53if you give them a chemist,
00:25:54you'll give them one or two.
00:25:55You'll give them one or two.
00:25:56You'll give them one or two.
00:25:57You'll give them one or two.
00:25:58Sanjay,
00:25:59when you first know Glanfinan,
00:26:01you'll get to know Glanfinan,
00:26:02one time in my mind,
00:26:03you'll tell me that
00:26:0412-year-old or 18-year-old.
00:26:05Glanfinan.
00:26:06Glanfinan.
00:26:07Glanfinan.
00:26:08You'll give them a glass.
00:26:09Only glass.
00:26:10Only glass.
00:26:11No, but Glanfinan.
00:26:12Lothian.
00:26:13You'll hear your names?
00:26:14Yes.
00:26:15You'll hear your names?
00:26:16No, man.
00:26:17I was going to go and get started.
00:26:22I said,
00:26:23I said,
00:26:24Sanjay,
00:26:25you'll have to come tomorrow.
00:26:26I said,
00:26:27you'll have to come tomorrow.
00:26:28You'll have to come there.
00:26:30We've reached there.
00:26:31Now,
00:26:32it was a little cold.
00:26:33It was a day.
00:26:34Ajay,
00:26:35I met him and came out,
00:26:36I saw a beautiful girl.
00:26:38By God.
00:26:39I said,
00:26:40you'll have to shoot us?
00:26:41Yes.
00:26:42Yes.
00:26:43Yes.
00:26:44Then,
00:26:45it will be done with them.
00:26:46Good.
00:26:47Good.
00:26:48Good.
00:26:49Good.
00:26:50Good.
00:26:51Good.
00:26:52Good.
00:26:53Good.
00:26:54Good.
00:26:55Good.
00:26:56Good.
00:26:57Good.
00:26:58Good.
00:26:59Good.
00:27:00Good.
00:27:01Good.
00:27:02Good.
00:27:03Good.
00:27:04Good.
00:27:05Good.
00:27:06He's a woman in the film.
00:27:09Oh.
00:27:10Yeah.
00:27:11Yeah.
00:27:12He's a beautiful street.
00:27:13Very beautiful.
00:27:14Wow.
00:27:15That's why I have to maintain all this beauty.
00:27:17Wow.
00:27:18He's a beautiful woman.
00:27:19Good.
00:27:21Good.
00:27:22Good.
00:27:23Good.
00:27:24Good.
00:27:25Good.
00:27:26Good.
00:27:27Good.
00:27:28Good.
00:27:29Good.
00:27:30Good.
00:27:31Good.
00:27:32The one who was behind my henchmen, all the tall guys,
00:27:39they hide.
00:27:40They hide.
00:27:41They hide.
00:27:42They hide.
00:27:43They hide.
00:27:44They hide.
00:27:45They hide.
00:27:46They hide.
00:27:47They hide.
00:27:48They hide.
00:27:49Oh my god.
00:27:50The way he made him look, the way he carried himself,
00:27:57he was walking by the way.
00:28:01What do we do at the evening?
00:28:04If we went to the restaurant and eat,
00:28:07then we never change the clothes.
00:28:09The women dressed with a wig wig.
00:28:11It was the most important thing.
00:28:14Why would they go in the ladies' clothes,
00:28:16so they could eat food?
00:28:17That was a party that took me to the hotel.
00:28:19They would have to go in the middle,
00:28:21so I'd pick one hour and one hour.
00:28:23Then I'd pick one hour and I'd pick one hour.
00:28:25I said, okay.
00:28:27I was going to go.
00:28:28Skirt work venue.
00:28:29But we had to go to the washroom and go to the men's washroom.
00:28:33They went to the women's house.
00:28:35And now we're standing outside.
00:28:37No, no, no.
00:28:38That was the idea.
00:28:39We had to go to the men's washroom.
00:28:42So we had to go to the men's washroom.
00:28:44So we had to cry.
00:28:46We had to go back.
00:28:48And then we went out.
00:28:50After that, ladies were going to say.
00:28:52No, no.
00:28:53No, no.
00:28:54No, no.
00:28:55Sorry.
00:28:56There was a girl in the washroom.
00:28:57She also cried.
00:28:58She told me.
00:28:59She went on the phone.
00:29:00She went on the phone.
00:29:01She went on the phone.
00:29:02She went on the phone.
00:29:03She went on the first.
00:29:04So you don't go.
00:29:05No.
00:29:06And there was a girl in the washroom.
00:29:08So she cried.
00:29:09Oh, God.
00:29:10And I got to go to the ladies.
00:29:12I said, no, no, no.
00:29:14He's a boy.
00:29:15He's a boy.
00:29:16He's a boy.
00:29:17Oh, God.
00:29:18What happened?
00:29:20God.
00:29:21God.
00:29:22God.
00:29:23God.
00:29:24God.
00:29:50God.
00:29:51God.
00:29:52God.
00:29:53God.
00:29:54God.
00:29:55God.
00:29:56God.
00:29:57God.
00:29:58God.
00:29:59God.
00:30:00God.
00:30:01God.
00:30:02God.
00:30:03God.
00:30:04God.
00:30:05God.
00:30:06God.
00:30:07God.
00:30:08God.
00:30:09God.
00:30:10God.
00:30:11God.
00:30:12God.
00:30:13God.
00:30:14God.
00:30:15God.
00:30:16God.
00:30:17God.
00:30:18God.
00:30:19Hello, what was this all?
00:30:23I was killed by myself.
00:30:26What did you do?
00:30:29Where did you come from?
00:30:32Let's come from this door,
00:30:35because that door was empty.
00:30:39Who are you?
00:30:41Those who have to be limited,
00:30:44but they have to be limited.
00:30:49And what do you do?
00:30:51Those who have to be limited,
00:30:54we have to become a father.
00:30:58Don't hurt yourself.
00:31:00Do you think you're scared from the above?
00:31:02Don't sit in the above.
00:31:04Don't sit in the above.
00:31:06Don't sit in the above.
00:31:10God, tell us, what do you do?
00:31:14We...
00:31:16We have to be limited.
00:31:19Then you're late, you're late.
00:31:21Son of Sardar 2, right?
00:31:22That was Ajay Devgane's raid.
00:31:24Yeah?
00:31:25We have to be Ajay Devgane's raid.
00:31:27You're talking about Ajay Devgane's raid.
00:31:29That's what you're talking about.
00:31:30I'm just like that.
00:31:31I'm just like that.
00:31:33It's like the same thing.
00:31:35It's like the same thing.
00:31:36It's like the same thing.
00:31:37It's like the same thing that Ajay Devgane's raid.
00:31:39And you'll be looking at him,
00:31:41what are you doing?
00:31:42What are you doing?
00:31:43What are you doing?
00:31:44I'm doing this, brother.
00:31:46There are people here.
00:31:48You've got to be a head of the head of the head.
00:31:50Hey.
00:31:51My head of the head is a head of the head.
00:31:54He's got to be a head of the head of the head of the head of the head.
00:31:59Oh, how are you?
00:32:02oh oh oh oh oh oh oh oh oh oh yes
00:32:11Oh, that's it?
00:32:14Okay, see you.
00:32:17I'm gonna talk to me.
00:32:19I'm gonna talk to you.
00:32:20Here I am.
00:32:21I'm not.
00:32:22I'm not.
00:32:24I'm not.
00:32:26You're duplicate.
00:32:28But I can't.
00:32:29I can't.
00:32:30I can't.
00:32:31I can't.
00:32:32I can't.
00:32:33I can't.
00:32:34I can't.
00:32:35I can't.
00:32:36Okay.
00:32:37Yeah.
00:32:38Okay.
00:32:40What is the association?
00:32:42Our association is ADDA
00:32:44ADDA
00:32:46ADDA
00:32:48What does this stand for?
00:32:50Ajay Devgana Duplicate Association
00:32:58I am a regional manager
00:33:00They are from marketing
00:33:02They are from HR
00:33:04They are from papad
00:33:06They are from chutney
00:33:08What are you talking about?
00:33:10It's like this
00:33:14Ajay Devgana
00:33:16You don't have any doubt
00:33:18that you are going to duplicate
00:33:20You are going to do
00:33:22You are going to do
00:33:24Attitude is a little less
00:33:26Attitude is a little less
00:33:28Attitude is a little less
00:33:30And you are going to ask how good
00:33:32They are not good
00:33:34They are the real brothers
00:33:36Oh, way to go
00:33:38Way to go
00:33:40Way to go
00:33:42That's the miss
00:33:44Way to go
00:33:46Oh
00:33:48Way to go
00:33:50Anyway, it's my way or skyway
00:33:58It's my way or skyway
00:34:00It's my way to go
00:34:0225th
00:34:0625th
00:34:0825th
00:34:1025th
00:34:1225th
00:34:1425th
00:34:1625th
00:34:1825th
00:34:2025th
00:34:2225th
00:34:2425th
00:34:2625th
00:34:2825th
00:34:3025th
00:34:3225th
00:34:3425th
00:34:3625th
00:34:3825th
00:34:4025th
00:34:4225th
00:34:4425th
00:34:4625th
00:34:4825th
00:34:50I didn't know.
00:34:51I didn't know that.
00:35:20Come on.
00:35:21Come on.
00:35:22Come on.
00:35:23Come on.
00:35:24Come on.
00:35:25Come on.
00:35:26Come on.
00:35:27Come on.
00:35:28Madness.
00:35:29Madness.
00:35:30Madness.
00:35:31Madness.
00:35:32Madness.
00:35:33No doubt.
00:35:34No doubt.
00:35:35No doubt.
00:35:36No doubt.
00:35:37No doubt.
00:35:38A lot of look-alike.
00:35:39A lot of.
00:35:40But, Ajay, I wanted to ask you,
00:35:43what does it make you feel?
00:35:47It makes you feel good only.
00:35:49Yes.
00:35:50But some people get very upset.
00:35:52No.
00:35:53In fact, you should feel blessed that,
00:35:54you know, people are giving you that kind of respect.
00:35:56I'm so happy you think so.
00:35:57Yes.
00:36:01People start imitating you.
00:36:03People start mimicry.
00:36:05Then, imagine that your life has been so successful.
00:36:08It's a hit.
00:36:09You've become a cult.
00:36:10Absolutely.
00:36:11Absolutely.
00:36:12I'm sure not.
00:36:13I'm sure not.
00:36:14I'm sure not.
00:36:15I'm sure not.
00:36:16I'm sure not.
00:36:17I'm sure not.
00:36:18I'm sure not.
00:36:19I'm sure not.
00:36:20I'm sure not.
00:36:21I'm sure not.
00:36:22I'm sure not.
00:36:23I'm sure not.
00:36:24I'm sure not.
00:36:25I'm sure not.
00:36:26I'm sure not.
00:36:27I'm sure not.
00:36:28It'll not.
00:36:29I'll just say that, but yeah, I totally agree.
00:36:30You're very defined.
00:36:31I'm sure not.
00:36:32That's right.
00:36:34I'm sure not.
00:36:35Yes.
00:36:36I was very familiar with a father.
00:36:37I'm sure not.
00:36:39Yeah, I'm sure not.
00:36:40I'm sure not.
00:36:41But you're very familiar with a father.
00:36:42That's right.
00:36:43I'm really impressed by the other than this.
00:36:44But you're very bit too young.
00:36:45And you're very familiar with a father.
00:36:46But.
00:36:47But my first, I was also am very old.
00:36:48And then people didn't know that this is a son.
00:36:49And then, I started exercising.
00:36:50And he was thinking he's very similar.
00:36:51Now he's doing all the two days.
00:36:52So we did.
00:36:53If you're doing something, you'll think that he's Dara Singh's son.
00:36:56But Dara Ji has another speciality.
00:36:58He didn't have Punjabi accent in Hindi pictures.
00:37:01He's doing it and he's doing it and he's doing it.
00:37:04No, no, no.
00:37:05I'm doing it.
00:37:06Someone heard a story that said,
00:37:08we're in Punjab,
00:37:10you'll have a little accent in Hindi.
00:37:13Someone told me the story.
00:37:15Dara Ji was doing a lot of Hindi films.
00:37:17One time, she did dubbing the Punjabi film in Chandigarh.
00:37:20So, the dubbing engineer was sitting there.
00:37:24So, Dara Ji told me,
00:37:26listen to me,
00:37:27you're not going to be in Punjabi in Hindi?
00:37:35Every one of them has a habit.
00:37:37The habit is like,
00:37:38we're doing a prank on the set.
00:37:39That's when it happened?
00:37:40No.
00:37:41That's when it happened?
00:37:42No.
00:37:43That's when it happened.
00:37:44No, that's when it happened.
00:37:45No, that's when it happened.
00:37:46But I thought that we were all ready.
00:37:48Because they're doing it.
00:37:49No, no, no.
00:37:50Son of Sardar Minho was very bad.
00:37:51What did he do?
00:37:52There was a scene in the scene
00:37:53that I'm going to go somewhere
00:37:54and our whole group
00:37:55and a sump comes in.
00:37:56So, sump?
00:37:58What is that?
00:38:00There are a lot of sump,
00:38:02shooting people.
00:38:03They say,
00:38:04sump is a sump.
00:38:05Shooting people?
00:38:06I mean,
00:38:07sump is a sump.
00:38:08It doesn't mean
00:38:09sump is a sump.
00:38:10Oh, they have a sump.
00:38:11Let's see.
00:38:12Let's see.
00:38:13Let's go.
00:38:14Let's go.
00:38:15It's a sump.
00:38:16Do you feel like
00:38:21how do you feel?
00:38:22What is a sump?
00:38:25Put his kubra down.
00:38:27Denk her kubra down.
00:38:29Put his kubra down.
00:38:31Oh, my God.
00:38:33We heard a question about Ravi's advice
00:38:35that every night, before bed,
00:38:37she's asleep and she's asleep.
00:38:39If you have a bed,
00:38:41then how long have you been to keep your vaccine?
00:38:47I mean, yeah, I love it,
00:38:49but she never let me do that.
00:38:51But whenever she's sleeping.
00:38:53Oh, sweet.
00:38:55Yeah, because
00:38:57that's my fault
00:38:59when I didn't have money. Absolutely.
00:39:01She didn't leave me alone.
00:39:03She didn't leave me alone.
00:39:05Today, whoever I am,
00:39:07she was worried about me.
00:39:09My son is in front of me.
00:39:11He knows the way she managed me.
00:39:13That's the right thing.
00:39:15Oh, sweet.
00:39:17What a joke.
00:39:19The man is guilty,
00:39:21the man is guilty.
00:39:25He's playing in front foot.
00:39:29Deepak's advice.
00:39:31Like the film's schedule is finished,
00:39:33he goes to the salon,
00:39:35he cuts all the hair.
00:39:37You do so well, Deepak.
00:39:39Why do you cut your hair?
00:39:41What kind of fear is that?
00:39:43You can cut your hair from collar.
00:39:47Why do you cut your hair?
00:39:49It's a ritual.
00:39:51I mean,
00:39:52I feel like
00:39:53you're staying in the office.
00:39:55You have feelings, feelings,
00:39:57you have to adopt.
00:39:59So, if you're staying in one place,
00:40:01you feel like you're going to the next set.
00:40:03You're going to the next set.
00:40:05You're going to the next set.
00:40:07You know Sanjay brother,
00:40:09Ajay sir,
00:40:10he's a big love.
00:40:11I think that they will be in the last set.
00:40:13Maybe in the last set of the film,
00:40:15maybe in the last set of the film.
00:40:16So,
00:40:17they've been closed in their office
00:40:18or you're staying in their office?
00:40:22They don't know where they live.
00:40:24Where are they?
00:40:25Where are they?
00:40:26I'm in Lonawala,
00:40:27I'm in Banares.
00:40:28Where are they?
00:40:29When shooting...
00:40:30Yes.
00:40:31Sanjay is a poor man.
00:40:33What?
00:40:34Look he's a poor man.
00:40:35Basically,
00:40:36he's a poor man.
00:40:37He will get you in his car
00:40:39and a man is sitting behind him.
00:40:41He's sitting behind him.
00:40:44He took him by a Guru Ji.
00:40:46He took him for 4 years of prison.
00:40:49He kept him in his house.
00:40:50What?
00:40:51He kept him by the way.
00:40:52He kept him by the way.
00:40:56What are you watching?
00:40:58You have to look at the books in life.
00:41:00People love my brother,
00:41:04and the poor also love him.
00:41:06It's a good thing to keep them together.
00:41:10Until you've been listening to them,
00:41:12it's a film hit, it's a business,
00:41:14it's an actor, it's an actor.
00:41:16You don't hear a little bit of a little bit of a friend.
00:41:20One of my dear friends is a guru.
00:41:24That helps me,
00:41:26and then it's a ghost.
00:41:28And now, that is the story of God
00:41:30which you live in.
00:41:32But in this whole world,
00:41:34it's very different people.
00:41:36And this is our country is like this.
00:41:38Hindu, Muslim, Sikh, Raizu are all.
00:41:40Yes, sure.
00:41:42We all think the film is very different from this.
00:41:44I think this is all a lesson about God's love.
00:41:46God's love, God's love, the power of power,
00:41:48the power of power, who are the one who are the one who are the one.
00:41:50That is all the great things as a guru.
00:41:54Hey, I'm also back.
00:42:24Oh, oh, oh.
00:42:31Where are the laws from?
00:42:33Sidhu, you have proved that if a person will take good things
00:42:40and if he will exercise time to time,
00:42:43he will also show a difference in this age.
00:42:47Do you understand?
00:42:48Sidhu, you won't believe.
00:42:49He has done a great job.
00:42:51What will you show in this age?
00:42:53What will you show in this age?
00:42:55You won't know?
00:42:56What is it?
00:42:57Everyone is laughing and laughing.
00:42:59What?
00:43:00Son of Sardar is also two.
00:43:02Sidhu's twins are twins.
00:43:07He's twins are twins.
00:43:11Sidhu's twins.
00:43:12What are you doing, sir?
00:43:16Listen, he's not coming.
00:43:19Son of Sardar is two.
00:43:21You're looking for a film in the theatre.
00:43:23Yes, it's a film.
00:43:24Yes, it's a film.
00:43:25Yes.
00:43:26I've asked about your children.
00:43:28Yes.
00:43:29It's the film.
00:43:30You'll be right back.
00:43:31Now, I've even learned twice.
00:43:32No.
00:43:33The film is ì—ì‹œ in the world.
00:43:35You're lying.
00:43:36You're lying.
00:43:37You're lying on your feet.
00:43:38It's not the fact that he's lying.
00:43:39You're lying.
00:43:40Ankar, what are you doing?
00:43:43It didn't happen.
00:43:45Take it, take it.
00:43:47Go, go.
00:43:49You're coming back to us.
00:43:51What are you laughing at them?
00:43:54You took this wrong information here.
00:43:57How do we feel like this?
00:44:02Those big people are sitting here.
00:44:06Sorry, Baba, it's wrong with me.
00:44:09Hajar Sahib, a father made a mistake of his son.
00:44:14I ask you a skirt for forgiveness.
00:44:16Hey, Baba!
00:44:22Your skirt is very small, Baba.
00:44:25Don't use it.
00:44:27Now, I have brought another skirt to you.
00:44:30Look at this.
00:44:34This father is asking me.
00:44:36Look at that.
00:44:39Sir, my Baba is so small.
00:44:41He is coming from his hands.
00:44:43He is coming from his hands.
00:44:44What?
00:44:45Look at the skirt of Baba's skirt.
00:44:46Look at that.
00:44:47Look at that.
00:44:48Look at that.
00:44:49Look at that.
00:44:50Look at that.
00:44:51Look at that.
00:44:52This is funny and warm.
00:44:54This is a parking garage.
00:44:55This parking is in the final airport.
00:44:56Today, they've come from the late time.
00:44:57Hey, let's take a look at it!
00:44:58Let's take a look at it!
00:44:59Let's take a look at it!
00:45:00Let's take a look at it!
00:45:01Let's take a look at it!
00:45:02Why is he standing on that?
00:45:04He says a line when he says a line to impress me.
00:45:08You are very beautiful, right?
00:45:13You are beautiful, right?
00:45:15So you can't beat a direct line.
00:45:17That's why you beat a funny line.
00:45:21You know that girls like girls like girls.
00:45:25You like girls like girls?
00:45:27Yes, son.
00:45:29Ronald, you will be very happy to know that
00:45:33my and girls have a great relationship.
00:45:36In childhood, I used to play a lot with witty.
00:45:39I used to play a lot with witty.
00:45:41Ghoju, they are witty.
00:45:44You've become so big,
00:45:46I don't even know about witty and witty.
00:45:49You're going to come to Netflix.
00:45:54Sorry, I didn't know.
00:45:57Baba,
00:45:59it's a cobra.
00:46:01No, son, it's a chubra.
00:46:03Baba,
00:46:05you're a cobra.
00:46:08No, son, it's a cobra.
00:46:09No, Baba, a cobra.
00:46:11Hey, he is a cobra.
00:46:12He is a cobra.
00:46:13He is a cobra.
00:46:14He is a cobra.
00:46:15He is a cobra.
00:46:16This is just a cobra.
00:46:18There is a cobra from everywhere.
00:46:20Who is keeping the witty,
00:46:22It has qu Möglichkeiten.
00:46:23Oh!
00:46:24Can you excuse me?
00:46:25want to speak to them. What a film. This film is comedy, romance, action, tragedy, jealousy.
00:46:38Jealousy. Jealousy. Jealousy. Jealousy.
00:46:41I have made a film from Punjab and made a film from Punjab and made a film from Punjab.
00:46:49You have made a film from Punjab. You have made a film from Punjab, you have not made a film from Punjab.
00:46:56You have not made a film from this reason.
00:46:59When you see, wherever you go, you have to laugh.
00:47:03Now in a film, there is no forgiveness for people.
00:47:08If you want to eat my idli, I will buy it from the dough.
00:47:15You have to laugh for food.
00:47:20Ajay Sahib, he has so much interest in his food.
00:47:22He wants to marry him too, so that he will drink water in the hot water.
00:47:27And he will get food with food.
00:47:33Where is food?
00:47:35There is no truth in this story.
00:47:38I want to marry in truth.
00:47:41I want to marry him too, Papa.
00:47:43Of course.
00:47:44Papa, probably you are forgetting.
00:47:45I am not a little girl.
00:47:48Yes, yes.
00:47:49I am a young man, Papa.
00:47:53My son has grown up.
00:47:55Yes, Papa.
00:47:57Love you, my children.
00:47:59Love you, Papa.
00:48:04Ajay Sahib,
00:48:06I don't know how to get alive today.
00:48:10I don't know how to get alive today.
00:48:11It's more today,
00:48:12it's always that
00:48:13he was a very nice,
00:48:15sat down
00:48:16and sat down.
00:48:17She is being a child.
00:48:18Papa, that's our child.
00:48:19Papa was?
00:48:21Yes, he was?
00:48:23You all were thinking of me.
00:48:24Papa, this is my great job.
00:48:25Don't cry, my children.
00:48:28Papa, I'm so sorry.
00:48:30Don't cry.
00:48:31Why are you also great at call today?
00:48:33I'm your father, I'm your father, tell me what you'll drink, I'll ask you from Kapil, tell me what you'll drink.
00:48:39Baba, ask me a hazelnut caramel maquillato.
00:48:43What did you say?
00:48:45Hazelnut caramel maquillato.
00:48:48You were born in Tanzania?
00:48:54They made a film on Punjab, you asked a Punjabi dish.
00:48:59Okay Baba, ask me one glass.
00:49:02Yes Kapil, I have a glass.
00:49:04Okay.
00:49:05And I have a hazelnut caramel maquillato.
00:49:11Wow Baba, wow!
00:49:13Wow!
00:49:14You're asking me to listen to Punjab, you're asking yourself a food item.
00:49:17So Punjabi people are also staying in the food.
00:49:20I asked you to ask Canada.
00:49:23Now I'm going to drink your mother's eggs or my father's eggs.
00:49:27Why don't you do that?
00:49:29Now let's play the political game.
00:49:31You'll know to know how to do you.
00:49:32Please.
00:49:33You must know.
00:49:34You'll know.
00:49:35You'll get there.
00:49:36You'll know.
00:49:37You'll know that marriage.
00:49:39You'll know.
00:49:40I don't know what happened to me,
00:49:43that I showed you to play with me.
00:49:45It's not a story, but it can happen before.
00:49:47What do you mean?
00:49:48That person called you,
00:49:50who doesn't even get out of your mouth.
00:49:52You don't even get out of your mouth.
00:49:54What's that?
00:49:55I called you to the village of Babuji!
00:49:59Babuji?
00:50:10Oh, oh, oh, oh!
00:50:19My Babuji, here! My Babuji, here!
00:50:22Babuji!
00:50:25Where's the girl?
00:50:27Wow!
00:50:29You heard, here are the girls of the son of the father.
00:50:32Son of the father.
00:50:33In our childhood, son was called the son of the father,
00:50:36the son of the father was called the son of the father,
00:50:39and the son of the son of the father was called the son of the son.
00:50:42That's it.
00:50:43These are the things that happen, Babuji,
00:50:44but you have come to the work, do it.
00:50:47Oh, yes.
00:50:48First, call her.
00:50:49The father, where is your father?
00:50:52Where is he going, father?
00:50:54If you have the courage, come in front of me.
00:50:56He won't come.
00:50:57I will call her.
00:50:58I will call her the way.
00:51:00What?
00:51:00I've got to get out of the car.
00:51:02He's got to get out of the car.
00:51:04He's got to get out of the car.
00:51:05Come on, father.
00:51:10Come on.
00:51:11Come on, Grandpa.
00:51:12Come on.
00:51:13Come on.
00:51:14I
00:51:29I called him because he was closed.
00:51:31I told him that he was standing in front of me.
00:51:35Oh, the sun.
00:51:37Oh!
00:51:39With due respect,
00:51:41he didn't come to say anything.
00:51:44He was going to throw a ball.
00:51:47That's why he came.
00:51:51You understand me.
00:51:53He's going to throw a ball.
00:51:55We don't know if there's a ball.
00:51:57He doesn't come here.
00:52:01He doesn't go here.
00:52:03We don't have to throw a ball.
00:52:05We don't have to throw a ball.
00:52:07It's a little bit.
00:52:09With due respect, I don't say that.
00:52:11I say science.
00:52:13I have developed science.
00:52:15I respect science.
00:52:17I respect science.
00:52:19Because we've been drinking science.
00:52:21I respect science.
00:52:23I respect science.
00:52:25I respect science.
00:52:27I respect science.
00:52:29I respect science.
00:52:31With due respect, Baba Ji.
00:52:33Your thoughts are very tired.
00:52:37Yes.
00:52:39Yes.
00:52:41I respect that.
00:52:43I've given you the freedom of the skirt.
00:52:45But you're not thinking about it.
00:52:51You've come here.
00:52:53You've come here.
00:52:54Your films are coming.
00:52:55Ajay Dev Ganra Ji.
00:52:56I know that you've produced this film.
00:52:59I'm telling you.
00:53:01How do you pay for the money?
00:53:03If you start shooting at 11 o'clock at 11 o'clock,
00:53:06then you will spend your money on your lunch.
00:53:09That's a great idea, Baba Ji.
00:53:11I've said that you have a job.
00:53:13You keep shooting at 4 o'clock at 4 o'clock.
00:53:15Breakfast and lunch will spend the money on both of you.
00:53:18I have to say that I will spend the money at 11 o'clock at 11 o'clock.
00:53:22Breakfast and lunch and dinner will spend the money on three o'clock, Baba Ji.
00:53:25I will say that you don't keep shooting at that time.
00:53:28You will spend the money on your day.
00:53:30That's it.
00:53:32And the other day, you keep shooting at 11 o'clock at 11 o'clock.
00:53:35You will spend 1'sование for breakfast.
00:53:37So, if I say that you may if you spend 4 o'clock at 24 o'clock at 4 o'clock,
00:53:39you'll spend the money there, Baba Ji.
00:53:41I also say that you'll keep conta of nightло at 12,
00:53:43so you don't spend less money at 12 o'clock.
00:53:45You will spend more money besides sweeping in your day after shooting.
00:53:47I will spend more money at 2 muezzles.
00:53:50So, wait. As I say like that already, you will spend more money at 14 o'clock at 18 o'clock.
00:53:52Do you have money in your day?
00:53:53It's because it's by Dayan.
00:53:54Look, this money only, two o'clock at 2 o'clock.
00:53:57Do you spend more money on episode traffic like tyres?
00:53:59What was the film?
00:54:04What was the film?
00:54:07Aakalhe laga.
00:54:10No no Sidhuji wrong.
00:54:14I know this is Shahanshah.
00:54:17Shahanshah?
00:54:18Give up.
00:54:20That film was closed.
00:54:22It wasn't closed.
00:54:25The film was closed.
00:54:29Aajib Aajib.
00:54:30You are doing this.
00:54:31I am doing this.
00:54:32I am doing this.
00:54:33I am doing this.
00:54:34Do you guys guess which picture is?
00:54:35Yes.
00:54:36Yes.
00:54:37Yes.
00:54:38Ready?
00:54:39Ready?
00:54:40I will give you a hint.
00:54:41This film is Ajay Devgan Ji.
00:54:43Okay?
00:54:45Ata Amaji Satkali Singham.
00:54:47No, no.
00:54:48One minute.
00:54:49If Ata Amaji Satkali isn't here, then who is here?
00:54:52Give up.
00:54:53Give up.
00:54:54This is Jayav.
00:54:55Aakalhe.
00:54:56Aakalhe.
00:54:57One minute.
00:54:58This is Jayav.
00:54:59Aakalhe.
00:55:00How can this happen?
00:55:01I am thinking now.
00:55:02Where am I doing?
00:55:03Oh my God.
00:55:05Aakalhe.
00:55:06So, this game is Harry.
00:55:07Come on.
00:55:08It's a good package.
00:55:09No.
00:55:10Aakalhe.
00:55:11The name is Jayav.
00:55:12Aakalha.
00:55:13Aakalha.
00:55:15Oh my God.
00:55:16If Aakalhe.
00:55:17Aakalha.
00:55:19Aakalha.
00:55:20Aakalha.
00:55:21Aakalha.
00:55:22Hey, I am not going to be in Russia.
00:55:26So, which film is this? Give up. Give up. Give up.
00:55:29This is when you go to Aditi.
00:55:32I will sit at home. Aditi will not know.
00:55:34I will be in tension.
00:55:36When will I go to?
00:55:38I will do something.
00:55:40Okay? Okay.
00:55:45Adi Ma Ji, Sadhri Singham.
00:55:47No.
00:55:48Aboo Ji, what have you kept saying?
00:55:50One time tell you, this is not a single person.
00:55:54This is not a single person.
00:55:56Hey, Drishya.
00:55:57No.
00:55:59When will you go to Adir?
00:56:00No.
00:56:02Give up.
00:56:03Give up? Give up.
00:56:04How do you feel?
00:56:07This director is thinking, why did I make it?
00:56:16Babuji.
00:56:17Look, Deepakji.
00:56:18What are you doing?
00:56:18We are doing it.
00:56:20You also do a film, right?
00:56:23Come on, Babuji.
00:56:23One, one.
00:56:24You are a big one.
00:56:26Come on, Babuji.
00:56:28Okay. Ready, Babuji. Ready.
00:56:34This is Drishyam.
00:56:37When will you go to Adir?
00:56:39Himmatwala.
00:56:42Give up.
00:56:44Come on, Babuji.
00:56:48What is this?
00:56:50Come on, Babuji.
00:56:53Come on.
00:56:55Good job.
00:56:57Good job.
00:56:59Good job.
00:57:00Babuji.
00:57:01Do you want to give a hint of a hint?
00:57:03Yes.
00:57:03You put a hint first for the hint, Babuji.
00:57:04That's it.
00:57:05That's it.
00:57:05Yes, Babuji.
00:57:06You hear the hint first?
00:57:07I'm not doing that first.
00:57:08Watch out, Guru.
00:57:09When you play cricket, when you play 200 or 100,
00:57:13you hit all the balls.
00:57:15I will give you a standing ovation for this performance.
00:57:19Absolutely brilliant. Absolutely outstanding.
00:57:26Hey, Krishna! Thank you, Sunil!
00:57:29Let's go, let's go.
00:57:33Come on, come on, come on.
00:57:35Come on, come on.
00:57:39Come on, come on, come on, come on, come on.
00:57:42Once again, you will be the son of Sardar,
00:57:44for the two Kipuri team.
00:57:48Ajay, before you guys go,
00:57:50it was so much fun having you all over here.
00:57:53But Ajay, this time, you just didn't laugh.
00:57:55You made us laugh.
00:57:57Actually.
00:57:58Really.
00:58:00So, that means you're doing something from our show.
00:58:04But how did you enjoy the show?
00:58:06It's always fun coming here.
00:58:07I feel so comfortable that I can be free and love the way the whole thing is.
00:58:13Thank you, thank you.
00:58:14This guy is getting funnier and funnier.
00:58:15Yeah, yeah.
00:58:16Absolutely.
00:58:17But, actually, Ajay sir,
00:58:19front foot in front foot.
00:58:20What a joke.
00:58:21And it's so much fun.
00:58:23You all have so much fun.
00:58:25When we talk about it,
00:58:26it's so much fun.
00:58:27So, you will think about it when you see them on the big screen.
00:58:30How much fun will come.
00:58:31So, all the best wishes.
00:58:33Ajay sir and all the team.
00:58:38I'm very young.
00:58:39I don't look 31, but I am 31.
00:58:41But who said 31 is young?
00:58:42Let's say 31 is young.
00:58:43This is our best wishes to be a child.
00:58:44Every person will grow.
00:58:45Only on Netflix.
00:58:46Good night.
00:58:47Shepa Khair.
00:58:48Shepa Khair.
00:58:49Shepa Khair.
00:58:50Shepa Khair.
00:58:52I am very young. I don't look 31, but I am 31.
00:59:07But who said 31?
00:59:20Where are you?
00:59:21Are you checking?
00:59:22No, don't stop.
00:59:23We don't leave Salman Khan. You are here.
00:59:26The Raj has interviewed a kind of society
00:59:28which has been a great nation.
00:59:31We will talk about the Raj Shaman.
00:59:34You will have to be the king of thousands of crores.
00:59:39How did I ask you?
00:59:40I was walking in London.
00:59:42It was me.
00:59:43We talked for 2-3 hours.
00:59:44After that, they thought, let's do it.
00:59:46Then we did it.
00:59:47I don't know how to tell the male and female.
00:59:53I'm not an expert to tell the male and female.
00:59:56I am not surprised.
00:59:57I'm not surprised.
00:59:58So, I can't tell the male and female,
00:59:59have a question in that right now?
01:00:01They're in danger.
01:00:02Although, they can do it.
01:00:04You can do it.
01:00:05How did you listen to this question?
01:00:06What is the question?
01:00:07If I'm drunk, I'm on camera too.
01:00:09I know that no one will kill me in the camera.
01:00:11And if the camera is cut, I'll cut it.
01:00:36I know that no one will kill me in the camera.
01:01:01I know that no one will kill me in the camera.
01:01:10I know that no one will kill me in the camera.
01:01:16If I'm drunk, I'll cut it.
01:01:21I know that no one will kill me in the camera.
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