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The last time he gets angry, bad things happen to him, so he decided to put the past behind him. Now he has a daughter to take care of.
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00:00When a seemingly ordinary mother discovers that her daughter has been beaten by her boyfriend,
00:06she returns to the old habits she once swore to give up.
00:10Those habits were quite violent.
00:13This unleashes a series of events where she has to confront the ghosts of her past.
00:18She's had enough of running.
00:20This time, she has a noble reason to fight, her daughter.
00:24The movie begins in the City of Sin, Las Vegas, where a call girl is getting dressed after completing her service.
00:31Only, no, her service isn't what we think it is.
00:35Her client is already lying in bed, eyes wide open and neck smeared with blood.
00:41She has killed him. That's her job.
00:44That was Hazel King's past, a woman who admits that sometimes when she looks back,
00:49it feels like her life belonged to someone else.
00:52But then, everything starts falling apart around her again,
00:56making it clear that her life hasn't changed, and the girl she left behind is still there.
01:01Twenty years later, Hazel runs her own restaurant in the quiet town of Barstow, California,
01:07alongside her loyal assistant Javier and her daughter Joy.
01:11Every morning, Carl, Rudy, and Willie, a group of friends,
01:16show up at her restaurant to order the same as always.
01:18Rudy asks why there are no veggie burgers on the menu.
01:22She replies that no one would order them besides him.
01:26Willie asks her why she won't go out with him.
01:28She reminds him that he's broke and, on top of that, ugly.
01:32And then there's Carl, who asks what the soup of the day is,
01:36to which she makes it clear that there's only one soup on the menu.
01:40Carl insists on calling it the soup of the day.
01:42Anyway, these three nutcases get on her nerves a bit,
01:47though without them, her day-to-day would be more boring.
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02:06What are you waiting for to be part of this story?
02:08The one who definitely causes her more bitterness than anything else
02:12is her daughter Joy, and her boyfriend Travis,
02:16a young man who clearly isn't one of the good ones.
02:19In fact, Joy earnestly asks her for her college savings,
02:23not because she plans to return to med school,
02:26but because she wants to move out with her boyfriend.
02:29Her mother flat-out refuses,
02:31arguing that Travis will only steal the money and leave her pregnant.
02:35Speaking of which, Joy asks if that's what her own father did.
02:3919 years, and she still has no idea who he is.
02:43Faced with her mother's silence,
02:45the young woman declares that she'll manage on her own,
02:48whatever it takes to leave this place.
02:51Back at work, mother and daughter deal with a customer
02:54who can't pay for what he just ate.
02:56While Joy wants to kick him out,
02:58Hazel takes pity on the man.
03:00He doesn't look like a bum.
03:01Then, he introduces himself as Elliot,
03:04confessing that he's from Los Angeles
03:06and has been wandering around since he lost everything.
03:10At least he has experience as a surgeon.
03:12Hazel offers him the closest thing to that,
03:15a dishwasher position.
03:17This comes with a room in the restaurant
03:18that is clearly the junk corner,
03:20although he can't afford to turn down this offer.
03:23Joy becomes furious as soon as she finds out.
03:27Her mother distrusts her boyfriend,
03:28even though she's known him for two years,
03:31yet she offers shelter to a complete stranger.
03:34In her defense,
03:35she points out that Elliot just seems like someone lost.
03:39As for Travis,
03:40she already knows his kind all too well.
03:43Still, Joy insists on the matter,
03:46asking to borrow her college savings.
03:48When her mother once again tells her no,
03:51she suggests to her boyfriend
03:52that he ask his parents for help.
03:54His case isn't much different.
03:56He says his parents would make him pay for it
03:59for the rest of his life.
04:00The next day,
04:01while dealing with the three musketeers,
04:04Hazel sees her daughter arriving hand-in-hand with Travis.
04:07He was supposed to bring her in the morning,
04:09not during working hours.
04:11When the protagonist demands an explanation from her daughter,
04:14she lowers her gaze
04:15and hides her eyes behind sunglasses.
04:18Her mother quickly becomes suspicious
04:20and takes the glasses off,
04:22revealing a bruise on her face.
04:23Immediately,
04:25Hazel heads under her bed
04:27and reconnects with her past,
04:28a compartment full of her assassin tools.
04:31This time,
04:32she grabs the gun.
04:34Already at Travis' workshop,
04:36the woman threatens him in front of his colleague,
04:38warning him to stay away from her daughter
04:40or she'll kill him along with his entire family.
04:44The young man makes the mistake of mocking her words,
04:47nothing worse than a mother's fury.
04:49As she takes Travis with her,
04:52his colleague threatens to call the police,
04:54though she warns him
04:55that's the last thing he'd want to do.
04:58After a long journey,
04:59the protagonist and her hostage
05:00arrive at an abandoned quarry
05:02where a grave was waiting.
05:04Well, for him to be exact.
05:06It turns out that grave
05:08has been there for quite some time
05:09since her daughter met Travis
05:11because she knew one day he would hurt her.
05:15Therefore,
05:15she knew that one day
05:17she'd have to kill him.
05:19Upon hearing this,
05:20the young man,
05:21full of fear,
05:22warns her that she really doesn't want to do this.
05:25Oh, yes, she does.
05:26With her job done,
05:28the protagonist returns to her car
05:29where she remembers
05:30that the day she fled Las Vegas
05:32with Joey in her arms,
05:34they were finally free.
05:35Oh, or so she thought.
05:38Back at the restaurant,
05:39Elliot, in the middle of his duties,
05:41catches Javier tending to a young girl
05:43who had been separated from her family.
05:45In turn,
05:46Joey sends a thousand messages
05:48to her boyfriend
05:49only to get no replies.
05:51Upon her mother's arrival,
05:53she demands explanations about Travis.
05:55Very calmly,
05:57the protagonist replies
05:58that they had an exchange of ideas
06:00that ended with him
06:01leaving the state forever.
06:03Frightened,
06:04Joey warns her
06:05that Travis's family
06:06are very dangerous criminals.
06:08It's obvious they'll seek revenge,
06:10although Hazel is more than prepared for it.
06:13As her daughter kept going on and on,
06:16the woman urges her
06:17to remember her mantra.
06:19He raises his hand,
06:20I raise my fist.
06:22He raises his fist,
06:23I raise a gun.
06:25The magic words.
06:27While working,
06:28the protagonist spots
06:29an unknown customer
06:30who seems to be
06:31taking pictures of Elliot.
06:33When she asks Elliot,
06:34he claims he doesn't know
06:36who that guy is.
06:37Intrigued,
06:38Hazel approaches the man
06:39who states he's a big fan
06:41of old restaurants.
06:42Having said that,
06:44he pays for his coffee
06:45and leaves the place
06:46as if nothing had happened.
06:48At midnight,
06:49Elliot wakes up from a nightmare
06:50and goes outside
06:51to get some fresh air.
06:53Then,
06:53he's intercepted by Hazel
06:55who respects
06:56that he doesn't want
06:57to talk about his past
06:58as long as that past
06:59doesn't come knocking on their door.
07:02Therefore,
07:02Elliot assures her
07:03he won't cause any trouble.
07:06As he walks away,
07:07the protagonist notices
07:08that the guy from earlier
07:09is taking pictures of him
07:11from his car.
07:12Immediately,
07:13she follows him
07:14to a motel
07:15where he lets his guard down.
07:17When he comes back
07:17from getting ice,
07:19the guy is ambushed
07:20by Hazel
07:20who,
07:21at gunpoint,
07:22forces him to confess
07:23what the hell
07:24he was doing
07:25at the restaurant.
07:26Turns out,
07:27he's a freelance reporter
07:28who's been tracking Elliot
07:29for a while.
07:31A few years ago,
07:32at the peak of his career
07:33as a surgeon,
07:34Elliot got involved
07:35in a car accident
07:36while driving.
07:37His fiancé died
07:38in the incident
07:39and as a result,
07:40he served four years
07:42in prison.
07:43Before asking Elliot
07:44about this,
07:45the protagonist
07:45has to deal
07:46with another tantrum
07:47from her daughter
07:48over the same reason,
07:50Travis.
07:51In her attempt
07:51to stop her,
07:52Hazel runs into
07:53a familiar face
07:54at the restaurant exit,
07:56Phil.
07:57She hasn't seen him
07:58in 20 years
07:59and it's been 20 years
08:01since she left
08:02her former life.
08:03But those who forget
08:04their history are doomed
08:05to repeat it.
08:07The protagonist learns
08:08this the hard way,
08:09finding out that her
08:10old boss,
08:11Vaughn,
08:11has just been released
08:12from prison
08:13because one of the charges
08:14was dropped.
08:16Trying to avoid this fact,
08:18Hazel spends time
08:18with her daughter
08:19who believes Travis is dead.
08:21In response,
08:22her mother makes it clear
08:23that she would never
08:24be capable of hurting anyone.
08:26Well,
08:27in an act of rebellion,
08:29Joey takes the truck
08:30and heads to a beach party
08:31where drugs are plentiful.
08:34Just when it's Joey's
08:35turn to try,
08:36the sheriff shows up
08:37and scares off
08:38the youngsters.
08:39Judging by Joey's reaction,
08:41it's not the first time
08:42she's had a run-in
08:43with the sheriff.
08:44He takes her back home
08:46while Hazel thanks him.
08:48At dawn,
08:49the protagonist
08:49finally confronts Elliot
08:51about his past.
08:52With no other choice,
08:54he confesses
08:55that the reporter's father
08:56was one of his patients
08:57who died on his table.
08:59Since then,
09:00the reporter
09:00has relentlessly pursued him,
09:02trying to completely discredit him.
09:05Well,
09:05he's succeeded.
09:07Once he opens up,
09:08she asks him for a favor
09:09to make up for his secrecy.
09:11She wants him
09:12to take care of Joey
09:13for the night.
09:14She has things to do
09:15in Las Vegas.
09:16There,
09:17she meets with Vaughn,
09:18who nostalgically recalls
09:20finding a young Hazel
09:21in the alleys,
09:22addicted to drugs
09:23and easy money.
09:25Nevertheless,
09:26he noticed something special
09:27in her gaze,
09:28the absence of fear.
09:30That's why he took her
09:31under his wing
09:32and turned her
09:33into his best weapon.
09:35Tired of listening to him,
09:36Hazel asks why he called her,
09:38to which he replies
09:39that it's quite obvious.
09:41Her job isn't done,
09:42and it just so happens
09:43that his biggest rival,
09:45Perry Gamble,
09:46is in town.
09:47She has to put an end to him.
09:49At first,
09:50the protagonist refuses,
09:52stating that not even
09:53a large sum of money
09:54would be worth the risk.
09:56Vaughn seems to understand,
09:58mentioning she must be
09:59worried about Joey.
10:00Supposedly,
10:01he didn't know
10:01about her daughter.
10:03For the sake of her
10:04only family,
10:05Hazel devotes herself
10:06to watching Perry Gamble
10:07from afar,
10:08a mobster who's closing deals
10:10that could jeopardize
10:11Vaughn's business.
10:13Shortly before dawn,
10:14Elliot wakes up
10:15to strange noises
10:16in the restaurant.
10:18Fortunately,
10:18it's just Hazel
10:19who invites him
10:20to have a few drinks.
10:22Even though she had
10:23forgotten his accident,
10:24he accepts her invitation
10:25and admits this is
10:27the first time
10:27he's had alcohol
10:28since it happened.
10:30This leads him to remember
10:31he's had problems
10:32with alcohol since college,
10:34to which she adds
10:35her own drug addiction
10:36when she was just a teenager.
10:38As she drinks,
10:39the protagonist begins
10:40to open up
10:41about her past,
10:43stating that raising Joey
10:44is the only good thing
10:45she's ever done in her life.
10:47That,
10:48and sleeping with Elliot.
10:50What does alcohol do,
10:51right?
10:52At dawn,
10:53before starting his shift,
10:55Elliot invites her to dinner
10:56with his first paycheck,
10:57though she reminds him
10:58she has things to do
10:59in Las Vegas.
11:01Wearing a beautiful dress,
11:03Hazel arrives in Sin City
11:04and quickly catches
11:05Perry's attention.
11:07It is then that we see
11:08that they both had a history.
11:11Perry immediately invites her
11:12to his suite
11:13to reminisce about old times
11:14and also tells her
11:16that he's turning his business
11:17into a legal one.
11:19While he talks,
11:20the protagonist takes care
11:21of serving the drinks,
11:23pouring poison
11:24into one of them.
11:25Even though things
11:26are going better for him now,
11:28Perry was happier
11:29with Hazel by his side.
11:31Why did she leave him
11:32without saying anything?
11:33In her defense,
11:35the woman argues
11:36that if she had continued
11:37with that lifestyle,
11:38she wouldn't have made it
11:39to 30.
11:40This doesn't convince Perry,
11:42who,
11:43with a broken heart,
11:44recalls that he loved her
11:45like no one else.
11:47Since their breakup,
11:48he's been trying to find
11:49that connection
11:50with someone else,
11:51but it seems impossible.
11:54After a toast,
11:55Hazel pulls his glass away
11:57and leans into his lips,
11:59saving him from the fate
12:00he was about to suffer.
12:02When he steps away
12:03to take care of something,
12:04the protagonist pours
12:05the drink into a vase.
12:07She can't kill him.
12:08She's not capable.
12:10Back in Barstow,
12:12Hazel helps Joey and Elliot
12:13make amends
12:14while he encourages her
12:15to go back to college.
12:17After all,
12:18he's still a surgeon
12:19and a pretty good one.
12:21He decided to study that
12:23because he had always
12:24felt broken inside,
12:25so he thought that
12:26by fixing others,
12:27he could fix himself.
12:29As for Joey,
12:30she just wants her life
12:31to matter,
12:32and what better way
12:33than saving other lives?
12:35But just as we discover
12:36something good about Elliot,
12:38we also find out
12:39that all this time
12:40he's been working
12:41for the enemy,
12:42Vaughn.
12:43His arrival at the restaurant
12:45wasn't a coincidence.
12:47Vaughn sent him there
12:48to keep an eye on Hazel
12:49and make sure
12:50she followed orders.
12:51The thing is,
12:53she's impossible to control.
12:55Changing scenes,
12:56Joey asks her mother
12:57if she's having
12:58financial problems.
13:00She can't find
13:00another explanation
13:01for her trips to Las Vegas.
13:03She even offers
13:05to let her use
13:05her college savings
13:06if necessary.
13:08Hazel denies
13:09it's a money problem,
13:10indicating it's an old debt
13:12she has to settle
13:12in another way.
13:14Her daughter's
13:15college savings
13:15will remain for that,
13:17and it seems
13:17she's even more excited
13:19about that idea.
13:20At work,
13:21the protagonist
13:22receives a visit
13:23from the sheriff,
13:24who's investigating
13:25a series of mysterious
13:26disappearances
13:27of young girls.
13:28The culprits
13:29haven't left
13:30even a single clue.
13:32Upon hearing this,
13:33Hazel asks Javier
13:34if he knows anything
13:35about it.
13:36But he has no idea.
13:38At the same time,
13:40Joey attends to a customer
13:41she thinks
13:42she's seen before,
13:43Phil.
13:44Although Hazel
13:45quickly pulls
13:46her daughter away,
13:47Phil makes it clear
13:48that she won't be able
13:49to protect her
13:50for much longer.
13:51She has until tonight
13:52to finish Perry.
13:54Otherwise,
13:54Joey will pay
13:55the consequences.
13:57The protagonist
13:57panics at this possibility,
13:59reminding herself
14:00that she must do
14:01whatever is necessary
14:03to protect
14:03what matters most,
14:05Joey,
14:06Javier,
14:06and her restaurant.
14:08Although she puts
14:09on a brave face,
14:10Elliot shows her
14:11that she can let
14:11her guard down with him.
14:13Therefore,
14:14she confesses to him
14:15that she has to return
14:16to Las Vegas,
14:17possibly for once.
14:19As soon as Hazel
14:20walks away,
14:21Elliot notifies Vaughn
14:22that she will do her job.
14:24As night falls,
14:25the protagonist
14:26says goodbye
14:27to her sleeping daughter
14:28and then to Elliot,
14:29who,
14:30in a change of heart,
14:31asks her to stay
14:32by his side.
14:33Although she thanks him
14:34for his help,
14:35she makes it clear
14:36that she must wrap up
14:38her affairs in Las Vegas.
14:40Moreover,
14:40their relationship,
14:41or whatever they have,
14:43must end.
14:44It is messy
14:45and she cannot allow
14:46messiness in her life.
14:48After informing Vaughn
14:49that she is on her way,
14:51Elliot limits himself
14:52to waiting for her return,
14:54praying that nothing
14:55bad happens to her.
14:56Speaking of waiting,
14:58Perry is anxious
14:59for Hazel's arrival.
15:00During his vigil,
15:02he receives a photo
15:03of an unknown girl,
15:04along with a message
15:05that reads,
15:06Yours.
15:07That young girl
15:08is his daughter,
15:09Joey.
15:10Just then,
15:11Perry is interrupted
15:12by his lawful wife,
15:13so he has no choice
15:15but to pretend
15:15that this banquet
15:16was a surprise for her.
15:18Well,
15:18if you can't beat her,
15:20tie her,
15:20I suppose.
15:21As for Hazel,
15:22she shows up
15:23at Vaughn's hideout
15:24due to a slight change
15:25of plans.
15:26At the entrance,
15:27the doorman
15:28doesn't hesitate
15:29to draw his hidden gun,
15:31so that's the change
15:32of plans.
15:33After the doorman,
15:34the protagonist
15:35confronts an enraged Phil
15:37armed with a shotgun
15:38in a cat and mouse game.
15:40Hazel emerges victorious.
15:43Through the cameras,
15:44Vaughn watches
15:44as her death
15:45draws closer and closer.
15:47From his office,
15:48the mobster exclaims
15:50that they can find
15:50another way to resolve this.
15:52After all,
15:53she has always been
15:54his girl.
15:56There's your girl.
15:57Badly injured
15:58and desperate,
15:59Vaughn reminds her
16:00that thanks to him,
16:01she unleashed
16:02her true nature,
16:04that of a killer.
16:06She can't have
16:07a normal life.
16:08Eventually,
16:09Joey will leave her
16:10and Elliot too.
16:12Hazel is surprised
16:13to hear Elliot's name,
16:14so he finishes revealing
16:16that he is
16:16his subordinate.
16:18The protagonist
16:19lets her guard down
16:20upon hearing that,
16:21which Vaughn
16:22takes advantage of
16:23to overpower her.
16:24Or at least he tries,
16:26because she quickly
16:27pushes him off.
16:28With gun in hand,
16:29she warns him
16:30that this is for Joey,
16:32for her mother,
16:33and for herself.
16:35Daddy issues.
16:36That explains everything.
16:38Finally free
16:39from the ghosts
16:40of her past,
16:41Hazel returns home
16:42and contemplates
16:43her reason for being
16:44her daughter.
16:46Later at the restaurant,
16:47the protagonist
16:48completely ignores Elliot
16:50while catching up
16:50with Javier.
16:51She even offers
16:53to buy him new tires
16:54for his old van
16:55as a thank you
16:56for his loyalty.
16:57A clear jab at Elliot.
16:59As for her daughter,
17:01Hazel assures her
17:02that her business
17:02in Las Vegas is over.
17:04She may never tell her
17:05the truth,
17:06but if it's worth anything,
17:08she did it for her.
17:10Right after that,
17:11Joey is intercepted
17:12by an old acquaintance,
17:14Travis.
17:15Immediately,
17:16Joey asks her mother
17:17for the truck
17:17to visit some friends.
17:19She doesn't even have
17:20time to respond.
17:21As she responds
17:22to the call
17:23of the Three Stooges,
17:24Hazel realizes
17:25that Javier is not
17:27in the kitchen.
17:28Therefore,
17:29she is forced
17:29to ask Elliot,
17:30who tells her
17:31that Javier left
17:32a while ago.
17:33For now,
17:34Javier is the priority,
17:36though she notes
17:37they'll have to talk later.
17:39In the back,
17:39the protagonist
17:40finds her cook
17:41being beaten up
17:42by some gang members
17:43who were pulling
17:44a young girl
17:45out of his van.
17:46They're the town's kidnappers.
17:49Hazel bravely confronts them,
17:51but all she gets
17:51are two precise gunshots.
17:53With her incapacitated,
17:56the gang members
17:56take Javier
17:57and the young girl.
17:59Seconds later,
18:00Elliot comes to Hazel's rescue,
18:02trying to stop her blood loss.
18:04I think it's going
18:05to be impossible.
18:06And with this open-ended finale,
18:09this two-part film
18:10comes to a close,
18:11whose conclusion
18:12we have yet to see.
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18:23I'll see you next time.
18:24Bye-bye.
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