- 2 days ago
Mumbai: In an exclusive conversation with the starcast of the film ‘Sant Tukaram’, including Subodh Bhave, Sheena Chohan, Aditya Om, Shishir Sharma, and Shiva Suryawanshi, shared their experiences and insights about the film. Subodh Bhave, who plays Sant Tukaram, praised Sheena Chohan's commitment and sincerity as an actress. Sheena Chohan, making her Hindi debut as ‘Avali Jija Bai’, discussed her extensive preparation for the role, including studying 15th-century texts and interacting with village women. The film's director, Aditya Om, highlighted the importance of storytelling and the relevance of Sant Tukaram's teachings in today's society.
#SantTukaram #SubodhBhave #SheenaChohan #AdityaOm #ShishirSharma #ShivaSuryawanshi #StarCast #ExclusiveInterview
#SantTukaram #SubodhBhave #SheenaChohan #AdityaOm #ShishirSharma #ShivaSuryawanshi #StarCast #ExclusiveInterview
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NewsTranscript
00:00Hello everyone and welcome to INS.
00:02First of all, Aditya sir,
00:06what was the first reason for making Sant Dukaram?
00:10The first reason was that
00:14there was no film in Hindi in Sant Dukaram.
00:17The first reason was that
00:19there was such a great opportunity.
00:22Maybe there was someone who overlooked this thing.
00:27So definitely, there was no second thought.
00:31We had a lot of commerciality in that time.
00:35Because it's very necessary to make films like that.
00:38It's very necessary to make films like that.
00:40It's very necessary to make films like that.
00:42What was your reason for Sant Dukaram?
00:48Because you've already done many biopics.
00:52How do you get the satisfaction of it?
00:56I think that it's important to you with your DNA.
01:00Sant Dukaram and Sant Dukaram are in the DNA of Maharashtra.
01:04In every DNA of the DNA of Maharashtra.
01:06And the DNA of Maharashtra is an important part.
01:10All the saints.
01:11So, Sant Dukaram was making a film for 25 years ago.
01:17I was doing a film for Sant Dukaram.
01:21So, after 25 years, Sant Dukaram came to me in a different language.
01:31So, I don't want to say that there is no problem.
01:33Because I understand that it's a shame.
01:35It's a shame.
01:36It's a shame.
01:37It's a shame.
01:38So, it's a shame.
01:39You should know, Shishi Ji, what's your character is different from your real life personalities.
01:46What do you want to go?
01:48I think so, where am I?
01:51I am sorry.
01:53Yes, I am sorry.
01:54This always has helped me.
01:56Yes, yes.
01:58But for me, for example, as I said earlier, there were several difficulties including these character models.
02:11So I wanted to see that I was on the right
02:41path right with it, to play a character of this kind.
02:46There are two shades.
02:49I don't want to see it, because you can see it.
02:53So the transition from that one phase to the next phase.
02:59I feel like I have just as a character.
03:06Shino Ji, you should know that your character is Aila.
03:10Auli.
03:12Auli.
03:13Auli is a character.
03:15So how did you learn something from that character?
03:17And how do you feel that Auli's character is similar?
03:21Auli, when I had studied about it,
03:25I felt like I was a fighter, a dedicated wife.
03:30And a friend of mine was a friend of mine.
03:36A love, devotion and fighting spirit.
03:40I felt like that in Auli's character.
03:43But actually, when I was shooting, and we were in Dhor,
03:46I remember that the scene was going on.
03:48And the local villagers were there.
03:50I ate with them.
03:51I ate with them.
03:52I ate with them.
03:53Plus, when I was reading about it,
03:56I understood this.
03:57Especially my director,
03:58and this was a very emphasis on that.
04:01At that time, when they were thinking,
04:03they were struggling,
04:04they were struggling,
04:05they were struggling,
04:06they were fighting for survival.
04:08And they were actually a scene.
04:10That's when I understood.
04:11Aditya Ji had an ad at that scene.
04:14We came from the inside,
04:16and the rice,
04:18and the rice,
04:19and the rice,
04:20and the rice,
04:22and the rice,
04:23and the rice,
04:24and the rice.
04:25So, you thought that the struggle for survival
04:26will be enough.
04:27So, the fighting spirit,
04:28that was in Auli's,
04:29why does it fight?
04:30Because it wants to be a way
04:32to protect the family.
04:35And finally,
04:36the fight,
04:38that is the main mission of Santukara Maharaj.
04:43And then,
04:44the discrimination,
04:45and the society,
04:46and the spiritual revolution,
04:47they support them.
04:50To win over that.
04:51So, I feel like,
04:52I've been working in human rights
04:55for 10 years,
04:57and I'm a fighter.
04:59And I feel like,
05:01Virodha Bhashi,
05:02I'm a man.
05:03So,
05:04all these things,
05:05I feel like,
05:06but,
05:07this fight for struggle,
05:08you know,
05:09like,
05:10never give up.
05:11The thing that was in Auli's,
05:12that,
05:13I feel like,
05:14that,
05:15that,
05:16that,
05:17that,
05:18that,
05:19that,
05:20that,
05:21the,
05:22that,
05:24that,
05:25the,
05:26that,
05:27that,
05:28that,
05:29that,
05:30First of all, I worked with Aditya Sir and more positive characters.
05:39So, I am happy to tell you about the guidance of Aditya Sir.
05:44And any of these scenes, they are with Shri Shri Sir and many more.
05:49So, it is a pleasure to be able to work with an actor's energy transfer.
05:58It is a pleasure to be able to work with an actor's energy.
06:02So, I would like to be able to work with the audience.
06:08But, it is a pleasure to be able to work with the audience.
06:11Aditya Sir, I would like to say,
06:13Do you think that in today's time,
06:15people who are living,
06:17they are able to accept them?
06:21This is a question.
06:23How do I know?
06:25I haven't had it.
06:34It is an chercheur to think there are alsocheurs beliefs that are relevant centers in the right place.
06:43The other thing you have said is how the conjecture is concerned about me.
06:47It's the same as the two of us.
06:50Subot sir, what do you think about making films of religious figures,
06:57commercialization of religious figures?
07:00No.
07:01I don't think about making films with our intent is the most important thing.
07:06Some people make money.
07:08In this film line, there is nothing wrong.
07:11If you are making a film for money, it's also okay because it's a business.
07:15And you are making a different intent, like our producer made,
07:19because he himself is a big believer of Vithal.
07:22He himself is a big believer of Santatukharan.
07:25And they wanted to understand Santatukharan or Vithal,
07:31so they wanted to understand the whole of the people of India.
07:35They also understand the biblical gospel.
07:37They understand the work.
07:39And then they thought, why don't we make a film?
07:44So that what I want people to reach,
07:47they will reach more than the people of the film.
07:49And then they decided that we will make a film on Tukharan.
07:53So the intent was very pure.
07:55Intent was bhakti.
07:57Intent was a shraddha on Tukharan,
08:00which was a shraddha on Vithal.
08:02So this film is made by the shraddha.
08:05This film is made by the bhakti.
08:07I will ask you for commercialization.
08:12If this is commercialization is made by the shraddha,
08:15then how many films have come to us in the world of Santatukharan
08:18or our religious films?
08:20You can tell me,
08:21how many films have come to Tulsid Das Ji?
08:23How many films have come to Gyaneshwaran?
08:25How many films have come to Kabir Das?
08:27How many films have come to you?
08:28How many films have come to you?
08:29It is all about devotion.
08:39It is all about the correct intent.
08:41That you have made a film.
08:43And if the commercialization is commercially successful,
08:46then who will come to you?
08:48Very good.
08:49Very good.
08:50Sir, you all said that Tukharan was against the cast.
08:55It is all about the cast.
09:00How many films have come to you?
09:02The cast system was not relevant at that time.
09:05That's why Tukharan Maharaj was against it.
09:08So every person,
09:10such as a very popular, commercial,
09:13in Hindi cinema,
09:14where the nana was cut,
09:16both of them were cut.
09:20And they told you,
09:21how many films have come to you?
09:23The magnetic convene would change
09:27Or they would change both around.
09:28Or otherwise,
09:30if you are ciert as like this.
09:31The original vision of the world
09:33is?
09:33No.
09:34We are schedist from one tree.
09:36They see a kind of a man.
09:37One is the right way of the Another.
09:38But the other is one of the related areas.
09:40But its matters for each other is the reason
09:41Some of the Son at hand are the boy.
09:44And then when they come,
09:45it.
09:46Not the idea why you are spectrumanies?
09:47Yes.
09:48It's not.
09:49Whocat's identity is rooted in trust
09:51Why can't we live with love and love?
09:53This is the word of the saints and this is the word of Tukaram Ji.
09:57Sir, but you think that if we have Tukaram Ji's teachings and principles in today's society,
10:06how much is it relevant in today's society?
10:08And in today's society, we are also dividing and ruling.
10:14It is a political agenda.
10:20That's why we are doing it.
10:22But if the saints have built and built the parampara of the maharaj-tukki,
10:28which has been running for thousands of years,
10:29and there are a lot of people who are living with Tukaram Ji and Nyaneshwar Ji,
10:34who go to Pandarpur in the direction of their village.
10:37They are running for about 300 kilometers a day,
10:39without eating and eating, without eating.
10:43They are running and running and running and running.
10:45And in the wari, no one asks another,
10:48that's why we are living with Tukaram Ji,
10:50that's why we are living with Tukaram Ji.
10:51The people who come to the wari,
10:53they are all living with Tukaram Ji.
10:55If they come to the wari,
10:57they all have to be heard of the maholi,
10:59because they are taking the direction of the divine.
11:02So, this is the one that shows the wari,
11:04this is the one that shows the wari,
11:06but they are still still on the day today.
11:08I will add a little bit to this, what you are saying.
11:12Look, there are two things.
11:14What does society divide and what does society divide?
11:17Yes.
11:18What does society divide and what does society divide?
11:20What does society divide and what does society divide?
11:23What does society divide?
11:25It may be that politicians play or some issues.
11:28And, the fact that you are aware of the society united.
11:32One thing I will tell you,
11:34that the first stop of the maharaj is the first stop.
11:40The first stop is an Angad Shah in the Mazar.
11:43You know, the first stop.
11:45So, we are talking about inclusivity.
11:48So, you see, the society united and the society united.
11:53It is our Sanskrit.
11:55Yes.
11:56And, before that, the film that Anand Mahadevan made,
12:01it was a little bit of a commercial hit.
12:04Yes.
12:05But, the commercial hit is a little bit of a hit.
12:08People have seen it.
12:10It's the same.
12:11It's the same.
12:12It's the same.
12:13It's the same.
12:14It's the same.
12:15It's the same.
12:16It's the same.
12:17Yes.
12:18It's a good thing.
12:20Yes.
12:21Sir, my next question is that
12:23it's that,
12:24you know,
12:26social media is so much
12:27that they have been doing so much.
12:29You can feel it.
12:30I think every single thing is a great responsibility.
12:32It's the same for you.
12:34And, I mean,
12:35you know,
12:36a lot of things have been sent to you.
12:39Yes, sir.
12:41I have a responsibility.
12:43This is my pleasure.
12:47This is my pleasure.
12:49This is my pleasure.
12:51This is my dedication.
12:53This is my responsibility.
12:55This is my responsibility.
12:57Look, any creative
12:59is open.
13:01How can we stop anyone
13:03and give any reaction?
13:05What is a person like a person?
13:07It is a person like a person.
13:09Some people come and take a walk.
13:11Some people go and take a walk.
13:13Some people go and go and eat.
13:15So, the public reaction and response is that
13:17a person is a person.
13:19Sir, we saw that
13:21some of the people have been released.
13:23Some of them have been released.
13:25Then, after that, the film was released.
13:27It was released.
13:29It was released later.
13:31It was released.
13:33So, you said,
13:35do you like to see all things?
13:37What are you thinking?
13:39I think it's a bit politicized.
13:45There is no way to be a person.
13:47There is no way to be a person.
13:49If people have read the Holy Spirit,
13:51the people who have read the Holy Spirit,
13:53the teachings of the Holy Spirit,
13:55I don't think that there is no way to be a person.
13:57I think that the person who is a person
13:59who is a person who is a person.
14:01I think people were completely blind to the fact that
14:05there was a particular man called Holy Spirit.
14:07Sir, you would like to know,
14:09what do you think,
14:13what do you think?
14:14Why do you think that today
14:17religious leaders,
14:19like today's this day,
14:21religious leaders,
14:23like tukaraam,
14:24selfless are?
14:25Religious leaders?
14:26Yes.
14:27Tukaraam, selfless are.
14:28Today's religious leaders,
14:30We know Ram, Krishna, Githri, Githri, and all the saints, and all the saints, and we don't know any religious people today.
14:44Shino Ji, how was your experience of working with Sir?
14:51The experience of working with Sir was a very collaborative experience.
15:00When I listened to Santogara Maharaj's story, and when I was in Abali's story, the experience was that
15:13the collaboration of the Indus characters, in the first time I worked as a co-actor,
15:22I thought that I experienced a true collaboration.
15:25Because it's very kind, very giving, and in a set, it's a way that it's not about it.
15:34It's about their co-actors, that the qualities of him, and the scene, so that it's a good level.
15:44That's what happened to them, their support and guidance.
15:47Aditya has always guided us, but as a co-actor, he was a dream to work with.
15:53Because he's a master class in acting also, to watch him, to learn from him.
15:58And I think that when you work with such a level, when you work with such an actor,
16:01who is actually true color-car, but not star, he is a color-car,
16:04he also takes you to reach the top of him.
16:07So that performance you will see, firstly because of Aditya, and his direction and guidance,
16:11and then Subot Ji's support and collaboration.
16:15Subot Sir, how was your experience with him?
16:17Very good.
16:18If you really work with him, it's a pleasure to work with him.
16:27Sheena was very sincere.
16:29I mean, she had a lot of questions about Aditya.
16:32She had a lot of questions about Aditya.
16:34She had a lot of answers to her.
16:36She had a lot of answers to her.
16:38And then she didn't feel happy.
16:40So every actor, we say that she doesn't satisfy her own performance,
16:46or what she's doing,
16:48so always on her toes.
16:52I've never seen her on the set.
16:54She was very careful,
16:56she's wearing a mask,
16:57she's wearing a mask,
16:58she's laughing,
16:59she's wearing a mask,
17:00she's wearing a mask,
17:01and she's wearing a mask.
17:02She was always there,
17:04she was thinking about her scene,
17:06and she was realising her scene.
17:08So I think, if you're a sincere actor in the set,
17:12you can't do it.
17:14And Shishish Ji is a very senior actor.
17:16So we've seen her from childhood,
17:18and her work,
17:20whether it's a film or television.
17:22And look, how many people are here?
17:24Arun Ji,
17:26Sanjay Mishra is a finest actor in India.
17:28So this film is so great,
17:30so we have a good team.
17:32So we have a good team.
17:34The actors' team.
17:35I would not say,
17:36I think that the actors' team is joined.
17:37So lastly,
17:38I have to say that the actors' team are joined.
17:39I think I have not said it.
17:40Yes.
17:41I have to say that,
17:42that these actors' team are joined.
17:44Yes.
17:45I think that the actors' team is joined,
17:46they are so prepared,
17:47and all of them are set.
17:48They are such a great team,
17:49and all of them are set,
17:50that they have to keep one minute script.
17:53They will not have the script,
17:54and they will never see the script.
17:55And that is what I find to be a true actor.
17:57and that is what I find to be a true actor.
18:05For me, when I gave the first shot,
18:10in my eyes it was gone,
18:13it was gone,
18:16but after working with them,
18:21I felt there were no,
18:25there were just two or three scenes.
18:28I wish there were more scenes.
18:31I personally like that,
18:34that I think we bonded very well,
18:37set as two actors.
18:39Subutra, do you know that
18:42what you are doing in society today,
18:46especially in Hindi and Marathi,
18:48the language that is doing?
18:50Look, Tukaram Ji was born in Maharashtra,
18:53the people who are born in Maharashtra,
18:56all of them are DNA.
18:57But one person who thinks
18:59that the person who is born in Maharashtra
19:02is made by a film,
19:04which is a film director,
19:06which is a Punjabi actor and who is a Maharashtra.
19:10This is the actual meaning of the language.
19:12Okay, lastly,
19:14what will you do?
19:15All of them are wonderful answers.
19:16Let's see,
19:17we are giving our message from Maharashtra.
19:21We are giving our message from Maharashtra.
19:23All of them are going to be 18 July,
19:24and you will also be entertained,
19:26and you will get a message in a very good journey.
19:29You will go to a different era,
19:30and you will be very happy.
19:32Okay, thank you.
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