- 7/13/2025
SPAGHETTI WESTERN NOT FOR KIDS 18 A Boy with a Silver Saddle Hunts Killers in the Wild West
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Short filmTranscript
00:00:00He was good, senor, look.
00:00:15Hmm?
00:00:16Well, I'm glad he's the best we can do.
00:00:21Thanks.
00:00:22But not, uh...
00:00:25No, no, amigo, no dinero.
00:00:27You may know if senor Barrett are welcome here.
00:00:32Get out of here.
00:00:37See, guys, they're very close.
00:00:40You're welcome.
00:00:57Look, I'm pretty sure there's Mr. Luke.
00:01:12The horse for the silver sand.
00:01:17Senor Luke, you know you're always welcome here.
00:01:19Please say hello to senor Barrett, bringing my respect.
00:01:22He's such a fine gentleman, Mr. Barrett.
00:01:25Adios, amigo.
00:01:26Hey, Luke.
00:01:30Hey, Luke.
00:01:31Are you hard of hearing, Luke?
00:01:34Go tell Barrett he's a crook.
00:01:36Go tell Barrett to return that $100.
00:01:38What are you talking about?
00:01:39I paid Barrett $100 in advance for a strip of land at Saavedra.
00:01:43Well, he lied to me.
00:01:44There was no land at Saavedra, so I want my money back.
00:01:46You've been sitting in the sun too long.
00:01:48You fellas have been getting rich on poor people like us.
00:01:50That $100 was all I own.
00:01:52Too bad.
00:01:52No land and no money.
00:01:56How'd you expect us to live?
00:01:58Put your wife in a whorehouse.
00:02:00The work ain't hard.
00:02:02And it's easy money.
00:02:03That's for you.
00:02:04The work ain't hard.
00:02:09Yeah.
00:02:23But it's easy money.
00:04:55My compliments, mister.
00:04:58Now, that's what I call a fine shot.
00:05:01And don't keep pointing that rifle I've made.
00:05:03The Bible says to trust your brother, to trust your brother's heart.
00:05:07And love will reign in all the world.
00:05:10I reckon ones who pull this, haven't been readin' the Bible lately, who did this.
00:05:21Well, um, he left only the cross.
00:05:26It's got to be a good rancher, him and his Mexican gang.
00:05:30They call them the, uh, hyenas of Rio Grande.
00:05:33And what do they call you?
00:05:35Rattlesnake or Vulture?
00:05:37My name is Snake.
00:05:41Two-strikes, Nate.
00:05:42No one in the desert, not far from here.
00:05:45And where you coming from?
00:05:47In a result, I come from far away.
00:05:50My name is Roy Blood.
00:05:51I come from...
00:06:01No one in the desert.
00:06:02Here he is.
00:06:03I come from the...
00:06:03Well...
00:06:03I'm gone.
00:06:06I come from the present.
00:06:08I come from the...
00:06:13Repent yourself for your sins, brother.
00:06:16Prepare to die.
00:06:18You're right, señor.
00:06:20You're right.
00:06:23Mis pecados.
00:06:25Perdone los dios.
00:06:32The Lord gives and the Lord takes away.
00:06:37Praise the Lord.
00:06:40Two shots.
00:06:41Now you know why they call me Two-Strike.
00:06:44Yeah, now I also know why they call you Snake.
00:06:47Oh.
00:06:48Even though I am grateful to you.
00:06:51You saved my life.
00:06:52You saved his soul.
00:06:55What town's near these parts?
00:06:57It's the Rebus.
00:06:59Is it far away?
00:07:00Yeah, sure.
00:07:00It's far away.
00:07:16It's far away.
00:07:18No.
00:07:20It's far away.
00:07:22People are sure happy here in Serenis.
00:07:43You see that house over there?
00:07:46That there's the hottest house in Texas.
00:07:48I highly recommend it.
00:07:50Okay.
00:07:50Hey, hey, see?
00:07:53Hey, wait up.
00:07:56Think maybe I just shadow along behind you for a while.
00:08:01Why?
00:08:03Because wherever you go, there's corpses.
00:08:06And my job's to pick the other after the dead.
00:08:08It's going to be terrific.
00:08:13Remember, I'm like Garencia.
00:08:15You remind me of the story of the kid who shot his first man when he was 10 years old.
00:08:19And he had his little saddle, too.
00:08:21And I found out that every place he went, he left that man behind him.
00:08:27Though I always had work to do.
00:08:29So many times, you're also going to go to work to live there and get to you.
00:08:32Why is he in the middle of the road?
00:08:33And he went in all the way.
00:08:34I need to go to my hand, and then I'm going to take it out.
00:08:38And it's going to be in that evening.
00:08:39You want to go to the road, and I'm not going to go to it, but the dog was on the road side.
00:08:46And fortunately, he's really nice.
00:08:49So great.
00:09:50Hey, amigo.
00:09:59How about a little game?
00:10:00Huh?
00:10:10Oh, Jesus.
00:10:17What's more?
00:10:29Caramba!
00:10:33Caramba!
00:10:45You have a good streak of luck, amigo.
00:10:47I can't even watch for aces.
00:10:49And with raw blood around there, they said five aces.
00:10:53Hey.
00:10:54Hello.
00:10:55Sheba, it's been aces. What are you doing here?
00:10:58That's my question. You should be when I last turn 2,000 miles away.
00:11:02You'll never beat him, Chico. You'll lose your shirt, that's for sure.
00:11:10Champagne!
00:11:12All right, the truth. Tell me what it is that brings you to Cerritos.
00:11:18Suppose I tell you, just see you.
00:11:22The same old liar. You're always packing a pistol. Women don't interest you.
00:11:27I'm out one day, I hope. A woman can wait.
00:11:31I'm smiling, Roy. We're still good friends. What can I do for you?
00:11:39I might be hungry. I could eat a great big steak, and I want to sleep.
00:11:45You can have anything. You want anything.
00:11:51I think that you'd like it. In this town, I mean.
00:11:59And this is the best house in the States. Better than the ones in San Antonio, or even Dallas.
00:12:05I think that you'd like it. In this town, I mean.
00:12:13And this is the best house in the States. Better than the ones in San Antonio, or even Dallas.
00:12:19Do you remember when I met you six years ago?
00:12:33The music called in Waco. You got me out of trouble.
00:12:37Mm-hmm. As I recall.
00:12:39It looks like things have gotten better. No more problems, Eva.
00:12:43I'm pretty sure it could be a whole lot better, Roy.
00:12:47Yeah, but went for a bastard called Shep.
00:12:49I got it paid every month, that dirty crook.
00:12:55What do you think?
00:12:56The music called in Waco. You got me out of trouble.
00:12:58Mm-hmm. As I recall.
00:13:01It looks like things have gotten better.
00:13:03No more problems, Eva.
00:13:05I'm pretty sure it could be a whole lot better, Roy.
00:13:08Yeah, but went for a bastard called Shep.
00:13:13I got to pay him every month, a dirty crook.
00:13:18You better leave here then.
00:13:20Yeah, I thought of it, huh?
00:13:23Alabama, Louisiana, for a woman.
00:13:29And she's on her own in the city.
00:13:31Nothing changes.
00:13:32Yeah, who the hell is this Shep?
00:13:33A filthy worm.
00:13:35I don't pay him tomorrow.
00:13:36It's the finish.
00:13:37All this will finish for me.
00:13:40You know, I'll go up in smoke, and I worked hard to make this place what it is.
00:13:43Shep and Garencia work as a team.
00:13:45It's a half and half deal.
00:13:49Shep's for the city.
00:13:50The country's for Garencia.
00:13:53And where do you usually see this worm Shep?
00:13:56I don't.
00:13:57Tom goes to it.
00:13:59Went to London.
00:14:00Where?
00:14:01At the stage in Horse Bow Station at Chiquilla.
00:14:07Here.
00:14:11I want you to mind that horse.
00:14:12Yeah, Shep.
00:14:13And why is that silver sound?
00:14:15Silver board, Shep.
00:14:16Yeah.
00:14:16Good to see you again.
00:14:31No, thanks.
00:14:39No, thanks.
00:14:51You know a guy around here that's called Shep?
00:14:54Hey, mister.
00:14:54Suppose one of us is called Shep.
00:14:56How come you're here, and we've sent you here to ask for her?
00:15:14Who gave you orders to come here?
00:15:15No, we gave you orders.
00:15:45You got shit?
00:15:46Yeah.
00:15:47He's dead all right.
00:16:08I heard them talking over there at Sheevers.
00:16:11And I saw you.
00:16:15I told you I was going to shatter you.
00:16:19Yeah.
00:16:29He ain't no more.
00:16:45Hey, mister.
00:16:57I was wondering, is he your friend?
00:16:59You know who he is?
00:17:00Oh, yeah.
00:17:03Yeah, he's my partner.
00:17:05And my best friend.
00:17:07Smoke.
00:17:09Yes, but they were the deceased.
00:17:11Well, what's the difference?
00:17:17The stuff you take off a dead man is just as good as the stuff you take off a live one.
00:17:23Maybe better.
00:17:25Because they don't come chasing half you.
00:17:26Have you only the guilt of talking a lot?
00:17:29Or can you also listen?
00:17:30Well, I can listen.
00:17:34But first off, I want to see the color of your money.
00:17:38But if I paid you money now to kill someone, could you listen?
00:17:41You can buy a lot of things for $2,000, Roy.
00:17:56You can buy a lot of things for $2,000, Roy.
00:18:10And how many humans have to kill before I get it, though?
00:18:13One.
00:18:14Just one.
00:18:16The prison league has already been killed.
00:18:20Listen here, Roy.
00:18:21This is a serious deal.
00:18:22Next Wednesday, you go to San Diego Cemetery.
00:18:26That's the place.
00:18:27Down there by the old mission.
00:18:29Your man will be down there.
00:18:31He'll be carrying a bouquet of flowers.
00:18:34And he'll lay him on the grave.
00:18:37It smells fishy.
00:18:39I'm willing to bet on it.
00:18:41And besides, my pistol can't be hired for this other job.
00:18:44So forget it.
00:18:46Ain't for hire, it ain't for sale.
00:18:48Ain't nothing.
00:18:49The target's called Thomas and Barrett.
00:18:52Barrett.
00:18:58Different story of his, Barrett.
00:19:03I'll even do it, Gratis.
00:19:04Mm-hmm.
00:19:05That's good.
00:19:21Mm-hmm.
00:19:23Let's do it.
00:19:27Excuse me.
00:19:30Let's go.
00:20:00Did you feel a pain?
00:20:04It's only a scratch, sir. I don't feel it.
00:20:07You must have been real scared up at the cemetery with all those bad men and all that shooting going on.
00:20:12No, sir. I wasn't that scared.
00:20:17Hey, what the... Hey, wake up.
00:20:21Come on, boy. Wake up. Hey.
00:20:23Wake up.
00:20:27Okay.
00:20:30I must have sort of fainted on you, right, sir?
00:20:36Right. When you fell down, you looked like a big sack of potatoes.
00:20:40I'm sorry about that, sir, really.
00:20:43You are, huh?
00:20:47Who sent you to the cemetery? What were you doing there all alone?
00:20:50I always go alone. I'm Houston. I coach. Every month.
00:20:54You say Houston?
00:20:55Yeah.
00:20:56What's your name?
00:20:57Barrett, sir. Thomas Barrett.
00:20:59I know there's a Thomas Barrett there, and I figured he's around 60.
00:21:03Well, I'm Tom Barrett, too, though. The other is my uncle.
00:21:06Well, what do you know? I saved the life of a Barrett.
00:21:09Yes, sir. I'm sure grateful.
00:21:11I was just screaming. If I knew who you were, I wouldn't have raised a finger to help you.
00:21:23Now, listen here, Barrett Jr.
00:21:27Early this morning, they were out to kill you up in that cemetery.
00:21:29The trap was planted even for me.
00:21:35But it's you, they want a murder.
00:21:38But you'll prevent it. Isn't that right, sir?
00:21:41I ain't gonna prevent nobody, Kitty.
00:21:42I hope you're not leaving me here.
00:21:44You guessed it.
00:21:45You bet I'm leaving you pee in the pants.
00:21:48You see, I'm leaving you, Thomas Barrett Jr.
00:22:04I'm leaving you.
00:22:05Please, mister, don't leave me alone.
00:22:08How am I gonna get out of here?
00:22:09You can't see you filled with water.
00:22:19With a big knife like this one, boy, you're miles and miles.
00:22:26It ain't no rather, but it's bad enough.
00:22:37And you killed it, too.
00:22:38Yes, sir.
00:22:39You see, in school in Houston, Barrett Otero taught us all how to throw a knife.
00:22:44Tell me that if you can defend yourself, what made you scream like that?
00:22:47Barrett Otero says it's better to yell before Amy.
00:22:51It increases concentration when it burns down.
00:22:53This way.
00:22:53Ah!
00:23:03Do you want me to help you, sir?
00:23:05Ah!
00:23:08Give me a pie, Barrett Otero.
00:23:11They never bump into me again.
00:23:12I'm in.
00:23:12All right.
00:24:17I don't know who did it, but the reason is clear, my dear.
00:24:23He was kidnapped because he's your brother.
00:24:31And everyone knows here that you're very rich.
00:24:37Look at me.
00:24:39You think that anyone would want to kidnap me, Margaret?
00:24:43But Thomas is your brother's son.
00:24:45Ain't you anything else to tell me?
00:24:46Excuse me, Margaret.
00:24:51But at this point in life, I'm a man who's worth very little.
00:24:56This kidnapping now really hurts.
00:24:58It's awful.
00:25:01My poor little boy.
00:25:02Mr. Barrett.
00:25:06Don't have to knock.
00:25:07Glenn Turner.
00:25:08He's the one, my dear, who can tell you what's being done to find our boy.
00:25:17They can tell you.
00:25:18You can be sure he's doing everything possible.
00:25:20We know the name of the kidnapper now.
00:25:23He's an old gunman.
00:25:24Name of white blood.
00:25:26Has an old hatred for your family.
00:25:27Where's my little brother?
00:25:30Not sure of the exact place, Miss Margaret.
00:25:32We didn't bend 30 miles west to San Jacinto, where the cemetery is, but no luck.
00:25:37Any of you ever seen anything?
00:25:38They're searching down by the cemetery and around it.
00:25:41They're doing a good job.
00:25:43I don't think they're doing a good job at all.
00:25:47I want the state of Texas to boast this is our biggest manhunt.
00:25:57They were coming in that cemetery, waiting for me to kill me.
00:26:14What do you know about it, Snake?
00:26:17Wait a minute, Roy.
00:26:18I just took that 10% from that fella to try to convince you.
00:26:22And how about to know if he didn't give you 100% instead of 10% to get me killed, huh?
00:26:26Well, if I thought anything was wrong, do you think I'd be here at all?
00:26:34Then, Mika, I'm going to offer you the deal of a lifetime.
00:26:37Tell me Snake into the trap, huh?
00:26:40Boy, my fingers just itching to pull the trigger and kill you.
00:26:43What do you want to kill him for, sir?
00:26:45Please leave me alone if you weren't for him or I found you.
00:26:50That little kid.
00:26:53You took him here, is that right?
00:26:56It's a better reason to put a couple of bullets in your head.
00:27:02Come here a minute.
00:27:04Come here.
00:27:07Miss Roy, with that kid, we can get us more gold and we can loan our horse.
00:27:13Forget it, Snake.
00:27:15I'm paying you money to get that kid out of my hair.
00:27:16Who knows that kid?
00:27:18He did that.
00:27:19The Lord has given us a gift in that kid and he's worth his weight in gold.
00:27:24Now, you can't deny a gift from the Lord.
00:27:25Your business with the Lord is your affair alone.
00:27:29Boy, listen.
00:27:30You can deny that in any way you please.
00:27:32Look out!
00:27:32Where are they coming?
00:27:33Come here, there are more coming here.
00:27:35They look like Mexicans.
00:27:46Come here.
00:27:48Stay there.
00:27:48Hey, don't look.
00:28:00I want to leave one alive.
00:28:02I want to leave one alive.
00:28:32Hey, Snake.
00:28:48Take this.
00:28:49It's empty.
00:28:51Get water.
00:28:52Water?
00:28:53Yeah, water.
00:28:54Hurry up.
00:28:54Come on.
00:28:55There.
00:28:56Yes.
00:28:57Yes.
00:29:02Theater.
00:29:03Oh, oh, oh, oh, oh.
00:29:05I don't know.
00:29:35I don't know.
00:30:05I don't know.
00:30:35I don't know.
00:30:36I don't know.
00:30:37I don't know.
00:30:38I don't know.
00:30:39I don't know.
00:30:40I don't know.
00:30:41I don't know.
00:30:42I don't know.
00:30:43I don't know.
00:30:44I don't know.
00:30:45I don't know.
00:30:46I don't know.
00:30:47I don't know.
00:30:48I don't know.
00:30:49I don't know.
00:30:50I don't know.
00:30:51I don't know.
00:30:52I don't know.
00:30:53I don't know.
00:30:54I don't know.
00:30:55I don't know.
00:30:56I don't know.
00:30:57I don't know.
00:30:58I don't know.
00:30:59I don't know.
00:31:00I don't know.
00:31:01I don't know.
00:31:02I don't know.
00:31:03I don't know.
00:31:04I don't know.
00:31:05I don't know.
00:31:06I don't know.
00:31:09I don't know.
00:31:11I don't know.
00:31:13Oh, my God.
00:31:43Oh, God, that thing can't hold me.
00:31:48The woods are out and not too heavy.
00:31:50Let me go, sir.
00:31:51I'm out of them here.
00:31:51I can go up there.
00:31:53Get it out of your head.
00:31:54It's much too dangerous.
00:31:55Sure, but, sir, the next thing is just as dangerous.
00:31:58Hey, right, and besides Roy, they ain't gonna do him no harm.
00:32:01They don't even kidnap him.
00:32:03Spurs your eyes.
00:32:03Give him the candy and give it to him.
00:32:05Yeah, because now, go on.
00:32:13Spurs your eyes.
00:32:43Spurs your eyes.
00:33:13Spurs your eyes.
00:33:27Spurs your eyes.
00:33:31Spurs your eyes.
00:33:33Spurs your eyes.
00:33:34Look what I found.
00:33:46Here, it's yours.
00:33:49Thanks, kid.
00:33:51It's perfectly all right.
00:33:53Here, come and get it. It's ready.
00:34:04Give me a plate.
00:34:30I wonder how your inches found out that pee in a pants here was with me and you.
00:34:34Why do you call me that way, sir? It's not true.
00:34:37I don't pee in no pants. Call me, sir, the right way.
00:34:41Thomas.
00:34:43Why do I call you Pee in the Pants?
00:34:46It's okay if you pee in the pants, I'll tell you.
00:34:49It's kind of hard to call you Mr. Barrett, Pee in the Pants.
00:34:52Don't like the name of Barrett.
00:34:57Let me call you Thomas from now on, huh?
00:34:59Thank you, sir.
00:35:04Well, I guess get rich, it was to keep all the reward.
00:35:18Do you agree?
00:35:18I want to go back to that house again.
00:35:22As a family's warned, you can collect it.
00:35:24I'll leave again after I get there.
00:35:26But aren't you homesick?
00:35:28I'd much rather travel with you.
00:35:29I've been so happy.
00:35:31I really enjoyed myself a lot.
00:35:33I'd be too scared to live in my house now.
00:35:35While they're trying to discover who lost my dad,
00:35:37whoever wants to kill me will kill me for sure.
00:35:39You understand that, don't you?
00:35:42Sure, I do.
00:35:43Thomas, you know a tall, blind gentleman's elegant.
00:35:47Thinks the king type.
00:35:48Here's a game that's sort of a roulette that works with a battery.
00:35:52Yeah, sure.
00:35:53I know who that is.
00:35:54It's Turner.
00:35:55He's at our house.
00:35:57He manages our estate.
00:35:58I guess you're right.
00:36:04You stay here with him.
00:36:08Would you like to look after him for a couple of days while I'm gone?
00:36:11You're all right.
00:36:13What are you going to do?
00:36:15Don't worry about it.
00:36:17Just take care of the kid,
00:36:19and don't let him out of your sight even for a second.
00:36:22Even when you sleep.
00:36:225,000 reward.
00:36:29Sure, because he's a tough old man.
00:36:30He sure is.
00:36:325,000.
00:36:33Go on.
00:36:34Go after him, and it's all yours.
00:36:36Can you imagine it?
00:36:385,000 bucks.
00:36:39They're growing trees.
00:36:41On the one we're stringing up Roy Blood.
00:36:43Can't wait to see him hanging on it.
00:36:45It'll be a big day.
00:36:47Hey.
00:36:52Hey, Jim.
00:37:00For Pete's sake, will you pipe down?
00:37:06Hey, Jim.
00:37:07You're giving me a headache with a damn harmonica.
00:37:09Oh, that a boy, Jim.
00:37:30I'll do the same for you someday.
00:37:32Ha, ha, ha, ha, ha, ha.
00:37:34Put that gun back down on the table, Turner.
00:38:02Do you mind?
00:38:02Come on, now.
00:38:04You don't think this old gun can hurt me just holding it in my hand?
00:38:08These guns haven't been loaded in years.
00:38:11I know, but they're relics of our family.
00:38:15The word shall saw them.
00:38:16Yes.
00:38:18And I don't belong to this family, huh?
00:38:20I beg you not to make such illusions.
00:38:23I'm not in the proper mood today.
00:38:27Is that Thatcher?
00:38:28No, ma'am.
00:38:29It's Tom.
00:38:30Excuse me.
00:38:31What is it, Tom?
00:38:31We need to wait, Mr. Turner.
00:38:33You're ready to go.
00:38:34Good.
00:38:34I'll be right over.
00:38:42You know, I never intended to force you, Miss Margaret.
00:38:44But I hope that real soon you'll be chasing your mind.
00:38:47I'll be right over to you.
00:38:48I'm going to let you see the light here.
00:38:50There it is.
00:38:51All right.
00:38:51I'll be right over.
00:38:52You have to wait.
00:38:53You have to wait.
00:38:53What is it, Miss Margaret?
00:38:54I know.
00:38:55You have to wait.
00:38:56You've got a guy before this.
00:38:57And the other person facing the mirror could look me.
00:38:58You know, Miss Margaret, you know.
00:38:59And I'll be right over, Miss Margaret.
00:39:00I'll take my hand off your mouth, but no yelling.
00:39:30You're right, Blad, aren't you?
00:39:37You're so saddled.
00:39:38That's it, the outlaw.
00:39:40Yeah, I'm so saddled, all right.
00:39:42How come you hate the barracks?
00:39:44Tell me.
00:39:44If the dead were here, they'd be answering you.
00:39:49If someone here could answer you, you're still living.
00:39:52Where is he?
00:39:54Where is Thomas?
00:39:55He's all right.
00:39:57Like I told you.
00:39:57I'll already pretend the money, the $5,000, it's the reward money you asked for.
00:40:04Bringing back safely, I'll give you all the money you asked me to give you.
00:40:07Who asked anything?
00:40:09You got me wrong, miss.
00:40:10But the message.
00:40:12What message?
00:40:13The message.
00:40:13This one here.
00:40:15It was Thomas of the window, and I picked it up.
00:40:18For the floor.
00:40:19Which kind of explains.
00:40:21That's your name, isn't it?
00:40:22It's my name, all right, but not my signature.
00:40:25Oh, oh, oh.
00:40:28I was planning to go there today.
00:40:31From the barrett's, I don't ask anything.
00:40:35But then, tell me what this means.
00:40:40Please, how come you're here?
00:40:41How come you're holding Thomas?
00:40:42You'll be seeing your brother soon.
00:40:43You can rely on it.
00:40:44I'm looking for a man called Turner.
00:40:51The reason I'm here is to see him.
00:40:53He came to see Turner?
00:40:54Why?
00:40:55To murder him.
00:40:56The reason I'm here is to see him, though, is he coming to see him.
00:41:02He's out of the house.
00:41:04He'll do equipment.
00:41:05While there for him, man.
00:41:36It's me, Snake!
00:41:42Hold your fire!
00:41:45Hey, Snake, answer me!
00:41:48Are you gonna answer me or am I gonna have to kill you, Puck?
00:41:52You have 30 seconds and then I'm gonna burn you!
00:41:59I'm really sorry, sir. I didn't know it was you.
00:42:06I'll be doggone.
00:42:12That'll be me now for the bushes.
00:42:14I saw something moving in the bushes.
00:42:16Pond of the town says,
00:42:17Moses should first, he'll die later.
00:42:19That's what the ponder taught me.
00:42:21Damn idiot, you a ponder, whatever his name is.
00:42:27What's happened to Snake?
00:42:28Snake.
00:42:28Oh, this is great.
00:42:48Is this the way you take care of the boy?
00:42:50You cut me loose and I'm gonna cut his ears off.
00:42:53You're not going to cut off anything.
00:42:55Come on, boy.
00:43:01You tired of it?
00:43:05By surprise.
00:43:07Don't you talk about catching people by surprise.
00:43:11You surprised me about that ransom note.
00:43:15Well, what's wrong with it?
00:43:17We get the ransom, we split it right down the middle.
00:43:19Oh, you don't think I take it all, do you?
00:43:30I'm just looking out after your interests.
00:43:34Well, untie...
00:43:35Roy!
00:43:36Roy, untie me!
00:43:43Hey, Thomas.
00:43:45I'm sorry about that slap I gave you.
00:43:47You did right, sir.
00:43:51Remember, I almost shot a hole in your head.
00:43:56The reason I got sores for this...
00:43:59...it's really...
00:44:00...because I never want to see a hell of a pistol.
00:44:04Yep.
00:44:05You see, Thomas, I was about your age.
00:44:07One I killed for the first time, understand?
00:44:09I've done that, sir.
00:44:10You had good reasons.
00:44:12Uh-huh.
00:44:15Yeah.
00:44:15But it influenced my whole life, that instant.
00:44:22Uh, I would like to explain the facts to you, so you will be...
00:44:24Don't explain it to me.
00:44:25You don't explain, sir.
00:44:27Sure, I was more pushy than you because, thank God, I missed you.
00:44:30If I hadn't missed you, I'd be desperate now.
00:44:34You want to make friends with me?
00:44:37Huh?
00:44:37I feel much better now, sir.
00:44:44And from now on, don't call me sir.
00:44:46I don't really like it.
00:44:47Call me Roy.
00:44:49It's fine with me, Roy.
00:44:51You're a real friend.
00:44:52Will you two cut out that gooey talk and untie me?
00:44:55Come over here and cut me loose.
00:45:09Three o'clock.
00:45:09I'm going to give you 60 seconds to run away.
00:45:19Huh?
00:45:20Beat it.
00:45:24Come on, honey.
00:45:25Oh, my turn.
00:45:27I'm going to beat you.
00:45:29I'm glad you're having fun.
00:45:31Keep it up.
00:45:32All right.
00:45:33All right.
00:45:33Your turn.
00:45:35Janice, upstairs for you.
00:45:36Listen, everything's normal, right?
00:45:40Yes, Ms. Sheba.
00:45:41No one suspects it.
00:45:43That turn up there.
00:45:44Watch him good.
00:45:45Don't worry, man.
00:45:48Now, let's go of me.
00:45:49Come on, man.
00:45:59Mom.
00:46:01I will.
00:46:06I will.
00:46:07I will.
00:46:07I will.
00:46:07I will.
00:46:07I will.
00:46:07I will.
00:46:07I will.
00:46:08I will.
00:46:08I will.
00:46:09I will.
00:46:09I will.
00:46:10I will.
00:46:10I will.
00:46:11I will.
00:46:11I will.
00:46:12I will.
00:46:12I will.
00:46:13I will.
00:46:13I will.
00:46:14I will.
00:46:14I will.
00:46:15I will.
00:46:15I will.
00:46:16I will.
00:46:16I will.
00:46:17I will.
00:46:17I will.
00:46:18I will.
00:46:18I will.
00:46:19I will.
00:46:19I will.
00:46:20I will.
00:46:20I will.
00:46:21I will.
00:46:21I will.
00:46:22I will.
00:46:22I will.
00:46:23I will.
00:46:23I will.
00:46:24I will.
00:46:24I will.
00:46:25I will.
00:46:25I will.
00:46:26I will.
00:46:26Hold this.
00:46:47Well, what do you know?
00:46:49Another cigar.
00:46:53Watch closely, huh?
00:46:54And now we'll put another hand, and then we'll open it.
00:46:58Open it.
00:47:01Great! Traffic! Traffic!
00:47:03Well, now, are you still up?
00:47:06It's 1 a.m. Aren't you tired?
00:47:08Uh-uh.
00:47:08I hope you've been enjoying yourself.
00:47:09Fantastic! I could go out to visit you overnight.
00:47:13I doubt Padre Otero will improve, boy.
00:47:16You've got a bad influence on Roy.
00:47:19Peggy, you're going down now.
00:47:22And don't forget what I told you.
00:47:23Try it.
00:47:26See you.
00:47:30And you know where you're going?
00:47:31Bed for you. You had a busy day.
00:47:33Janice will take you to bed, dear.
00:47:35But Janice's still up a little longer.
00:47:37All right, now look, you go to sleep.
00:47:40Now we're here.
00:47:42But I'd like to say what's wrong.
00:47:44Come on.
00:47:45Now you go straight to bed, you hear?
00:47:47What?
00:47:47Come on, Thomas.
00:47:48He's fine now.
00:47:55I'm going down.
00:47:56You stay up here in a little while and you'll be hearing something very interesting.
00:48:08Is it true, Thomas, that you enjoyed being here with us?
00:48:12Oh, yes, very much.
00:48:13You know, I've been thinking serious.
00:48:15What's that?
00:48:16I want Margaret to buy this house for me.
00:48:18Because I'd love to come when I please.
00:48:20And who is this Margaret?
00:48:21My sister.
00:48:24Well, I wouldn't be so sure she'd want to buy it, you know.
00:48:31But no matter.
00:48:33You'll always be welcome when you come.
00:48:49And now, Thomas.
00:48:52Sleep.
00:48:54All right, good night.
00:48:56Good night, you dear.
00:48:57Good night, Miss Janice.
00:49:22Good night.
00:49:24Good night.
00:49:26Well, what do you know?
00:49:32You got a whole bunch of outlaws there.
00:49:34What do you do, babe?
00:49:35Make a collection of them?
00:49:37Yep.
00:49:38Only the ones that I liked.
00:49:40And they've all been here in this room.
00:49:42Oh.
00:49:42It'll be difficult for you, won't it?
00:49:44To get up early and go out on that man, huh?
00:49:47Huh?
00:49:48No, I'll make it all right.
00:49:50Damn that Roy blood.
00:49:51Don't seem to me like that Turner fellow is moving heaven and earth to find that Barrett
00:49:56kid.
00:49:56And then you've got nine for longer.
00:49:58Excuse me.
00:49:59Well, I don't think he wants to find him.
00:50:01He's a gambler.
00:50:01He's got an ace up his sleeve.
00:50:03What does that mean?
00:50:04I'm kidding.
00:50:05Come on, honey.
00:50:06You've been wasting precious time.
00:50:08Let's talk about the ones that you understand.
00:50:10Better still.
00:50:11No talking.
00:50:12Let's do it.
00:50:13Come on, honey.
00:50:13Show me what you can do.
00:50:15Come on, show me, darling.
00:50:17All right.
00:50:18No, I ain't showing you anything if you don't tell me the reason right now, sweetie pie.
00:50:22That you don't care to find that baby.
00:50:24Come on, forget the baby.
00:50:25Let's have a look at your baby.
00:50:27Okay, you win.
00:50:30Because after Richard Barrett died, the only ones that remained rich were Thomas and Margaret,
00:50:36his two jokes.
00:50:37His brother gambled away as part of the Barrett fortune.
00:50:39So if something happens to the kid, Margaret gets it all.
00:50:43What's Turner got to do with all this?
00:50:45You say he's got a rightful mother, Chris.
00:50:47And if he plays his cards right, he'll get it to marry him and wind up with the whole
00:50:51Barrett fortune right in his lap.
00:50:53So now that you know the reason, baby, honey, let's get down to prison this before I go.
00:50:59Did you hear something, Lord?
00:51:04Did he talk about Turner?
00:51:05Mm-hmm.
00:51:07What did I tell you?
00:51:11I got to see, Turner.
00:51:13He's here, Roy, having fun.
00:51:15He's downstairs gambling all the time.
00:51:18Uh-huh.
00:51:19You bet.
00:51:20Because his time is up.
00:51:23No, Roy.
00:51:24I beg you.
00:51:26Don't do it here.
00:51:27I'm afraid it will give this house a bad name.
00:51:30Please, Roy.
00:51:32I'm afraid it will give this house.
00:51:35I'll take off.
00:51:35I'll take off.
00:51:41I'll take off.
00:51:41I'll take off.
00:51:42I'll take off.
00:51:54I'll take off.
00:51:55Come back here.
00:52:21Thomas!
00:52:22Sounds like Turner.
00:52:24Wait.
00:52:25Thomas!
00:52:26It is Turner.
00:52:27Where are you?
00:52:31Thomas, you brat!
00:52:33For Thomas!
00:52:37Sheriff, the kid's heading right here.
00:52:40Thomas, he's here.
00:52:41Yeah, sure.
00:52:43And if he's here, so is right blood.
00:52:45I don't want the two to escape.
00:52:47Otherwise, your career, Sheriff, is over.
00:52:49Hey, wasn't it the buried kid there?
00:53:13It sure was.
00:53:14Come on, let's go tell Sheriff.
00:53:15Mark all the answers and make sure you search all the rooms, you hear?
00:53:19Get, you darn fool!
00:53:21What do I do?
00:53:22Get out of here and bring me that catcher, Jack!
00:53:26Hey, Mike!
00:53:27Stop!
00:53:27What?
00:53:28What?
00:53:29What?
00:53:29I'm getting a bunch of bees.
00:53:34Where the heck have you been to?
00:53:36I've been wanting to pee, but I didn't have the courage to go.
00:53:38Shh!
00:53:38Sheeva!
00:53:41Sheeva!
00:53:43Did you see that kid, Sheeva?
00:53:45Oh, my, but you look funny, Sheriff.
00:53:48Show me a little respect.
00:53:52Why, I'll close up your place, Sheeva.
00:53:54I don't think you will.
00:53:55Of course, I could tell this story around, you see.
00:53:58They'd hear laughter throughout the entire state of Texas.
00:54:04Steady, boy.
00:54:05Quick, get on the back.
00:54:13Hold on.
00:54:16Go.
00:54:21Terrific.
00:54:22It's nice.
00:54:24Chee.
00:54:26See how high it's going, son?
00:54:28He, he, he.
00:54:30He, he, he, he, he, he, he, he, he, he, he, he, he, he, he.
00:54:35He, he, he, he, he, he, he, he.
00:54:36This place is much better for the boy.
00:54:38He'll be safe here.
00:54:41And, Padre, it sure is more appropriate than the other place.
00:54:43You don't have to be worried, Senor.
00:54:45He will be safe.
00:54:48How could anyone want to find I'm as child, Senor?
00:54:51Because they're vultures, Padre.
00:54:54So keep your eyes open.
00:54:56And, say, leave a look around here, too.
00:54:58Tell me to happen to know who invented gunpowder.
00:55:02He was a fry here.
00:55:03A father like me, Senor.
00:55:06So you can be certain that if anyone with bad intention
00:55:09show their faces here, we will give them our benediction.
00:55:15You see, Thomas?
00:55:16Come, come.
00:55:17You got it now.
00:55:19Run.
00:55:20Run.
00:55:22You see how it goes high?
00:55:25Up to the sky.
00:55:27Up to the sky.
00:55:28Up to the sky.
00:55:33I don't seem to understand you, Miss Margaret.
00:55:39Seems like I'm under accusation.
00:55:41Well, you're not under accusation.
00:55:43But you've given up old search, Turner, and you can't deny it.
00:55:46Yes, because we do have to share of you.
00:55:48Now, you said to me never to take interest in your personal troubles.
00:55:51I've done as you asked me to.
00:55:52I have limited duties as your administrator.
00:55:55Unless you'd be willing, under these unusual and unfortunate circumstances, to change your
00:56:01attitude towards me, Miss Margaret.
00:56:05Did you hear me?
00:56:06Of course I heard.
00:56:08Are you taking me for an idiot expecting me to throw my arms around your audience neck?
00:56:13Why don't you tell me the word, Miss Margaret?
00:56:14Because you'll be sure the minute you do out again, I'll bet I'll find the kid.
00:56:21Miss Margaret, please, that's me.
00:56:23You forced yourself on me at a moment like this, you mean?
00:56:26Because your kind of woman likes that, huh?
00:56:28You're a woman.
00:56:30But you're a woman I adore.
00:56:36Turner!
00:56:40There you go, Turner.
00:56:41No, you don't.
00:56:44Put that away or I'll kill her.
00:56:46No!
00:56:50No!
00:56:51No!
00:56:56No!
00:56:57No!
00:56:58I...
00:56:59I...
00:57:00I...
00:57:00I...
00:57:00I...
00:57:00I...
00:57:01I...
00:57:02I...
00:57:03I...
00:57:04I...
00:57:05I...
00:57:06I...
00:57:07I...
00:57:08I...
00:57:09I...
00:57:10I...
00:57:11I...
00:57:12I...
00:57:13I...
00:57:14I...
00:57:15I...
00:57:16I...
00:57:17I...
00:57:18I...
00:57:19I...
00:57:20I...
00:57:21I...
00:57:22I...
00:57:23I...
00:57:24I...
00:57:25I...
00:57:26I...
00:57:27I...
00:57:28I...
00:57:29I...
00:57:30I...
00:57:31I...
00:57:32I...
00:57:33I...
00:57:34I...
00:57:35I...
00:57:36I...
00:57:37I...
00:57:38I...
00:57:39I don't know.
00:58:09I don't know.
00:58:39I don't know.
00:59:09I don't know.
00:59:39I don't know.
01:00:09I don't know.
01:00:39I don't know.
01:00:40I don't know.
01:00:41I don't know.
01:00:42I don't know.
01:00:43I don't know.
01:00:44I don't know.
01:00:45I don't know.
01:00:46I don't know.
01:00:47I don't know.
01:00:48I don't know.
01:00:49I don't know.
01:00:50I don't know.
01:00:51I don't know.
01:00:52I don't know.
01:00:53I don't know.
01:00:54I don't know.
01:00:55I don't know.
01:00:56I don't know.
01:00:57I don't know.
01:00:58I don't know.
01:00:59I don't know.
01:01:00I don't know.
01:01:01I don't know.
01:01:02I don't know.
01:01:03I don't know.
01:01:04I don't know.
01:01:05I don't know.
01:01:06I don't know.
01:01:07I don't know.
01:01:08I don't know.
01:01:09I don't know.
01:01:10I don't know.
01:01:11I don't know.
01:01:12Oh, right.
01:01:13Come here.
01:01:14Oh, come here.
01:01:16Come here.
01:01:17Vamos.
01:01:18y'all
01:01:21about them
01:01:22this you
01:01:26This is
01:01:27He had
01:01:29They're shooting it up in that direction.
01:01:54Come on.
01:01:59Come on.
01:02:29Come on.
01:02:59Come on.
01:03:29Come on, little boy.
01:03:30Be ready with my money for Garincha.
01:03:33Hey, let's go, man.
01:03:57Let's go, man, where?
01:04:09To try to find that kid.
01:04:11Well, not with you, blood.
01:04:12Careful what you do now, Silver Saro.
01:04:16I hope you don't believe me for doing this, Sheriff.
01:04:18In the name of the law, you're under arrest as accomplished with Garincha for the kidnapping of Thomas Barrett, Jr.
01:04:27We're returning to Cerritos.
01:04:34But aren't you going to grab those bandits at Dr. Thomas?
01:04:36We'll need more men to put off a fight with that gang.
01:04:40Back to Cerritos.
01:04:41Come on.
01:04:42Correct.
01:04:43I'm in.
01:04:44Come on.
01:04:45You're under arrest.
01:04:45I'm in.
01:04:46I'm in.
01:04:48I'm in.
01:04:50I'm in.
01:04:52I'm in.
01:04:52I'm in.
01:04:53I'm in.
01:04:54Madre de Dios, a man can't even trust a priest, a friar anymore.
01:05:11Madre de Dios, a man can't even trust a priest, a man can't even trust a priest, a man can't even trust a priest.
01:05:41Madre de Dios, a man can't even trust a priest, a man can't even trust a priest, a man can't even trust a priest.
01:06:11Madre de Dios, a man can't even trust a priest, a man can't even trust a priest, a man can't even trust a priest.
01:06:21He's mean.
01:08:29Leave him go, Fletcher.
01:08:38I'm sure there'd be no hope for our little boy.
01:08:40You can bet on it.
01:08:41This man's dangerous, Miss Boggart.
01:08:46I'm sure you don't want me to stay inside while you talk to him.
01:08:49You can leave me alone with Roy Blood.
01:08:51It's all right.
01:08:52Now open the door, Sheriff.
01:08:53Remember, he's dangerous.
01:08:56Hey, Roy.
01:08:57Got a visitor.
01:08:58I hope you didn't believe what that stupid sheriff told you.
01:09:23Not at all.
01:09:24If you wanted to get that ransom, he could have gotten it from me.
01:09:28I've come to you hoping to get advice.
01:09:31Has your aunt you given any sign of life?
01:09:33Yeah.
01:09:34He's asked for ransom at $10,000.
01:09:36And he's fixed a short one at a time.
01:09:39Ten hours.
01:09:46Don't pay it.
01:09:47Don't pay it.
01:09:49I can't trust a thief, you know.
01:09:51He will still kill Thomas.
01:09:53I've known Pete Belangorantia.
01:09:56As long as you hold up paying, Thomas is safe.
01:09:58It's very easy to say, don't pay.
01:10:01Do you expect me to abandon my brother and leave him in the hands of those vultures and let them do whatever they like?
01:10:06We'll try something, I promise.
01:10:08Got me to get out of here, Miss Margaret.
01:10:10You'll have to.
01:10:10I'll give you my word to bring the kid safe and sound to you.
01:10:14Come in.
01:10:19Did you say you wanted to see me, Mr. Barrett?
01:10:21Yes, uh, it's our pleasure.
01:10:32I want to speak to you.
01:10:36It's a long time since you were working with us, and we consider you like one of the family.
01:10:42Yeah, well, it's a very unhappy moment for the family, Mr. Barrett.
01:10:47Yes, for my family.
01:10:48And above all, for myself.
01:10:54I don't know, I'm all upset, filled with remorse.
01:10:58I've neglected Thomas.
01:11:00I should have been like a father to him, and to Margaret, too.
01:11:04And surely at this moment now, I must really take the responsibility.
01:11:08I'm going to pay the $10,000.
01:11:22Listen, bring him the damn money.
01:11:25I want our child.
01:11:27What about the money, Mr. Barrett?
01:11:29That's a lot of cash.
01:11:30Well, I haven't had some money put aside, a small amount.
01:11:36It's all the lousy money I got.
01:11:39But I don't mind parting with it to save that boy.
01:11:43Tell me now that you'll go.
01:11:46Well, I don't know.
01:11:48What about Miss Margaret?
01:11:49She seems mighty on the side.
01:11:55Because Margaret's much too upset, she could possibly do anything or decide.
01:12:01I'll take all the responsibility.
01:12:03All right, Mr. Barrett.
01:12:20If that's what you think is the right solution,
01:12:24I'll go to the green shop.
01:12:26Sheriff, I finished.
01:12:33Open up for me, please.
01:12:42You do exactly what I tell you.
01:12:44Listen, my wife, I do ain't got a gun on you.
01:12:46Let go of that gun.
01:12:47I want you.
01:12:48See this kid?
01:12:48You better drop your guns.
01:12:50I'll shut this kid right through her neck.
01:12:52Now, get your hands up.
01:12:54Please.
01:12:54Hey, it's all you.
01:12:59Hurry up.
01:13:11I'm following you.
01:13:13To the right cowboy.
01:13:16One of the heck he's born in that direction.
01:13:22Hey.
01:13:24What you doing there, Snake?
01:13:25See that fellow right by now?
01:13:27Yeah, just a cow puncher.
01:13:29It's a barrett man.
01:13:31Why is he interested?
01:13:32Yeah, we have to stop him.
01:13:33I'm pretty sure he's carrying that money.
01:13:35He's bringing it to the rich.
01:13:36What?
01:13:37$10,000.
01:13:39Jeez.
01:13:40And I could have dropped him any time in the last three minutes.
01:13:43Come on, let's go quick.
01:13:44Come on, let's go.
01:13:58Oh!
01:14:29We're still screaming, though. You bring the dinero, you give it to us.
01:14:33No. First I want to see the rich, and then you take me to the kid.
01:14:36Give me your pistol.
01:14:39Vamos, hombre.
01:14:59There's too many tracks here. We'll never find them.
01:15:05You tell me Grinch is near the Indian Wells. It's taking a lot of time to get there.
01:15:09Yeah, but look.
01:15:11There's Indian Wells all the way from here to Urbapwana.
01:15:14Next to this ride.
01:15:15Whoa. Where's Grinch?
01:15:33What's the name of Grinch?
01:16:03What's the name of Grinch?
01:16:33Oh
01:21:05Roy!
01:21:07Roy!
01:21:13Roy!
01:21:29Thank you, Roy Blood, for all you've done for my little nephew, and for having rid me of Turner.
01:21:35We barrettes are very generous.
01:21:36We barrettes are very generous to our friends, you know, and we'll remember all you've done.
01:21:39I don't want to do that.
01:21:41I don't want your appreciation, but I wouldn't do anything for a barrettes, but I wouldn't do anything for a barrettes.
01:21:45I don't want to do anything for a barrettes, but you should know why.
01:21:51But maybe this kid there isn't really all to blame for bearing the name of a barrettes.
01:21:53In fact, I'd like to give you something, Thomas.
01:21:55When you get older, should you decide to do some honest work instead of continuing to live like the old barrettes?
01:22:03This might someday be useful to you.
01:22:10Speak to Padre Otero about it.
01:22:13Adios.
01:22:14Adios, boy.
01:22:16Now, just a minute, Mr. Blood.
01:22:19You think it's that simple?
01:22:21Say goodbye and go away?
01:22:24You think it's all over, don't you?
01:22:26No.
01:22:29What's up your sleeve?
01:22:30What's up my sleeve?
01:22:31That's right, Mr. Barrett.
01:22:34I sort of had the impression that Turner acted only as executor.
01:22:40I figured that someone was hiding somewhere and giving the orders.
01:22:44And what did you conclude in your figure?
01:22:46That it's you after all, Mr. Barrett.
01:22:49Always you.
01:22:50First of that $2,000 to pay me.
01:22:55And when I refused, it turned over to Garincha.
01:22:58But the Mexican wanted a lot more.
01:23:00So you made an agreement.
01:23:02The kidnap for me just to put on.
01:23:06But when Margaret decided not to pay, you did it yourself then.
01:23:10You found the necessary cash and sent it to the Mexican Garincha,
01:23:13hoping he'd resolve things for you.
01:23:14You reconstructed the story perfectly.
01:23:16It's not the end of it.
01:23:20Now you're attempting to try and finish me.
01:23:23And you mean to use my pistol to finally finish Thomas.
01:23:30And as for Margaret,
01:23:32the man that could kill her someday while riding to the stagecoach.
01:23:35It's just another hold-up.
01:23:38There was an idea.
01:23:40But it never passed through my mind.
01:23:42Naturally.
01:23:44For you too busy with thoughts that are a lot more important.
01:23:47How much have you been thinking of Thomas' property that he inherited and how to take it away from him?
01:23:52Turner was working out the details, but now you have to keep your mind on all the particulars.
01:23:57Like which?
01:23:58And particularly like saving your life, for example.
01:24:00My life, huh?
01:24:01You saved my life.
01:24:03Listen to me, mister.
01:24:04If you think of shooting me,
01:24:06first I want to tell you this, Barrett.
01:24:10You're not going to kill your nephew, you can be certain.
01:24:13Because if you do, you'll be hanging at the end of a rope.
01:24:15I predicted it, Barrett.
01:24:30You ain't passing on with a bullet in your leg.
01:24:33You gotta hang with the noose around your neck.
01:24:35Oh, and by the way, this beautiful old pistol was loaded by Margaret at my request.
01:25:10Goodbye, Miss Margaret.
01:25:12Bye.
01:25:23So long, Thomas.
01:25:53Roy, wait for me, Roy.
01:26:03Roy, listen, please, take me with you.
01:26:07Roy, please, Roy.
01:26:10Roy.
01:26:23Roy, listen, please, take me with you.
01:26:53Roy, listen, please, take me with you.
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