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Short filmTranscript
00:00We simply must be brave, mustn't we?
00:12Heaven knows it'll be hard.
00:15It'll be beastly.
00:17But we're strong people, Tony, you and I.
00:20And what we feel for each other, it'll endure.
00:23It will endure.
00:28So...
00:28I shall stay in my shop.
00:32And you and yours.
00:34And all I ask is that you don't grow to hate me.
00:38How could I hate you, Madeline?
00:40You mean everything to me.
00:43What the hell was that?
00:45Car!
00:47Billy, what was that?
00:49Just a car back bar, I think, mister.
00:51That sounded like a pistol.
00:53It didn't sound like a ready pistol, Stu.
00:55You all right, my pet?
00:56Yeah, I'm fine.
00:57I think I'm just a bit tired.
00:59Of course, darling.
01:00You must be.
01:01Tell you what.
01:02How about a proper dinner after this?
01:04Like we used to before the war.
01:06Oh, yeah.
01:06That would be wonderful.
01:08None of this canteen muck.
01:09No offense.
01:10Sandra, are you okay?
01:13Yes.
01:13Yes, Jessie, I'm fine.
01:15Don't fuss.
01:16How was my pout at the end?
01:18What could do with a dab, actually?
01:22Miss dear, anywhere's victory red.
01:24Besseme.
01:25Please, can we just stop faffing and get on with it?
01:27Mary, thank you.
01:28Yes, Miss dear.
01:29All right.
01:30All right.
01:31Ad Astra Peraspera.
01:33We must have bodies.
01:35Abracadabra.
01:35Oh, Stuart, stop it.
01:36I'd like to concentrate.
01:39Have.
01:40Quiet!
01:41Love, Lorne, in London.
01:42Scene 28, take three.
01:45Action!
01:48We simply must be brave, mustn't we?
01:51Heaven knows it'll be hard.
01:53It'll be beastly.
01:54I was strong with him.
01:56I found it.
02:03Oh.
02:05Oh, my.
02:09And this is on his bedroom wall?
02:12Rose red and rolled gold.
02:15I said to him, Stuart, Stu, I said.
02:18You are just like this paper.
02:20You're so strong and modern.
02:22And he handled this very role.
02:27Can I touch it?
02:31I shouldn't really, but, um...
02:34Well, since your extra's in my cake shop.
02:44This is the last thing he sees when he gets into bed.
02:47Yes.
02:48And the first thing he sees when he gets up in the morning
02:51and his hair's all disarranged.
02:54It's 14 shillings.
03:00Tell you what, it's a bit irregular, but, um...
03:04I could let you have a sample for, well, sixpence, say?
03:10And then you could keep a little reminder of him wherever you go.
03:13Oh.
03:14Yes.
03:14Keep change.
03:35Mr. Book.
03:37Didn't expect a welcoming committee.
03:38I thought I'd better prepare you.
03:41For what?
03:42There have been some changes since you went away on your long errand, Jack.
03:45Oh, by the way, Lord Belbrus' first folio.
03:48What did they say?
03:49Is it genuine?
03:50As his teeth.
03:52Oh, dear.
03:53What the hell?
04:00Close.
04:01Hollywood.
04:02Or rather, the nearest England can get to it.
04:05Yes, Jack.
04:07We're going to be in pictures.
04:09All right, then.
04:10Let's hear it.
04:11Now we're ready.
04:14Life and death.
04:15The whole world is here in this little patch of London town.
04:21You're going to do it like that?
04:25Life and death.
04:27The whole world here in this little...
04:28No, I think we'll just lose the line.
04:31I'm already worried about the...
04:32Nostarge.
04:35You'll be smashing in the background now.
04:37Let's take ten.
04:39Ten minutes, all.
04:41Ten minutes.
04:41Billy.
04:42Nerina.
04:43Rather jumpy this morning, isn't she?
04:45Our dear Sandra.
04:47We worked on the hours in the picture business, Nerina.
04:50Oh, don't I know it?
04:51And it must be so hard to keep that from telling on the faces of your stars.
04:56If you'll excuse me.
04:59Just the exteriors are being done here, you understand.
05:02The rest is at Ladyhurst.
05:04That's the studios.
05:05You see, I know all the jargon.
05:06Who's in it?
05:07Morning, Mr. B.
05:08Good morning.
05:10Stuart Howard.
05:12Yes, mister.
05:13I like him.
05:14He's passed me by entirely, I'm afraid.
05:16He plays the hero.
05:17The idealistic young bookshop owner in love with the girl next door.
05:22Did you never see him in that submarine picture?
05:24He went mad and tried to throttle everyone.
05:26I mean, he was proper sweaty.
05:28Alash.
05:29Well, who else?
05:30Patience.
05:31You've literally arrived halfway through this picture, and you've yet to set eyes on our
05:35leading lady, who's also Stuart's fiancée, his real-life fiancée.
05:41Sandra there.
05:42She's using my room.
05:44He canted my thing so she can do her mascara, sip her Vichy water, whatever it is these people
05:50do.
05:51I had a cigarette card of her, before the war, of course.
05:56Ah.
05:58Mr. Book.
05:59Ah.
06:00Not getting too much in your way, I trust?
06:02Not at all.
06:03Certainly an education.
06:05Larry Olivier calls film an anemic little medium.
06:08He's such a crashing snob.
06:10For he today would shed his blood with me, shall be my brother, be he ne'er so vile.
06:15Churlish when they gave him the Oscar.
06:16Jack, this is Mr. McKendrick.
06:19Delighted.
06:19Oh, and here's Nora.
06:20The gang's all here.
06:22So, you're the director?
06:24And the writer.
06:25I thought you'd be older, with a monocle and a writing quote.
06:28You mustn't believe everything you read in the film magazines, young lady.
06:31I've seen you before.
06:33Mr. McKendrick had a lot of green penguins from us last summer.
06:36Oh, yeah.
06:38You look different.
06:39It's the shorts.
06:40I'm not wearing shorts.
06:42That's why you look different.
06:43Yes, you're very busy, me as I recall.
06:45You're always running about the place, weren't you, Mr. McKendrick?
06:48Jessie.
06:48Jessie.
06:51Ah.
06:51Hello, Norena.
06:53In search of material for your next article?
06:55Always.
06:55Well, the bin's around the back.
07:00Aren't you going to introduce me?
07:02This is Mr. Book.
07:03From...
07:04Oh.
07:05The apostrophe man.
07:06They subbed your sign.
07:08I'm trying not to look.
07:10Would you by any chance be a member of His Majesty's Press?
07:13Norena Bean.
07:15Picture-goer.
07:16If you have juicy titbits, my door is open.
07:19I'll bear that in mind.
07:27Nice fingers.
07:28If they're not real, don't break a tooth.
07:42It's lovely.
07:45And he has this.
07:47From his ceiling all the way down to his skirting boards.
07:52Does he talk about her fiancé?
07:58Does he say, I don't like her anymore, she's too old for me?
08:01No.
08:02Does he say, she's so old it's like kissing a leg of mutton?
08:06No.
08:07She's only 45, thank you very much.
08:10He says he was very excited about Lovelorn in London from the moment he saw the script.
08:13And he's very excited about married life.
08:17Though, he also adds, one must keep an open mind.
08:21Because who knows what fate may throw your way.
08:25Hear that, Barbara?
08:28Heavens!
08:29God, is it bad?
08:31Barbara?
08:34Home is the hunter?
08:37Oh my God.
08:38Home is the hunter.
09:09Yeah.
09:09I am.
09:17Yeah.
09:17Yeah.
09:21The hunter!
09:24One to two of us.
10:02Is this a sad one, Morris?
10:07Well, because I've been up all night with the razor blade case, so...
10:12All right, let's have it.
10:13Film struck girl. Extra. Dead. On the counter.
10:17It's suspicious. I've shut down filming for the time being.
10:20Have the parents been informed?
10:21Yes, sir. She and her family didn't get on.
10:23Her friend said that's why she spent so much time at the...
10:26...the pictures.
10:32Inspector. Book.
10:37We are at home to death, it seems.
10:41Probably there, uh, upstairs.
10:53Hmm. Royal appointment.
10:56What are they keeping from us, Stuart?
11:00All this waiting is making me tired.
11:04Perhaps one should have a mask made.
11:07A mask?
11:09With a permanent Richter smile.
11:14They can do wonders with makeup now.
11:17I'll have Boris Karloff's number if you'd like.
11:19Dearest, Miss Dare, you don't know me, but I'm your most devoted admirer.
11:33I wonder what they'll think of Love-alorn in London.
11:38Who?
11:38Them.
11:40They'll buy it.
11:41They love us, don't they? Both of us.
11:43They'll throw bottles at the screen.
11:45Do you know what they shouted at the test of brief encounter?
11:56Why doesn't she just kiss him?
12:00Only they didn't say kiss.
12:02Relax, darling.
12:04There'll be another smash.
12:06By the nation's most blissfully engaged couple, remember?
12:08Hmm. And what a long engagement it's been.
12:13Oh, God, I can't wait to be back at the studio.
12:18Haven't you enjoyed a little field trip?
12:19If we're back at Lady House, it gets that dreadful marina bean out of my hair.
12:24The studio has gates.
12:26Fire breather of picture-goer.
12:28Hmm.
12:29You know when you lift a stone or a branch
12:32and suddenly all these ghastly, filthy, damp little monstrosities
12:37are exposed to the daylight,
12:38they're scrabbling back into the shadows?
12:41Well, beneath them are even worse, filthy, damp little monstrosities.
12:47And under them is Marina Bean.
12:52Sure has been rather sweet to me.
12:54Mm-hmm.
12:55Well, we've got good news for her, don't we?
12:58Do we?
13:00Deliveries.
13:01Our new three-picture deal, picture-goer exclusive.
13:05Yeah.
13:05What do you want?
13:10Barley sugar boy?
13:12I'm afraid there's been an accident.
13:25The contents of a handbag.
13:29Melancholy, isn't it?
13:29Evidence of a little life spilled on the floor.
13:38Oh, what's this?
13:41You kiss your excess lipstick onto your favourite star.
13:45Yeah, well, it takes all sorts.
13:48This interests me.
13:48May I?
13:49Mm-hmm.
13:49Very carefully wrapped.
13:55Tenderly, I'd say.
13:57Ah.
13:58Well, they are still on the ration.
14:01They look expensive, but there are only coppers in this purse.
14:05Trotty.
14:05Yes?
14:06Did they have money, these girls?
14:08Very little.
14:09So they didn't buy them?
14:10I didn't notice the production providing fancy confectionery.
14:17No, the fans bring them.
14:19Letters and presents.
14:21Sad little things they've knitted.
14:23They're left through there.
14:26Billy brings them up to them.
14:28Actually, he had a box of chocolates with him just now.
14:34Puncture mark.
14:37Barbara was breathless, Trotty, yes?
14:38Yes, and twitchy.
14:43Strychny.
14:44Oh, hell's bells.
14:57Poor girl.
14:59Someone's been at these.
15:01Oh, darling, you shouldn't...
15:02You don't know where they've been.
15:04Drop it, it's poison.
15:06That'd be absurd.
15:07They're by royal appointment.
15:08I'm afraid it's true, sir.
15:10You didn't have any, did you, Miss Dare?
15:12Oh, no, no.
15:13What about you, Mr. Howard?
15:14No.
15:15Oh, good.
15:16Have you ever received chocolates like this before, Miss Dare?
15:18Uh, yes.
15:20All the time my fans know they're my favourite, but I never eat them.
15:23It seems reasonable to assume, then, that you were the intended victim.
15:26Intended victim?
15:28Intended victim?
15:29What does he mean?
15:31Intended victim?
15:32We're investigating the death of Barbara Markham.
15:36Oh, yes, that unfortunate young woman.
15:39Yes.
15:39Oh, my God.
15:41I have been sent some strange things in my time, but...
15:44Howard, anyone want to kill me?
15:47Billy, who gave you these chocolates?
15:49Nobody.
15:50They were just with the usual mail.
15:52I always have to deal with it.
15:53Where anyone could have got to them.
15:55And Barbara and her friend presumably did.
15:57Jesus Christ, we could have both died.
16:00What were you thinking about bringing that muck up here?
16:03Sorry, Mr. Howard, but you told me to bring everything...
16:05Now, don't answer me back.
16:07I need to find myself a new assistant.
16:13Are you all right, my love?
16:16It's a brutal question, Mr. Hebb, but I'm afraid it must be asked.
16:20Do you have any idea who might want to kill you?
16:25Can't this wait?
16:26Yes, of course.
16:26He'd excuse us.
16:28Sir, out.
16:30I need to remind you that this is an official murder investigation.
16:34Don't talk to the press.
16:36There once was an actress called Dare, whose allure was exceedingly rare.
17:01Her chocolates were spiked with strychnine, not nice, but it was Barbara that ate them, not fair.
17:10I hope we did the right thing, letting those people into the lane.
17:15Why did you?
17:16I'm afraid it was money.
17:16I'm afraid it was money.
17:18Yes, my love.
17:19Yes, my love.
17:20Those little pieces of paper that keep us out of the small claims courts.
17:24How much?
17:2520 guinness.
17:2620 guinness.
17:27Per week?
17:28Per diem.
17:29Per diem.
17:30For ten diems.
17:31Per diem.
17:32The devil's going on out there.
17:36Bobby's swimming about like the cup final.
17:37Ah, Mrs. Goodwin.
17:38Yes.
17:39I'm afraid there's been an accident.
17:40Oh.
17:41Well, nothing to do with Sandra Dare, I hope.
17:43I heard she was in the neighborhood.
17:44Oh, so that's why we're here.
17:45Always been a fan.
17:46They don't want to hear about your juvenile antics, woman.
17:47Miss Dare is perfectly sound, I'm happy to say.
17:48The Scarlet Pimpernel you had from us last time, wasn't it?
17:49I trust you enjoyed it.
17:50Oh, very much.
17:51Well, I promised you the sequel.
17:52I'm teeing off at quarter two.
17:53Tsh.
17:54Sorry?
17:55Tsh.
17:56Dinky.
17:57I will repay.
17:58What?
17:59That's the sequel to The Scarlet Pimpernel.
18:00Jack?
18:01Oh, very much.
18:02Well, I promised you the sequel.
18:03I'm teeing off at quarter two.
18:04Tsh.
18:05Sorry?
18:06Tsh.
18:07Dinky.
18:08I will repay.
18:09What?
18:10That's the sequel to The Scarlet Pimpernel.
18:11Jack?
18:12What?
18:13Underneath hardy perennials, the biography of Danton and the stack of unpaved balls.
18:18Got anything on how to cook?
18:20I beg your pardon?
18:21That's what she needs.
18:22Gnarly boil a ruddy egg.
18:24How are your feet?
18:25Oh, much better.
18:26Oh, I'll wait in the car.
18:28Ah, that's just a bomb.
18:29Oh, and I put this to one side, too.
18:31Oh, and I put this to one side, too.
18:33Oh, I'll wait in the car.
18:36Ah, that's just a bomb.
18:38Oh, and I put this to one side, too.
18:42On the house.
18:44What is it?
18:45Oh, just a little play.
18:46Ibsen.
18:47A Doll's House.
18:48It's about a woman who realises she's rather trapped.
18:51Unfulfilled.
18:53Thought you might find it enlightening.
18:59Cheerio.
19:04How's business been?
19:06Booming.
19:07Goodbye to bullying.
19:09All the Stuart Howard fans are mad for it.
19:12Is he in the film version?
19:14That's what I'm telling him.
19:16I, er, better unpack.
19:20Oh, Jack, be a darling and fetch my bag from my room, would you?
19:24It's the green one with the amber clasp.
19:29Right.
19:31What?
19:32I don't know what the hell is going on.
19:33I don't know what the hell is going on.
19:34I'm so confused at all.
19:35Oh, I don't know what the hell is going on.
19:36Go ahead and see what your we're talking here.
19:37I have to have to go.
19:38Why aren't you talking all things?
19:39You can see that so much.
19:40You can see what your arm is going on.
19:41I can see a little bit.
19:42What is it?
19:43If I'm drawing it on the house.
19:44My leaves, I'm drawing it off the floor.
19:45What?
19:46You can see it too.
19:47What?
19:48You can see it.
19:49Oh, I can see it?
19:50You can see it.
19:51Oh, I can see it.
19:52Oh, my God.
20:22Oh, my God.
20:52You really think someone tried to kill me?
21:13It really looks that way.
21:15Good God.
21:16At least we'll be back at Ladyhurst tonight.
21:19You sure you're okay to shoot?
21:21I have to be, won't I?
21:22Deirdre?
21:24Silly me.
21:25My memory.
21:26Sandra?
21:27Are you ready?
21:28Ready?
21:29My exclusive.
21:30Oh, excuse me.
21:34I promised an interview.
21:36Harold.
21:36Mr.
21:37Marina, I can give you two minutes.
21:41Necessary evil, I suppose.
21:44One must feed the machine, Mr. Booker.
21:45Ah.
21:50Finally.
21:54If you'd be so great.
21:56You know my motto.
21:58If you've nothing nice to say, come and sit by me.
22:02And here you are.
22:04Sitting by me.
22:06Ah, yes.
22:07But I do have something nice to say, Marina.
22:10Oh?
22:10Love Lorne in London is the first of a new three-picture deal.
22:16A deal Stuart and I have signed on for.
22:20Isn't that marvellous?
22:22Marvellous.
22:24And you're shooting interiors at Ladyhurst, aren't you?
22:27Not exactly MGM, is it?
22:30Ladyhurst.
22:30Oh, it'll do nicely.
22:33You know the place, though, don't you?
22:35Made plenty of pictures there in the past.
22:38I like the one where you played the simple crafter's daughter who married a duke.
22:42Mm, yes.
22:43And the one where you played a simple fisherman's daughter who married a duke magnate.
22:48Yes.
22:49I always forget what duke is.
22:51It's a kind of fibre.
22:53People make bags for that.
22:56What's the first film you made there, Sandra?
23:00At Ladyhurst?
23:02Hmm.
23:03Um, I don't know.
23:05Uh, springtime for Mary, I think.
23:10Oh, about a simple blacksmith's daughter who married...
23:13All right.
23:16I think it was quite a bit before that.
23:20Do you know, our readers would be fascinated to learn that not all Sandra Day's pictures were talking pictures.
23:25I love those old inter-titles, came the dawn and all that.
23:33Or I can check the date later, Deirdre.
23:36That is your real name, isn't it?
23:39The one you used to go by?
23:42Deirdre Piddock?
23:44Perhaps you should concentrate on the present, Noreena.
23:49What?
23:50Someone is trying to kill me.
23:52Jesse and I are taking Sandra for supper.
24:07Trying to take her mind off things.
24:09If that's not inappropriate under the circumstances.
24:12Well, one must eat.
24:14Where are you going?
24:15Wheeler's?
24:15No, Camille's.
24:17On the Strand.
24:18Good choice.
24:19Don't have the oysters.
24:20I saw them taking that girl away.
24:26I assumed it was an accident.
24:27Poisoned chocolates.
24:29Really?
24:30And they were intended for me.
24:33And that poor, sad girl intercepted them.
24:36Oh, what?
24:37How's that for an exclusive?
24:39Tragic.
24:40And what an angle.
24:43Oh, sorry.
24:44That was crass of me.
24:46But still...
24:48What an angle.
24:49Oh, there's your story, Noreena.
24:52You ready, darling?
24:53Oh, yeah.
24:54I was just leaving.
24:56Congratulations on the new contract, Stuart.
25:04Much to chew on.
25:06Always lovely to see you.
25:12Trust the lady, Hurstleys, in five minutes.
25:14Five minutes, everyone.
25:15What are you waiting for?
25:18The last post?
25:19Mr. Masterson, what a pleasure to see you again.
25:26Noreena Bean.
25:27Looking lovely as ever.
25:29What can I do for you?
25:37Here we go.
25:39Tar.
25:39Tar.
25:46We met through, um, picture-goer.
25:49Me and Barbara, I mean.
25:50There's lots of correspondence, you see.
25:53Like-minded folk finding each other.
25:54Someone to dare, friends.
25:56Some.
25:57And the other big names, too.
25:59There's a hairdresser I know who's potty on James Mason.
26:02But, you know, Stuart was our favourite.
26:06That's why we...
26:08Why we chose to get jobs as extras.
26:10To get close.
26:11Oh, you're doing very well, my dear.
26:15You admit to taking the chocolates?
26:21Yeah.
26:22I'm awfully sorry.
26:24We just couldn't resist them.
26:25We saw them there, on the table, in the bookshop, and...
26:28I mean, chocks.
26:31Come on, it's been years.
26:33They were through there?
26:35Yeah, just through there.
26:37What did you do with the note?
26:42Note?
26:43Well, there was obviously an enclosure of some kind.
26:48It's not there now.
26:49What did you do with it?
26:50I...
26:51I didn't see any note.
26:58It was over there, look, on the table.
27:03It's funny how easy it is to get close to them.
27:07The stars, I mean.
27:08Sally Gray once brushed past me in the powder room at the Walsingham.
27:12You opened the box.
27:14Maybe the card fell out.
27:18Do you have...
27:19back issues?
27:21Picture guard, I mean.
27:22Of course.
27:23January 35 onwards.
27:25Would you be so good as to let us have them?
27:27Of course.
27:28I know that look.
27:42Oh, dog.
27:44You naughty boy.
27:47This, sir, this, sir, session.
27:51Well, I wouldn't say session, sir.
27:54He gives you full pay for that.
27:56Hmm.
27:57He doesn't.
27:58You're sure he knows about it.
28:04Yeah, he does know where we are.
28:05Thank you, Miss Bruce.
28:06You've been most helpful.
28:10Uh, uh, constable?
28:13Oh, Stuart.
28:26Oh, Stuart, my love.
28:28There's so much I want to say to you.
28:30From that moment on the submarine, I knew.
28:34Your look of concentration, your strength.
28:36We were destined to love each other.
28:37We were destined to love each other.
28:39Ship of shame.
28:40Good picture, that one.
28:43They were meant for him.
28:47We imagine we control our passions, but they direct us to the stars we strive, despite adversity.
28:54They drive ordinary people to extraordinary actions, like injecting strychnine into strawberry creams.
29:01So, Stuart, my own best darling, I implore you not to try.
29:08Follow your heart, break off your engagement, and we can be together.
29:13You and I, my sweetest boy, in life, or in the cold, cold tomb of death.
29:21And if one proves impossible, I'll take the other, joyously.
29:26Well, that seems pretty clear.
29:28If the writer can't have him, nobody can.
29:30So we're looking for a film fanatic.
29:32Fanatic being the word.
29:34That would be the obvious explanation.
29:36All right, then.
29:37Bring me up to speed.
29:39What do we know about this film, Will?
29:40Stuart Howard.
29:45Proof that smoldering Latin looks sometimes occur spontaneously in Bermondsey.
29:50He and Sandra have bound their careers together, the nation's sweethearts.
29:55But who can know the truth of it?
29:57He's an actor, and he's young and ruthless and rather over-rewarded.
30:02And appears to be hopelessly in love with someone else.
30:04Who?
30:06Himself.
30:07Then there's the Honourable Jesse McKendrick.
30:11He lived in rooms on the lane last year just for a few weeks.
30:14Witch boy, slumming it for the summer.
30:16Ran up and down like a billy goat.
30:17He was always pounding the streets in his plimsolls.
30:20Left when it got cold.
30:21Ran straight back to Daddy's place.
30:23In Wiltshire, I think.
30:25I'm sure I looked it up.
30:27And then we must presume wrote his script on the private lives of the proletariat.
30:31Thank you so much for joining.
30:33Good neighbour, was he?
30:34Didn't pay much attention, to be honest.
30:37I find that hard to believe.
30:38Well, he was obviously taking notes on how to run a bookshop.
30:42And Miss Dash, she had a rich husband who died, didn't she?
30:44An Italian national.
30:46Is that why they went to the States?
30:48Well, if they'd stayed, he'd have been interned as an enemy alien.
30:50I suppose they preferred the California sunshine.
30:53That's made me think rather better of her.
30:56I thought she was just running away from the bombs.
30:59What about Billy?
31:00Clapper boy.
31:01Positions, please.
31:02And from the look of it, Stuart Howard's now ex-whipping boy.
31:06Doesn't seem to be much love lost there.
31:09They pose a lot, don't they, these film stars?
31:12Why is he marrying her, do you think?
31:17To show she's still here.
31:26To show she knows what the audience wants.
31:29Stuart Howard's just arrived at the top, ain't he?
31:32Saja's been there for years, but she can only stay there for so long.
31:35Very perceptive of you, Jack.
31:41What a brutal business this is.
31:44It captures people in time, then they change.
31:50And it mocks them for it.
31:52Right, I'm going to get on to the film security, people.
31:55See if anyone saw who dropped the chocolates off.
31:58What will you do now?
32:01Jack and I are taking this note to dinner.
32:05Oh, is that lovely?
32:29Jesus Christ, me?
32:40You?
32:43I have no idea how draining it is, Mr. Book.
32:47Gladhanding.
32:49Scribbling one's autograph.
32:51Failing to recognize someone whom you apparently met at a village fate ten years ago.
32:55And the smiling.
32:56Great God, the smiling.
32:58This is simply the next step.
33:00They can only love one so much, and there's only one way to go from there.
33:12Can I bloody well eat after that?
33:14Well, a crazed fan is only the most obvious theory.
33:17But we don't like to be obvious, do we, Jack?
33:20What?
33:21Oh, no. No, we don't.
33:23So, if I might repurpose the inspector's earlier question,
33:25can you think of anyone who might want to kill you, Mr. Howard?
33:29Take your ruddy pick.
33:31There's quite a lot of angry ladies out there, not to mention their husbands.
33:35Savile Row tailors, producers, directors, writers.
33:39My ex-agent, my ex-ex-agent.
33:41Uncle Tom Conway and all.
33:44What about prison?
33:46What?
33:47You started to eat your dinner with your spoon.
33:49Ah, old habits.
33:54Dead giveaway.
33:56Takes one to know one.
33:59I was younger than you.
34:01Nothing too terrible.
34:03But I shouldn't like it to get into the popular press, Mr. Book.
34:07I should think not.
34:12Where'd they get you from?
34:13I went for a drive.
34:14Where?
34:15Through a ferrier's window in Mayfair.
34:18You?
34:19Went to the bank to make a withdrawal.
34:22Have a stocking over your face?
34:23Yeah.
34:23My mother's.
34:27I'm a Bermondsey boy, Jack.
34:28Rough as a sailor's arse.
34:31Despite all of this.
34:35Do you think it could have something to do with that?
34:37The prison?
34:38Well, as you've indicated, it's a wide field.
34:42Tell you what.
34:42We're going to take on young Jack here as your new factotum.
34:46Huh?
34:46No harm in having a strapping young fellow like him hanging around,
34:49and you are looking for a new assistant.
34:51Yeah, well, I can't.
34:52I've already got a job at the bookshop.
34:53Well, I'm sure I can spare you for a few days,
34:55and you know how Nora loves to help out.
34:58Well.
34:58Splendid.
34:59Yes, this is a good idea.
35:00You know, Mr. Book, you should all come to Ladyhurst.
35:03Help us get the details right, and keep an eye on things.
35:07We'd be delighted.
35:09Thank you for these.
35:10I'm a film star.
35:15You all right?
35:17Yeah.
35:19I wouldn't have been.
35:21I'll leave you to it, then.
35:23Let me know if anything interesting turns up.
35:26Oh, and be careful.
35:27There is a killer on the loose.
35:31Good night.
35:32Good night.
35:34Yes, sir.
35:35What's your poison?
35:36Varsity Sporting Review.
35:55There you are.
35:57Good night.
35:58Good night.
36:06What's up for?
36:13Good night.
36:17Good night.
36:18Bye.
36:18Good night.
36:19Good night.
36:21Good night.
36:21My delight.
36:22Good night.
36:23Good night.
36:24Come on, Co Co.
36:25Good night.
36:25Good night.
36:25By the way.
36:26what's this come on it's usually around now that you deign to share
36:34three things then who would benefit from love lord and london collapsing what was missing from
36:44that box of chocolates was lying there with all the other fan mail but no envelope top of the
36:49class mrs book so unless the envelope was disposed of the chocolates didn't arrive by post so any
36:56one on the film set could have put it there precisely and finally the chocolate method
37:00haphazard though it was has been tried and failed which means whoever's behind this is going to try
37:06again what are you going to do we're invited to the film studios tomorrow and jack has a new job
37:13for stewart howard's stand-in when are we going to tell him
37:18not yet
37:21shall i read well i know how you enjoy it so i'll humor you
37:30punch up then
37:31oh there it is
37:37i've been fretting about that since we moved my stuff to accommodate the stars
37:45then fret not dear and recall our solemn pact
37:49cave of fancy
37:58i've seen some dives in my time for this so dirty so shady the pansies in my garden abhor the shade
38:12right sir
38:16it is sir is it let's find you on my list name
38:23occupation
38:25marital status
38:28engaged
38:29who are you
38:32medical officers struck with perry
38:34trotty to my friends
38:36late for the gary baldy brigade and i don't mean the biscuits
38:39i can pull out shrapnel
38:41i can strip it to shanker in under two seconds
38:43and i want to pull it south of the urba which i wouldn't recommend even to you sergeant
38:47and i never ever leave a man behind
38:50he's sitting there and i'm getting married to him next saturday and the chief constable's daughter is one of our bridesmaids
38:57so if i were you
38:58i'd just admit the error right away and cross him off your list
39:02what say you
39:04trotty
39:10saturday all right for you
39:13forecast is good
39:14quite a right trotty
39:16i love him
39:19a kiss of me
39:22oh
39:26where would i be without you
39:30i think we both know the answer to that my love
39:35anyway
39:40you were going to read
39:43of course
39:45she's noticed you
40:12you know they always notice me
40:15girls
40:16it doesn't mean anything
40:18it's like when kids point a dog's in the street and say
40:21dog
40:22yeah what are you getting married to in the sound
40:24i've never seen it in a column by an arena bean
40:26but let me tell you something jack
40:27i've never gone down on one knee to anyone
40:30sandra
40:32what the question ended see
40:33i can imagine that
40:34most of the questions are from a business manager
40:36so you've got an arrangement then
40:43i shouldn't drink so much should i
40:45yes an arrangement
40:46well we all have those don't we
40:48you have one with book
40:50book has one with mrs book
40:51if we're talking about unusual marriages
40:53why do you say book's marriage is unusual
40:55you'll like him
40:58book
40:59how
41:00because you read
41:02so go on read me
41:03well
41:08you keep coming here
41:13because you think this is the sort of place that film stars go
41:15but here's the thing
41:17you don't like it here
41:18you hate it
41:20and you hate that drink too
41:22it's like a pudding from the wall
41:25so you're thinking
41:27how can i be the chap i was
41:29you know before i knew that the camera loved me
41:32which is a terrible thing tonight
41:34it's not all this cracked up to be
41:35can you believe that
41:36yeah i wouldn't mind pit of it
41:37careful what you wish for son
41:39got someone sending me poison in the post remember
41:42i was a bit stuck
41:45when i met sandra
41:46typecast
41:48not officer material
41:50they said
41:51it was a problem kid
41:53sandra changed that
41:55she pulled strings
41:56whispered in ears
41:57producers started casting us as lovers
41:59they were lovers by then
42:01of course
42:01do you love her now
42:02well i don't
42:05i hate her
42:06you want to be your own man
42:11of course i do
42:12but it's impossible isn't it
42:13we're a pair
42:14like hope and crosby
42:16fred and ginger
42:17garbo and gilbert
42:18yeah except he left didn't he
42:19what
42:20john gilbert
42:21didn't survive when the talkies came
42:24so it's all an act then
42:28you and her
42:29golden couple
42:31all an act
42:32as much an artifice as
42:34stewart howard himself
42:35film is for dreamers you see jack
42:40when you sit there in the dark
42:42there has to be space for you up there
42:45in that kiss
42:46those scenes in the moonlight
42:49standing by the rail of a ship
42:51you just read in the fan mags that the screen lovers have broken off the engagement
42:55can't stand to be in a room together
42:57and there's no space to dream
43:02and there's no space to hear
43:07you
43:08i'll just tell you
43:09um
43:13and then
43:14i can't haul you
43:17now
43:20i can't
43:26i can't
43:29I don't know.
43:59I don't know.
44:29I don't know.
44:59I don't know.
45:01I don't know.
45:03I don't know.
45:05I don't know.
45:07I can do it in time.
45:09Yes.
45:11Of course.
45:13Reset.
45:15And action.
45:17I don't know.
45:27I'm so sorry, Jessie.
45:29Can I beg ten minutes?
45:31Siggy will sort me out.
45:33Cutting it there.
45:35Cutting it there.
45:37Ten minutes off.
45:39Back at five past.
45:41Is that coffee, sir?
45:45No.
45:47No.
45:51No.
45:55No.
45:59No.
46:01Oh, my God.
46:31Oh, my God.
47:01Oh, my God.
47:31Oh, my God.
47:38Good morning.
47:53You're up early.
47:55Oh, I thought you might want a tea.
47:57Hey, kid.
48:21You want to be in pictures?
48:27Your name's not on the list.
48:28Who are you?
48:30Well, we're antiquarian booksellers.
48:32Isn't it obvious?
48:33And I know we're being extra vigilant, Jerry Love, but they're with me.
48:38All right.
48:38What's this?
48:50What's this?
49:08The address of Barbara Markham's parents.
49:12I'll go visit them.
49:14No, no.
49:14There's the inquest first.
49:16Must write them a kind letter.
49:19I will.
49:20Thanks, book.
49:21You boys are in for the biggest surprise of your lives.
49:29Keep going.
49:31Better this way.
49:33More dramatic.
49:34Geordie, can I get some lights on, please?
49:39Yes, Mr. Howard.
49:46Amazing.
49:47It's absurd.
49:52Ridiculous.
49:54Bizarre exaggeration of reality.
49:57It is wonderful.
49:59What a thrillingly peculiar life you lead, Mr. Howard.
50:03It's an imitation of life.
50:05Dog's blanket.
50:07But no dog.
50:10Is dog cast yet?
50:11Yeah.
50:12Mostly not much cop.
50:14No screen presence.
50:15Think of a good replacement.
50:18Yeah.
50:19I can.
50:24Cards of cash.
50:27Your Tony's a better bookseller than I am.
50:30It's fake.
50:32I like everything in here.
50:34Ah.
50:34Well, I'm glad you had a chance to look before the hordes arrived.
50:37Let's get some breakfast.
50:39Canteen's in the next block.
50:40Lay on, Macduff.
50:47It's just past the dressing rooms.
50:52Do you know what you're doing next, or...?
50:53Another Robin Hood remake.
50:55I mean, I've got the pins for it.
50:56Oh, my God.
50:58Right.
51:06It's one of the extras.
51:07No.
51:19I think not.
51:25It's Nurina Bean.
51:26The girl with the poison pen.
51:39The girl with the cyinois.
51:49Bye.
51:50Bye.
51:50Bye.
51:50Bye.
51:50Bye.
51:51Bye.
51:57Bye.
52:01Bye.
52:02Bye.
52:04Bye.
Recommended
52:22
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