- yesterday
Designed For Desire – Full Movie (2025)
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45They have the right choice.
01:46I don't have time to ask twice.
01:50I'm looking for the person who is happy.
01:52Oh, I'm sorry.
01:54I have no idea how much he's left.
01:55I think that's hard for him.
01:56You're in one of his friends.
01:58You can't find a way, but you're losing.
01:59You're left alone.
02:00I don't have time to ask twice.
02:02I like how long I can do this.
02:04I will lie.
02:05You're right, I'm not here.
02:06You're right, you're right.
02:07I do not have time to ask twice.
02:08Hello, this is Cecilia.
02:28Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:38Hello, Miss Brooks.
02:40Shit.
02:44Who is this woman?
02:46His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh, good luck.
02:59I thought you weren't interested.
03:02Take off your clothes right now.
03:04So, Miss Brooks, what do you see in this room?
03:25Well, it's deliberate, controlled, powerful.
03:33It's impressive, but...
03:36But?
03:37It's not satisfying.
03:41Bold again.
03:42Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:16Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:30The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:38Pappy, your phone's upside down.
04:56Hi, how are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey!
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that!
05:36I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
05:56A gift.
06:03What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:22I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:43I don't care about the contract.
06:45What?
06:46Oh my god!
06:47Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:54Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:13No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:26Oh my god.
07:26Is this really happening?
07:28I'm stuck.
07:39This is your uniform.
07:41Work hours have started already.
07:42Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
08:05Feel the heat, caught in the fire.
08:09Your body moves, feel my desire.
08:12Touch the edge.
08:14Hold me tight.
08:16Lost in this moment.
08:18Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:26Sorry, sir, I was just interested in your build.
08:31The building, the build of the mansion that we're building to work on today.
08:38What time are we leaving for?
08:40The car leaves in ten minutes.
08:43Wait.
08:44I'll be ready.
08:45How much further?
08:56Patience, Miss Brooks.
09:00Feel the pressure deep, but make hearts near.
09:03Danger, Asia.
09:04She's like the danger of eating the ride.
09:07Can't fake the hunger, nowhere to hide.
09:10Oh, my pink pepper.
09:11She's all the power, takes the control.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer, we didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:34If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here, and I'll ensure
09:56they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:04Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:20Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:34Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
10:59I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh, um...
11:12Make me a picture.
11:13Right.
11:14Uh, over here, I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:37I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh, this would be a great place to mount small cuffs.
12:01I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:17But I can't turn your way
12:21Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:58There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:14Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:28I won't ask twice.
13:31I won't ask twice.
13:38Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22What I say you are.
14:24Ladies and gentlemen,
14:37it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer,
14:55Miss Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:07I'll fix it myself.
15:13So without further ado,
15:14please enjoy your drinks
15:15and have a wonderful night.
15:25May I have this dance?
15:27Okay.
15:31Sterling.
15:33I was hoping that maybe we could
15:35walk and talk.
15:37Or maybe
15:37dance and discuss.
15:40You must be working so hard.
15:43I was thinking
15:44maybe you would benefit
15:46from a designer who
15:47really knows you.
15:50Your past.
15:52I'm not interested in rehashing
15:53our relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a
16:02difficult person to work for.
16:04You know you can come to me
16:10if you need
16:11anything.
16:16Get your hands off of her!
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like
16:26the jester came to play!
16:29Get him out of here.
16:36It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink
16:43and we'll take care of this.
16:52Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position
17:01treating you?
17:03It's demanding.
17:05And the client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty
17:09to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:17Oh!
17:17Oh, how embarrassing!
17:21What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done
17:29with their whole world.
17:32Yeah, the head of the board
17:34was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled
17:49every aspect of my life,
17:50every movement I make.
17:52You're obsessive,
17:53cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:18Do you, excuse me.
18:19I have work to do.
18:20this hand,
18:36what if?
18:39Maybe cuffs?
18:42What if we hang
18:42something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:13Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe. I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:58Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:36I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:43Oh, but, but why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
21:01Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:06Five designs by tomorrow morning.
21:19You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:32Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:53I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could, I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25I'm this.
22:26Well, I need to keep track of you.
22:30I mean, what if...
22:32Sterling, I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you, but, um, you're going to have to wait till tomorrow.
23:03Hmm.
23:04Full of surprises, aren't you?
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:43I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:06It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:13Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
24:50Would you like to see your designs?
24:50Is it not what you thought?
24:59No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:17There's no signal.
25:19Yeah, the soundproofing they put up, uh...
25:22Cuts signal.
25:24What?
25:25No.
25:28Oh.
25:38It's not funny.
25:39I'm not laughing.
25:40How long until someone notices that we're gone?
25:43I don't know.
25:44An hour.
25:46Maybe two.
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58More?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11I wanted you.
26:41Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:09I know.
27:12Who the hell are you?
27:15Calm down, sweetie. Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:39Um, hello?
27:43Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
27:48Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right. Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:02What the hell? He has a girlfriend?
28:16A girlfriend?
28:23What was I thinking?
28:24What was I thinking?
28:25I'm thinking.
28:54Got you now, bitch.
29:06I found her address.
29:09I found her address.
29:26Sterling.
29:28Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something. Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:50I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised facing bankruptcy
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information.
30:36And Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:42Or a...
30:44bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:56Miss Brooks!
30:57In my office immediately.
30:58Are you sure you want me in there?
30:59Or not your other woman friend?
31:00What are you talking about?
31:01Hand me your sketches.
31:02I have designs, but they're not the originals.
31:03The originals are missing or lost.
31:04What do you mean lost?
31:05I finished the designs last night and I fell asleep, but when I woke up they weren't in my room anymore.
31:17You're lying.
31:18I'm lying?
31:19I'm lying?
31:20Why don't you tell that to the next girl you bring over?
31:21Excuse me?
31:22You're so careless.
31:23Careless?
31:24Me?
31:25I'm pretty sure you're the one who's talking about losing sketches.
31:26Something you won't have to deal with anymore.
31:27Marley's gonna be taking you to the project mansion.
31:28Hopefully you can...
31:29I'm...
31:30I'm...
31:31I'm...
31:32I'm...
31:33I'm...
31:34I'm...
31:35I'm...
31:36I'm...
31:37I'm...
31:38I'm...
31:39I'm...
31:40I'm...
31:41I'm...
31:42I'm...
31:43I'm...
31:44I'm...
31:45I'm...
31:46I'm...
31:47I'm...
31:48You're everything we don't have to deal with anymore, Marley's gonna be taking you to
31:52the project mansion.
31:53Hopefully you can...
31:54figure out your sketches problems there.
31:55You may go.
31:58Take her and her belongings to the project mansion.
32:03Anything I should know sir?
32:05She can't be trusted.
32:07And check the cameras.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You're not trusting me?
32:37You were the one with another woman after all that I did this all for you bullshit.
32:40Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
33:10I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to resist.
33:22I promise.
33:36Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:57Pull me under, soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:16Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Okay.
34:46Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention,
35:08I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this!
35:13But see, I already have, sweetheart.
35:16Give me the designs.
35:17Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:46Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby!
36:07I'm so glad you made it.
36:09I set all this up for you.
36:11This better work.
36:16No, no, you won't eat.
36:17No, no.
36:18Mm-hmm.
36:48Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:18Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I, uh, just, I needed to pick up some paint samples, and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty, and I don't want to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:44Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:27Look, look!
39:40I've had a change of heart.
39:44Please.
39:47No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hell designs.
40:24He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:33So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty will go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51I'll tell you!
42:51I'll tell you!
42:53Tell me everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:41Oh, you drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:03Well, then.
44:05Looks like you chose...
44:08Oh, no!
44:09Oh, I'm sorry, my sweetness, but...
44:11Our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36No, Sterling, please, you have to help me!
44:38Watch out!
44:41Tell me how to disarm it!
44:47You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:02She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch, she told Vincent everything!
45:22No, she's lying!
45:23It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:42I don't believe you.
45:45Arrest her!
45:48No!
45:51Stop the knife!
45:53Come on, get my face!
45:54Stop!
45:55Vincent, yes, please!
45:57You have the right hand, you're silent!
46:00Anything you say can't move against you and you're going to fall!
46:03No, get this, my son!
46:04Wait, no, no, I'm Heinzverse.
46:05I'm so sorry!
46:07It's okay, it's okay.
46:09But I gave him your designs, I didn't know what else to do.
46:11I was trying to save them.
46:12Didn't mean to.
46:13They're safe, they're safe.
46:14Okay?
46:16Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27We'll always find you.
46:32How?
46:36Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:44I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:55Sorry, Papi.
46:59I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Papi.
47:17Just get some rest.
47:18I mean it, CeCe.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:34I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my life.
48:27Come here.
48:28I don't know what you do.
48:31But love just fits like truth.
48:34You got to...
48:34This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:46Um...
48:47Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Colline.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:08It's me.
49:12What?
49:13This.
49:14This is my legacy.
49:18Come here.
49:20I need to show you something.
49:21I made this for you.
49:32Wait.
49:32One second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:32Yes, Sterling.
50:33I said yes to you.
50:45To forever too.
50:47To every dream we're walking through.
50:53To every dream we're walking through.
50:54To every dream we're walking through.
50:54To every dream we're walking through.
50:55To every dream we're walking through.
50:56To every dream we're walking through.
50:56To every dream we're walking through.
50:57To every dream we're walking through.
50:58To every dream we're walking through.
50:59To every dream we're walking through.
51:00To every dream we're walking through.
51:01To every dream we're walking through.
51:02To every dream we're walking through.
51:03To every dream we're walking through.
51:04To every dream we're walking through.
51:05To every dream we're walking through.
51:06To every dream we're walking through.
51:07To every dream we're walking through.
51:08To every dream we're walking through.
51:09To every dream we're walking through.
51:10To every dream we're walking through.
51:11To every dream we're walking through.
51:12To every dream we're walking through.
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