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NewsTranscript
00:00Okay.
00:05Are you talking to me?
00:06were you talking to me?
00:07No, we aren't acting.
00:10Let's talk to the dialogue.
00:11He comes with a character.
00:12I'll always do that.
00:13He's a hero.
00:20We're going til 6-1.
00:236-1.
00:256-2, who?
00:26Salve.
00:28I'm telling you.
00:29You can't see anything like this.
00:31What did you say about the hair and maintenance?
00:33What did you say about the hair?
00:34I said, I have a lot of hair.
00:36I've already been doing it for a long time.
00:39But I didn't find it until I went to the next one.
00:45I think I'm going to go to the night shoot.
00:48I think that's a good thing.
00:49I don't have a night shoot.
00:51I think I'm going to go to the world.
00:53I don't know where the world is.
00:54I don't know if I'm going to go to the house.
00:58This is Rajani Sir, it's not the first part of Chandramayi Chandra.
01:04He's doing it.
01:05He's doing it.
01:06He's doing it.
01:07He's doing it.
01:08He's doing it.
01:09That's right.
01:12This is the main police investigation.
01:16In Tamil cinema, the lock-up death, or the lock-up death.
01:20It's a great deal.
01:23I'm Ranjit Kannan.
01:26We are going to have a cinema chat with Ranjit.
01:28We are in this show.
01:29We'll have a team here.
01:32We need to talk about it today.
01:34We are going to talk about it.
01:35We are going to talk about it.
01:36We are going to talk about it.
01:38We are going to talk about it.
01:40You are going to talk about it.
01:42Welcome.
01:43How are you?
01:44How are you?
01:45How are you doing?
01:46Thanks.
01:47You don't have any other videos.
01:49It's a great day.
01:51What's the first part of Chandramayi?
01:53How about you?
01:55No, sir. Actually, when we work on it, we are completely aware of it.
02:00But the public response has been given to us.
02:05That's how we say.
02:07Yes, definitely.
02:09If we take a job, we say, okay, we are satisfied.
02:14But the public response has been given to us.
02:17We are completely aware of it.
02:19So, that's a pressure.
02:21So, if we talk about the direction, we will have to do a segment,
02:25a little fresh and a little bit.
02:27I will take a step to the stage,
02:29and the drum shirt will be taken.
02:32We will take the action to the stage and act.
02:34Okay, ready?
02:36Okay.
02:37First, I will take action.
02:40I will take action to the action.
02:42You will take action.
02:44I will take action.
02:45Okay.
02:46Okay.
02:48Okay.
02:49I will go further.
02:51Are you talking about?
02:52No.
02:53I want to go further.
02:54I will do it not you really.
02:55Do it not you.
02:56It will do it not you.
02:57No, you are acting.
02:58It is amazing.
02:59He is actually acting.
03:00He did it as a challenge.
03:01You're telling me,
03:02I was like,
03:03how to do it the fact?
03:04I said,
03:05this is a challenge.
03:06Why do you think?
03:08I have asked,
03:09do you know who plays?
03:10Do you see a thing?
03:11Do you know who plays a Tamilist?
03:12I am talking about it,
03:13yeah.
03:14I talked about it.
03:15Heero, heero.
03:19You can repeat the question.
03:22Rules, rules.
03:25Dialogue.
03:27You can do it.
03:29Hero.
03:31That's what you say.
03:33Meese.
03:35I mean, you can't do it.
03:39In the middle.
03:41You can do it.
03:43You can do it.
03:45No title.
03:47Title.
03:49King.
03:51Maas.
03:53Maas.
03:55Maas is not a hero.
03:57Maas is a hero.
03:59He's not a hero.
04:01He's not a hero.
04:03He's not a hero.
04:05He's not a hero.
04:07He's not a hero.
04:09He's a singer.
04:11He's not a hero.
04:13Maas is not a hero.
04:15Maas is a hero.
04:17Maas is a hero.
04:19He's not a hero.
04:21Iain.
04:23Singam 1, Singam 2, Singam 3.
04:25Kaka kaka.
04:27Iain.
04:29Iain.
04:31Iain.
04:33Iain.
04:35Iain.
04:37Iain.
04:39Maas.
04:41Iain.
04:43Iain.
04:45Iain.
04:51Okay.
04:52Ready?
04:53You need to go over and to go.
04:55Iain.
04:56Iain.
04:57Do you need a doctor?
04:58You need to go over the house?
05:00Okay.
05:01Okay.
05:02Okay.
05:03Now look.
05:04A team who will come again?
05:05He's a hero.
05:06A team who is a hero.
05:07A team who?
05:08A team who?
05:09A team who is a hero?
05:11A team who is a hero.
05:13Meese.
05:17Do you want to tell me?
05:18It's a lot of people.
05:20I want to give you a piece of paper.
05:26Hey!
05:27Hey!
05:28Meese.
05:29Meese.
05:31It's a lot of people.
05:33Police.
05:34Singamah?
05:36Who is here?
05:39It's Prithamagan.
05:44I think now...
05:45You said the first thing is correct.
05:46Yes, the first thing is correct.
05:47I'm coming to the hero.
05:49I said the hero,
05:50I'm doing this.
05:51You're doing this.
05:52I'm doing this.
05:54What's the brain in your stomach?
05:56It's easy.
06:02I'm not sure.
06:04It's easy.
06:05It's easy.
06:06It's easy.
06:07It's easy.
06:08It's easy.
06:09It's easy.
06:11It's easy.
06:12What's the reason?
06:13It's easy.
06:14Yes, sir.
06:15Sir, I think the hero is not.
06:17Okay.
06:18Is this hero who is?
06:19Rajini sir, Kamal sir,
06:21It's not that good.
06:22It's easy.
06:23It's easy.
06:24A rare name.
06:25Or a rare name?
06:26It's easy.
06:27It's easy.
06:28Yeah, it's easy.
06:29It's easy.
06:34You know someone?
06:35Ahead?
06:36You set the character in the same way.
06:41Is this a Shiaji?
06:43Sir, this is a Shiaji.
06:45Sir.
06:47This is a Shiaji.
06:48This is a Shiaji.
06:49So, the Shiaji is a Shiaji.
06:51The Shiaji is a Shiaji.
06:53He is a Shiaji.
06:55She is a Shiaji.
06:57VILLAN!
06:59This is a Shiaji.
07:01He is a Shiaji.
07:05Who are you talking about?
07:08Tell them, tell them, come on, come on.
07:11It's not a problem.
07:11Last hour director.
07:13He's gone.
07:14He's not doing anything.
07:16Let's go.
07:17Let's try it.
07:23Sir, let's talk about it.
07:25We'll talk about it too.
07:27Let's talk about it.
07:27Let's talk about it.
07:29Who are you, sir? Rajani, Kamal, Vijay, Ajit, sir?
07:33We'll talk about it too, sir.
07:35What's the show?
07:36Dhanush, Jee, Ajit, Ajit, Kalayarasan, Manikandan, Karayarasan, Prudhi Pranganathan,
07:50Murnadi, Adharwa.
07:52Sir, you're talking about it.
07:54Okay, you're talking about it.
07:56Adharwa.
07:57You're talking about it.
07:59Why are you talking about it?
08:02Sir, you're talking about it.
08:03Sir, you're talking about it.
08:04You're talking about it.
08:05Police?
08:06No, you're talking about it.
08:07Come here.
08:08Don't you talk about it?
08:09Come here.
08:10Come here.
08:11Come here.
08:12You can talk about it, then you're talking about it.
08:14There's a second.
08:15Middle.
08:16Then you go to it.
08:18If you look at it.
08:19If you look at it, then it doesn't look at it.
08:22It's okay.
08:24DNA?
08:25100.
08:26You have 100 people.
08:28You have 100 people.
08:30I'm going to say that line.
08:32I want to say that line.
08:34I said I'll say I'll burn.
08:36I just want to say that.
08:38I'm going to say that.
08:40I'm going to say that line.
08:42I'm going to say that.
08:44That's Rom-Com.
08:46Serious.
08:48It's a paradise.
08:50Oh paradise.
08:52I'll cut you off.
08:54I'll cut you off.
08:56I'll cut you off.
08:58I'll cut you off.
09:00There's an explosion.
09:02There's another game.
09:04There's a problem.
09:06Surrender.
09:08There's a trailer for police investigation.
09:10There's a trailer.
09:12There's a promise.
09:14The trailer is 21st.
09:16How did you think about the main leader of Darshan?
09:20That's how it happened since I started.
09:22Honestly, I was a man.
09:24He was the one man.
09:26He was a man.
09:28He's a man.
09:30He reached the director.
09:32When someone did the Darshan,
09:34he was the one man.
09:36There was a set of people here.
09:38He reached the same man.
09:40He reached the same man.
09:42He reached the same man.
09:44So Darshan is the man.
09:46Once Darshan was the one man.
09:48I was like, we can't talk about that.
09:52We can talk about the details.
09:55We can talk about the details.
09:59We can talk about the physical change of the person.
10:05We can talk about the support.
10:07We can talk about the emotional body.
10:12We can talk about the police features.
10:15Rather than that emotional, I would train up to a police academy and work in a police academy.
10:25Okay, okay.
10:26That's three weeks.
10:28That's a good thing.
10:29That's a good thing.
10:30If you have a training, you can educate yourself.
10:34If you have dinner, you'll be aggressive.
10:37You'll be regular.
10:38You'll be full-formular.
10:41That's a season.
10:43You'll be full-formular.
10:45What's your temperament?
10:47You'll be full-formular.
10:49Three weeks, you'll be in the morning.
10:51You'll be full-formular.
10:53You'll be full-formular.
10:55Once you get ready, you'll be full-formular.
10:58You'll be full-formular.
11:00You'll be full-formular.
11:02That's a good thing.
11:04Once you get photoshoot,
11:08we find out that character's name is Pugall.
11:11Pugallandhi.
11:13Pugallandhi.
11:14I'm a doubt.
11:15I'm a shakli bag.
11:17I'm a shakli bag.
11:18I'm a doubt.
11:19You're a police character.
11:21You're a rough person.
11:23This is the process.
11:24So, the third thing is Pugallandhi.
11:26I'm a shakli bag.
11:28Whatever we write in the mood,
11:31we can write in the character.
11:33Again, that's what happened.
11:36We traveled along with Pugallandhi.
11:39Okay.
11:40But Darshan, there's a lot of confidence.
11:41We can get this character off.
11:42We can get this character off.
11:43We can get this character off.
11:44We can get this character off.
11:45We can get this character off.
11:46But I'm the one that told you.
11:48Because when you're the director.
11:49You're the director and you're the director.
11:51You're the director.
11:53Then tell you some work-shops.
11:54Then tell you some work-shops.
11:56You can learn.
11:57So, it's a police character.
11:59I told you first day.
12:01You can do it.
12:02So, he's got a work-shops.
12:04He's got a good one-month workshop.
12:06And how he's coming back.
12:07That's why I'm the Fanando,
12:09Vigilance Inspector.
12:10I was able to do three weeks training.
12:12So, after that process, I was able to test a look and have a good job.
12:17I was able to justify it and I was confident.
12:20So, that's all.
12:21Okay.
12:22So, we're going to see you all soon.
12:24We're busy in the series.
12:27So, how did you get a vibe?
12:30How did you get a vibe?
12:32No, sir, I was coming to the casting.
12:36I was going to explain the character.
12:39He explained it to me, frankly, how do you feel about this character?
12:57He said, okay, fine, sir. I'm going to get an audition. I'm going to get an audition.
13:04I'm going to get an audition. I'm going to get an audition.
13:09I'm going to get an audition.
13:13Do you have any training for that character?
13:16No, she's a mellow character.
13:19In general, she's a typical character.
13:22She's a normal girl. She's a college character.
13:26She's a character.
13:29She's a character.
13:30That's not the same character.
13:34Maybe Sir is a next movie.
13:37I'm going to get an audition.
13:40We're going to get an audition.
13:42We're going to get an audition.
13:44Okay.
13:45You're going to get a audition.
13:46You're going to hire every maid and country.
13:47You're going to get a tip.
13:48I'm going to get a tip.
13:49I'm going to get a tip.
13:50I'm going to get an audition.
13:52You're going to get a tip.
13:53I'm going to go to this film.
13:54You're going to get a job again.
13:56Yeah.
13:57In general, oil, shampoo, and conditioning.
14:02Make sure that you can put your sunscreen into the room.
14:05That's what you asked.
14:06If you said that, you need to see the room.
14:07I don't use comb.
14:08I don't use comb.
14:09I don't use comb.
14:11It's a lot of fun.
14:13You just need to use a lot of clean.
14:15I use a lot of hair baths that are cheap.
14:19I use a lot of detangling.
14:21I use a lot of detangling brush to get rid of my hair.
14:27I use a lot of hair baths that are cheap.
14:34Do you have any questions about hair or minus?
14:37No, no. Plus, no.
14:39Obviously, I have a suggestion shot.
14:43At least, we know the side frame.
14:46Why do I know?
14:47If you don't know how to talk about hair,
14:49you'll know how to talk about hair.
14:52I don't know how to talk about hair.
14:54No, I don't know.
14:56Not for me.
14:58I don't know how to talk about hair.
15:04But it's okay.
15:05Okay, that's okay.
15:07Sir, you've got to tell me about hair.
15:11No, I don't know how to talk about hair.
15:13So, did you tell the story about hair?
15:15No, I don't know how to talk about hair.
15:19And then, Muneesh Khan is a comedy track.
15:22It's actually a series.
15:25It's a breathing space.
15:27Muneesh Khan approach.
15:29He told me that he's interested in hair.
15:31Sujish Khan is a comedy track.
15:34So, I'm impressed.
15:37So, I'm going to use it.
15:39I'm going to tell you two names.
15:40I'm coming to Tamil.
15:44So, we've got to talk about hair.
15:46We are trying to talk about hair.
15:48But finally, we went to production.
15:50Karthi Sir.
15:51That was the time line.
15:53So, we did talk about hair.
15:55So, after that, we could talk about hair.
15:59Sujish Khan.
16:00Okay.
16:01So, they were again.
16:02Tamil Sir, I'm going to ask you to do that?
16:04No.
16:04No, I don't know.
16:05Sujish Khan is a piece of hair.
16:07So, we talked about budget and protection.
16:09We talked about that, we talked about Tamil.
16:12Again, we talked about the situation.
16:14We talked about the situation with Adamanta.
16:18In this situation, they're really versatile.
16:23They're very dynamic characters.
16:27Overall, they're very powerful.
16:31They've made a lot of different things.
16:34But if you have a script, you have a mind of a hero, but you have a budget person.
16:39Do you know who you are going to tell us?
16:42No, this is a cop story. I told you about it.
16:48But at that time, we will have a budget.
16:54But again, they will be able to reach the stars.
16:57So, I can't reach it.
16:58So, after the second stage, it's okay.
17:01Okay. Darshan, you've got an early side gap.
17:06Do you select a lot of scripts?
17:09I don't think it's a lot of scripts.
17:14But in other words, it's a serious type.
17:18If you start a lot, it's like a village type.
17:20So, that's what I avoid.
17:22At that time, I surrender.
17:25So, this is a new dimension in my profile.
17:30Okay.
17:31So, if you're involved in an actor, you're involved in taking one of them?
17:36No, that's it.
17:37I'm a director.
17:39I'm a director, sir, satisfied.
17:42So, if you take it, I'll see the director, sir, okay, okay.
17:46No, sir, I can't do anything.
17:48If you don't know anything, sir, I can't do anything.
17:51So, my name is a name.
17:53So, if you're a director,
17:55obviously, the audience will be satisfied.
17:57Okay.
17:58Do you have any language issues in the beginning?
18:00No, that's it.
18:01First, Google said, it's a dubbing time.
18:03I think it's about 7-8 days in dubbing.
18:07So, it's not a day.
18:08It's not a day.
18:09It's one day, one and a half days.
18:12So, it's not an issue.
18:13So, if you're talking a lot of emotions,
18:15you're talking a lot about slang, sir, what's the question?
18:17And then, you're talking about that, and then you're talking about it.
18:20Actually, you're talking about the path.
18:22That's it.
18:23Actually, it's a script for five days.
18:27So, there's a connection between the two of them.
18:30The two of them are at a point.
18:32I'm telling you, you're talking about it.
18:34You're talking about it.
18:35You're talking about it.
18:36You're talking about it.
18:37You're talking about it.
18:38You're talking about it.
18:39But finally, you're talking about it.
18:41You're talking about it.
18:42It's a aesthetic feeling.
18:44Mostly night shoot?
18:46Yeah, night shoot is major.
18:48Major.
18:49Okay.
18:50The cop story is dark world.
18:52So, that's why it's correct.
18:54Okay.
18:55Recently, I've seen a few more details.
18:57You've seen a thriller subject.
18:59Night shoot is a major.
19:00It's a major major.
19:01No, it's a major night.
19:02It's a major major.
19:03It's a major major.
19:04It's a major major.
19:05It's a major major.
19:06It's a major major.
19:07Night world is a major major.
19:08But it's all night.
19:09Day and night.
19:10Mostly 60% of the other side.
19:14No, it's a major major.
19:16One track is a police track.
19:18One track is a gangster track.
19:20So, the other world is dark.
19:23So, that's why it's all night sequence.
19:28Okay.
19:29Pardon, who's your screen space?
19:32Who's your screen space?
19:34Screen space.
19:35Screen space?
19:36I'm thinking of Sujit.
19:39No.
19:40No.
19:41No.
19:42What you're saying is that,
19:44Oversea is also a fan.
19:46Oh, okay.
19:47Like, you're not seeing any of us.
19:48It's like, that's not enough.
19:49They're also a fan.
19:50They're also a fan.
19:51They're also a fan.
19:52They're also a fan.
19:53They're also a fan.
19:54And then,
19:55there's another fan.
19:56I think you can see the Lals.
19:59But I'm telling you,
20:02there's a place in a scene where there's a place.
20:06They don't have any screen space.
20:09So they can see that they can see two scenes.
20:11Actually, they are in the story.
20:14In 5 days, they have a climax sequence.
20:18They are in the three tracks.
20:21You know, there's a lot of confusion in your career.
20:26Even if you're ready, there's a lot of track.
20:29But that's a small connection.
20:32Did you talk about LALs?
20:34Did you learn anything about LALs?
20:36No, there's no space for you.
20:40Do you want to play LALs?
20:41No, I'm going to play LALs.
20:43I'm going to play LALs.
20:44I'm going to play LALs.
20:45I'm going to play LALs in the team.
20:48Okay.
20:49Last time, I had a wish for Mr. Sir.
20:54I came to see the actors like Sunda Kohli.
20:58First time, he was sitting in the set.
21:01He was silent.
21:02He was sitting there.
21:03He was sitting there.
21:04He was sitting there.
21:05He was sitting there.
21:07He was sitting there.
21:09He was very down to it.
21:11He was going to improvise on the spot.
21:14That's why I saw him.
21:16So, that's how he did it.
21:18He was sitting there.
21:19So, he was sitting there.
21:20He was sitting there.
21:21He was sitting there.
21:22So, you are going to be a friend.
21:23I'm very lucky.
21:25So, he was very friendly.
21:26I'm very lucky.
21:27Sir, we had a pressure.
21:28One of the people who came to him,
21:30if they came to him,
21:31there's no doubt that they came to him.
21:33I think it's hard to handle it.
21:35It's hard to handle it.
21:36It's hard to handle it.
21:37You said that there are many hesitations,
21:39but it's hard to handle it.
21:41In the first few days and second day,
21:43more or less,
21:45we can talk about anything.
21:47Unless otherwise,
21:49we can change it.
21:51We can talk about the script.
21:53We can do the script
21:55and improvise.
21:57We can do it.
21:59We can do it.
22:01It's a choice.
22:03But the script is a very direct.
22:07Once you have the script,
22:09it's a very comfortable.
22:11It's a place to handle it.
22:13But we can do it with the script.
22:15We can do it.
22:17You can talk about it.
22:19We haven't talked about it yet.
22:21We have talked about it.
22:23I don't know what you're doing here.
22:25I'm going to play the show.
22:27I'm going to play the show.
22:29That's it.
22:30Hey.
22:31Hey.
22:32Okay.
22:33I'll tell you about a part in the future.
22:37I'll tell you about a part in the future.
22:38That's what I want to talk about.
22:40Are you going to be a part in the future?
22:41I'm going to be a part in the future of my future.
22:46I'm going to be able to do this.
22:48It's an unbe.
22:51And I'm going to be a part in the future.
22:54They're like unbe.
22:55I'm going to be an unbe.
22:57Okay.
22:58No problem. You can ask the question.
23:00Papa, I'm going to make a dance with you.
23:07This is the first part of Rajanisar.
23:09It's the first part in Chandramayi.
23:13Do you want to ask the Dharma?
23:15No.
23:16Rajanisar.
23:17It's all right.
23:18It's all right.
23:19It's all right.
23:20It's all right.
23:21It's all right.
23:22It's all right.
23:23That's all right.
23:31I don't know.
23:33No, and Marcel.
23:34Marcel is the intro.
23:35Did you tell it about us ?
23:36It's not a cherry, no, I'm going to make no one.
23:39It's not a cherry.
23:40It's not a cherry, it's not a cherry, it's not a cherry.
23:42No, it's a cherry, it's a cherry.
23:44It's a cherry, it's a cherry, yeah.
23:46It's not a cherry.
23:47It's not a cherry, no.
23:49No, we're gonna tell a cherry.
23:51That's the first line.
23:53This is the first line.
23:55Let's go.
23:56Let's go.
23:57Okay.
23:58The third one.
24:00Sandika Malaru and Kandika Moli.
24:03You can't say Chita.
24:05No, don't you?
24:07That's the first line.
24:09That's the first line.
24:11That's the first line.
24:13That's the first line.
24:15That's the first line.
24:17That's the first line.
24:19That's the first line.
24:21There's the first line.
24:23You can't say the first line.
24:27Okay.
24:28You can go and buy a bag of Panya.
24:30Okay.
24:31That's the second line.
24:33Okay.
24:34What's the second line?
24:35This one, I don't understand exactly.
24:37It's not the middle line.
24:39It's not the middle line.
24:40Yeah.
24:42No.
24:43It's not the middle line.
24:45Ok.
24:51Come in.
24:53Come in.
24:54Come.
24:55Come in.
24:56This is one of you.
24:57You must have understood that.
24:58This is right.
24:59Everybody.
25:00You want to talk about yourself?
25:02Here.
25:03Dad, tell you a little bit.
25:03See?
25:04I told you.
25:06I'm going to talk a little bit.
25:08We'll do it now, right?
25:10But the point is,
25:12the skin is a huge difference.
25:14I can't imagine.
25:16You can't hear it from the eye.
25:18That's the same thing.
25:20So far.
25:22It's like a whole bunch of things.
25:24Nice.
25:26I'm not getting 24 pixels, I'm not getting 120.
25:30Are you a director?
25:32He's just doing a direct.
25:34You've got to go with the show.
25:36I am going to go with that.
25:38I'm going to talk about this.
25:40Actually, there is a lot of police investigation.
25:46I'm going to talk about the incident in Tamil Nadu.
25:50I'm going to talk about the lockup death and glorify it.
25:55I'm going to talk about the issue.
25:58Glorify it is not.
26:02The people who are going to talk about treatment will be able to talk about treatment.
26:15It's not glorify it is not.
26:20But I'm going to talk about the choice.
26:25I'm going to talk about the volume and the volume of the time.
26:32That's the methodology, but we are glorifying it.
26:37Now, we are interested in this situation.
26:40Do you see any of these things?
26:41Yes, we are going to die.
26:42Honestly, we are going to die.
26:46If you look at the police in foreign countries,
26:48there are neighbors who are talking about the police.
26:50They are not in the structure of the police.
26:53If you get a license, we are going to see some disturbing things.
27:02But in foreign countries, there is a lot of human value.
27:05But maybe in a few years later,
27:07one day, we will be here.
27:10We will be here.
27:12We will be here.
27:15We will be here.
27:17Okay.
27:17I know, you have to have a glorify the people who have been here.
27:22You have to have a lot of people who have been here.
27:23No, I don't have a lot of people.
27:25We have to have a gentle perception.
27:29There are no other people who are there.
27:31If you are a good person, you are helping.
27:34I mean, I can talk about script and r&d, but I can discuss it.
27:40I mean, it's great.
27:41If you have a good job, you can have a good job.
27:48If you get one of them, you can come and get a good job.
27:53It's a good job. Mostly, it's not all.
27:56Policies, they don't have a lot of work pressure.
28:00They don't have to spend a weekdays on a weekdays.
28:03That's why they don't have any leisure.
28:06So, normally, if we go to our country, it's driven.
28:10Okay, okay.
28:11That's the environment.
28:14Now, the government also has to be alerted.
28:18That's why we have to be loosened.
28:21But that's why we have to work.
28:22But that's why they glorify us.
28:26That's why we have to be alerted.
28:27Super.
28:28Because the police have to be alerted.
28:30So, the police have to be alerted.
28:32And the police have to be alerted.
28:34Other than the police script, it's emotional movie.
28:40Thriller plus emotional?
28:41Emotional.
28:42Crime, thriller and emotional.
28:44We all have connected to our country.
28:46If you're in the police, the police family and the police family have to be alerted.
28:51You have to be alerted.
28:53You have to be alerted.
28:55You have to be alerted.
28:56Super.
28:57What are the plans that you need to be alerted?
28:59It's almost done with the non-stop music.
29:01It's almost done with the IAF music.
29:03It's almost done with the release.
29:05So, we are waiting for a release.
29:06So, we are going to do it.
29:07That's why we are going to be alerted.
29:09I'm going to be alerted.
29:24So, we are going to start with our next release.
29:27Hopefully, it will be released in the next month.
29:31And we have done albums and songs.
29:33Movies are coming to the next upcoming page.
29:36We will sign it.
29:38Because now, we are going to try it out.
29:40You are busy.
29:41No, I don't know.
29:43I don't know if I'm busy.
29:45I don't know if I'm busy.
29:47We are doing it.
29:48We are available now and free.
29:51We will sign it for the next projects and movies.
29:55Super.
29:55We will sign it for the next projects.
29:59We will sign it for the next projects.
30:02Thank you so much.