00:00It's so incredible. And then you have the revolver, the way when the sub is turning around, we had this insane gimbal on set like nothing you've ever seen. And, you know, torpedoes falling everywhere. It's it. I looked at my daughter who was watching it with me and she watched the whole thing with her head in her hands and her eyes wide open and her mouth open. And it was, you know, true, true raw cinema. It was fantastic. I felt so involved in it.
00:28You know, I know I am literally involved in it, but watching it, it was so, so immersive.
00:35And that sequence, the way that McHugh scores that sequence, his idea was that you can't have an orchestra underwater.
00:42So all the sound in the in the underwater sequences has to be something you could hear underwater.
00:47So he uses these Russian throat singers and this mega bass thing.
