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  • 7/6/2025
FULL HOT MILF MOVIE

Models working for a nude magazine are being killed gruesomely. The murderer stages and photographs the victims' corpses, submitting the images for publication.

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Transcript
00:00:00This is a production of the U.S. Department of Education.
00:01:47Kim, put your head back slowly.
00:01:50More.
00:01:51That's it.
00:01:53Now move it forward again.
00:01:58Okay.
00:01:59That's good.
00:02:00Look to your left, Kim.
00:02:01And keep laughing, all of you.
00:02:04Remember, you want to be possessed, Kim.
00:02:07Good.
00:02:08That's it.
00:02:10That's it.
00:02:11Keep laughing.
00:02:12Good.
00:02:12Sexier.
00:02:13Make it sexier.
00:02:14Just a few more, then we can stop.
00:02:23Keep it up.
00:02:24Your water nymphs.
00:02:24Have fun.
00:02:25You're drunk with desire.
00:02:26Touch your lap.
00:02:27Move around more.
00:02:27Offer yourself, Kim.
00:02:28You love it.
00:02:30You too, Christine.
00:02:31That's it.
00:02:31Good.
00:02:33More abandoned.
00:02:34Let yourself go.
00:02:36Surrender to pleasure.
00:02:37Now, Kelly, take her around.
00:02:39You think it was a bright idea?
00:02:40Were you shooting that story with Kim?
00:02:42Yeah, I think so.
00:02:44Even if it's not the same thing.
00:02:46Oh, Tommy knows his work.
00:02:48And Kim's beautiful.
00:02:50But you were something else.
00:02:52I'm getting cold in here.
00:02:53Don't show it.
00:02:54You're supposed to be hot.
00:02:55I can't believe it's been three years.
00:02:57It's more like a lifetime.
00:02:59Where's the makeup artist?
00:03:01Okay, come on out, girls.
00:03:05Evelyn!
00:03:08Evelyn!
00:03:10Where's the makeup girl?
00:03:12I don't know.
00:03:12I guess she's inside.
00:03:14What do you mean she's inside?
00:03:16Here I am.
00:03:16Oh, finally.
00:03:17I'm not paying her to sit on her ass.
00:03:19Look, the girl's makeup is running.
00:03:21Do you mind getting to work?
00:03:23How come your brother always gets a man?
00:03:24Come on, let's go.
00:03:25Look, we're losing the light.
00:03:28Here, Kim, let me help you.
00:03:30Gloria.
00:03:31Oh, hello, Mark.
00:03:32I'm watching you.
00:03:33You are?
00:03:34Yes, and I'm going crazy.
00:03:37If I told you I was playing with it,
00:03:40would you come over and help me?
00:03:42No, don't be angry.
00:03:44It's not true.
00:03:45Don't hang up.
00:03:46I just have to tell you how beautiful you are today.
00:03:48More than usual.
00:03:50Are you wearing your panties now?
00:03:54No, don't be dangerous.
00:03:54Don't hang me down your skirt.
00:03:56You don't know how much pleasure I get just watching you.
00:03:59Do you want to let me see you in the nude?
00:04:02I'd be forever grateful.
00:04:05Listen, Mark.
00:04:06You've been watching a show right under your window that isn't so bad.
00:04:10Be happy with that, huh?
00:04:11You're not like those others, Gloria.
00:04:14You could put out my fire, all right.
00:04:18You're a sex goddess.
00:04:19You make my member throb with desire.
00:04:21Who wants to penetrate your flower and explode?
00:04:23This is getting boring, Mark.
00:04:25And you're not very funny.
00:04:31Outline her upper lip a little more.
00:04:33Here.
00:04:33Do you have much more to shoot?
00:04:35Oh, a couple of hours.
00:04:37I'd say less.
00:04:40The light's going.
00:04:42Come on.
00:04:43Then I'll go inside and help Evelyn.
00:04:45You're all staying for dinner, I hope.
00:04:47Oh, quel dommage.
00:04:48Kelly and I have to catch a plane tonight.
00:04:50We have a fashion show in Paris tomorrow morning.
00:04:53Sorry, Gloria.
00:04:55Thanks, anyway.
00:04:56C'est un bon voyage.
00:04:58Au revoir.
00:05:03Okay, Kim, let's start over here.
00:05:05Tony, we're ready.
00:05:07Tony.
00:05:08Tony.
00:05:13This guy had just finished making love with a girl.
00:05:18I'm sorry, he said.
00:05:21If I'd known you were a virgin,
00:05:23I'd have taken more time.
00:05:24But, honey, she says,
00:05:27if I'd known you had more time,
00:05:29I would have taken my panties off.
00:05:33You're right, Roberto.
00:05:37Evelyn, as usual, the dinner was just perfect.
00:05:43What would Gloria do without you?
00:05:47You're the best at everything.
00:05:50Now, now, don't be unpleasant.
00:05:51He doesn't have to work at it.
00:05:53It's a natural gift.
00:05:57Speaking of natural gifts,
00:05:59I found a gift for you.
00:06:01To my darling, Gloria.
00:06:14They're sweet.
00:06:16Well, after that little coup de théâtre,
00:06:18I think I shall be going.
00:06:20Good night.
00:06:22Good night.
00:06:22I'm coming with you.
00:06:25The night is still young.
00:06:26Good night, Roberto.
00:06:34Don't be late, Tony.
00:06:35Tomorrow we'll have to choose the pictures.
00:06:37Okay, boss.
00:06:41Do you need a ride, Kim?
00:06:42No, thank you.
00:06:43I'll stay a while longer.
00:06:44I came with my own car.
00:06:45Hmm.
00:06:46Okay.
00:06:48Aren't you scared to go home on your own?
00:06:51You never know who you might run into.
00:06:54Just as long as he's cute.
00:06:56Listen, honey.
00:06:57There are times when you and I have the same needs.
00:06:59I'm going to bed now.
00:07:05I want to be at work early tomorrow.
00:07:11The next issue has got to be especially good,
00:07:14seeing as you're back with us.
00:07:15I'm sure it will.
00:07:17Good night.
00:07:20See you soon, Kim.
00:07:21Night.
00:07:26Has it been long since you took an interest in the magazine?
00:07:29It's over a year now,
00:07:31since the day of the accident.
00:07:33It's over a year now, since the day of the accident.
00:07:59Do you like talking about it?
00:08:15Why not?
00:08:17You know, the day you married Carlo,
00:08:19a lot of people thought you were only doing it for his money.
00:08:21Well, don't you believe it?
00:08:23I married because I was in love.
00:08:25No other reason.
00:08:30And never once did he ask me to stop posing in the mood.
00:08:33Instead, he gave me the chance to start a magazine of my own.
00:08:36I was the one who decided to stop modeling
00:08:38and put all that behind me
00:08:39because I wanted to be with him
00:08:41and have his children.
00:08:43I was afraid I wouldn't have time for work.
00:08:45Besides, there was Evelyn,
00:08:46always so efficient and ready to help.
00:08:49But maybe Carlo and I were too happy,
00:08:51and fate decided to teach us a lesson.
00:08:53I'll never forget that day he was killed,
00:08:55and a wind came up and his people turned over.
00:08:58He was like a child who was in love with a toy,
00:09:01determined to reach a record of 200 kilometers an hour.
00:09:05Well, he left me well off.
00:09:06The magazine, everything.
00:09:09And the memories of all we shared in this house.
00:09:12Now I have to start to live for myself again,
00:09:15as well as for Carlo.
00:09:16You're right, Gloria.
00:09:17I'm afraid I'd board you.
00:09:28Oh, no, on the contrary.
00:09:31If I didn't have to get up early,
00:09:32I'd stay here all night.
00:09:40You don't have to come with me.
00:09:41I know the way.
00:09:43Ah, it stopped raining.
00:09:45I'll call you tomorrow.
00:09:45Bye.
00:09:47Bye.
00:10:17Bye.
00:10:18Bye.
00:10:19Bye.
00:10:47Oh, my God.
00:11:17Oh, my God.
00:11:47Oh, my God.
00:12:17Hello?
00:12:18Your blonde model has just been murdered.
00:12:21Her body's floating in your swimming pool.
00:12:23Do you hear me?
00:12:25You're not very funny, Mark.
00:12:28I'd much rather hear your vulgarity than this stupid excuse to phone me.
00:12:32She was killed with a bitch form.
00:12:35Believe me, Gloria, it wasn't a pretty sight to watch.
00:12:38Didn't you hear anything?
00:12:39No.
00:12:42If you wanted to frighten me, you have.
00:12:45Now let me get some sleep, please.
00:12:48Too bad you turned the pool lights on.
00:12:50I might have been able to see the murderer's face.
00:12:53It might have been a woman.
00:12:54She had long, blonde hair.
00:12:55Are you listening?
00:12:56Yes.
00:12:57Do you want me to call the police?
00:12:59You're not putting me on, Mark.
00:13:01Oh, no way.
00:13:03Well, shall I call the police or will you?
00:13:04No, wait.
00:13:05Let me go and look first.
00:13:06Listen, Gloria, you better not.
00:13:08You won't like what you see there.
00:13:09Only a wild, crazed animal could kill someone like that.
00:13:13You'd better stay in the house.
00:13:14Evelyn?
00:13:39Evelyn?
00:13:41Evelyn?
00:13:44Oh, I'm sorry.
00:14:12I didn't mean to scare you.
00:14:14I just went into the kitchen to get a drink.
00:14:17Mark just told me.
00:14:19He said that he saw Kim murdered in the poultry's mouth.
00:14:22And you believe him?
00:14:23That boy's sick.
00:14:24He's sick in the head.
00:14:26Don't pay any attention to him.
00:14:27Go back to bed and forget it.
00:14:30Nothing has happened, I'm sure.
00:14:31Come on.
00:14:32I'll bet on it.
00:14:34Good night, Gloria.
00:14:36Good night.
00:14:37Good night.
00:14:37Good night.
00:14:42Good night.
00:16:37Okay, let's go with these three.
00:16:41Yeah.
00:16:41Just a moment, I'll connect you.
00:16:43Oh, before I forget, Evelyn, Kim left her lighter last night at my house.
00:16:49Will you give it to her?
00:16:50Mm-hmm.
00:16:51She'll be happy to know she didn't lose it.
00:16:52Why don't you go into the other office to choose the pictures?
00:16:58Because it's yours.
00:16:59Hmm.
00:17:00Well, in there I feel like a fish out of water.
00:17:02Well, then put on your scuba gear.
00:17:05There's a shark waiting for you.
00:17:07Laura.
00:17:08I couldn't get her out.
00:17:09She knew you'd come in sooner or later.
00:17:11And so she waited.
00:17:13She's waited in there for a year?
00:17:15Not quite, but over an hour for sure.
00:17:17Come on, find an excuse.
00:17:21She'll just come back another time.
00:17:23Ah, and I was feeling so good.
00:17:25Tear her to pieces, Gloria.
00:17:27Otherwise, she'll tear you to pieces.
00:17:29Ah, welcome back, Gloria.
00:17:41And to what do I owe this pleasure?
00:17:48Are you here for the usual reason?
00:17:50I say suffering has enhanced your beauty, my dear.
00:17:53But not my willingness to deal with you.
00:17:56But why don't you want to sell me your magazine?
00:17:58I know there are better things you'd like.
00:18:01For example?
00:18:03Hmm, to live.
00:18:05You might travel.
00:18:06You have plenty of money.
00:18:09Ah, my dear, when I think of how you were
00:18:11when I saw you for the first time,
00:18:14you were so provincial
00:18:15and ready to do anything for money.
00:18:18I had to support Tony and myself then.
00:18:21And as you can see, I did it.
00:18:24It's funny, now you're the one who needs me.
00:18:26Don't you ever think of thanking those
00:18:28who lent you a hand in the past?
00:18:31And who should I thank?
00:18:33Me, for example.
00:18:35You never helped anyone for nothing, Flora.
00:18:37Don't give me that.
00:18:38You're too selfish.
00:18:40But I was the one who got you started in modeling
00:18:42or you'd have turned into a chief prostitute.
00:18:44You and your brother Tony didn't know
00:18:46where your next view was coming from in those days.
00:18:48Why, if it hadn't been for me,
00:18:49you'd be walking the street.
00:18:51If you hadn't had the good fortune, darling,
00:18:53to have known me.
00:18:55Walking the street?
00:18:56No.
00:18:57A prostitute, maybe.
00:18:59When there's nothing else,
00:19:00even prostitution's a way of keeping alive.
00:19:02How much do you want?
00:19:03And this is funny, you know.
00:19:05Here I am the victor.
00:19:07When you fought off all those men...
00:19:09Oh, my men.
00:19:10They never meant anything more than a Kleenex.
00:19:13Something you use and throw away.
00:19:15Girls are precious, though.
00:19:18You know how to hit someone where it hurts most.
00:19:21I do.
00:19:22And you?
00:19:23When I said I wouldn't work for you any longer,
00:19:25you did everything to ruin me.
00:19:28You even did your best to turn my husband against me
00:19:31with your vile lies.
00:19:33Well, I'm not selling out, Flora.
00:19:35You better forget it.
00:19:36Now go.
00:19:37Okay, when you're poor again
00:19:39and you're too fat to make out with men,
00:19:41call me.
00:19:42You still have some capital.
00:19:44You know, those pictures you once posed for.
00:19:47I'd always be willing to buy them back again.
00:19:50I'm sure that you'd realize a good profit.
00:19:53Oh, naturally, my dear.
00:19:55I couldn't offer the same price.
00:19:57Those photographs still have some value.
00:20:00But, uh...
00:20:02Mostly as souvenirs.
00:20:04There was another souvenir that you wanted from me
00:20:06and never got.
00:20:08And that you begged for.
00:20:10Be careful, Gloria.
00:20:11Don't make me change my feeling for you to hate.
00:20:14I warn you, the hate of a woman can be very bad.
00:20:20And that you're not, Peter.
00:22:38Oh, my God.
00:22:40Oh, my God.
00:23:09Inspector, take a look at this pitchfork. I found it in the gardener's tool shed.
00:23:13It looks like it's never been used before.
00:23:21Yeah.
00:23:23Strange.
00:23:23I've got a sample of the pool water. Take it to the lab for analysis.
00:23:30I don't think they'll find anything new. Just playing it safe.
00:23:36With the lab too?
00:23:37Yeah.
00:23:38Any sign of burglary?
00:23:40No, nothing.
00:23:49Did you see him?
00:23:51He looks like anything but a cop.
00:23:53Because you watch television too much.
00:23:57They always make us out to be different than we are.
00:24:05I'm sorry.
00:24:06Forget it.
00:24:07I'm used to it by now.
00:24:08Since I joined the force, my hardest job is to get people to trust me.
00:24:11They usually take me for a hood.
00:24:13Please sit down, Inspector.
00:24:14I questioned that kid, Mark.
00:24:19He didn't try to hold back.
00:24:21He told me exactly what he witnessed here last night.
00:24:24It appears absolutely certain he saw a murder.
00:24:26He's the only witness we have, but I don't think he'll be very useful.
00:24:32All we know is the murderer was blonde.
00:24:34But there are lots of blondes, both men and women, and wigs besides.
00:24:38But why send that photograph?
00:24:40And pose Kim's body in front of a poster of me?
00:24:43And why was she killed?
00:24:44Right here, at my house.
00:24:47If we had the answers to all your questions, the case would be solved now.
00:24:50But by sending that photograph of her here, it looks like it points to me.
00:24:54Why?
00:24:54I don't know.
00:24:56And that's not the only thing that's baffling.
00:25:03It's either a warning or an attempt to implicate you.
00:25:06We'll investigate the background of that model and find out who her friends were.
00:25:09Inspector Corsi.
00:25:09Excuse me.
00:25:10Can I send the men back now?
00:25:12Well, yes.
00:25:27Okay.
00:25:28Okay.
00:25:29Good.
00:25:29Is that right?
00:25:30I don't know.
00:25:30No.
00:25:31I don't know.
00:25:31I don't know.
00:25:32I don't know.
00:25:32You know, I don't know.
00:25:33your breakfast is served
00:25:47you know you shouldn't spy on your neighbors
00:25:54it's not very nice
00:25:56have you finished
00:25:57I'll do as I like
00:26:03your father called from London last night
00:26:16but you wouldn't answer
00:26:17he said you'd call back today
00:26:18well tell him I'm out
00:26:20what about your mother
00:26:22she's still on vacation
00:26:26enjoying herself
00:26:27anyway I don't give a good damn about either of them
00:26:33oh thanks
00:26:45holy god
00:27:00the beautiful model's corpse was found this morning in a garbage bin on Via Calderolo
00:27:05now you are the news vendor who discovered Kim's body whose picture appears on the cover of this magazine
00:27:10tell us in your own words how it happened
00:27:12well I just finished unwrapping new issues of pussycat and was going to put the plastic in the trash bin when
00:27:17I saw her poor girl
00:27:19then what did you do
00:27:20I called the police
00:27:22and how did you feel what was your reaction
00:27:24I was shocked
00:27:25sick almost
00:27:26to see her like that
00:27:28eyes staring at me
00:27:29bright blood all over her dress
00:27:30especially after seeing her so pretty and sexy on that cover picture
00:27:33what hello
00:27:34you heard of thank the murderer
00:27:36Mark how can you say that
00:27:38the one who killed her did you a favor
00:27:41your magazine's gonna sell like hotcakes now with her picture on the cover
00:27:44a favor
00:27:56hmm
00:27:57only a sick kid like him could come up with an idea like that
00:28:01why do you talk to him
00:28:04it's just that I pity the kid
00:28:07who are you calling Evelyn
00:28:13the printer
00:28:14Ruggiero
00:28:16is that you
00:28:17good
00:28:17I was afraid you'd already left
00:28:19listen
00:28:20I want another press run
00:28:22oh you'd already figured we'd need one
00:28:24good
00:28:25yes that should do it
00:28:26thank you
00:28:27I'll talk to you later
00:28:28my god Evelyn
00:28:30do you think we should be exploiting her murder
00:28:32Gloria you're a publisher
00:28:33you can't afford to pass up this chance
00:28:35no it's a mistake Evelyn
00:28:36Gloria
00:28:37I'm always trying to increase our circulation
00:28:40and now's the perfect chance
00:28:41I want you to call Ruggiero back and cancel it
00:28:43what for
00:28:43by doing that
00:28:46do you think it would bring Kim back
00:28:47you know it wouldn't
00:28:48so why
00:28:49yeah
00:28:50I think Evelyn's right
00:28:52even though the killer didn't mean to do you a favor
00:28:56how many copies are they printing
00:28:59well come on
00:29:04here it is
00:29:05the printer told me how many they ordered a little while ago
00:29:07oh this is awful
00:29:10pour me a martini
00:29:17no
00:29:23forgive me Lily
00:29:24isn't it a little early to be drinking
00:29:30it's not quite 9.30 yet
00:29:32oh well
00:29:33my liver's about to explode anyway
00:29:35the photographer said he should be finished with him by noon
00:29:47and you say that Sabrina says she won't be coming back
00:29:51that's right
00:29:53she signed an exclusive contract with Pussycat
00:29:56at double the salary that we offered her
00:29:59that bitch is getting the best we have
00:30:03sometimes you just hit on the right idea by accident
00:30:14come on I'll show you the studio
00:30:16fine I'm curious
00:30:18here's a set
00:30:29well what do you think of it
00:30:43you like it
00:30:44I think it's fantastic
00:30:46and this is where I see Sabrina
00:30:48lost and alone in a world out of time
00:30:51haunted by surreal nightmares
00:30:53well what do you say
00:30:55it'll cost me a fortune
00:30:56but how can I say no to you
00:30:58I knew you'd like it
00:30:59thank you
00:31:00if you'd brought Evelyn
00:31:04it wouldn't have been so easy
00:31:07that's the reason
00:31:09I only brought you along
00:31:10oh I've got to talk to the set designer
00:31:17do you mind waiting
00:31:18how long will you be
00:31:1915 minutes
00:31:21okay I'll have a look around
00:31:23hey Johnny you shouldn't scare the girls like that
00:31:42yeah I suppose you're right
00:31:44but if she's seen you without your makeup
00:31:46she'd have probably faded
00:31:48when you see the chief of the other tribe
00:31:57you pick up your sword
00:31:58yeah but don't forget the last shot
00:31:59I had the sword went
00:32:00Gloria
00:32:01Alex
00:32:03how are you
00:32:05fine and you
00:32:06okay let me look at you
00:32:08ah you're prettier than ever
00:32:10listen I've got a ten minute break
00:32:13do you want to talk for a while
00:32:14do you mind
00:32:15why not
00:32:15I didn't recognize you dressed like this
00:32:20I know
00:32:23how long has it been
00:32:25over three years
00:32:27yeah
00:32:27and it was my fault
00:32:29I don't want to rake over the past
00:32:31but I want you to know that deep down
00:32:33I knew you were the right girl for me
00:32:34and that if we kept going together
00:32:36it would have ended in marriage
00:32:37and the very thought of marriage really scared me
00:32:41you're born free
00:32:43there's a right time for everything
00:32:47and what frightens you today for example
00:32:50tomorrow might seem a good possibility
00:32:52you mean you're saying you're a changed man
00:32:54you
00:32:55I could
00:32:56ah you'll never change
00:32:58you'll be a villain
00:32:59till the day you die
00:33:01am I really that bad
00:33:03no but it's very disturbing for the girl you're with
00:33:07I guess with Carlo it was different
00:33:10oh I'm sorry I didn't mean to talk about him
00:33:13I don't mind
00:33:14after all if we hadn't broken up
00:33:17I would never have known Carlo
00:33:18I guess I owe you one Alex
00:33:21well hang on I'm about to make you a proposition
00:33:25come on Alex you've got me on pins and needles
00:33:30what's the proposition
00:33:32am I supposed to believe that a leopard can change his spots
00:33:36yeah why not
00:33:38I think that will have been changed into a lamb
00:33:41by a very sexy Bo Peep
00:33:42oh Alex
00:33:43now change your expression to one of pleasure
00:34:11that's it good
00:34:13thanks
00:34:16Tony just called
00:34:17he said the pictures are going to be great
00:34:19I want you to have a look at the proofs for the next issue
00:34:22has Alex called me
00:34:24here
00:34:25no
00:34:25he's been gone more than a week
00:34:27and he hasn't even called the house yet
00:34:29maybe he's having trouble with the phone to Yugoslavia
00:34:31I know the problems Alex has
00:34:33they're either blondes or brumettes
00:34:35didn't you say it changed
00:34:37yes but I don't know how much
00:34:40look
00:34:41on page one
00:34:42a photo of Sabrina
00:34:43on page three
00:34:44answers to Gloria's letters
00:34:45and Wolf says she's almost finished writing them
00:34:48and then
00:34:48of course you call me
00:34:49oh
00:34:51please don't mention his name
00:34:52or he might come back again
00:34:54he spent days in here
00:34:55asking us all kinds of questions
00:34:57come on
00:34:58can we go on
00:35:00Roberto
00:35:03I'm going with Sabrina
00:35:06hmm
00:35:07I could see she's the kind of girl who's not exactly lacking initiative
00:35:12I'll see you later
00:35:15Tony
00:35:20yeah what
00:35:23you're going to take her back to our studio
00:35:26I don't know
00:35:28enjoy yourself
00:35:31it's so hot in here I can't breathe
00:35:40the windows are all open
00:35:42in fact I'm beginning to feel chilly
00:35:45come on darling
00:35:52don't take it so badly
00:35:54you know it happens to a lot of men sometimes
00:35:57yeah
00:35:59you must be an expert
00:36:02you don't have to be insulting just because you're angry
00:36:06better to just laugh it off
00:36:08yeah you're right I should
00:36:11I guess I work too hard
00:36:13hello
00:36:33Spalato
00:36:34Hotel Grazia
00:36:36oh good evening
00:36:37I'd like to speak with
00:36:38Senor Alex Worth
00:36:40he's an actor he's shooting a motion picture there
00:36:44oh there's no one shooting a film there now
00:36:49I'm sorry
00:36:51thank you
00:36:52goodbye
00:36:52let me know if you need me to pose or for anything else
00:36:57yeah sure
00:36:57ciao
00:37:05ciao
00:37:07ciao
00:37:08ciao
00:37:09ciao
00:37:10ciao
00:37:11ciao
00:37:12ciao
00:37:13ciao
00:37:14ciao
00:37:15ciao
00:37:16ciao
00:37:17ciao
00:37:18ciao
00:37:19ciao
00:37:20ciao
00:37:21ciao
00:37:22ciao
00:37:23ciao
00:37:24ciao
00:37:25ciao
00:37:26ciao
00:37:27ciao
00:37:28ciao
00:37:29ciao
00:37:30ciao
00:37:31ciao
00:37:32ciao
00:39:03Good morning, Tony.
00:39:15Hi.
00:39:16I hear sales are booming.
00:39:17They should.
00:39:19Thanks to all the work you've done.
00:39:20I've been calling Sabrina for days.
00:39:29She's probably gone out of town.
00:39:31Perhaps on a job.
00:39:33Just like that?
00:39:34Oh, come on.
00:39:35You know how models are?
00:39:36Yeah, I know.
00:39:37But I find it strange because she was expecting a call from me the next day to let her know how the pictures came out.
00:39:42If she was leaving the next morning, why would she ask me to call?
00:39:48What you're saying is that she asked you to call the night you slept together.
00:39:51Is that it?
00:39:52Oh, no.
00:39:54Oh, no.
00:40:08Not again.
00:40:11She was found this morning by some children.
00:40:23She was in a pond.
00:40:25The coroner says she's been dead a few days.
00:40:28I was probably the last one to see her alive.
00:40:31The last one, no.
00:40:32You're beginning to kill her.
00:40:38What's that strong odor of perfume I smelled on her?
00:40:40It's strange.
00:40:42That perfume helped kill her.
00:40:44Essence of tuberose.
00:40:46You mind explaining, Inspector?
00:40:48How could perfume kill her?
00:40:49It attracts bees.
00:40:51They must have been infuriated first.
00:40:53Then, attracted to the odor on the model's body, they began to sting her.
00:40:57It's certainly a devilish way to murder.
00:41:01What about that photo?
00:41:05You've convinced yourself the killer's real target is you, right?
00:41:08It seems to be obvious now.
00:41:11Look, try not to worry.
00:41:12And don't look for motives, because that's our work.
00:41:15I think from those photos, it's obvious I'm going to be the next victim.
00:41:18And when I asked Corsi, he said not to worry.
00:41:20He'll find the motive, he said.
00:41:22It's my picture with those dead girls.
00:41:24If it's not for that, for what?
00:41:25It's a threat, that's for sure.
00:41:28But maybe he just wants to scare you.
00:41:30But do you think that someone who's already killed two women only wants to scare me?
00:41:35To commit crimes like that, he must be paranoid.
00:41:38One can't guess what he's thinking.
00:41:40But there's something else.
00:41:47There's some detail I seem to have forgotten.
00:41:51Madam, may I go now?
00:41:53Yes, thank you.
00:41:54What were you saying?
00:41:56That poster of me with the dead girls.
00:41:57It's an old picture and only one person could have the negative.
00:42:01Oh, Roberto.
00:42:03I gave him all those old negatives to hold that I got back from Flora.
00:42:06You have to tell Corsi.
00:42:07I better not.
00:42:08Why?
00:42:09The police would suspect him at once.
00:42:12They'd slap him in jail right away.
00:42:14Two girls.
00:42:15Both were models.
00:42:16And he's gay besides.
00:42:17He probably doesn't have any alibis.
00:42:19For either of those murders.
00:42:20How would you know that?
00:42:24I'm guessing.
00:42:25You know, he spends the night going around looking for men.
00:42:29I didn't want to tell you stupidly.
00:42:36A lot of those negatives and a lot of valuable other stuff was stolen from my place.
00:42:42I'd invited around a couple of kids.
00:42:51Roberto, are you trying to tell me those negatives are in the hands of the murderer now?
00:42:57Probably.
00:42:58But not necessarily.
00:43:01It's not absolutely certain that the negatives the murderer has are the original ones, Gloria.
00:43:06That big poster of you and the shots with the bodies could have been made from a dupe.
00:43:09I'm sorry, I don't understand, Roberto.
00:43:12Technically, there's no problem.
00:43:15All you've got to do is take a photograph of a photograph.
00:43:19You've got as many negatives as you like.
00:43:22Obviously, when you print them, the quality becomes more grainy.
00:43:26But once you've blown it up to six feet by six feet, it's impossible to tell the difference.
00:43:32Then we're back to where we started from again.
00:43:37I hope you're not too disappointed to find out that I'm not the murderer.
00:43:43Oh, no.
00:43:44No, don't think that.
00:43:45I never believed it was you.
00:43:46Don't turn the light on.
00:44:16I want to admire you, Gloria.
00:44:46Don't turn the light on.
00:44:53Don't turn the light on.
00:44:58Don't turn the light on.
00:45:03Shut up.
00:45:05Don't force me to murder you.
00:45:12You want it?
00:45:16Don't turn the light on.
00:45:23Tell me!
00:45:25Don't turn the light on.
00:45:35Don't turn the light on.
00:45:41Gloria.
00:45:42Gloria, it's okay.
00:45:44It's okay.
00:45:45Nothing's happened.
00:45:46It's just a bad dream.
00:45:48Oh, God.
00:45:49It's terrible.
00:45:55Dr. Lorenz is here.
00:45:59You may go.
00:46:00Hello, Mark.
00:46:05What are you doing?
00:46:08I'm taking my daily walk.
00:46:10I'm just stretching my legs, Doc.
00:46:15Keep on treating it as a joke, and you'll never get out of that chair, my boy.
00:46:21You quack.
00:46:22You think I'm enjoying myself being nailed to this chair day after day?
00:46:27No, I know how much you're suffering.
00:46:29But I also know that your paralysis doesn't have any physical cause.
00:46:33That's what you say.
00:46:34My father, my mother, that's what you all like to think.
00:46:38You say there's no damage to my spine, eh?
00:46:41So you figure all that's wrong is right here, in my brain, huh?
00:46:51Therefore, it's simply my fault that I'm crippled.
00:46:56Sounds like you enjoy playing the victim.
00:46:59Yeah, sure.
00:47:01I like being that.
00:47:04You know, doctor?
00:47:06You're pretty smart, after all.
00:47:08The truth is, you don't want to walk.
00:47:11You have a mental block, because you feel responsible for Cinzia's death.
00:47:16Yes, you're right.
00:47:18She hadn't been in my car.
00:47:21Cinzia might still be alive.
00:47:25And I'd be walking.
00:47:27And we'd even have been married.
00:47:30Oh, my God.
00:47:31No!
00:47:32No!
00:47:33No!
00:47:34No!
00:47:35No, please!
00:47:36No!
00:47:37No!
00:47:38No!
00:47:39No!
00:47:40No!
00:47:41No, please!
00:47:42No, please!
00:47:43No!
00:47:44No!
00:47:45No!
00:47:46No, please!
00:47:56She work in blue films, also?
00:47:58Only this one.
00:47:59No!
00:48:00No!
00:48:01No!
00:48:02But the public seems to have forgotten it.
00:48:04Gloria is quite respectable now.
00:48:16Do we have to watch anymore?
00:48:17Or leave it alone and sit down.
00:48:29Good morning.
00:48:31This must be important if you've called us all here.
00:48:34I've decided to accept Flora's offer.
00:48:37You want to sell the magazine?
00:48:43I have no intention of working any longer here after all that's happened.
00:48:46It seems the best solution.
00:48:48But it's not as though you killed them.
00:48:50But my pictures with those dead girls, are you forgetting that?
00:48:53Or doesn't it worry you?
00:48:55Well, it won't help selling the magazine.
00:48:57If the killer wants you, it won't solve the problem.
00:49:01Or are you going to go somewhere and hide?
00:49:03Throwing away all your work and hours won't stop that crazy.
00:49:08But if I stay here, you should have killed me.
00:49:16What do you need?
00:49:46Oh, my God.
00:50:16Oh, my God.
00:50:46Oh, my God.
00:51:16Oh, my God.
00:51:46Can I imagine?
00:51:47Isn't today the anniversary of Carlos' death?
00:51:51Yes, sir.
00:51:52Oh, my God.
00:51:53Oh, my God.
00:52:01Oh, my God.
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01:09:05Break this mess.
01:09:06Come on, hurry.
01:09:07Inspector, we don't have a search warrant.
01:09:08I don't care.
01:09:09Break it.
01:09:10Here we go.
01:09:47Hello, who's speaking?
01:09:51This is Inspector Corsi.
01:09:52Stay away from that photographer, Roberto.
01:09:54But do you suspect him?
01:09:56You mean he's the murderer?
01:09:57I haven't time to explain now.
01:09:59Just do what I say, and don't open your door to him.
01:10:01We're coming right over.
01:10:07Gloria, let me in!
01:10:10I have to see you!
01:10:12Evelyn!
01:10:13Evelyn!
01:10:16Evelyn!
01:10:17Gloria!
01:10:21Wait!
01:10:32Gloria!
01:10:34Gloria!
01:10:43Gloria, wait!
01:10:45I have to talk with you
01:10:59Stop, wait
01:11:15I can't understand any of this
01:11:39Roberto obviously must have hated women
01:11:41And especially you, Gloria
01:11:44And why did he kill Tony, he liked him
01:11:46It's difficult to know a killer's mind
01:11:48But in the department store
01:11:49What I clearly remember had a woman's voice
01:11:52No, it wasn't a girl
01:11:53The voice you heard at that moment
01:11:56Might have sounded like the girl's voice
01:11:57Assuming you're right
01:11:59Why doesn't the rest of it make sense
01:12:03That car that killed him, for example
01:12:05Why didn't it stop
01:12:06I've got to blot it out
01:12:10I'll go mad too
01:12:11Who is it?
01:12:23This is Mark
01:12:24I see the police are there again
01:12:25What kid?
01:12:27How does it feel to be surrounded by death?
01:12:29Stop calling you fool
01:12:31Our battle seems to have finished
01:12:57Though you certainly were a tough adversary
01:13:00I'm sorry, my dear
01:13:02I'm putting you out to pasture
01:13:04You know, I suppose I really ought to thank you
01:13:20I'm getting rid of a lot of bad memories
01:13:22It's a shame you're so insensitive, Flora
01:13:24I would have given it to you for the asking
01:13:27Are you so proud of yourself now?
01:13:31No
01:13:37I know
01:13:41I know
01:13:43Is it exactly what you're saying?
01:13:44But you're so proud of me
01:13:46I'm giving it to you
01:13:47I know
01:13:48You're so proud to be
01:13:57Eveline.
01:14:11Eveline.
01:14:15Kiel, where's Miss Eveline?
01:14:18She's gone, madam.
01:14:19She took all her things.
01:14:21She left this letter for you.
01:14:22Gloria, forgive me for leaving like this, but I worked for you, not the magazine.
01:14:31So what sense would it make for me to stay on, regretting what we no longer have?
01:14:35Good luck.
01:14:37She must think I have a will of iron.
01:14:39She wanted me to go on with the magazine after all of those killings.
01:14:52Yes, hello.
01:15:08Hello?
01:15:09Hello?
01:15:22Oh, no.
01:15:46Oh, no.
01:15:50Tony!
01:16:08Oh, dear God, no.
01:16:11Oh, dear God, no.
01:16:11Oh, dear God, no.
01:16:13Oh, no.
01:16:17Oh, no.
01:16:18Oh, dear God, no.
01:16:48Now it's your turn, Gloria.
01:17:04You can't escape.
01:17:05It's your turn to die.
01:17:14Come out.
01:17:15Show yourself.
01:17:16Kill me if you must.
01:17:17I can't take any more.
01:17:19It's your turn, Gloria.
01:17:21Gloria, now it's your turn, Gloria, you can't escape, it's your turn, Gloria, how would
01:17:48you like to die, the police took the pitchfork I used to kill Kim, and I didn't have time
01:17:55to get more killer bees that liked Sabrina so much, but I think of something, maybe on
01:18:02the order of how I did Susan,
01:18:18it's me, what's the matter, don't you like me, don't you like me, oh no, I haven't become
01:18:41a transvestite, I'm not even very good at that, but why, Tony, but why, you should know,
01:18:51Gloria, you're the only one I love, I've always loved you, since we were kids, Tony, you killed
01:19:01those poor girls, what made you do that, you ought to thank me, yeah, that bitch, Kim, we're
01:19:08trying to take your place as a model, and Sabrina, your place in bed, and I didn't
01:19:12want that, and that little salesgirl Susan was trying to trap me, even Roberto wanted to
01:19:19betray me, no Tony, no, I'm dead, Gloria, everyone thinks I'm dead, I could have run away, but
01:19:29I figured, while you're alive, I, I, I'll never be friends, but first, I want to see you naked
01:19:39one more time, no, no, no, no, no, Tony, stop, help, help, help, help, help, help, help, help,
01:20:05help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help
01:20:35I don't even know what you're doing!
01:20:38Oh yes, I do. You belong to me. Only me.
01:20:49Go on.
01:20:55I've always loved you, Gloria.
01:20:59Every part of you.
01:21:05Your lips.
01:21:14And your tongue.
01:21:25And the curve of your white throat
01:21:28that leads to the valley between those rose-capped hills.
01:21:35I don't know.
01:21:47Now I want to see them.
01:21:49Nobody else will ever caress your body again, Gloria.
01:21:59No.
01:22:06No. Oh no.
01:22:08No. No. No.
01:22:09Now this. Take this off too.
01:22:13No. No.
01:22:14I said take them off.
01:22:19Agh! Agh! Agh! Tony!
01:22:24Agh! Agh! Agh! Agh! Agh! Ah! Agh! Agh! Agh! Agh! Agh!
01:22:31is my brother alive yes he'll make it though i'm afraid he'll need a wheelchair the rest of his
01:22:46life i'm sorry inspector she's still in shock she has to sleep yes i'm going
01:22:51i hope that from now on life will be better for you we'll see
01:23:01get well soon
01:23:03you must try to sleep now call me if you need me
01:23:31oh
01:23:33oh
01:23:37oh
01:23:39oh
01:23:41oh
01:23:43oh
01:23:45oh
01:23:47oh
01:23:49oh
01:23:51oh
01:23:53oh
01:23:55oh
01:23:57oh
01:23:59oh
01:24:01oh
01:24:03oh
01:24:05oh
01:24:07oh
01:24:09oh
01:24:11oh
01:24:13oh
01:24:15oh
01:24:17oh
01:24:19oh
01:24:21oh
01:24:23oh
01:24:39oh
01:24:41oh
01:24:43oh
01:24:45oh
01:24:47oh
01:24:49oh
01:24:51thanks
01:24:53gloria you won't mind if i phone to tell you that
01:24:55you're beautiful more beautiful
01:24:57of course you can mark
01:24:59do you know that i'm getting better
01:25:01i'm beginning to walk a little now
01:25:03i'm so glad
01:25:05it's good to see you again
01:25:07and you
01:25:09you get better huh
01:25:11yes
01:25:17don't forget me now promise
01:25:19i won't
01:25:21i
01:25:23i'm gonna do it
01:25:25you
01:25:27you
01:25:29i
01:25:31i
01:25:33i
01:25:35i
01:25:37i
01:25:39i
01:25:41i
01:25:43i
01:25:45i
01:25:47i