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She’s a fashion designer chasing dreams. He’s the irresistible investor who wants more than just business. Their chemistry is off the charts — but can desire lead to love, or is she just another design in his portfolio?
Watch till the end for an unexpected climax! 🎥✨
#shortdrama #bestdrama #actionmovie #Drama #Film #Show #Anime #Movie #cdrama #Movies #BILLIONAIRE #shortdrama #dramashort #shortfilmdrama #minidrama #shortstorydrama #webdrama #indiedrama #shortfilmseries #shortdramaseries #dramashorts #englishmovie #cdrama #drama #movieshortfull
#DesignedForDesire #BillionaireLove #FashionAndFlames #EnemiesToLovers #ModernRomance
She’s a fashion designer chasing dreams. He’s the irresistible investor who wants more than just business. Their chemistry is off the charts — but can desire lead to love, or is she just another design in his portfolio?
Watch till the end for an unexpected climax! 🎥✨
#shortdrama #bestdrama #actionmovie #Drama #Film #Show #Anime #Movie #cdrama #Movies #BILLIONAIRE #shortdrama #dramashort #shortfilmdrama #minidrama #shortstorydrama #webdrama #indiedrama #shortfilmseries #shortdramaseries #dramashorts #englishmovie #cdrama #drama #movieshortfull
#DesignedForDesire #BillionaireLove #FashionAndFlames #EnemiesToLovers #ModernRomance
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a dog collar?
02:54Do you think you own me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather-
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:27So, Miss Brooks, what do you see in this room?
03:31Well...
03:33It's...
03:34Deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45Satisfying.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:54Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:15Hey.
04:17The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:42Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:13I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:26I wouldn't do that.
06:28Come on, let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little...
06:39Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:46I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:57Welcome back, Miss Brooks.
06:59So, I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what, you're just gonna leave me all alone here?
07:07Would you like me to join you?
07:11No, no, no, no.
07:12Why is it making that sound?
07:13Damn, if I leave, Pappy dies.
07:14Shit.
07:15I'm trapped with this monster.
07:16Oh my god, is this really happening?
07:17I'm stuck.
07:18I'm stuck.
07:19This is your uniform.
07:20Work hours have started already.
07:21Tidy yourself up.
07:22Report to Mr. Mercer.
07:23Report to Mr. Mercer.
07:24Oh, and, uh, chop chop, Miss Brooks.
07:25I'm stuck.
07:26I'm stuck.
07:27I'm stuck.
07:28I'm stuck.
07:29I'm stuck.
07:30I'm stuck.
07:39This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:48Oh, and, uh, chop chop, Miss Brooks.
07:55Mr. Mercer does not like to be kept waiting.
08:01No, I, um, just didn't want to disturb you.
08:26I don't mind if you stare.
08:28Sorry, sir, I was just interested in your build.
08:33The building.
08:34The build of the mansion that we're building to work on today.
08:40What time are we leaving for?
08:42Car leaves in ten minutes.
08:44Great.
08:45I'll be ready.
08:47How much further?
09:00Patience, Miss Brooks.
09:03Oh, my fucking fucker.
09:18Hey, Foxy!
09:19I got something that'll keep that jaw clenched.
09:21Wow.
09:22Original.
09:23Mr. Mercer!
09:24We didn't know you was coming in today.
09:26in today get off my property what you're fired leave oh i worked on the last nine mercer mansions
09:34and now i'm fired because of this bitch if i collapse your loan wait did he just stand up for
09:41me sir how about you continue your work with miss brooks and i'll handle this
09:46come on everything's nearly finished i'm gonna have a team come in and make some final
09:55measurements over here and i'll ensure they know how to keep their mouth shut uh is this all marble
10:01seeing her in my house gives me a strange feeling so beautiful what is it about her
10:12why do i want to follow me
10:15wow an elevator by the way what you did out there thank you i'd dismiss you just as fast
10:27if i wasn't pleased with your work miss brooks remember that
10:31your first task for the client i don't know anything about the client who is we don't ask
10:43about the client we only worry about what they desire okay am i allowed to know what the purpose
10:50of this room is yes great the client would like this room transformed into their bdsm chambers
11:00i hope she doesn't see right through me
11:04so how would you do it uh um make me a picture right uh over here i would
11:18put a chaise lounge velvet obviously obviously and over here would be a great place to mount a swing
11:27one with adjustable heights and handles and next to it we could put a cabinet for whips and toys and
11:34things you're very well versed i read a lot certain genres of certain books have certain details
11:44right right of course yeah it's perfectly normal a lot of women read fantasy and romance and fantasy
11:53romance anyway uh this would be a great place to mount walk us
12:01i'm drowning in the heat
12:06afraid of what i need
12:12your touch is like a flame but i can't turn your way
12:21hello
12:28miss brooks i'm sorry we need the payment
12:31uh i i understand is there anything i could do now to hold him there anything i could be done right
12:37now we need your payment miss brooks by tomorrow morning all two hundred thousand dollars
12:42okay i'll get it to you i promise
12:45sorry your contract explicitly states that i receive one hundred percent of your attention
12:52at work
12:53who was that
12:56it's personal there are no personal calls at work
13:01mr mercer it won't happen again i'll get to work right away i'll have designs to you by tomorrow morning
13:14take it off
13:19what
13:21your jacket
13:25mr mercer
13:28i won't ask twice
13:31uh what's this for
13:41it's perfect
13:46now go get dressed
13:48no need to pout miss brooks
14:11you'll be reading some of the top designers
14:13i don't understand how does this take priority over work
14:16am i your date or your designer
14:19you are
14:20when i say you are
14:24ladies and gentlemen
14:37it is my pleasure to welcome you all to the annual architectural ball proudly hosted by the mercer group
14:45i'd also like to welcome and introduce our newest interior designer
14:53mr cecilia brooks
14:56i thought you said you had the job
15:02i did everything that i could
15:03bitch must have slept with him in the interview
15:06fine
15:07i'll fix it myself
15:09so without further ado please enjoy your drinks
15:16and have a wonderful night
15:17we have this dance
15:26okay
15:27sterling
15:31i was hoping that maybe we could walk and talk
15:36or maybe dance and discuss
15:39you must be working so hard
15:42i was thinking
15:44maybe you would benefit from a designer who
15:47really knows you
15:49your past
15:50i'm not interested in rehashing old relationships
15:54no
15:55it was just a flame
15:57doesn't mean we can't be close
15:59sterling could be a
16:02difficult person to work for
16:05no
16:07you know you can come to me
16:10if you need
16:11anything
16:12get your hands off
16:18what the hell are you doing here vincent
16:24folks looks like the jester came to play
16:27get him out of here
16:32it's all right folks enjoy the party it's okay
16:39are you okay
16:40why don't you go grab a drink i'm gonna take care of this
16:44crazy night huh
16:53too crazy
16:55i'm nora
16:56a close friend of sterling's
16:58so
16:58tell me
17:00how's the new position treating you
17:02it's demanding
17:04the client
17:06what's your feel on them
17:08oh i'm not at liberty to discuss that
17:10come on it must be crazy right
17:12i really can't
17:15oh
17:17oh how embarrassing
17:21what are you doing in here
17:26uh cecilia i'm sorry
17:27i'm so done with their whole world
17:30yeah i the head of the board was barking my ear off
17:36stop it
17:37what i'm just trying to help
17:39help really
17:40that's rich
17:42i mean i mean i am rich
17:44you
17:45you are a lot of things
17:48from the moment i met you you've controlled every aspect of my life
17:50every movement i make
17:52you're obsessive cryptic
17:54a perfectionist
17:55but you're not rich
17:57not where it counts
17:59feel excuse me
18:19i have work to do
18:20this hand
18:36what if
18:37maybe cuffs
18:40what if we hang something around here
18:43is that me
19:00did i say you could come in here
19:04uh
19:04you'll be happy to know that i worked on these
19:07all night
19:07maybe if you stayed at the gala you would have learned something
19:19learned what
19:21you follow through with your obligations so you wouldn't waste your time working on garbage
19:25garbage
19:25i'll need five more by tomorrow morning
19:29that will take me all night
19:30even making those two took me all night and i barely got them done in time
19:34you've done it once before
19:35you can do it again
19:37don't you think
19:38maybe just maybe that's an unreasonable amount of time
19:42maybe
19:42maybe
19:43i don't care
19:44wait
19:44i should have remembered
19:47it's not in the contract
19:49oh my god
19:58excuse me miss
20:05where's my grandfather
20:06i'm sorry
20:07usually if they're not in the room it's because the insurance ran out or
20:10miss brooks
20:23yes
20:25i just wanted to inform you that your grandfather just received his first round of stem cell treatment
20:30he's being very well taken care of
20:32i don't understand how is that possible
20:34i can't afford that
20:36i told you
20:38i'll take care of everything
20:40what
20:41i can't believe this
20:43oh but
20:51but why
20:52why would you do that
20:54well when i said i needed your undivided attention
20:56i meant it
20:58now the only thing you have to worry about
21:03is me
21:04i'm not your slave
21:06five designs
21:12by tomorrow morning
21:13you're welcome
21:19i've been expecting you
21:28i have a feeling
21:29i have a feeling i'll be impressed
21:29brushed work is not work to be proud of
21:32is this you
21:38and my parents
21:39they must be so proud of you
21:41they never got to see it
21:42i inherited this company before i was old enough to run it
21:45i'm so sorry
21:47it was a long time ago
21:48what happened
21:49they vanished
21:50on a work trip into europe
21:51guess i don't control everything after all
21:53i'm gonna deliver these designs to everyone
21:56i have a surprise for you
22:00to your first approval
22:05it's beautiful
22:11i
22:13do have a request though
22:16i was wondering if i could
22:17i could have a little freedom
22:19from what
22:20me
22:21no
22:22no
22:23not you
22:23from this
22:26well
22:26i need to keep track of you
22:30i mean
22:30what if
22:31sterling
22:32i'm not your parents
22:35i'll be fine
22:36i just don't know if i'm ready for that yet
22:39but you continue to impress me
22:41i mean
22:41you'll be free as a bird
22:43i do have more surprises to show you
22:59but um
23:00you're gonna have to wait till tomorrow
23:03full of surprises
23:05aren't you
23:06and that's why i can't let you go
23:12thank you
23:24what are you two doing here
23:28there's not supposed to be anyone working today
23:30we were just swinging by to assess a minor electrical concern
23:33it seems that the search
23:34it's nothing urgent
23:34we're gonna come back tomorrow with the rest of the crew and get it resolved
23:37okay
23:39thank you for the update
23:42thank you mr mercer
23:43i've ordered these beautiful pieces
23:50white marble
23:50what the hell
23:53it's kind of beautiful
24:00no no it's a mistake
24:02it's not too perfect
24:06it's bold
24:07it's not trying hard
24:08it just
24:09is
24:10well i like my work to be intentional
24:13well i would argue that this
24:18elevates the intention of the space
24:20the juxtaposition between
24:22control and chaos
24:24you have good eyes miss brux
24:25follow me
24:28your second task for the client
24:36master bedroom
24:38and nursery
24:39oh
24:40the client's a family man
24:42we don't discuss the client
24:44only satisfy their needs
24:46would you like to see your designs
24:50is it not what you thought
25:10no it's
25:11it's not that
25:12the power went up
25:18there's no signal
25:19yeah the soundproofing they put up
25:22uh
25:22cuts signal
25:23what
25:24no
25:25it's not funny
25:39i'm not laughing
25:40how long until someone notices that we're gone
25:43i don't know
25:44an hour
25:45maybe two
25:47is it norah
25:48the client
25:50what
25:50no
25:51you're not supposed to ask about the client
25:53just tell me
25:54no
25:56it's not
25:57is she
25:57more
25:58i built this room because i believed in your vision
26:03i cleared your schedule
26:06i cleared your stressors
26:07all because
26:08i wanted you
26:11i
26:16i
26:20i
26:20i
26:21i
26:24i
26:26i
26:27i
26:28Sir, your seven o'clock is waiting upstairs.
26:58Tuck your shirt in, sir.
27:09I know. I know.
27:12Where the hell are you?
27:15Calm down, sweetie. Put Crumpet down.
27:20Listen, sweetie. I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:26Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse. She's taking care of me.
27:35Oh, I'm sorry. I'm so embarrassed.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Okay, okay.
27:54Everything's all right.
27:55Agnes has taken very good care of me.
27:57Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:15He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:24What was I thinking?
28:28Oh, he had a girlfriend?
28:36I found Henning.
28:38He's going to be watching you.
28:39He's a girlfriend.
28:40God.
28:41I said, I'm will go.
28:42But when you let me go, education.
28:43He's going to move.
28:45He has a friend for an friction.
28:45I say the girlfriend is going to be able to drive you to drive the car.
28:49My marriage with him.
28:50You're seeing him and bring me back together.
28:51So thank God forologia for his movement.
28:53As you're listening to our spouse,
28:54I'm trying to getbooks.
28:55Gotcha now, bitch.
29:08I found her address.
29:25Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Ms. Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:53Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:22Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:41more of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:53Miss Brooks,
31:07in my office immediately.
31:09Are you sure you want me in there,
31:10or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs,
31:18but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night,
31:26and I fell asleep,
31:27but when I woke up,
31:28they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one
31:41who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's gonna be taking you
31:48to the project mansion.
31:50Hopefully you can
31:51figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings
32:02to the project mansion.
32:04Anything I should know, sir?
32:06She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh, had to get some artwork
32:28for the client.
32:31You don't trust me.
32:33Not to.
32:35You not trusting me?
32:36You were the one with another woman
32:38after all that
32:39I did this all for you bullshit.
32:41Okay, what woman
32:41are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better,
32:49I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I promise.
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to resist.
33:22You're too hard to resist.
33:23You're too hard to resist.
33:24Touch me where the light won't glow
33:27Love me deep, blow me slow
33:31Oh, kiss me in the dark, take all I hide
33:36Let's go inside.
33:37I'm going to let you find out
33:38I'm going to let you find out
33:38Let's go inside.
33:39on the inside
33:42Tie off the door
33:43oh, kiss me in the dark, take all I hide
33:47demons
33:47言 with you
33:48I'll go through
33:49Thank you
33:49I'm gonna go through
33:50You're too hard to see
33:51Look at the door
33:51eyes like knives you cut right through
33:53Every look says what you do
33:54Every look says what you do
33:56Pull me under, soft and deep
33:57Pull me under, soft and deep
33:57Pull me under, soft and deep
34:00Pull me under, soft and deep
34:01You're the secret I can't keep
34:02I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
34:18Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:31Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat.
34:40Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart. Give me the designs. Tell Sterling and your sweet old pappy dies. And your little cat, too. Your choice.
35:23I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
35:36Is that a personal email?
35:40Sweetie, you don't have to do this. Too late, old man. Who the fuck are you? Your worst nightmare.
35:54Baby, I'm so glad you made it. I set all this up for you. This better work.
36:13No, no, you won't eat.
36:17No, no, you won't eat.
36:18No, no, you won't eat.
36:43Show me the video. Yes, sir.
37:00She knew how to evade the cameras. I can't identify her, but you knew her enough to let her in.
37:07Keep this video between us. Yes, sir.
37:13Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here? Who have you been talking to?
37:31No one. I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what? We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want it to get messed up.
38:00I'm trusting you right now.
38:12I know.
38:14I know.
38:28What the hell is going on?
38:30Good girl.
38:49Right on time.
38:51Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia. Do it.
39:06Sterling works his legacy designs.
39:08Just like I asked.
39:11Sterling, you won't even know what hit you.
39:13Now, let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:28I've had a change of heart.
39:46Please.
39:48No.
39:48This way.
39:50You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off,
40:15you and that little tracker
40:17and this entire place will go bye-bye
40:19and then that will pave way
40:21for the construction site
40:22of all Hale designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:46You see, the only thing that is missing, my dear,
40:52is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact,
41:02I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names
41:07attached to any property.
41:10That will never happen.
41:17Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did,
41:32I wouldn't tell you.
41:33No!
41:42So,
41:43tell me,
41:45who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So, therefore,
42:03you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:09Hmm.
42:10Well, I can see that you're a lady of your word,
42:13which makes it kind of hard to believe you.
42:15So,
42:17tell you what,
42:18this is how it's going to go.
42:19You're going to tell me,
42:22and then you,
42:24Pappy,
42:24and little Kitty
42:25can go free.
42:28While Mercer Designs burns to the ground.
42:31Or,
42:32I could kill you.
42:35Right here.
42:38Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know, please!
42:49Please, don't touch him!
42:51I'll tell you!
43:01Tell me...
43:03everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:11I know she's very private,
43:13very secretive.
43:15She only talks to Sterling.
43:16She's an older,
43:19conservative woman.
43:21Liar!
43:23That night that I dosed Sterling
43:25with that sleeping elixir,
43:27I found your little project mansion
43:30and that newly built BDSM room.
43:33Oh, and then all the plans
43:34that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:41You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat, too.
44:00Well, then.
44:05Looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweet miss,
44:11but our short little affair
44:13is over.
44:15Excuse me.
44:17Well,
44:18obviously I don't need
44:19your services any longer.
44:22Besides,
44:23I don't
44:24do
44:25witnesses.
44:26Sterling,
44:33help me, please!
44:34Sterling, wait,
44:35it's a trap!
44:36Sterling, please,
44:37you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:56You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here
45:05for hours for you!
45:07Put down the knife!
45:08Come on,
45:08let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up
45:12the Legacy One
45:13in the third floor!
45:16Wait,
45:16how do you know
45:16about the Legacy One project?
45:17That was confidential.
45:19That little bitch,
45:20she told Vincent
45:21everything!
45:22No,
45:23she's lying!
45:24It's all because of her!
45:25She drugged you!
45:29No,
45:29I didn't,
45:30you bitch!
45:31When I thought
45:32I saw you
45:32with that woman?
45:34Then now you
45:34lost the designs.
45:36No!
45:37No,
45:37that wasn't me!
45:38Okay,
45:39Vincent made me do it!
45:40He said he threatened
45:41my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:49No!
45:50No!
45:51No!
45:51Stop the knife!
45:53Get my thing!
45:54No!
45:54They saved you,
45:57please!
45:57You have the right
45:58from your asylum!
46:00Anything you say
46:01can't move against
46:01against you
46:02and you're going to fall!
46:02No!
46:02Get this,
46:03my sir!
46:04Wait,
46:04no,
46:04no,
46:04I'm Heinzverse.
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:08But I gave him
46:09your designs.
46:10I didn't know
46:10what else to do.
46:11I was trying
46:11to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent
46:17won't be able
46:17to touch the project.
46:18I'm so happy
46:26you found me.
46:26I thought...
46:28Always
46:28find you.
46:31How?
46:36Because I know you.
46:38That moment
46:39in the parking lot,
46:40I knew
46:40from your eyes
46:42that you needed me.
46:48I will always
46:49keep you safe.
46:53Hey,
46:54hey,
46:54would you two
46:54take it someplace else?
46:59Sorry,
46:59Babby.
47:00I'll take you
47:00and Crump at home.
47:07Oh,
47:07thank goodness
47:08you're okay.
47:10I want to tell you
47:12something,
47:12sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay,
47:16Babby.
47:17Just get some rest.
47:18I mean it,
47:19Cece.
47:20When a man knows,
47:21he knows.
47:25Agnes,
47:26it's been a long time
47:27since I've met
47:28someone as caring
47:28as you.
47:30And I'd like you
47:31to be my wife.
47:33Yes!
47:35I love you,
47:36Agnes.
47:42Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
47:52I want to change first.
48:22Everything feels brand new
48:24Sunlight dancing in my
48:27Come here.
48:39This is really beautiful.
48:43We work well together.
48:45Glad you think so, Cecilia.
48:48Um...
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:57There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:06I don't follow.
49:11It's me.
49:12What?
49:13This...
49:14This is my legacy.
49:18Come here.
49:19I need to show you something.
49:22I made this for you.
49:31Wait.
49:32One second.
49:40Ah.
49:41I thought if we put them next to each other, it would create balance.
49:47Balance?
49:48That's not your purpose.
49:50Oh.
49:51I can make Monique.
49:52I know the first.
49:53No.
49:54I don't know the last thing you can.
49:55I know.
49:56You took an additional burden on the painting and you will have to be kind of a beautiful woman.
49:58Piggy ideas.
49:59Yeah?
50:00Yeah.
50:01It's probably not bad.
50:02But then you came here.
50:04You're kind.
50:05You're kind, bold, intuitive.
50:12Sterling.
50:14Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:25Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:35I said yes to you, to forever too, to every dream we're walking through.
50:53Oh, oh.
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