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00:00:00Musik
00:00:30Musik
00:01:00Musik
00:01:30Musik
00:01:32Musik
00:01:34Musik
00:01:36Musik
00:01:38Musik
00:01:40We did a party
00:01:42for the releasing
00:01:44of the album, and
00:01:46in the kitchen I've seen
00:01:48a very strange guy
00:01:50with dark clothes, and he was
00:01:52there and he said,
00:01:54air is awful,
00:01:56that's very nice music
00:01:58Es ist sehr artificiell. Es ist besser zu hören auf contemporary Musik oder funk.
00:02:28Ja, ist es der gleiche Bucke?
00:02:48Ja, ist es der gleiche Bucke?
00:02:50Ja, es ist der gleiche Bucke.
00:02:52Ja, es ist der gleiche Bucke.
00:02:54Ja, wir sind der J.B.
00:03:06Es ist einer Bucke.
00:03:11In der Rolle des Lebens.
00:03:15Vor dem zu baden.
00:03:17Ja, es ist die Lin.
00:03:19Dann bin ich ein bisschen wie alt.
00:03:22So dann ...
00:03:24Ja!
00:03:25Ich bin hier.
00:03:27Ich bin hier.
00:03:28Der Bus ist auf der Seite.
00:03:30Ich habe es auf der Seite.
00:03:52Untertitelung des ZDF, 2020
00:04:22Okay, bye.
00:04:29Okay.
00:04:32Is it time to spank JB yet?
00:04:34Our ceremonial pre-show spanking?
00:04:36We decided it would be good luck.
00:04:39Every night.
00:04:41Come here, you.
00:04:52Come here, you.
00:05:22I dyed my hair blue a long time ago, and used to listen to Hole in Nirvana when grunge
00:05:30was the big thing, and it gives you a chance to really do anything and have an excuse for
00:05:36it to say you're rebelling, and that rock and roll definitely fuels that fire.
00:05:40At a very critical moment, it increased my morale for music.
00:05:46Yeah, I like music a lot, especially if it's a good music.
00:05:49And that's what the brilliant thing about music is, is that you can listen to something
00:05:52in one mood and feel completely one thing, and then feel completely depressed listening
00:05:58to the same piece of music another day, you know.
00:06:00You know, my identity is not my own, but my life, in a certain way, so I use myself to relax
00:06:06a little bit, to calm myself after working, when I'm too stressed.
00:06:10I don't listen to a lot of music, I'm very TV, I watch a lot of TV.
00:06:14I'm one of those people who think that music is the most important thing in the world,
00:06:18that shapes who you are.
00:06:20I listen to some times when you hear music and that, and you remind you of stuff, and
00:06:25Ed does that a lot for this summer, we played that album all summer, in the garden and that.
00:06:30Music has never changed an idea of who I am, definitely not.
00:06:34How did you change your idea, your perception of yourself?
00:06:38I don't know, I don't know.
00:06:44Oh, no, not at all.
00:06:46Not at all.
00:06:47Not at all.
00:06:48If you were scared, wouldn't it help you?
00:06:50Yes.
00:06:51Yes, but not because of the music.
00:06:53Yes, yes, yes, yes, yes.
00:06:54Yes, yes.
00:06:55Yes, yes.
00:06:56Yes, yes, yes, yes.
00:06:58That's fine.
00:07:03You don't talk to me?
00:07:04No, it's all not.
00:07:09Just do not disturb my imagination.
00:07:11No, no, no.
00:07:13It's all not answering.
00:07:15No.
00:07:16It's all not answering.
00:07:17It's all okay.
00:07:19Yes, yes, yes.
00:07:22Ich bin der Filmkrupp.
00:07:52Was ist das?
00:07:54Oh ja?
00:07:56Oh ja?
00:07:58Oh ja?
00:08:00Oh ja?
00:08:02Oh ja?
00:08:04Oh ja?
00:08:06Oh ja?
00:08:08Did you drink?
00:08:10Oh ja?
00:08:12Sure, es ist interessant.
00:08:14Oh ja.
00:08:16My head will explode.
00:08:18Ja?
00:08:20So you don't want to get up and talk about politics and life?
00:08:24No.
00:08:26Oh my god.
00:08:28I have a photo session in one hour?
00:08:30Yeah.
00:08:32Oh shit.
00:08:34I dream of it last night.
00:08:36And I thought I was listening to it.
00:08:40The crew were taking the equipment out of the room or something like that.
00:08:46And that song was playing.
00:08:48There was a mook bass.
00:08:50And I was listening to it.
00:08:52And I think after I was very sad because I would like to write something like that.
00:08:58But in fact I don't know the song.
00:09:00It's a song I haven't seen.
00:09:02But the dream make it beautiful.
00:09:04I'm sure it was a real world in fact.
00:09:06Was it a song that you invented in your dream?
00:09:08Yeah.
00:09:09One day I did that.
00:09:10I do often that.
00:09:11A lot of musicians are doing that.
00:09:13But you know dreams are making the things beautiful.
00:09:16Like when you're making love in your dreams.
00:09:18It's always better.
00:09:19I know.
00:09:20I always describe this band to people who don't know them as really intense, well produced
00:09:26and arranged elevator music.
00:09:28And to me that's not a compliment.
00:09:32Because they're masterful arrangers.
00:09:35They are both hideously romantic.
00:09:38And it's in their writing.
00:09:40He appreciates what drew me to music.
00:09:43Because I'm not a lyricist.
00:09:44I left that to the other guys.
00:09:45I was fascinated by how harmony affects your body.
00:09:49And you know I grew up Catholic.
00:09:52So my mom convinced me I shouldn't try drugs.
00:09:54So I had to find another one.
00:09:55And it was when these chords come together.
00:09:57They make you feel a certain way.
00:09:59And that's what their record does.
00:10:00Because Nicholas really understands how to affect people with harmony.
00:10:08I don't know.
00:10:09I just think that it changed me.
00:10:10So why did everybody else?
00:10:12I think it has an effect.
00:10:13Mostly on the younger generation.
00:10:14Older people just listen to it to relax themselves.
00:10:17Or whatever they want out of it.
00:10:19But the younger people.
00:10:20They really absorb the lyrics.
00:10:22And they live it out sometimes.
00:10:24I think it makes people get in touch with emotions.
00:10:27That they normally don't get in touch with.
00:10:29Music makes people happy.
00:10:31People are easier to deal with.
00:10:32And it brings people closer together.
00:10:33Like you see people at a show.
00:10:34That you maybe would see together on the street.
00:10:37And everyone's getting along.
00:10:38So it's good.
00:10:39I think music from a couple generations ago.
00:10:42Had more of an impact than music today does.
00:10:45Because lyrics meant more I think.
00:10:46Especially nowadays.
00:10:47I think it's people connect very close to.
00:10:48I'm very connected to music.
00:10:53I'm very connected to music.
00:10:54Yeah.
00:10:55I have a person.
00:10:56I have a person.
00:10:57I have a person.
00:10:58I have a person.
00:11:00I have a person.
00:11:01I have a person.
00:11:02I have a person.
00:11:03I have a person.
00:11:04Das war's für heute.
00:11:34Were you popular in high school?
00:11:38What?
00:11:39Were you popular in high school?
00:11:42When you were young?
00:11:44Did people like you?
00:11:48Were you popular?
00:11:50In the past or in the future?
00:11:52In the past?
00:11:54When you were like 16 years old?
00:11:56No, no.
00:11:58I was very discreet.
00:12:00Were you shy?
00:12:02Yeah, very shy.
00:12:04But people were staring at me because I had a sort of punk look.
00:12:11I was not like the others because I was living in Versailles.
00:12:16And in Versailles, you know, everybody is very clean and everything.
00:12:20And I was a big fan of some bands like The Cure or The Stooge at the beginning.
00:12:29And so we were very apart from the others.
00:12:32Uh-huh.
00:12:33And Nicolas too?
00:12:34Yeah, in fact, first I went into a high school, you know, into a very good level school.
00:12:42And it was very Versailles.
00:12:45Versailles people, I didn't like it.
00:12:47I was very shy and very, you know, very apart.
00:12:51I had maybe three friends and that's all.
00:12:55And after, I went into this more popular college with Nicolas.
00:13:02And they had so many, some normal people, you know, I mean, some people from the suburbs, people from the suburbs of Versailles.
00:13:12So quite poor area.
00:13:14So I felt better.
00:13:16And we began to, you know, to talk with Nicolas and some other guys.
00:13:23Plenty of people interested in music.
00:13:25Uh-huh.
00:13:26And so at this time, we began to form some bands and to rehearse together and to exchange some records and to go to see the same movies.
00:13:36And to get dressed more and more like a sort of a new wave punk attitude, something like that.
00:13:43Uh-huh.
00:13:44We discovered some very interesting substance too.
00:13:48Uh-huh.
00:13:49Just the beginning of that.
00:13:50Yeah, yeah.
00:13:57Entertainment?
00:13:58Yeah.
00:13:59Uh-huh.
00:14:00If you lose putting any limits, yeah, it can be, yeah.
00:14:04It can be very dangerous.
00:14:05You have to know when to stop.
00:14:11Thank you very much.
00:14:12Sure.
00:14:13Can we, uh, can we meet the band?
00:14:15All we asked for his music to dream to, an air delivered the sparkling white-eyed melodies right on cue.
00:14:22This week, the Paris-based duo present their much-awaited live shows following the massive success of their Moon Safari album early this year.
00:14:32The image of shy-looking Nicolas and Jean Benoit on the road is an intriguing one.
00:14:37I'm picturing a tour bus recklessly tuned with Atari consoles and coloring books.
00:14:43There's always a suspicion surrounding such hyped events, but air seemed equipped to counter fears about an anti-creme ex,
00:14:51baked by the suitably native MOOC cookbook.
00:14:54And Moon Safari is one of 98's finest album and perfect anti-reality check.
00:15:01Watch the stars.
00:15:02It's pretty good.
00:15:04Did you understand something about what I said?
00:15:06We might have to have little subtitles.
00:15:08Okay.
00:15:09Uh, please don't show that to my English teacher.
00:15:13What do you think of McDonald's?
00:15:15What do you think of McDonald's?
00:15:16What do you think of McDonald's?
00:15:17What do you think of McDonald's?
00:15:18What do you think of McDonald's?
00:15:19What's your favorite meal?
00:15:21What's your favorite meal?
00:15:22What do you think of McDonald's?
00:15:23I don't like to go there.
00:15:24It tastes like plastic.
00:15:25Exactly.
00:15:26Oh, they have good McFlurry.
00:15:27Oh yeah, something new now.
00:15:28Yeah.
00:15:29That's maybe the only like...
00:15:30Oh yeah.
00:15:31The ice cream.
00:15:32That's good.
00:15:33McFlurry.
00:15:34McFlurry, yeah.
00:15:35It's like ice cream with M&M.
00:15:36They like...
00:15:37They crush it.
00:15:38Delicious.
00:15:39You should try it.
00:15:40I never eat there.
00:15:41They have that new McVeggy burger.
00:15:42You try it?
00:15:43Yes I have.
00:15:44It is wonderful.
00:15:45It's good.
00:15:46It's good.
00:15:48It's good.
00:15:49It's good.
00:15:50It's good.
00:15:51It's good.
00:15:52It's good.
00:15:53It's good.
00:15:54It's good.
00:15:55It's good.
00:15:56You're good.
00:15:57I'm good at McDonald's.
00:15:58My favorite meal is good.
00:15:59I like the fish because it's good more than the rest.
00:16:01No.
00:16:02I'm vegan.
00:16:03Vegans.
00:16:04Sorry.
00:16:05It's good.
00:16:06Very good quality and taste.
00:16:07It's good.
00:16:08Eat well.
00:16:09And fast.
00:16:10Es ist ziemlich gut.
00:16:11Ich würde es essen.
00:16:13Ich mag es nicht.
00:16:14Ich kann es nicht zu viel essen.
00:16:18Ich liebe es.
00:16:19Wer ist es?
00:16:20Was ist dein magdum?
00:16:22In diesem Moment ist es...
00:16:25Ich habe keine Ahnung.
00:16:27Mit der Moutarde.
00:16:32Wieder?
00:16:33Ja, ja.
00:16:35Nein, mit den potatoes.
00:16:37Magdalux.
00:16:39Gib ich.
00:16:41In diesem Moment.
00:16:42Also gibt es die schöne Sachen.
00:16:44Also gibt es dich.
00:16:45Diese Sachen.
00:16:46Ja, es ist echt.
00:16:48Das ist das Thema.
00:16:51Aber wir können es nicht so machen.
00:17:05Es ist nicht so schön, dass ich eine Schlaft habe.
00:17:08Nein, nein, nein, nein, nein.
00:17:36Absolutely, absolutely.
00:17:39Money is a vehicle to success, man, you know.
00:17:42Personal integrity is way more important, but money is good.
00:17:51I'd rather be starving for food in a studio apartment
00:17:54and be making films and stuff like that
00:17:56instead of working in corporate, awful, ugly, dreary world.
00:18:01It's tough.
00:18:02I mean, most nights we basically don't have a hotel.
00:18:04There's this big bus with 14 beds on it.
00:18:06So after the show, we sit around for four hours waiting for them to pack the gear and get everything done.
00:18:10And no one really feels like sleeping at that point.
00:18:12But you can't go anywhere because the bus is going to leave.
00:18:14And it's late and everything's closed.
00:18:16You can get food, you're lucky.
00:18:18And then you get on the bus and try to sleep
00:18:20and wake up in the morning in the next city outside the next club.
00:18:23You wait until they open the club and you go inside and sit around and maybe walk around town for a bit.
00:18:27Yeah.
00:18:29Yeah.
00:18:39Describe the differences between Nicholas and J.B.
00:18:43Nicholas is taller.
00:18:45J.B. is much shorter.
00:18:47Thinner.
00:18:49It's interesting.
00:18:51They're very similar and very different in a lot of ways.
00:18:53How are they different than other musicians you work with?
00:18:55Are they different?
00:18:57They dress in white.
00:18:59They explain things in very sort of poetic terms.
00:19:05When J.B. talks about playing a certain keyboard part, he goes,
00:19:07When I play it, it makes me feel as to fly.
00:19:09You know, it describes things out myself.
00:19:12It works really.
00:19:13Tonight after the show, he told Justin, he said,
00:19:16The bass, it was like a beautiful carpet.
00:19:23Well, most musicians that I've worked with are more like, play it right.
00:19:28And the right way to play it is to execute it perfectly.
00:19:31But with them, you can kind of play whatever.
00:19:35I mean, you could improvise it as long as it feels, you know?
00:19:38Yeah.
00:19:39J.B. is really mildly, a mildly sexual person.
00:19:45But if you get him talking, he's like the sexiest motherfucker you could like.
00:19:50You know, he's like sex man.
00:19:52He's like, oh man.
00:19:53I would totally turn gay for him.
00:19:56Nicola, I don't see him as a very sexual person.
00:20:02But then as I get to know him as well, there's something about him, you know?
00:20:06You just want to like sort of grab him in the head.
00:20:10You know what I mean?
00:20:11I think you're saying something more about you than about them.
00:20:13Justin.
00:20:14Yes, my sweet.
00:20:15Yes, my sweet.
00:20:16Yes, my sweet.
00:20:17Yes, my sweet.
00:20:19Untertitelung des ZDF, 2020
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00:22:45Untertitelung des ZDF, 2020
00:22:47Ich bin Jaby, ich bin ein Musiker von der Erde.
00:22:56Hallo, ich bin Jaby und ich bin hier. Ich bin Jaby und ich bin ein Musiker von der Erde.
00:23:24Hallo, ich bin Nicola und ich bin Jaby, wo er geht.
00:23:29Das ist Jaby und das ist Nicola von Ayr.
00:23:33Ich habe es richtig gesagt?
00:23:34Ja.
00:23:35Oh ja, ja, ja.
00:23:37Deine Musik ist sehr populär in Europa und in den USA.
00:23:43Ist es so populär in der Fransch?
00:23:47Kann ich uns was, was ihr spielt in der Band?
00:23:50Oder was ihr contributeet, musically und anders?
00:23:53Das ist Ihr erste Live Tour, ist es?
00:23:56Wie hat es die Reaktion gemacht?
00:24:00Es ist ein 90s Phänomenon, Air Rage.
00:24:03Wie man die Road Rage bekommt.
00:24:06Die Road Rage, die Leute auf der Straße gehen und die Leute in der Straße.
00:24:10Die Leute auf der Straße gehen und die Leute auf der Straße gehen.
00:24:13Die Leute auf der Straße gehen und die Leute auf der Straße gehen.
00:24:16Ja.
00:24:17So, ihr geht direkt in die nächste Rolle, das ist all I need.
00:24:22Tell me about it.
00:24:23Was ist es all about?
00:24:24Kann ich uns über die Video?
00:24:26Wie sind die Couple in es?
00:24:28Wer sind die Akte?
00:24:29Wer sind sie?
00:24:30Wer sind sie?
00:24:31Was hat Beth Hirsch gemacht?
00:24:33Wer hat sie gemacht?
00:24:34Was hat sie gemacht?
00:24:35Was hat sie gemacht?
00:24:36Was hat sie gemacht?
00:24:37Was hat sie gemacht?
00:24:38Was macht sie mit ihr?
00:24:39Was hat sie gemacht?
00:24:40Die Becks Backing Group spielen mit Ihnen, ist das.
00:24:45Es ist nicht so genau das.
00:24:46Die Becks Backing Band performiert mit Ihnen.
00:24:49Wer hat sie mit ihr größte Musik ajudar?
00:24:52Und welche von ihren Tracks ist der größte?
00:24:56Die Tracks sind die größte?
00:24:58Er ist die meisten beeindruckend?
00:25:00Ja, wer hat die größte Musiker beeinflusst?
00:25:03Und welche von ihren Tracks beeinflusst ist die meisten beeindruckend?
00:25:06Ah, ok.
00:25:08Welche records sind du auf der Moment?
00:25:11Wenn du in den Garten hast,
00:25:13habt ihr Posters von Popstars auf deinen Wallen?
00:25:16Und wer habt ihr in den Garten?
00:25:19Pamela Andersen.
00:25:21Ich habe die Posters in meinem Bedroom.
00:25:24Pamela Andersen?
00:25:26Okay, meine French accent, das ist so gut.
00:25:29Was ist dein Lieblings-Videos?
00:25:32Wenn du alle drei Garten würdest,
00:25:34was würdest du für?
00:25:35Welche ersten Garten hast du ever bought?
00:25:39Ich weiß nicht.
00:25:41Robin Hood, bei Walt Disney.
00:25:44Wir machen auch ein Ding auf der Welt AIDS Day,
00:25:48auf der 1st december.
00:25:50Hast du eine bestimmte Safe-Sex-Message?
00:25:52Safe-Sex?
00:25:54Safe-Sex-Message?
00:25:56Ja.
00:26:02What do you mean, Safe-Sex?
00:26:04Like, say...
00:26:05You mean, no penetration?
00:26:07So, could you kind of do an MP to say,
00:26:12um, thanks for, um, you're watching Bites,
00:26:16it's called Bitesize.
00:26:17Bitesize?
00:26:18Bitesize.
00:26:19Bike?
00:26:20Bite.
00:26:21Bite.
00:26:22Bite.
00:26:23Bite.
00:26:24Bite.
00:26:25B-I-T-E.
00:26:26Like, you're watching,
00:26:27and thanks for watching AM on Bitesize MTV,
00:26:28you're about to see my latest video.
00:26:31I mean, Bites in French is a dick.
00:26:34So it's very funny for us to say that.
00:26:37Bitesize.
00:26:38Bitesize.
00:26:39Bitesize.
00:26:40Bitesize.
00:26:41Bitesize.
00:26:46I've found a symbol.
00:26:47There a few days ago,
00:26:48il ne sit down here the magazine Time Out New-York
00:26:50người he was by a page
00:26:51presented the bare concerts например,
00:26:53like the
00:27:06Untertitelung des ZDF für funk, 2017
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00:32:32Progressive Rock Noodling.
00:33:02So how do you fit into the commercial world of record companies and being in a band?
00:33:21It's very hard because it puts a lot of pressure on us and there's so many...
00:33:30To being popular, I don't know if I listen personally to a lot of popular records, personally.
00:33:39If you go to my discotheque, the music I love is not popular.
00:33:43I mean, it's popular but it's not huge.
00:33:46If I listen to Lystone, if I listen...
00:33:50I mean, even the Beatles, I prefer the songs that would not be a hit, you know.
00:34:00I don't like Yellow Submarine, I don't like Yesterday, I don't like Lady B.
00:34:04I don't like Imagine of John A.
00:34:06I think my personal taste goes nuts through popular music.
00:34:11So I would like to make music that would go in that way in my taste.
00:34:16So when we did Sexy Boy, we wanted to do a song very strange and very...
00:34:26You know, that scene makes people uncomfortable, you know, like in Twin Peaks when you see the little guy dancing, you know.
00:34:41Or the girl was singing with his voice.
00:34:43And so we did strange voices like that out of tune and we wanted to do something very weird.
00:34:48And in fact, it became a hit, you know what I mean.
00:34:52Don't step on here.
00:35:03Okay.
00:35:09Okay.
00:35:13Your mic is in.
00:35:15Is this a special place, do you think, for them?
00:35:42Well, here it's clear that it's really a specific place because we are really retired from Paris.
00:35:49So no one is there to kill them.
00:35:51And then I think that the context allows us to really inspire everything around us.
00:35:59The nature, the silence.
00:36:01We are in an old studio of Elabré.
00:36:04And there's a sound very, very matte, which is really interesting to exploit.
00:36:13They are really, really, really retired.
00:36:16And I think that's what they're looking for before all.
00:36:19And what they're doing is also calm.
00:36:21There's no rules.
00:36:22Nicolas and Jean-Benoît, they work either together or separately.
00:36:26And I think that there's a real complementarity between them.
00:36:32That's to say that Nicolas can start a song.
00:36:35And Jean-Benoît can arrive in the morning, work very, very late.
00:36:38And complete that song by real personal touches.
00:36:43And Nicolas repasse on top.
00:36:46And at the end, it gives an album that's not bad, finally.
00:36:56Okay, so do you know the group R?
00:36:58And what kind of music do they do?
00:36:59Will you know the group R?
00:37:00No, not at all.
00:37:01Will you describe the genre of music?
00:37:05I don't think so.
00:37:06To my opinion, it should be a genre of music music disco,
00:37:10in the 70's, beginning of the 80's.
00:37:13Justly, I don't know it. I'm asking them to know it.
00:37:16Will you describe the genre of music?
00:37:18No, at all.
00:37:20No, at all.
00:37:22Will you describe the genre of music that you have to know?
00:37:24No.
00:37:25Oh, shit.
00:37:55Oh, shit.
00:38:25Oh, shit.
00:38:55Oh, shit.
00:39:25Oh, shit.
00:39:55Oh, shit.
00:40:24Oh, shit.
00:40:54Oh, shit.
00:40:56Oh, shit.
00:40:57Oh, shit.
00:40:58Oh, shit.
00:40:59Oh, shit.
00:41:00Oh, shit.
00:41:01Oh, shit.
00:41:02Oh, shit.
00:41:03Oh, shit.
00:41:04Oh, shit.
00:41:05Oh, shit.
00:41:06Oh, shit.
00:41:07Oh, shit.
00:41:08Oh, shit.
00:41:09Oh, shit.
00:41:10Oh, shit.
00:41:11Oh, shit.
00:41:12Oh, shit.
00:41:13Oh, shit.
00:41:14Oh, shit.
00:41:15Oh, shit.
00:41:16Oh, shit.
00:41:17Oh, shit.
00:41:18Oh, it's hard to say since outside the mainstream is a stream by itself.
00:41:23What, outside of New York City?
00:41:25Even hippism, which was aimed to be totally out of mainstream,
00:41:29is like now getting sort of mainstream.
00:41:32I don't know, I believe that there's always an underground scene
00:41:36and as much as possible stick on to it
00:41:38because at least you know what's really going on.
00:41:41It's difficult to live.
00:41:43It's difficult.
00:41:44Now you have to be in the mood if you want to be accepted.
00:41:47But we can be in March by listening to music.
00:41:54Paris, what are people's impressions of Air?
00:41:57What do people think of Air?
00:41:59It was very trendy, you know.
00:42:01Everybody was speaking about Air.
00:42:03A lot of people really liked the previous 12 inches.
00:42:06So everybody was waiting for the LP.
00:42:09And when the LP was out, you know,
00:42:12a lot of people know they got a lot of money for it
00:42:15and they got a lot of time.
00:42:17And the big trouble was the interviews.
00:42:20Very pretentious.
00:42:22Even if they're not pretentious in life, I think.
00:42:24But there was two interviews.
00:42:26One in a very famous TV magazine.
00:42:29I read that one.
00:42:31It was very pretentious.
00:42:32And when people really listen to the LP,
00:42:35a lot of people buy it and were very deceived
00:42:38because it was too mellow, you know.
00:42:41Really mellow, not very catchy.
00:42:44And the previous 12 inches, the first stuff,
00:42:47it was very much more catchy and maybe more,
00:42:50I don't know, I can't say, but more magic somewhere.
00:42:58What does it mean to, like, French people?
00:43:01It seems to be very hard for them to accept that all the French people are thinking that Nicolas and Jambonat from Aire are rich people.
00:43:16And you know, Versailles is the castle of Versailles.
00:43:20It's a specific area in France.
00:43:25And it means royalty and a lot of things.
00:43:30So when we speak about the north suburb in Paris, it's rap.
00:43:36When we think about Versailles, it's Aire.
00:43:41And is Aire like a rich royal band?
00:43:44Not now, but maybe one day.
00:43:49I hope so now, but it's not the most important, you know.
00:43:53The most important is to create and that people appreciate your music.
00:43:58And what do you think of all the success they've had?
00:44:01They deserve it.
00:44:04Do you think they've been hyped a little bit?
00:44:09Yes, I think they have some French kitsch influences which are not understood in France,
00:44:19but which are very cool outside France.
00:44:22Yeah.
00:44:23So wait, the French people don't understand some of the references?
00:44:29Maybe they don't understand them too much, you know.
00:44:32Maybe it's too familiar for them.
00:44:35And also very typical from France.
00:44:39What do you think people in Paris think of Aire?
00:44:42I really think that people in Paris love Aire.
00:44:45The audience, the real audience.
00:44:47Not all of them, not everybody, but the guys who know the band,
00:44:51who buy the records, they love them.
00:44:53Yeah.
00:44:54And maybe some of the journalists don't, or don't now because they used to,
00:44:59when it was hype, when it was great to be between,
00:45:03to be from the first ones who discovered them.
00:45:07Right.
00:45:08After that, when the audience came and the records sold,
00:45:11it's not good anymore to like them.
00:45:13Yeah.
00:45:14So the press began to hit them.
00:45:16But I'm really sure the audience loved them and we'll see tonight.
00:45:19maybe I'm wrong, but I'm sure I'm right.
00:45:21I'm sure they'll have a great success tonight.
00:45:23I'm ready to hit them.
00:45:26That's all.
00:45:28I can't wait.
00:45:30I'm sure.
00:45:31先etoooo
00:45:40There's a resilience to Jack & Jack.
00:45:44Untertitelung. BR 2018
00:46:14Untertitelung. BR 2018
00:46:44New York Magazine, October 26, 1998
00:47:01If irony is, as many a critic has noted, the defining stance of post-modernity,
00:47:08then air is on a mission to bring the whole smirking era to an end.
00:47:11And the Paris duo has chosen the most unlikely forum,
00:47:15gorgeously mellow 60s-inflected electronic pop
00:47:18in the quest to restore earnestness.
00:47:21Most of the time, sincerity characterizes good music,
00:47:24like says Jean Benoit Dunckel.
00:47:28How do you describe era's music?
00:47:30How do you categorize it?
00:47:32It's quite difficult to label their music
00:47:35because they are mixing really different influence, you know?
00:47:40What we call here 70s French music,
00:47:44like was doing Michel Polnareff or Serge Gainsbourg.
00:47:50But they have also some taste in rock, you know?
00:47:54They used to listen to rock when they were teenagers.
00:47:57They like bands like Kraftwerk, they like classical music.
00:48:02And I think there are people really intelligent
00:48:06when they are working in the studio.
00:48:08Yeah, yeah.
00:48:09If you were an animal, what animal would you be?
00:48:13Me?
00:48:13Me.
00:48:15Um, I guess a cat.
00:48:18Yeah? Why?
00:48:20Because a cat is making his life on his own.
00:48:24That's good.
00:48:25And do you like to go to McDonald's?
00:48:28No, I hate it.
00:48:30Yeah? Why?
00:48:30Because it's junk food.
00:48:33Yeah?
00:48:33It's not real food.
00:48:34Yeah, yeah.
00:48:35Um, do you think it's possible for people
00:48:38to live outside the influence of, like,
00:48:41mainstream music and culture and society?
00:48:45It depends what you want to know in music,
00:48:49if you're open-minded or not, you know?
00:48:52You can, you know, go to McDonald's,
00:48:55listen to Mario Carri,
00:48:57and, uh, I don't know, drive a usual car, you know,
00:49:01but you can try also to read different books,
00:49:04listen to different kind of music.
00:49:06It's possible in Paris.
00:49:08It's up to the person?
00:49:09Yeah.
00:49:10Yeah?
00:49:10I think so.
00:49:11It depends on your state of mind.
00:49:13Yeah.
00:49:15We are, actually.
00:49:18We are compared to the record.
00:49:23Never been here.
00:49:24What about you?
00:49:25What about you?
00:49:26No!
00:49:27No!
00:49:29Roger, you want some prize with that?
00:49:31What?
00:49:32You want some prize with that?
00:49:34No!
00:49:35No!
00:49:37Hi, Orchum.
00:49:39Sometimes I'm...
00:49:40I love that.
00:49:41I'm fed up.
00:49:41Because, in fact,
00:49:42that's powerful when there are several voices.
00:49:45And when I'm alone,
00:49:46that's a little chicken, you know?
00:49:48Chicken voice.
00:49:50I need a little time.
00:49:51You nervous, Nicolas?
00:49:52Get away!
00:49:54So much.
00:49:55So much to do.
00:49:56So much to give.
00:49:57I don't know.
00:49:58I don't know.
00:49:59I don't know.
00:49:59I don't know.
00:50:00I don't know.
00:50:00I don't know.
00:50:01I don't know.
00:50:01I don't know.
00:50:02I don't know.
00:50:02I don't know.
00:50:03I don't know.
00:50:04I don't know.
00:50:05I don't know.
00:50:06I don't know.
00:50:09In Be-a-Beat,
00:50:09Brian wants to do it a little bit faster.
00:50:12All right.
00:50:17A little bit because he comes out.
00:50:26Be-a-Beat!
00:50:26Be-a-Beat!
00:50:26Be-a-Beat!
00:50:27Be-a-Beat!
00:50:27Psh!
00:50:28Psh!
00:50:28Psh!
00:50:29Psh!
00:50:29T viv!
00:50:30Be-a-Beat!
00:50:30Be-a-Beat!
00:50:31Be-a-Beat!
00:50:31Be-a-Beat!
00:50:32Come!
00:50:33.
00:50:33Come!
00:50:33Come!
00:50:34Come!
00:50:34Show me your new version of all I need.
00:50:38I have some ideas for all I need.
00:50:40Yeah, show me your version of all I need.
00:50:42Come on.
00:50:44Show him.
00:50:46All I need is a little time.
00:50:48All I need is a little time.
00:50:50Get away.
00:50:56How can you be like that?
00:51:00You're so cool.
00:51:02That's the thing.
00:51:04We're not in our hometown.
00:51:06Our girlfriends aren't here.
00:51:08Our parents aren't here.
00:51:10So you have three times the pressure that we do.
00:51:12It's really that.
00:51:14You know tonight, more than that,
00:51:16my parents, my mother,
00:51:18meet Jane's parents.
00:51:20Oh, really? For the first time?
00:51:22Oh, not tonight!
00:51:24That's crazy. Why would they do that?
00:51:26Imagine if it was a normal situation.
00:51:28I mean, one night my mother
00:51:30met them. I would be like that.
00:51:32No, it's not.
00:51:34It's not enough.
00:51:36Plus this, I have a show to do.
00:51:38I thought that was a mess.
00:51:40That was a mess.
00:51:42Watch. The stars.
00:51:44Climb the stars.
00:51:46Climb the stars.
00:51:50The stars. The stars.
00:51:52The stars. The stars. The stars. The stars.
00:51:54The stars. The stars.
00:52:02The bass. The stars.
00:52:04The stars. The stars. The stars.
00:52:06Every time.
00:52:07I used to think that was the dopest show.
00:52:08I know, because it was so quiet.
00:52:10Everyone would go, oh, shit.
00:52:12It was a bunch of dumb punks, and they were letting the bass player rip.
00:52:14Ich hab den Riff.
00:52:18Wie die Sesame Street Version.
00:52:20Scooby Dooby Doo, where are you?
00:52:23Dooby Doo Doo Doo, where are you?
00:52:25Scooby Doo Doo, where are you?
00:52:28UNFORTUNE, YOU NOW.
00:52:30UNFORTUNE, WE'RE GONNA things.
00:52:32So, look now Scoob, it's The Creeper.
00:52:35What?
00:52:36Why?
00:52:37I choose that life.
00:52:41Wow, bravo.
00:52:43So, you don't have to work at the hardware store.
00:52:45You know what's on TV at this time?
00:52:47Friends?
00:52:48I could be on my sofa with my...
00:52:50Yeah!
00:52:51Watching what?
00:52:52Friends.
00:52:53Friends.
00:52:54Yeah, man.
00:52:55Friends.
00:52:56Did you find out what happened at the end of Friends?
00:52:58No, at the end of...
00:53:00No, no, no, no.
00:53:02I make some pronostics, that song.
00:53:04Yeah?
00:53:06I'm sure that, in fact, all the waiting of Ross would be a mess because of Rachel.
00:53:12And then, at that time, she would go back in Rachel.
00:53:17But so, Rachel now, she realized now that she didn't lost him anymore.
00:53:22She would realize that she made a big mistake and she broke Ross' life.
00:53:25It would be a lot of pressure on her.
00:53:27And so, what happened?
00:53:29That...
00:53:30I'm sure that would be a special guest or someone, a great actor like Brad Pitt or something like that.
00:53:35Yeah.
00:53:36And she would fall in love with him.
00:53:38Because, his life would be horrible because he has left his English wife and Rachel will
00:53:44have left him.
00:53:45And so, it would be horrible for him.
00:53:47It's like...
00:53:48Here is the end of the duck, you're gonna get the cliff hangar.
00:53:54ARD Text im Auftrag von Funk
00:54:24Ich bin mit dem Frech-Präsidenten, in der ich in der Mitte bin.
00:54:28Ich bin mit dem Fisch.
00:54:30Ich bin mit dem Fisch.
00:54:32Ich bin mit dem Fisch.
00:54:34Ich bin mit dem Fisch.
00:54:36Ich bin mit dem Fisch.
00:54:38Ja, das ist das.
00:54:40Das ist das.
00:54:42Das ist nur ein Gig.
00:54:54Y.
00:54:56Ich bin mit dem Fisch.
00:54:58Ich bin mit dem Fisch.
00:55:04Ich bin mit dem Fisch.
00:55:06Und ein Fisch, ein Fisch.
00:55:09Du bist ein Fisch.
00:55:11Ja, das ist so wichtig.
00:55:13Oh, shit.
00:55:15Fisch.
00:55:17Und das ist die Tief.
00:55:211, 2, 3, 4.
00:55:25Ok, 1, 2, 3.
00:55:511, 2, 3.
00:56:212, 3, 4.
00:56:511, 2, 3.
00:56:532, 3.
00:56:552, 4.
00:56:573, 4.
00:56:593, 4.
00:57:013, 4.
00:57:034.
00:57:054.
00:57:075.
00:57:095.
00:57:116.
00:57:136.
00:57:156.
00:57:177.
00:57:197.
00:57:218.
00:57:238.
00:57:259.
00:57:279.
00:57:299.
00:57:3110.
00:57:3310.
00:57:3510.
00:57:3711.
00:57:3911.
00:57:4111.
00:57:4312.
00:57:4512.
00:57:4712.
00:57:4912.
00:57:5112.
00:57:5512.
00:57:5713.
00:57:5913.
00:58:0114.
00:58:0314.
00:58:0514.
00:58:0715.
00:58:0815.
00:58:1015.
00:58:1115.
00:58:15Untertitelung des ZDF, 2020
00:58:45Untertitelung des ZDF, 2020
00:59:15Untertitelung des ZDF, 2020
00:59:45Untertitelung des ZDF, 2020
01:00:15Untertitelung des ZDF, 2020
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