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Short filmTranscript
00:01Yeah?
00:04Yeah?
00:30Yeah?
00:32Yeah?
00:34Yeah?
00:36I know, but I've never seen him do the same thing.
00:40I'm sorry.
00:42I've never seen him do the same thing.
00:45It's a very good person.
00:48I want to feel that he's not sure about it.
00:51I'll be back to him.
00:54You'll be back.
00:56I'll be back again.
00:57Son, you're in the middle of his lane.
01:27I don't get any lighter.
01:57I don't get any lighter.
02:27Bit lost, Lot.
02:29One five eight.
02:32Just there, sweetheart.
02:35Ta.
02:35All right, get him.
02:40Come and get your paper.
02:46Hold that, would you?
03:09What do you make of it?
03:18Looks old.
03:19It is.
03:20Barely indifferent Jacobean poetry, calfskin binding, worth a couple of bob.
03:25What are these brown spots on the pages?
03:28You go straight to the heart of the matter, Mr.
03:31Jack.
03:32It's just Jack.
03:34That's called foxing.
03:36Jack, just Jack.
03:37It's what time does to books.
03:39To all of us.
03:41In the profession, we say it's slightly foxed.
03:43Interested?
03:46You know, there's a mistake.
03:48A mistake?
03:50Well, isn't there?
03:53Above the door, a sign.
03:54What about it?
03:55Well, it's wrong, isn't it?
03:58There's no apostrophe in books.
04:00There is.
04:01No, there isn't.
04:01There is.
04:02There isn't.
04:02There is.
04:03There isn't.
04:03There is that your name is Book and you own the shop, which it is and I do.
04:06My name's Book.
04:07Books, books.
04:09Confusing, I know.
04:10Or is it handy?
04:11I can never decide.
04:12Anyway, I'm Book and I run a bookshop.
04:14This one, obviously.
04:15You must be here about the job.
04:17Tea?
04:17Tea?
04:17Tea?
04:17Tea?
04:17Tea?
04:19Tea?
04:34Not quite there yet.
04:38I'm trying to make ginger snaps.
04:41Uh, how much?
04:42Where were you dragged up?
04:44One for each person and one for the pot.
04:49Now, where have we got to, Jack?
04:54Just Jack.
04:56Uh, this is dog, book, dog, job.
05:00I have a little hobby on the side and I find it's taking me away from the shop more and more.
05:06So, I require assistance.
05:08Oh, God.
05:24Oh, that's better.
05:26I must have tea.
05:27Without tea, I am merely unreconstituted dust.
05:30Look, this isn't really my sort of gaff.
05:38I mean, I thought they'd maybe send me to a factory or something.
05:41They?
05:44Well, you know where I've come from, don't you?
05:47You know that I was...
05:48No need to mention it again.
05:50What are you hoping for now you've got the job, Jack?
05:52Just Jack.
05:53I just want to keep my head down, you know.
05:56Try and get back to normal...
05:57Wait, I've got the job.
05:58Well, mobility is overrated.
06:01Yes, you've got the job.
06:03If you want it.
06:05Darling, you must come at once.
06:08Oh.
06:09Uh, Trotty, this is Jack.
06:10Just Jack.
06:11Jack, this is Trotty, my wife.
06:14Hello.
06:16Hello.
06:17Well, what is it?
06:18The bombsite.
06:19The man carrying the bombsite.
06:20You know where Inkeman Street used to be?
06:21Oh, yes, that one.
06:22What of it?
06:23Well, they found something.
06:25In suspicious circumstances.
06:28My favorite kind of circumstances.
06:31My favorite kind of circumstances.
06:31My favorite kind of circumstances.
06:32dare to be?
06:32All right.
06:34My favorite kind of circumstances.
06:35Well, I won't to let him go.
06:36I won't go.
06:36I won't go.
06:37I won't go.
06:37I won't go.
06:38I won't go.
06:39My favorite kind of circumstances.
06:41I won't go.
06:42I won't go.
06:42No, no.
06:43No.
06:44I won't go.
06:44I won't go.
06:45No, no, no.
06:50No, no, no.
07:52I was wondering if we'd be seeing you.
08:04Like a bad penny, Sergeant.
08:05Yeah, well, you know my feelings.
08:07You've made them exquisitely plain.
08:08But as you know, I do have a special letter from Churchill.
08:11Yeah.
08:16All right.
08:17Oh, hello, Book.
08:21Mrs. Book, I thought this might be up your street.
08:23Almost literally.
08:24Start at the beginning, Inspector, and leave nothing out, especially if it's salacious, gory, or vaguely scandalous.
08:29Bit of a puzzle.
08:30Mr. Basehart here was starting to clear away the rubble from this old bombsite the other day.
08:34Winkerman Street caught it in 44, didn't you?
08:37Yes, sir.
08:38Terrible pounding.
08:39Do you remember that raid, sir?
08:41How could I forget?
08:42Trotty and I ended up cheek by jowl in the Anderson shelter with the man from the Prudential Insurance Company.
08:48He had lovely fingernails.
08:49Terrible halitosis.
08:51Those shelters weren't built for sharing.
08:53War's over, Mr. Basehart.
08:55Quite so, sir, but I still like to patrol my route.
08:58For old time's sake.
09:00And to keep an eye on old Brenda there.
09:03My trusty searchlight.
09:05Well, here he was, trying to clear away the rubble, when lo, what does he find?
09:09Lo, what?
09:10Ah.
09:19Heavens to Betsy.
09:21Tossed together like a skeletal salad.
09:24How many?
09:24It's hard to tell, because they're all jumbled up.
09:26Ten or twelve, I'd say.
09:28Quite why Mr. Basehart didn't tell the authorities about his discovery forthwith is another matter.
09:32He didn't?
09:33No.
09:34Some kiddies who were playing here let us know.
09:36As I was saying, I have a theory.
09:38Well, obviously they copped it in the raid, didn't they?
09:41What do you think, Jack?
09:44Me?
09:44You.
09:48Uh.
09:50Yeah, that's what must have happened.
09:53Air raid killed him.
09:55Died two years ago and now they're all rotted away.
09:59That would be a logical assumption.
10:01Who's this?
10:01So you don't think they died in an air raid?
10:05If you recall, Inkeman Street was already empty, wasn't it, Mr. Basehart?
10:08Scheduled for demolition.
10:10So nobody was living here, in which case...
10:13Who are they?
10:14Well, anybody, surely.
10:16Anybody could have taken shelter from the bombing in one of the empty houses.
10:19A dozen of them.
10:20What about clothes?
10:21Clothes?
10:22All flesh is grass.
10:23All flesh is grass.
10:24The raid was only two years ago.
10:26Even if the bodies had rotted away, their clothes would still be intact.
10:29I think Mr. Basehart and I are thinking along similar lines.
10:34Well, that would appear to be the clincher.
10:46What do you think?
10:51The unmistakable bonds of King Charles II.
10:54Oh, does it have a date on it, too?
10:591665.
11:01Plague pit, yeah?
11:02So I would see him.
11:04A what?
11:05Plague pit.
11:07The Great Plague.
11:08London's burial grounds were overflowing, so they dug these great big pits and dumped
11:14all the corpses in them.
11:16I'm a bit of an archaeologist.
11:19On the side, strictly amateur, you understand?
11:22So why didn't you tell us straight away when you found them?
11:25Well, I knew I'd never get a chance like this again.
11:29I just wanted a bit of time to excavate them.
11:32Fascinating stuff.
11:37I really am very sorry, Inspector.
11:40Yes, well, no harm done, I suppose.
11:42Not sure about that.
11:44These skeletons might still be lively.
11:46What?
11:46You mean, it's still catching?
11:48The jury, as they say, is out.
11:51But I think it's very unlikely.
11:52Do you mind if I hang on to this?
11:54You're welcome to it.
11:55Right, Mr. Book?
11:56Oh, hello, Nora.
11:58Why, I'm not surprised to see you here.
11:59Did you know that back then they used to use great catapults to toss plaguey corpses into
12:05besieged cities to deliberately affect people?
12:09That's horrible, Nora.
12:11I know.
12:11And a split infinitive.
12:13Even more horrible.
12:17Might be worth a bit, too.
12:21Sergeant, get this lot taken care of in the pronto area today.
12:25With care.
12:27Where to, sir?
12:28At the morgue, I suppose.
12:30Get Dr. Golder to take a shifty.
12:32See if there's any chance they're still infectious.
12:34Yes, sir.
12:34Thank you, Book.
12:36Anytime, Inspector.
12:40Sergeant.
12:43Why can't you collect stamps like normal people?
12:54Oh, dear.
12:55Are you all right?
13:16Yeah.
13:17It's all just a bit, uh, being coppers.
13:25I've, uh, been away, you see, and...
13:28Oh, yes, I have.
13:28I know.
13:30I find it being very nice.
13:31Tell me all about it when you're ready.
13:33Here, let me take this.
13:35Well, you must stay with us, mustn't you?
13:36Now that you've got the job.
13:38I have the premises next door.
13:40Book has his books.
13:41I have my wallpaper.
13:42And there is a darling little attic room between the two.
13:45Why are you helping me like this?
13:47Why not?
13:53What old Harkup?
13:55Suicide, have I heard?
13:56Heard?
13:57Uh, from your colleague over there.
13:59Oh, love his ruddy guts for garters.
14:02This goes against all the rules of...
14:03All right, Sergeant.
14:04All right.
14:05Mr. Book's always welcome to give us the benefit of his wisdom.
14:08As you know...
14:09Yes.
14:11Yes.
14:11Bad business, not very bad.
14:15Oh, sod.
14:18But, look, Morris has a point.
14:19This is a plain, ordinary suicide.
14:21I mean, I can be flexible, as you know.
14:23When something a little bit more...
14:25Recherche, outré, anything with an acute accent.
14:29Unusual, comes along.
14:31Like our barbed friends, the skeleton.
14:33This is a meat and potatoes job.
14:35You know, the sergeant and I are perfectly capable...
14:37Who found him?
14:39Char one.
14:39I hate her dredge.
14:41Pretty shook up, she is.
14:43Dredge?
14:44That rings a little bell.
14:45Which she'd been doing for Harkup for donkeys.
14:49Din-dong.
14:51Was it a note?
14:52No, no, no.
14:53How did he do it?
14:55Prussic acid.
14:56It's not...
14:57Nasty.
14:58Nasty.
14:59And intriguing, don't you think?
15:01Mr. Harkup.
15:08Great, sir.
15:09Looks like suicide.
15:10Oh, how dreadful.
15:13Well, I'd better get on.
15:14Too much excitement for one day.
15:17Jack, knit back to the shop, would you?
15:19There's a pile of newspapers,
15:21third stack on the right as you come in,
15:23Charing Cross Dispatch,
15:24underneath two volumes on Eleanor of Castile
15:26and the Wilting Espadistra.
15:29Fetch them for me, would you?
15:31OK.
15:36Oh, and put the kettle on again.
15:38We're going to have company.
15:45Have a drink.
15:46All right?
15:55Oh, well, see, this is from him.
15:57Oh, I brought a coffee and walnut cake round for Mr. Harkup.
16:02You might as well have it.
16:05This is your usual char day?
16:07Yes.
16:08Every week, regular as clockwork.
16:10But I only saw him yesterday.
16:11Pop round to get some bandages.
16:13Bandages?
16:14Oh, my son, he was injured in the war.
16:17He needs constant attention.
16:19The dressing.
16:20What time did you see Mr. Harkup?
16:23Six.
16:24Six-ish, I think.
16:26Oh, it doesn't seem possible.
16:28Him standing there all full of life and then...
16:31finding him lying there like that.
16:34You're doing very well.
16:36And was he?
16:38Was he what?
16:39Full of life when you saw him.
16:41In good spirits, I mean.
16:43Well, to be honest, he seemed a little down.
16:45No way, he'd want to go and do an horrible thing like that to himself.
16:51Any vices?
16:54Vices, sir?
16:55We must investigate all angles, alas, dear lady.
17:00Man of very regular habits he was.
17:02Church every Sunday.
17:04Kept his accounts in very neat order.
17:06I think that was the soldier in him.
17:09He did play dominoes.
17:11Dominoes?
17:11Every Monday and Thursday night, in the ball, with Mr. Baceheart and some others.
17:16Does that count as a vice?
17:18I hardly think so.
17:20Do you have any family?
17:27My mother always said if you can't see anything nice about someone, don't open your trap.
17:32So there was bad blood then?
17:36There's a daughter, isn't there? Some estrangement.
17:40Well, I wouldn't like to say, no, don't seem right.
17:45What with Mr. H not cold in his grave.
17:47Heavens, this cake.
17:49Yes?
17:50Oh, it's superb.
17:51Oh, too kind, sir.
17:53But then I'd expect nothing less.
17:55Oh, why'd you say that?
17:57From Miss Lyons' Corner House, 1921.
18:00Oh, fancy you knowing that.
18:04It was 1922, though?
18:06My mistake.
18:07How about Dickens?
18:08Oh, I store off a lot of little tidbits like that, mostly useless.
18:13Must have been a lovely experience.
18:15Oh, yes.
18:17Oh, I've never felt so glamorous.
18:19I've got a new hat and the Lord Mayor winked at me.
18:24Winked.
18:25Fancy.
18:25Worked there for years, I did, at the Corner House.
18:28So I got very good with the baking.
18:32Mr. H used to love my pineapple upside down.
18:35You know, it really would be most helpful to know why he and his daughter, Sarah,
18:39er, er, Lor, Lormeri?
18:42Marula.
18:42Marula, that's right.
18:44Why he and Marula no longer saw eye to eye.
18:48Well, seeing as you've been so kind, sir.
18:51Very good of you.
18:52She was a cow.
18:54A right horrible, money-grabbing little cow.
18:58I see.
18:59Apple of his eye, she was, after his wife passed on.
19:03But she knew how to twist him round her little finger.
19:07Nothing was too much for his little princess.
19:09And then she has the gall to run off with him.
19:14Him?
19:14Oh, Mickey.
19:17Mickey Hall.
19:18It's a right and there do well.
19:19Up to all sorts in the war spivvy stuff, you know.
19:22Black Market.
19:23He's a motor mechanic.
19:25They've got a garage out Marlen way.
19:27Marlen.
19:28Charming.
19:29And now Marula will inherit the lot.
19:34Don't seem right, do it?
19:37No, it, er, don't.
19:40Thanks for the cake.
19:44What the hell do you think you're doing?
19:47Just being neighbourly, Sergeant?
19:50Er, your witness, I think.
20:04Hello again.
20:05Oh, hello, book.
20:07I just wondered if I could have a little nosy around before I head out.
20:11See if I can help at all.
20:13Head out?
20:14Oh, Mrs. Book and I are often pleasure-bent.
20:16The new boy's babysitting.
20:18Oh, for the dog?
20:20Dog.
20:20There's no definite article.
20:22Off to the pictures?
20:24Rerunning a Sandra Dare at the Rialto.
20:26The opera.
20:27Fat ladies singing.
20:30Speaking of which, may I, er...
20:34There's a daughter.
20:38But Mrs. Dredge says they didn't get on.
20:42So I gather.
20:44Yeah, we're endeavouring to trace her.
20:46She has a garage at Mile End.
20:50Oh, right.
20:52Thanks.
20:52Funny, aren't they?
21:12Mrs. Bliss goes in for something similar.
21:16A little, little make-nacks.
21:18Not quite the same, I think.
21:20These are jade.
21:21Rather fine.
21:24And this one...
21:28Mr. Harcup was obviously a connoisseur.
21:34Do you think it was suicide?
21:55Do you have doubts?
21:57I do.
21:58What's your theory?
22:00Evening, gentlemen.
22:01Evening.
22:01Oh, Eric.
22:03Black Lamb and Grey Falcon.
22:05What?
22:05That book for Sheila.
22:06It's arrived.
22:07Oh, smashing.
22:08Do you come over tomorrow for me?
22:10Righto.
22:10Wait a whistle?
22:11Oh, no, thank you.
22:13I was never keen on him myself.
22:15Harcup.
22:17God forgive me.
22:19Bit of a little Hitler.
22:20Still, poor bugger.
22:22Stop it himself like that.
22:23Hmm.
22:24So, so...
22:26What's your theory?
22:27Patience, Inspector.
22:29Patience.
22:29The two most powerful warriors are patience and time.
22:33Holstoy.
22:34Oh, I couldn't get into it.
22:35I tried that one, you know, where she chucks herself in front of a train.
22:39No?
22:39No.
22:41Book.
22:42Inspector.
22:43Inspector.
22:50There you are.
22:52Too much?
23:18No, not at all.
23:23Er...
23:23I mean, you look amazing.
23:26I meant the walls.
23:28Oh.
23:29Book says it's an affront to good taste, but I don't know, I think it has a certain something,
23:34don't you?
23:35I'm good at knocking things together.
23:37I...
23:37I always have been.
23:40Wardrobes, wireless sets, heads.
23:43I was in the land army.
23:44Gin?
23:45What?
23:47Oh, yeah, please.
23:50So you're going out, then?
23:52My dear, we're always going out.
23:55Well, one has to live, doesn't one?
23:57Especially after the time we've all had.
23:59There's some chops in the larder, I think.
24:01Yours runs up at the top.
24:02I've aired the sheets.
24:08You're...
24:09I mean...
24:13You're...
24:13Better go on unpack.
24:36Well?
24:38Well?
24:38i know that look you're onto something nonsense merely the happy look of a contented man i have
24:47my lovely wife my lovely shop my lovely dog or more could a man ask for broad three things then
24:55mr harkup collected chinese jade figures of exceptional quality but dust is eloquent
25:02as someone once said dust doesn't lie one of the figures has been replaced with a bit of cheap
25:08trash a chess piece but the larger outline remains clear mrs dredge hasn't cleaned in a while despite
25:15what she said secondly mr harkup has a small lump on the back of his head not caused by him falling
25:22i don't think or probably a blow with a blunt instrument a blunt instrument that didn't break
25:28the skin and yet there is blood on the back of mr harkup's scalp thirdly yes darkly night listen
25:36and for many a time i have been half in love with easeful death called him soft names in many
25:44amused rhyme to take into the air my quiet breath pardon why would a chemist with every known gentle
25:54poison in the shop choose to kill himself with something as horrible as prussic acid
25:59well book there you are then yes trotty there we are it's murder
26:13book
26:28Book?
26:42Mrs. Book.
26:44Be careful.
26:58Mrs. Book.
27:28Shop.
27:30Ah, good morning.
27:48How can I help?
27:53Oh, well, I'm...
27:55I'm after a book.
27:56You are very much in the right place.
27:58What do you think, young man?
27:59What would suit the lady best?
28:01Dickens?
28:02Wilkie Collins?
28:03Henry James?
28:05Do you have the new Georgette Heyer?
28:07Ah.
28:08Well, I've read all her other ones.
28:10Me too.
28:11And what a smasher she is.
28:13But that would be a new book, Miss...
28:15Mrs. Goodwin.
28:16Mrs. Goodwin.
28:17Jean.
28:18Jean.
28:19We're not really going for those, do we?
28:22We should try foils.
28:24It's a bit of a trudge.
28:26Well, my feet being what they are.
28:28I have the perfect alternative.
28:30One who was spinning romantic yarns when Miss Heyer was still in the cradle.
28:33Probably.
28:34Oh, well, if you think that...
28:36Shh!
28:37I mean, if you'd recommend...
28:38Shh!
28:39Beg your pardon?
28:40I'm sure.
28:41Sorry.
28:42Thinking.
28:43Ah!
28:53Otzi.
28:54Never heard of him.
28:55Her.
28:56Baroness.
28:57Hungarian.
28:58Scarlet Pimpernel.
28:59Oh, I've heard of that.
29:01French Revolution.
29:02It's a delight.
29:03You won't regret it.
29:05When you've finished, come back and I'll find you the sequel.
29:09Oh, that's very good of you.
29:11What do I owe you?
29:12Oh, let's call it a bob.
29:13Hang on.
29:14Feet.
29:15Feet, feet, feet.
29:17Ah.
29:18This...
29:21is free.
29:23Oh, I couldn't possibly.
29:25Oh, there's nothing.
29:26But sending you off happily on the bus without further bunions is a price above rubies.
29:31Wouldn't you agree, Jean?
29:35Cheer to bye.
29:37Come on, woman.
29:40I'll never make any money like that, will I?
29:46Hee-ho.
29:47Now then, Jack.
29:49Excited to start the day?
29:51There's a whole world of learning in here.
29:53All human life.
29:55And some inhuman.
29:56Still got that coin.
29:58What?
29:59Oh, er...
30:00Yeah.
30:01Yeah, of course.
30:02Good.
30:04I don't mean to pry, Mr. Book.
30:07But, erm...
30:09What exactly is it you do?
30:11I would have thought that was obvious.
30:13I sell books.
30:14Yeah, but that's not all, is it?
30:16Yesterday.
30:17Out there at a bomb site.
30:19A chat with a charlady.
30:21Yes.
30:22Well, is that like your...
30:23your hobby?
30:25I mean, the way you talk to those coppers.
30:29Where they let you roam around that pit.
30:31Are you like some sort of adviser to them or something?
30:33I mean, why should they listen to you?
30:35They frequently don't more fool them.
30:38I did the inspector a favour once during the war.
30:41He hasn't forgotten.
30:43Also, I have a special letter.
30:45A letter from Churchill.
30:46Yeah, the cop has said that.
30:48A letter saying what?
30:51It's a chaotic world, Jack.
30:55I have a system.
30:57Sometimes people like me to give an opinion on things.
31:00Impose a little order.
31:02That's all.
31:03You can read all sorts of things.
31:06As well as books.
31:08That's a...
31:10This...
31:11This is your system?
31:13Yes.
31:14What's wrong with it?
31:16Well, they're not in any kind of order.
31:19I...
31:20Cataracts of denial.
31:23Diseases of the eye and their treatment.
31:27Cataracts.
31:28Eye disease.
31:29Logical.
31:30The guillotine.
31:32A practical guide.
31:33The life and death of Alfred Mutting's gent.
31:36Coins of the realm.
31:38I mean, there's no system.
31:39There's no system at all.
31:40Well, it's all up here, isn't it?
31:42How best to explain.
31:44Alfred Mutting's was a career criminal.
31:47And a successful forger in his day, which was Queen Victoria's day.
31:50Extraordinary chap in his field.
31:51He was a coiner.
31:52A forger of coins.
31:53But his luck ran out of Paris and they chopped off his head,
31:56which is why all those books are clumped together, you see?
31:59Yeah, but that's...
32:02I mean, that's silly.
32:06Nevertheless.
32:09Well, I shall leave you to, er...
32:11hold the fort.
32:26Do you have any clue?
32:27Do you have any clue?
32:28Do you have any clue?
32:31Slightly foxed.
32:36Slightly foxed.
32:37Says it all.
32:39Says it all.
32:41Good morning.
33:09Yeah.
33:10Can I help you?
33:12I've come in to collect an order.
33:14Right-o.
33:15What's her name?
33:16Sheila Well Beloved.
33:24Hello.
33:25Jack.
33:26Yeah?
33:27I'm Nora.
33:28We've got lots to talk about.
33:40I'm sorry.
33:41I'm sorry.
33:42Can I go now?
33:43Well, if you wouldn't mind just answering a few questions.
33:46Just come with me please.
33:47Fascinating.
33:48Way better to hide a tree.
33:49Than in a forest.
33:50And these markings.
33:51Indeed.
33:52And these markings.
33:53Indeed.
33:54Oh look.
33:55Oh look.
33:56Oh look.
33:57Oh hello.
33:58Just checking in on those skeletons with Dr Coldy here.
33:59Oh yes.
34:00Any risk of infection.
34:01Quite safe on that count inspector.
34:02However.
34:03Ah, loose lips drop slips as they say in the knicker trade.
34:06Wouldn't want to spoil the surprise would we?
34:07Surprise?
34:08Anyway, back to the case in hand.
34:09This is Miss Marula Harcup.
34:10Oh, my dear child.
34:11I'm so very sorry.
34:12A few questions you said.
34:13Do you mind if I tag along?
34:14Yes.
34:15Yes.
34:16Yes.
34:17Yes.
34:18Yes.
34:19Yes.
34:20Yes.
34:21Yes.
34:22Yes.
34:23Yes.
34:24Yes.
34:25Yes.
34:26Yes.
34:27Yes.
34:28Yes.
34:29Yes.
34:30Yes.
34:31Yes.
34:32Yes.
34:33Yes.
34:34I can't see you.
34:35Well do you have it with someone if I...
34:36tagged along?
34:41Oh, don't forget that blood test.
34:42On its way.
34:48Sorry about that.
34:49There you go.
34:52Black Lambe and grey falcon.
34:54Sounds interesting.
34:56T'aw.
35:03Get in there.
35:04the hang of it. Slowly. So, who are you? Nora. I live across the road in the Turkish restaurant.
35:12Help out in the shop sometimes. So, um, do you know him well then, Mr and Mrs Book? Yeah.
35:21And do you know about his little hobby? Bloody hell, yes. It's all I think about.
35:26Isn't all that, I mean, isn't that? Unhealthy. I should think so. What do your mum and dad think?
35:38Don't have any. What do you mean? Well, it was the war, wasn't it?
35:46Everyone lost someone. I lost them. Sorry.
35:51What happened? So, how are you getting on anyway with the books, Mr and Mrs?
36:04It's not quite what I expected. What is his Christian name, by the way?
36:08What do you think? Cookbook? Scrapbook? Mucky book?
36:14Gabriel. Ah. Like the angel? Archangel. I think you'll find.
36:21They're a dream. Both of them. Such sweethearts.
36:28So, what's the real story?
36:31I think I'm hard. I'm not sniffling, boo-hooing all over the shop.
36:51I mean, it's just not the way I'm made. So, there. Your father.
36:59I'm sorry that he's dead. Of course I am. He was my dad. In spite of everything.
37:05He didn't make it easy to, um, to love him, though.
37:12Can you think of any reason why he'd want to take his own life? None.
37:16No, he was nicely set up with his shop and... Well, Mum had left him a few bob when she died.
37:22You don't think your estrangement... No. Nothing to do with that.
37:27He wasn't the type to get all emotional. Maybe that's where I get it from.
37:32I mean, he made it very clear that he didn't approve of, um, me and Mickey.
37:40But, um, he'd hardly have gone and killed himself in the fit of the glums about it.
37:44He just, he weren't the type, as I say. Tell us about Mickey.
37:47What's to say? He's my fella.
37:55How was his war?
37:58Why do you ask that?
37:59Well, we know how much our father appreciated the armed forces. Always wore his metal ribbons with great pride.
38:04Yes, well, Mickey wasn't lucky. His eyes, they're not, they're not good.
38:11I'd say that's why he ended up with me.
38:13I mean, he wouldn't have been much good against Jerry with eyes like his.
38:18Dad didn't like that. Thought he was a shirker. That was the start of it.
38:23What was the finish?
38:26Well, Dad was convinced that Mickey was thieving from him.
38:29Dad?
38:30Morphine.
38:35Mickey got up to some shady business during the war. Just stockings, cigarettes, small stuff.
38:41Dad had, um, just got it into his head that Mickey was bad.
38:45And he'd noticed Morphine had gone missing.
38:47Yes. Wouldn't speak to us.
38:50But you've had a bit of news, haven't you?
38:59I mean, I thought a little one might be the thing that brung us back together.
39:04What's all this about? Why are you so interested in Mickey if Dad has gone and topped himself?
39:11I don't know.
39:16Stories?
39:17Detective stories. That's what I want to write.
39:21I've got so many ideas. It's such an exciting new world out there.
39:28Everything's all smashed up. The whole world. No one knows what to do anymore.
39:33Well, what I do, the war turned everything upside down. Shook it up.
39:38That's great. It's now going back to how things used to be.
39:42Including murders.
39:42Including murders.
39:44Half the soldiers in Britain have come home with pistols they stole from dead Nazis.
39:49The country's a washroom.
39:50So?
39:53So, we only seem civilised in this country because we're not armed.
39:58Think of all that throbbing suburban passion.
40:03Husbands having affairs with secretaries.
40:06Ladies having affairs with their chauffeurs.
40:08All those contested wills and domestic rowels.
40:13People used to kill each other by boiling down arsenic from their wallpaper.
40:18Now they just have to reach for a luger.
40:22Pow, pow, pow!
40:23What did happen to your parents?
40:34You're supposed to be telling me your story.
40:39I'm an orphan too.
40:42I never knew my mum.
40:44I've got a picture of my dad.
40:48That's all.
40:51I'm sorry.
40:54It's alright.
40:58Yeah, I should, um...
41:00Yeah.
41:01It was nice to meet you.
41:02It was an incendiary.
41:06What?
41:10An incendiary.
41:13Set the roof on fire in the Blitz.
41:18Mum got me out and went back for Dad.
41:23Then the roof fell in.
41:28I just sat there in the garden looking at the house.
41:33Just felt sort of numb.
41:39The ARP warden found me.
41:44Then my uncle took me in.
41:47So now I have to help him out with the restaurant.
41:52But you'd rather be.
41:58Much more exciting over here, isn't it?
42:00Well, I gave up pleasure for Lent.
42:10Well, I gave up pleasure for Lent.
42:15I gave up Lent.
42:16Well, I gave up pleasure for Lent.
42:28I gave up Lent.
42:30I gave up Lent.
42:32Pleasure.
42:35Well, what's your answer?
42:45I told you before, I'm just a bookseller.
42:50I sell books again like I did before the war.
42:53This would be for old time's sake.
42:58And we did help you find him.
43:03Very kind of you.
43:08How's all that working out?
43:09It's complicated.
43:11Well, yes, I imagine it is.
43:15Delicate.
43:17And we wouldn't want anything to go wrong.
43:24Now would we?
43:47No.
43:54Let's play.
43:55How old are you?
43:57What about you?
43:58I got a little out of the wall.
44:00I learned a little out of the wall.
44:02I want to go.
44:04Lu, I want to see my eyes.
44:06You never saw me.
44:07My face will never be.
44:07I was just a little out of the wall.
44:10She's a little out of the room.
44:12I saw it.
44:13I saw it.
44:15I saw it.
44:16I saw it.
44:16I saw it.
44:17So, what do we make of him, hmm?
44:30Jack, put him in the attic room.
44:32Like Mrs. Rochester, only slightly more butch.
44:36Has it ever occurred to you that you are such a...
44:39Bibliophile?
44:40Because of your name?
44:41Nominative determinism, hmm.
44:44I mean, if you've been called butcher, you might be slicing up choice cuts of meat.
44:52Flenzing, that's the word.
44:54Removing fat from a carcass.
44:56Wonderful descriptive word, flenzing.
44:59I shall endeavour to bring it back.
45:00Well, I wish you joy with that.
45:02Yes, you could be slipping me black market chops under the counter like Mr. Wellbeloved.
45:07Much more useful than books these days.
45:09I could have been an archer, or a baker, or a chandler.
45:15Speaking of which, farewell my lovely.
45:18Oh, you're going out again.
45:19You're so sharp you'll cut yourself.
45:21Crime fiction, American.
45:23Customer put in a request.
45:25I know it's here somewhere.
45:26I saw a lady in the lake recently.
45:28Anyway, Jack.
45:30Oh.
45:32Definitely a promise, definitely a promise.
45:35And he didn't try to flog that coin.
45:36So, jail hasn't made him a wrong gun for life.
45:40Touch wood.
45:45And the, uh, other matter.
45:51It's too soon to tell him.
45:53What was so special about your life?
46:11It's too soon to tell you.
46:12What was so special about your book?
46:24Nothing really, it's just about some chaps at school playing cricket.
46:30And what do you think of Carol Darley?
46:32You've read Tim?
46:34Started it.
46:35When?
46:36After I saved it from the incinerator.
46:42Look, what's your name?
46:47Bajava.
46:50That's a funny name.
46:59Stratford Perry.
47:01But my friends call me Trotty.
47:04You're splendid.
47:06You owe me.
47:08I do.
47:08So when I get into trouble here, will you help me out?
47:14Let us make a solemn pact.
47:17Put your strong arms around me, Carol, and raise me a little.
47:34I can talk better so.
47:40Carol bowed his head without a word and kissed him.
47:43And thus their friendship was sealed.
47:45Good night, Mrs. Book.
47:56Good night, Mr. Book.
47:57Good night, Mr. Book.
47:57The daughter, the spiv, the char, the warden.
48:19Who gave Harcup the ruddy poison?
48:23Absent friends.
48:35Absent friends.
48:37Absent friends.
48:39Absent friends.
48:39I don't know.
48:55Yes.
48:59Hey.
49:03Hey.
49:03Sir, you never believe it.
49:18It takes a lot to surprise me, Mark.
49:21What? Why is it?
49:23We've got the chemist's wheel through, sir.
49:24Who?
49:25Daughter doesn't get a bean.
49:27No.
49:28No.
49:29Only does.
49:33Oh, the charm.
49:40Mrs. Ada Dredge.
49:58No!
50:00No!
50:03No!
50:04No!
50:05No!
50:06No!
50:07No!
50:08No!
50:09No!
50:10No!
50:11No!
50:12No!
50:13No!
50:14No!
50:15No!
50:16No!
50:17No!
50:18No!
50:19No!
50:20No!
50:21No!
50:22No!
50:23No!
50:24No!
50:25No!
50:26No!
50:27No!
50:28No!
50:29No!
50:30No!
50:31No!
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48:16
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