House On Straw Hill 1976

Razzmatazz

6 days ago

Transcript

00:00:00The End

00:00:30Southern Secreteaux, can I help you?

00:00:32Yes. You were advertising a temporary typist for an author.

00:00:35Yes, the author. You do know where this is, don't you?

00:00:38As a matter of fact, I do.

00:00:40It's right out in the sticks. I know.

00:00:42Ah. Have you any experience?

00:00:44Yes. I've worked with a novelist before.

00:00:47You'd better come and see it.

00:00:48Okay, bye. Bye.

00:01:00Bye.

00:01:30Bye.

00:02:00Bye.

00:02:30The centre of the plot, i.e., when the main characters come together,

00:02:42basically, it's about human chemistry.

00:02:45Well, Martin, Deadly Silence was the most successful novel

00:02:48that was written or published last year,

00:02:50and I was wondering how long it would take me to write.

00:02:53Well, I started the book in Paris, then I moved into New York,

00:02:57and it took me about six months.

00:03:00Six months? I thought it took you three, is what my notes say.

00:03:04Well, it must be wrong information.

00:03:06When I get inspired, the writing tempo inevitably accelerates.

00:03:11In fact, I know, normally, writers take about nine months,

00:03:15some two, three years.

00:03:16Tell me, why particularly a story about diplomats?

00:03:20Because when I was, oh, about 19,

00:03:22I used to travel a lot to southern France and to Rome, you know,

00:03:25and Paris also, and I actually got to know a lot of people,

00:03:30and it always interested me very much,

00:03:33so that's why I wrote my first book all about it.

00:03:36The Champagne Life.

00:03:39Well, not The Champagne Life.

00:03:41Shall we say The Rolls-Royce Life?

00:03:43No, other people drinking champagne and driving Rolls-Royces.

00:03:47You seem to have an obsession with lifestyle.

00:03:49No, no, no, I don't have an obsession.

00:03:51I simply feel that it's part of my job to write about people that I meet,

00:03:55and people who qualify for the pages of my book.

00:03:59Now, this talk of the catharsis of human development,

00:04:01that you concentrate on so basically in your writing,

00:04:03it's obviously a favorite theme of yours, isn't it?

00:04:05Yes, yeah, yeah, it is.

00:04:07I'm very strong on this subject,

00:04:08and it's always crept into what I write about, always will.

00:04:23I'm very strong on this subject.

00:04:38Perfect evening.

00:04:48Oh!

00:04:49It's only...

00:04:53Let's go.

00:05:23Oh, my God.

00:05:25Oh, my God.

00:05:27Come on.

00:05:49We don't usually have talents, you know.

00:05:51Oh, no, no, no, I tell a lie. We had them last year, now, I come to think of it.

00:05:56The dentist, two of them.

00:05:58Oh, very strange they were.

00:06:01Oh, Commander and Mrs. Percival always go to the south of France for five weeks,

00:06:06you know, Commander and Mrs. Percival,

00:06:08where no one can get at them out of harm's way.

00:06:12Oh, it's so chesty, the Commander.

00:06:16So chesty.

00:06:19Well, what shall I do about lunch?

00:06:23I could do a nice steak and kidney.

00:06:26No, I haven't decided yet.

00:06:28I don't know anything.

00:06:30Well, when will you know?

00:06:32Later.

00:06:49Good day, by the way.

00:06:52My darling.

00:06:54So, let's go back.

00:06:56Oh no.

00:06:57Oh!

00:07:06I love that this village.

00:07:08My son was very wealthy at this garden house.

00:07:10Let's go.

00:07:40More coffee, please.

00:08:10More coffee, please.

00:08:40More coffee, please.

00:09:11Are you all right?

00:09:12Yes, why not?

00:09:13I was worried.

00:09:15Worried?

00:09:15Yes.

00:09:16Well, don't be.

00:09:18You realize, I suppose, that this is a period of intense concentration for me.

00:09:23Intense concentration.

00:09:25You see?

00:09:26If you say so.

00:09:27What?

00:09:28Suzanne.

00:09:29A small point.

00:09:31I'd be grateful if you'd keep my whereabouts a secret for the time being, yes?

00:09:35I'd be grateful if you'd keep my whereabouts a secret for the time being, no matter what you're doing.

00:09:46I'd be grateful if you'd keep my whereabouts a secret for the time being, no matter what you're doing.

00:09:51I'd be grateful if you'd keep my whereabouts a secret for the time being, no matter what you're doing.

00:10:08I'd be grateful if you'd keep my whereabouts a secret for the time being, no matter what you're doing.

00:10:21I'd be grateful if you'd keep my whereabouts a secret for the time being, no matter what you're doing, no matter what you're doing, no matter what you're doing, no matter what you're doing.

00:10:38Paul Martin, Leo.

00:10:40Paul, thank goodness you rang.

00:10:41How's it going?

00:10:42You were going to ring me yesterday.

00:10:43Look, is that it's two weeks left?

00:10:44Yes, I know.

00:10:47Yeah.

00:10:48Do your best for me, darling, will you?

00:10:50All right.

00:10:51I've got the blue people that were from New York, and I want them to read it before they go back.

00:10:55Come on.

00:10:56You'll be a great deal with your question.

00:10:59Leo, where is the typist?

00:11:01I feel if I can dictate, pace up and down.

00:11:04Yes, of course.

00:11:05You'll be there for cross-stater.

00:11:07Look, I'll change.

00:11:08I'll call your age back.

00:11:09I'll find a rocket at that bloody agency.

00:11:11Thanks, Leo.

00:11:24To harass.

00:11:26To worry.

00:11:28To importune.

00:11:30To pursue.

00:11:31To persecute.

00:11:33Decay.

00:11:34Crumble.

00:11:36Rot.

00:11:36Die.

00:11:38Die.

00:11:39Die.

00:11:40Die.

00:11:41Die.

00:11:42Die.

00:11:43Die.

00:11:44Die.

00:11:45Die.

00:11:46Die.

00:11:47Die.

00:11:48Die.

00:11:50Die.

00:11:51Die.

00:11:52Die.

00:11:54Die.

00:11:55Die.

00:11:56Die.

00:11:57Die.

00:11:58Die.

00:11:58Oh, my God.

00:12:28Oh, my God.

00:12:58Oh, Leo here. Look, the agency got the thing. She's on her way down to you now.

00:13:23Who?

00:13:23The girl, Linda. The type is.

00:13:26Thanks, Leo.

00:13:27The train is still at 11.30.

00:13:29Have you ever all?

00:13:30Fine.

00:13:31The company is still as efficient.

00:13:32Should look after you, okay?

00:13:33Everything else, all right?

00:13:34Thanks, Leo.

00:13:35Don't thank me. Just complete the book.

00:13:37Remember, if it's a good one, we're in line for a critic's pride.

00:13:39And don't you forget it.

00:13:57All right.

00:14:07There's a good one.

00:14:12Oh, my God.

00:14:42Oh, my God.

00:15:12Oh, my God.

00:15:14Come on, Boris.

00:15:16You all right?

00:15:18You all right?

00:15:20How about jumping on the back of my jaguar?

00:15:22How about that, eh?

00:15:24Just a long cow.

00:15:26Mr. Martin?

00:15:32As a rule, I don't like people about.

00:15:44I don't trust them.

00:15:46But we have a lot of hard work to get through.

00:15:48Fine.

00:15:50Haven't I met you before?

00:15:52No.

00:15:54No.

00:15:56For a moment I thought you looked familiar.

00:15:58Did you?

00:16:00Yes.

00:16:02Have you ever worked for a writer before?

00:16:04No, not really.

00:16:06Just a general freelance work.

00:16:08I once used to work for a cookery expert for a time.

00:16:10A cookery expert?

00:16:12Yes.

00:16:13She ran a weekly column in Home Lover magazine,

00:16:14all about cannolini and calf brains, things like that.

00:16:16Calf brains?

00:16:17Yes, that sort of thing.

00:16:18Issues.

00:16:19Really?

00:16:20But you've never worked on a novel before.

00:16:21No, I haven't.

00:16:22But you're quite used to a strict routine, of course.

00:16:24Of course.

00:16:25I and I.

00:16:26The day, I got every day, I got every day in the day.

00:16:28The day I do a day in the day, I got them up.

00:16:29A week.

00:16:30I want to work for a cookery expert for a time.

00:16:32A cookery expert?

00:16:33Yes.

00:16:34She ran a weekly column in Home Lover magazine,

00:16:35all about cannolini and calf brains,

00:16:37things like that.

00:16:38Calf brains?

00:16:39Yes, that sort of thing, dishes.

00:16:41Really?

00:16:42But you've never worked on a novel before.

00:16:44No, I haven't.

00:16:45But you're quite used to a strict routine, of course.

00:16:46there she is your bird yeah let's go see how her body is pricey one day yeah well she loves me

00:17:16oh go on it's him i've got him

00:17:40you always fight that dirty they were after me going for me

00:17:46i suppose you live on your own do you at the house whenever i can help it yes

00:17:58don't you have a housekeeper or someone who does does what does tidies up for you cooks

00:18:07oh yes yes there's one of those why all these questions sorry

00:18:12but i will give you my routine so you know it never alters while i'm writing i get up at eight

00:18:25my first cup with coffee i always have in the dining room the blue channel the second cup i take in the

00:18:30study i would like you to bring me that then dictation starts for the rest of the morning

00:18:36lunch i like to keep simple then we work through until six it is then when i have my first drink

00:18:44always a glass of well-chilled teal pepper dinner always light some fish or a quiche

00:18:52i drink burgundy i drink burgundy not parrot after dinner i relax it's quite a simple routine which works

00:19:13i don't know

00:19:19don't know

00:19:21don't know

00:19:22i'm

00:19:31Oh, my God.

00:20:01Oh, my God.

00:20:31Your bedroom is upstairs at the end of the corridor.

00:20:45Oh, my God.

00:21:15How far is this place from anywhere?

00:21:17Far enough.

00:21:21They turned in at the end of the drive, comma, and Angus stopped the car quietly.

00:21:26Stopped.

00:21:27New paragraph.

00:21:27Their kiss was neither tender nor affectionate.

00:21:33Point.

00:21:34It was carnal point.

00:21:37It was lustful point.

00:21:39Wet and greedy point.

00:21:43Lingering.

00:21:45Passionate, but with warmth.

00:21:48Semicolon.

00:21:49Possessive, but with calm.

00:21:53Quotes.

00:21:54I love you.

00:21:56End quotes.

00:21:58Angus's voice soft in the interior.

00:22:00Sorry, Angus's voice soft in the what?

00:22:02Angus's voice soft in the interior.

00:22:05Yes.

00:22:06Full stop.

00:22:08Ice crystals forming on the windscreen and the russet sky.

00:22:12Point.

00:22:13Point.

00:22:14An ironical setting after all there had been.

00:22:17Point.

00:22:19End paragraph.

00:22:21Good.

00:22:23Do you mind if I unpack?

00:22:25What?

00:22:26I said I'll make some coffee.

00:22:56I'll just increase knowing how much more.

00:23:09Having a coffee.

00:23:17He's getting embarrassed.

00:23:19You might be in the room.

00:23:20That's it.

00:23:21I said I'll wear it.

00:23:22Byair in pain I'll keep you in the room.

00:23:23And a different room.

00:23:25Oh, my God.

00:23:55Oh, my God.

00:24:25Oh, my God.

00:24:55Oh, my God.

00:25:25Oh, my God.

00:25:55Oh, my God.

00:26:25Gone was the formal exterior that had presented itself so fearfully this last week.

00:26:33Stop.

00:26:33Here in his arms was a sensitive being.

00:26:37Stop.

00:27:08Just point.

00:27:09Anna's legs slowly point at each caress, urgently moving, point, demanding.

00:27:24She was wet with anticipation.

00:27:30And?

00:27:33Done.

00:27:34Done?

00:27:35Yes.

00:27:36Done for the minute.

00:27:37Would you like a drink?

00:27:47Are you sure?

00:27:49No.

00:27:50No.

00:27:52This will be my second book.

00:27:53The first made me half a million dollars.

00:27:58And now, you know, this is the first time I have to work to a deadline.

00:28:05The more successful you get, the more they want the next one.

00:28:10The more they're prepared to pay.

00:28:12And the longer it takes you to write.

00:28:15The more impatient this whole lot of idiots are coming.

00:28:20But you've only written two books.

00:28:23It's still the same.

00:28:28It's still the same.

00:28:32Are you quite sure we haven't met before?

00:28:34Quite sure.

00:28:36That's the second time you've asked me that.

00:28:45You are a very attractive girl.

00:28:48Does that upset you?

00:28:50No, not in the slightest.

00:28:52Not in the slightest.

00:28:59Yours?

00:29:02The first.

00:29:04Half a million dollars.

00:29:05Right.

00:29:06Who's the inscription to?

00:29:10A friend.

00:29:28Another.

00:29:29Little.

00:29:30Another.

00:29:34The first.

00:29:35The second.

00:29:36The second.

00:29:37The second.

00:29:38The second.

00:29:39Oh no.

00:29:40Go, no.

00:29:42He's got it.

00:29:43I'm sorry.

00:29:44I don't know.

00:29:45He's got it.

00:29:46The second.

00:29:47Yes, he's got it.

00:29:48I'm sorry.

00:29:49The second.

00:29:51He's got it.

00:29:52The third.

00:29:53The third.

00:29:54Just give up.

00:29:55I'll just give up.

00:29:56Oh, my God.

00:30:26Oh, my God.

00:30:56Oh, my God.

00:31:26Oh, my God.

00:31:56Oh, my God.

00:32:26Oh, my God.

00:32:56Oh, my God.

00:32:58Oh, my God.

00:33:00Oh, my God.

00:33:02Oh, my God.

00:33:04Oh, my God.

00:33:06Oh, my God.

00:33:10Oh, my God.

00:33:12Oh, my God.

00:33:16Oh, my God.

00:33:18Oh, my God.

00:33:20Oh, my God.

00:33:22Oh, my God.

00:33:26Oh, my God.

00:33:28Oh, my God.

00:33:30Oh, my God.

00:33:32Oh, my God.

00:33:36Oh, my God.

00:33:38Oh, my God.

00:33:40Oh, my God.

00:33:42Oh, my God.

00:33:46Oh, my God.

00:33:48Oh, my God.

00:33:50Oh, my God.

00:34:00Oh, my God.

00:34:02Oh, my God.

00:34:04Oh, my God.

00:34:06Oh, my God.

00:34:08Oh, my God.

00:34:10Oh, my God.

00:34:12Oh, my God.

00:34:14and MYSTERN.

00:34:41Perhaps this is the first time in a long while

00:34:44Now that I really feel content.

00:34:47I actually feel happy this evening.

00:34:55Good. I'm glad.

00:34:57I don't know.

00:34:59Perhaps it's the weather.

00:35:00Or our good work today.

00:35:04It has even been suggested

00:35:06that the book may be in line for the Pulitzer Prize.

00:35:11We did well today.

00:35:12You must be pleased too, surely.

00:35:14Of course.

00:35:15Good.

00:35:17The secret is what I call

00:35:19the immaculate pattern of life.

00:35:22What's that?

00:35:24Well, I suppose it's well described

00:35:27by referring to it as

00:35:29the tranquility derived from order

00:35:31that they design in sequence,

00:35:33carefully planned, well organized,

00:35:35well executed,

00:35:37no snags, nothing,

00:35:40nothing unexpected to put you up.

00:35:43A bit boring though.

00:35:45Boring.

00:35:47Exactness in life is the whole point of our being.

00:35:51Well, now I see you agree a little bit.

00:35:54We are really getting to know each other well.

00:35:57You make me feel relaxed.

00:35:59I like you.

00:36:01Of course.

00:36:03This is very reassuring for me.

00:36:06Maybe that's why I feel content.

00:36:10Tell me.

00:36:12Probably you saw a lot of the countryside

00:36:14on your walks this morning.

00:36:17Wasn't it beautiful?

00:36:18Wasn't it beautiful?

00:36:48The success can bring you problems,

00:36:51of course.

00:36:53You're always having to escape.

00:36:56Get away from people.

00:36:59People who want you to do them favors.

00:37:03I started the new book in London.

00:37:06I tell a lie.

00:37:08I actually started it in Paris.

00:37:11Then moved it to New York.

00:37:13Then London.

00:37:14Then London.

00:37:15Now here.

00:37:19I've rented this place just to get away from prying people.

00:37:28You see, however it is,

00:37:31it's the price you pay for being remarkably good at your job.

00:37:44You see.

00:37:49Sometimes I feel that the whole bloody lot are after me.

00:37:54Trying to get me.

00:37:58They're always after me.

00:38:00Checking me down.

00:38:15You have to keep your eyes open.

00:38:21They could be anywhere.

00:38:24Watching you.

00:38:29Boo.

00:38:32That's why I'm here.

00:38:35Straw Hill.

00:38:37The house on Straw Hill.

00:38:40Straw books.

00:38:44Made by...

00:38:47Straw mix.

00:38:49By straw men.

00:38:50Oh.

00:39:10Sorry.

00:39:12Too much to drink.

00:39:20Oh.

00:39:48Oh.

00:39:50No!

00:40:00No!

00:40:06No!

00:40:12No!

00:40:14No!

00:40:16No!

00:40:18No!

00:40:20No!

00:40:21No!

00:40:22No!

00:40:23No!

00:40:24No!

00:40:26No!

00:43:57Anyhow, we have a deadline, remember?

00:44:03Where's Mrs. Aston?

00:44:05Oh, she's about someone.

00:44:36Of course, don't we all?

00:44:39You'd be surprised.

00:44:43Do you have a boyfriend?

00:44:45Not currently.

00:44:47Married?

00:44:48Once, not now.

00:44:51Divorced?

00:44:53No, he was killed.

00:44:57Do you like girls?

00:44:59No.

00:45:00Surprising.

00:45:01Surprising?

00:45:03Well, for a moment I thought...

00:45:05Well, I don't.

00:45:06I don't know.

00:45:27Perhaps later, when we're finished.

00:45:31Finished?

00:45:33Finished what?

00:45:34Who's writing this book?

00:45:36You or me?

00:45:39Who has all the strain?

00:45:41Creating page after page?

00:45:43Who needs sympathy and understanding?

00:45:45What?

00:45:46You are lovely.

00:45:50Maybe I'll take her.

00:45:59Suzanne?

00:46:01It's me.

00:46:04Would you like to come down to the country?

00:46:06Yes.

00:46:08It's been quiet here without you.

00:46:10All right.

00:46:12Yes.

00:46:1412.30 at the station.

00:46:16All right.

00:46:18Aye.

00:46:22No.

00:46:24You're going to meet the 12.30.

00:46:26You're the secretary.

00:46:36Stop making that noise, please.

00:46:52Where's the key?

00:46:54Why don't you use their car?

00:46:56It's much better for his secretary.

00:47:06No.

00:47:36All right.

00:47:44How do you do?

00:47:46I do, too.

00:49:36I must say, you're a very busy person, rushing around like nobody's business.

00:49:42Do I?

00:49:43Am I?

00:49:45Quite a takeover.

00:49:47Takeover?

00:49:48Hmm.

00:49:50What's Mrs. Watson now?

00:49:51He doesn't like peppery food.

00:49:57Oh, really?

00:49:59Well, you mustn't forget I'm only the hard hand around here.

00:50:02The general dog's body, in fact.

00:50:04I'll remember about the better.

00:50:11You really look good, you know?

00:50:14Good.

00:50:15Yes.

00:50:16Really good.

00:50:18I was like, you look very good.

00:50:21You look very, very good indeed.

00:50:25You really look good.

00:50:37You look very, very good.

00:50:42You look good.

00:50:57Oh, my God.

00:51:27Linda!

00:51:28Linda!

00:51:29Linda!

00:51:30Linda!

00:51:43Linda!

00:51:45Paul?

00:51:47I don't understand.

00:51:48Perhaps she fancies you.

00:51:51Linda!

00:51:54Linda?

00:51:56Linda?

00:51:59I don't understand.

00:52:02Perhaps she fancies you.

00:52:09Linda!

00:52:11Linda?

00:52:29Linda?

00:52:31Linda?

00:52:37Linda?

00:52:40Linda?

00:52:44Linda?

00:52:48Linda!

00:52:59Come on.

00:53:29Come on.

00:53:59Come on.

00:54:01Suzanne?

00:54:03Suzanne?

00:54:05Suzanne?

00:54:15Suzanne?

00:54:29Suzanne?

00:54:31Suzanne?

00:54:33Suzanne?

00:54:35Suzanne?

00:54:37Suzanne?

00:54:39Suzanne?

00:54:41Suzanne?

00:54:43Suzanne?

00:54:45Suzanne?

00:54:47Suzanne?

00:54:49Suzanne?

00:54:51Suzanne?

00:55:09Suzanne?

00:55:11Oh, my God.

00:55:41Oh, my God.

00:56:11Oh, my God.

00:56:41Oh, my God.

00:57:11Oh, my God.

00:57:41Oh, my God.

00:58:11Oh, my God.

00:58:13Oh, my God.

00:58:15Oh, my God.

00:58:17Oh, my God.

00:58:19Oh, my God.

00:58:23Oh, my God.

00:58:25Oh, my God.

00:58:27Believe what you like.

00:58:29Believe what you like.

00:58:31If you will go poking around in people's luggage, you must believe what you like.

00:58:33And the photograph?

00:58:35The photograph of me?

00:58:37Oh, come on now, Paul.

00:58:39Calm down.

00:58:41Tell me what the matter is.

00:58:43Then I can tell you what you want to know.

00:58:49The photograph from your agent, Leo.

00:58:51How did you think I was going to recognize you at the station when you first met me?

00:58:57Where's Suzanne?

00:58:59Oh, my God.

00:59:01Not to be disturbed.

00:59:03There's no one I can trust.

00:59:05Come on, then.

00:59:07Let's finish.

00:59:08Not now.

00:59:09There's no way to go.

00:59:10I can't.

00:59:11Yes, you can.

00:59:13Page 435.

00:59:16All right?

00:59:18The airport.

00:59:20Common.

00:59:21Busy.

00:59:22Sweaty, with the smell of a million people all going their different ways.

00:59:26Stop.

00:59:27The sweaty smell of many nations.

00:59:30The heat of their bodies.

00:59:32Warmth of their bodies.

00:59:38Has the plane sunk from an orange sky?

00:59:41Azure.

00:59:42Orange.

00:59:44Their love.

00:59:45Their hate.

00:59:46Saying goodbye.

00:59:47No.

00:59:48Standing.

00:59:49Nothing.

00:59:50No.

00:59:51Waving goodbye.

00:59:52Try something different.

00:59:53Won't work.

00:59:54Try.

00:59:55Won't work.

00:59:56No more.

00:59:57Forever.

00:59:58Finished.

00:59:59Abandoned.

01:00:00Complete.

01:00:01Done.

01:00:02Final.

01:00:03Last.

01:00:04Finished.

01:00:05Finished.

01:00:06Finished.

01:00:07I finished it for you.

01:00:09I finished it for you.

01:00:26I'm going to kill you, Mr. Martin.

01:00:41Kill you.

01:00:42Why?

01:00:43Because you're a fraud.

01:00:44F-R-A-U-D spells fraud.

01:00:48Full point.

01:00:49The end.

01:00:50Get it?

01:00:51My name's Hindstatt.

01:00:52Linda Hindstatt.

01:00:53Linda Hindstatt.

01:00:54I'm going to kill you.

01:00:55I'm going to kill you, Mr. Martin.

01:00:58Kill you.

01:00:59Why?

01:01:00Because you're a fraud.

01:01:01F-R-A-U-D spells fraud.

01:01:04Full point.

01:01:05The end.

01:01:06Get it?

01:01:07My name's Hindstatt.

01:01:08Linda Hindstatt.

01:01:10Remember?

01:01:11Yes.

01:01:12I think you do.

01:01:14The first novel.

01:01:15Half a million dollars.

01:01:16Half a million dollars.

01:01:17My name's Hindstatt.

01:01:18My name's Hindstatt.

01:01:19Linda Hindstatt.

01:01:25Remember?

01:01:26Yes.

01:01:27I think you do.

01:01:30The first novel.

01:01:34Half a million dollars.

01:01:43Half a million dollars.

01:01:44Oh.

01:01:48No!

01:01:50Oh!

01:01:51Oh!

01:01:52Oh!

01:01:53Oh!

01:01:54Oh!

01:01:55Oh!

01:01:56Oh!

01:01:57Oh!

01:01:58Oh!

01:01:59Oh!

01:02:03Oh!

01:02:04Oh!

01:02:06Oh!

01:02:07Oh!

01:02:08Oh!

01:02:10Oh!

01:02:11Oh!

01:02:12Oh, oh, oh, oh!

01:02:42Oh, oh!

01:02:44Oh!

01:02:46I don't want anyone

01:02:48to get into a panic while I'm away. Everything's under control.

01:02:50Just keep on taking the tablet sugar

01:02:52and keep that page and energy going.

01:02:54Oh!

01:02:56Could be a good one.

01:03:12I don't know.

01:03:42I don't know.

01:04:12I don't know.

01:04:42I don't know.

01:05:12I don't know.

01:05:42I don't know.

01:05:44I don't know.

01:05:46I don't know.

01:05:48I don't know.

01:05:50I don't know.

01:05:53You made half a million dollars out of that book and you never even wrote it.

01:05:58Not one word.

01:05:59Not one single word.

01:06:01Because it was written by my husband.

01:06:04You stole it from him, saying you'd sell it for him.

01:06:10You even had the nerve to dedicate it to him, remember?

01:06:13And then you got rid of him.

01:06:14You drove him to suicide while you stole his work.

01:06:22Oh, I've got the lot on you, Mr. Martin.

01:06:27The lot.

01:06:28And now, I want my bit.

01:06:33I want my fun.

01:06:38I want your guts.

01:06:40No.

01:06:41No.

01:06:42No.

01:06:43I beg you.

01:06:44I will explain.

01:06:45Please.

01:06:46Don't shoot.

01:06:47Please.

01:06:48No.

01:06:49I beg you.

01:06:50Please.

01:06:51No.

01:06:58What?

01:06:59No.

01:07:12No.

01:07:13It can't be.

01:07:15No.

01:07:16No.

01:07:18Come on.

01:07:48Come on.

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