- yesterday
She’s a fashion designer chasing dreams. He’s the irresistible investor who wants more than just business. Their chemistry is off the charts — but can desire lead to love, or is she just another design in his portfolio?
#dramahub #shortdrama #shortfilm #shortmovie #fullepisodes #fullmovie #freemovie #dramausuk
#turkishdrama#turkishseries#turkishdramaseries#turkishromance#familydrama#romanticseries #shortdrama #romanticdrama #dramaseries #episodicshorts #tvdrama #dramalovers #storytelling #dramaticmoments #minidrama #emotionalstory #fatedlove #loveandloss #dramaqueen #plotwist #viralshortfilm
#DesignedForDesire #BillionaireLove #FashionAndFlames #EnemiesToLovers #ModernRomance
#dramahub #shortdrama #shortfilm #shortmovie #fullepisodes #fullmovie #freemovie #dramausuk
#turkishdrama#turkishseries#turkishdramaseries#turkishromance#familydrama#romanticseries #shortdrama #romanticdrama #dramaseries #episodicshorts #tvdrama #dramalovers #storytelling #dramaticmoments #minidrama #emotionalstory #fatedlove #loveandloss #dramaqueen #plotwist #viralshortfilm
#DesignedForDesire #BillionaireLove #FashionAndFlames #EnemiesToLovers #ModernRomance
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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a dog collar?
02:54Do you think you own me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather-
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:27So, Miss Brooks, what do you see in this room?
03:31Well...
03:33It's...
03:34Deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45Satisfying.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:54Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:15Hey.
04:17The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:42Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:13I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:26I wouldn't do that.
06:28Come on, let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little...
06:39Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:46I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:57Welcome back, Miss Brooks.
06:59So, I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what, you're just gonna leave me all alone here?
07:07Would you like me to join you?
07:11No, no, no, no.
07:12Why is it making that sound?
07:13Damn, if I leave, Pappy dies.
07:14Shit.
07:15I'm trapped with this monster.
07:16Oh my god, is this really happening?
07:17I'm stuck.
07:18I'm stuck.
07:19This is your uniform.
07:20Work hours have started already.
07:21Tidy yourself up.
07:22Report to Mr. Mercer.
07:23Report to Mr. Mercer.
07:24Oh, and, uh, chop chop, Miss Brooks.
07:25I'm stuck.
07:26I'm stuck.
07:27I'm stuck.
07:28I'm stuck.
07:29I'm stuck.
07:30I'm stuck.
07:39This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:48Oh, and, uh, chop chop, Miss Brooks.
07:55Mr. Mercer does not like to be kept waiting.
08:01No, I, um, just didn't want to disturb you.
08:26I don't mind if you stare.
08:28Sorry, sir, I was just interested in your build.
08:33The building.
08:34The build of the mansion that we're building to work on today.
08:40What time are we leaving for?
08:42Car leaves in ten minutes.
08:44Great.
08:45I'll be ready.
08:47How much further?
09:00Patience, Miss Brooks.
09:03Oh, my fucking fucking.
09:18Hey, Foxy!
09:20I got something that'll keep that jaw clenched.
09:22Wow.
09:23Original.
09:24Mr. Mercer!
09:25We didn't know you was coming in today.
09:26Get off my property.
09:28What?
09:29You're fired.
09:30Leave.
09:31Oh, what the hell?
09:32I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:37If I collapse your lung...
09:39Wait, did he just stand up for me?
09:42Sir, how about you?
09:44Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:51Everything's nearly finished.
09:53I'm gonna have a team come in and make some final measurements over here.
09:56And I'll ensure they know how to keep their mouth shut.
09:59Uh, is this all marble?
10:07Seeing her in my house gives me a strange feeling.
10:10It's so beautiful.
10:11What is it about her?
10:13Why do I want to...
10:14Follow me.
10:18Wow, an elevator?
10:23By the way, what you did out there, thank you.
10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:36Your first task for the client.
10:39I don't know anything about the client.
10:41Who is...
10:43We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:53The client would like this room transformed into their BDSM chambers.
11:03I hope she doesn't see right through me.
11:06So...
11:08How would you do it?
11:10Uh...
11:12Um...
11:13Paint me a picture.
11:14Right.
11:16Uh, over here I would...
11:19Put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:24Obviously.
11:25And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:32And next to it we could put a cabinet for whips and toys and things.
11:36You're very well versed.
11:38I...
11:39Read a lot.
11:41Certain...
11:42Genres of certain books have certain details of...
11:45Right, right.
11:46Of course.
11:48Yeah, it's perfectly normal.
11:49A lot of women read...
11:50Fantasy and...
11:52Romance and...
11:53Fantasy romance.
11:55Anyway, uh...
11:57This would be a great place to...
11:59Mount...
12:00Wall Cuffs.
12:03I'm drowning in the heat
12:09Afraid of what I need
12:14Your touch is like a flame
12:18But I can't turn your way
12:20Don't pick up.
12:28Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I...
12:33I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:42Okay, I...
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention...
12:52At work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls...
13:01At work.
13:03I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:12I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:24Your jacket.
13:26Uh...
13:27Mr. Mercer...
13:30I won't ask twice.
13:31I won't ask twice.
13:39Uh...
13:40What's this for?
13:46It's perfect.
13:48Now go get dressed.
14:01No need to pout, Miss Brooks.
14:02You'll be reading some of the top designers.
14:16I don't understand.
14:17How does this take priority over work?
14:18Am I your date or your designer?
14:20You are...
14:21What I say you are.
14:23What I say you are.
14:36Ladies and gentlemen.
14:37It is my pleasure to welcome you all to the annual Architectural Ball, proudly hosted by the Mercer Group.
14:50I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Bitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:09I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:26Let me have this dance.
15:31Sterling!
15:33I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:41You must be working so hard.
15:43I was thinking...
15:45Maybe you would benefit from a designer who really knows you.
15:50Your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flint.
15:58Doesn't mean we can't be close.
15:59Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:17Get your hands off of her!
16:23What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:27Ha, ha, ha, ha, ha, ha!
16:31Get him out of here.
16:37It's alright, folks. Enjoy the party. It's okay!
16:40Yeah, you okay?
16:42Why don't you go grab a drink? I'm gonna take care of this.
16:45Crazy night, huh?
16:54Yeah, too crazy.
16:56I'm Nora, a close friend of Sterling's.
16:59So, tell me, how's the new position treating you?
17:03It's demanding.
17:04It's demanding.
17:05And the client? What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Oh, come on, it must be crazy, right?
17:13I really can't.
17:15Oh, how embarrassing!
17:21What are you doing in here?
17:26Uh, Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:30Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:38What? I'm just trying to help.
17:39Help? Really?
17:41That's rich.
17:43I mean, I am rich.
17:45You.
17:47You are a lot of things.
17:49From the moment I met you, you've controlled every aspect of my life.
17:51Every movement I make!
17:52You're obsessive, cryptic, a perfectionist.
17:57But you're not rich.
17:59Not where it counts.
18:18Feel excuse me.
18:20I have work to do.
18:22I have work to do so many people.
18:24I have no idea where we are.
18:25I'll check my identity.
18:27I love it!
18:28I love it!
18:30I love it!
18:31I love it!
18:32I love it!
18:33I love it!
18:35I love it!
18:36This hand.
18:38What if...?
18:40Maybe cuffs?
18:42What if we hang something around here?
18:44I love it!
18:45Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:15Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe. I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:58Oh my god.
20:04Excuse me miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room it's because the insurance ran out or...
20:14Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:37I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well when I said I needed your undivided attention, I meant it.
21:01Now the only thing you have to worry about is me.
21:04I'm not your slave.
21:11Five designs.
21:13By tomorrow morning.
21:19You're welcome.
21:20I've been expecting you.
21:28I have a feeling I'll be impressed.
21:31Brushed work is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:11I do have a request, though.
22:16I was wondering if I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well, I need to keep track of you.
22:30I mean, what if...
22:32Sterling.
22:32I'm not your parents.
22:35I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you, but, um, you're going to have to wait till tomorrow.
23:04Full of surprises, aren't you?
23:06And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:04It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be intentional.
24:13Intentional.
24:16Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:45Only satisfy their needs.
24:49Would you like to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went up.
25:18There's no signal.
25:20Yeah, the soundproofing they put up, uh, cuts signal.
25:24What?
25:25No.
25:38It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:07All because I wanted you.
26:41Sir, your seven o'clock is waiting upstairs.
26:52Tuck your shirt in, sir.
27:06I know.
27:11I know.
27:12Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:37I'm sorry.
27:37I'm so embarrassed.
27:42Um, hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay, okay, Pappy.
27:58I'll go.
27:59Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:03What the hell?
28:15He has a girlfriend?
28:23What was I thinking?
28:24What was I thinking?
28:33What was I thinking?
29:03I got you now, bitch.
29:08I found her address.
29:26Sterling.
29:28Sterling.
29:29Can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important.
29:33Please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:53Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:09Instead of your accounts being compromised facing bankruptcy and becoming the embarrassment of architecture.
30:17We could merge as Hale Mercer.
30:20He even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information.
30:37And Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42Or a bribe.
30:45Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:09Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:15I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:45Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You not trusting me?
32:37You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59Okay.
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard to resist.
33:30Let's go inside.
33:37Let's go inside.
33:51Eyes like knives you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:01You're the secret I can't keep
34:04Breath on glass, you trace my name
34:07No one else can play this game
34:10You don't ask, you just take
34:14And I give, and I pray
34:16Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:24I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling and your sweet old pappy guys and your little cat, too, your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No, no, you won't eat.
36:39Show me the video.
36:55Yes, sir.
36:56She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:10Cecilia.
37:24Cecilia.
37:25Sterling.
37:26You're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:28What the hell is going on?
38:34Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:00Do it.
39:00Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't.
39:26Get out of here.
39:28Look, look.
39:30I've had a change of heart.
39:46Please.
39:48No.
39:48This way.
39:50You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:09You see, when that timer goes off, you and that little tracker and this entire place will
40:18go bye-bye, and then that will pave way for the construction site of all hail designs.
40:25He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh.
40:39Oh.
40:39Oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:46You see, the only thing that is missing, my dear, is the contact for Sterling's Project
40:54Mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:10That will never happen.
41:16Who's the client?
41:19How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:37No!
41:40So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So therefore, you are already a betrayer.
42:05Promise, I don't know anything.
42:09Hmm.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe
42:15you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:28While Mercer Designs burns to the ground.
42:30Or, I could kill you right here, right now, and Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49No, please!
42:49Don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51Tell me everything.
43:04Everything.
43:04I don't know a lot.
43:09I just, I know she's very private, very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:22That night that I dosed Sterling with that sleeping elixir, I found your little project
43:29mansion, and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom, they were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:45And then, I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:03Well then, looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweetness, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Norris, stop!
45:01Put down the knife!
45:02She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One in the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:19That little bitch.
45:20She told Vincent everything!
45:22No, she's lying!
45:23It's all because of her!
45:25She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:47Arrest her!
45:48No!
45:48Stop the knife!
45:53No!
45:53No!
45:53No!
45:53No!
45:53No!
45:53No!
45:54No!
45:54No!
45:54No!
45:54No!
45:55No!
45:55No!
45:55They saved you, please!
45:57You have the lights when you're silent!
46:00Anything you say can't move against you and you're going to fall!
46:03No!
46:03Wait, no, no, I'm Heinzverse.
46:05I'm so sorry.
46:07It's okay.
46:08It's okay.
46:08But I gave them your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent won't be able to touch the project.
46:18I'm so happy you found me.
46:26I thought...
46:28Always find you.
46:31How?
46:36Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:53Hey!
46:54Hey!
46:54Would you two take it someplace else?
46:59Sorry, Babby.
47:00I'll take you and Crump at home.
47:01Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Babby.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:35I love you, Agnes.
47:37Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52Okay.
47:52I'm sorry.
48:10I woke up when the sky was pink.
48:14Coffee tastes like sugar dreams.
48:17Traffic sounds like melody.
48:20Come here.
48:39This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04it's not who you think.
49:07I don't follow.
49:10It's me.
49:12What?
49:14This... this is my legacy.
49:18Come here.
49:20I need to show you something.
49:29I made this for you.
49:31Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48But then you came in.
50:05You're kind.
50:08Bold.
50:09Intuitive.
50:10Sterling.
50:11Beautiful.
50:12You gave this place a soul.
50:21Cecilia Brooks.
50:23Would you share the love we built together?
50:28Yes.
50:29Yes, Sterling.
50:30Yes.
50:31Yes, Sterling.
50:32Yes.
50:33Yes, Sterling.
50:41I said yes to you, to forever too, to every dream we're walking through.
50:51You
50:53you
50:54you
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