Skip to playerSkip to main contentSkip to footer
Medi1TV
  • 2 days ago
مدي 1 تي في : مع رامية بلعادل - 16/07/2025

Category

🗞
News
Transcript
00:00.
00:02.
00:12.
00:14.
00:16.
00:18.
00:20.
00:22.
00:24.
00:26.
00:28.
00:29.
00:31.
00:37.
00:39.
00:41.
00:42.
00:43.
00:44.
00:45.
00:46.
00:47.
00:48.
00:49.
00:57.
00:57I was very proud of my films and I was very proud of my films and I was very proud of my films and I was very proud of my films.
01:09I was very proud of you.
01:11I know you are a little bit of a rock and roll.
01:13I have a vision of a rock.
01:15What was your inspiration from you?
01:19It's an inspiration to see how I'm going to make a difference in my life.
01:24I'm going to see how I'm going to make a difference in my life.
01:29I'm going to make a difference in my life.
01:34What was your first contact with the art?
01:39What was the dance, music, cinema?
01:42I was reading.
01:45I had a lot of art, so I learned a lot about the stories, a lot about the stories and stories, and Shakespeare, and Shakespeare, and Shakespeare, and Shakespeare.
02:03I saw the adaptations of Shakespeare, and I was going to make a difference in the cinema.
02:09That's wonderful.
02:11You are the director and the director of the film The Cacere.
02:16The film is in September.
02:18Do you have a stress or a little bit of stress?
02:22It's stress.
02:24What can you give us the film the first time?
02:28What is the film?
02:29I work at the Dora 5.
02:31The film is a very famous film.
02:33It was one of theई, which has worked much with the Dora 5.
02:35We're working on a lot with Dora 5, but Lora 5.
02:38It has worked hard with the Dora 5.
02:40It's a very important thing from the Mora 5.
02:41Oh, I'm talking about the Dora 5.
02:42It's a very important thing to me.
02:43And that it's not a really important thing to me that the Dora 5 era is the character.
02:44There is no character of Dora 6.
02:45It's a very important thing, to Mora 5.
02:47We were able to create a platform to be a family and a family that would be in the realisateurs of the young people who are in the Middle East and outside the Middle East.
02:59They would like to feel the rassum in an area that is a family and a family and they would be able to work with it.
03:06And the thing that we saw in the film is that we were able to communicate with our members.
03:12We were able to communicate with our members, and he was very much connected to the children who are working.
03:22The cinema in the H2A, the cinema in H2A and the other person who were working with us,
03:33It was really a good time for the hospital.
03:36It was a good time to get into the hospital.
03:39It wasn't just a good time to get out of the hospital.
03:44How did you get out of the hospital?
03:46Did you get out of 5 years before COVID?
03:48Before COVID, yes.
03:50COVID was a big deal.
03:51The first time in 2021,
03:53we had to get out of the hospital.
03:55We had to get out of the hospital in 2021.
04:01and that's why I thank the Prime Minister and the Prime Minister and the Prime Minister.
04:07So, we started the first edition of 2021,
04:11and it was a big success,
04:15it was three articles of press,
04:17because it was really saying that this OVNI,
04:21that is the disaster that came after COVID-19.
04:25So, this is the reason why I left the war,
04:30because it was a big success,
04:32because it was in the future of the COVID-19,
04:36so we were told,
04:38we were going to do something and we did not do anything.
04:40We were able to do something,
04:42as a rebel,
04:43as a group,
04:44as a group,
04:46as a group,
04:48as a group,
04:50as a group,
04:52as a group,
04:54as a partner.
04:56So, it was very close to the press.
04:58It was very close to the press.
05:00It was very close to the press.
05:02Do you have any thoughts on the program of this year?
05:04What is it going to be in the mid-September,
05:06or in the mid-September?
05:07Yes, it will be in the mid-September.
05:08The next year,
05:10it will be in the mid-September,
05:12it will be in the mid-September 26,
05:14the fifth.
05:16The new thing in this year is,
05:18we have a competition international.
05:22Before we had a conference,
05:24the conference of the film,
05:26the conference of the world's films,
05:28the conference of the film,
05:30and it will be in the mid-September.
05:32and the company,
05:33I expected,
05:34to compete in the full-time world's films,
05:36the political hall and the international hall
05:41are in the middle of the film.
05:42In the near future,
05:44it will be similar to the people
05:45who can find the things
05:46that are familiar with the field
05:49and the future of the time.
05:51But,
05:52there are great leaders
05:54who can find their values
05:56I think it's closer to the world from other countries.
05:59What do you think about the films from LaGrasse, Ghana, Palestine,
06:05from Greece, Spain, and other countries?
06:09I think every year we found a lot of films.
06:16And in the past, we found a lot of candidates from Pakistan.
06:22Pakistan is very good.
06:24And the idea of the film is that it was a film that we didn't have a lot of time.
06:34We didn't have a lot of time in the countries and countries that didn't have a lot of film.
06:40For example, this is a film that we found in 2023, in Palestine as well as in 2022,
06:45and in 2024 we found Qatar.
06:48This year it was El Salvador.
06:51Sinema El Salvador.
06:54This is the first idea of the film is that it will allow people to know more about the film.
07:00What are the benefits of the film?
07:02What are the benefits of the film?
07:04What are the benefits of the film?
07:06And how do you feel comfortable?
07:08I feel comfortable with the name of the film.
07:10I am in far more than that, because we are all excited about that film,
07:13what did I do?
07:23and the result of the film was the result of the film.
07:30The film was the one who was born in the film.
07:37The film was the one who was born in the world,
07:42and the people who were born with us were born in the world,
07:47Clermont-Ferrand, K.A.A.N.
07:49and the people who are familiar with the film
07:53and we have one of the low-budget productions.
07:56What is the low-budget film program?
07:58We were in 2022 with the M.A.S.R.A.I.B.I. and H.A.S.A.W.I.
08:03and we produced two four-metrages.
08:05This year, in 2025, we are producing one single four-metrages
08:10from Ayoub Boudadi in partnership with the N.A.S.T.
08:15And the subject is very special.
08:18It is about the accessibility of the means of contraception in the rural world.
08:27So, the issues of the health care community and so on in the rural world.
08:35A little bit, a little bit, a little bit.
08:37A little bit, but even a little bit,
08:41we can also use the addiction of sex,
08:45which is also in the same couple,
08:48in the relationship between the two-metrages.
08:51So, it's a little bit.
08:52This film is the 5th film?
08:53Yes, yes.
08:54We are in the first place.
08:56And we can use this film?
08:57Yes.
08:58It's a film.
08:59It's a film.
09:00But how do you feel low-budget film program?
09:02Do you feel like you're not in the million?
09:05No.
09:06Yes, the idea is that we want to preserve the art of art.
09:10Because after the time of art,
09:11there are many financial institutions,
09:14so there are any things that we can do.
09:16But if we want to make the art of art,
09:18we want to create creativity to be the maximum.
09:22So, the idea is that we are in the same place.
09:25We are in the same place.
09:27We are in the same place.
09:29But we want to make the art of art
09:31that we are in the same place.
09:34So, this is why we are in the same place.
09:36And we don't know what we are in the same place.
09:38This year, we are in the same place with NADACOM,
09:41which is a society of production
09:43in the name of Mr. Abdel Fetach,
09:49who is with us,
09:51and will be with us in the same place in the past.
09:53Okay.
09:53Let's give us a little bit about the art of art,
09:55which is the art of art,
09:57which is the art of art.
09:59We have a film in the Hindu,
10:02and this film in the Hindu,
10:03the year of the Fetach,
10:04was with us in the 24th and 2023.
10:08He was with us in the film in the Fetach.
10:13And the thing that we don't know about the film in the 2025,
10:17is that we wanted to see the art of art
10:20in the Mughars,
10:22but also in the international plan.
10:26For this film in the Hindu,
10:28we saw the film of the first one who was with us.
10:30This is the film that was with us,
10:32so we knew that there was a person in the Hindu,
10:35who was born in the Hindu way,
10:38and knew where he was going to be.
10:40So this is a good thing for us.
10:43There was a film from Iran,
10:45which was a film from Palestine,
10:48which was at the same time,
10:50and at the same time,
10:51and the films of the Fetach,
10:53which were also a film from Palestine,
10:55which was also a film of the Fetach.
11:00So there are some areas that are really sensitive, but they are associated with one of the size
11:06that doesn't allow the film to create the film.
11:12What is the best good career ever?
11:16A film?
11:18Or a moment?
11:19No, a film. A good career.
11:21I have a good career, but I don't know what I'm saying.
11:24It's a good career.
11:25It's a good career.
11:26It was a real career on the audience.
11:31The big career was there for the audience to make the audience look for your job.
11:35All the movies he saw in the film were also aist and a good career in my opinion.
11:41I have some real career, but I imagine something like that.
11:44Do you want me to say that the creator is a film a Palestinian?
11:46No, it's not a Palestinian film.
11:49What have you seen in the world of the red carpet or the red carpet?
11:54The important thing is to go to Lavey and see what is happening outside.
12:05A little bit, I don't know if I travel a lot.
12:08There were people with me in the Merajane, who went to Lavey,
12:14who went to Lavey, in Berlina, in Clermont-Ferrand.
12:20I went to Lavey because I was with my parents,
12:24and I didn't go to Lavey.
12:27So I had to go to Lavey.
12:30It was a very important thing to me.
12:34It was a very important thing to me.
12:38It was a great time for Lavey.
12:42What can you tell us about Lavey and Lavey?
12:48It was a very important thing to me,
12:50not in international or international.
12:55As we talked about Rock'n'Roll,
12:58we have a special one who is Rock'n'Roll,
13:00which is Hicham L'Asri.
13:02He will be with us.
13:03We are very happy to be with Hicham L'Asri.
13:07This is the name of Lavey.
13:09That is the name of Lavey.
13:19And that is the name of Lavey Zournam,
13:20is the name of Lavey Zournam.
13:23So you start to learn about the film?
13:25Yes, a little bit.
13:27The film was the first time in the film?
13:31The film was the first time.
13:33The film was the first time.
13:37We tried to improve our own eyes.
13:41We tried to improve our own eyes.
13:45We tried to improve our own eyes.
13:49We worked on our own eyes.
13:53If you remember the story of the story,
13:56you have a story that doesn't matter.
13:58What can you do to our own eyes?
14:01What happened in the year of 1998?
14:05Because it could be that the story of the story,
14:08if you remember it with her words,
14:12it's a dream of a child.
14:15It's a dream of a dream.
14:17Yes, it was a story in the 90's.
14:20It was the first time in the 90's.
14:22It was the music,
14:24it was the music,
14:25and it was the every day every day.
14:26And I always started doing it.
14:28Now, because my family has the artes.
14:35I was standing for my clothes,
14:38and I wore a box,
14:40and I was also back at the local people.
14:44I'm a little scared of the theater, and I'm a little bit emancipated, so I didn't have any fear of the people.
14:53So, I told you, I was a little scared of the people, and I was a little scared of the people.
15:01You're afraid that you don't have a good idea.
15:04No, I don't think so.
15:06You're a little young man.
15:09You're a little young man.
15:11You're a little young man.
15:13So, there are many people I have in the middle of my life.
15:17You're talking about music, just some music.
15:20I'm not talking about music.
15:21I'm not talking about music.
15:23I'm not talking about music.
15:24It's not reallywen happening, but I'm talking about music.
15:29After that, I see it in a certain idea that I became a little young woman who I wear.
15:37In 2021, I was wearing my name, Kareem Tassi, who is very familiar with me, and my friend.
15:44I was with the government government, and I was in the government government.
15:47I was doing something that you would like me.
15:49I was creating a certain type of material for my city and my people.
15:55I mean, it was a great job.
15:57The booklet, booklet, as I said.
15:59Storytelling.
16:00Yes.
16:01Is it possible to say that I am a new one?
16:03No.
16:05I am a new one.
16:07You're doing a little bit of a video?
16:08No, I'm a new one.
16:11I'm a new one.
16:13I'm not a new one.
16:15I'm a new one.
16:17I'm trying to make a new one of my children's friends.
16:23I'm trying to make a new one.
16:25I'm trying to make a new one.
16:27I'm trying to make the ingredients that we can make a new one.
16:31I don't know if you're a little bit.
16:33I'm trying to make a new one.
16:34I'm trying to make a new one.
16:35What are you doing?
16:36What is your background?
16:37You're doing an amazing job?
16:38Yes, I'm doing an amazing job.
16:40I'm doing an amazing job.
16:41I'm doing an amazing job.
16:42I'm doing a job of a business student.
16:43I'm doing an artisan visual.
16:44I'm doing a design.
16:46I'm doing a cultural work.
16:47I'm doing a exhibition here at the outside.
16:50I'm doing an amazing job for my work.
16:52I'm doing an artisanatism.
16:54and photography, and that's what's wrong with the book, and that's it.
16:59Ramiya, what would you like to do between your dreams and dreams?
17:06Of course, it doesn't matter, it doesn't matter.
17:10We always believe that it will be, and it will be good for us,
17:14with regard to dreams and dreams.
17:17Beautiful.
17:19For the modern movies, we can say that it's a terrible thing,
17:23and we don't have to see it in the modern movies.
17:26The modern movies are amazing,
17:29such as the world's movies,
17:31and the Oscars,
17:33such as the big ones,
17:35in the category of Kourmetraj.
17:37But as a popular audience,
17:39who want to see the world of Kourmetraj,
17:43even if there is a platform,
17:45or if there is a platform,
17:47that can be used for the Kourmetraj,
17:48without a month or two,
17:50where can the world of Kourmetraj?
17:54We tried to do this.
17:56We worked in Kourmetraj in Kourmetraj
17:58for three years,
17:59so we tried to do the Kourmetraj
18:03in other places,
18:04and we traveled in the West,
18:06in the West,
18:07in the West,
18:08in the West,
18:09in the West,
18:10in Kourmetraj,
18:11and we tried to do this
18:12that we wanted to do it in international.
18:14This is a challenge from us,
18:15a little bit,
18:16a little bit,
18:17but we talked about it.
18:19And the point is,
18:20one of the thoughts of the Kourmetraj
18:22in Kourmetraj
18:24is the creation of an author's cinema room
18:27that we will be able to do it
18:28with the Kourmetraj.
18:30But what is it all?
18:32All the time.
18:33But this project will be used
18:35for five or six years,
18:37because the Kourmetraj
18:39between the 22nd and the 22nd and the 22nd
18:40of the Kourmetraj
18:41is going to be limited.
18:42The most likely possible
18:43for the big film
18:44is the smallest possible
18:47in the film
18:48and the smallest possible
18:50in the film
18:51because after,
18:52we want to go
18:53to the low-meter
18:54and the low-meter
18:55and the low-meter.
18:56I don't think we could
18:57stay till the future
18:58in the Maghreb.
18:59The mid-meter
19:00will start with 30.
19:01The 24.
19:02This is the
19:03leader of the Kourmetraja
19:05is 26 minutes.
19:06Yes,
19:07It's about 6 minutes or 24 minutes.
19:10Minimum 6 hours and maximum 24 minutes.
19:12Yes, a lot of hours will be very close.
19:15And more than 24 minutes will be a little bit more.
19:18And what's your opinion about quality of the film?
19:23What's the difference between the film's final success in 2015?
19:29It's not that it's not the difference between the social media.
19:33This is the success of the film's final success.
19:37It could be a little bit, but it could be a small part of the situation.
19:42It could be a little bit, because it could be a little bit,
19:47a little bit, and a little bit.
19:49The thing that I've noticed is that people
19:53who have been working on the situation like Ayub and Dadi,
19:59and that's what we need to do.
20:02We don't want to do it, but we don't want to do it.
20:05As you say, the Instagram videos are very good on Instagram and they're talking about a huge amount of information.
20:12No, not really.
20:13Because the community is not really good.
20:15We need to know the relationship between the community and the sense of that we have.
20:19If you're here and you're known as a community,
20:23then you're going to be engaged.
20:25The community is going to be established for the community.
20:31In terms of the video, there is no relationship with the cinema cinema.
20:39You should know what media is going to do with the space and the space,
20:45and the culture of consumers.
20:50When you think about the festival of Instagram and TikTok?
20:56Yes, it is, it is impossible.
20:59Yes, it is impossible.
21:02There is a film, but it is a film of Instagram, and it is a film of the cinema.
21:09Let's go with us, Ramiya.
21:11Let's move on to the last film.
21:13The cinema and the film is about the cinema.
21:17We will see some of the movies that are currently in the film.
21:21I used to think that you were some big deal.
21:24But I am a much better human being than you.
21:28Who are you talking to?
21:29There's nobody here.
21:31A style.
21:33Let me show you the vlog.
21:35And a lot of magic.
21:37You can't push yourself.
21:39Do you need to handle this?
21:46This isn't the first time there has been violence like this in Southport.
21:50You are so good.
21:52You are so good.
21:53This is the movie.
21:54You are so good.
21:55You are so good.
21:56Yes, it is.
21:57You are so good.
21:58This movie is a very good one to be here.
21:59You are so good.
22:00You are so good.
22:01.
22:06.
22:26.
22:28.
22:29.
22:30And what we want to say is that we're going to see you in the middle of the year and we're going to be like this.
22:39We're going to be like this.
22:46Thank you very much.
22:47Thank you very much.