Skip to playerSkip to main contentSkip to footer
  • 7/7/2025
Journey of Doora Theera Yaana – Team Interview.


ಮನ್ಸೋರೆ ನಿರ್ದೇಶನದ ವಿಜಯ್ ಕೃಷ್ಣ ಹಾಗೂ ಪ್ರಿಯಾಂಕ ಮುಖ್ಯ ಭೂಮಿಯಲ್ಲಿ ನಟಿಸಿರುವ ದೂರ ತೀರ ಯಾನ ಚಿತ್ರದ ಕಲಾವಿದರ ಸಂದರ್ಶನ ಫಿಲ್ಮಿಬೀಟ್ ಕನ್ನಡದಲ್ಲಿ.

A simple interview with the team of Doora Theera Yaana. The crew shares their thoughts about the story, characters, and their experience while working on the film.


#DooraTheeraYaana #KannadaMovie
#MovieInterview #BehindTheScenes
#FilmTalk #CastAndCrew
#DirectorInterview
#HeroInterview #HeroineInterview
#MusicInMovies
#Cinematography #KannadaCinema
#FilmPromotion
#MovieBuzz #NewKannadaFilm

Also Read

Maadeva Box Office:30ನೇ ದಿನವೂ ಬಾಕ್ಸಾಫೀಸ್‌ನಲ್ಲಿ ಗೆದ್ದ 'ಮಾದೇವ'; ಗೆದ್ದು ಬೀಗಿದ ವಿನೋದ್ ಪ್ರಭಾಕರ್ :: https://kannada.filmibeat.com/box-office/vinod-prabhakar-starrer-maadeva-movie-day-30-box-office-collection-report-101121.html?ref=DMDesc

ಕನ್ನಡ ನಿರ್ಮಾಪಕರಿಂದ ಸುದೀಪ್‌ ಅಂತರ ಕಾಯ್ದುಕೊಳ್ಳುತ್ತಿದ್ದಾರಾ? "ನನ್ನ ತುತ್ತು ನನ್ನ ಗತ್ತು" ಎಂದಿದ್ದೇಕೆ ಕಿಚ್ಚ? :: https://kannada.filmibeat.com/news/is-kichcha-sudeep-maintaining-distance-from-kannada-producers-what-is-his-reaction-101097.html?ref=DMDesc

ಪ್ರಣಂ ದೇವರಾಜ್ ಸಿನಿಮಾ 'SO ಮುತ್ತಣ್ಣ' ರಿಲೀಸ್ ಡೇಟ್ ಫಿಕ್ಸ್! :: https://kannada.filmibeat.com/news/pranam-devaraj-rangayana-raghu-starrer-s-0-mittanna-movie-release-date-fixed-101043.html?ref=DMDesc



~HT.188~PR.324~ED.33~

Category

🗞
News
Transcript
00:00For example, I am not very popular.
00:03I am a direct perspective.
00:05I can accept this as much as possible.
00:08I am very proud of you.
00:09You know, Rajya, Rajya, Rajya, Rajya, Rajya, Rajya, etc.
00:16I am very popular.
00:17I am very proud of you.
00:19I am very proud of you.
00:21I am very proud of you.
00:23I am very proud of you.
00:26I am proud of you.
00:28I am proud of you all you know.
00:30I am proud of you.
00:32I am proud of you all while enduring it.
00:35I often have tea tests yesterday.
00:40I'm proud of you all because I don't have a dream.
00:43I am proud.
00:45About all possibilities.
00:49You may be a consortium,
00:52who shared my family Samir Khort,
00:56This is the main goal of Preeti in this world.
01:02You are happy and emotional.
01:06You are a musical time-pass.
01:09You are happy with your heart and heart.
01:15You are happy with your heart.
01:18You are happy with your heart.
01:22Thank you sir. Thank you sir. Thank you sir. Thank you so much.
01:46Thank you sir. Thank you sir.
01:56Thank you sir.
02:01My first question is, what are you talking about?
02:05In this interview, there are several films that are numerically and poetic.
02:15So, what are you talking about?
02:20How are you, sir?
02:21I'm busy.
02:23It's a promotion.
02:25I'm worried about the film.
02:35The film is a bit more intense.
02:37But, as I said, it's a double release.
02:39It's a bit more intense.
02:40What do you think?
02:41It's a proper script.
02:43It's a bit more intense.
02:45As a cinema has been exposed to the.
02:52When someone comes to a society, it is a great experience.
02:55This has our own identity, our own ideas, our own thoughts.
02:58My own cinema could say that it could not be so bad, but the real experience was not so good.
03:07But the one had to say, okay, I don't think.
03:11So what would it be?
03:14I would try to take my film to try my film.
03:19The only one. The only one. The only one. The only one.
03:23The only one. The only one. The only one.
03:27In July of the past, people would have ached that.
03:31They would have been coming and said,
03:33They would have been singing with a guitar.
03:35No, they would have been singing.
03:39I was first with them.
03:40I said that in Hindi movies, there are numbers in the title.
03:44It's poetic.
03:45Why do you change anything?
03:47No change.
03:48The original cinema is poetic.
03:50It's a real movie.
03:51That's right.
03:52And the original cinema is subjective.
03:55It's a real movie.
03:57The third film is Act 1978.
04:00It's a real movie.
04:02After that, the word is written by the act,
04:05it's a real movie.
04:07It's a real movie.
04:12It's a real movie.
04:15We've never seen the title in the numerically.
04:18Act 1978 and 1922, we've never seen the title.
04:23But it's not a real movie.
04:24It's not a real movie.
04:27At that time, we've never seen the title.
04:31But the title is the best to answer.
04:35At that time, we've never seen the title in the numerically.
04:42There is a very familiar number.
04:45In 1857, it's a very important date.
04:50It's a very important date.
04:51In 1947, it's a very important date.
04:54But in the same way, I can't believe it.
04:57So in the past few years, many people are in the same position.
05:04They are in the same position.
05:06So that's why it's very simple.
05:08It's very simple.
05:12It's very simple.
05:15It's very simple.
05:23So are you going to work on a functional kind of work in life?
05:25I think that is what it is, it will be intentional towards a more like human transformation.
05:29Okay.
05:31You will do that for yourself.
05:32You will have to go to society.
05:33You will have to go to society.
05:35I love to think, in Hindi movies, as well as characters.
05:41Of course, there are about two or so, and you can play flute with a flute.
05:47That's why I think in a new film until my time, that I am just born.
05:52Basically, I have a problem with my society.
05:57At that time, we have to deal with corruption, freedom of speech.
06:05At that time, we have to deal with that.
06:09One of the things that happened is that it is very important.
06:15It is very important.
06:17It is very important.
06:21It is very important to understand the own truth.
06:26It is very important to understand the truth and the story nothing he has
06:46It is very important for me to be a part of the truth.
06:47About Prithi is a bit nervous and you ask what we have in our country will be so careful about this.
06:54Even if we wanted to marry those girls, they could be like an adult or get married to that.
07:01What is Prithi?
07:03The most important thing to me is about Prithi to understand Prithi's practice.
07:08Please, do we know that we're talking about Prithi's practice?
07:13We have to discuss that in this moment.
07:17It's not a big issue.
07:19Correct.
07:20I'm telling you what I'm saying.
07:23If we look at the same issue, this is the same issue.
07:29That's why I think it's very important.
07:33That's why it's the same issue.
07:36It's the same issue.
07:38It's the same issue.
07:40It's the same issue.
07:42I think it's important to understand these issues.
07:47I think it's important to understand this issue.
07:52What is the matter?
07:56The matter is the matter.
07:58The matter is the matter.
08:02It's not a matter of conversation.
08:04It's not a matter of conversation.
08:08The matter is the matter that you're healthy.
08:18Whether it's a matter of conversation is a matter.
08:20It's not a matter of conversation.
08:22If it's not a matter of conversation,
08:24we see as a matter of conversation again.
08:26That point might be a trigger for a long time.
08:31The incident has to be taken away from the incident.
08:34For example, I don't know.
08:38In the deep state, there were many colleges.
08:44They went to the Uduga, and they went to the Udugi college.
08:49When I looked at that incident, they came to the Udugi.
08:55He was able to explain it to him as well.
09:00He was able to discuss it with respect and respect.
09:05He was able to say,
09:07I am a leader in life.
09:11He was able to explain it to him.
09:13He was able to listen to his mind and say,
09:15I can speak.
09:19He was able to speak with a conversation.
09:21He was able to speak with a conversation.
09:24He was able to listen to him like this.
09:29What in this case?
09:31He was able to take a coffee table for his wife.
09:33He was able to talk with you.
09:35He was able to speak with him.
09:38He said,
09:41I am aware of this matter the moment of the past few years.
09:44I was so proud of you.
09:46In the past few years,
09:48he was able to explain it to him.
09:52What does that mean is that your family can be a child,
09:58one who is one person, one who is one person, one who is one person.
10:02This is one person who is one person.
10:05This is a message.
10:06We're done.
10:07What we do is we don't have time for our family.
10:11That is all about our family.
10:13First, this is clarity.
10:15Our family is here.
10:17So, the family is checking a metadata.
10:23So, they get to know each other.
10:27When they talk about this, they get to know each other and get to know each other.
10:33At the same time, they get to know each other.
10:38and they say, if someone is a bad person, they say,
10:44they say, they are all concerned.
10:47But, they say, they don't blame them.
10:53If someone is a bad person, they don't complain.
10:59They say, they say, they don't blame them.
11:04So, people will blame them.
11:07There was no blame. I thought that there was no blame.
11:11I thought that this was a pre-marriage counseling.
11:17I was expecting that, but that was the end.
11:20So, when I started to fix everything, I started to go to the next stage.
11:26I started to consult with him.
11:30I started to consult with him.
11:32And he started to make a decision.
11:34And he started to get a job.
11:37So, I started to start consulting with him.
11:40He started to get a job.
11:41He started to get a job.
11:42He started to take a job.
11:44I was thinking about that.
11:45In other words, he started to step on a third person.
11:47He started to take a job.
11:48He was trying to do the third person.
11:51That's the theory.
11:52I started to talk about him.
11:54He was doing the decision.
11:56He started to think that.
11:58He was aggressive.
12:00He was willing to talk about him.
12:02He is a happy moment. He is a happy moment.
12:10He is a happy moment.
12:13He is a happy moment.
12:17So, do you want to watch the cinema?
12:19Kind of.
12:23You are a happy moment.
12:30You are a happy moment.
12:35In this time, the film is a happy moment.
12:41The producer is a happy moment.
12:45He is a happy moment.
12:47He is a happy moment.
12:52He is a happy moment.
12:54He is a happy moment.
12:57What are the challenges of the film?
13:04There are challenges.
13:08He is a happy moment.
13:10He is a happy moment.
13:12He is a happy moment.
13:15He is a happy moment.
13:17The theory of popularity is that it is not working.
13:18The algorithm is not working.
13:19If you look at the posts, you will feed it.
13:27So, the internet is working on the algorithm. It is working on the popularism.
13:31Because it's a lot of people who accept it, it's a lot of time.
13:37So, it's not a reach.
13:41It's already popular.
13:43They reach people. They are just a person.
13:47When I was a kid, I would say that they would be a celebrity, and they would not be a common man.
13:57I would say that they would not be a kid.
13:59I would say that they would not be a kid.
14:04I would say that they would not be a kid.
14:07This is my example.
14:10I would say that they would not be a kid.
14:20But now, I would say that they would be a kid.
14:24A month.
14:25A month.
14:26A month.
14:28A month.
14:29So, it would be a popularization.
14:32They would create a system.
14:35They would not work.
14:38So, I would say that they would accept this.
14:44This is the first step.
14:45I would accept it.
14:46I would say, as an example, I would not be popular.
14:48I would be direct.
14:49I would be popular.
14:51I would accept it.
14:53And I would say, I would accept it.
14:55They would accept it.
14:57They would accept it.
14:58They would accept everything.
15:01I would not be popular.
15:03If you are a talented person, I would decide a lot.
15:07The first point is to reach the first point. Who is Vasubur cinema?
15:11There are either production house, director, or hero.
15:16They are all popular. They reach it. This is a market.
15:21So, because of the cinema,
15:24when you reach Vasubur and you reach Vasubur,
15:27you are the first to expect.
15:29That's why you reach a lot.
15:34This is Vasuburu.
15:36You reach a lot.
15:37You reach a lot.
15:38You reach a lot.
15:39You reach a lot.
15:42You reach a lot.
15:44You reach a lot.
15:46I'll give you an example.
15:47Naveen Shankar is not popular.
15:50But this is not popular.
15:52Okay?
15:53He's the only one that has become the only one.
15:57Now, Naveen Shankar is the only one that has become the only one.
16:01You reach this.
16:03You reach a lot.
16:04There is no one.
16:06There is no one.
16:07A basic analysis.
16:08There is nothing.
16:09He will be a lot.
16:10There is nothing.
16:11You will not seek the interview.
16:12His voice is on.
16:13He will be afraid.
16:14He will be scared of the time.
16:16He will be a mistakenly wrong person.
16:19So, now, we have to decide what we need to do.
16:25First, we can fix our cinema in the film.
16:30If we watch our cinema, we can watch our audience.
16:33We can watch our cinema.
16:35If we watch our movie, we can watch our movie.
16:39We can watch our movie.
16:42I can tell you, there are two elevations in that film.
16:46But, that is an emotional cinema.
16:50A happy, a relationship, a love, a gift, a travel.
16:56So, we can watch our audience.
16:59If we watch our movie, we can watch our movie.
17:03We can watch our movie.
17:05We can watch our movie.
17:08If we watch our movie, we can watch our movie.
17:14We can watch our movie.
17:16We can watch our movie.
17:17If we watch our film, we can watch our movie.
17:19If you watch our movie, we can watch our movie.
17:21If we watch our movie, we will watch our movie.
17:23We have to invest in 5 hours.
17:255 hours.
17:26This is our lifestyle.
17:296 hours in the film.
17:31In that time, 5 hours in the film.
17:33There is no one who is in the blood relationship, close friend, etc.
17:38He is making a film, he is making a film.
17:41Okay, the expectation of this film is that he is in the film.
17:46When he is in the theater, he is not in the film.
17:54He is not in the film.
17:55He is in the film.
17:57He is in the film.
17:59He is making a film, and he is not in the film.
18:05He is not in the film.
18:09He is making a film.
18:12He is making a film.
18:16He is doing the film.
18:19He is making a film.
18:22My example is,
18:24as I am in the film, it is about the film.
18:28It is like a whole restaurant. I have to go to these prices.
18:31It is like a whole of fours.
18:34People like this or someone who is watching the video,
18:36someone who is watching the movie,
18:39I am the only one for the actors.
18:41There are no other actors.
18:43There is no one knows about it.
18:44We will tell you how to go and go down.
18:47We will tell you how to go down to work.
18:50We will tell you how to go down to the next level.
18:53We will tell you how to go down to the next level.
18:56This is a time.
18:58If you want to get a hit on the scene, you can reach the top of the scene.
19:06You can't get it.
19:08You can't travel.
19:10You can't travel.
19:11If you want to go on and find it, you can't get it.
19:17You can't get it.
19:19You can't get it.
19:21That's why I first accepted the team.
19:25The director, the producer, the actors.
19:27The first time we got the first film, it was the first film.
19:30We got a ticket paid from a great extent to the max.
19:34The ticket was the first, and the third and third.
19:37Because of the first film, this film was the first one.
19:43This film was the first.
19:45This film was the first place.
19:47The purpose was to reach that.
19:48We got to reach that point.
19:50We got to reach that point.
19:51We had to reach that point.
19:54It is a very difficult thing.
19:58If you want to create a lot of magic,
20:02what are the most important things about this film?
20:06What are you doing?
20:08I'm not sure how to do it.
20:10I'm not sure how to do it.
20:12I'm not sure how to do it.
20:14I'm not sure how to do it.
20:16I'm not sure how to do it.
20:18I'm not sure how to do it.
20:20I'm not sure how to do it.
20:22I'll do it 5 movies.
20:24If you have watched a lot of movies,
20:30I'll watch YouTube only.
20:32They want you to watch a lot of movies.
20:34I will try that.
20:36If you're looking for a lot of movies,
20:38you'll understand a honest effort.
20:42You can make an effort
20:44and perform an elaborate process.
20:48That effort is not working.
20:50So, you know what it looks like. You'll be happy, you'll be happy, you'll be emotional, you'll be emotional, you'll be emotional, you'll be emotional, you'll be time-passing your musical, you'll be time-passing your music.
21:05You'll be the same as having a screen. You'll be disappointed. What would you do?
21:12So, you can decide that you want to make a decision.
21:16Thank you, Bunny.
21:19All of these actors are very few.
21:22In this film, it is a very important part of the film.
21:28It is a very important part of the film.
21:31It is a very important part of the film.
21:37When you look at Kandada Cinemas in the past, it is a great opportunity to try Kandada Cinemas.
21:46This is my first goal of Kandada Cinemas as a guru.
21:52For my cinema, this is Kandada Cinemas.
21:56This is my first goal of Kandada Cinemas.
22:12This is my first goal of Kandada Cinemas.
22:18Thank you. Thank you.
22:20Thank you so much.
22:21I will take the time to take the time of Kandada Cinemas.
22:27Yes, it is a long time for Kandada Cinemas in July.
22:32Every time you will see Kandada Cinemas in the past,
22:36this episode will be released in the next episode.
22:39See Kandada Cinemas.

Recommended