- 16.7.2025
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00:00:00Untertitelung des ZDF für funk, 2017
00:00:30Now, everything's upside down, the junkies are in the burbs, and the building next door is a fucking kickball league
00:00:37It was art against commerce, and commerce won
00:00:41The kids think the only place to find art is in a gallery, and the only place to find romance is confessing your love in the rain, like in the movies
00:00:51But it's messier than that, you know, there's always mess
00:00:56It's safe here now, but there's still urban decay
00:01:00It's just migrated into the dinner parties of the Upper West Side
00:01:05The best lack all conviction, while the worst are filled with passionate intensity
00:01:11Yates said that, but so did Lou Reed, quoting him live at the bottom line
00:01:17Lou Reed's gone, and so is the bottom line
00:01:22It's probably a soul cycle, the only soul the city has left
00:01:27Everyone's pretending it's all okay, but that's a lie
00:01:32Something's missing, and we all feel it
00:01:35Including Thomas Webb
00:01:38He thought he had the answer
00:01:40And her name was Mimi
00:01:421976
00:01:45The city was dirty, crying red, and broke
00:01:49It was the center of the creative universe
00:01:52New York's lost its soul
00:01:54The most vibrant neighborhood at the moment is Philadelphia
00:01:57I like that
00:02:01Yeah?
00:02:02Yeah
00:02:02Where'd you lift that from?
00:02:04I didn't, it's mine
00:02:05Well, that's good
00:02:07So, will you come with me tonight?
00:02:12No
00:02:12Your mom's last dinner party made me feel invisible
00:02:15I know, but we were invisible together
00:02:17If you don't like it, then you don't go
00:02:20I have to go
00:02:21My mother's unstable
00:02:22Throwing dinner parties is how she medicates
00:02:24Yeah, so what about the lithium and Xanax?
00:02:26Not to mention the nicotine and Shiraz
00:02:29Xanax
00:02:31I have to tell you something
00:02:36Yeah
00:02:37Yeah
00:02:38I
00:02:39I
00:02:40Might be going to Zagreb
00:02:44Where?
00:02:46Zagreb
00:02:47It's in Croatia
00:02:48So Helmut Graf, he runs a workshop there
00:02:52And I found out that I can transfer my credits to NYU
00:02:55That's um, that's um, that's um, terrible
00:03:02Why?
00:03:05No, why is that terrible?
00:03:08Because you're the only thing in my life that I'm settled on
00:03:10Thomas, what do you think is happening?
00:03:12Between me and you, what do you think this is?
00:03:15August 8th
00:03:16August 8th, I think August 8th was real
00:03:19It was amazing
00:03:19But it was just one night
00:03:22I mean, Nick was playing LA
00:03:25I was vulnerable
00:03:26We were both on Molly
00:03:28I thought I was a pirate
00:03:31And it was just one night
00:03:36Well I'm crazy about you
00:03:39I'm crazy about you, but
00:03:42But don't say as friends
00:03:43Why?
00:03:44Why is that so bad?
00:03:45Because pretty girls like to recruit their rejections
00:03:47And they call them friends
00:03:51Clap
00:04:15For Mimi, Thomas was like the new New York
00:04:21No danger, no deliverance
00:04:24It made him nurturing
00:04:26And too boring to fall in love with
00:04:29Mimi thought Thomas was a boy without mystery
00:04:32Thomas agreed
00:04:35That all that was about to change
00:04:38Anything worth opening?
00:05:03Just pills and jar
00:05:06WF
00:05:11WF Gerald
00:05:13I just moved into 2B
00:05:15Thomas Webb
00:05:17Why so troubled, Thomas?
00:05:21Excuse me?
00:05:22I know that color of stress
00:05:25It's much brighter than job issues
00:05:27More subdued than possible disease
00:05:30Oh
00:05:31Sorry, I'm being rude
00:05:33No, I mean
00:05:35I'm having a bad day
00:05:38Oh
00:05:40What's her name?
00:05:45It's Mimi
00:05:46Oh, Mimi
00:05:48Derived from Wilhelmina
00:05:50It means Resolute Protector
00:05:54There you go
00:05:55There you go
00:05:57What, uh
00:05:58What is it that you like about this Mimi?
00:06:02Your psychiatrist?
00:06:04No
00:06:05You ask psychiatrist questions
00:06:07Maybe I can help
00:06:08Maybe I can help you get Mimi to sleep with you
00:06:12Or how do you know she hasn't already?
00:06:14How do you know she hasn't already?
00:06:15How do you know she hasn't already?
00:06:16No
00:06:17Why don't you let a new neighbor help you out?
00:06:22Huh?
00:06:25What do you like about Mimi?
00:06:29It's nice to meet you.
00:06:33Why don't you let a new neighbor help you out?
00:06:40What do you like about Mimi?
00:06:46I'm in 2B!
00:06:59Baby, baby to Spain
00:07:03Wherever I have gone
00:07:05Wherever I've been and gone
00:07:08Wherever I have gone
00:07:10The blues will run the game
00:07:17Send out for whiskey, baby
00:07:19Send out for gin
00:07:22Where did you meet her?
00:07:24There's this book store called The Pale Fire
00:07:27Yeah
00:07:28She's named after John Shade
00:07:29John Shade's 999 line poem
00:07:32Yeah, McCall
00:07:34Right, well
00:07:36They sell rare vintage books in there
00:07:37And I'm into that
00:07:38Just reading off the beaten path
00:07:39And Mimi works there
00:07:41She gave me the greatest recommendations
00:07:44You know?
00:07:46She's putting herself through NYU's writing program
00:07:48She reads a book a week
00:07:49She's polishing her brain
00:07:53Beautiful
00:07:54Incredible
00:07:56Incredible
00:07:57Beautiful
00:07:59Like she's direct from God
00:08:00You know?
00:08:01Not second generation
00:08:02If that makes sense
00:08:03Complete sense
00:08:05You know, we get each other
00:08:09The problem was
00:08:12Is
00:08:13That she has this boyfriend
00:08:16Nick
00:08:17And he's in that
00:08:18Band Fahrenheit 185
00:08:20The exact temperature it takes to cook heroin
00:08:26Properly
00:08:31Eh, this isn't what we got
00:08:40Yeah
00:08:43Anyway, so
00:08:45Nick goes on tour
00:08:47Mimi's now available
00:08:48And we're hanging out more
00:08:50And
00:08:51We end up spending
00:08:53A magical night together
00:08:55Mm-hmm
00:08:56August 8th
00:08:58And then
00:09:00Nothing
00:09:02All goes platonic
00:09:05How old is Mimi?
00:09:07She's 22
00:09:08She's just turned 22
00:09:09She's young
00:09:10Yeah
00:09:12She's at an age
00:09:14Where defense mechanisms
00:09:15Are very
00:09:16Strong
00:09:17Despite her out of veneer
00:09:19She's ruled by fear
00:09:21Like so many of us at that time
00:09:23I don't know
00:09:24What you need to do
00:09:26Just make her
00:09:27Afraid of something more
00:09:29Than being with you
00:09:30In that way
00:09:32Which is?
00:09:35Not being with you
00:09:38But how?
00:09:40How am I supposed to do that?
00:09:42Hmm
00:09:44Let life
00:09:45Take over
00:09:48Find a window
00:09:49Then pounce
00:09:53That's it
00:09:55That's your sage neighborly advice
00:09:58I have my money back
00:09:59Thomas
00:10:01Is it Thomas or Tom?
00:10:02It's Thomas
00:10:03Not Tommy?
00:10:04No, never
00:10:05No, no, no
00:10:06Thomas
00:10:07You're not giving life
00:10:08Enough credit
00:10:09The unpredictable forces of humanity
00:10:11My life is not unpredictable
00:10:12My life is conventional
00:10:13My life is born
00:10:15No, it's as random
00:10:17As it is deliberate
00:10:21As funny as it is tragic
00:10:25Yours is no exception
00:10:27I gotta do this
00:10:34Dinner parties were Judith's safety blanket
00:10:38A table full of artists
00:10:40Took her mind off herself
00:10:42The swirl of distraction
00:10:43Seating plans
00:10:45Gossip, food
00:10:46Anything to keep away the dread
00:10:49They were the perfect antidote
00:10:50To her childhood dinners
00:10:52The silences
00:10:53The drunken outbursts
00:10:55Artists came to New York
00:10:56From all over
00:10:57And she always took them in
00:10:58Clinging to the illusion
00:10:59Of an open, happy family
00:11:01Do you miss getting mugged
00:11:03No
00:11:04On Central Park West?
00:11:05Exactly
00:11:06No, but I do miss
00:11:07The 2nd Avenue Deli
00:11:09I miss the Lennox Lounge
00:11:10I mean, do you know
00:11:11What are in those iconic places now?
00:11:14Urban Outfitters
00:11:15A Starbucks
00:11:16There's a John Varvatos
00:11:17Where CBGB's used to be
00:11:19Exactly
00:11:20New York's lost its soul
00:11:22What was that, Thomas?
00:11:24Well, I was just agreeing with David
00:11:27That New York has lost its soul
00:11:29And essentially returned from 3 months from Peru
00:11:32Who's decided to hate where he's from
00:11:33No, it's true
00:11:34New York's most vibrant neighborhood
00:11:36At the moment is Philadelphia
00:11:41That's very funny, Thomas
00:11:43So, uh, Ethan
00:11:44I heard that you've commissioned
00:11:45Nick Vilton
00:11:46To what wrote the biographer
00:11:47On Evan Derif
00:11:48Our mandate at Kenta is very simple
00:11:50Bios on any haircut under 40
00:11:52As long as they're still within their 15 minutes
00:11:54Self-help, political rants
00:11:56Nobody reads fiction anymore
00:11:58Anyone's a writer
00:11:59So cynical, Ethan Webb
00:12:01I know
00:12:02Look, look, look
00:12:03If I were a writer
00:12:05We'd be having this conversation
00:12:06In a two-bedroom in Bushwick
00:12:07Oh, that's true
00:12:08Bushwick is expensive now
00:12:09Yeah, exactly
00:12:10I'm serious
00:12:11I'm really serious
00:12:12I mean, most novelists these days
00:12:14They don't earn enough money to support themselves
00:12:16True
00:12:17No matter how talented they are
00:12:18That's why if Thomas came to me with the desire to be a writer
00:12:21Well, I'd talk him out of it
00:12:26So, you're still tutoring, right?
00:12:29Yeah, just for some extra cash
00:12:31He could be a Spanish teacher
00:12:32Yeah, she could
00:12:33I don't know if I could be a Spanish teacher
00:12:34If he went back to college for a year
00:12:36For some reason he refuses to do it
00:12:38He lives on the Lower East Side without any direction
00:12:41The only thing he's missing is an opium habit
00:12:44What about doing a smartphone application?
00:13:14This man moved in across the hall from me
00:13:30I don't know what he does or who he is
00:13:31But he seems familiar to me
00:13:34He's my new friend
00:13:35Aww
00:13:36Yeah
00:13:37He asked about you
00:13:39Me?
00:13:40He knows me
00:13:41He told me
00:13:42What is my father doing here?
00:13:44Who is he with?
00:13:45I don't know
00:13:46She's beautiful
00:13:49Who is he with?
00:13:54What is he with?
00:13:55I don't know
00:13:59She's beautiful
00:14:01She's beautiful
00:14:02She's beautiful
00:14:08Do you have any idea what this is going to do to my mother?
00:14:34This doesn't mean your father loves you any less.
00:14:41Sorry, that was bad enough.
00:14:45I know, like dispensing therapy from an after school's funny.
00:14:48He doesn't care about me to begin with, I know that.
00:14:52This is about my mother.
00:14:55Yeah, but it's their problem.
00:14:58You have your own problems.
00:15:00Like what?
00:15:02What do you do?
00:15:04Don't answer that, not now.
00:15:07Thomas, look at me.
00:15:11Look, your parents, their world is nothing like ours.
00:15:19I mean, maybe it's their generation or, I don't know, this island.
00:15:28But you're kind.
00:15:31And you're real.
00:15:32Don't do that.
00:15:36Look, you're young.
00:15:37And your defense mechanisms are strong, but I think that you want this.
00:15:46I really do.
00:15:47I think that you're confused right now.
00:15:56No, Mimi, I'm angry right now.
00:15:57I'm angry.
00:15:58Did you see that woman?
00:15:59Did you see how beautiful she was?
00:16:01I can never get a woman like that.
00:16:02My father with his publishing house and his good looks and his cheating fucking hair.
00:16:06So what, you're going to use your father's affairs as a confirmation of your own inadequacies?
00:16:07I don't know.
00:16:08I don't know.
00:16:09I don't know.
00:16:10I don't know.
00:16:11I don't know.
00:16:12I don't know.
00:16:13I don't know.
00:16:14I don't know.
00:16:15I think that you're confused right now.
00:16:16No, Mimi, I'm angry right now.
00:16:17I'm angry.
00:16:18Did you see that woman?
00:16:19Did you see how beautiful she was?
00:16:20I can never get a woman like that.
00:16:22I don't know.
00:16:23I don't know.
00:16:24I think that woman has his good looks and his cheating fucking hair.
00:16:27So what, you're going to use your father's affairs a confirmation of your own inadequacies?
00:16:36No I mean.
00:16:40I have you for that.
00:16:45So, I call my office and say you want to have lunch.
00:16:48I never want to have lunch.
00:16:49Ich habe eine große Überraschung.
00:16:51Ich habe eine große Überraschung.
00:16:53Vielleicht hast du dein Leben gemacht.
00:16:55Nein, ich habe noch nicht gedacht.
00:16:57Ich wollte es sprechen.
00:16:59Vielen Dank.
00:17:00Vielen Dank.
00:17:01Vielen Dank.
00:17:02Sie hat den Show.
00:17:03Es war gut.
00:17:04Es war gut.
00:17:05Es war gut.
00:17:06Es war gut.
00:17:07Es war gut.
00:17:09Ich wollte dich von der Lower East Side.
00:17:12Warum bist du in der Farbezüge von Manhattan?
00:17:16Ich denke, es ist das Intentional.
00:17:18Und es ist almost...
00:17:20...hurtful.
00:17:23Look.
00:17:25Ich bin nicht für mich.
00:17:27Ich bin für deine Mutter.
00:17:29Sie wollen sie zu Hause.
00:17:31Wie ist es, Mom?
00:17:35Better.
00:17:38Ich denke.
00:17:42Ich kann sie nicht mehr zu machen.
00:17:44Sie ist Fragile.
00:17:45Ich weiß nicht.
00:17:46Ich habe die größte Sache.
00:17:47Ich kann eine andere...
00:17:48...inzelle...
00:17:49...inzellehen.
00:17:50Ich habe die Unterschiede in einem Lippen.
00:18:00Was ich so?
00:18:04Ich habe ein Gespräch mit dem Korea-Counseln für dich.
00:18:06Mein Office will leave mir die Info.
00:18:08Ich weiß, was ich?
00:18:10Ich weiß, was ich?
00:18:12Ich weiß, was ich?
00:18:14Ich weiß, was ich?
00:18:16Ich weiß, was ich?
00:18:18I know you're just trying to help.
00:18:22Don't blow it up, okay?
00:18:24I have to call in a favor for her to see you.
00:18:26She actually has a waiting list.
00:18:30Are you going to confront your father?
00:18:32Oh, trouble talking to him.
00:18:35Why?
00:18:37I don't think he likes me that much.
00:18:41What, uh...
00:18:42What exactly is wrong with your mother?
00:18:46I don't know. She's depressed. Bipolar.
00:18:50She's depressive bipolar.
00:18:53She came from a broken home, so...
00:18:57Whenever anything threatens our perfect family,
00:18:59she completely unravels.
00:19:04I can't tell her. She'll be destroyed.
00:19:09Why don't you furnish this place?
00:19:11I live in Brooklyn.
00:19:16You have two apartments?
00:19:18I'm rich.
00:19:20I'm a fucking duke.
00:19:30Maybe he's been faithful all these years.
00:19:34Maybe she came out of him.
00:19:35I've seen her. She's irresistible.
00:19:36I mean...
00:19:37No, stop.
00:19:40What do you want?
00:19:42I want my father to stop seeing this woman.
00:19:44No, no, no.
00:19:45In life.
00:19:47Well, in your life.
00:19:51You want more money?
00:19:52You want more respect?
00:19:56What is it that you want?
00:19:57Think about it.
00:20:01Really think about it.
00:20:04I want to be better.
00:20:06Better?
00:20:08Than what?
00:20:15Than none.
00:20:16In the 80s, Ethan was intoxicated by literary New York.
00:20:23But when he accepted that he lacked the talent to create a fictional family,
00:20:28he thought at least he could create a real one.
00:20:31Young Thomas loved to write.
00:20:33Ethan ignored this,
00:20:35wary of nurturing a life of rejections and evictions,
00:20:39and Thomas learned to keep his stories to himself.
00:20:41The intensity of Judith's bond with her son
00:20:45left Ethan feeling like a stranger in his own home.
00:20:49He sought refuge in work
00:20:51until publishing began its slow decline,
00:20:54and then came Johanna.
00:20:58You know private detectives get paid by the hour
00:21:00to just wait,
00:21:04to do exactly what we're doing right now.
00:21:05I mean, what is the difficulty in a stakeout?
00:21:07I really got to go to class.
00:21:12No, just wait, all right?
00:21:13Gonna be out in a minute.
00:21:16I have to see if he's gonna meet her again.
00:21:19Please.
00:21:21Just wait.
00:21:25Okay.
00:21:31Oh my God, that's her.
00:21:33The other woman.
00:21:34I'll call you later.
00:21:38Wait, are we waiting for your dad?
00:21:39I'll call you later.
00:21:40I'll call you later.
00:21:40I'll call you later.
00:21:45No, just wait.
00:21:49I'll call you later.
00:21:54I'll call you later.
00:21:56No, no, no,
00:21:57I'll call you later.
00:21:59All the they are.
00:22:00No.
00:22:00Ma, were you coming to Pitbull?
00:22:02Oh, Matthew?
00:22:04I'll call you later.
00:22:04No, no.
00:22:06I've been to Pitbull,
00:22:07or later if she has killed a story.
00:22:09Whatever.
00:22:09Untertitelung des ZDF, 2020
00:22:39Untertitelung des ZDF, 2020
00:23:09Untertitelung des ZDF, 2020
00:23:39Untertitelung des ZDF, 2020
00:24:09Untertitelung des ZDF, 2020
00:24:39Untertitelung des ZDF, 2020
00:25:09Untertitelung des ZDF, 2020
00:25:41Untertitelung des ZDF, 2020
00:25:43Untertitelung des ZDF, 2020
00:26:15Untertitelung des ZDF, 2020
00:26:47Untertitelung des ZDF, 2020
00:27:19ZDF, 2020
00:27:21Untertitelung des ZDF, 2020
00:27:23Untertitelung des ZDF, 2020
00:27:25Untertitelung des ZDF, 2020
00:27:27Untertitelung des ZDF, 2020
00:27:29Untertitelung des ZDF, 2020
00:27:31Untertitelung des ZDF, 2020
00:27:33Untertitelung des ZDF, 2020
00:27:35Untertitelung des ZDF, 2020
00:27:37Es ist nur ein weiteres Verständnis und Verständnis.
00:27:44Du kennst, die weit entfernt in der Welt ist, wie es ist,
00:27:50und wie du glaubst es war.
00:27:53Ich werde das nicht vergessen.
00:27:56Ich werde nicht.
00:28:00Du bist mein Light, Thomas.
00:28:03Ich weiß nicht, was ich würde nicht tun, was ich würde.
00:28:12Es ist Klonopin.
00:28:14Es macht mich so fucking emotional.
00:28:24Warum nicht du zu sehen, mein Vater?
00:28:26Oh, hallo, Thomas.
00:28:27Du bist eine sehr schöne Frau.
00:28:29Du kannst den Mann in dieser Stadt.
00:28:31Du kannst du?
00:28:33Was?
00:28:34Ich habe gesagt, ich kann einen Mann in der Stadt,
00:28:36also ich will.
00:28:37Kann ich Sie?
00:28:39Das ist eine andere Frage, wirklich.
00:28:42Are you a Mann?
00:28:44Meine Mutter ist in eine Fragile State.
00:28:46Das Affair könnte all over die Tiefe.
00:28:48Wie am ich responsible für Ihre Mutter?
00:28:49Es ist mein Vater.
00:28:50Wir wissen, dass Crudeness macht man eine Mann.
00:28:52Stop zu sehen.
00:28:53Ich bin kein Mann.
00:28:54Ich bin kein Mann.
00:28:55Ich bin kein Mann.
00:28:56Ich bin kein Mann.
00:28:57Ich bin kein Mann.
00:28:58Ich bin kein Mann.
00:28:59Ich bin kein Mann.
00:29:00Ich bin kein Mann.
00:29:01Ich bin kein Mann.
00:29:02Ich bin kein Mann.
00:29:04Ich bin kein Mann.
00:29:05Ich bin kein Mann.
00:29:07Ich bin kein Mann.
00:29:08Ich bin kein Mann.
00:29:09Inicarmen.
00:29:10Anna wasn't raised by writers, she was raised by bankers.
00:29:14But the lingua franca of both is fiction.
00:29:18When Ethan floated the idea of leaving his wife, she assumed it was just talk.
00:29:23But to her surprise, his suggestion unbalanced her.
00:29:29Instead of feeling flattered, she felt suddenly needy.
00:29:34Thomas' attention was the perfect remedy to her rattled confidence.
00:29:39The visions of Johanna.
00:29:43She's not like anyone I've ever met.
00:29:47She said I was trying to be a rough time.
00:29:50Oh, were you?
00:29:53No, I wanted to stop seeing my father.
00:29:57Isn't that between you and your father?
00:29:59Why would you want to make contact with her?
00:30:03She's an outsider to what seems to me to be a family issue.
00:30:08You don't want to know.
00:30:10So what are you saying?
00:30:11I like dealing with her.
00:30:12I don't know.
00:30:13That's precisely what I'm saying.
00:30:14And then I want to make love to her.
00:30:15Would you like to make love to her?
00:30:16No.
00:30:17What kind of a question is that?
00:30:18It's sick.
00:30:19How is that sick?
00:30:20It's sick.
00:30:21She's a beautiful woman.
00:30:22So?
00:30:23Her name is Johanna.
00:30:24She's sleeping with my father.
00:30:25Would you like to make love to Johanna?
00:30:26Will you give me some credit, please?
00:30:27Answer the question.
00:30:28Give me some credit.
00:30:29Stop drowning yourself in what you think is more.
00:30:30Do you want to fuck Johanna?
00:30:32Do you want to fuck Johanna?
00:30:33Yes.
00:30:34No way.
00:30:35She's a beautiful woman.
00:30:37So?
00:30:38Her name is Johanna.
00:30:39She's sleeping with my father.
00:30:42Would you like to make love to Johanna?
00:30:44Will you give me some credit, please?
00:30:46This conversation perverts.
00:30:47Answer the question.
00:30:48Give me some credit.
00:30:49Stop drowning yourself in what you think is more.
00:30:52Do you want to fuck Johanna?
00:31:01Yes.
00:31:03No way.
00:31:04You said your life was boring.
00:31:06I couldn't have found out today without it.
00:31:34You know I got hit on three times coming from the bathroom, and I'm pretty sure they were
00:31:38all married.
00:31:40It's a good thing my father's in here.
00:31:41It's not mine.
00:31:42Oh, no.
00:31:44It's my ninja.
00:31:45It's my motherfucking ninja.
00:31:48Congratulations, man.
00:31:50Thanks, man.
00:31:51It's me, me, Howard.
00:31:52Nice to meet you.
00:31:52Okay.
00:31:53Listen, I've been running through Riverside Park every day, nine miles, murdering sobriety.
00:31:57I've seen a lot of your mother lately, actually.
00:31:59My mother?
00:32:00Yeah.
00:32:01Yeah, I don't know.
00:32:02She's always on the same bench reading the book.
00:32:04It's Irwin.
00:32:05Irwin!
00:32:06You guys got to meet Irwin Sanders.
00:32:08It's a violent mix.
00:32:09Howard.
00:32:10Hey.
00:32:11How does it feel being married?
00:32:12Well, sex already sucks.
00:32:13Oh.
00:32:14Kidding.
00:32:15Kind of.
00:32:16Connie Nast took me back, actually, so maybe I could get an interview at some point?
00:32:20Maybe.
00:32:21Howard, this is my friend, Joanna.
00:32:24Nice to meet you.
00:32:25Hey.
00:32:26Nice to meet you.
00:32:27Hey.
00:32:28This is the house.
00:32:29It's all right.
00:32:30Hey.
00:32:31Hey.
00:32:42You're being really obvious.
00:32:54I'm not dating Irwin.
00:32:55It's none of your business.
00:32:56I don't have to explain myself to you, but nonetheless, he's a very good friend.
00:33:12Where's your girlfriend?
00:33:13She's not.
00:33:15She's just a friend.
00:33:17Well, you shouldn't let her do that to you.
00:33:23He's thirty years older than you.
00:33:24He's a billionaire.
00:33:25Unstupid.
00:33:26You are quite stupid, Thomas.
00:33:27And you've got no idea how the world works.
00:33:28Actually, he's not a billionaire anymore.
00:33:29Because Nancy got half of everything.
00:33:30It doesn't really matter.
00:33:31No, it doesn't.
00:33:32You look nice.
00:33:33You look very nice.
00:33:34You look very nice.
00:33:35I'm not.
00:33:36I'm not.
00:33:37I'm not.
00:33:38I'm not.
00:33:39I'm not.
00:33:40I'm not.
00:33:41I'm not.
00:33:42I'm not.
00:33:43I'm not.
00:33:44I'm not.
00:33:45I'm not.
00:33:46I'm not.
00:33:47I'm not.
00:33:48I'm not.
00:33:49I'm not.
00:33:50I'm not.
00:33:51I'm not.
00:33:52I'm not.
00:33:53I'm not.
00:33:54I'm not.
00:33:55I'm not.
00:33:56In your seat.
00:33:57They don't really think they're stupid.
00:34:00Just...
00:34:01Confused.
00:34:02Yeah.
00:34:03Owen's probably looking for you.
00:34:08I'm sure he paid for a whole night.
00:34:10Thank you.
00:34:11Hey.
00:34:12So, first of all, hooker comments.
00:34:13I'm not.
00:34:14You actually resorted to hooker comments.
00:34:15I'm sorry.
00:34:16I apologize.
00:34:17Okay.
00:34:18Second of all, Irwin's gay.
00:34:19Okay?
00:34:20He loves men.
00:34:21In fact, he loves one man in particular, a man named Billy Arnoldi, who happens to be an incredible art dealer and one of my closest friends.
00:34:36So, Irwin does not come out for business reasons, which is his prerogative, and I come to events like this with him.
00:34:42I'm not a glorified hooker.
00:34:43He's not a sugar daddy.
00:34:44I'm his beard.
00:34:45You really don't know how the world works.
00:34:48You're an innocent, Thomas.
00:34:49You're a child.
00:34:51I know some things.
00:34:54Oh, yeah?
00:34:55Mm-hmm.
00:34:56Like what?
00:34:59How it went down.
00:35:02You and my dad, I know.
00:35:04Do you?
00:35:05Mm-hmm.
00:35:07Okay, Thomas.
00:35:08Mr. Ace Sleuth.
00:35:10I want to hear it.
00:35:16You notice that he liked to come in early.
00:35:19Really early.
00:35:20Like, what?
00:35:21Seven in the morning?
00:35:23So you started coming in then, too.
00:35:25You're isolated and contained.
00:35:27You told him it was because you don't sleep well.
00:35:30That the bad dreams, they shake you awake before daylight.
00:35:32In the mornings, you put on music in your office.
00:35:35Brahms one day, Biggie Smalls the next, because, you know, you can't be put into a box.
00:35:39You attack all the senses.
00:35:41I'm a little aggressive on your signature scent.
00:35:44Strong in the vanilla.
00:35:46You mention a boyfriend and complain of a bad date.
00:35:49You confuse him and make him wonder.
00:35:51The sex.
00:35:53The sex.
00:35:54The sex surprise you both.
00:35:56I mean, he was just walking you home after dinner.
00:35:59Jesus, you're not the other woman.
00:36:01He's not a cheating husband.
00:36:02No, this isn't something that we did.
00:36:04This is something that happened to us.
00:36:06What?
00:36:07Could it be love?
00:36:08Well, nobody wants to acknowledge that so soon in the game, but the stars are crossed, and people are gonna get hurt, and...
00:36:14We've done a bad, bad thing, Ethan, so fuck, it must be right.
00:36:18All of it was just bullshit.
00:36:20Calculated and manipulated from that first lie about your back dreams, because I'm...
00:36:24I'm pretty sure that you sleep like a baby.
00:36:30You are quite a storyteller.
00:36:32You are quite a storyteller.
00:36:36Very good.
00:36:37Let's see.
00:36:38We're getting two.
00:36:39First lie we
00:37:02Where have you been?
00:37:13Bathroom.
00:37:14Thanks so much.
00:37:18I have to interrupt now because I have to go home.
00:37:26I'm Uncle Buster.
00:37:28Let's get out of here.
00:37:29I'm Casey's father's brother.
00:37:31They haven't even cut the cake.
00:37:32Fuck the cake.
00:37:33Walter, let's go.
00:37:36Walter's not here because he's doing two to five.
00:37:42It's no secret, as you all know, two to five for doing the right thing, for believing in
00:37:48the poetry of the Constitution.
00:37:54I have only a few thoughts.
00:37:58Drama.
00:37:58The dramatics of marital romance, staying together.
00:38:09Like the gypsy told me, the poems written in lifelines are never guaranteed.
00:38:15They get busted up.
00:38:20Tomorrow begins new poetry.
00:38:24Another romance that will explode from time to time.
00:38:30Poetry of married people like the aurora borealis.
00:38:34Strewn like stars in the sky and the drama of your lives begins, chapter after chapter, stories, books.
00:38:50And I'm going to go to school.
00:38:51I'm going to go to school.
00:38:52Revolutions, as I know, will come.
00:38:56I've seen many and lived through them.
00:39:00They play in the least expected places, so get ready.
00:39:03And I'm going to go to school.
00:39:04And I'm going to go to school.
00:39:05And for four years.
00:39:06Casey… Casey understands Howard.
00:39:07Howard knows Casey.
00:39:11No, no, not yet.
00:39:14there is always mystery
00:39:17you both know that
00:39:18you both know it isn't perfect
00:39:20excitement
00:39:22trust
00:39:24and struggle
00:39:26and the unknown
00:39:29privacies
00:39:29that keep us together
00:39:32glue of struggle
00:39:34I raised my glass
00:39:38the fragile glass we stomped on and shattered
00:39:43and we'll forever be putting back together
00:39:47like the puzzles
00:39:48we first worked as children
00:39:50learning to be patient
00:39:53searching for what fits
00:39:56so many puzzles
00:40:02so many books in this room
00:40:07and I talk too much
00:40:13let's dance
00:40:15so I have to go to this
00:40:29career counselor
00:40:30my father set up the appointment
00:40:32why don't you go into journalism
00:40:37you ran the high school newspaper
00:40:38that doesn't interest me anymore
00:40:40and you won the advertising prize in college
00:40:42you could do that
00:40:43I know it's about me
00:40:45I've known everything
00:40:46everything about you
00:40:48okay yearbook committee
00:40:50president of the debate club
00:40:52arts editor of the high school newspaper
00:40:54second single on the tennis team
00:40:56very impressive to us
00:40:57your father has all your awards on his desk
00:41:02it's so awful
00:41:04oh man it's all great
00:41:05fuck the great counselor
00:41:07alright here's something we don't know
00:41:12that nobody knows
00:41:13okay
00:41:15I wanted to write
00:41:20I used to write all these things
00:41:25when I was younger
00:41:26a bunch of letters from my dog
00:41:28to like
00:41:28the mailman
00:41:30and the vet
00:41:31and eventually I
00:41:33came up with a collection of essays
00:41:35called
00:41:36Mary Jane vs. Everything
00:41:38which I was incredibly proud of
00:41:42and
00:41:43you know
00:41:44I've shown to my dad
00:41:45what did Ethan say?
00:41:49serviceable
00:41:49ouch
00:41:52yeah
00:41:52serviceable
00:41:54that was his exact word
00:41:55nothing special
00:41:57just serviceable
00:41:59you seem pretty angry
00:42:01after reading them though
00:42:01well I want to read them
00:42:02you do?
00:42:04yeah
00:42:04you can't
00:42:05why not?
00:42:06because I throw them out
00:42:06oh that's so sad
00:42:08that's so sad
00:42:12isn't it
00:42:12that's good
00:42:17really?
00:42:19really?
00:42:21yeah
00:42:21what word did your father use?
00:42:25serviceable
00:42:26I disagree
00:42:27I think you've got talent
00:42:30but your father's a publisher
00:42:37and I'm just some
00:42:38strange neighbor
00:42:40so you're going to go with serviceable
00:42:41huh?
00:42:42Johanna wanted to read them
00:42:47oh right
00:42:48but I don't know if I could
00:42:50those visions of Johanna
00:42:51I think about her
00:42:54all the time
00:42:58maybe it's love
00:43:04love is hard to determine
00:43:12people think they're in love
00:43:14and it's something
00:43:14completely different
00:43:15infatuation
00:43:18the righting of childhood wrongs
00:43:21companionship
00:43:23have you ever been in love?
00:43:27yeah
00:43:28once
00:43:29who was she?
00:43:33oh
00:43:33she was this woman I knew
00:43:36she was taken by someone else
00:43:40dear friend
00:43:41we had a profound connection
00:43:45but she was his girl
00:43:47it was a mess
00:43:48so what did you do?
00:43:51oh I left the scene of the crime
00:43:52you ran away?
00:43:56oh well
00:43:57at the time
00:43:58I called it an adventure
00:43:59but hindsight turned it into something else
00:44:02which is what hindsight inevitably does
00:44:05yeah I ran away
00:44:07I'm going to take this
00:44:08leave you with your heart on
00:44:10with my heart on
00:44:11heart
00:44:13your heart on
00:44:14you know what maybe
00:44:16in hindsight I'll feel guilty about Johanna
00:44:19but right now I don't
00:44:20it's not cut or dry
00:44:25congratulations Thomas
00:44:27your world is becoming contextual
00:44:30who the fuck are you?
00:44:40hey dad
00:44:50what's up
00:44:52sit down
00:44:54is everything alright?
00:45:01is mum okay?
00:45:04sit down Thomas
00:45:05is there anything you want to tell me?
00:45:25no
00:45:25no nothing
00:45:27anything I should know?
00:45:30huh?
00:45:30no
00:45:35no
00:45:35Thomas
00:45:39you blew off the career counsellor
00:45:43hmm?
00:45:45I told you how hard it was to get that appointment
00:45:48and then you just don't show up
00:45:49what's gone?
00:45:50wait I'm
00:45:51I'm
00:45:51I should have called.
00:45:53I should have called.
00:45:55I should have called. I'm sorry.
00:45:57I'm sorry, too.
00:46:01Come work here.
00:46:03What?
00:46:05Work here. You like to read.
00:46:07I've been conflicted about giving you a job here
00:46:09and nepotism and all that bullshit, but screw it.
00:46:11You can start under the junior editors.
00:46:13You know, learn something.
00:46:15No, thank you. Why not?
00:46:17I mean, what's wrong with learning the publishing business?
00:46:19Nothing. It's fine. It's just...
00:46:23Serviceable.
00:46:35WF?
00:46:38I just want to get my essays back.
00:46:41Hey.
00:46:49I love you.
00:46:51Let's go.
00:46:52Let's go.
00:46:53Let's go.
00:46:54Let's go.
00:46:55Let's go.
00:46:57Watch this.
00:46:59Please.
00:47:01Look just,
00:47:03Let's go.
00:47:05Let's go.
00:47:07Amen.
00:47:37Thomas.
00:47:44It's in your apartment.
00:47:46Julian Stellars.
00:47:51Oh, my nom de plume.
00:47:55You've had 12 books published.
00:47:57You don't have much mass appeal, but you don't seem to mind.
00:48:01It's hard to find a picture of you anywhere.
00:48:05You're an alcoholic who spends most afternoons drinking and working in.
00:48:09And you're probably the only person that I've met that's actually,
00:48:12actually been to an opium den.
00:48:15And I've been Googled.
00:48:18Mm-hmm.
00:48:24I didn't read it.
00:48:26Any manuscript?
00:48:29Well, Thomas, I appreciate that.
00:48:35Oh, oh.
00:48:42So, uh...
00:48:45You said I had talent.
00:48:48It was a professional's opinion.
00:48:52I don't know, man. I...
00:48:57You've experienced the world. I just live here in New York.
00:49:01New York is the world.
00:49:03I haven't done much with my life.
00:49:08You've had sex with your father's mistress.
00:49:12I'd say that's something.
00:49:17Am I the only living boy in New York?
00:49:25You are.
00:49:26Hey, I was outside your apartment. You're not there.
00:49:39I brought the essays I wanted to show you.
00:49:52You're doing nothing much.
00:49:53I haven't been up for now.
00:50:15Untertitelung im Auftrag des ZDF, 2020
00:50:45Untertitelung im Auftrag des ZDF, 2020
00:51:15Untertitelung im Auftrag des ZDF, 2020
00:51:17Untertitelung im Auftrag des ZDF, 2020
00:51:19Untertitelung im Auftrag des ZDF, 2020
00:51:21Untertitelung im Auftrag des ZDF, 2020
00:51:23Untertitelung im Auftrag des ZDF, 2020
00:51:25Untertitelung im Auftrag des ZDF, 2020
00:51:27Untertitelung im Auftrag des ZDF, 2020
00:51:29Untertitelung im Auftrag des ZDF, 2020
00:51:31Untertitelung im Auftrag des ZDF, 2020
00:51:33Untertitelung im Auftrag des ZDF, 2020
00:51:35Untertitelung im Auftrag des ZDF, 2020
00:51:37Oh Gott.
00:51:38I'm putting my foot down.
00:51:39You don't get to tell me what to do, Thomas.
00:51:41I don't care if your foot's down or up.
00:51:42Why?
00:51:43Because you don't care about anything?
00:51:44What?
00:51:45You obviously don't care about anything at all.
00:51:47So I'm a nihilist now, am I?
00:51:54I don't know anything about you.
00:51:58Where'd you grow up?
00:51:59Brooklyn, Thomas.
00:52:00That's why I have this accent.
00:52:04Do you play sports?
00:52:06No.
00:52:10When did you first have sex?
00:52:12Oh my God, we're gonna talk about my childhood now.
00:52:15Yeah, I wanna know you.
00:52:18Where'd you grow up?
00:52:21I grew up in London.
00:52:23Which part?
00:52:25Belsize Park.
00:52:28And then...
00:52:29Kilburn.
00:52:30Why the move?
00:52:32Because Kilburn's so much more real.
00:52:36What'd your dad do?
00:52:37What'd your dad do?
00:52:41What'd your dad do?
00:52:42He put a gun in his mouth and called the traitor.
00:52:46I'm sorry.
00:52:56I didn't know.
00:52:58Why do you sleep with me?
00:52:59Why do you sleep with me?
00:53:00Because I like you.
00:53:01What do you like about me?
00:53:02Your innocence.
00:53:04I mean, you're innocent.
00:53:05You're innocent.
00:53:06I mean, you're innocent.
00:53:07I forgot.
00:53:08Come on, tell me.
00:53:09I wanna know about when you're innocent.
00:53:10Why?
00:53:11Because I like you.
00:53:12Why?
00:53:13Because I like the idea of it.
00:53:14If you want someone so pure, why are you with me?
00:53:15Because I care about you.
00:53:16Do you care about me?
00:53:17Do you care about me?
00:53:18I didn't care about anyone.
00:53:20Ich habe mich überrascht.
00:53:22Ich habe mich überrascht.
00:53:24Komm schon, ich will wissen, was du warst.
00:53:29Warum?
00:53:30Ich liebe die Idee.
00:53:32Wenn du jemanden so pure bist, warum ich mit mir bin?
00:53:35Weil ich mich über dich bin.
00:53:41Du bist über mich?
00:53:45Ich bin nicht über jemanden, remember?
00:53:50But the truth was, she cared about them both.
00:53:54And that's when she knew this mess would only get worse.
00:53:58She had to make a clean break, starting with Ethan.
00:54:02What she didn't anticipate was,
00:54:05he'd surrendered too much of his past to give up on his future.
00:54:10... und zu verabschieden.
00:54:12... und zu los angeles.
00:54:16New York.
00:54:18... und zu verabschieden.
00:54:20Do you think he's in love with her?
00:54:22He just has to stop.
00:54:24You and your father,
00:54:26you suffer from the same disease.
00:54:28Johanna.
00:54:30Visions of Johanna conquer my mind.
00:54:34Why are you writing, John?
00:54:41That's what I do.
00:54:42I write about people I know,
00:54:44and then give it a thin bed.
00:54:46Why me?
00:54:51Look, I...
00:54:53I got the apartment to get out of the house
00:54:55and write a completely different story.
00:54:57It just didn't come across.
00:54:59Mine did.
00:55:00And like everything good,
00:55:03it happened by accident.
00:55:04I met you,
00:55:05now I got 118 pages.
00:55:10My father's publishing house,
00:55:11they're touring an anniversary party tomorrow.
00:55:13They should come.
00:55:17Oh.
00:55:19You've heard all about these people,
00:55:20but you never met them.
00:55:23You're good for the book.
00:55:27Find a window.
00:55:28Pounce.
00:55:31Pounce.
00:55:32Pounce.
00:55:53I broke up with Nick.
00:55:54Pounce.
00:55:57Did you?
00:56:03You're supposed to be more excited than that.
00:56:24Hey.
00:56:25Thanks for coming.
00:56:37It's a great party.
00:56:39Yeah.
00:56:40Always is.
00:56:41It's my mother, Mimi.
00:56:42She's beautiful.
00:56:44I told you she was.
00:56:45I was talking about your mother.
00:56:46Huh?
00:56:47Huh?
00:56:48Huh?
00:56:50I told you she was.
00:56:51Huh?
00:56:52I was talking about your mother.
00:56:53Huh?
00:56:54Huh?
00:56:55I told you.
00:56:56I was talking about your mother.
00:56:57Huh?
00:56:59Huh?
00:57:00I told you.
00:57:01So beautiful.
00:57:02I told you she was.
00:57:03I was talking about your mother.
00:57:05Huh?
00:57:06Ich habe gesagt, sie war.
00:57:08Ich war über deine Mutter.
00:57:30Es ist so schön.
00:57:32Aber ich denke, es ist so schön.
00:57:34Ich möchte Sie kommen mit jemandem.
00:57:36Oh!
00:57:37Wer sind wir?
00:57:38Wir sind mit meinem neuen Freund.
00:57:39Ihr neue Freund?
00:57:40Sorry.
00:57:41Sorry.
00:57:47Er ist hier.
00:57:49Er ist hier.
00:57:50Er ist hier.
00:57:52Er ist hier.
00:57:54Er ist hier.
00:57:56Ja.
00:58:04Er ist hier.
00:58:06Er ist hier.
00:58:08Er ist hier.
00:58:10Er ist hier.
00:58:12Er ist hier.
00:58:13Er ist hier.
00:58:14Er ist hier.
00:58:15Er ist hier.
00:58:16Er ist hier.
00:58:17Er ist hier.
00:58:18Er ist hier.
00:58:19Er ist hier.
00:58:20Er ist hier.
00:58:21Er ist hier.
00:58:22Er ist hier.
00:58:24Er ist hier.
00:58:25Er ist hier.
00:58:26Er ist hier.
00:58:27Er ist hier.
00:58:28Er ist hier.
00:58:29Er ist hier.
00:58:30Er ist hier.
00:58:31Er ist hier.
00:58:32So we have pulled down the skies to our will.
00:58:35To our will.
00:58:36Ezra Pound.
00:58:38Johnna.
00:58:40We haven't met.
00:58:49And I know that you're having your fun and that he's young and easy, but you'll have me to deal with if he scores.
00:59:04I don't like strange conversations.
00:59:08So I'm gonna walk away.
00:59:19I'll be right back.
00:59:49Ich denke, wir sollten uns zu stoppen sehen.
01:00:00Thomas, er sieht gut aus.
01:00:04Ich war auch mit deinem Vater.
01:00:08Und weil ich nicht erinnert für ihn.
01:00:10Ich bin nicht erinnert für ihn.
01:00:12Ich bin nicht erinnert für ihn.
01:00:14Thomas, die Sache ist, er hat sich entschieden.
01:00:16Was?
01:00:18Und ich habe gesagt, ja.
01:00:21Nein, nein, nein.
01:00:23Nein, nein, nein.
01:00:24Es ist nicht so gut.
01:00:25Es ist nicht so gut.
01:00:27Ich werde das nicht passieren.
01:00:30Das ist die beste Sache für alle.
01:00:32Für alle.
01:00:33Für alle.
01:00:34Judith wird so viel besser auf.
01:00:35Sie wird nicht mehr so schwer.
01:00:36Unter der Wettbewerbe.
01:00:37Er ist einfach durch eine Krise.
01:00:39Er ist einfach durch eine Krise.
01:00:40Das ist alles.
01:00:41Das ist nicht so schwierig.
01:00:43Jeder kann hier gewinnen.
01:00:45Gott machte einen Fehler, wenn du ihn verletzt hast.
01:00:48Gott ist ein Fehler, wenn du ihn verletzt hast.
01:00:49Gott ist ein Fehler.
01:00:50Ja, sie ist nicht.
01:00:51Kann ich nur noch etwas sagen?
01:00:53Wenn das alles kommt, wer wird das?
01:00:55Wer wird das nicht verletzt?
01:00:56Es ist nicht mich.
01:00:58Es ist nicht Ethan.
01:00:59Wir werden uns nicht auf den Boden auf den Boden auf den Boden.
01:01:01Und es ist nicht du.
01:01:02Du bist so jung.
01:01:03Das ist eine Person.
01:01:05Eine Person wird das verletzt.
01:01:07Und wir beide wissen, wer das ist.
01:01:09Was denken, ist das?
01:01:10Was ist passiert?
01:01:11Was finden?
01:01:12Was denken Sie werdenosh kept?
01:01:13Lamte die einsteckend?
01:01:14Etd fark havel Follow 3- Radio for?
01:01:15In deinem Bitchesystem?
01:01:16Obviamente das nicht Indigenous kann.
01:01:18Was ist das so supposed to mean?
01:01:22Wasists das arbeiten?
01:01:24Was ist das supposed to mean?
01:01:25Was ist das Estado?
01:01:26Stop es.
01:01:32Stop es.
01:01:33Ich will jetzt das alles wissen.
01:01:34Ich willИt reden, sagen Sie jetzt nicht.
01:01:36Musik
01:02:06Musik
01:02:16Musik
01:02:22Musik
01:02:30Glock
01:02:32Glock
01:02:33Glock
01:02:34It's raining.
01:02:40Um...
01:02:42Okay.
01:02:46I...
01:02:48I broke up with Nick
01:02:50because I
01:02:52got into Felicia
01:02:54and
01:02:56I want you to come with me.
01:03:04I slept with Joanna.
01:03:12No.
01:03:14You're not like that.
01:03:16And I thought that I was in love with her.
01:03:20You're good?
01:03:28No, Mimi, I'm not good.
01:03:32Mimi!
01:03:38Mimi!
01:03:40Mimi!
01:03:49I'm sorry.
01:03:52You were just like them.
01:03:54They won, Thomas.
01:03:56God, they could go bankrupt for you.
01:04:02Oh, it's a pain
01:04:04right on time.
01:04:08Oh, I know
01:04:10you're far away.
01:04:14Oh, I
01:04:16don't look so cool.
01:04:18Oh.
01:04:20Da-da-da-da-da-da-da-da-da-da.
01:04:22Here I am.
01:04:26I'm the only little boy
01:04:28I know
01:04:34I get the news I need
01:04:36Don't know where to report
01:04:38Oh, I've got all the news I need
01:04:42Don't know where to report
01:04:44Hey, I've got nothing to do today
01:04:50Don't do today
01:04:52But smile
01:04:54Don't, don't, don't, don't
01:04:56Here I am
01:04:58The only living boy
01:05:00You know
01:05:06Have all the time
01:05:08Don't, don't, don't
01:05:10Don't know where
01:05:12You don't know where
01:05:14Hey.
01:05:18Thomas, did you spend last night here?
01:05:20Yeah.
01:05:22Well that
01:05:24Was the best party that Kenta has thrown in years
01:05:26Everybody was drunk
01:05:28And not just our alcoholic friends
01:05:30But everybody
01:05:32Why did you spend the night?
01:05:34I don't know
01:05:36I just
01:05:38Wanted to come home
01:05:40Are you upset?
01:05:42Tell me about it
01:05:44Tell me about it
01:05:48What?
01:05:50Is it about a girl?
01:05:52And I'm your mother
01:05:54So
01:05:56Things have gotten messy
01:05:58And I want to bail
01:06:02But I can't
01:06:04Well then you know
01:06:06The only way out
01:06:10Is through
01:06:12Right?
01:06:18Where's dad?
01:06:20He left early
01:06:22He said he had to go to the office
01:06:24And get some files
01:06:26He seems to have gotten over
01:06:28Would it?
01:06:30Not yet
01:06:48Thomas?
01:06:52He then
01:06:54was like
01:06:55It's all
01:06:56He said
01:06:57Kat?
01:06:58Thomas.
01:06:59Oh.
01:07:00Wir müssen uns sprechen.
01:07:01Mhm.
01:07:02Aber es gibt Dinge...
01:07:03Thomas, nicht.
01:07:04Du musst.
01:07:05Du musst.
01:07:06Du musst.
01:07:09Johanna.
01:07:12Du zwei kennen uns?
01:07:14Ja.
01:07:17Was?
01:07:18Well, Ethan, die Sache ist,
01:07:20ist, dass...
01:07:21er folgte mich.
01:07:23Du folgte sie?
01:07:27Das ist nicht alles ich habe.
01:07:35Ich bin sorry,
01:07:36ich...
01:07:37ich verstehe.
01:07:38Ich verstehe.
01:07:45Wir sind zusammen.
01:07:47Und nicht nur einmal.
01:07:51Was?
01:07:57uns blockchaintorpräge.
01:08:07Ah Grey,
01:08:10du sp jed...
01:08:12geh dann ein 해�ekt...
01:08:13binster wettbeweis.
01:08:14Ich hatte nicht bei dir.
01:08:15Du,ola.
01:08:16Du hast keinebook Shiv ...
01:08:17Du hast keine Revolution.
01:08:19Du hast keine Ingegenheid.
01:08:20Du hast keine есть.
01:08:22Das ist passiert.
01:08:24I deserve you.
01:08:54I deserve you.
01:09:24I'm sorry.
01:09:26We're all sorry, Thomas.
01:09:31I really do love him.
01:09:43I'm headed right by you.
01:09:47More than you know.
01:09:50Good-bye, Thomas.
01:09:57Good-bye.
01:09:59Good-bye.
01:10:04Good-bye.
01:10:05Good-bye.
01:10:06Good-bye.
01:10:07Good-bye.
01:10:08Good-bye.
01:10:09Good-bye.
01:10:10Good-bye.
01:10:11Good-bye.
01:10:13Good-bye.
01:10:14Good-bye.
01:10:15Good-bye.
01:10:16Good-bye.
01:10:17Good-bye.
01:10:18Good-bye.
01:10:19Good-bye.
01:10:20Good-bye.
01:10:21Good-bye.
01:10:22Good-bye.
01:10:24Good-bye.
01:10:25Good-bye.
01:10:26Good-bye.
01:10:27Good-bye.
01:10:28Good-bye.
01:10:29Good-bye.
01:10:30Good-bye.
01:10:31Good-bye.
01:10:33Good-bye.
01:10:34Good-bye.
01:10:35Good-bye.
01:10:36Musik
01:11:06Did you finish it?
01:11:17I did.
01:11:19Tell me about it.
01:11:25Tell me about the only living boy in New York.
01:11:33Uh, well...
01:11:35It's about three people, artists, great friends.
01:11:49One of them is a beautiful young girl.
01:11:53The other two, one artist has talent, the other doesn't.
01:11:59No matter how hard he tries, no matter how badly he wants it,
01:12:03he just, he wasn't kissed by God in that way.
01:12:07But he has the girl.
01:12:10Yes, and they're married,
01:12:13and they plan to start a family.
01:12:15Only, they have a little problem.
01:12:19He's infertile.
01:12:23May I ask a talented friend for help?
01:12:26Yeah, you have a knack for a story, Thomas.
01:12:31I get it from my father.
01:12:32I get it from my dad.
01:12:36So, you know, they're artists, and they don't want to use in vitro,
01:12:38so they go with a cheap bottle of Cabernet and some Quaila's,
01:12:42and Simon & Garfunkel record.
01:12:46Sie sind artist, und sie wollen nicht in vitro benutzen.
01:12:52Sie gehen mit einem Cheap Lotto, Cabernet, Quaaludes, Simon & Garfunkel record.
01:12:59Und so.
01:13:01Der Husband ist okay mit dem?
01:13:03Sie wollen jemanden, jemanden, jemanden, jemanden, jemanden, jemanden.
01:13:08Und natürlich, der artist, mit dem Talent,
01:13:13er ist flattig, und natürlich, er agrees.
01:13:18Und er und die Frau und die Frau,
01:13:24...
01:13:29...
01:13:31...
01:13:32...
01:13:33...
01:13:34...
01:13:35...
01:13:36...
01:13:37...
01:13:38...
01:13:39...
01:13:40...
01:13:45...
01:13:46...
01:13:48...
01:13:49...
01:13:50...
01:13:51com
01:13:52...
01:13:53...
01:13:54...
01:13:55...
01:13:58Does he love her?
01:14:02He does.
01:14:05Oh.
01:14:06And that moment he realizes he does.
01:14:16So it turns out that...
01:14:19that the beautiful girl...
01:14:23she gives birth to a wonderful son,
01:14:26and her husband gives up art
01:14:29and becomes a very successful art dealer.
01:14:33And the other artist?
01:14:39He watches the boy grow from afar, huh?
01:14:44Sees his own talent alive in this child.
01:14:51He so desperately wants to connect with his son.
01:14:56I'd tell him everything.
01:15:02Murders down.
01:15:13But of course, he never does make contact.
01:15:17I'd tell him.
01:15:18I'd tell him to decide something like this.
01:15:19I'd get all this next book.
01:15:23I'd tell him to decide something like this.
01:15:25I'd get all this next book.
01:15:26in an extra instant...
01:15:29Ah!
01:15:34I can see where she made it away.
01:15:36In an extra instant...
01:15:38it has a relationship.
01:15:39OK, see what it is that?
01:15:40No.
01:15:42Keep it up...
01:15:44Mama.
01:16:04Mama.
01:16:06Thomas.
01:16:17Was hat er dir gesagt?
01:16:19Alles.
01:16:23Hier zu suchen für razors?
01:16:26Echt pillen bottles?
01:16:29Sit down.
01:16:36What do you know, Thomas?
01:16:43I know.
01:16:45I know why you carry so much guilt.
01:16:51I know that I
01:16:52already forgive you.
01:16:55I know you're in love with someone you haven't seen in over 25 years.
01:16:59And you go to Riverside Park every day to read his books.
01:17:02I know, I know, and it's okay.
01:17:06Who told you?
01:17:10He did. Julian, WF.
01:17:13Whatever you want to call him.
01:17:16Is he dying?
01:17:18He's not dying.
01:17:20Don't worry, he's not dying.
01:17:23He's fine.
01:17:24He's just, I don't know, he's tired.
01:17:27I think he's lonely.
01:17:30It was my idea not to tell you, not Ethan's.
01:17:33You have to know that.
01:17:34You were trying to protect me.
01:17:38Yes, and
01:17:39and I knew that if you
01:17:42found out, he would come back
01:17:44into my life, and then everything would go to shit.
01:17:47Well, everything went to shit on its own,
01:17:48so.
01:17:52Yeah, I guess.
01:17:53Is he old?
01:18:09And he's messy.
01:18:11Yeah, he always was.
01:18:14An unmade bed of a man.
01:18:17An unmade bed of a man?
01:18:19An unmade bed of a man.
01:18:20I like that.
01:18:22You should.
01:18:25Your father wrote it.
01:18:26You should just leave the tribus.
01:18:30I don't want you comunque jours.
01:18:32I don't want you to.
01:18:33No.
01:18:33I don't need anyone else.
01:18:34I don't want you to.
01:18:35No.
01:18:36You should just leave my body.
01:18:38What do you Yeonji제?
01:18:38Uh, that's an all-
01:18:43That's a great episode of Melvin Natasha.
01:18:45That was fun.
01:18:46That's an all-
01:18:55Das war's.
01:19:02Ich bin sorry, ich dachte, ich hatte den Tor.
01:19:14Hey.
01:19:15Hey.
01:19:17Ich bin schnell.
01:19:19Ich weiß, was ich will.
01:19:21Ja.
01:19:27Hm.
01:19:28Was you think?
01:19:31Serviceable.
01:19:34You're lying to make me feel good.
01:19:38The character that surprised me the most was the father.
01:19:46Which one?
01:19:49Lana didn't run away.
01:19:58Whatever happened to Mimi?
01:19:59She's still in Croatia.
01:20:01She got a fellowship.
01:20:02I don't think she's coming back.
01:20:04Oh.
01:20:06Did you hear back from Viking?
01:20:09Yeah, it was a pass.
01:20:11I'm sorry.
01:20:12You want me to make a few phone calls?
01:20:15No.
01:20:18I want to start something new, man.
01:20:21I have an idea.
01:20:22Well, that's good.
01:20:24You still speaking to John?
01:20:27No.
01:20:28You mind me?
01:20:29Yeah.
01:20:30How's your mother?
01:20:32She's good.
01:20:33She's quit smoking.
01:20:34Started writing for Art News again.
01:20:35Oh, that's good.
01:20:36Yeah.
01:20:37She has a date tonight.
01:20:38Oh, good for her.
01:20:39Truly.
01:20:40Best black or conviction.
01:20:41First or four.
01:20:42Cashman.
01:20:43Intensive.
01:20:44Luke Yates said that, but so did we read.
01:20:4645.
01:20:4745.
01:20:4865.
01:20:4945.
01:20:5025.
01:20:5165.
01:20:5225.
01:20:5325.
01:20:5425.
01:20:5525.
01:20:5625.
01:20:5725.
01:20:5825.
01:20:5925.
01:21:0025.
01:21:0125.
01:21:0225.
01:21:0325.
01:21:0425.
01:21:0525.
01:21:0625.
01:21:0725.
01:21:0826.
01:21:0925.
01:21:1025.
01:21:1126.
01:21:1226.
01:21:1327.
01:21:1426.
01:21:1526.
01:21:1626.
01:21:1727.
01:21:1928.
01:21:2028.
01:21:2928.
01:21:3329.
01:21:3427.
01:21:3526.
01:21:3728.
01:21:38Untertitelung des ZDF, 2020
01:22:08Untertitelung des ZDF, 2020
01:22:38Untertitelung des ZDF, 2020
01:23:08Untertitelung des ZDF, 2020
01:23:38Untertitelung des ZDF, 2020
01:24:08Untertitelung des ZDF, 2020
01:24:38Untertitelung des ZDF, 2020
01:25:08Untertitelung des ZDF, 2020
01:25:38Untertitelung des ZDF, 2020
01:26:08Untertitelung des ZDF, 2020
01:26:38Untertitelung des ZDF, 2020
01:27:08Untertitelung des ZDF, 2020
01:27:38Untertitelung des ZDF, 2020
01:28:08Untertitelung des ZDF, 2020
01:28:15Untertitelung des ZDF, 2020
01:28:22Untertitelung des ZDF, 2020
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