T.R.R.M. Going Wrong. (1998) Part 1 of 2.

deaddogsdam

First broadcast 2nd/9th June 1998.  A successful businessman runs into his old girlfriend. Although she treats him politely, his rekindled feelings to her border on nothing less than obsession.   James Callis - Guy Curran Josephine Butler - Leonora Chisholm Daniel Caltagirone - Danny Danilo Hosh Kane - Linus Pinedo (as Hosh Ibrahim) Sara Kestelman - Tessa Mandeville Jack Tanner - Robin Chisholm Philip Locke - Magnus Mandeville Kate Lynn Evans - Susannah Chisholm Sylvester Morand - Anthony Chisholm Tenniel Evans - Coroner Lisa Dulson - Tanya Rebecca Craig - Rachel Lingard Inday Ba - Celeste Seton Rick Warden - William Newton Hosh Kane - Lindus Pinedo(as Hosh Ibrahim) Bee Jay - Duty Nurse (as Beejaye) Robert Kingswell - Mervyn

Transcript

00:00:00This is good? Yes, yes, excellent. Did you see the game? Yes, did you see that second hand?

00:00:23Anything on the game? Yeah, I'll have a double twister.

00:01:11Well.

00:01:13Hello.

00:01:14Get high.

00:01:15Laura.

00:01:16Will this...

00:01:17Oh, no.

00:01:18Bye.

00:01:19Bye.

00:01:20I've got a table ready.

00:01:21What will you have to drink?

00:01:22A pair of tea for...

00:01:23Um, campari and soda.

00:01:24What?

00:01:25Yes, of course.

00:01:26Jamie!

00:01:27I'll have one campari and soda, please.

00:01:28And, er...

00:01:29I'll have the table ready.

00:01:30Hello.

00:01:31Hello.

00:01:32Get high.

00:01:33Laura.

00:01:34Will this...

00:01:35Oh, no.

00:01:36Bye.

00:01:37Bye.

00:01:38Bye.

00:01:39Bye.

00:01:40Bye.

00:01:41Bye.

00:01:42Bye.

00:01:43Bye.

00:01:44Bye.

00:01:45Bye.

00:01:46Bye.

00:01:47Bye.

00:01:48Bye.

00:01:49Bye.

00:01:50Come on, campari and soda, please.

00:01:51And, er...

00:01:52I'll have the same.

00:02:03You look, er...

00:02:06Yeah, it's...

00:02:07You don't like campari.

00:02:09Oh, I do, now.

00:02:18How's it pasta?

00:02:29Al dente.

00:02:30Just how I like it.

00:02:33Al dente.

00:02:35Al dente.

00:02:36It's a Scorsese from which one?

00:02:38I'll teach you to make meatballs

00:02:40for 20 men.

00:02:42That's Coppola, Godfather I.

00:02:43He wasn't called out.

00:02:45You're going to have to get up early, darling.

00:02:47You're looking at me.

00:02:49You're looking at me.

00:02:53Always looking at you.

00:02:56Looking at you.

00:03:00Looking for you.

00:03:05Just looking.

00:03:10Get a piece of a travel agency.

00:03:13Sharing a car, fit a property.

00:03:14Cheers, Jamie.

00:03:15And what I'm really into now

00:03:17is the art market.

00:03:18Tessa will be amazed.

00:03:19Yeah, and when she finds out

00:03:20how much money I'm making,

00:03:21it'll really be a case of

00:03:22I'm yours.

00:03:24This is me.

00:03:26So you're rich.

00:03:27Stinks, doesn't it?

00:03:29Don't you like it?

00:03:30Like what?

00:03:31Being rich.

00:03:32No, I love it.

00:03:33It's been a long time,

00:03:38too long.

00:03:42You see,

00:03:43I've been trying,

00:03:45but I just can't tell

00:03:47what colour your underwear is.

00:03:48Going to the ladies.

00:03:50Why?

00:03:50I've forgotten what it's like

00:03:51being with you.

00:03:52Black.

00:03:52In your dreams.

00:03:53No, they're red.

00:03:54Guys, stop it.

00:03:55Scream.

00:03:56You're even more lovely

00:04:02than the first time

00:04:02I ever saw you.

00:04:03No, no, no.

00:04:11Oh, my God!

00:04:20Wait, no, no, wait here.

00:04:21Wait here, wait here.

00:04:22A couple more jokes

00:04:23will be on our way, all right?

00:04:25What's the hurry?

00:04:27Because we're brassic plotted.

00:04:31I look at the talent.

00:04:33Oh, sexy.

00:04:35All right.

00:04:37Shouldn't be walking down here.

00:04:39It's dangerous.

00:04:40It's out to yourself, thank you.

00:04:43What's your name?

00:04:49It's yours.

00:04:51I think you'll find

00:04:52I'll ask you first.

00:04:56Leonora Chisholm.

00:04:58How do you do, Leonora Chisholm?

00:05:00Still didn't tell me your name.

00:05:03Guy Cowan.

00:05:04What do you do, Guy Cowan?

00:05:08Who, friends?

00:05:12Danny Han, Silo Danilo.

00:05:14Princess Leia.

00:05:16And this is Leonora Pineda.

00:05:18Are you disgusting?

00:05:21Are you disgusting?

00:05:22Are you disgusting?

00:05:32All right.

00:05:33This is my stop.

00:05:36It's in a bit.

00:05:37I'm sorry.

00:05:48See you later.

00:05:52Cheers.

00:05:54See you later.

00:05:55See you later.

00:05:55Ladies and gentlemen

00:06:25Tell me when you're old enough and I'll have a little drink

00:06:31Nice

00:06:33What's that, Linus?

00:06:37What plan are you on, Linus?

00:06:39I liked it. I called it Erica

00:06:41Is this a joke or something?

00:06:55I like that

00:06:57Okay

00:07:07Come on, two pound a pound

00:07:09I'm up for you

00:07:11Come on, two pound a pound

00:07:15I'm up for you

00:07:17Oh, ah

00:07:19Thank you

00:07:21Thank you

00:07:23Come on

00:07:25I used to be beside you

00:07:27Every day

00:07:29Now I'm not there anymore

00:07:31I mean

00:07:33Doesn't matter

00:07:35If you keep sailing

00:07:37Over and over and over and over

00:07:41Over and over and over

00:07:43Here, what's your guy

00:07:45Get out of here

00:07:47Get out of here

00:07:49Get out of here

00:07:51Get out of here

00:07:53Get out of here

00:07:55I swear to you, darling

00:08:05One dam's gonna be so damn rich

00:08:07How rich?

00:08:09Very rich

00:08:11Are you making serious money?

00:08:13I'm gonna get out of here

00:08:15Come with me

00:08:17Yes

00:08:19You promise?

00:08:21Mmm

00:08:23Al dente

00:08:25Al dente

00:08:27Scorsese film, which one?

00:08:29I'll teach you to make meatballs for 20 men

00:08:31That's Coppola Godfather 1

00:08:33He wasn't called at all

00:08:35You looking at me?

00:08:37I'm always looking at you, darling

00:08:39My mother

00:08:41What's gonna happen?

00:08:43I don't know

00:08:45There'll be a big scene, that's for sure

00:08:47This is Guy, Guy, this is my brother Robin

00:08:49Nice to meet you, how do you know?

00:08:51I'm sorry?

00:08:53How do you know?

00:08:55Hard as it is for you, try not to be a twerp

00:08:57Now, now, you two

00:08:59So this is Guy?

00:09:01Yes, how do you do?

00:09:03Where do you live, Guy?

00:09:05In Atley House

00:09:07I don't think I've been here

00:09:09I don't think I've been here

00:09:11In Atley House

00:09:13I don't think I know it

00:09:14You wouldn't

00:09:15Oh my God, it's got some room

00:09:16No, Leonora, I don't think so

00:09:17Nice try

00:09:18We'll be having dinner the minute Magnus comes in

00:09:20That's what we call our evening meal

00:09:22I expect, Guy, you'll have your dinner in the middle of the day

00:09:25Anyway, if you'd excuse us, I need Leonora to peel potatoes

00:09:28Well, I'll help, we call them spuds

00:09:30When I come from, Tessa

00:09:32You flatter me, Guy

00:09:33I didn't realise we were on such intimate terms

00:09:35Shut up, Mummy, please

00:09:36I'm sure you have a very warm, outgoing temperament

00:09:39But if you don't mind awfully, Guy

00:09:41I'd like it to be Mrs Mandeville for a while

00:09:44Is that you, darling?

00:09:45Very same

00:09:46Goodness, me

00:09:49We have company

00:09:50Had you forgotten?

00:09:51No, indeed

00:09:52Robin

00:09:53Thank you

00:09:54Leonora, my dear

00:09:55Magnus

00:09:56And you, by a process of elimination, must be Guy

00:10:00Yes, but if you don't mind awfully, Magnus

00:10:02I'd prefer it to be Mr Curran for a while

00:10:04Well, you didn't stop you seeing me again, then?

00:10:08Who did they?

00:10:09You looking at me?

00:10:10You looking at me?

00:10:11Oh, yeah

00:10:12Come here

00:10:13Come here

00:10:14Hello

00:10:15Hello

00:10:16Tell me something

00:10:17What's all this crap of Christian names in your family?

00:10:18Snobbery as far as you're concerned

00:10:19Yeah, well, I could get that

00:10:20But I mean, er, you calling your father Magnus?

00:10:21He's my father, he's my stepfather

00:10:22Thank God for that

00:10:23I had a mum and dad once like everybody

00:10:24Yeah, speak for yourself, I never knew my dad

00:10:25I'm lucky I thought I knew mine

00:10:26And just like that, there he was, gone off with another woman

00:10:30Just about got used to that when mum and aunt she'd found another man

00:10:37What, old skull face?

00:10:38Magnus

00:10:39He was the solicitor who was handling Eddivorth

00:10:40Cheeky

00:10:43Sorry

00:10:45Next thing I knew, he's a man

00:10:46He's a man

00:10:47He's a man

00:10:48He's a man

00:10:49He's a man

00:10:50He's a man

00:10:51He's a man

00:10:52He's a man

00:10:53He's a man

00:10:54He's a man

00:10:55He's a man

00:10:56He's a man

00:10:57He's a man

00:10:58He's a man

00:10:59Next thing I knew, they're all the best of friends

00:11:01Everybody telling me how lucky I was to have two sets of parents instead of one

00:11:06Middle class wankers

00:11:08It's called civilised behaviour

00:11:10Yeah, not where I come from

00:11:12Anyway

00:11:13I live with whoever I want and I don't give a toss for any of them

00:11:18Good

00:11:20Do you want to go out somewhere nice tonight?

00:11:22I might do it

00:11:24Help

00:11:31Help

00:11:32Please

00:11:33Help

00:11:34Help

00:11:35Come quickly

00:11:36Help

00:11:37Are you okay?

00:11:38No, please

00:11:39Please, you've got to help my friend

00:11:45My nurse

00:11:46Nathan

00:11:49floors

00:11:59I need you too

00:12:00Ed

00:12:01англий

00:12:03I need you too

00:12:04Dabei

00:12:05witnesses

00:12:06Let's go.

00:12:36Guys, come on!

00:12:39You go down to the woods today, you're sure that makes you cry.

00:12:51You go down to the woods today, you never believe your eyes.

00:12:59This is lovely. Where's it from?

00:13:03Well, this one.

00:13:06I think this one fell off the back of a lorry.

00:13:22Have some more, have some more.

00:13:25Wait, wait.

00:13:25Bashan, it's a great new trick.

00:13:28Huh?

00:13:29Okay, it goes like this.

00:13:39Guy, guy, guy, guy, wait, wait, wait.

00:13:42Go and stand over there.

00:13:46Go on.

00:13:46Don't turn around.

00:13:51Don't turn around.

00:13:54Don't turn around!

00:13:56I'll love you all my life, Kai.

00:14:23There can't be anyone else for either of us, ever.

00:14:30I'm you, Kai, as much as you are me, as much as I am, Leonora.

00:14:38I am Kai.

00:14:53I thought you said you'd love me all your life.

00:15:00I knew you were, then.

00:15:02I haven't changed, all right?

00:15:03Yes, you have changed.

00:15:05I don't like what you're into now.

00:15:08I'm trading up, that's all.

00:15:10Guy, I don't want to have anything to do with this, and you shouldn't either.

00:15:15It's all reasonable, Leonora.

00:15:17Hello?

00:15:18Guy, we're in business.

00:15:19Yeah, I'm on my way.

00:15:21Now.

00:15:22You alright, Dan?

00:15:23I'm on my way.

00:15:24Now.

00:15:25You alright, Dan?

00:15:26I'm on my way.

00:15:31I've got to go.

00:15:34Yeah, I'm on my way.

00:15:36Now!

00:15:38You alright, Dan? I'm on my way!

00:15:42I gotta go.

00:16:00Have you got the car keys?

00:16:02Yeah!

00:16:04Goodness!

00:16:06See who's here, darling?

00:16:08Guy! I thought my daughter

00:16:10had put you in the doghouse!

00:16:12Yeah, well, truth is, that's why I'm here. Try and talk my way out of it.

00:16:14I'm so glad.

00:16:16Theonora came home in floods of tears, and I thought everything was death and disaster.

00:16:18Here, is she about by any chance?

00:16:20She's in the bath. Right, might you get her down?

00:16:22Please, please.

00:16:24We could step nothing, wouldn't we?

00:16:26Why don't you get yourself up here?

00:16:28I've never let me say that we stood in the path of true love!

00:16:30Theonora!

00:16:32Guy's here, darling!

00:16:34Good luck.

00:16:36Thanks. Thanks so much.

00:16:38Have a lovely evening. You look smashing!

00:16:40Leo!

00:16:46Go away!

00:16:48You're right, Leo. Drugs are for losers!

00:16:50Go away!

00:16:52No more chemicals, Leo and Nora.

00:16:56I promise you. They're all finished.

00:16:58They're all flushed. I've done with them!

00:17:04Leo!

00:17:06All of them?

00:17:08Not a spliff on the plot.

00:17:10Anyway, I've got something for you.

00:17:12Yes, see if that's any good, will ya?

00:17:26A ring!

00:17:28You always believe you can charm your way out of everything.

00:17:34Come on, Leo.

00:17:36You know you love me.

00:17:38Plough it back in.

00:17:40Reinvest in new stock, sell it on, the profits come rolling.

00:17:42I'm not so sure, Linus.

00:17:44It'll be easy.

00:17:46They'll be stoned and happy.

00:17:48We'll be rich and happy.

00:17:50Everything will be joyful.

00:17:52Young finance of the year storms the markets.

00:17:54These new strategies...

00:17:55Chemists to the masses!

00:17:56Harder to the people. Men with a mission.

00:17:58Look, I really don't want anything to do with this anymore.

00:18:00All right.

00:18:02Yeah.

00:18:04Oh, my God.

00:18:06Oh, my God.

00:18:08Oh, my God.

00:18:10Oh, my God.

00:18:12Oh, my God.

00:18:14Oh, my God.

00:18:15Oh, my God.

00:18:16Where's Leo, then?

00:18:18He's got nothing to do with you.

00:18:19He wants him to clean up his act.

00:18:20Go straight.

00:18:21Be a good boy.

00:18:22She can take home to meet our mummy.

00:18:23He's got nothing to say, Linus, and he's saying it too loud.

00:18:25All right.

00:18:26I'm right, though, aren't I?

00:18:27Shut up.

00:18:28No.

00:18:29Why?

00:18:30Why should I shut up?

00:18:31No.

00:18:32Look at him.

00:18:33What are you doing?

00:18:34You've got to sort your life out, guy.

00:18:35We're the people that matter.

00:18:36You've got to choose between her or us.

00:18:38It's got nothing to do with you, Linus.

00:18:40Exactly.

00:18:41Or you, Dan.

00:18:42Where do you think he's going to go?

00:18:44We're your family.

00:18:45We're the ones that matter.

00:18:46You've got to choose between her or us.

00:18:48You've got to decide.

00:18:49What do you want to do?

00:18:50I've got to decide.

00:18:51That's it.

00:18:52I'm out.

00:18:53Spill it three ways.

00:18:54What are you talking about?

00:18:55Just shut up, Linus.

00:18:56What are you talking about?

00:18:57This is great.

00:18:58This is great.

00:18:59So far up your ass.

00:19:00Get on with us.

00:19:01Shut up.

00:19:02You really don't want to shut up, do you?

00:19:03You're not in a good way, are you?

00:19:04Come on, you two.

00:19:05Just chill out.

00:19:06We're doing very well, aren't we?

00:19:08Oh, shit.

00:19:09I don't know.

00:19:10It just seems like to me that it's time we split up.

00:19:23Okay.

00:19:24And no odd feelings.

00:19:25What about me?

00:19:26That's you problem, mate.

00:19:27I've got the problem.

00:19:28I've got to deal with that.

00:19:29You're going to help him up.

00:19:30You're going to have to do something to you.

00:19:31Okay.

00:19:36Okay.

00:19:38Okay.

00:19:41And no odd feelings.

00:19:42What about me?

00:19:44That's your problem, mate.

00:19:52You've got no control like this.

00:19:56Oh, yeah, you've got control. Look at you.

00:20:04What am I gonna do?

00:20:08Well, I've been getting rid of the shower in my place,

00:20:10but I did manage to keep a couple of tabs back for you, my son.

00:20:16Yes.

00:20:20Listen, come with me. Let's have some fun.

00:20:24Just this once. Please.

00:20:30Don't talk down.

00:20:32Yes.

00:20:54I can see. I can see such... I can see such lovely things.

00:21:00So beautiful.

00:21:06The colours.

00:21:08The colours.

00:21:10The colours.

00:21:12Kingfishes and parakeets and bluebirds and bottom tops and all these beautiful things.

00:21:16The colours.

00:21:18The colours.

00:21:20The colours.

00:21:22Kingfishes and parakeets and bluebirds and bottom tops and all these beautiful things.

00:21:28All the colours of the rainbow and people flying.

00:21:30Can't see them.

00:21:31Look at them.

00:21:32Look at them.

00:21:33Look.

00:21:34Oh, my God.

00:21:35Kingfishes and parakeets.

00:21:36All around you.

00:21:37Where are you going?

00:21:38Where are you going?

00:21:39What are you doing, mate?

00:21:40I'm going to talk with the bees.

00:21:41It's alright.

00:21:42The bees know where their friends are.

00:21:43Not my stars.

00:21:45What are you doing, mate?

00:21:59I'm going to talk to the bees.

00:22:02It's all right.

00:22:04Bees know where their friends are.

00:22:06Not like stars.

00:22:15I'm going to talk to the bees.

00:22:45The cause of death was asphyxia due to the deceased's throat swelling up as a result of an allergy to bee stings.

00:23:04It appears that neither he nor his family had prior knowledge of this condition and therefore returning a verdict of accidental death.

00:23:14However, the post-mortem shows a level of an hallucinatory class A drug in the deceased's bloodstream so high as to suggest that he was not in possession of his faculties when he embarked on this foolhardy adventure which put the matter to the test.

00:23:32Without it, Linus Benito might still be with us today.

00:23:38Whoever supplied him is going to have to bear the burden of that knowledge for the rest of his or her life.

00:24:02Leo, are you coming to the wake?

00:24:06Yeah, we'll catch you up, Dan, all right?

00:24:07Guy, don't leave it to me alone.

00:24:08We'll catch you up, Dan, all right?

00:24:10Come on, Denny.

00:24:11I knew something like this was going to happen.

00:24:13You're not blaming me for I have to linus.

00:24:19I'm not linus, Leo.

00:24:21He had no breaks, all right?

00:24:24The drugs killed him.

00:24:26And that is the business you're in.

00:24:27Don't you listen to anything?

00:24:28I've finished with all the drugs.

00:24:30I promise you, I told you.

00:24:32It's too late for him.

00:24:33It's too late for what?

00:24:34I'm sorry.

00:24:36What are you talking about?

00:24:37It's over.

00:24:38You know, I don't understand him sometimes.

00:24:43No, I know you don't.

00:24:45And I can't explain it.

00:24:48You know, I just think with me going away to university and...

00:24:52Look, it's time we got on with our own lives.

00:25:00Take it.

00:25:08Please, Leon.

00:25:30Bill, please, Jamie.

00:25:32So what now?

00:25:33Doing a bit of supply teaching.

00:25:35First of all, I've got to find someone to live.

00:25:37Now, that won't be a problem.

00:25:46You are joking.

00:25:50About what?

00:25:57Guy, I can't possibly afford to rent anywhere like this.

00:26:01Don't have to.

00:26:02Belongs to me.

00:26:04Wow, this place is amazing.

00:26:05Is that a Kandinsky?

00:26:08Not half.

00:26:12I wouldn't have thought it would appeal to you.

00:26:14Yeah, well, it doesn't, I'll tell you the truth.

00:26:17But it costs so much, it has to be good.

00:26:21Guy.

00:26:22Provides a bit of colour, doesn't it?

00:26:26Wow.

00:26:27You obviously are very rich.

00:26:32Yeah, I told you I would be.

00:26:36The Great Gatsby.

00:26:38Great which?

00:26:38It's a book.

00:26:40You have books.

00:26:43So, when can you move in?

00:26:48Move in?

00:26:49I've only just announced to my parents that I'm moving out.

00:26:52What else progress for you?

00:26:55Come on, when?

00:26:57I don't know you anymore.

00:27:00Then let's get reacquainted.

00:27:03When am I going to see you again?

00:27:05All right, what's today?

00:27:10Um, Saturday, why?

00:27:12Have lunch with me next Saturday.

00:27:16All right.

00:27:17Every Saturday.

00:27:18Guy.

00:27:18And I'll phone you every day.

00:27:20Every day.

00:27:20I'll do it to begin with.

00:27:22Do you want a coffee?

00:27:22Thanks for lunch.

00:27:33See ya.

00:27:34Bye.

00:27:50Bye.

00:27:52I'll see.

00:28:16Are you in?

00:28:17Who is it?

00:28:18The Unlock in the bar.

00:28:22Hello, Guy.

00:28:25Hi, Dad.

00:28:26You should be all flattered.

00:28:28If anyone but Rachel had said it, I might.

00:28:32How are you?

00:28:33Fine.

00:28:34You?

00:28:35Yeah, good.

00:28:36I pulled off a really sweet deal today.

00:28:39Fancy going out to celebrate?

00:28:41Have you forgotten our arrangement?

00:28:43What arrangement?

00:28:44I said I'd have lunch with you every Saturday.

00:28:47Miss Donovan, that's not going to be the only Tommy to see each other.

00:28:49Oh, yes, it is, Guy.

00:28:52Have you forgotten we're supposed to be getting to know one another again?

00:28:56We talk on the phone almost every day.

00:28:58A lot of people have to manage on less.

00:29:00Yeah, but I might be dead tomorrow.

00:29:01Besides, I've got a stack of essays to mark.

00:29:03I'll see you on Saturday.

00:29:04Yep.

00:29:31Hello?

00:29:31Before you say a word, I'll tell you what you're doing tonight.

00:29:35I'll tell you what you're doing tonight.

00:29:36I'll tell you what you're doing tonight.

00:29:37I'll tell you what you're doing tonight.

00:29:38I'll tell you what you're doing tonight.

00:29:39I'll tell you what you're doing tonight.

00:29:40I'll tell you what you're doing tonight.

00:29:41I'll tell you what you're doing tonight.

00:29:42I'll tell you what you're doing tonight.

00:29:43I'll tell you what you're doing tonight.

00:29:44I'll tell you what you're doing tonight.

00:29:45I'll tell you what you're doing tonight.

00:29:46I'll tell you what you're doing tonight.

00:29:47I'll tell you what you're doing tonight.

00:29:48I'll tell you what you're doing tonight.

00:29:49I'll tell you what you're doing tonight.

00:29:50I'll tell you what you're doing tonight.

00:29:52I'll tell you what you're doing tonight.

00:29:54I'll tell you what you're doing tonight.

00:29:56So, um, how is it with being Leonora?

00:30:15I can't talk to you about it.

00:30:18Why not?

00:30:21I feel guilty enough as it is.

00:30:26I mean, like, uh, using you when I'm in love with someone else.

00:30:33Well, as it is right now, you have lunch with her every Saturday.

00:30:37And you, uh, talk to her on the phone every day.

00:30:41If that's competition, I can stand it.

00:30:44No, you don't understand.

00:30:47There's never really been anyone else for either of us.

00:30:53Then you'd better do something about it.

00:30:55Because if you keep on like this, we'll all be on Zoom at frames before you get your act together.

00:31:00Well, me, my baby, my dog, we're gonna say our goodbyes.

00:31:16Spine down my phone, sex.

00:31:19I'm surprised.

00:31:20The folks ain't too happy.

00:31:22They look at me and say,

00:31:24Sam, we lived here for two days.

00:31:26Don't look at you.

00:31:26Take us on a holiday.

00:31:27Take us with you.

00:31:29Well, what's with you career-wise these days, guy?

00:31:39Whatever it is, it's obviously paying too well to be legal.

00:31:42On the contrary.

00:31:43I don't have to deal in funny money to make a living.

00:31:46I spotted the niche in the market, didn't I?

00:31:47Well, I got the idea in Florence, actually.

00:31:55This guy told me how people like Leonardo da Vinci would choose good old.

00:32:00Had like workshops with wannabe painters in them.

00:32:03You know, working their trade.

00:32:05Copying, filling in backgrounds, working to order, working regular.

00:32:08So, I set up, like, my own art factory.

00:32:12Sandra.

00:32:13Hi, guys.

00:32:14How's it going?

00:32:15Great.

00:32:17Yeah, lovely.

00:32:19What a brilliant idea.

00:32:20Well, I couldn't go wrong, could I?

00:32:22What, guaranteed original paintings at affordable prices and different every one?

00:32:26What exactly do you mean?

00:32:28I mean, each one's personally executed by an artist.

00:32:31Painting what?

00:32:32Well, Ginger, the subjects I give them.

00:32:35Watch out for that signature, don't make it too different, all right?

00:32:39The sort of thing people can live with.

00:32:41And from 70 to 700 apiece, according to size, they go like a bop.

00:32:47Oh, my favourite.

00:32:48How are you, Olivia?

00:32:49Fine.

00:32:50May I take her away from you?

00:32:51You may.

00:32:51Not too attached?

00:32:58All right, my old son, how are we doing on this one?

00:33:01It's selling you like you wouldn't believe.

00:33:04She thinks it's her eyes.

00:33:05I think it's her tits.

00:33:07The answer is her arse myself, and you shouldn't be looking at her tits, Tim.

00:33:10You should be cooking my books.

00:33:12All right.

00:33:12I thought we were talking about art.

00:33:14We are.

00:33:15I'm a patron.

00:33:17Like the Mediches.

00:33:19Yeah, we're happy to know.

00:33:20Next week, we're doing another still life.

00:33:23John of Amethyst's head on a plate.

00:33:25All right.

00:33:26All right.

00:33:26I'm using them to make money.

00:33:27I don't deny it.

00:33:28But I am paying them a living wage to practice their craft.

00:33:31I mean, I take every single one straight out of art college.

00:33:34Well, that's something, I suppose.

00:33:36Yes, it makes it worse.

00:33:38They're glad in the money, I can tell you.

00:33:40If that's all they want, then you better to go on the streets.

00:33:43Because that's what you're doing to them.

00:33:45Turning them into prostitutes.

00:33:46Oh, come on.

00:33:47That's a bit.

00:33:47You're just an artistic pimp guy, Curran.

00:33:50Really, Tessa, you're going too far.

00:33:53No, she's not.

00:33:53She's right.

00:33:54That's your idea of bettering yourself.

00:33:56It would be pathetic if it weren't so obscene.

00:33:58Don't you call me obscene, you adulterous old cow.

00:34:00Just stop it.

00:34:01Just stop it.

00:34:02There you say it.

00:34:03Look what you've done.

00:34:03Leonora.

00:34:04Leonora, come back.

00:34:05Curran.

00:34:06Leo.

00:34:08Leonora.

00:34:09Leo.

00:34:10Look, Tessa.

00:34:11Darling.

00:34:11I've never met that, Leo.

00:34:12I've never met that.

00:34:13But you've done enough harm.

00:34:14Listen, it was bad enough.

00:34:15They're crashing Leonora's birthday party.

00:34:17They're ruining a birthday party.

00:34:18They're in this day, for God's sake.

00:34:19Get out of my way.

00:34:20I couldn't have set me in a minute, Robin.

00:34:21All right.

00:34:22Listen, Leo.

00:34:23I've never...

00:34:23Just shut up, will you, please?

00:34:29Listen, Leo.

00:34:32I'm really sorry it all went sideways.

00:34:35I've never meant for any of this to happen.

00:34:38Only come for your birthday to date.

00:34:42What, to give you this?

00:34:43A hundred grand?

00:34:48How to put a lady in your power in one easy lesson.

00:34:50Thank you, Robin.

00:34:57What's this for?

00:35:00It's for the flat, darling.

00:35:02Look, I know you can't afford it.

00:35:04I won't even notice it.

00:35:05Please take it.

00:35:05This is outrageous.

00:35:07It's magnificent, Arthur.

00:35:09Look, I can't accept this guy.

00:35:12Why not?

00:35:14No, I just can't.

00:35:15I can't.

00:35:16I just...

00:35:16Everybody, go away and leave me alone.

00:35:19You know which way the door is.

00:35:44What were you doing, then?

00:35:47How many times, Celeste?

00:35:49I went to her birthday party to give her my present.

00:35:52Which was?

00:35:53Come on, don't go say coy with me.

00:35:55What was it?

00:35:55What did you give her?

00:35:56What?

00:35:57A flat.

00:36:00It's not funny.

00:36:02Now I know you shouldn't have gone.

00:36:03Well, to my mind, that should have been asked.

00:36:05You know, this is getting really boring,

00:36:07because this is turning into one of those circular arguments

00:36:09which always seems to evolve around Leonora.

00:36:11It wasn't exactly like I gate-crashed the royal tea party.

00:36:14I've had better sandwiches on the train.

00:36:15How was the cake?

00:36:17A bit off.

00:36:18I'm not a mother.

00:36:19Anyway, I was shown to the door before we blew out the candle,

00:36:21so I didn't exactly have a chance to have my cake and eat it.

00:36:24You know what I mean?

00:36:25She really brings out the massacres to me, doesn't she?

00:36:27It was hardly her fault.

00:36:28According to you, it never is.

00:36:30No, I walked right into a good night.

00:36:32How?

00:36:32Well, I was banging on about the studio,

00:36:36telling them how much money I've made.

00:36:38Showing off.

00:36:39Couldn't help it.

00:36:40I thought I was beating them in her game.

00:36:43I realised I don't know what that game is,

00:36:44so they just hate me.

00:36:45I knew things were going wrong

00:36:48when that little shit Robin started taking a piss.

00:36:51And what did Leonora do?

00:36:52Yeah, well, what could Leonora do?

00:36:54What?

00:36:55Defend you?

00:36:57Against her family.

00:36:59It's not her nature.

00:37:01Evidently not.

00:37:02Look, you don't know the Mandevilles.

00:37:04They're the family from her.

00:37:06Put her under a lot of pressure.

00:37:07Magnus was drunk,

00:37:08so he's even more of a lunatic.

00:37:11Anthony's out of control.

00:37:13And Tessa...

00:37:14Well, they broke the mould when they made that bitch.

00:37:18You know what she called me?

00:37:19What?

00:37:20An artistic pimp.

00:37:23I dread to think what you called her.

00:37:26I wasn't very pleasant, I seem to remember.

00:37:29Actually, I can't remember what I called her.

00:37:30I said something else.

00:37:31Started screaming, going crazy.

00:37:35All hell broke loose.

00:37:37And Leonora burst into tears.

00:37:40How do you do that?

00:37:43I'm beginning to form a very clear picture of her.

00:37:46Are you?

00:37:46Yeah, I am.

00:37:47Are you kidding me?

00:37:49Where are you going?

00:37:50I'm going to go and have a bath.

00:37:52And then I'm going to put on something very revealing and chic.

00:37:57And then you're going to take me somewhere totally expensive.

00:38:01And then?

00:38:02And then I'm going to spend lots of your money on champagne and believe it.

00:38:06And then I'm going to go back to my flat that I own in my car that I bought.

00:38:20You can have a lift if you want to.

00:38:22And that is getting somewhere near what I call a relationship.

00:38:26Or you can wait until next Saturday lunchtime.

00:38:28It's your choice.

00:38:44It's your choice.

00:38:46It's your choice.

00:39:18Hi, Guy.

00:39:27Leonor, how are you?

00:39:29I'm fine.

00:39:30What are you drinking?

00:39:31Um, orange juice.

00:39:35Have a real drink.

00:39:37No, I'm fine.

00:39:39The time was we used to knock back the brandy.

00:39:41What's then?

00:39:43What, this is now?

00:39:44Mm-hmm.

00:39:44I'll have another orange juice now

00:39:49and a large vodka and tonic for me.

00:39:51Cheers.

00:40:08In the summer and world, there are orange groves.

00:40:17So, let's go there.

00:40:21Today, I'll buy a boat.

00:40:22You know I can.

00:40:23Honestly, we'll sail off across the world.

00:40:25You and me.

00:40:27Into the sunset.

00:40:29Because, Leonor, I know this.

00:40:30When we're together, we're invincible.

00:40:32It's you and me against the wall.

00:40:33Guy, Guy, Guy.

00:40:34I want you to stop thinking about me like that.

00:40:38It's a romantic fantasy.

00:40:40It's got absolutely nothing to do with the world we actually live in.

00:40:45I think of you in every way possible, and I can think about the moment that he loves.

00:40:49It's unique, clever, gifted.

00:40:56It's my wife.

00:40:58It's another of my children to grow up all with me, share all my worldly possessions with me,

00:41:03and me being as much in love with you in 50 years' time as I am now.

00:41:06And that's what I think about, Leonor.

00:41:08And if you can tell me other ways a man can think about the brightest star in his heaven,

00:41:12then I will do those two.

00:41:14Now, please tell me that satisfies you.

00:41:18Satisfy me.

00:41:18Look, it isn't a question of satisfying me.

00:41:28Who is he?

00:41:29What?

00:41:31Who is he?

00:41:33I saw you with him last Tuesday, Thursday.

00:41:36He's not big.

00:41:42Where do you meet him?

00:41:44He's no right to question me, Guy.

00:41:46Where do you meet him?

00:41:49At university.

00:41:52At university?

00:41:53Mm-hmm.

00:41:56I bumped into him again about six months ago.

00:41:59So this is after you got back from teacher training?

00:42:01Yeah.

00:42:04What does he do?

00:42:05We've been seeing each other a lot since then.

00:42:09I like him very much.

00:42:14What's that supposed to mean?

00:42:16Exactly what I say it means.

00:42:18You know, William is becoming important to me,

00:42:20and I am to him.

00:42:21You say you've been going out with him all the time you've been seeing me, right?

00:42:26Yes.

00:42:34Is he your lover?

00:42:37Does it matter?

00:42:39Is he your lover?

00:42:40Yes, yes, of course he is.

00:42:43I don't believe it.

00:42:44Why not?

00:42:45Aren't I attractive enough to have a lover?

00:42:47I'm only 23.

00:42:47I'm not bad looking.

00:42:48Not you.

00:42:48You're beautiful.

00:42:50I mean him.

00:42:51I mean, look at him.

00:42:51What's he got?

00:42:53His sandy head, little face.

00:42:55Has he got any money?

00:42:55You don't have to answer.

00:42:56I can see he hasn't got any money.

00:42:57You are going out with a poverty-stricken dwarf.

00:43:01I mean, what's he got to turn you on?

00:43:03His conversation.

00:43:04What just is his conversation?

00:43:09Well, apart from anything else,

00:43:11he's the most interesting man I've ever met.

00:43:12What, and I'm boring, am I?

00:43:13No, no, that is not what I said.

00:43:14It's just that you're not as interesting as William.

00:43:16Not just you.

00:43:17No one is.

00:43:19You know, I fell in love with William.

00:43:20Wait a minute.

00:43:22Wait.

00:43:23You're telling me you're in love with him?

00:43:25I am.

00:43:29Oh, no, please don't tell me I'm in love with him, all right?

00:43:31Well, what am I supposed to do, lie?

00:43:34Why don't you go to bed with this dwarf for his conversation?

00:43:37Is that what you're telling me?

00:43:38I don't want to make it sound ridiculous,

00:43:38but yes, oddly enough, in a way, I do.

00:43:42The table's ready when you are, Mr. Curran.

00:43:53No, I wish you'd have a decent meal for us.

00:43:56I don't like you paying for news it is.

00:44:00Rachel's been bending your ear again, has she?

00:44:02One of the many things we agree about.

00:44:04It's sour grapes and other things, I'd say.

00:44:07Anyway, I'm not objectifying you by buying your lunch.

00:44:10That's jargon, isn't it?

00:44:12Sexism's got nothing to feel with it.

00:44:13Point is, I'm earning serious money, and you're not.

00:44:15Look, I know you hate what I do for a living.

00:44:22You don't actually know what I do.

00:44:23You don't live in the world, the rest of us do.

00:44:26Because, well, because you're an intellectual.

00:44:30I think everyone's got your taste, everyone knows what's good and what isn't good.

00:44:33You can't understand there are ordinary people out there that just want ordinary, pretty things in their homes that they can look at, that they can appreciate, that they can feel touched by.

00:44:41It's not pretentious or phony.

00:44:44I'll tell you what it is.

00:44:48Before I had no money, and now I've got too much.

00:44:52And that's it, isn't it?

00:44:54Guy, I don't like any of the things you do for a living, but that is just a part of it.

00:44:59Well, you're going to tell me the rest, are you?

00:45:00I mean, you're telling me why you fancy this dwarf.

00:45:03You haven't actually told me why you don't fancy me anymore, that is.

00:45:11Considering they did once.

00:45:13I was 15, Guy.

00:45:14It was eight years ago.

00:45:15Still, I was your first.

00:45:17And a woman told me once a woman always loves her first bed.

00:45:19That'd be sexist rubbish.

00:45:20And if you call William a dwarf again, I shall leave.

00:45:27Thanks.

00:45:28You mind if I smoke?

00:45:28You always do.

00:45:31Yeah, well, I wouldn't if you minded.

00:45:32No, Guy, you don't have to ask.

00:45:34Don't you think I know you by now?

00:45:36All right, I'll have a brandy, a large one, please, love.

00:45:38Cheers.

00:45:43Please don't let's call, Guy.

00:45:52What happened to us?

00:45:53Well, things happened to us.

00:45:55We're still friends, aren't we?

00:45:58Well, look, I'd like us to be friends always.

00:46:04Friends.

00:46:07Friends like you and Rachel.

00:46:10How is she, by the way?

00:46:11Oh, it's Rachel.

00:46:12And Robin.

00:46:13And Robin.

00:46:14How's Robin?

00:46:15And mummy.

00:46:17And daddy.

00:46:18And step-mummy.

00:46:19And step-daddy.

00:46:20How are they?

00:46:20Still making mature second marriages.

00:46:22Now they're old enough to know that I'm bleeding my heart.

00:46:24Please.

00:46:25I'm sorry.

00:46:26I lost it.

00:46:27I'm sorry.

00:46:27Why are you such a fool, Guy, Karen?

00:46:36Because I love you, Leonora.

00:46:37I know you do.

00:46:39I wish you didn't.

00:46:40You know, I think if you knew what a hassle this is for me, the way you go on and on,

00:46:47the way you never leave me alone, you know, I wonder if you'd just give up, Guy.

00:46:50I never give up.

00:46:51You have to, one day.

00:46:52Why would I have to give up?

00:46:54You see, you wouldn't really be it if you didn't really love me.

00:46:57I'm very fond of you.

00:46:59Miss William, you're not in love with him.

00:47:04You're infatuated with him.

00:47:05Because you know in your heart of hearts you're in love with me.

00:47:07Why would you be seeing me?

00:47:09Why would you be ringing me?

00:47:11Why would you be talking to me?

00:47:13Okay, I only do it now because I...

00:47:15Oh, let's not get into that.

00:47:17No, let's get into that right now.

00:47:18You only do it now because...

00:47:20Because I know how you feel.

00:47:23At least I try to.

00:47:24And I feel responsible because I did make promises and whatever to you when we were kids.

00:47:33Oh, God, Guy.

00:47:35You're on my conscience, don't you see?

00:47:40And there's another reason.

00:47:43It's because I hope, well, you know, I hoped I had this idea that I could convince you that we could be friends.

00:47:51And that's how it would have been by this time with you agreeing to be my friend.

00:47:57But, you know, our friend, William's and mine.

00:48:01You see, I can see it all now because somebody's told you something, haven't they?

00:48:04Somebody's said something about me to you, haven't they?

00:48:07Turn you around, twist you about.

00:48:10What is it?

00:48:11What, I'm a Philistine, is that it?

00:48:14I'm a lowlife.

00:48:15I'm not good enough for you, that's it, isn't it?

00:48:17I'm a grown-up guy.

00:48:18I make up my own mind.

00:48:19This is William, right?

00:48:20I bet they're over the moon about William.

00:48:22I bet he's the first favourite with a lot of your family.

00:48:24Yes!

00:48:26They like him.

00:48:29And I'm very glad they do.

00:48:33Because William and I are going to get married.

00:48:36Yeah, but it's not him, is it?

00:48:42I mean, if I thought it was him, I'd kill him.

00:48:44Don't be ridiculous!

00:48:45I don't want to hear about him anyway, it's just an excuse.

00:48:47Any man but me!

00:48:48It's just an excuse.

00:48:49Where are you going?

00:48:49Wait, wait, I just want to know why!

00:48:53I want to have been telling you things about me because they're not true!

00:48:56It's all lies!

00:48:57I'll find out!

00:48:58You know I will!

00:49:06You aren't looking too good.

00:49:25Yeah, well I've been under a bit of pressure, haven't I?

00:49:28You want to eat fever for you?

00:49:31What the hell's fever for you?

00:49:33God knows.

00:49:34I read about it in one of Tanya's horses.

00:49:36You know what she's like.

00:49:38She's into all that alternative stuff.

00:49:42How's Celeste?

00:49:45You know how that is, Daniel.

00:49:49Let's hope she does.

00:49:53So, the works of art are still keeping you in the fast lane, are they?

00:49:58We always said making money would never be a problem for us, didn't we?

00:50:03A man's only half a man if you can't make himself rich.

00:50:06Look, it has to be Little Miss Leo.

00:50:13Yeah, I wouldn't let anyone else call her that.

00:50:15Listen, I love her too, mate.

00:50:16You know I do.

00:50:19Remember when she nicked all that stuff from that shop?

00:50:21I'll tell you, she had real talent.

00:50:29It's a shame she gave up.

00:50:31So, what's the problem?

00:50:34I reckon someone's been poisoning her mind against me.

00:50:40All the family's ganging up on me.

00:50:44Except Susanna.

00:50:46Her stepmother.

00:50:47She's got a soft spot for me, but her mother, Tessa.

00:50:50That woman's always hated me.

00:50:52Well, you know how it is, guy.

00:50:57If you want someone to disappear, all you have to do is name him.

00:51:02I'm not serious.

00:51:03You always did dance on the surface of things.

00:51:13For a friend, I could get a nice and neat job done for three grand.

00:51:34See you later.

00:51:35Hello?

00:51:44Hello, Leonora.

00:51:45Oh, she isn't here.

00:51:48Well, would you mind telling me where she is, please, Rachel?

00:51:51I'm not my sister's keeper.

00:51:53What?

00:51:54We may not know what God said to Cain when he made the statement I paraphrased,

00:51:59but I emphatically disassociate myself with that kind of involvement.

00:52:04Idiot.

00:52:05Silly bitch.

00:52:09Hello?

00:52:10Susanna Chizzo.

00:52:12Susanna, how are you?

00:52:13Very well, thank you, guy.

00:52:16I don't suppose you've seen Leonora?

00:52:18No, I'm afraid not, but Anthony might know.

00:52:21Darling, do you know where Leonora is?

00:52:23I'm LeCou.

00:52:26No, sorry.

00:52:32Oh, God.

00:52:34Who is it, Magnus?

00:52:36It's your Betanois trying to track down Leonora.

00:52:40I have no idea where my daughter is, and if I had, I wouldn't tell you.

00:52:44She's 23 and her own woman.

00:52:47However, it is only right to tell you that I think you are very seriously disturbed.

00:52:53Of course, one always knew his background was criminal.

00:53:11A criminal's a criminal, but his sort are capable of anything.

00:53:19Just look at the way he behaved at Leonora's birthday party.

00:53:21Oh, come on.

00:53:24He was provoked.

00:53:26Serve him right, bloody gay crusher.

00:53:29Hunting.

00:53:30They never discovered he supplied the drugs that led to the death of that boy, did they?

00:53:37Hmm.

00:53:38Any more cake?

00:53:39Oh, come on.

00:53:39Hello.

00:53:40Hello?

00:53:41Just there.

00:53:41Right above his head.

00:53:43Hello? Hello, is anyone there?

00:54:02Hello? Hello?

00:54:09Hello?

00:54:10What is this, please?

00:54:11Peppermint or Laps, eh? Oh, I have coffee.

00:54:16Hello?

00:54:17Oh, God, have you been trying to get in touch?

00:54:18Leonora, thank God!

00:54:20Guy, I really think it's about time we...

00:54:21No, no, listen to me, darling, listen to me. I've got something to say.

00:54:26Cos I, er...

00:54:29Well, I apologise. I mean, when you told me about you and the...

00:54:35You and William, the way I took off, it was...

00:54:39It was unforgivable.

00:54:41I felt so ashamed and I just had to apologise and tell you how sorry I am.

00:54:48Just a shot, you know?

00:54:52It's all right, I understand.

00:54:54Yeah, well, I wish I did.

00:54:56I mean, have you forgotten a film we used to have together?

00:54:59No.

00:55:00No, I reckon you have.

00:55:01It's just that I'm ashamed of some of the things I did.

00:55:04You think everything's fine so long as it makes money.

00:55:07Look, I haven't done anything illegal, not for years now, and you know...

00:55:11How about unethical things?

00:55:12Well, what do you mean, unethical?

00:55:14Well...

00:55:15You don't know what you're talking about, do you?

00:55:17So somebody's been saying things about me, haven't they?

00:55:19Guy, it wouldn't make any difference what anyone said.

00:55:22I mean, the fact is that you and I are poles apart.

00:55:24Anyway, you've got a girlfriend.

00:55:26Not really a girlfriend.

00:55:28What's her name?

00:55:29Celeste Seaton.

00:55:30Look, I really hope it works out for you.

00:55:56You're not crying again.

00:55:58Yeah, Celeste.

00:55:59Oh, don't go away.

00:56:00Oh, you're in the game.

00:56:01Oh, you're in the game.

00:56:02Yeah.

00:56:03Will it please?

00:56:04Leonora!

00:56:05Oh, Guy.

00:56:06Hi.

00:56:07What a surprise.

00:56:08Hi, Leonora.

00:56:09This is, uh...

00:56:11Celeste.

00:56:12Celeste Leonora and Leonora's...

00:56:14Hi.

00:56:15What a surprise.

00:56:16Uh, Leonora, this is, uh...

00:56:17Celeste, Celeste Leonora and Leonora's...

00:56:19Hello, Celeste Leonora.

00:56:20Hi.

00:56:21Hi.

00:56:22What a surprise.

00:56:23This is Celeste, Celeste Lenore and Leonore.

00:56:26Hi Celeste. I'm really pleased to meet you.

00:56:31And this is William.

00:56:35Ah, indeed. William Newton, how do you do?

00:56:40You should go. It was lovely to meet you Celeste.

00:56:43Nice to meet you.

00:56:44Bye.

00:56:45Listen, we're going to this great new club. Would you care to join us?

00:56:49No, not tonight. Thank you.

00:56:51Yeah, but you've got to eat, haven't you?

00:56:53No, no. We had something earlier.

00:56:56Yeah, but I'm taking it that that was like, er, hours ago. Am I wrong?

00:57:01Come on. I've heard so much about you.

00:57:04You're good, I hope. Almost all of it.

00:57:10My trick. We'll see about that.

00:57:15Leonore tells me to talk for the world. What do you do for a day job?

00:57:19Much the same. I work for the BBC.

00:57:22Really, I thought I was sucking everyone.

00:57:24It's called downsizing, if I speak.

00:57:27I haven't got around to my department yet.

00:57:29What's that?

00:57:30Arts and features.

00:57:32Can't be bad.

00:57:33For me, it's the perfect job.

00:57:38Cigarette.

00:57:39Thank. Thanks.

00:57:40Mind if I do?

00:57:41Get your lungs.

00:57:43Yeah, well, at least we can punish all of us together.

00:57:45Yeah, move for that.

00:57:46All right, here they come.

00:57:47Oh, good to think we'd lost you.

00:57:48Yeah, what are they doing in there?

00:57:49We've been talking about you behind your back, haven't we, Celeste?

00:57:52There we are.

00:57:53Rats.

00:57:54The man likes to keep his mystery.

00:57:55Yeah, well, it gave us a chance to get a quantity.

00:57:57Good.

00:57:59Watch him.

00:58:01Watch him.

00:58:02Don't make it.

00:58:03Watch him.

00:58:04Come on.

00:58:05Thanks.

00:58:10I don't know what to say.

00:58:11What?

00:58:12Look at that.

00:58:13They do seem to be getting on all right now.

00:58:17Should we go out?

00:58:19No, it's all mine.

00:58:21Oh, you've recovered your sense of humour.

00:58:25Where are other men besides me then?

00:58:28I will see.

00:58:30Better where are other men.

00:58:32Don't interrogate me, Guy.

00:58:35Who were they?

00:58:41Who were they?

00:58:46There was a friend of Robin's from work.

00:58:50And a couple of men at university.

00:58:51A couple of men at university.

00:58:52And someone I met at Robin's 25th birthday party.

00:58:54I'll love you all my life, Guy.

00:59:00Did you sleep with him?

00:59:03Running your business.

00:59:06You did then.

00:59:10Well, let me ask you something.

00:59:11If you're so...

00:59:13progressive,

00:59:15why don't you just go and live with us, will you?

00:59:17Well, I already am, more or less.

00:59:20Well, if you're living with him, why do you have to marry him?

00:59:23To make some sort of public commitment.

00:59:27You know, to commit to each other for life.

00:59:30Do you honestly think it's going to last that long?

00:59:33I hope so.

00:59:35I don't know.

00:59:37I don't know.

00:59:39Well, how can you ever know?

00:59:42Can we give it a rest?

00:59:45There won't be anyone else for either of us.

00:59:47Ever.

00:59:48Is that hysterical?

00:59:49Yeah, no, it was.

00:59:50Absolutely hysterical.

00:59:51What do you think?

00:59:52It's brilliant.

00:59:53Have you seen the back comics?

00:59:54Ryan Parrott?

00:59:55No, not yet, no.

00:59:56You better hurry.

00:59:57It finishes this week.

00:59:58Oh.

00:59:59I don't think William would have gone if he hadn't been making a film about Dr Gashay.

01:00:02Brilliant. Have you seen the back of it, Richard?

01:00:07Ryan Parrott?

01:00:07No, not yet, no.

01:00:08You'd better hurry. It finishes this week.

01:00:11I don't think William would have gone if he hadn't been making a film about Dr. Gachet.

01:00:15No way. No, the bead page.

01:00:17Some people have all the luck.

01:00:18The furthest I got before that was St. Ives.

01:00:20It's a nice place for a holiday, Paris.

01:00:23Well, William doesn't really go in for holidays abroad much, do you?

01:00:26No, not really. I won't be going this summer, of course,

01:00:28but I usually spend most of my annual leave in Scotland in August.

01:00:31I don't shoot, do you?

01:00:32I need self-defence, guy. No grouse has attacked me yet.

01:00:40William, William fenced this.

01:00:43What, with swords? Like in that Ridley Scott film?

01:00:45Yeah, just like that.

01:00:47But I mean, he's good, though. He fenced for his university.

01:00:49Really?

01:00:50Once, darling. I fenced my university once.

01:00:55So where are you coming to look?

01:00:56Oh, we're still looking.

01:00:58My place is on the market.

01:00:59Yeah, and Rachel's granny's just died and left us some money,

01:01:01so she's going to buy me out of that as soon as we find what we want.

01:01:05I'll never do that.

01:01:07Why doesn't anybody tell me these things?

01:01:09Perhaps because they feel they're none of your business.

01:01:12Listen, William, why don't you totter off?

01:01:13We'll take Leonora in this cab here and drop her home on the way.

01:01:16Thanks, guy, but she's staying at my place.

01:01:17Yeah, no, it's fine. It's just a couple of months from here and I'll give you a little walk.

01:01:21Happy to meet you, Celeste.

01:01:23I just want you to have fun.

01:01:24Goodbye.

01:01:25Hey, you dance like a dream.

01:01:27He's never said that to me.

01:01:29The way he looks at you, he doesn't need to.

01:01:31Thanks for entclaiming this guy.

01:01:38We've been in a label this long time.

01:01:40What do you talk about with her?

01:01:42I think she talked about us.

01:01:45Then about William.

01:01:48I liked him.

01:01:48You know, I didn't dislike him myself.

01:01:52It's what you threw me, you know.

01:01:55I mean, you can't have met her and wouldn't fall in love with that, can you?

01:01:59I'll tell you what she said, if you like.

01:02:01She said,

01:02:02I'd like to think of Guy loving someone the way that I loved William,

01:02:07and then loving him back.

01:02:08It doesn't sound exactly inspired.

01:02:18Yeah, listen, you don't want to stay with me tonight, do you?

01:02:23I mean, not if you've got to get up early for that shampoo commercial tonight,

01:02:27I've got to wash it.

01:02:28Yeah.

01:02:29I'll ask the driver if you can stop off by your place.

01:02:33I'll ask the driver if you can stop off by your place.

01:03:03I'll ask the driver if you can stop off by your place.

01:03:33I'll ask the driver if you want to stop off by your place.

01:04:03Oh, my God.

01:04:33You have to watch out.

01:04:35I don't believe it.

01:04:37Yeah, right, darling, I'll see you later.

01:04:41Tanya.

01:04:42Guys, it's great you can come.

01:04:44Well, no friends like...

01:04:46Oh, you look wonderful, darling.

01:04:47Oh, thank you, that's so nice.

01:04:49Listen, I'm just going to...

01:04:51Hey!

01:04:57Come on, let me show you around, yeah?

01:04:59Just up here? Yeah.

01:05:01Oh, Dan, this is lovely. Do you like it?

01:05:03I do.

01:05:05Oh, I love it!

01:05:07Yeah, she's my baby.

01:05:09Oh, no, it's pucker, mate, I'm telling you.

01:05:11I'm boat-warming, eh?

01:05:13You learn something new every day?

01:05:16Yeah, well, it was Tanya's idea.

01:05:19She wanted to call it a Jolly Roger party.

01:05:24You do me a favour, Dan.

01:05:26Yeah.

01:05:27While you're on my boat, you relax and enjoy yourself.

01:05:31You pee-istant, Dan.

01:05:32The Ryan Michaelsoles.

01:05:33elfie.

01:05:34You the man in an attracts Benson.

01:05:36It's the youth in...

01:05:37No, it showed you that, that dog to me!

01:05:38I don't know how to.

01:05:39Come on.

01:05:40popula-fun肌.

01:05:41Come on.

01:05:42Well, you're on my boat.

01:05:43That's a wildme dude.

01:05:44Yeah.

01:05:45I'm gotta go.

01:05:46Yow then.

01:05:47I've come back in

01:05:50With a mini son,

01:05:51There's l womenolo who wed the clubs.

01:05:53Called Le parallels had at the collection,

01:05:54The New Man line.

01:05:56I win,

01:05:57Yeah ya,

01:05:58I win.

01:05:59Where's Leonora?

01:06:23My dear.

01:06:24Listen, I saw you bring that flea bag over and introduce her.

01:06:27Now where is she?

01:06:28You're fantasizing again.

01:06:29No, if Guy says that's what he saw, we must take him at his word.

01:06:33Nora!

01:06:34Leo!

01:06:35Leonora!

01:06:36Well, she doesn't appear to be here now, does she?

01:06:39I'd say not.

01:06:40Having cleared that up, we can safely ask, who's that awfully pretty girl you arrived with?

01:06:45The slag with a bag you take.

01:06:49Have a bum, you're sick.

01:06:52Piss off, baby, you slut!

01:06:56Guy, get off it!

01:06:57Ah!

01:06:58Ah!

01:06:59Ah!

01:07:00Ah!

01:07:01Ah!

01:07:02Ah!

01:07:03Ah!

01:07:04You...

01:07:05Robin!

01:07:06Don't die!

01:07:07I'm killing him!

01:07:08I'm gonna kill you, mate!

01:07:09It's all over them!

01:07:10I'm killing him!

01:07:11Let it down!

01:07:12You're a dead man, Robin!

01:07:13Get him off!

01:07:14Robin!

01:07:15Robin!

01:07:16I'll kill you!

01:07:17I can't believe it!

01:07:18God knows what kind of filthy bacteria shit like that keeps underneath his fingernails.

01:07:24Well, I'm sure you can go to the doctor tomorrow.

01:07:26I'm going home now.

01:07:27Let's go and find the car.

01:07:28Oh, no need to apologize, man.

01:07:33Tanny was upset, but send her a nice bunch of flowers and she'll be all right.

01:07:40I didn't know you knew Leo's brother.

01:07:41Hey, Robin.

01:07:42Yeah, I've learned it for quite a while.

01:07:43He swapped some foreign currency for me once.

01:07:44I flogged this palace in Tunis to some American with more money than cents, and it's just

01:07:48a question of getting the funds out.

01:07:49Yeah, but how'd you run across it?

01:07:50Pure chance.

01:07:51Why are you so interested all of a sudden, anyway?

01:07:52Why are you so interested all of a sudden, anyway?

01:07:53Yeah.

01:07:54Oh, no need to apologize.

01:07:55Oh, no need to apologize, man.

01:07:56Tanny was upset, but send her a nice bunch of flowers and she'll be all right.

01:07:58I didn't know you knew Leo's brother.

01:07:59And Robin?

01:08:00Yeah, I've learned it for quite a while.

01:08:01He swapped some foreign currency for me once.

01:08:04I flogged this palace in Tunis to some American with more money than cents,

01:08:06and it's just a question of getting the funds out.

01:08:07What's it?

01:08:08It's pure chance.

01:08:10Why are you so interested all of a sudden, anyway?

01:08:13It's him.

01:08:14He's the one.

01:08:15What one?

01:08:16The one I want disappeared.

01:08:17Yeah?

01:08:18And what about my money?

01:08:19There are other swap jockeys, Daniel.

01:08:20This is for me.

01:08:21Oh, you're an unbelievable guy.

01:08:27All right.

01:08:29Friends, who bloody needs them?

01:08:32If that's what you want, that's what you get.

01:08:36Apart from that, it was a good party, wasn't it?

01:08:43Knockout.

01:08:45Are you all right?

01:08:46Yeah, I'm fine.

01:08:47Just I always knew that somebody had been trashing me to Leonora.

01:08:50It's the night I realised her.

01:08:52It's Robin.

01:08:53Is that why you threw a drink at him?

01:08:55More or less, yeah.

01:08:57And I thought it was because he insulted me.

01:08:58Anyway, what's it got to trash you about?

01:08:59Linus.

01:09:00Who's Linus?

01:09:01Linus.

01:09:02Who's Linus?

01:09:03I didn't know you dealt in hard drugs.

01:09:04They're the big part of a hotel.

01:09:05I sound like you didn't get i paste in the interview.

01:09:06It's the night I realised it.

01:09:07I don't know you had to tell you, though.

01:09:08It's Robin.

01:09:09That's why you threw a drink at him.

01:09:11More or less, yeah.

01:09:12And I thought it was because he insulted me.

01:09:15Anyway, what's it got to trash you about?

01:09:21Linus.

01:09:25Who's Linus?

01:09:29I didn't know you dealt in hard drugs.

01:09:33I don't.

01:09:37Bet you ever did. I got out, didn't I?

01:09:41That's why I gave this stuff to Linus. How was I to know he's allergic to bee stings?

01:09:45Shame on you, guy. Shame on you.

01:09:49Go on, Celeste. Go on, join the office and I'll go mad.

01:09:53I'm still here.

01:09:57Are you sure that this isn't all in your head?

01:10:01Because your head is very strange these days, let me tell you.

01:10:05I'm telling you, that's when she changed towards me.

01:10:07But how about she changed because she realised that you're not the same kind of people?

01:10:11Even I can see that and I've only met her once.

01:10:15Okay?

01:10:17So I'm jealous, I am.

01:10:19But that doesn't mean that what I'm saying isn't the truth.

01:10:27And besides, that was when Robin started finding other men for her.

01:10:31Her own brother.

01:10:35She told me.

01:10:37Practically pimping for her.

01:10:39Throwing friends of his at her.

01:10:43Encouraging her to get involved with him instead of me.

01:10:47Oh, I could kill him for that.

01:10:53For that alone he deserves to die.

01:10:57And I think that's what I can do,

01:10:58taking care of him and write myself to die.

01:10:59For that alone in the whole world I have пока 3

01:11:00Thenook that I can show you a drive,

01:11:01I hope I'll just figure it out.

01:11:02In the world I am hearing from'

01:11:17Now I can keep an Divina of God and my son.

01:11:19Let me walk down the road.

01:11:21Let me walk down the road.

01:11:23Step coal and live obnoxious.

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