Passer au playerPasser au contenu principalPasser au pied de page
FilmsActu
  • hier
✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma

FilmsActu X Nicolas Winding Refn (Interview)
© 2025
Transcription
00:30...
01:00...
01:02...
01:04...
01:06...
01:08...
01:12...
01:14...
01:16...
01:18...
01:20...
01:22...
01:24...
01:26...
01:28...
01:30...
01:32...
01:34...
01:36...
01:38...
01:42...
01:44...
01:46...
01:48...
01:50...
01:52...
01:54...
01:56...
01:58...
02:00...
02:02...
02:04...
02:12...
02:14...
02:16...
02:18...
02:20...
02:22...
02:24...
02:26...
02:32...
02:36...
02:38...
02:40...
02:42...
02:46...
02:48...
02:50...
02:52...
02:58...
03:00...
03:02...
03:04...
03:06...
03:08...
03:14...
03:16...
03:18...
03:20...
03:22...
03:24...
03:26...
03:28...
03:30...
03:32...
03:34...
03:38...
03:40...
03:42...
03:44...
03:46...
03:48...
03:50...
03:52...
03:54...
03:56...
04:28...
04:30...
04:32...
04:34...
04:36...
04:38...
04:40...
04:42...
04:44...
04:46...
04:48...
04:50...
04:52...
04:54...
04:56Vous avez des fantômes, et j'aime l'extrême,
04:59donc j'ai pensé que je vais partir de l'autre à l'autre.
05:02Et je pense que j'ai travaillé dans le fantôme,
05:04ça a été beaucoup de fun.
05:06Donc j'ai décidé de faire Pusher 4 quelques années,
05:11mais comme un show de TV,
05:12et ça s'est devenu Copenhagen Cowboy,
05:14qui est vraiment Pusher 4.
05:16Il a des mêmes personnages et des mêmes mondes,
05:20mais je n'étais pas plus intéressé
05:24dans la manière dont j'ai eu l'habitude,
05:26parce que social media dominait cette narrative maintenant.
05:30Tout est accessible, et la plupart du tout est réel,
05:35ou à l'aise peut être très réel,
05:37capturé de moment à moment,
05:39et c'est très efficace, et je ne peux pas faire ça.
05:43Mais ce que je peux faire, c'est que je peux manipuler
05:46ça dans mon propre version.
05:48C'est fantôme, et c'est que je me suis plus intéressé.
05:51J'ai perdu la peur de vivre dans le vrai monde,
05:56et d'être plus excitée par stepping dans le théâtre,
06:02le space de l'unreality, comme un stage.
06:05Et donc, c'est comme l'évolution.
06:09Qu'est-ce que tu veux faire ?
06:12Je pense que si les directeurs veulent retourner
06:15et changer leurs films, je suis sûr qu'il y a une raison.
06:18Je n'ai pas besoin de faire.
06:20Je n'ai jamais eu la liberté de faire
06:23pour faire le film que je voulais faire.
06:25Donc, il n'y a rien à changer.
06:27J'ai quand même regardé.
06:29Donc, une fois que j'ai fait quelque chose,
06:31j'ai été ostracisé dans mon corps.
06:33Il n'est plus en moi.
06:36J'ai quand même faisant de quelque chose.
10:50Things can become different
10:52It can evolve into other components
10:55Rather than just always
10:57Staying in the same repeat lane
10:59Because you very quickly
11:01Run out of steam, in my opinion
11:03I was very happy
11:05But obviously
11:06You know, a lot of harsh reactions
11:09And a lot of booing
11:11And screaming
11:12But then I was like, that's kind of cool
11:15Because then you're like
11:16Sex pistols of cinema
11:18You're like the one everyone throws bottles at
11:21But you can't deny it existence
11:23You can't really criticize it
11:25Because I did it my way
11:27The world will see it
11:29As it continues to evolve
11:31And you just have to be
11:33You have to just be
11:34Trust yourself
11:35So you never lose your vision
11:36When you have that strong reaction?
11:39No, on the contrary
11:39You're like, it's like energy
11:41It's like, just wait for the next one
11:43I love that
11:44I'm like you
11:45I have no regrets about only God forgets
11:48I think it's a masterpiece
11:49And it is
11:49I just didn't make it very expensive
11:52Is there a doctor in the house?
11:54We need to get a medic in here
11:57Is there a doctor around?
12:00When you were mentioning 2001
12:02I said, Zincane, you forgot to add Drive
12:04We'll let that slip
12:06We won't know about Drive for another 30 years
12:0930 seconds
12:10Whether it lives or dies
12:12I'm talking about films
12:132001 was made in 1968
12:18I made this film about 4 years ago
12:20So it's about time
12:204 years is a zip
12:21It's not even a blip
12:23It's not a pimple
12:25On the asshole of humanity
12:28What was funny about talking to Billy Freakin
12:30Was that it was
12:31He had a man who had struggled a lot
12:34In Hollywood
12:35And started very successfully
12:39At a young age
12:40And then gone into Sorceress
12:43And, you know, was still traumatized
12:47By that experience after so many years
12:49And I think that was what was so sad
12:51In a way
12:52That it had such an effect on him
12:54It was a little bit like Michael Cimino
12:56Doing Heaven's Gate
12:57These amazing films
12:59Both Sorceress and Heaven's Gate
13:02Are probably their best films
13:04For some reason get so destroyed
13:07And then they lose sight of themselves
13:10Or they lose their confidence
13:12And it affects all the other movies
13:14They make afterwards
13:15And I was like
13:16I'm never going to be like that
13:17Because I'm right
13:19You're wrong
13:19I mean, I've done two shows
13:26One with Amazon
13:27One with Netflix
13:27And I like what I was making, obviously
13:30But I don't know how much I want to continue
13:36I may want to take a break
13:38And go and make movies again
13:41I've decided to do more visual arts, you know
13:45And trying to find other areas of creativity
13:50But I think it's time to go make a film again
13:53You said you work on two shows
13:55That you work on The Famous Five
13:56Or something
13:57So The Famous Five was a television show
14:00That I just, how do you say
14:02Executive produced or created
14:04But I had no involvement in it
14:06Otherwise I just created the kind of concept
14:09And the story
14:10Based on these very famous books
14:12The Famous Five was more because
14:13My kids would read the books
14:15When they were young
14:16I remember my mother reading me the books
14:18So it was more like a past history thing
14:21That came up as an opportunity
14:23Well, I mean, if something is interesting
14:29You know, why not look at it
14:31I've had some wonderful meetings in Hollywood
14:33Met wonderful people
14:35But in the end, I like my freedom
14:37That's all I really want
14:39Is just to be free
14:40When you work in Hollywood
14:42There is a contract
14:44Some people love that
14:45And can work within that
14:47I, it's maybe not so much my thing
14:50Right now
14:51But who knows
14:51Maybe next year
14:52I'll do a big
14:53You know, big superhero movie
14:56That could be fun maybe
14:59I don't know
14:59I'm pretty open to anything
15:01But at the same time
15:02At the end
15:03You should just make what makes you happy
15:05It's one thing having creative control
15:08Which is easier enough
15:10But it's where all the money that's invested
15:13Puts a burden on you
15:15Because all that money has to get, you know, recouped
15:19And then you have to make a certain type of movie
15:21You don't have the freedom to do whatever you want
15:23Because you're a slave to the economics
15:26If your film costs $200 million or $100 million
15:30You need to make $300, $400 million to break even
15:33That already puts a strain on what kind of movie can you make
15:36And I don't want any conditions on me
15:39At all
15:41You have to be completely free
15:43I mean, in the beginning
15:49A lot of people were talking about another drive
15:51But it was like
15:52That would be the worst idea I've ever heard of
15:55So never?
15:56Never
15:57I've been very lucky to live a fun life
16:09And it has nothing to do with fame
16:13You realize very quickly
16:16It has that I've had opportunities
16:19And I've been able to work with people
16:21I've met people
16:23I've spoken with people
16:24And it's all been a lot of fun
16:27But I think when I started
16:29The idea of being seen
16:32Was very essential
16:33The idea of fame
16:34And fame being an opportunity
16:37It's like an opportunity
16:38It's like a stage
16:39One thing is becoming famous
16:41The next, what are you going to do with it?
16:43And obviously, it's like anything
16:45It's an opportunity
16:46I don't have any love
16:48You're a mess
16:51You're working all the time
16:52I also have to work
16:54You're working all the time
16:55I was also...
16:55I was...
16:56We're going to be here in Bangkok
16:59For six months
17:00Yang Han will make his next film
17:02And I've said yes to the film process
17:04It's new to be with him
17:08When he's filming
17:09When he's filming
17:10When he was making a drive
17:11I was home in Denmark
17:12With the children
17:13And it took over ten months
17:15And it was just for hard
17:17To be away from each other
17:18My daily life
17:22Is I have a routine
17:23I wake up
17:24I do two-hour sports every day
17:27Then I usually have lunch
17:29Then I get yelled at by my kids
17:32I work at night
17:34And then try not to get to bed too late
17:39And then Friday comes
17:41And it's weekend
17:42And you try to relax a little more
17:45And the next day is Monday
17:47You watch movies?
17:48I used to watch a lot of movies
17:51When I was a lot younger
17:52But now it's just harder and harder
17:54There's other things
17:55That I find interesting
17:56Like what?
17:57Well, I did my first exhibition
18:00That just opened in Tokyo
18:02And that's been a lot of fun
18:03To do that
18:04A collaboration with Hideo Kojima?
18:06Yeah
18:07Can you talk about that?
18:08Well, I created an exhibition
18:11That opened on Friday
18:14Last week
18:15In Tokyo
18:16Where I built this installation
18:18Between us
18:20I saw my wife
18:21And my daughter
18:22In the procession
18:23Hey!
18:25It's me!
18:31Where are you going?
18:33Wait!
18:38Don't leave without me!
18:39Don't go!
18:45Please!
18:46Don't go!
18:48And you are in Death Stranding 2
18:50I am Heart Man
18:52And Heart Man is forever in Death Stranding
18:55I think that
19:01Don't believe everything you read on the internet
19:04Can you tease us something?
19:06Well, believe everything you read on the internet
19:08Ah, okay
19:08We're going to see a great film
19:19We're going to see a great film
19:19We're going to see a great film
19:20We're going to see a great film
19:22We're going to see a great film