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  • 7/9/2025

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02:30All right.
02:32George Edward Karn, this court finds you guilty of murder in the second degree for the killing of your wife, Marjorie Ellen Karn.
02:40You are hereby sentenced to no less than 30 years incarceration in this state's maximum security facility at Vacaville.
02:47No, I didn't kill my wife, I didn't do it.
02:52I did not kill my wife.
02:54I did not kill her.
02:57All right.
04:00She had a respiratory difficulty. She had a severe headache.
04:03And Dr. Barton and Dr. Millenberg, they examined her over and over again.
04:08I ran at least a dozen tests myself in the past couple of days, and nothing.
04:13She's remained stable, but she's not improving.
04:15That is, until last night.
04:18And then, out of the clear blue, she just seemed to turn around.
04:21Well, that's why our staff has the reputation they have.
04:24No, Norman, you don't understand. We didn't do anything.
04:28Well, who did?
04:29Well, according to the family, it was the brouhaha.
04:33Bruhaha? What, was there a fight?
04:35No, no. Not brouhaha as in brouhaha.
04:38Bruhaha. B-R-U-J-A.
04:41It originally meant sorceress.
04:44Oh, okay.
04:46Yeah.
04:46It's, um, it's a cultural thing.
04:49You see, the island people will put their faith in the native healers,
04:54and now it means more like a, um, a priestess.
04:58A priestess?
04:59Yeah.
05:00She, she performs sort of, uh, things like rituals.
05:03Yeah.
05:05What kind of rituals?
05:07I don't know.
05:12Hello.
05:13Hello.
05:13I'm Dr. Livingston.
05:14Hello.
05:15This is our administrator, Mr. Briggs.
05:17Charmed.
05:17Charmed.
05:19You should leave.
05:21Leave?
05:22Now.
05:22It's not good that you're here.
05:25It's a feeling I have.
05:27A strong one.
05:28But I run this place.
05:30Then you should go and run it.
05:37I'll drop by later.
05:44It's voodoo.
05:47This is remarkable.
05:49I can't explain it, but it's happening.
05:52The same antibiotics that she's been taking for the past couple of days and not responding
05:57to, she seems to be improving on.
05:59Well, she's blessed now.
06:03And so are you.
06:05Your baby is strong.
06:07You may wish to see me again sometime soon.
06:15I'll be here.
06:16All available personnel to ER.
06:18Excuse me.
06:19Sorry.
06:20We have code alpha.
06:22All available personnel.
06:23Got it.
06:24Yes, sir.
06:24What is it?
06:25I don't know.
06:26Auto-activate.
06:26Multiple injuries.
06:27Okay.
06:28I'll take this bed over here.
06:29Get that going in.
06:31Right.
06:32Michael Sun.
06:34Yes, sir.
06:34Your van, please.
06:38Officer, can we get these shackles removed, please?
06:41All of them?
06:41Sure.
06:42Dr. Sloan.
06:43We need to remove all the...
06:44Apparently, two squad cars were chasing some guy in a stolen car.
06:46They flowed through this intersection, and they hit a prison transport van.
06:49So we got prisoners, we got guards, we got wounded pedestrians.
06:52Okay, let's get focused on what have we been able to see.
06:54Okay, all air passages are clear, but we got something that'll lose in blood, and I mean fast.
06:58Dr. Sloan, we have a chest wound here.
07:02All right, intubate this van.
07:04Yes, doctor.
07:04All right.
07:05Let's go.
07:05Dr. Sloan, Dr. Sloan, take a look at this van.
07:10Gee.
07:11All right, we're going to need an IV type cross-batch.
07:14Yes, sir.
07:16How's it going, Amanda?
07:18This man needs a pair of traction splint.
07:20Get him number three.
07:21Okay.
07:22Let's go, step.
07:26I don't know, sir.
07:27I don't know yet.
07:28Yeah, I'm coming.
07:30This man needs a chest team.
07:35Oh, Norman, look, we're going to be really shorthanded.
07:38Would you see if you can get Dr. Baker, please?
07:40We're going to need you to monitor the blood supply.
07:42All right?
07:42Oh, and call over to Franklin Memorial to see if you can get me one more thoracic.
07:46All right, ma'am.
07:49Oh, Susan, would you get a crash cart to number six, please?
07:52Right away.
07:55Oh, let's see.
07:56Have a look here.
07:59Okay, trauma.
08:01Right radius.
08:03Mm.
08:03Yeah.
08:04Yeah.
08:08Sternum.
08:09Mm-hmm.
08:10Ribs.
08:12Let's get an x-ray.
08:12We'll check them out.
08:15Sorry.
08:16Just try to take it easy.
08:17Yeah, and you do the same.
08:20Now, doctor, we're leaving this hospital.
08:22Do you understand?
08:24Well, I do, but do you?
08:26There are policemen out there, and there are more on the way.
08:28And if they don't stop you, those internal injuries will.
08:31Either I leave here with you beside me, or I leave with you dead on this floor.
08:34Now, do you understand me?
08:36I do.
08:38Hand me that robe.
08:42I'm going to need some clothes.
08:45All right, we'll do the lockers.
08:47Doctor's lockers down the hall.
08:49Ah, that's very good.
08:51You keep this attitude up, and we might just get through this.
09:05I want you to lock the door.
09:11All right.
09:16All right, sit down.
09:17Sit down right there.
09:29Ah!
09:29God.
09:30You know, there's probably a fracture there.
09:33Yeah, so I noticed.
09:34Your chest hurt?
09:37You've got broken ribs.
09:38My guess is you're bleeding internally.
09:40You know, doc, why don't you save the you're endangering your life speech?
09:45I just got sentenced to 30 years for something I didn't do, so the way I see it, I really don't
09:51have much of a life to endanger.
09:53Karn?
09:54You're George Karn.
09:55Your wife was murdered.
09:56You've been watching court TV, huh, doc?
09:58It was a big case.
09:59She was famous.
10:01Yeah.
10:04Nice move, doc.
10:05No need for anyone to get hurt.
10:22Besides, there's a few things I need here.
10:35Forget it.
10:36This isn't a shopping trip.
10:37Things for you, George.
10:39Things that take the pressure off that arm.
10:41George, no.
10:48Close the door.
10:49Give me the keys.
10:51Amanda, stay calm.
10:53George, I'm not gonna run.
10:55I'm not gonna challenge you in any way.
10:57You have me.
10:58You don't need another hostage.
11:01We can lock her in here.
11:03Amanda, you'll give George and me time to leave, won't you?
11:05Yeah.
11:06Yeah.
11:08George and I understand each other, don't we?
11:09Well, we should leave now.
11:28Dr. Sloan?
11:31Dr. Sloan?
11:31Help!
11:41Somebody help!
11:43Amanda?
11:44Dad!
11:47Mommy, Mark's been kidnapped.
11:49Let's get the police.
11:49Security!
11:58No, no, no, no.
11:59You're driving, doc.
12:00Oh, my God.
12:06I'm not in peace.
12:07No, no, no, no.
12:09Okay, no, no.
12:10No, no, no.
12:11I'm not in peace.
12:11Stop.
12:12Oh, no, no, no.
12:13Get up.
12:15No, no, no, no.
12:15You're driving.
12:16Don't do anything.
12:18No, no, no, no.
12:19Come on.
12:20Don't do anything.
12:21I don't even know.
12:21If you're hisздly is full.
12:23I'm not in peace.
12:25You're living.
12:26No, no, no, no.
12:27No, no, no.
12:27No, no.
12:28No, no, no, no.
12:29No, no, no, no.
12:29We got a make on this doctor's car yet?
12:41Yes, sir. We're working on it right now.
12:42All right, let's seal up as much as we can.
12:45Airports, docks, train stations.
12:47Check the car rental places.
12:49I want stolen car reports, too.
12:51Get a squad out to monitor his friends and relatives.
12:54You Delaney?
12:55Steve Sloan, Metro Homicide.
12:57The hostage is my father.
12:58Yeah, I got a call. You were coming.
13:00You're welcome on this detail, but I need you to stay clear of ops.
13:03He's my father.
13:05And the man who's got him is my fugitive.
13:07Sorry, Sloan, but if anyone gets emotional on this, we blow the drill.
13:10Sergeant White, get the choppers up.
13:12We can start roadblocks, maybe 10-mile radius.
13:15Look, Delaney, I know you know what you're doing,
13:17but if you go World War III on this and panic the guy,
13:20you can get my father killed.
13:21Spending any more time on this can get him killed, too.
13:24Excuse me.
13:25Yep, you're hot. Over here with me.
13:26I want a status report every half hour and notes, though.
13:29Well, thank you.
13:33Amanda.
13:34Steve.
13:35I know.
13:37Look, Amanda, is there anything you can tell me about this guy that took my father?
13:42Medically?
13:42I didn't really get a good look at him.
13:44Everything happened so fast.
13:46Yeah.
13:47Best guess.
13:48High-speed collision victim?
13:50I noticed that his, uh, right arm was giving him a problem.
13:54There could be internal injuries.
13:55It's all in speculation.
13:56I'm sorry.
13:57But he's not in good shape.
13:59No, and we'll only get worse if there's internal bleeding.
14:01I suspect that the man's gonna collapse sooner or later.
14:04All right.
14:05Thanks.
14:06Steve.
14:07We've got to find Mark.
14:09Don't worry.
14:10We will.
14:10Let's try this again.
14:16I know you're worried.
14:18You have a right to be.
14:20I have a personal history with George Karn.
14:23I arrested him.
14:26The reason I'm running so hard on this is because the book tells us your father's already dead.
14:32Karn probably put a bullet in him a couple of blocks from the hospital.
14:35I'm sorry.
14:36So what am I supposed to do?
14:38Just walk away and start planning his funeral?
14:40That's not gonna happen, Delaney.
14:43I don't know what book you've been reading, but we don't know anybody's been harmed.
14:47You may know this, Karn, but you don't know my father.
14:49And you sure as hell don't know me.
14:51I'm in, and I'm staying in.
14:57Don't get in my way, Sloan.
14:58Then don't make me have to.
15:00We all do our job right on this.
15:02We get my father back safe.
15:05Take a left up here.
15:26You're a brave man, Doc.
15:28What you did in that supply room took a lot of guts.
15:30I don't know about brave.
15:32Practical, maybe.
15:33Which is something you should start being, George.
15:36You're not gonna get far.
15:37They probably already got a description on this car.
15:40They've started using aerial search grids.
15:42Probably have my credit card numbers put out.
15:45In case we hit an ATM or try to buy supplies.
15:47They'll be monitoring mobile phones everywhere.
15:50How do you know all that?
15:52Well, crime's kind of a hobby of mine.
15:54My son's on the force.
15:57Great.
15:58A hospital full of people, and I snatch a cop's father.
16:01And I, uh, I can solve for it.
16:03I must allow myself.
16:04Oh, even better.
16:06Take the next ride.
16:08Come on, Doc.
16:09Pull over.
16:10Tell me you're out of gas or something.
16:15Do you feel like pressure's building up in there?
16:18I've got to look at those ribs.
16:19Doc, we had this talk.
16:21Take a left at this light.
16:24Where are we going?
16:24Anywhere in particular?
16:25Yeah.
16:271318 Waterford Street.
16:30Any reason?
16:31To find some proof that says I'm innocent.
16:40You, miss, in the mood room.
16:54I've got to use this phone.
16:55It's an emergency.
16:55So do I.
16:56That's why I'm on it.
16:57Please, please.
16:57It's an emergency.
16:58So is this.
16:59Boy, if that's an emergency, how come you're talking to me?
17:01Because you won't leave.
17:05All right.
17:05What are you doing?
17:06I can't even hear you.
17:07Cheers.
17:10Let's move it.
17:11Right.
17:25Oh, that's great.
17:27I run a red light, and for once, there's not a cop around to see it.
17:34Well, finally, you're pulling over.
17:40I don't know.
18:03Where are we?
18:20This is Margie's old video studio.
18:23You sit down right there where I can see you.
18:25Margie Karn, the queen of fitness.
18:35Those tapes must have sold well. I've seen them everywhere.
18:38Yeah, over three million a year, she was bigger than Fonda and Crawford both.
18:44Damn it, it's got to be somewhere.
18:46What are you looking for, George?
18:48You know, you ask a lot of questions for someone on the wrong end of a gun.
18:51Why don't you shut up?
18:51Well, maybe if you'd talk a little bit, I'd just listen.
18:55Why do I have to tell you anything?
18:57You don't.
19:00Drag me out of the hospital, point of a gun, run me over half this city.
19:05For all I know, you're going to kill me.
19:07I mean, what's a little conversation that doesn't hurt anything?
19:09So talk.
19:11What are we looking for?
19:15It's a journal she kept.
19:17That's all I thought about in that cell. I was sure it was here.
19:21Hey, wait!
19:26Wait!
19:26Wait!
19:39Come on.
19:40Come on.
19:40Come on.
19:41Come on.
19:41Come on.
19:43Well, surely somebody looked for the book.
19:48Yeah, my crack defense team.
19:50I doubt they ever believed me.
19:54Anyway, they couldn't find it.
19:56Finally, the DA convinced everyone I was stalling, and they got on with the trial.
20:06But that book's real.
20:07What did you expect to find in it?
20:09Ah, the last time I talked to Margie, she told me she was worried about something.
20:20She wanted me to come down to the club and talk.
20:24You two were separated?
20:25Oh, yeah.
20:26Oh, yeah.
20:27The prosecutor jumped on that, too.
20:30My motive.
20:31A rich couple's nasty divorce.
20:34There wasn't going to be any divorce.
20:36We were separated.
20:37That's all.
20:38We had a bunch of fights about business, but that happens.
20:43Just, I'm telling you, we loved each other.
20:46We would have worked it out.
20:49What about the phone call?
20:52She called.
20:53She told me something was terribly wrong at the club.
20:56That's all she said.
20:58You weren't to see her?
21:02When I got there, someone told me she was up on the roof.
21:04I went up, but the area was, was clear.
21:08I, uh, I heard a noise from the street.
21:11I looked over.
21:15She was lying down there.
21:19I turned to run to her, but, uh,
21:22the cops were there.
21:25They arrested me.
21:26Witnesses on the street said they saw me leaning over the rail.
21:30Well, motive and witnesses.
21:33Yeah.
21:35Well, you know how it ended.
21:36The trial took all the two weeks.
21:38You never found out what she phoned about?
21:41It's in the book.
21:42I know that.
21:46Maybe I could help look.
21:56Are you crazy?
21:57No.
21:58Actually, I'm a doctor.
21:59You gotta let me use it.
22:00Just a second.
22:00I swear I'll pay for this call.
22:02Hello?
22:03Yes.
22:03I have an address on that hospital kidnapping.
22:05What kidnapping?
22:06Right.
22:06He still has the gun.
22:07What gun?
22:08Oh, sir, you won't believe what's going on here.
22:10God.
22:101,300 pounds of water for another warehouse.
22:14Please hurry.
22:19He's armed and should be considered very dangerous.
22:22He's already taken a hostage who may or may not still be with him.
22:26Point is, he could try to return here.
22:27If he's spotted, don't approach him.
22:30Just call his number.
22:31Deedee, what is it?
22:33George Karn escaped.
22:34Oh, God bless L.A.'s finest.
22:37Bunch of incompetence paid with my tax dollar.
22:39You finally catch one, you let him escape.
22:43Who are you?
22:43King Bridger.
22:45You know Karn, Mr. Bridger?
22:46Oh, hell yes.
22:47Knew his wife, too.
22:49Used to be her manager.
22:50Oh, I made Margie.
22:51Did all her videos.
22:53Wendy here is next.
22:54Can't you stop selling for one minute, King?
22:56They're after a killer.
22:58Lieutenant, we got him.
22:59He was spotted in the building on Waterford.
23:01Nobody makes a move till I get there.
23:02You understand?
23:03Let's do it.
23:07Hey, Doc, just don't go near the door.
23:09You gave my word, remember?
23:11Yeah, so did my attorney.
23:17This Margie?
23:19Yeah, a couple years ago.
23:22That's, uh, that's Dee Dee Harris, our club manager.
23:25The club's how Margie and I met.
23:28I, uh, owned a building that was perfect for her facility.
23:31A real estate deal.
23:33Led to our marriage.
23:35To my golden goose.
23:38Love, King?
23:39King Bridger.
23:40Sweet son of a nut, huh?
23:41What a jerk.
23:43He made her videos.
23:45He got paid for his services.
23:46Then he turns around and sues for half the profits.
23:51Sure, a lot of tape is in here.
23:56Yeah, it's her work bay.
23:58Of course, a couple of those machines were set on permanent programs for her soaps.
24:05She was an addict.
24:07She would tape them during the day and watch them at night.
24:11Huh?
24:22Enjoyed seeing his name, didn't he?
24:24Yeah, you should watch it.
24:25He even takes half credit on the music.
24:27You know, we should let me take a look at you.
24:30Ah, no, no, no, no, no, no, I'm all right.
24:33I guess it isn't in here.
24:34How, uh, big was that journal?
24:50I don't know.
24:51Six by four, maybe.
24:54Is it black?
24:55Yeah.
24:57Yes!
24:57God!
24:58All yours, my friend.
25:07We gotta get out of here.
25:08Doc, uh, take that lab coat off.
25:11You look too much like the good humor man dressed in that.
25:13Flight.
25:13Come on.
25:14Come on.
25:14Come on.
25:37I don't understand.
25:37Yeah, it's brand new.
25:39Okay, let's go. There's a bus.
26:07Move in the position. Let's go, let's go, let's go.
26:31Move it, move it, move it!
26:37The car's abandoned. Someone's jimmied it.
26:49Get some foot patrols out in his neighborhood.
26:51You see him, he even blinks. Drop him.
26:54Delaney, he giving the order to fire? The man's got a hostage.
26:58I'm bringing George Cornelis.
27:00What about my father? You gonna drop him, too?
27:02We know what we're doing.
27:04Yeah, you're looking for a headline in a press conference.
27:07You're not gonna do it by putting my father in a crossfire.
27:10I'll do it any damn way I please.
27:12You want this animal taking more hostages?
27:14I know this man, Sloane. You don't.
27:16I was there, I saw his wife's body,
27:18when he threw her off a ten-story building.
27:21Why? Because the marriage went sour.
27:23Hell of a way to end a sticky divorce,
27:25and that's what we're dealing with.
27:27Will you see me, Delaney?
27:29Because I'm what you're dealing with, too.
27:31Why don't you start acting like a cop?
27:33Why don't you stop worrying so much about your perp
27:35and start considering the man he's with?
27:37Yeah, I'm a cop, Delaney.
27:39But I'm a son first, and I'm telling you.
27:41You keep acting like a cowboy and get my father hurt,
27:44the next guy going down is you.
27:46You better damn well not threaten me, boy.
27:49Oh, what are you gonna do, Delaney?
27:51You gonna report me to IA?
27:52You gonna bring me up on charges?
27:54You want my badge, Delaney? Take it.
27:58I'll see you when this is over.
28:01If this doesn't turn out right,
28:03you're gonna wish you never saw me.
28:24Can I have a look?
28:26Why not?
28:28Neither one of us knows what we're looking for.
28:35We got a problem here.
28:54No, thanks. I'm good.
29:19Hello.
29:20Oh, hello.
29:21How's she doing?
29:22Oh, very well.
29:23Well enough to want some rock and roll.
29:25Yeah, let's see here.
29:28Oh, white count's down.
29:30Fever's gone.
29:33Whatever she had, she's beaten.
29:34I just don't understand how.
29:36You're a good doctor.
29:38All we added was faith.
29:41Margaret will be fine.
29:44But you're troubled.
29:47Who is this man that you care for so much?
29:49Your father?
29:52No.
29:53Not my real father, but I care about him as much.
29:57Yes, I know.
29:58And this man's in danger.
30:01Yes.
30:02And I'm here helpless, unable to assist him in any way.
30:06Come.
30:07Come.
30:23Tell me about him.
30:24His name is Dr. Sloan.
30:28Mark Sloan.
30:30And I suppose if I were to have a second father, it would be him.
30:35Yes, the friendship is that close.
30:38It is.
30:40He's a teacher to you.
30:41Of medicine.
30:42But in many ways, he has more wisdom outside of my father than any man I've ever known.
30:50A wise friend.
30:52He should be cherished.
30:54And he is.
30:56I think it's the warmth that pulls you to him.
31:00His sense of humor.
31:02His caring.
31:04This feeling of whatever you decide is right.
31:09It gives you a sense of confidence and courage you never knew that you had.
31:14Well, he sees it in you.
31:16So do I.
31:19And you need that courage now.
31:21I know, but he's been kidnapped and I have no idea where he is.
31:24Still.
31:26We can protect him.
31:28Come.
31:32Amanda.
31:34Steve called.
31:35They almost caught that maniac who has Mark.
31:37Almost caught?
31:38Yes, they had him in a building, but he's...
31:39He's gone.
31:42Still running with the other man.
31:46I...
31:47I cannot have this type of thing in this hospital.
31:50What type of thing?
31:52This.
31:53What's next here?
31:54Crystal balls?
31:55A seance?
31:56Some goat dance?
31:57Excuse me.
31:58Norman.
32:04Norman, this is a set of old beliefs.
32:07It's no different than people bringing flowers to wish a patient well.
32:12She's a witch doctor.
32:14We have to get her out of here.
32:15She's a nice person.
32:17And she knows things.
32:18I know things.
32:19And one thing I know is that shrunken heads and chicken bones don't mix with hospitals.
32:23I want her out.
32:24Norman.
32:25I will go if you insist.
32:27But you...
32:28may regret it.
32:31Me?
32:33Well, how?
32:35Ilma, why don't you let her stay, all right?
32:37I have to run.
32:42What do these mean here?
32:43Where?
32:44All these little notations on various days.
32:46There must be more than 20 of them in here.
32:48They seem to have started a couple of months before her death.
32:49You see that Nick and Sharon, 324-420.
32:51Edmund and Maria, 126-214.
32:52I have no idea.
32:53And their names come up in here again, too.
32:54They might be clients.
32:55I certainly didn't know them all.
32:56Her journal is very private.
32:57Well, you know, even at that, she took ex-pecautions to write it.
32:59And some of them, I don't know.
33:00I don't know.
33:01I don't know.
33:02I don't know.
33:03I don't know.
33:04I don't know.
33:05I don't know.
33:06I don't know.
33:07I don't know.
33:08I don't know.
33:09I don't know.
33:10Edmund and Maria, 126-214.
33:13I have no idea.
33:14And their names come up in here again, too.
33:17They might be clients.
33:19I certainly didn't know them all.
33:20Her journal is very private.
33:22Well, you know, even at that, she took ex-pecautions to write it in some kind of a code.
33:30Trail plaza.
33:31End of line.
33:33Everybody on.
33:34Looked like the last stop.
33:35Nope, not for us.
33:39We're not going to get very far on our foot.
33:57Well, then we won't.
34:09There.
34:10We'll go in that car long enough to go through the journal.
34:24Few last that long.
34:26Look at yourself, George.
34:28Look at your shirt on the left side.
34:30You took some gauze, right?
34:31We can wrap it inside.
34:32Another advantage isn't going to help that.
34:33The second opinion's mine in this one, Doc.
34:34Keep walking.
34:35Oh, shit.
34:36Can't use that armor.
34:37You're going to have to trust me on this one, George.
34:38That's what this situation is all about, isn't it?
34:39Each one of us hoping the other one doesn't do something stupid.
34:40You're going to have to trust me on this one, George.
34:42That's what this situation is all about, isn't it?
34:44Each one of us hoping the other one doesn't do something stupid.
35:05I don't intend to.
35:15Okay, Doc.
35:16Make yourself comfortable.
35:35Let's go.
35:36Let's go.
35:37I got him.
35:38I got him.
35:39You may have killed him.
35:40What?
35:41Jesse, we've got to move fast.
35:42We're going to operate.
35:43Operate here?
35:44We're moving.
35:46No.
35:47No!
35:48No!
35:49No!
35:51No!
35:52You may have killed him.
35:53What?
35:54Jesse, we've got to move fast.
35:55We're going to operate.
35:56Operate here.
35:59We're moving!
36:01No!
36:02No!
36:04No.
36:05No!
36:06No!
36:08No!
36:09No!
36:10No!
36:11No!
36:13No!
36:14No, no.
36:15What do you got?
36:20Cracked rib. I think you're broken.
36:27Yeah, I've punctured his lump.
36:30Okay, uh, Jess, he's got a water bottle in his pocket.
36:33Get it, will you?
36:34And, uh, strip the tubing off this tetanoscope.
36:38Have you got a knife, scissors, anything like that?
36:41I got a, uh, pocket knife.
36:44Okay, that'll do fine.
36:45His windpipe's blocked. He's got all the symptoms.
36:49Attention to my thorax.
36:51Correct diagnosis. Now let's save him.
36:53Why don't you operate here and we could kill this guy.
36:56If we do nothing, we're gonna kill him for sure.
36:58All right, Jess, there's a, uh, ballpoint pen in my pocket there.
37:02Unscrew it, take out the ink cartridge,
37:05put the tubing on the large end.
37:07We'll use the, uh, sharp end for the, uh, introducer.
37:11Right.
37:11Okay. Now, uh, punch two holes in the top of that water bottle.
37:16Get the free end of the tubing through and down below the water line.
37:20Good. Now tape it up really solid on top.
37:23We need a water seal drain.
37:27Good. Where's the knife?
37:31Okay, I'm gonna go in through the third interspace.
37:37We're gonna make a one-way valve.
37:39We've got to release that air escaping to the chest cavity.
37:42and then I get stopped by the water
37:44and we restore negative pressure.
37:46I'm gonna try.
37:47Okay, steady, George.
37:56All right.
38:01Easy, George.
38:09It's releasing out.
38:10Good.
38:12Good.
38:14Okay.
38:15Keep your fingers crossed.
38:17Next couple of breaths ought to re-inflate now.
38:33Jesse, you just saved a man's life.
38:38It's incredible.
38:39I mean, this is why I wanted to be a doctor.
38:45Me too.
38:48Great feeling.
38:50Ooh.
38:54Oh, oh, look at me.
38:56I'm cursed.
38:57Norman, what are you talking about?
38:59Look at my hand.
39:00It's red.
39:01It's puffy.
39:02There are little brown spots growing.
39:04Norman, it looks like you're having an allergic reaction to something.
39:07It's that voodooist.
39:08I touched her things and she put a spell on me.
39:10I don't think so.
39:11What?
39:12She put another pit on that little doll she made of me.
39:14What little doll?
39:15You know, the one they make of you after they cut the chicken's head off
39:17and condemn you to eternal damnation.
39:19Norman, what did you hurt for lunch?
39:20I don't know.
39:21A soup and a burrito out of the cafeteria.
39:23I would lay odds if that's where your eternal damnation is coming from.
39:27It's that woman.
39:27I know it.
39:29She's going to make my life a living hell.
39:31You better stay away from me.
39:34This is like a bad movie.
39:38I don't believe in this kind of stuff.
39:40I don't...
39:41What?
39:41What?
39:42I'm fine.
39:44I can deal with this.
39:46I'm fine.
39:48I'm...
39:48I'm cursed.
39:51I'm cursed.
39:52No, Norman.
39:53You're just nuts.
39:54What?
39:59How are you holding up?
40:01I've got another job for you.
40:04Anything.
40:05Jump off the train.
40:07What?
40:09I'll stay with Mr. Carn.
40:10He'll be reviving soon.
40:12You go find a way to contact the police.
40:14I don't know why.
40:15Is he back up to the part where you say I jump off the train?
40:17Yeah.
40:22There's a sharp curve up ahead.
40:24They'll slow down for that.
40:25Oh, great.
40:26I get to kill myself after I save my first patient.
40:29Yes, I'm not asking you to do something.
40:30I think it would hurt you.
40:31When you land, just tuck and roll.
40:34Tuck and roll?
40:35Yeah, you know, like coming to ground after skydiving.
40:39I've never been skydiving.
40:41Uh, downhill skiing?
40:43No.
40:44Did you ever fall downstairs?
40:46Yes.
40:47There you go.
40:47I almost broke my neck.
40:49So you got experience.
40:51I don't know.
40:53Look, you stay, I'll go.
40:55No, no.
40:56I'll go.
40:57Okay, curve's coming up.
41:00Say goodbye to Amanda for me.
41:02I will.
41:02I'll feed your dog and your cat.
41:03I don't have a cat!
41:04I don't have a cat!
41:04I don't have a cat!
41:05That's tuck and roll.
41:27What's going on here?
41:46Where's Delaney?
41:47He's gone.
41:48They got another fix on Karin and he's hostage.
41:51I told him to notify me.
41:53Take it easy.
41:54If this tip is good, they got him.
41:56Where?
41:57He's on a train headed for Ventura County.
41:59Delaney took the whole army with him.
42:01I'm telling you, he'll bring him back this time.
42:04Probably in a box.
42:05Delaney issued a shoot-on-sight order.
42:08How long ago?
42:09Maybe ten minutes.
42:10What train?
42:11What's the number?
42:131043, Suncoast Southern.
42:20Oh, God.
42:28What happened?
42:30Your lung collapsed, my friend.
42:31We had to operate on you.
42:34Operate?
42:36You're a lucky man.
42:38Lucky to have you on board.
42:40Don't move that stuff.
42:44Where's the guy that hit me?
42:45Threw him off the train.
42:46Oh, George.
42:55You should have thrown this away, too.
42:56Doug?
42:57Yeah, maybe I should have.
42:59Got interest in this journal of Margie's, though.
43:02Why are you so damned interested in that?
43:04Just maybe because you are.
43:06You know, I'm not sure yet, but there's something in here, George.
43:08All these little entries are printed.
43:10Not like everything else in her normal fast handwriting.
43:13So?
43:13Well, it means it's important to her.
43:16I'm a doctor, George.
43:17I've got sloppy handwriting.
43:19And when it's important, I do the same thing.
43:21I printed it.
43:22I'm telling you, there's something in here.
43:24Don't tell me you're starting to believe me.
43:28Well, maybe I do.
43:30Doesn't seem like anybody else does.
43:32Not my friends, not our employees, not even my own lawyers.
43:39Which lawyer?
43:40Okay.
43:40Okay.
43:43It's the police up ahead, George.
43:47They're stopped on the train.
43:48It's the end.
43:49No, it's not.
43:50Wait a minute, look.
43:52In your condition, even at this speed, if you jump, it will kill you.
43:55And that's not a guess.
43:56Doc, I am not going back.
43:58If it's going to end here, then it'll end here.
44:00What about me?
44:04You're going to shoot me, George?
44:05George, you're not going to kill me.
44:07You didn't then, and you're not going to now.
44:10You're not a killer, are you, George?
44:19George, I do believe you.
44:21You had a chance to run.
44:22You didn't.
44:23You stayed.
44:24You went after that journal.
44:25Now, that's the action of an innocent man to me.
44:29Give me a chance to help you.
44:30Let me find out who killed Margie.
44:32I swear to you, I'll do it.
44:32Third car from the engine.
44:47That's what the kids said.
44:48Let's go.
44:51What's it going to be, George?
44:54It's a close dog.
44:56I've got Margie's journal and can't quit now.
44:59Well, then you leave me no choice.
45:02Open the door, Kahn.
45:06I want your hands in the air.
45:16It's over, Kahn.
45:18Train is being surrounded.
45:22I repeat, come out with your hands up.
45:25If you do not surrender immediately, we will take the train by force.
45:46At the count of ten, we will fire into the car.
45:51One, two, three, four, five.
46:21Viacom.
46:38Viacom.