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00:00:00Musik
00:00:30Did you ever think
00:00:40in some deep down place
00:00:42that you were really something else?
00:00:48And if you could just strip away
00:00:50that filthy dead shell
00:00:51you'd been walking around in
00:00:53you'd be reborn
00:00:55as something new
00:00:58Something more beautiful
00:01:00than anything you'd ever imagine
00:01:02Hey, buddy
00:01:05Well, of course you're nervous
00:01:08Oh, it's Daryl, sorry, Daryl
00:01:09It's a really big deal
00:01:11Listen to me, no
00:01:12Philip, no, stop
00:01:14You stop right there
00:01:15Hold on, hold on one sec
00:01:19I'm sorry
00:01:20I got a client freaking out
00:01:21These came for you
00:01:23Oh, thanks, thanks so much
00:01:24Wow, you look really, really
00:01:27Hey, Ben, what's up?
00:01:28Ben
00:01:29Hey, did you get some flowers?
00:01:34Oh, God, yes, Howard
00:01:35Thank you so much
00:01:35Please, I saw that you had
00:01:37some tulips in your window once
00:01:38and then they were on sale
00:01:39at Trader Joe's
00:01:40Oh, you know
00:01:42I didn't get them into water
00:01:45soon enough
00:01:46No, totally, totally
00:01:47I'm sure
00:01:47It's weird, though
00:01:48They looked still really fresh
00:01:49You know what it is?
00:01:50Plants hate me
00:01:51Why?
00:01:51I doubt that
00:01:52They do
00:01:53You should probably
00:01:54There's a bottom button
00:01:55I can see your
00:01:56Okay, thank you for that
00:01:57Thanks
00:01:58You got my back
00:01:59You got my back
00:02:00All right
00:02:00Just say it with me
00:02:01Congratulations, Philip
00:02:03You got the part
00:02:04Well, it only works
00:02:07if you really do it
00:02:07That wasn't really doing it
00:02:10You know it wasn't
00:02:11You know it wasn't
00:02:12I know when you really are doing it
00:02:14And it's only when you really do it
00:02:16that it works
00:02:16This is your time to shine
00:02:18Oh, God, you homicidal son of a
00:02:20No, not you
00:02:22I'm here
00:02:23I'm parking
00:02:24Yes, I am
00:02:25Picture yourself
00:02:27resting on a cool, sandy beach
00:02:30Not lying
00:02:32I'm here
00:02:32Take that big breath in
00:02:33And exhale out
00:02:35Good
00:02:35Hold that door
00:02:37You think I don't know how you feel?
00:02:39Third callback for Boatniks
00:02:40I'm ten
00:02:41My mom had to give me
00:02:42an airplane bottle of schnapps
00:02:43just to get my hands
00:02:44to stop shaking
00:02:45But this is different
00:02:46You know why?
00:02:48Because I was good
00:02:49But you're special
00:02:51I am?
00:02:53Hell yes, you are
00:02:54Because
00:02:55Come on
00:02:58Hell yes, you are
00:03:03And when you go in there
00:03:04and do what we rehearsed
00:03:06they're going to see that
00:03:07I heard Lindsay Lohan's
00:03:08little brothers doing the part
00:03:09What?
00:03:10Who told you that?
00:03:11You know the twins who go to my school?
00:03:12Rory and Corey?
00:03:13Yeah
00:03:13Rory's manager told them
00:03:15No, they offered it to him
00:03:17but they couldn't make a deal
00:03:18So now
00:03:19one of the main roles
00:03:20in this motion picture
00:03:21is wide open
00:03:23and I'm going to tell you something
00:03:24It's yours
00:03:27It is?
00:03:29I can feel it
00:03:30You can
00:03:31Yes
00:03:33Philip Trilby
00:03:35Yes?
00:03:37You're up, honey
00:03:37You got this
00:03:39My man
00:03:40Kick some ass, baby
00:03:43We really need this one, okay?
00:03:46It's yours
00:03:47Hi, Philip
00:03:48I'm Meg Waldron
00:03:49Thanks for coming in
00:03:50We all loved your work in cooties
00:03:51It's all good, right?
00:03:54Uh, thanks
00:03:55Let's do this thing
00:03:56This is empty
00:04:01Oh, okay
00:04:02Hey, Courtney, can you get it?
00:04:16Hey, Charlotte, you look great
00:04:18You still working with that guy?
00:04:19The, uh, what's his name?
00:04:21What's going on in here?
00:04:32Oh, sure
00:04:33I hate you
00:04:34Oh, you're zeker
00:04:35You're sorry
00:04:36I've been here
00:04:36Are you sure?
00:04:39I've been here
00:04:40Okay, you're a moment
00:04:42Let's move out
00:04:42Why don't you know this?
00:04:43How do you know thisFль?
00:04:44Was ist hier?
00:04:51An Audition.
00:04:53Oh.
00:04:54Sorry, es ist so real.
00:04:58Wer ist Ihr Agent?
00:04:59Get out!
00:05:01Okay, sorry.
00:05:08She ist wirklich gut.
00:05:10Are you saying he got the part?
00:05:11Well, there's still a few things to work out, but Nigel loved him.
00:05:14So Janice, what are you and Phillip doing for the next few months?
00:05:19Um, well, I mean, we've got school, but you know, screw it, right?
00:05:23No, there's not one thing over at Nickelodeon, but you know, it's nothing we couldn't get
00:05:29out of, you know, for the right situation.
00:05:31Oh.
00:05:33Hey, pal, why don't you hit your game thing for a few minutes so Megan and I can talk business?
00:05:37Good job, Phillip.
00:05:39Great job.
00:05:39Now, can I ask you, when would you need him to start?
00:05:41Janice, can you give us a sec?
00:05:43And then, should I just...
00:05:45I was just...
00:05:46All right.
00:05:50This is so exciting.
00:05:51Yeah.
00:05:52Seems like a great kid.
00:05:53The best.
00:05:54Wish it was mine.
00:05:56We done?
00:05:57Yep.
00:05:57Okay, break of a lifetime.
00:05:59Big fat roll opposite whoever we get, I'm authorized to go 80 grand, take her to leave it.
00:06:02But if we can close it right now, we'll throw in 25K when it hits 100.
00:06:06That's just overscaled to do fifth lead in a $30 million picture.
00:06:09Listen, Howard, I understand you want to glue yourself tight to young Phil and his tasty
00:06:13little milf over there, but he's got no quote.
00:06:15He's nobody.
00:06:16Oh, haven't you heard?
00:06:17He just got the new Nigel's kink picture.
00:06:21110, run a show, 30 on the bump.
00:06:23170, 50 on the bump.
00:06:24170.
00:06:25Are you really fucking high right now?
00:06:28Meg, can I talk to you for a moment?
00:06:31You want to close it or not?
00:06:33Meg.
00:06:37You want to close it?
00:06:39Hold that thought.
00:06:40Okay, fine.
00:06:40110.
00:06:41We're very excited.
00:06:42We've got a deal.
00:06:43Hey, where are you going?
00:06:44Meg?
00:06:44What's happening, Howard?
00:06:45Just give me a second.
00:06:46Okay, fine.
00:06:47He'll do it for scale.
00:06:48Just throw us something on the back end.
00:06:49Hi, Nines.
00:06:50No, don't talk to him.
00:06:52Look, Howard.
00:06:53Listen, you close this right now or he's doing the Nickelodeon thing.
00:06:56Do what you got to do.
00:06:57We had an offer.
00:06:58Go home.
00:06:59I'll call you.
00:06:59Talk to me, okay?
00:07:00I'm his fucking manager.
00:07:01Please, Meg.
00:07:02Please.
00:07:02What's going on?
00:07:05He's back in the low-hand kit, okay?
00:07:07No.
00:07:08No, he passed.
00:07:08He's a name.
00:07:09They pull this shit all the time.
00:07:11Look, I've got something else, too.
00:07:13A vampire thing.
00:07:14Howard!
00:07:14You calm down.
00:07:15Take Philip home, and I'll talk to you.
00:07:16I'll try to find him something in that, but seriously, we're done.
00:07:19You lying sack of shit.
00:07:21What did you call me?
00:07:22He never had any intention of giving Philip a part.
00:07:24You just used him to get the low-hand kit back to the table.
00:07:27Howard, that is bullshit.
00:07:28Nigel loved him.
00:07:29He wanted to hire him.
00:07:30Oh, I'm sure he did, until Honey Boo Boo over there called Aldo.
00:07:33What now?
00:07:33Called Aldo, and told him the role was walking out the door.
00:07:36You pathetic bottom-feeder.
00:07:38If you ever want to see one of your talentless little trolls in this office again,
00:07:41then you will shut your mouth and walk out that door.
00:07:43Now.
00:07:45Delia, call security.
00:07:47Mm-hmm.
00:07:49Fine.
00:07:49I'm going.
00:07:50I'm taking Philip down to SAG.
00:07:52We're going to file a grievance.
00:07:53Right, Janice?
00:07:56Janice?
00:07:58Guys?
00:07:59Guys?
00:08:00Philip?
00:08:00Hey, buddy.
00:08:01Okay.
00:08:02Look, I know you're disappointed, but you did something really special in there,
00:08:06and nobody can ever take that away from you.
00:08:07Well, they just did.
00:08:08Yeah.
00:08:09And you let it happen.
00:08:10No.
00:08:11Get in the car.
00:08:11Don't you...
00:08:12Listen to me.
00:08:13Don't you see?
00:08:14They used Philip to close Tommy Lohan.
00:08:16Yeah, and isn't it your job to protect us from that?
00:08:18Aldo said something like this would happen.
00:08:20Aldo?
00:08:20You talked to Aldo Stankis?
00:08:22You know what?
00:08:22I guess it's a good time to tell you.
00:08:25Howard, you're fired.
00:08:26No.
00:08:27We have a contract.
00:08:27Oh, not anymore we don't.
00:08:29There you go.
00:08:30Termination of services.
00:08:34Listen, you were great when we first started out, but Philip needs more now.
00:08:36He needs an Aldo Stankis.
00:08:38No.
00:08:38Get in the car, Philip.
00:08:39But Aldo's Tommy's agent, don't you see?
00:08:41He did it this way to make you dump me.
00:08:43Well, guess what, Howard?
00:08:44It worked.
00:08:45No, Janice, please, don't do this.
00:08:47Hey, hey.
00:08:49What about us?
00:08:50Oh, please.
00:08:51It was one drunk night, and I wish I'd been drunker.
00:08:53Janice.
00:08:54Move out of the way, Howard.
00:08:54No, don't do this.
00:08:55I'm trying to close my door.
00:08:56No, Janice.
00:08:56Get away from my car.
00:08:58Buddy?
00:09:01Roll down the window.
00:09:02Roll down the window, buddy.
00:09:03Oh, my God.
00:09:05Roll it down.
00:09:08Who's going to run lines with you, huh?
00:09:09You think Aldo's going to know what to do when you have a panic attack, do you?
00:09:13No.
00:09:14Philip, close that window now.
00:09:16Ow, ow, ow.
00:09:18Get your hands off the button, Philip.
00:09:20You don't have to do this, man.
00:09:21You can come live with me.
00:09:22No, we can't.
00:09:23Not without that emancipation thing from the judge, he can't.
00:09:25Roll up that damn window now.
00:09:27Hey, don't you love me anymore?
00:09:29Hey, look at me, you little bastard.
00:09:31You're going to sell me out.
00:09:32At least have the balls to look me in the eye.
00:09:34Get away from the car, you freak.
00:09:36Janice, no.
00:09:37No, Janice, wait.
00:09:40Wait.
00:09:40Oh, my God.
00:09:43Oh, my God.
00:09:44Oh, my God.
00:09:45Oh, my God.
00:09:45Oh, my God.
00:09:46Oh, my God.
00:09:46Howard.
00:09:47Oh, Howard, that was an accident.
00:09:49I'm so sorry.
00:09:51We can still save this.
00:09:52You are an asshole.
00:09:54Asshole.
00:09:54Get in the damn car, Philip, now.
00:09:57I need it.
00:09:59No.
00:10:00Please.
00:10:01Really?
00:10:02Come on.
00:10:02Seriously, please.
00:10:04After four and a half years, please don't do this.
00:10:07Come on, Janice.
00:10:08Please.
00:10:08No.
00:10:09Hello?
00:10:21Hello?
00:10:23Hold on.
00:10:25Hold on.
00:10:30Hello?
00:10:32Hello?
00:10:36Hello?
00:10:39What the fuck, man?
00:10:46If you ask me, you're better off.
00:10:51Huh?
00:10:53I did this cable thing with him last year.
00:10:56We played siblings who both needed one of Ann Archer's kidneys.
00:10:59And he's OK.
00:11:01But it never goes much deeper than the audition, you know?
00:11:05And I met his sister once.
00:11:07She used to go out for stuff, too.
00:11:09Until she turned 14 and got a bad case of uglies.
00:11:13What do you got?
00:11:15It's his game thing.
00:11:18Are you going to smash it and send it to pieces?
00:11:20Yeah, I probably will.
00:11:22Oh, my God.
00:11:23You're going to give it back to him.
00:11:25No, I'm not.
00:11:27Yes, you are.
00:11:28He just dumped you.
00:11:30And you're going to give him back his game thing.
00:11:33It's not his fault.
00:11:35He's a good kid.
00:11:35I'm Howard.
00:11:46Lydia.
00:11:47I'm sorry about messing up your audition before.
00:11:49Do you want me to talk to somebody?
00:11:51Maybe I could get you another shot.
00:11:52Something tells me you may not be the best person for that job.
00:11:57So it's no need.
00:11:58I got it.
00:11:59You got the part?
00:12:01Yeah.
00:12:02They're all getting off that you thought it was real.
00:12:05Meg took the tape into Nigel and they offered it to me on the spot.
00:12:08Wow.
00:12:08That's...
00:12:08Congratulations.
00:12:11It's two scenes.
00:12:12Are you kidding me?
00:12:13Brad Pitt became a superstar off just two or three scenes in Delma and the...
00:12:16That was the least.
00:12:17Yeah.
00:12:17My mom used to say that.
00:12:19Oh.
00:12:20Is she gone?
00:12:22Yeah.
00:12:23I'm sorry.
00:12:25It's not like she died or anything.
00:12:27She just moved to Vegas with her stoner boyfriend, Kai.
00:12:31Where's your dad?
00:12:32He's in there trying to get validated by that skeezy receptionist.
00:12:35Or maybe he's getting his parking ticket stamped.
00:12:39How old are you?
00:12:40Fourteen.
00:12:42Well, almost.
00:12:43I know.
00:12:44Percussion.
00:12:47Well, it was nice talking to you, Lydia.
00:12:52Would you say that was up or down?
00:12:56No idea.
00:13:00I hope this is a pretty bad day for you.
00:13:05You know...
00:13:09You don't mind me asking, who's your, uh...
00:13:15Agent?
00:13:16His name's Mark.
00:13:18He's the sketchy coach-agent-casting guy back in Tulsa.
00:13:21Is that where you live?
00:13:23It was.
00:13:24Until Mom and Kai bolted to Vegas.
00:13:26You know, you're really good.
00:13:28You ought to be working with somebody here in town.
00:13:30What?
00:13:32What's this?
00:13:34He's hitting on me.
00:13:35Dude!
00:13:36I was not...
00:13:37I wasn't hitting on you.
00:13:38He thinks I need local representation, which I do.
00:13:41Yeah, you think it's okay to just walk up,
00:13:43start talking to my daughter about business behind my back?
00:13:46No, I...
00:13:47She talked to me, really.
00:13:48I just...
00:13:49She...
00:13:50I recognize you.
00:13:52You almost cost her the damn job back then.
00:13:54You did not.
00:13:55Just ignore him.
00:13:56Who's talking to you?
00:13:57Am I talking to you?
00:14:00You stay away from her.
00:14:02You understand?
00:14:02Yeah.
00:14:03Come on.
00:14:08Later.
00:14:12I was only saying, sir, that your daughter's very talented and, you know, with an agent in town,
00:14:18one who was a child actor himself, in such...
00:14:21Hey, bro, are you deaf?
00:14:23I said, leave her alone.
00:14:26Okay, okay, okay.
00:14:26Stop.
00:14:27Stop.
00:14:27Stop.
00:14:28Ouch.
00:14:29Ignore him.
00:14:30He's got issues.
00:14:32Do not have issues.
00:14:33Stop saying that.
00:14:34I mean he's there.
00:14:40What?
00:14:41He is?
00:14:42Fine, put his ass on the line.
00:14:45Hello, Aldo, you...
00:14:47I'll hold.
00:14:48Hello, Aldo.
00:14:51You skeevy.
00:14:52Hello? Hello, Aldo? Hold on.
00:14:58Hello, Aldo, you skeevy fucking dirtbag.
00:15:02Oh, that's much better. Now I can hear you. Hi, Howard.
00:15:06Listen to me, you Polak poacher. You're not getting away with this. Not this time.
00:15:10First of all, I'm Greek-Irish, and I don't steal your clients so much as you seem to constantly misplace them.
00:15:16You used Philip to push Tommy Lohan into the picture and make me look like a douche at the same time.
00:15:21Up your meds, Howard. You're getting paranoid.
00:15:23Oh, yeah? Then how do you happen to change his mind the minute my kid walked out of the room?
00:15:27This town moves fast, my friend. I only called because I felt really bad.
00:15:31What if I could nudge a Miss Amber Tuck back into your capable hands?
00:15:34Oh, no thanks, pal. I just saw Amber. She's got weird-looking breast buds and a momager from hell.
00:15:40Nope. I'm taking Philip back before you turn him into another Skylar Sams.
00:15:44You never let that go, will you? Let it go, pal.
00:15:47Hey, is it true that you ran over Kayla Clopper's gerbil?
00:15:52He's in her backpack. Who keeps a gerbil in a goddamn backpack?
00:15:55I hope you weren't thinking of doing something foolish.
00:15:57I follow another restraining order. You're gonna lose your license.
00:16:00Oh, please. You really think I'm that stupid?
00:16:02Would you be offended if I said yes?
00:16:03Oh, I'm sorry. Rolf's a better bodyguard than a driver.
00:16:21How you doing?
00:16:22Rolf, huh? What happened to Trent? You guys broke up?
00:16:25Don't be ridiculous, Howard. I'm a happily married man.
00:16:27Yeah, so is Mr. Brady.
00:16:30Uh, hey, Mr. Stankus?
00:16:32Phil! Big man!
00:16:33Hey, Philip. What's going on? Remember me?
00:16:35Uh-uh.
00:16:36Hey, look what I got. I got something you might remember.
00:16:39Whoa, what's that? That's your game thing.
00:16:40Yeah, your mom told me about your game thing. That's a bummer.
00:16:44So you know what? I got the new Nintori Ultra Super Pad.
00:16:48What? We didn't even be in stores for another month.
00:16:50Whoa, it was freaking awesome!
00:16:51Freaking awesome is right. You ever been in a Hummer?
00:16:54That just flipped me off. Did you just flip me off? Did you?
00:16:56Because that is not okay, pal.
00:16:58Hey, right here. Back at you. Yeah!
00:17:02Classy. Real classy.
00:17:03You know what? Kiss my ass.
00:17:05You and your boyfriend both, you go fucking me, cocksucker!
00:17:23Okay.
00:17:24Use yourself. She doesn't know that, though.
00:17:26I can't. I meant the thing. It's closing night.
00:17:30Pierce Brosnan's kid's playing the roach.
00:17:32I gotta go.
00:17:36Marcy!
00:17:39Hey!
00:17:40Hey!
00:17:41Yeah? Everything okay?
00:17:42Huh?
00:17:43Is that, you know, you have a little blood, I think?
00:17:45Oh.
00:17:46Oh, yeah, there was a...
00:17:48What are you doing here?
00:17:49Oh, there's a kid I'm looking at.
00:17:51Wow. That's a nice car. Is that new?
00:17:52Oh, pfft. No. I mean, it's a demo. I-I-I-I sell them.
00:17:53Oh.
00:17:54But I thought you were a singer.
00:17:55Oh, well, I was. But, you know, the gig stopped rolling in, gotta pay the bill.
00:17:59But you've got such a beautiful voice. You sing in the shower. You can hear it in the courtyard. Ask anybody.
00:18:14Thank you.
00:18:16So, are you guys into this? Acting and stuff?
00:18:20Uh, no. But I like the book.
00:18:22Oh, yeah. Me too.
00:18:22We-you know, Ben goes here now.
00:18:25Really? Cool.
00:18:27Yeah.
00:18:27That was-
00:18:28I'm gonna get a cookie of that.
00:18:28Sure.
00:18:29Hurry up, though, because it's gonna start.
00:18:31Okay.
00:18:31You know, I've been thinking I really want to take you guys out just to say thanks for all the packages and the watering of plants and stuff.
00:18:39You don't have to do that.
00:18:40No, I want to. In fact, what are you doing Saturday?
00:18:42Ben is with his-with his dad this weekend.
00:18:46Oh. Okay. Well, then, I could just take you.
00:18:53Come on. How bad can it be?
00:18:55All you gotta do is have a great meal with a guy who happens to think you're one of the most beautiful women he's ever met.
00:19:02Howard.
00:19:03It's true.
00:19:04Look, I-I know I'm not your usual kind of guy or something, but I see you out there.
00:19:11And the way you are with him, and I just-I think you're amazing.
00:19:16Can I say that? Is that weird?
00:19:18It's nice. Thank you.
00:19:20So what do you say?
00:19:25It's a terrible idea. We live in the same complex.
00:19:28Which means I'm absolutely gonna behave myself.
00:19:30Or you won't have far to go when you start stalking me.
00:19:32I've been stalking you for a year and a half, and so far you haven't even noticed.
00:19:40It was a joke.
00:19:40Oh. Ha.
00:19:42What is this? This is not a cookie.
00:19:44I think the play's starting.
00:19:46Oh. Okay, I'm gonna get my ticket.
00:19:47Yeah.
00:19:49Hi. I'll take one ticket. Can I sit with my friends?
00:19:51Oh, I'm sorry. It's closing night. We're completely sold out, so...
00:19:55I'm Howard Holloway of the Howard Holloway Agency.
00:19:58Why didn't you say so?
00:20:00Well, in that case, it's closing night, and we're completely sold out.
00:20:04Um, I was invited to this performance by one of the lead actors for the purposes of possible representation,
00:20:11Brian Brosnan.
00:20:12It's Ryan Brosnan, and I don't care if you were invited by Franz Kafka himself.
00:20:18I don't have any more tickets.
00:20:21Okay. I don't know who that is, but...
00:20:23Sandy, it's Marcy. Marcy Watkins, Ben's mom.
00:20:27Oh, hey. Hey, Marcy.
00:20:29You know, I just talked to Jeannie Kim, and Georgia has pink eyes, so they're not coming.
00:20:33Is there any chance I can just grab those tickets for my friend here?
00:20:36Well, you know, I'm not supposed to.
00:20:37I know.
00:20:38Hey, what the...
00:20:39There you go.
00:20:40Thank you. Thank you.
00:20:42So, I gotta take this.
00:20:47Here. I'll save you a seat.
00:20:49Okay, thanks.
00:20:50Yeah, I mean, the rosin kid, I hear he's amazing.
00:20:54Mm-hmm.
00:20:58Howard Holloway?
00:20:59Hello?
00:21:01Hello?
00:21:02God damn it.
00:21:04Howard Holloway?
00:21:06Lydia? How'd you get this number?
00:21:09Listen, Lydia, I'm really psyched you called, but...
00:21:11I'm just walking into a screening.
00:21:14Okay, your dad was very clear with me before.
00:21:17Big deal how?
00:21:18No, no.
00:21:19I gotta go, okay?
00:21:22Who said he needed to hear back from you tonight?
00:21:24Was it Mr. Ang Lee?
00:21:32Yeah.
00:21:33That's somebody.
00:21:35Chelsea Charles dropped out today.
00:21:37They said because she had motto, but I heard that she threw up the teen choice words because
00:21:40maybe she's pregnant.
00:21:42I heard that too.
00:21:42Isn't she like 14 years old?
00:21:44Oh, and Meg's casting this one too, and she showed the tape where you busted into Mr. Ang Lee,
00:21:48and he freaked out.
00:21:50So he called Daddy's cell, but he was on the toilet.
00:21:52Hey!
00:21:53Oh, I'm sorry, you weren't?
00:21:55So he called, and I answered, and he said I was like a young Joanie Foster.
00:21:59Joanie, yeah?
00:21:59And then he asked who my agent was, and I told him it was you.
00:22:03I hope you're not mad.
00:22:05Mad?
00:22:05No, I'm, no, no.
00:22:07You did the absolutely right thing, and did, did Mark get you the, who, who got you the
00:22:14appointment for the thing today?
00:22:16What Mark ever got me was a couple commercials and that stupid kidney crap.
00:22:20I got a freaking scumbag.
00:22:24Hold on, I think this, okay, that's, yeah, that's gotta be, that's, that's.
00:22:29Meg?
00:22:34Hi.
00:22:36Yes, I have, in fact, I'm with her right now.
00:22:39Meg says hi.
00:22:41And hi to you too, Ray, can't wait to meet you.
00:22:43Tell her, what's up?
00:22:45Ray says, what's up, Meg?
00:22:48Please, Meg, no, it's okay, it's forgotten.
00:22:52No, please, yeah, I'd love to hear.
00:22:57Oh, fuck.
00:22:58I'm sorry.
00:22:59I'm sorry, I'm so sorry, I'm sorry.
00:23:01No, go ahead.
00:23:02Yeah.
00:23:03And the, no, talk about the money.
00:23:09Well, no, that's a nice place to start.
00:23:11How much?
00:23:12But, of course, she's not gonna do it for that.
00:23:15Well, you better go back to them, Meg, or it's gonna be a very long night.
00:23:19Um, I'm sorry, Meg, our, you know, our entrees just arrived.
00:23:23Is that how you like it, sweetie?
00:23:25It's perfect, Howard.
00:23:25Thank you.
00:23:25Oh, good.
00:23:26So, we'll see what you can do.
00:23:30Okay, bye-bye.
00:23:33Excuse me.
00:23:34Excuse me, miss.
00:23:35Can I have a vodka rocks?
00:23:38Make it a double, please?
00:23:39And my friend Ray?
00:23:41Want another bourbon?
00:23:41Hell, Megan, too.
00:23:44Saving those pretty legs to trim.
00:23:46Yeah.
00:23:47Wow.
00:23:48Well, what'd she say?
00:23:50They want her at the studio tomorrow for a chemistry read with Sir Ben.
00:24:00Kingsley.
00:24:02Gandhi.
00:24:03Why in the hell would a 13-year-old girl need to have chemistry with some old Indian fucker?
00:24:08He's English, Ray, and it's not like that.
00:24:10They just want to see how they act together.
00:24:13Turns out it's a franchise.
00:24:14Like Harry Potter, right?
00:24:15Exactly like Harry Potter, Agnes Dieter is producing, Ang's directing the first two himself.
00:24:21They're announcing it Friday when they introduce their new Sophia at Grumman's Chinese Theater.
00:24:25And since they start in two days, and there's sequels involved, they want a three-picture deal signed before she walks in the room tomorrow.
00:24:36Well, that doesn't suck.
00:24:37No, it doesn't suck.
00:24:39And what was the offer?
00:24:4175?
00:24:42With a small bump on the next two pictures.
00:24:44But like I said, it's nothing.
00:24:45They know we're going to pass.
00:24:47Are you telling me that you just hung up on a lady who offered us a quarter of a million dollars?
00:24:52For three movies, Ray.
00:24:53But there's no guarantee they'll ever make the other two.
00:24:57You wait your whole life for a setup like this, and still it never happens.
00:25:02It's a royal flush.
00:25:05How do you know?
00:25:06Because I've been doing this since I was six.
00:25:09Yeah, but this?
00:25:10You ever done this before?
00:25:12Because it sure don't look like it.
00:25:14Let's start.
00:25:15I'm talking business now, baby.
00:25:17Keep quiet.
00:25:18Why?
00:25:18Because you're Trump all of a sudden?
00:25:20He started a topless car wash with my money.
00:25:22Yeah, how much did we lose on that one, Dad?
00:25:24I said shut up.
00:25:25You shut up.
00:25:25You shut up.
00:25:28Thank you.
00:25:33Thanks.
00:25:37If this thing's as big as you say it is, then maybe we ought to get somebody in there that's been there before.
00:25:42Like, what's that guy's name?
00:25:43Stinkus?
00:25:44Okay, okay.
00:25:45I get it.
00:25:46You don't know me.
00:25:47I don't know you.
00:25:48But nobody can take care of her like I can.
00:25:50Nobody.
00:25:52Because I've been where she is.
00:25:55And I know what she needs.
00:25:58There's a reason we found each other.
00:26:01I'm just asking for a chance to prove that to you.
00:26:05Dad, I...
00:26:05How much do you take?
00:26:1010%.
00:26:10That's an awful lot of money for two days of work.
00:26:15When she books this, my job is just beginning.
00:26:21We'll give you seven.
00:26:22But that's not fair.
00:26:24Baby, please.
00:26:25You need to let me do my thing here.
00:26:26That's the offer, Howard.
00:26:33Take it or leave it.
00:26:3510 is fair, Ray.
00:26:36I deserve 10%.
00:26:37I understand.
00:26:42Let's go.
00:26:49Your mama's gone.
00:26:51We're doing things my way now.
00:26:52I hope this isn't at Paramount, because he's banned from the lot.
00:26:56Last chance, Howard.
00:26:59You in or you're out.
00:27:01We're signing with Howard, or I'm not going tomorrow.
00:27:06Come on.
00:27:12What's going on here?
00:27:14Are you all right?
00:27:17I think so.
00:27:19Could you just give us a minute?
00:27:21All right.
00:27:21Please, take your seats.
00:27:26If that's your rate, Howard, then I guess that's your rate.
00:27:46I was just trying to make sure that the man that is representing us is sitting on a parrot.
00:27:51You understand.
00:27:55A courier will be waiting when you get back.
00:27:59Get to know the scene, but make sure you get some sleep, okay?
00:28:01Good night, Howard.
00:28:02Shoot me a text when you close it.
00:28:04I will.
00:28:05Any questions, any problems, anything at all, call me.
00:28:07Anytime.
00:28:08Doesn't matter.
00:28:08How's your day now?
00:28:10It doesn't suck.
00:28:10I can't believe what I'm hearing.
00:28:18I mean, it's like so comical.
00:28:20I mean, what happened?
00:28:21The eighth time you've done this to him?
00:28:23I mean, never mind me.
00:28:24Never mind you.
00:28:25Well, you can tell her your dick will still be there in the morning.
00:28:27You can drop them off then.
00:28:28Hi.
00:28:29Is it your goddamn business?
00:28:30Who it is?
00:28:31Fine.
00:28:32It's my new boyfriend.
00:28:33He's going to give it to me real good.
00:28:35Uh, hello?
00:28:35Hi.
00:28:40Everything okay?
00:28:42Just my jackass ex-husband acting like a jackass.
00:28:45How was the play?
00:28:46I seriously wanted to slit my wrists with the program.
00:28:49How was the Roach Kid?
00:28:50Brilliant.
00:28:51Johnny Depp with Peach Fuzz.
00:28:53I heard he got signed in the dressing room.
00:28:55Seriously?
00:28:56No.
00:28:57Kid's voice was like a cat getting sawed in half.
00:29:00But, you know, he was kind of cute, and he wasn't that fat, so I got his number for
00:29:03me.
00:29:04Cute.
00:29:05Thanks.
00:29:12Where's Ben?
00:29:13He's with his dad.
00:29:14Picked him up a couple hours ago.
00:29:15Oh.
00:29:16For the first time in two months.
00:29:18Now he wants to bring him back, because his stupid girlfriend just scored tickets for
00:29:22Coachella.
00:29:22She's 20.
00:29:23She's 20 years old.
00:29:24I have panties that are older than she is.
00:29:27Sexy.
00:29:28Uh, so, when's he bringing him back?
00:29:30Oh, no, no.
00:29:31I said I had plans.
00:29:32Why?
00:29:33What are you doing?
00:29:34I'm just heading over to the strip club, uh, over in Culver City.
00:29:36They have an open poll night, so, um, I'm gonna give that a whirl.
00:29:40Really?
00:29:41Did...
00:29:41No, you're not.
00:29:43I'm not gonna do that.
00:29:47Oh, crap.
00:29:48You know what?
00:29:48You gotta get out of here.
00:29:49What?
00:29:49That's my ex-husband, and he's really super jealous.
00:29:51That's him?
00:29:54Howard Holloway?
00:29:55Yes.
00:29:56Secure a courier.
00:29:57I got a package here.
00:29:59That's not funny.
00:30:00I think it's so funny.
00:30:06Hi.
00:30:07ID.
00:30:08Oh.
00:30:08Well, I was...
00:30:18Flashing.
00:30:18Okay.
00:30:19No excuses.
00:30:21Okay.
00:30:22Now, I need one of you.
00:30:24Flashing.
00:30:25I need you to sign, sir.
00:30:28Can I use that?
00:30:29Yeah, that's why it's attached.
00:30:30Okay.
00:30:33Here.
00:30:33Here.
00:30:33Here.
00:30:33The script...
00:30:40Mm-hmm.
00:30:41...is watermarked.
00:30:42You were to make no copies.
00:30:44I want you to think about making a copy.
00:30:46Okay.
00:30:46You will bring this draft when you come to the studio tomorrow, or you will not be admitted.
00:30:50Do you understand?
00:30:51Yes, sir.
00:30:53Good.
00:30:54Awesome.
00:30:57Awesome.
00:31:02Jeez Louise, what's in there?
00:31:03Somebody's liver?
00:31:04It's the script.
00:31:06The becoming.
00:31:07Shut up.
00:31:08From the books?
00:31:09Yeah, you know?
00:31:10I love them.
00:31:11Ben and I read them together.
00:31:13Don't tell me she's reading for Sophia.
00:31:14Yeah.
00:31:15It's the lead.
00:31:16I know.
00:31:17Shut up!
00:31:17Kiss my ass!
00:31:19You should get in there and start.
00:31:21Oh, yeah.
00:31:21I probably should.
00:31:22Okay, I'll see ya.
00:31:24Actually, I was gonna have a glass of wine first, you know, to unwind.
00:31:29And I can see you need a refill, so maybe you want to stop by for a, you know, for a nightcap?
00:31:37A nightcap?
00:31:38Just came out.
00:31:39Is Dean Martin gonna be there?
00:31:41It's never mind.
00:31:42It was...
00:31:43Sure.
00:31:43You will.
00:31:48You're a nice guy, right?
00:31:50Tell me you're a nice guy.
00:31:52I am.
00:31:53I mean, I think I am.
00:31:55So let's do this.
00:31:56Before I chicken out.
00:31:58One glass of wine, no funny stuff.
00:32:01No.
00:32:01Come here.
00:32:02No, wait.
00:32:15No, I'm sorry.
00:32:16No, no, I'm just having a really tough time right now, and I don't want to do something that's
00:32:19going to make me want to kill myself later.
00:32:22That didn't come out exactly the way I meant it.
00:32:24It's okay.
00:32:26The first few years after my divorce, I was certifiable.
00:32:28When did you get divorced?
00:32:30It was a while ago.
00:32:31You were probably on a playdate.
00:32:33Anyway, I'm going to go inside now.
00:32:36You're welcome to join me for a glass of wine, but after that, I've got to work.
00:32:40So if you kill yourself later, it's not going to be on my conscience.
00:32:44That's funny.
00:32:45Funny goes a long way with me.
00:32:47It's going to have to.
00:32:55Howard?
00:32:55Lydia, what are you doing here?
00:33:01Well, my dad went out, and I was getting kind of tweaked about brooding with Gandhi, and
00:33:05you said you'd help me, so here I am.
00:33:09But how did you get my address?
00:33:10You know you're listed, right?
00:33:13Hi, I'm Lydia.
00:33:14I'm Marcy.
00:33:15Wow, she's really pretty.
00:33:18You're really pretty.
00:33:20You're pretty, and I'm going to go now.
00:33:22Okay, can you wait inside?
00:33:24Coffee that.
00:33:27Hey, hey.
00:33:32Can I call you tomorrow?
00:33:35So are you coming now, or in like a little bit?
00:33:37Inside.
00:33:38Sure.
00:33:56Oh my God, is this you?
00:33:58Look at all that hair.
00:34:00Shh.
00:34:03Is that your mom?
00:34:05Why does she look like that?
00:34:07She's disappointed in me.
00:34:09Why?
00:34:10Depends which picture you're looking at.
00:34:13Wow.
00:34:17So?
00:34:18Oh my God.
00:34:18Yeah.
00:34:20It's kind of good though, right?
00:34:23It's amazing.
00:34:24But I mean, come on.
00:34:26Period vampire movie?
00:34:27How fresh.
00:34:28They're not really vampires.
00:34:30They're more like this lonely alien species living among us.
00:34:33Yeah, with fangs, who bite people.
00:34:35And the main vampire guy, Casteline, he's growing wings.
00:34:40They're not full wings yet.
00:34:42They've been here for centuries, waiting for the one who will trigger that final phase of
00:34:46their metamorphosis.
00:34:47Their what?
00:34:48Their...
00:34:49It's a change.
00:34:50So you really liked it, huh?
00:34:51Oh my God.
00:34:52Oh my God.
00:34:53It's...
00:34:53It's amazing.
00:34:55And Lydia, her mother, she sells her to them like a piece of meat.
00:34:59Everybody she loves betrays her, and then it's her.
00:35:03She's the one.
00:35:04Yeah.
00:35:04She's the one who becomes this magnificent new creature.
00:35:08Are you gonna start crying?
00:35:09No.
00:35:10God, no.
00:35:11It's just...
00:35:11I found it kind of moving is all.
00:35:13Oh my God.
00:35:13No wonder Aang freaked out.
00:35:14It's like they wrote it for you.
00:35:16Then how come I can't act it to save my life?
00:35:17I am a new thing, and this is my becoming.
00:35:23Who talks like that?
00:35:24It's a period piece.
00:35:25They'll teach you how to handle the language.
00:35:27Tomorrow they just want to see you connect to it.
00:35:29Make it real.
00:35:29Yeah, no problem.
00:35:31I mean, just the other day when I was sucking the life force out of this kid at school.
00:35:33No, see, don't.
00:35:35Don't do that.
00:35:36Don't...
00:35:36Don't distance yourself from her like that.
00:35:39She's just a kid.
00:35:41Like you.
00:35:43She's got nobody.
00:35:45He's the only person who's ever been kind to her,
00:35:47and then he shows up all bloody from fighting that other one, that...
00:35:50Terrence.
00:35:50Terrence.
00:35:51To protect her.
00:35:53He's dying.
00:35:54And he wants to feed on her one last time, but she refuses,
00:35:58so he turns to that other one, the new girl.
00:36:01Let's read it.
00:36:04Stop.
00:36:06You mustn't do this.
00:36:07Look, I know it's a little scary, but we've got to...
00:36:10That was good.
00:36:12That was good.
00:36:13Okay.
00:36:13Um, um, I understand your fear,
00:36:16but my wounds are deep.
00:36:18If she does not replenish me, I will die,
00:36:20and then who will be left to protect you?
00:36:21Protect me?
00:36:22Is that what you've done?
00:36:23She opens her lips to reveal long fangs.
00:36:25You swore you wouldn't with every breath.
00:36:27Okay, okay.
00:36:28I'm gonna stop you.
00:36:29No, no.
00:36:30No, no, no.
00:36:30It's good.
00:36:31It's a good start,
00:36:32but it's never really gonna feel real
00:36:34until you make it feel real to you.
00:36:36You love this person.
00:36:37You trusted them with your life,
00:36:39and then they betrayed you
00:36:40in the worst possible way.
00:36:43Has anybody done anything like that to you?
00:36:46No.
00:36:48Are you sure?
00:36:50Okay, that's okay.
00:36:52Then you've got to go there,
00:36:54no matter how hard it is.
00:36:57So, this person,
00:36:59what if he or she...
00:37:01He.
00:37:01Okay?
00:37:03What if he was standing here right now?
00:37:05What if he...
00:37:06Shut up!
00:37:07Pratsy, do you ever shut the fuck up?
00:37:09Hey, don't touch me!
00:37:10Don't fucking touch me!
00:37:12I'm just a little kid for shit's sake.
00:37:14What the fuck is wrong with you?
00:37:15Okay, that was good.
00:37:17Give it to me.
00:37:18Huh?
00:37:19Give me the line.
00:37:20Um, oh, if...
00:37:22if she does not replenish me, I will die,
00:37:24and then who will be left to protect you?
00:37:25Protect me?
00:37:27Is that what you've done?
00:37:29Look at me.
00:37:31That's right.
00:37:33I've been turned.
00:37:35You swore you wouldn't,
00:37:37with every breath that came from your foul throat.
00:37:40Now you've transformed me
00:37:41into this vile, unholy thing,
00:37:44and I will die before I let you do the same to her.
00:37:49You say that now,
00:37:51but soon you will thank me for what I've done.
00:37:53Will I?
00:37:54Yes.
00:37:55I think you will.
00:37:58What are you doing?
00:37:59You'll destroy us both.
00:38:00And so be it.
00:38:02Nah.
00:38:18What kind of creature are you?
00:38:20I am a new thing.
00:38:24And this is my becoming.
00:38:30Was that okay?
00:38:32Um, yeah.
00:38:34Yeah, it was.
00:38:35Should we do it again?
00:38:37No.
00:38:37No, I think we're good.
00:38:38Um, do you, is there anything you want to talk about?
00:38:48Like what?
00:38:49I don't know, just...
00:38:50Actually, I'm getting kind of tired.
00:38:53Oh, God, yeah, of course you are.
00:38:55Here, lie down.
00:38:57Lie down.
00:38:57Um...
00:38:58Wait, what about your dad?
00:39:04Isn't he going to wonder where you are?
00:39:06Yeah, I'm sure he's so worried he can barely drink.
00:39:09I left him a note.
00:39:10Okay.
00:39:11Okay.
00:39:14Okay.
00:39:18Okay.
00:39:19You get some sleep.
00:39:20If you need me, I'll be right in the next room.
00:39:22Okay?
00:39:24Hey, Howard?
00:39:27Yeah.
00:39:28I know I only met you this morning,
00:39:31but I think anybody who would leave you
00:39:33is a big-tent dumbass.
00:39:38Thanks.
00:39:49Hey, what's going on?
00:39:51Where is she?
00:39:54She's sleeping, Ray.
00:39:56It's quarter to four.
00:39:57Wake her up.
00:39:59You sure you're okay to drive?
00:40:01Hey, man, that's my kid.
00:40:03If I say wake her up, go get her.
00:40:08Yeah, that's locked now.
00:40:11Here's the thing, you're loaded.
00:40:13She's not getting in that truck unless I'm driving.
00:40:16That's the deal.
00:40:16You want to hit me?
00:40:17Go ahead.
00:40:21She got Allie.
00:40:24You're a regular badass.
00:40:27Hey, I thought you were going to text me when you close the deal.
00:40:36It's not unusual on a thing like this to be working out the deals right until the last moment.
00:40:41What if the deal isn't closed and she's got to go in?
00:40:44They've already doubled what they came in with, Ray.
00:40:46But the thing is, she's amazing.
00:40:49When people see what she can do, there's going to be a feeding frenzy.
00:40:53That's good, right?
00:40:54At first.
00:40:56Then everybody starts pulling on her until there's nothing left.
00:40:59There's only one way to get her home safe when the ride's over,
00:41:02and that's by securing her future with some meaningful back end.
00:41:06You let me do my job.
00:41:07I'll have that for her on a piece of paper when she walks into that room tomorrow.
00:41:11You know, Howard, I'm almost starting to like you.
00:41:18Keith.
00:41:20Yes, sir.
00:41:21But you don't know me.
00:41:29Okay.
00:41:31I say that look like you think you have some idea of who I am or what she's been through.
00:41:42But you don't know shit.
00:41:44That's my baby in there.
00:41:52She talks tough.
00:41:54Deep down.
00:41:58She's just a little kid.
00:42:01That's why I'm going to do whatever I got to do.
00:42:05Make sure she stays that way.
00:42:10So am I.
00:42:14I don't know what to tell you, Meg.
00:42:15The guy's not budging.
00:42:18Oh, that?
00:42:19Well, I mean, I'll be honest with you.
00:42:22We're at the airport.
00:42:23He's taking her home.
00:42:24I tried to talk him out of it, but...
00:42:26You sure about that?
00:42:30Okay, hold on.
00:42:31I'm going to run it by him.
00:42:34Ah!
00:42:39How can I help you?
00:42:40Um, I'll have, uh, two coffees and, uh,
00:42:43What do kids usually get?
00:42:45An eggy riser.
00:42:46Eggy riser.
00:42:47Okay, I'll have one of those.
00:42:47And, uh, a chorizo burrito?
00:42:5011.70.
00:42:5111.70.
00:42:53Okay.
00:42:55Thank you.
00:42:58Okay, Meg.
00:43:00I'm bringing him down there, but you guys get cute.
00:43:02He is going to walk out of there so fast it'll make your head spin.
00:43:05Oh, thank you.
00:43:08Thank you.
00:43:33But, I mean...
00:43:34When did you get it?
00:43:36This morning, bro.
00:43:38The other one died, and I thought,
00:43:40what the hell? Pretty sweet, huh?
00:43:42Napkin.
00:43:44I thought you were broke.
00:43:46You're gonna close that big deal, right?
00:43:48Well, I don't anticipate any problems,
00:43:50but when there's this much on the line,
00:43:52anything can happen. So,
00:43:54if it starts to get weird, just go with whatever I do.
00:43:56Any division between us, that's gonna cost you
00:43:58lots and lots of money. Now, remember,
00:44:00you're the loose cannon. You're pissed
00:44:02if you don't get exactly what you want,
00:44:04you're gonna storm out of there, right?
00:44:06I knew that. Okay, good.
00:44:08Oh, you got some ketchup?
00:44:10Here we go. Miss your teeth?
00:44:12Perfect.
00:44:14What the hell is going on?
00:44:16It's all afternoon.
00:44:18Have a seat, Ray.
00:44:20Hey, hey, hey.
00:44:22Who's ready to sign some autographs?
00:44:24You're my little genius.
00:44:26Oh, big day.
00:44:28Howard.
00:44:30My new phone buddy. Yes, I am.
00:44:32Oh, okay.
00:44:34Ray, good to see you.
00:44:36Come on in. Follow me.
00:44:38May, let's go. Let's go get us.
00:44:40Magnus is very excited to meet you.
00:44:42She is? Yes, she is.
00:44:44I am so sorry to keep you waiting.
00:44:46I was on a Skype with Helen Mirren.
00:44:48Hey?
00:44:50Who would be playing your mother, by the way,
00:44:52but you didn't hear that from me. No way.
00:44:54So, listen, Aang has got to jet up to ILM
00:44:56to look at your wings, so we need to get started.
00:44:58How do you feel, sweetheart? You ready?
00:45:00Yes, sir. Great.
00:45:02Let's get the paperwork out of the way,
00:45:04and then we can get going.
00:45:10Looks good. Anybody get a pen?
00:45:12So, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:45:14Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:45:16Just gotta...
00:45:18Take up, quick.
00:45:20Look at this.
00:45:22Oh, yeah, no, see, that's a problem.
00:45:24That's... this is adjusted gross.
00:45:26What's that?
00:45:28That's how you say bend over in producer.
00:45:30Howard, listen to me.
00:45:32Ray, we all want her to do this.
00:45:34The studio is never gonna give her what you're asking for.
00:45:36Never.
00:45:38Then I'm sorry, but...
00:45:40we have to go.
00:45:42Really?
00:45:44I'm afraid so, sweetie.
00:45:46If I could do this for her, I would.
00:45:54But nobody ever gets this on their first movie.
00:45:56Nobody.
00:46:00Ray?
00:46:02I thought I was pretty goddamn clear about where I stood on this, Howard.
00:46:16You were, Ray.
00:46:18If you had a set of nuts,
00:46:20you and me would be stepping outside right about now.
00:46:22Now, wait a minute. Come on.
00:46:24Hey?
00:46:26Oh, my God.
00:46:28That was amazing. Wasn't he amazing?
00:46:30Yeah. You were freaking amazing, Ray.
00:46:32Now, I need you to hit that button so they know we're for real.
00:46:38You gotta do it, Ray.
00:46:40Okay, I'll do it.
00:46:41You hit that button and I am definitely breaking your hand.
00:46:43What's going on, Dad?
00:46:45Oh...
00:46:47Howard is trying to blow this for you, baby.
00:46:49Nobody's blowing anything.
00:46:50I just need you to stick with me for a few more minutes.
00:46:52It's a lead, Howard.
00:46:54I know it is, sweetie.
00:46:56It's three of them.
00:46:57So we need to make sure you get paid more than they make off your...
00:46:59action figure the first weekend.
00:47:01What if you're wrong, huh?
00:47:02You ever think about that?
00:47:04We can get this.
00:47:06I know it.
00:47:07Do it.
00:47:08And we're going back in there without your, Howard.
00:47:13Fine.
00:47:14But if they had a star who could do this,
00:47:16they'd have hired her by now.
00:47:18So you fold here,
00:47:19you'll spend the rest of your life watching T-shirts go by
00:47:21from the movie you got screwed on.
00:47:23So I'd say it's worth another 30 seconds of your time to play this out.
00:47:26Count it, baby.
00:47:28One, two...
00:47:30I need you to walk into the elevator now, Ray.
00:47:52Lid.
00:47:5337.
00:47:5428.
00:47:5529.
00:47:5630.
00:47:57Sorry, Howard.
00:47:58Guys.
00:47:59Guys, guys.
00:48:00This is crazy.
00:48:02Come on out of there.
00:48:03This guy, Mr. Clank Clank.
00:48:06Okay, I'll go your two points.
00:48:08With the successive one-point bump?
00:48:11With a bump.
00:48:12Now come inside, please.
00:48:14We got a movie to make, people.
00:48:15Come on.
00:48:16Yeah, we do.
00:48:17Help!
00:48:29Dieter Films.
00:48:31Um, yes he is.
00:48:33Howard.
00:48:34It's for you.
00:48:36Me?
00:48:37Yeah.
00:48:38Who is it?
00:48:39They didn't say.
00:48:41Okay.
00:48:42Uh, there's an empty office.
00:48:44Second one on the right.
00:48:45You can take it in there.
00:48:47Oh.
00:48:48Okay.
00:48:49Uh, wait here.
00:48:51I'll be right back.
00:48:56This is Howard.
00:48:57Hey, Howard!
00:48:58What up, stink ass?
00:48:59Looks like you finally hooked a big one.
00:49:01How would you like to come on as junior partner here at the Stank's Group?
00:49:06Junior partner, huh?
00:49:07Wow.
00:49:08That's tempting.
00:49:10It'd be nice to see all my old clients again.
00:49:13and I truly enjoy watching you try to steal Lydia all day long.
00:49:17But, all the same, I'm gonna have to say,
00:49:20no thanks, Snankus.
00:49:22You backstabbing ass bandit.
00:49:24Really?
00:49:26What up?
00:49:28I'm gonna be right back,
00:49:30I'm gonna be right back.
00:49:31And I'm gonna give her a second bite.
00:49:33I have another prochain question.
00:49:54Get out of my way.
00:49:55Have a seat, Howard.
00:49:56Call security.
00:49:58Oh, you scumbag.
00:49:59You're in on this, too.
00:50:00Try to calm down, Howard.
00:50:02Think I should calm down?
00:50:03Yeah.
00:50:04What are you gonna do?
00:50:05Okay, that's enough.
00:50:07You're right, I'm sorry.
00:50:15Oh, my God.
00:50:18He's having a seizure.
00:50:20Get Agnes!
00:50:24Howard!
00:50:25No!
00:50:26Howard!
00:50:27I got the port.
00:50:28Oh, that's so great, honey.
00:50:30That's such great news.
00:50:31You just missed Aang and Sir Ben.
00:50:33Oh.
00:50:36What's going on?
00:50:38Well, Maldo wanted to meet Lydia,
00:50:40and Ray thought it was a good idea.
00:50:42So...
00:50:44So that's where the truck came from, huh, Ray?
00:50:47We had a drink last night.
00:50:49It was just there this morning when I woke up.
00:50:54How about that?
00:50:56Howard.
00:50:57Nothing personal.
00:50:58But Lydia's a rare talent.
00:51:00Ray just wants to make sure that she's represented by somebody who can nurture that talent.
00:51:05Is that your pitch?
00:51:07Aldo the Nurturer?
00:51:10I wonder how test-lip Nikki would feel about that.
00:51:13I guess we can ask her when she gets out of jail for stabbing her pimp.
00:51:17He's making that up.
00:51:18Google it.
00:51:19Tell him about Skylar Sams.
00:51:21We're not talking about me.
00:51:23Well, maybe we should be.
00:51:29I signed her when she was seven.
00:51:31At 14, she books a movie, so Aldo steals her.
00:51:37I try to talk to her.
00:51:38He gets a restraining order.
00:51:39Eight months later, she hung herself.
00:51:41Tell him the rest.
00:51:44When the movie tanks, Skylar couldn't get arrested.
00:51:47So she calls Howard.
00:51:48Begs him to take her back.
00:51:50But Howard's new girl, Amber Tuck, says she'll walk if he does.
00:51:55So Howard hangs up on poor Skylar.
00:51:58A week later, she was dead.
00:52:01I've heard enough.
00:52:03Howard, I'm sorry.
00:52:07You don't deserve to be treated like this.
00:52:10Come on, let's go.
00:52:12Wait just a goddamn minute.
00:52:17You need the keys.
00:52:18Look, baby, I know you like Howard.
00:52:20Hell, I like him too.
00:52:21But he can't protect you like Aldo can.
00:52:24Give me the keys.
00:52:34I'm sorry I missed your Aldo.
00:52:36My daddy means well, but this is my decision.
00:52:39And I'm happy with Howard.
00:52:41Honey, don't.
00:52:43It was really great meeting you, and I'm so excited about the movie.
00:52:46But you have fittings and makeup tests all day.
00:52:49I guess you better talk to my agent.
00:52:54Honey?
00:52:55I'm sorry.
00:52:59Aldo, will you excuse us?
00:53:02You can't be serious.
00:53:04Mate, you do this, and I'm gonna pull a low-hand kid out of play-date.
00:53:08Do what you gotta do.
00:53:09Justin will validate your parking lot.
00:53:12For this guy?
00:53:15He's a fucking punchline!
00:53:24Okay, thick move.
00:53:26My bad.
00:53:27But we have 2,000 screaming kids showing up at Grohman's Chinese on Friday night to meet our new Sofia.
00:53:35So what do you say, Howard?
00:53:37We're all grown-ups here.
00:53:38What's it gonna take to put this behind us?
00:53:41Well, for starters, I'd love an iced macchiato.
00:53:45Thanks, Meg.
00:53:47Yeah.
00:53:48Co-associate producer.
00:53:49It's crazy, right?
00:53:50I guess Ang really liked my script notes.
00:53:51Which is...
00:53:52Oh!
00:53:53It's a...
00:53:54You know, we got a...
00:53:55We got one of those big blenders.
00:53:56I'm on a juice cleanse.
00:53:57Don't!
00:53:58Do not!
00:53:59Put me down!
00:54:00Are you okay?
00:54:01Get your hands off of me!
00:54:02Woo!
00:54:03This is all incoming head shots.
00:54:04That's right.
00:54:05That's because we're back, baby.
00:54:06As soon as we get a few checks in, you're going back on full salary.
00:54:08With a slight raise, I'm thinking we'll talk.
00:54:09Where you going?
00:54:10Where you going?
00:54:11Where you going?
00:54:12You're going to get your hands on.
00:54:13Where you going?
00:54:14Where you going?
00:54:15Where you going?
00:54:16It's a little bit crazy, right?
00:54:17I guess Ang really liked my script notes.
00:54:18Well, it's a...
00:54:19You know, we got one of those big blenders.
00:54:20I'm on a juice cleanse.
00:54:21Don't!
00:54:22Do not!
00:54:23Ah!
00:54:24Do not!
00:54:25Put me down!
00:54:26Are you finished?!
00:54:27Get your hands off of me!
00:54:28Woo!
00:54:29Where are you going?
00:54:31I got a... I got a thing I gotta do.
00:54:33It is like a quarter to four,
00:54:35and you got like 300 messages.
00:54:37See you later.
00:54:38Howard, what thing?
00:54:39Howard?
00:54:59Can I help you?
00:55:01Um, hi, yeah.
00:55:03I was looking for Marcy.
00:55:05Marcy who?
00:55:07Uh, she works here.
00:55:08She's, oh, there she is.
00:55:09She's right over there.
00:55:10Who are you?
00:55:11I'm Howard.
00:55:12I'm her friend.
00:55:13I'm a friend of hers.
00:55:14She's working right now.
00:55:16Is that your car?
00:55:17Uh, no, it's not.
00:55:18I saw you get out of it.
00:55:20Oh, that one?
00:55:21Yeah, that's mine.
00:55:22You looking to buy?
00:55:23Um, I am, actually, yeah.
00:55:25But I really came to talk to Marcy.
00:55:27You like her?
00:55:29Yeah, sure, I like her.
00:55:31Frankly, you're not really her type.
00:55:33Why?
00:55:34What's her type?
00:55:35Gangsters, man.
00:55:37Stone cold killers.
00:55:38Come on.
00:55:39Really?
00:55:41Ignore him.
00:55:42He's a child.
00:55:44I don't know.
00:55:45Marcy.
00:55:46I think I saw him on that Most Wanted show.
00:55:48Thank you, Gary.
00:55:52How'd it go?
00:55:53What? She got it?
00:55:55Oh, my God!
00:55:56I'm so happy for you.
00:56:00We have to celebrate.
00:56:01Can you get me for dinner?
00:56:02No, yeah, I can.
00:56:03I'll pick you up at 7?
00:56:04Oh, you'll pick me up?
00:56:05Well, because is that your car?
00:56:07Maybe it's time we get you something that's a little more appropriate for a man of your stature.
00:56:14Oh, you sell a lot of these, don't you?
00:56:17I could do pretty well.
00:56:18Well, hold on.
00:56:19I just...
00:56:21This is Lydia's dad.
00:56:22He wants to go over the contracts with me.
00:56:24So, could I meet you at the place?
00:56:26Hot bluey 7?
00:56:27Sounds great.
00:56:28Yes.
00:56:29Yes.
00:56:30Yes.
00:56:59Hello?
00:57:14Lydia?
00:57:15Ray?
00:57:16Ray?
00:57:46Ray?
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01:01:02How did you know?
01:01:04I noticed it earlier
01:01:06when I was going over your contracts.
01:01:10Open it.
01:01:22Oh, Howard.
01:01:24It's beautiful.
01:01:32I have his friend, Doug, and he does family law, so we...
01:01:58What?
01:02:00I never even saw him do anything.
01:02:03What if I imagined the whole thing?
01:02:05What if you didn't?
01:02:07She's 14.
01:02:08In California, that means she can't be emancipated
01:02:10without his permission,
01:02:11and there's no way he's gonna give that,
01:02:13not with all that money on the table.
01:02:15So we go to court.
01:02:16She loses the movies and the money
01:02:18that might buy her a way out.
01:02:19Do you really think you saw something?
01:02:23I don't know.
01:02:27Yeah, I do.
01:02:29You can't just leave her there.
01:02:31Can you?
01:02:36Get dressed. You're coming with me.
01:02:37What? Why is it being off?
01:02:39I won't let you spend another night here with that creep.
01:02:41Get your things together. We're leaving now.
01:02:43Howard, stop it. You're scaring me.
01:02:45I know what he's doing to you.
01:02:47He's not doing anything to me.
01:02:48You look me in the eyes.
01:02:49You tell me I imagined the whole thing.
01:02:51You do that, I'll walk out the door.
01:02:53We'll pretend this never happened.
01:02:54He never...
01:02:58Okay, okay, okay, okay, okay, okay.
01:03:08Are you out of your fucking mind?
01:03:12Look, I know it's an inconvenience.
01:03:15An inconvenience?
01:03:16Yes, be... Oh.
01:03:18You want to shut down my $160 million movie
01:03:21so you can make some futile attempt
01:03:23to pull young Lydia out from under her horny dada?
01:03:26That's not an inconvenience, Harold.
01:03:28It's Howard.
01:03:29That's a goddamn shitstorm, but it's your shitstorm,
01:03:31so you do what you need to do, but you make this go away.
01:03:34You're so help me God, you don't want to be you.
01:03:36I can't take her back there.
01:03:38Then let's call the cops.
01:03:39I got the commissioner on speed dial.
01:03:40No, she won't do that.
01:03:41She won't testify against him.
01:03:42Then take her home.
01:03:44Just for a minute, okay?
01:03:45For a few goddamn days.
01:03:46Just long enough until we get some film in the can,
01:03:48and then we'll hire her an assistant.
01:03:50Some pissed-off dyke with a big can of pepper spray.
01:03:53You want me to pretend I don't know what he's doing to her
01:03:55so the movie can start on time?
01:03:56Under the circumstances, I'm saying yes.
01:03:58You want to play kamikaze? You do it on your own, Don.
01:04:00You want to keep it down? I'm trying to sleep.
01:04:02Sleep in hell, you wrinkly fuck.
01:04:06Look, you want to help her, then do what it takes to really help her.
01:04:09You know as well as I do, if she walks onto that set tomorrow,
01:04:12he becomes 50 times harder to scrape loose.
01:04:14But she'll have a shitload of money,
01:04:16and she'll be doing what God put her on this earth to fucking do,
01:04:19and she's gonna need you, Howard.
01:04:21She's gonna need you watching her back 24-7.
01:04:25That's why I'm gonna bump you up to EP.
01:04:27You're bumping me up to?
01:04:28Executive producer of this movie, which comes with half a point,
01:04:31but fuck it. A full point.
01:04:34Oh, my God.
01:04:35Cause you need the clout. So what do you say, Howard?
01:04:38Don't you think she deserves a shot?
01:04:42Yeah, I do.
01:04:44So take her home. She'll thank you, believe me.
01:04:47Okay. Yeah. That's amazing.
01:04:51It's an amazing town.
01:04:54But I can't do it.
01:04:55This movie starts principle in seven hours.
01:05:08If your client isn't standing on her mark when my genius Chinaman yells action,
01:05:13I will fire her from the movie.
01:05:15And then I will spend the rest of my days turning your life into a torturous sea of flaming shit.
01:05:43It's okay, Howard.
01:05:47Aang said I was his only Sophia.
01:05:50He said he wouldn't do the movie without me.
01:05:52I know, honey, but it's a weird business.
01:05:55Sometimes people say something and they mean it, but then things happen and it's not something they can mean anymore.
01:06:01I just want you to feel sure you're making the right decision.
01:06:07Well, do you think I'm making the right decision?
01:06:09I do, yeah.
01:06:11But I'm worried about what could happen if we lose.
01:06:14We won't lose.
01:06:15I lose a lot.
01:06:18Are you trying to get rid of me?
01:06:20No.
01:06:21I promise.
01:06:24Maybe we should call your mom.
01:06:26No.
01:06:27Because I bet she really...
01:06:28No.
01:06:30She knew.
01:06:32And she left me there.
01:06:34So she's not really like the first person I call when I'm in trouble.
01:06:37You know what I mean?
01:06:40Yeah.
01:06:42I do.
01:06:45Okay.
01:06:48Goodnight.
01:06:51Can I...
01:06:54What?
01:06:57Can I have a hug?
01:07:00Yeah, I can do that.
01:07:03Sure.
01:07:05Um...
01:07:09Is there any chance you can get us in any earlier?
01:07:28No, no, no, no. Thank you, Doug.
01:07:30Okay, bye.
01:07:33Doug said the earliest he could get us a hearing would be Friday.
01:07:37Basically said, you're right.
01:07:39Without Ray's consent, you don't stand a chance.
01:07:42And not only that, but he could sue you for loss of income.
01:07:45I'm sorry.
01:07:46I did 11 movies by the time I was 15, but never a lead.
01:08:00And then one day, I got one.
01:08:04Surf camp with Jan Michael Vincent and Anissa Jones.
01:08:09From Family Affair?
01:08:10Yeah.
01:08:11She was the first girl I ever kissed.
01:08:16In a scene.
01:08:19Whole crew watching.
01:08:21Lost my virginity in her trailer the next night.
01:08:24Between her and the movie, I was so happy I almost couldn't breathe.
01:08:30She took me to this party up in the hills.
01:08:34Everybody was on coke and lutes.
01:08:37I tried to get her to walk out with me, but she wouldn't go.
01:08:41So I left her there.
01:08:44When I got to work the next day, they told me she'd OD'd.
01:08:48The studio scrapped the picture, and nothing ever really happened for me after that.
01:08:57This is 36 years ago.
01:09:01And I've spent that time wandering this place like some kind of ghost.
01:09:08Trying to find some way to get back there.
01:09:14To feel like that again.
01:09:18Like I'm somebody.
01:09:21And just now, in that room, I did.
01:09:36Hello, Ray.
01:09:41Ray, you are fucked.
01:09:43You are fucked.
01:09:45You are so fucked.
01:09:46Tell him how fucked he is.
01:09:47Very, very fucked.
01:09:48Do you think you're just gonna waltz in here and steal my little girl?
01:09:51Well, Pat here says you can't do that without my say-so.
01:09:54And I don't fucking give it.
01:09:56So I'm gonna go in there, and I'm gonna get my daughter.
01:09:58And then I'm gonna sue you for damages and lost wages and an emotional...
01:10:03Duress.
01:10:04Yeah, duress.
01:10:05And then I'm gonna file charges for kidnapping.
01:10:08And then, and this is my favorite part, I'm gonna find you in the parking lot.
01:10:13And I'm gonna beat you.
01:10:14Right.
01:10:15Until you cry like a little fucking baby.
01:10:19Fine.
01:10:20But before we go in there, I think you might want to hear what I have to say.
01:10:26In private.
01:10:27That's not gonna happen.
01:10:28Have it your way.
01:10:29But I think you'd rather hear it from me out here than from Lydia in there.
01:10:36Go inside.
01:10:37It's a mistake, Ray.
01:10:38I said go inside.
01:10:47What are you trying to pull now?
01:10:48Save it, you sick bastard.
01:10:50I know what you've been doing to her.
01:10:51And if it was up to me, they'd just cut your balls off in there.
01:10:53What are you talking about?
01:10:54But instead, you're gonna agree to everything we ask for, or she's gonna get up on that stand.
01:10:58All right, hold on.
01:10:59And this is my favorite part.
01:11:00She's gonna break it down for that judge in her sweet little voice till you get the tables turned on.
01:11:04Wait, just a minute.
01:11:05Just a goddamn minute.
01:11:06Did she say that I...
01:11:10Yes, Ray.
01:11:11She did.
01:11:15Howard, I don't know what she's trying to do here, but she is lying.
01:11:18I never touched her.
01:11:19I saw...
01:11:20Please.
01:11:21I was there.
01:11:23I saw.
01:11:24You saw what?
01:11:25What did you see?
01:11:27That's the deal, Ray.
01:11:28Take it or leave it.
01:11:32Okay, it wasn't me, all right?
01:11:34I swear to God.
01:11:35Get your hands off me.
01:11:42There's Mark.
01:11:44There's her coach.
01:11:49She told Nikki.
01:11:51She told her mom.
01:11:52But he was getting her jobs, and so she just kept her goddamn mouth shut.
01:11:55Try that in there.
01:11:56I bet that goes real well for you.
01:11:58No, you gotta listen to me, Howard.
01:12:00It's okay.
01:12:01It's okay.
01:12:02She called me, crying, begging me to come and pick her up.
01:12:10But I was drunk, and I didn't get the call.
01:12:14I messed up, man.
01:12:16I messed up bad, but I am trying to help her.
01:12:21But she has changed.
01:12:22You don't know what you are dealing with.
01:12:25Don't you see?
01:12:27She set this whole thing up.
01:12:30It's good stuff, Ray, but it's not gonna work this time.
01:12:34No.
01:12:35No.
01:12:36You said you got a text.
01:12:37Who sent it?
01:12:38Because it wasn't me, Howard.
01:12:39It wasn't.
01:12:40No, Howard.
01:12:41Please don't do this.
01:12:42She needs me.
01:12:43Okay.
01:12:44Okay.
01:12:45Okay, okay.
01:12:51And you're sure about that?
01:12:54Uh-huh.
01:12:57And...
01:12:58But...
01:12:59And I know that she's absolutely free and clear.
01:13:05Okay.
01:13:07Thanks.
01:13:09What happened?
01:13:10It's not absolutely certain yet.
01:13:13Tell me.
01:13:17They recast the part.
01:13:20What?
01:13:21But Aang said I was his only Sophia.
01:13:24They gave it to Sydney Bieber.
01:13:26I guess she's a cousin or something.
01:13:29But it's only been three days.
01:13:31He promised me.
01:13:32I'm so sorry.
01:13:36They can't just do that.
01:13:37I know.
01:13:40It's what I was afraid of.
01:13:42I guess Aang isn't even really that happy with her, but Agnes won't even take my calls.
01:13:50I know.
01:13:51I know.
01:13:52I know.
01:13:53I know I've been there, pal.
01:13:55I'm so sorry, sweetie.
01:14:01It's okay.
01:14:02It's okay.
01:14:03It's all gonna work out, I promise.
01:14:05Okay.
01:14:09Okay.
01:14:13Take a breath.
01:14:22Can I just have a minute?
01:14:25You sure?
01:14:26Yeah.
01:14:28Okay.
01:14:30I'm gonna jump in the shower.
01:14:31Marcie's coming over.
01:14:32We'll go get a burger or something, okay?
01:14:34Okay.
01:14:35Okay.
01:14:37I know.
01:14:43I know.
01:14:46I know.
01:14:47I know.
01:14:52How are you coming?
01:14:53I know.
01:14:54I know.
01:14:55I know.
01:14:56I know.
01:14:57I know.
01:14:58I know.
01:14:59I know.
01:15:00I know, but I'm gonna ask you.
01:15:01If you're not in the shower, you can't go away with nothing.
01:15:03Hi, how's she doing?
01:15:12I don't know, how'd she see me?
01:15:15I don't know, she's not there.
01:15:33He checked out.
01:15:35Where the hell could he have taken her?
01:15:37It's been hours, they could be anywhere.
01:15:41Shit, my phone died.
01:15:44Where the hell you been?
01:15:46I've been trying to reach you for over an hour.
01:15:47Ray's gone, he checked out.
01:15:49Howard, listen.
01:15:50We gotta call the police.
01:15:51She ain't with Ray, okay?
01:15:53What?
01:15:53I made some calls.
01:15:55Sidney's off the movie, but that announcement thing is still happening.
01:15:58I need to go to Grumman's Chinese.
01:16:04Whoa, Howard, hold on.
01:16:06We got all those great hair shots into those new kids.
01:16:09I need to go there.
01:16:10Will you take me there?
01:16:11Please, please.
01:16:28I need to take the talent around back.
01:16:33She struck me off right here.
01:16:35Let's just go home.
01:16:36No, no, I can't.
01:16:38I gotta make sure she's all right.
01:16:41I'm here.
01:16:43Great.
01:16:46Come on, come on.
01:16:47Give her some room.
01:16:48Miss Dieter, Miss Dieter, please.
01:16:52Right here, right here.
01:16:52Right here, right here.
01:16:53Right here, right here.
01:16:54Right here, right here.
01:16:57Right here.
01:16:58I need to get in there.
01:17:09I'm meeting my client.
01:17:11She's playing Sophia.
01:17:12I'm her agent.
01:17:16Hold on.
01:17:17Veronica.
01:17:19Where's it, kid?
01:17:20Uh, we got them waiting a block away.
01:17:21I'm not with the agent right now.
01:17:23Why?
01:17:24I'm staying.
01:17:25I'm right here.
01:17:26Hey!
01:17:27Hey!
01:17:27I only have a few minutes, so, uh, make it snappy.
01:17:40What are they gonna do?
01:17:42Start without me?
01:17:43I want to do they want you to do?
01:17:44I want to talk to you later on.
01:17:46I'll see you later.
01:17:46Never mind them.
01:17:47I'll see you later.
01:17:50Bye.
01:17:50Bye.
01:17:52Our We Walkinghai.
01:17:58Bye.
01:18:00Bye.
01:18:00Bye.
01:18:01Bye.
01:18:01Bye-bye.
01:18:02Bye-bye.
01:18:11Livia.
01:18:27Was ist denn hier?
01:18:32Seriously?
01:18:34Was bist du?
01:18:36Glatton für ein Verhandlung?
01:18:38You just don't want to do this the nice way, do ya?
01:18:42Leave him alone.
01:18:44We don't have time for this shit, sweetie.
01:18:47They're gonna be calling us any minute.
01:18:50It's fine.
01:18:51He's harmless.
01:18:53We'll be there in a minute.
01:19:03It was you.
01:19:05You texted me.
01:19:06When Ray went nuts at Paramount, I knew I had to cut him loose.
01:19:11Nobody would touch it.
01:19:13And then you busted it on my audition and it gave me the idea.
01:19:17When I made that phone call, it just seemed like everything was meant to be.
01:19:21But why not just jump to Aldo when you had the chance?
01:19:24Because Aldo would never have done what you did.
01:19:28Oh.
01:19:29Oh, I'm so stupid.
01:19:31I wanted to stick, Howard.
01:19:33But hey, that's life to him, right?
01:19:35So Ray was telling the truth.
01:19:38It was Mark.
01:19:39I told my mom what he was doing.
01:19:41But I was making money.
01:19:44She didn't say shit.
01:19:48So one day, the group's trying to get my pants and I finally called Ray.
01:19:55But he's too wasted, so he just leaves me there.
01:19:57That's when I knew I was really on my own.
01:20:06I don't know what's true anymore.
01:20:09I know how you feel.
01:20:10You never learn, do you, pal?
01:20:35It's too sad.
01:20:56Tantz, Tantz!
01:21:01Tantz, Tantz!
01:21:01Das ist mein Dopp.
01:21:03Das ist mein Dopp.
01:21:05Ja, aber das ist mein Dopp.
01:21:08Lydia!
01:21:10Das ist mein Dopp.
01:21:12Das ist mein Dopp.
01:21:14Ich kann mich nicht mehr sagen.
01:21:16Hey, hey!
01:21:18Hey, hey!
01:21:19Lydia!
01:21:21Hey, hey!
01:21:23Ray, hey, hey!
01:21:25Ray, hey, hey!
01:21:27Das ist mein Dopp.
01:21:29Stop! You're choking him!
01:21:43Oh, my God.
01:21:47It's okay. You're okay.
01:21:59What did you do?
01:22:11Sorry, Howard.
01:22:13Sorry.
01:22:15What happened?
01:22:17What happened?
01:22:19What happened?
01:22:21What happened?
01:22:23What happened?
01:22:24Did you ever know in some deep down place...
01:22:27Somebody get an ambulance!
01:22:29...that you were really something else?
01:22:31I want to stay with Howard! I want to stay with Howard!
01:22:34Let's go, Amber!
01:22:35Stop her!
01:22:36And then, one day...
01:22:37...you stripped away that filthy dead shell you'd been walking around in.
01:22:43And you were reborn...
01:22:46...as something new.
01:22:51Something more beautiful than anything you'd ever imagined.
01:22:55...and it's like a bear ...
01:22:57...just like a bear...
01:22:59...ennted, you know...
01:23:01...so would say it's like a bear...
01:23:05...so could you ever be angry and say it's like a bear...
01:23:07...just like this and I've never been keeping a bear with you.
01:23:09That's what the fuck you've ever done.
01:23:11What the fuck is that?
01:23:13...what the fuck?
01:23:14To me, I should just have to do it.
01:23:16Untertitelung des ZDF, 2020
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