Designed For Desire Full Movie

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00:00Coffee delivery girl trying to make ends meet.

00:02Little did I know, I'm about to land my dream job

00:05and meet the love of my life.

00:12Okay.

00:19This is insane.

00:24Hi, did anyone order these?

00:26Artless Pervert!

00:28You've got to be kidding me!

00:32Look, you've got it all over me!

00:34Do you have any idea how much this costs?

00:36And if they can't get it out...

00:37That's enough!

00:42You.

00:46In my office. Now.

00:48What?

00:57What's your name?

01:04Cecilia Brooks?

01:05Ms. Brooks.

01:06Ms. Brooks.

01:07Is there a reason why you came here to interview you as a designer dressed like this?

01:11Oh.

01:12I think you have the wrong idea, Mr.

01:14Um...

01:15Mercer.

01:17I'm not here for-

01:18I don't want to hear excuses.

01:26Change into this.

01:27Excuse me?

01:28Yolid thinks they're very fast-paced here.

01:29Excuse me?

01:30Yolid thinks they're very fast-paced here.

01:32I don't have time to ask twice.

01:34I don't have time to ask twice.

01:56I don't have time to ask twice.

02:22Hello? This is Cecilia.

02:24Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.

02:28Until then, we cannot proceed.

02:30Okay, w-one second.

02:33Hello?

02:34Ms. Brooks?

02:35Shit.

02:40Who is this woman?

02:41His girlfriend or something?

02:43I wasn't done with my interview.

02:45We'll touch base soon, okay?

02:50Oh!

02:52Good luck.

02:55I thought you weren't interested.

02:57Take off your clothes.

02:58Right now.

02:59So, Ms. Brooks, what do you see in this room?

03:04So, Ms. Brooks, what do you see in this room?

03:21Well, it's deliberate, controlled, powerful. It's impressive, but...

03:25What?

03:26It's not... satisfying.

03:28Bold again.

03:29Tell me.

03:30How do you know it's satisfying?

03:31How do you know it's satisfying?

03:32Satisfaction lies somewhere in between.

03:34You think you can give me that?

03:36Think you can take the risk and find out?

03:37All yours.

03:38Hey.

03:39Hey.

04:10To be in the position you're in.

04:11To be in the position you're in.

04:13Unless you have other ideas.

04:20Don't make me regret this risk.

04:22I don't plan to.

04:26The position's been filled.

04:27No.

04:28Go home.

04:29Get out!

04:30Damn.

04:31He doesn't have to be so rude.

04:33Pappy, your phone's upside down.

04:48Hi, how are you feeling?

04:53Hey, jubilation?

04:54Not doing too well, honey.

04:57Damn hospital postponed my surgery again.

05:00I'm so sorry, Pappy.

05:02I'm working things out with the hospital.

05:04I have some good news today, though.

05:07I'm sorry.

05:08Uh, I think that's my landlord.

05:09We have to go.

05:10Love you.

05:11Bye-bye.

05:14Oh.

05:15What the hell is he doing here?

05:19What are you doing here?

05:21Oh.

05:22What the hell?

05:23Hey!

05:24Whoa, whoa, whoa.

05:25Guys, whoa.

05:26Hey, don't take that!

05:27I did not agree to this!

05:28Actually, you did.

05:29The signing must reside on Mr. Mercer.

05:30I can't quite hear you.

05:31Must reside with Mr. Mercer for the duration of the project?

05:32Mm-hmm.

05:33How long?

05:34How long?

05:35Keep reading.

05:36And definitely without exception?

05:38A gift?

05:39A gift?

05:40In exchange for being kidnapped?

05:41No thanks.

05:42I need to know where you're at, at all times?

05:43A gift in exchange for being kidnapped?

05:44No thanks.

05:45I need to know where you're at, at all times.

05:50without exception a gift what the fuck a gift in exchange for being kidnapped no thanks

06:05i need to know where you're at at all times it's a tracker what like a dark color

06:15do you think you own me now i wouldn't do that come on let's go this is insane just

06:23give me a second to put crumpet in his carrier and call my grandfather no there are no animals

06:27in the mansion you must say goodbye to your little crumpet what absolutely not i told you

06:35in the contract that i will take care of everything i don't care about the contract what oh my god

06:41goodbyes are always so hard put me down what are you doing

06:49welcome back miss brooks so i'm not allowed to leave if you leave your contract will be

06:56terminated immediately and what you're just going to leave me all alone in here would you like me to

07:01join you no no no no why is it making that sound damn if i leave pappy dies

07:17shit i'm trapped with this monster oh my god is this really happening i'm stuck

07:34this is your uniform work hours have started already tidy yourself up report to mr mercer

07:41oh and uh chop chop miss brooks mr mercer does not like to be kept waiting

08:03you know i um just didn't want to disturb you i don't mind if you stare sorry sir i was just

08:25interested in your build the building the build of the mansion that we're building to work on today

08:34what time are we leaving for car leaves in 10 minutes great i'll be ready

08:40how much further

08:54patience miss brooks

08:55oh my pink

09:12hey foxy i got something that'll keep that jaw clenched wow original mr mercer we didn't know you

09:18was coming in today get off my property what you're fired leave oh the hell i worked on the last

09:26nine mercer mansions and now i'm fired because of this bit if i collapse your loan wait did you just

09:34stand up for me sir how about you continue your work with miss brooks and i'll handle this

09:40come on everything's nearly finished i'm gonna have a team come in and make some final measurements

09:50over here and i'll ensure they know how to keep their mouth shut uh is this all marble

10:01seeing her in my house gives me a strange feeling it's so beautiful

10:05what is it about her why do i want to follow me

10:15wow an elevator by the way what you did out there thank you i'd dismiss you just as fast

10:22if i wasn't pleased with your work miss brooks remember that

10:25your first task for the client i don't know anything about the client who is

10:37we don't ask about the client we only worry about what they desire

10:40okay am i allowed to know what the purpose of this room is yes great the client would like this

10:50room transformed into their bdsm chambers i hope she doesn't see right through me

11:01so how would you do it uh um paint me a picture right uh over here i would

11:12put a chaise lounge velvet obviously obviously and over here would be a great place to mount a swing

11:22one with adjustable heights and handles and next to it we could put a cabinet for whips and toys and

11:29things you're very well versed i read a lot certain genres of certain books have certain details that's

11:39right right right of course yeah it's perfectly normal a lot of women read fantasy and romance and

11:48fantasy romance anyway uh this would be a great place to mount wall cuffs

12:09i don't pick up

12:23hello miss brooks i'm sorry we need the payment i i understand is there anything i could do now to hold

12:30him there anything that could be done right now we need your payment miss brooks by tomorrow morning

12:36all two hundred thousand dollars okay i'll get it to you i promise

12:43sorry your contract explicitly states that i received 100 of your attention at work

12:48who was that it's personal there are no personal calls at work i'm sorry

13:04mr mercer it won't happen again i'll get to work right away i'll have designs to you by tomorrow morning

13:09take it off

13:15what

13:19your jacket

13:22mr mercer

13:23i won't ask twice

13:34what's this for

13:40it's perfect now go get dressed

13:43no need to pout miss brooks you'll be reading some of the top designers i don't understand how

14:09how does this take priority over work am i your date or your designer you are

14:18when i say you are

14:26what's going to be doing

14:30ladies and gentlemen

14:33it is my pleasure to welcome you all to

14:36the annual architectural ball proudly hosted by the mercer group

14:44i'd also like to welcome and introduce our newest interior designer

14:48miss cecilia brooks

14:55i thought you said you had the job i did everything that i could

14:59which must have slept with him in the interview

15:01fine

15:03i'll fix it myself

15:08so without further ado please enjoy your drinks and have a wonderful night

15:19yeah

15:20we have this dance

15:22okay

15:26sterling

15:28i was hoping that maybe we could walk and talk or maybe dance and discuss

15:35you must be working so hard

15:38i was thinking maybe you would benefit from a designer who really knows you your past

15:45i'm not interested in rehashing old relationships no

15:51it was just a flight

15:53doesn't mean we can't be close

15:56sterling could be a difficult person to work for

16:03you know you can come to me if you need anything

16:07get your hands off of her

16:18what the hell are you doing here vincent

16:20folks looks like the jester came to play

16:26get him out of here

16:26it's all right folks enjoy the party it's okay

16:35you're okay

16:37why don't you go grab a drink and move the carolins

16:39crazy night huh

16:49too crazy

16:50i'm nora a close friend of sterling so

16:54tell me how's the new position treating you

16:58it's demanding

17:00the client what's your feel on them oh i'm not at liberty to discuss that

17:05come on it must be crazy right i really can't

17:14oh how embarrassing

17:20what are you doing in here

17:21cecilia i'm sorry i'm so done with their whole world

17:27yeah i had the head of the board was barking my ear off

17:31stop it what i'm just trying to help help really that's rich

17:37i mean i mean i am rich

17:40you you are a lot of things from the moment i met you've controlled every aspect of my life

17:45every movement i make you're obsessive cryptic a perfectionist

17:50but you're not rich not where it counts

18:03i feel excuse me i have work to do

18:24oh

18:30hmmm this hand

18:32what if

18:34maybe cuffs

18:36what if we hang something around here

18:39Is that me?

18:57Did I say you could come in here?

18:59Uh, you'll be happy to know that I worked on these all night.

19:09Maybe if you stayed at the gala, you would have learned something.

19:15Learned what?

19:16You follow through with your obligations so you wouldn't waste your time working on garbage.

19:20Garbage?

19:22I'll need five more by tomorrow morning.

19:24That will take me all night.

19:25Even making those two took me all night and I barely got them done in time.

19:29You've done it once before.

19:31You can do it again.

19:32Don't you think maybe, just maybe, that's an unreasonable amount of time?

19:37Maybe.

19:38I don't care.

19:39Wait.

19:41I should have remembered.

19:42It's not in the contract.

19:53Oh my god.

19:59Excuse me, miss.

20:00Where's my grandfather?

20:02I'm sorry.

20:03Usually if they're not in the room, it's because the insurance ran out or...

20:06Miss Brooks?

20:20Yes?

20:21I just wanted to inform you that your grandfather just received his first round of stem cell treatment.

20:26He's being very well taken care of.

20:27I don't understand.

20:28How is that possible?

20:30I can't afford that.

20:32I told you.

20:34I'll take care of everything.

20:35What?

20:37I can't believe this.

20:38Oh, but, but why?

20:48Why would you do that?

20:49Well, when I said I needed your undivided attention, I meant it.

20:53Now the only thing you have to worry about is me.

21:00I'm not your slave.

21:06Five designs by tomorrow morning.

21:08You're welcome.

21:21I've been expecting you.

21:23I have a feeling I'll be impressed.

21:25Brushed work is not work to be proud of.

21:32Is this you?

21:34And my parents.

21:34They must be so proud of you.

21:36They never got to see it.

21:37I inherited this company before I was old enough to run it.

21:41I'm so sorry.

21:42It was a long time ago.

21:43What happened?

21:44They vanished.

21:45On a work trip into Europe.

21:47Guess I don't control everything after all.

21:49I'm going to deliver these designs to everyone.

21:52I have a surprise for you.

21:59To your first approval.

22:00It's beautiful.

22:08I do have a request, though.

22:11I was wondering if I could, I could have a little freedom.

22:15From what?

22:16Me?

22:17No.

22:17No, not you.

22:20From this.

22:21Well, I need to keep track of you.

22:25I mean, what if...

22:27Sterling, I'm not your parents.

22:31I'll be fine.

22:32I just don't know if I'm ready for that yet.

22:35But you continue to impress me.

22:36I mean, you'll be free as a bird.

22:38I do have more surprises to show you.

22:54But, um, you're going to have to wait till tomorrow.

22:58Hmm.

22:59Full of surprises, aren't you?

23:01Yeah.

23:06And that's why I can't let you go.

23:22What are you two doing here?

23:24There's not supposed to be anyone working today.

23:25We were just swinging by to assess a minor electrical concern.

23:28It seems that the circuit...

23:29It's nothing urgent.

23:29We're going to come back tomorrow with the rest of the crew and get it resolved.

23:34Okay.

23:34Thank you for the update.

23:38Thank you, Mr. Mercer.

23:43I've ordered these beautiful pieces.

23:45White marble.

23:48What the hell?

23:48It's kind of beautiful.

23:56No, no, it's a mistake.

24:00It's not too perfect.

24:02It's bold.

24:02It's not trying hard.

24:03It just...

24:05is.

24:06Well, I like my work to be intentional.

24:08Intentional.

24:08Well, I would argue that this elevates the intention of the space.

24:16The juxtaposition between control and chaos.

24:19You have good eyes, Miss Brooks.

24:22Follow me.

24:29Your second task for the client.

24:32Master bedroom and nursery.

24:34Oh, the client's a family man.

24:37We don't discuss the client.

24:39Only satisfy their needs.

24:44Would you like to see your designs?

24:45Is it not what you thought?

25:05No, it's...

25:07It's not that.

25:07It...

25:08The power went up.

25:13There's no signal.

25:15Yeah, the soundproofing they put up, uh...

25:17Cuts signal.

25:19What?

25:20No.

25:20It's not funny.

25:34I'm not laughing.

25:36How long until someone notices that we're gone?

25:38I don't know.

25:39An hour?

25:41Maybe two?

25:42Is it Nora?

25:44The client?

25:45What?

25:46No, you're not supposed to ask about the client.

25:49Just tell me.

25:50No, it's not.

25:52Is she...

25:53More?

25:55I built this room because I believed in your vision.

25:59I cleared your schedule.

26:01I cleared your stressors.

26:03All because...

26:05I wanted you.

26:19Sir, your 7 o'clock is waiting upstairs.

26:45Tuck your shirt in, sir.

26:57I know.

27:05I know.

27:06I know.

27:07Ah!

27:08Who the hell are you?

27:10Calm down, sweetie.

27:12Put Crumpet down!

27:13Listen, sweetie.

27:16I work for Mr. Mercer.

27:18He hired me to take care of your grandpa and Crumpet until you return.

27:22Sweetie!

27:22What are you doing home?

27:24What am I doing?

27:25This is Agnes, my nurse.

27:29She's taking care of me.

27:30Oh.

27:32I'm sorry.

27:32I'm so embarrassed.

27:37Um.

27:38Hello?

27:39Why are you in your apartment?

27:41If you're there, there's no need for Agnes to stay employed.

27:44Cece, you're ruining my chances.

27:46Go back, Cece.

27:47Oh, okay.

27:48Okay.

27:49Everything's all right.

27:51Agnes has taken very good care of me.

27:52Okay.

27:53Okay, Pappy.

27:53I'll go.

27:54Um.

27:55It was nice meeting you, Agnes.

27:57Nice to meet you, dear.

27:58What the hell?

28:10He has a girlfriend?

28:18What was I thinking?

28:28What was I thinking?

28:58Got you now, bitch.

29:03I found her address.

29:21Sterling.

29:23Sterling.

29:24Can we talk?

29:25I don't have the time, Miss Brooks.

29:27Sterling, it's important.

29:28Please.

29:28Well, I'm dealing with something.

29:29Figure it out yourself.

29:40You might want to ask me why I'm here, you psycho.

29:43I don't give a damn what you have to say.

29:46I don't trust you.

29:47Well, maybe you should start.

29:48Because I know a dirty little secret about you.

29:55You're about to be broke.

29:59I'm here to offer you a buyout.

30:02Get out.

30:03Hear me out.

30:04Hear me out.

30:05Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment

30:11of architecture, we could merge as Hale Mercer.

30:16Even has a nice name.

30:18Oh, you're way out of line.

30:19Am I?

30:21Because someone pretty close to you seems to be worried about you.

30:24Besides, if you don't accept this buyout, I'll publish the information, and Mercer Designs

30:33will go bye-bye.

30:34Is that a threat?

30:35Think of it...

30:36More of a...

30:39bribe.

30:43Get the hell out of my property.

30:45And out of my sight.

30:47Now!

30:48Miss Brooks, in my office immediately.

31:04Are you sure you want me in there, or not your other woman friend?

31:07What are you talking about?

31:08Hand me your sketches.

31:12I have designs, but they're not the originals.

31:14The originals are missing, or lost.

31:18What do you mean, lost?

31:19I finished the designs last night, and I fell asleep, but when I woke up, they weren't

31:23in my room anymore.

31:24You're lying.

31:25I'm lying?

31:27Why don't you tell that to the next girl you bring over?

31:31Excuse me?

31:32You're so careless.

31:33Careless?

31:34Me?

31:35I'm pretty sure you're the one who's talking about losing sketches.

31:38Something you won't have to deal with anymore.

31:42Marley's gonna be taking you to the project mansion.

31:44Hopefully you can figure out your sketches problems there.

31:49You may go.

31:56Take her and her belongings to the project mansion.

31:59Anything I should know, sir.

32:01She can't be trusted.

32:04And check the cameras.

32:06We have a mole.

32:08Yes, sir.

32:09Miss Brooks.

32:16What are you doing here?

32:18Well, um...

32:20I, uh...

32:21Had to get some artwork for the client.

32:26You don't trust me.

32:28That, too.

32:30You're not trusting me?

32:32You were the one with another woman after all that

32:34I did this all for you, bullshit.

32:36Okay, what woman are you talking about here?

32:38You can't lie to me.

32:39I saw you with her.

32:40I saw you...

32:41Okay, okay.

32:42Okay.

32:43If it makes you feel any better, I...

32:44I promise I'm looking into it.

32:50You promise?

32:53I promise.

32:54I thought you didn't trust me.

33:15That you were mad at me?

33:16No, you're too hard to resist.

33:17No, you're too hard to resist.

33:47You cut right through.

33:49Every look says what you do.

33:53Pull me under soft and deep.

33:56You're the secret I can't keep.

33:59Breath on glass, you trace my name.

34:02No one else can play this game.

34:05You don't ask, you just take.

34:09And I give, and I pray.

34:13Well, hello.

34:15I'm here for Mr. Brooks.

34:16I'm sorry, what exactly is this for?

34:18I'm the treatment nurse.

34:20I'll be taking him to his appointment for today.

34:22Oh, Mr. Brooks doesn't have an appointment today.

34:24I can assure you he does.

34:29Well, thank you for coming.

34:31Can I bring Crumpet?

34:33Yes, Mr. Brooks.

34:34Bring the cat.

34:35Hello, Cecilia.

34:56I'll need your full cooperation.

34:59I have something of yours you might want back.

35:01Now that I've got your attention, I need a little favor.

35:05Bring me Mercer's Legacy One design.

35:07You can't do this.

35:09But see, I already have, sweetheart.

35:11Give me the designs.

35:13Tell Sterling.

35:13And your sweet old pappy dies.

35:16And your little cat, too.

35:17Your choice.

35:18I've been reviewing project management assets.

35:22You're four days late on the Hudson property.

35:24The client is not happy.

35:26Mr. Mercer is not happy.

35:29Pick it up, or I'll give your work to her.

35:30She's three days ahead.

35:33Is that a personal email?

35:34No.

35:35No.

35:36No.

35:37No.

35:38No.

35:39No.

35:40No.

35:41No.

35:42No.

35:43No.

35:44No.

35:45No.

35:46No.

35:47No.

35:53Sweetie, you don't have to do this.

35:55Too late, old man.

35:57Who the fuck are you?

35:59Your worst nightmare.

36:01Baby.

36:02I'm so glad you made it.

36:04I set all this up for you.

36:07This better work.

36:11No.

36:12No.

36:17No.

36:18No.

36:19No.

36:20No.

36:21No.

36:22No.

36:23No.

36:24No.

36:25No.

36:26No.

36:27No.

36:28No.

36:29No.

36:30No.

36:31No.

36:32No.

36:33No.

36:34No.

36:35No.

36:36No.

36:37No.

36:38No.

36:39No.

36:40No.

36:41No.

36:42No.

36:43No.

36:44No.

36:45No.

36:46No.

36:46Show me the video.

36:51Yes, sir.

36:55She knew how to evade the cameras.

36:57I can't identify her, but you knew her enough to let her in.

37:02Keep this video between us.

37:04Yes, sir.

37:16Cecilia.

37:20Sterling, you're not working from home today?

37:22What are you doing here?

37:24Who have you been talking to?

37:26No one.

37:26I just, I needed to pick up some paint samples, and this was on the way.

37:30On the way to what?

37:32We're like 20 miles south of home.

37:35I'm getting my necklace cleaned.

37:38So if you can't find me or track me for any reason, that's why.

37:46Why do you need your necklace cleaned?

37:51I've just been working a lot.

37:53The drafting table is super dusty, and I don't want it to get messed up.

37:58It's a woman thing.

38:05I'm trusting you right now.

38:08I know.

38:16What the hell is going on?

38:25Good girl.

38:45Right on time.

38:46Well, don't hesitate now, sweetheart.

38:50Or they're dead.

38:53Come on, Cecilia.

38:54Do it.

39:01Sterling Mercer's legacy designs.

39:03Just like I asked.

39:05Oh.

39:06Sterling, you won't even know what hit you.

39:09Now let my grandfather go.

39:11He's all yours.

39:12A deal is a deal, pretty lady.

39:14She's the goat.

39:21Get out of here.

39:22Look, look.

39:35I've had a change of heart.

39:41Please.

39:43No.

39:44This way.

39:54Wow.

39:56You really know how to tie the room together, darling.

39:59Sterling has my location.

40:01You have no idea what you're in for.

40:02Oh.

40:03But I think I do.

40:04You see, when that timer goes off, you and that little tracker and this entire place will

40:13go bye-bye.

40:14And then that will pave way for the construction site of all hell designs.

40:19He'll find me.

40:20He'll find me.

40:21And when he does?

40:22That's very unlikely, Cecilia.

40:25Now that Sterling has this video, no one's coming to save you.

40:30Screw you.

40:32Screw both of you!

40:33Oh, oh, oh, oh, but I almost have everything I need.

40:40His financials, his accounts.

40:42You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.

40:50What?

40:51Why does that matter?

40:53Well, once I have the contact, I can put in a bid under his.

41:00Therefore, Mercer will no longer have any names attached to any property.

41:06That will never happen.

41:08Who's the client?

41:15How much was the bid offer?

41:18I don't know.

41:21Or you'll remember.

41:24Trust me.

41:25Even if I did, I wouldn't tell you.

41:28So, tell me, who is the client?

41:43He took care of my family.

41:45I'm never going to sell him out.

41:51Unless you forget, sweetheart.

41:53You already gave me the plans.

41:56So, therefore, you are already a betrayer.

42:00Promise?

42:01I don't know anything.

42:05Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.

42:10So, tell you what.

42:13This is how it's going to go.

42:16You're going to tell me, and then you, Pappy, and little Kitty will go free.

42:23While Mercer Designs burns to the ground.

42:26Or, I could kill you.

42:30Right here.

42:32Right now.

42:34And Mercer Designs falls anyway.

42:39Okay.

42:40Decisions, decisions, darling!

42:41Wait, no!

42:42No, I'll tell you!

42:43I'll tell you anything you want to know!

42:44Please, don't touch him!

42:46I'll tell you!

42:46Tell me everything.

43:01I don't...

43:02I don't know a lot.

43:04I just...

43:05I know she's very private.

43:08Very secretive.

43:10She only talks to Sterling.

43:11She's an older, conservative woman.

43:16Liar!

43:18That night that I dosed Sterling with that sleeping elixir,

43:22I found your little project mansion and that newly built BDSM room.

43:28Oh, and then all the plans that I stole from Cecilia's bedroom?

43:31They were for a nursery.

43:32Both rooms that an elderly woman wouldn't need in a new home.

43:37You drugged him?

43:38Yes!

43:38I drugged him!

43:45And then I ransacked his mail.

43:48That's where I found you,

43:50your address,

43:52and your little cat, too.

43:55Well, then.

44:00Looks like you chose...

44:03Oh!

44:04Oh, I'm sorry, my sweetness,

44:06but our short little affair is over.

44:10Excuse me.

44:12Well,

44:13obviously I don't need your services any longer.

44:17Besides,

44:18I don't do witnesses.

44:25Sterling,

44:28help me, please!

44:29Sterling, wait, it's a trap!

44:31Sterling, please, you have to help me!

44:33Watch out!

44:41Tell me how to disarm it!

44:43Now!

44:46Packed wire!

44:47You little bitch!

44:55Nora, stop!

44:56Put down the knife!

44:58She kidnapped me!

44:59I've been waiting here for hours for you!

45:02Put down the knife!

45:03Come on, let me at her one last time!

45:05She betrayed you!

45:06She's the one who gave up the Legacy One

45:08and the third floor!

45:11Wait, how do you know about the Legacy One project?

45:12That was confidential.

45:14That little bitch.

45:14She told Vincent everything!

45:17No, she's lying!

45:19It's all because of her!

45:23She drugged you!

45:24No, I didn't, you bitch!

45:26When I thought I saw you with that woman?

45:29Then now you lost the designs.

45:31No!

45:32No, that wasn't me!

45:33Okay, Vincent made me do it!

45:35He said he threatened my family!

45:37I had no other choice!

45:39I don't believe you.

45:41Arrest her!

45:43No!

45:43Stop the knife!

45:48Come on, you!

45:48Get my thing!

45:49Stop!

45:50Vincent, yes, please!

45:52You have the right to me, and you're silent!

45:55Anything you say, I can't move against you, and you're going to fall!

45:58No, get this, my sir!

45:59Wait, no, no, I'm Heinzverse.

46:00I'm so sorry.

46:02It's okay.

46:03It's okay.

46:03But I gave him your designs.

46:05I didn't know what else to do.

46:06I was trying to save them.

46:07Didn't mean to.

46:08You're safe.

46:09You're safe.

46:10Okay?

46:11Vincent, we'll be able to touch the project.

46:13I'm so happy you found me.

46:21I thought...

46:23Always find you.

46:26How?

46:27Because I know you.

46:33That moment in the parking lot, I knew, from your eyes, that you needed me.

46:43I will always keep you safe.

46:44Hey, hey, would you two take it someplace else?

46:54Sorry, Pappy.

46:55I'll take you and Crump at home.

46:56Oh, thank goodness you're okay.

47:04I want to tell you something, sweetheart.

47:07I love Agnes.

47:08I love Agnes.

47:09I really mean it.

47:11Okay, Pappy.

47:12Just get some rest.

47:13I mean it, Cece.

47:15When a man knows, he knows.

47:21Agnes, it's been a long time since I've met someone as caring as you.

47:25And I'd like you to be my wife.

47:26I love you, Agnes.

47:40Marley, what are you doing here?

47:42Miss Brooks.

47:43Mind coming with me?

47:45Will you give me a second?

47:46I want to change first.

47:47I want to change first.

48:17Everything feels brand new.

48:20Sunlight dancing in my mind.

48:22Come here.

48:22I don't know what you do.

48:26Love just fits like truth.

48:29You got a...

48:30This is really beautiful.

48:37We work well together.

48:40I'm glad you think so, Cecilia.

48:44Um...

48:44Yes, Sterling?

48:45I have something I need to tell you.

48:51About?

48:53There isn't a legacy, Kalai.

48:56Well, there is, but...

48:59It's not who you think.

49:02I don't follow.

49:06It's me.

49:07What?

49:08This...

49:09This is my legacy.

49:14Come here.

49:15I need to show you something.

49:24I made this for you.

49:27Wait one second.

49:28I thought if we put them next to each other, it would create balance.

49:43Balance.

49:43But then you came in.

50:02You're kind.

50:04Bold.

50:06Intuitive.

50:08Sterling.

50:08Beautiful.

50:10Beautiful.

50:12You gave this place a soul.

50:17Cecilia Brooks.

50:21Would you share the love we built together?

50:26Yes.

50:28Yes, Sterling.

50:28I said yes to you

50:39To forever too

50:42To every dream

50:44We're walking through

50:47Yes.

50:52The final song my workout is written together,

50:52Did you try to lightly swim out a bit of strength?

50:55Oh, my God.

50:57I hope you die.

50:58I believe that you might be going in the first place.

50:59Oh, my God.

51:00Oh, my God.

51:01Give me your life.

51:02Oh, my God.

51:04I believe this nochmal, right?

51:04Ah, go.

51:05Christine, Bicklock 상황

51:06Willis.

51:06Oh, my God.

51:07I will stay and my Sarah-

51:10rejoice.

51:12Oh, my God.

51:13Come here.

51:14Oh, my God.

51:15Oh, my God.

51:16That's amazing.

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