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- anteayer
Un homosexual y su novio de ocasión enfrentan varios obstáculos buscando un lugar privado donde consumar sus deseos.
#trick #gay #lgbt #stripper #gogo #dancer
#trick #gay #lgbt #stripper #gogo #dancer
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CortometrajesTranscripción
00:00:00For more information, visit www.fema.org
00:00:30Trixie.
00:00:55Gabe, could she use the bathroom first?
00:01:10I really gotta pee.
00:01:12Yeah, sure.
00:01:15She's company, Gabe.
00:01:18I'll be fast.
00:01:19I'll be fast.
00:01:20You didn't have to stay out all night.
00:01:26I fell asleep in the hall.
00:01:28I thought Judy was coming back from Paris tonight.
00:01:31That's right.
00:01:32Remember, I need the apartment tonight, all right?
00:01:35No problem.
00:01:38Penny, Penny, Twitty and Pfaffenberger.
00:01:42Vivian Pfaffenberger's office.
00:01:43Gabriel speaking.
00:01:44Hey, babe.
00:01:45Catherine.
00:01:46Are you busy?
00:01:47I'm so busy.
00:01:49Good.
00:01:50Can you talk?
00:01:51Sure.
00:01:52So that, uh, that cute guy we met at Footlight Records, he took me to dinner.
00:01:56Oh, that's great.
00:01:57Oh, my God, babe.
00:01:58Dress rehearsal totally sucked.
00:02:00That's good luck, right?
00:02:01No, he took me to dinner because he wanted me to play piano for one of his auditions for
00:02:05the national tour of Titanic.
00:02:07It wasn't a date.
00:02:08Remember, such scum.
00:02:09Can you run lines with me?
00:02:10Sure.
00:02:11Just a sec.
00:02:12Oh, great.
00:02:13It's time for 14, right?
00:02:15Uh-huh.
00:02:16Okay.
00:02:17Who is he, the son of man?
00:02:20Is he as beautiful as you are, Jochenen?
00:02:22Get thee behind me.
00:02:24I hear in the palace the beating of the wings of the angel of death.
00:02:28Jochenen.
00:02:29Who speaketh?
00:02:30I am amorous of your mouth, Jochenen.
00:02:32It is like a pomegranate cut in twain with a knife of ivory.
00:02:35There is nothing in the world so red as your mouth.
00:02:38Suffer me to kiss your mouth.
00:02:40Don't tell me.
00:02:43Don't tell me.
00:02:44You better tell me.
00:02:46Never, daughter of Babylon.
00:02:48Daughter of Sodom.
00:02:49Never.
00:02:50Never, daughter of Sodom.
00:02:51This needs to go out this afternoon.
00:02:53Never.
00:02:54Gotta go.
00:02:55Call me later.
00:02:56Can you sign my time card?
00:03:14Hey.
00:03:15Hard day at the office?
00:03:17Did you find a rhyme for the lyric in the second A?
00:03:19I'm working on it.
00:03:21What's with the umbrella?
00:03:23What am I supposed to sing?
00:03:25Should I hum or what?
00:03:27Yeah.
00:03:28Yeah.
00:03:29Hum.
00:03:30Or maybe la la la.
00:03:31Fine.
00:03:32I'll wing it.
00:03:33Are we in Studio D?
00:03:34Because I hate with acoustics that I wouldn't do to my voice.
00:03:45Okay.
00:03:46This is the song for the second act of my musical.
00:03:49Uh.
00:03:50It will be sung by the character of...
00:03:57Uh.
00:03:58Yeah.
00:03:59Yeah.
00:04:00Once again my friend Katherine Lamberg will be singing the part of Dorcas the Maid.
00:04:05Oh.
00:04:06And she brought her a picture and a resume in case anyone's interested.
00:04:10I will be reading the part of Rodrigo in stage directions.
00:04:16Okay.
00:04:17Okay.
00:04:18Um.
00:04:19Rodrigo's just finished his big ballad.
00:04:20Applause, applause, applause.
00:04:23That's some story.
00:04:25It would take a miracle for me to ever love again.
00:04:28But miracles can happen.
00:04:29I've never seen one.
00:04:30Never?
00:04:31Well, not for a very long time.
00:04:33Buck up, Rodrigo.
00:04:34I think you're just about due for a miracle.
00:04:37They kiss, uh, Rodrigo exits.
00:04:41I've heard that all the world's a stage.
00:04:42And we are only players acting out some predetermined page.
00:04:48But it is lonely as can be.
00:04:49With nobody opposite me.
00:04:50Then...
00:04:51I've heard that all the world's a stage.
00:04:55I've heard that all the world's a stage.
00:04:58And we are only players acting out some predetermined page.
00:05:05But it is lonely as can be.
00:05:10With nobody opposite me.
00:05:16Then...
00:05:19Enter you.
00:05:21Whala, it's showtime.
00:05:24You brought the house down with a dance and a dum-diddy.
00:05:29Enter you.
00:05:31In less than no time.
00:05:33La, la, la, la, la, la, la, la, long lady.
00:05:38Off went the curtain.
00:05:40My line spelled wrong.
00:05:42Intermission seems so far away.
00:05:47The plot and Sudan.
00:05:50The scene's too long.
00:05:52Life was like an uninspiring play.
00:05:56But now you're here.
00:05:59We meet stage center.
00:06:01I thought my story line was through.
00:06:05Then...
00:06:06Enter you.
00:06:10It's beautiful,
00:06:20The mole, 푸� Government.
00:06:22It's probably the charm that way, it goes on.
00:06:23Get another friend's show off the clock.
00:06:24After the clock if you run, it's a bit.
00:06:25The blue clock can break up your bunker down.
00:06:27Instead of raining, it's ready to turn over doubt.
00:06:29It's really, really, your way to open the dimensions of my downland.
00:06:31Why leave the heads back to you?
00:06:32You're locking up, right?
00:06:33And the white clock?
00:06:34It's reallyあぁ.
00:06:35Yeah.
00:06:36Now you're here
00:07:05We meet stage center
00:07:08I thought my storyline was through
00:07:12Then from the blue
00:07:17And to you
00:07:35You're great
00:07:42Gabriel
00:07:47I really liked it
00:07:49Thanks, but do you think this is how the maid would really behave?
00:07:54Well, this isn't reality
00:07:58I mean, we're talking about a maid who belts you flats here
00:08:01I mean, you don't have people walking down the street and bursting into song and dancing
00:08:05Right?
00:08:06Except maybe in the West Village
00:08:07Just kidding
00:08:08Anyway, Gabriel
00:08:09You've made your point
00:08:11But it's still important that the writer tell the truth
00:08:13I mean, enter you
00:08:15I don't know
00:08:16I mean, she's just been kissed
00:08:18Have you captured that feeling you get after a really great kiss?
00:08:21The best kiss you ever had?
00:08:23It's exciting
00:08:24And it's terrifying
00:08:25And it's sexy
00:08:26And maybe you think you could fall in love
00:08:29You know what I mean?
00:08:30Well, you know, Rodrigo and Dorcas just met
00:08:35I mean, if we were talking about how people really behave
00:08:38I mean, I can't have them falling in love on the first night
00:08:40I mean, that wouldn't be believable
00:08:43Well, not if you don't believe it
00:08:47I mean, why is she singing this?
00:08:49Would you sing it?
00:08:51Uh, yeah, yeah
00:08:56I hope I didn't embarrass you in there
00:08:59No more than I embarrass myself presenting this song
00:09:01He gets funny when his songs don't go over on the first try
00:09:04Oh, don't do that
00:09:06He's got a copy at home
00:09:07Listen, the best advice anybody ever gave me
00:09:09I was writing a libretto for a musical version of Satirica
00:09:12And I was having a little trouble getting into, you know, ancient Rome
00:09:16And sex orgies, bestiality
00:09:18This was in college
00:09:19So this professor tells me that I should wear silk underpants
00:09:22And eat pomegranate seeds out of a goblet
00:09:25Silk underpants?
00:09:26It changed everything, Gabriel
00:09:28You gotta grab life by the balls
00:09:30You gotta try for the unexpected
00:09:32It's the only way to get the good stuff
00:09:37They're just jealous
00:09:39They didn't flop
00:09:40I know what a flop feels like
00:09:41And this definitely was a flop
00:09:44You're too sensitive, forget about it
00:09:47So I put a ticket for my show tonight under your name
00:09:49Now it's a comp
00:09:50So don't let them intimidate you into paying
00:09:52Okay
00:09:53Okay, can you put these in your back now?
00:09:54Yeah
00:09:55So what do you want to do now?
00:09:56Um, I don't know
00:09:57What's that?
00:09:58Just something someone gave me
00:10:00It's a gay bar that charges three bucks for a Diet Coke
00:10:03I will, uh, see you at your show
00:10:05Okay, Kathryn
00:10:06Where are you going?
00:10:07I thought we could grab a chicken Caesar and cozy soup and burger
00:10:10Hey!
00:10:36Hey!
00:10:40What?
00:10:41Uh, I said hey!
00:10:45Hey!
00:10:50What do you do?
00:10:53What do I do?
00:10:58Writer
00:10:59What do you write?
00:11:02Musicals
00:11:08I feel really lame telling people that
00:11:10Because it makes me seem like a queen
00:11:13Which I don't think I am
00:11:15But it wouldn't matter if I was anyway
00:11:19Except I'm not
00:11:23You got a boyfriend?
00:11:27No
00:11:28Would I be here if I had a boyfriend?
00:11:31I've got one
00:11:34Really?
00:11:36Where is he?
00:11:37He's at home
00:11:39You wanna come over?
00:11:41We don't live far from here
00:11:45Uh...
00:11:49I think I see a friend
00:11:50You should be dancing up there!
00:11:51It's kinda loud!
00:11:52You could!
00:11:53You wanna?
00:11:54I know the owner!
00:11:55I know the owner!
00:11:56I know the owner!
00:11:57I know the owner!
00:11:58I know the owner!
00:11:59I know the owner!
00:12:00No, thanks!
00:12:01I know the owner!
00:12:03I know the owner!
00:12:04You should be dancing up there.
00:12:14It's kind of loud.
00:12:16You could.
00:12:18You want to?
00:12:19I know the honor.
00:12:21No, thanks.
00:12:24Diet Coke with lime.
00:12:28Do you do that?
00:12:30What?
00:12:31Are you a go-go boy?
00:12:33I used to be.
00:12:35Too much beer.
00:12:37Uh-huh.
00:12:38But you'll see me up there again someday.
00:12:57I don't know how to dance.
00:13:01Not like that.
00:13:02You just got to do it, man.
00:13:04Watch.
00:13:05You just got to do it, man.
00:13:09Oh, gee, we love.
00:13:13How do you need to agree?
00:13:17Love you way too...
00:13:19Yeah!
00:13:20Yeah!
00:13:20Yeah, you just got to do it, man.
00:13:24Does it pay well?
00:13:26It depends.
00:13:28See, we work for tips.
00:13:30Sometimes you make 100, and if they like you, you make 150.
00:13:3450, and if you do the other stuff, shove off, baby.
00:13:42That's all you're getting from me tonight.
00:13:47Do you do the other stuff?
00:13:51No.
00:13:53Not since I found Jesus.
00:13:54You're cute as shit.
00:14:04You're cute as shit.
00:14:05I don't know.
00:14:35I don't know.
00:15:05I don't know.
00:15:35I don't know.
00:16:05I don't know.
00:16:35I'm Gabriel.
00:16:36Mark.
00:16:37I'm Mark.
00:16:39Mark.
00:16:44Wow, this is really awkward.
00:16:46Huh?
00:16:47I said this is awkward.
00:16:49Which way?
00:16:49Which floor are you on?
00:17:13Uh, five.
00:17:15It's just, uh, it's just one more flight.
00:17:19Uh, this is it.
00:17:34I eat the sticks sometimes.
00:17:43Oh, babe, you scared me.
00:17:49Trixie!
00:17:50Hey, Catherine.
00:17:51Trixie!
00:17:53I hope you're not allergic.
00:17:58Why are you here?
00:18:00I left three messages.
00:18:01I'm using your computer, updating my resume.
00:18:04Oh.
00:18:05What are you guys up to?
00:18:12Uh, just hanging out.
00:18:15Oh.
00:18:18Oh, uh, well, I need to get to my show as soon as this is done printing.
00:18:23Is this a bad idea?
00:18:24No, no, no, it's a good idea, really.
00:18:33Hi, I'm Catherine Lamberg.
00:18:34I'm an actress.
00:18:37Mark.
00:18:37Uh, we don't have any chairs, so...
00:18:44Maybe I should go.
00:18:57No.
00:18:58No.
00:18:58Uh, this won't take too long.
00:19:02Catherine, uh, how many resumes are you printing?
00:19:04A hundred and fifty.
00:19:21I'm in an all-female production of Salome, set in a women's penitentiary.
00:19:25That's not equity.
00:19:27That sounds great.
00:19:29Really?
00:19:30I'm a slave.
00:19:31I understand I draw on the Baptist.
00:19:32There's a performance tonight at midnight.
00:19:35Maybe you could come with Gabriel.
00:19:38Maybe.
00:19:39Uh, you two are roommates?
00:19:45No.
00:19:46But we're very close.
00:19:47I even take care of his dog, Trixie.
00:19:50I, uh, I live with this guy, Rich.
00:19:53He's straight.
00:19:54Gabe, I talked to my mother.
00:19:59She called you my boyfriend again.
00:20:01Isn't that funny?
00:20:03That's funny.
00:20:05She still calls you that, even though we haven't been dating since high school.
00:20:09We weren't really dating.
00:20:11We'll ask anyone from El Camino if they'll say we were.
00:20:13We went to one prom back when I thought I was...
00:20:16Thought he liked girls, then.
00:20:18Whoops.
00:20:18I know, and I was always wondering why I was making the first move.
00:20:22I thought it was me.
00:20:24I told my mother Gabriel's gay, and she was like, oh, really?
00:20:26You never said, and I was like, didn't I mention he's a musical theater writer?
00:20:30Hello, do I have to spell it out for you?
00:20:33That was a million years ago.
00:20:36You know what Gabe used to call me?
00:20:37Catherine.
00:20:37Puss.
00:20:38You're so kooky.
00:20:39I had this James Bond thing, you know, uh, octopussy, pussy galore.
00:20:45I didn't like it when other people said it, but it was okay when Gabe called me puss, or puss-puss, or pussy.
00:20:52Actually, I didn't really like pussy.
00:20:53Do you have any nicknames?
00:20:55Beer can.
00:20:58She used to drink a lot in college.
00:21:03Gabe's writing a part for me in his musical, The Maid.
00:21:05It's actually a very big part.
00:21:06It's really good.
00:21:07I sing all his songs.
00:21:08He's a wonderful writer.
00:21:09You're so very talented.
00:21:11I don't know how I feel about writing musicals right now.
00:21:14Well, I just know you're going to be the next Andrew Lloyd Webber or Stephen Sondheim or something.
00:21:19I spent the last eight years of my life writing in a genre that's been dying a slow death since Gypsy.
00:21:24He's a golden boy.
00:21:25He really is.
00:21:25You love musicals.
00:21:27I used to.
00:21:29Musicals are way too contrived and phony and campy and stupid.
00:21:33I don't even know why I write them.
00:21:35You write songs?
00:21:37Mm-hmm.
00:21:39The music, too?
00:21:41Uh, yeah.
00:21:42And you play the piano?
00:21:45Let's do a number.
00:21:46No.
00:21:47Oh, just one.
00:21:48He'll love it.
00:21:49His songs are so great.
00:21:50Catherine, I don't think that Mark's interested in my songs.
00:21:53Do one.
00:21:57Really?
00:21:58Yeah.
00:21:59I'd like to hear one.
00:22:00See?
00:22:01All right.
00:22:04One number and then you're leaving.
00:22:05Okay.
00:22:06Cross your heart?
00:22:07Cross my heart.
00:22:08God, I have to get to my show anyway.
00:22:09Oh, this is so fun.
00:22:11I tell you.
00:22:12If Harold Prince heard this.
00:22:20I've heard that all the world's a stage.
00:22:24And we are only players acting out some predetermined page.
00:22:31Trixie.
00:22:32But it is lonely as can be.
00:22:35Shh.
00:22:36Trixie.
00:22:37With nobody opposite me.
00:22:42Then, unto you, voila, it's showtime.
00:22:50Trixie!
00:22:51God, I'm sorry, but that dog.
00:22:54Trixie!
00:22:57You sing.
00:22:59No, I sing his songs.
00:23:01You were singing with her.
00:23:03I was?
00:23:04Yeah.
00:23:05Sing it.
00:23:08Well, Catherine usually...
00:23:10I'll sing along with you.
00:23:11Let him do it alone.
00:23:12Oh, okay.
00:23:23I heard that all the world's a...
00:23:25No, just where she left off.
00:23:31Enter you, voila, it's showtime.
00:23:35You brought the house down with a dance and a dundiddy.
00:23:41Enter you, in less than no time.
00:23:46I, uh, still have to figure out this part.
00:23:48Up went the curtain.
00:23:53I've got it.
00:23:57Hello.
00:23:58Gabriel?
00:23:59Yeah.
00:24:00Hi!
00:24:00Perry.
00:24:01Perry, how's it going?
00:24:02I was feeling, you know, a little torchy, a little shantousy, so I stumbled into a piano
00:24:07bar and thought I'd belt out some of my better numbers for a bunch of boozy old fairies.
00:24:10I knew you wouldn't want to miss that.
00:24:12Wow, thanks, but, uh, Catherine's opening in a, uh, in a show tonight.
00:24:17Oh, I understand.
00:24:18But, you know, you could stop by later, after her show.
00:24:21I'll probably be here until pretty late.
00:24:23You know where 88's is, right?
00:24:24Uh, yeah, it's around the corner from that play you took me to, the one with-
00:24:27Hmm.
00:24:28Greg Louganis, right.
00:24:29Right.
00:24:30Great.
00:24:31Okay.
00:24:32Bye.
00:24:33Bye.
00:24:34Friend.
00:24:35You should sing more.
00:24:37Thanks.
00:24:42It's done.
00:24:43No, it's not.
00:24:45Ran out of paper.
00:24:46No.
00:24:47It's done.
00:24:48Can you see me out?
00:25:02Can you see me out?
00:25:07Oh.
00:25:18Babe.
00:25:23He's a go-go boy.
00:25:26Oh.
00:25:28Well, I am going.
00:25:29Your name's on the accomplice.
00:25:30You're gonna be there, right?
00:25:31Yeah.
00:25:32Uh, Rich is coming back soon.
00:25:33Okay?
00:25:34One or two.
00:25:35What?
00:25:36One-two tickets.
00:25:37Well, is the go-go boy coming to my show?
00:25:39I don't know.
00:25:40Uh, uh, probably never won.
00:25:43Hmm.
00:25:44You know, now that my show's opening, I won't have to rehearse so much.
00:25:47Maybe we can finally go see Helen Reddy sing at Rainbow Stars and get a baked Alaska.
00:25:51Okay, great.
00:25:52Great.
00:25:53Bye, babe.
00:25:56Bye, guys.
00:26:11Bye.
00:26:14Gabriel, you just got music in your bones.
00:26:44What's going on?
00:26:46I need the apartment.
00:26:48Mark wanted to hear my songs.
00:26:51And you're early.
00:26:53And I need the apartment.
00:26:58She's been in France all summer.
00:27:02Yeah, and you're early.
00:27:05And I told you I needed the apartment tonight.
00:27:09Can we talk about this in the bathroom?
00:27:13What's Juxi doing on the farx, Gabe?
00:27:21Please, I only need an hour.
00:27:23Please, please, please, Rich.
00:27:25Because I really, really want to do this.
00:27:27I'm really, really into him.
00:27:29It's not like I get to do this very often.
00:27:31And I slept out in the hall last night.
00:27:33Look, Gabe, what Judy and I have is special.
00:27:39Special?
00:27:41And I get the impression that you disrespect the love that Judy and I share.
00:27:45And that hurts.
00:27:47I expect my parents, they don't know.
00:27:49But you, you love people that I thought you would understand.
00:27:53This is really hard for me, Rich.
00:27:55I don't know how to meet people.
00:27:57I get really weird.
00:27:59And I make it more important than it should be.
00:28:03Can't you do me tomorrow night?
00:28:07She's been in France all summer.
00:28:09You can't ask a one night stand to come back tomorrow night.
00:28:13Let's flip for it.
00:28:15Shit.
00:28:17Flip?
00:28:18Yeah, flip.
00:28:20Oh.
00:28:22Heads.
00:28:24No, tails.
00:28:30I have a token.
00:28:32What are you looking for?
00:28:34Condom.
00:28:36You want New York City Transit Authority or good for one fare?
00:28:42Merci.
00:28:44Good for one fare.
00:28:48Where do you live?
00:29:08Brooklyn.
00:29:10Oh.
00:29:12Yeah.
00:29:13But let's not go all the way out there.
00:29:15You have a boyfriend or something?
00:29:17No.
00:29:18But it's not really my apartment.
00:29:20You see, I rent the room from this old woman.
00:29:23And she doesn't like me bringing guys back to the place.
00:29:25You know, if you're not into this, I totally understand.
00:29:28No, I am.
00:29:29I am.
00:29:35Well, what about Wonder Bar?
00:29:37What do we want to go to a bar for?
00:29:39Right.
00:29:40Right.
00:29:41Right.
00:29:42Yeah, I usually don't go to bars.
00:29:45Well, I did tonight, but...
00:29:47Well, I go to bars, but not a lot.
00:29:49I used to think that I didn't like gay people, but now I actually think that I do like gay people.
00:29:56It's just, there was a time that I felt like I wasn't one of them.
00:30:01You know, culturally.
00:30:03You suck dick, right?
00:30:07Well, yeah.
00:30:08Yeah, but what I mean is I don't have bleach hair and I don't look good in lycra and I don't
00:30:17work out much.
00:30:18You ever had a boyfriend?
00:30:20Well, I wouldn't call him a boyfriend.
00:30:25He was actually something totally random.
00:30:28You know, I met him in the library and he was really cute and he had this Italian accent,
00:30:32which I love.
00:30:33I totally love guys with accents.
00:30:35Yeah?
00:30:36I mean, I was nuts.
00:30:38I mean, I was totally goofy for this guy.
00:30:43But then, you know, one day we just stopped having things to talk about.
00:30:49Then I stopped calling him to see if he'd call me and he didn't.
00:30:55It was probably better anyways.
00:30:58I mean, I didn't have a bedroom.
00:31:01I mean, what's the use of having a boyfriend if you don't have a bedroom, right?
00:31:05Besides, I started getting this nagging feeling, you know, that he was lying to me all the time.
00:31:10I don't think he was Italian.
00:31:14I actually think he was, you know, Puerto Rican.
00:31:18Or something.
00:31:20Well, Gabe, maybe I should get going.
00:31:23Uh, wait.
00:31:25Uh...
00:31:29Wait.
00:31:31I do know this one guy.
00:31:33Uh-huh.
00:31:34From my writer's workshop.
00:31:35Well, I don't know.
00:31:37Maybe we could go to his place.
00:31:40Great.
00:31:41Call him.
00:31:42Uh, he's not at home, actually.
00:31:43He's at a...
00:31:44He's at a piano bar.
00:31:45I told my friend the writer how happy I would be if he'd write an opening number especially for me.
00:32:00But when he had it finished, it came as quite a shock.
00:32:06He handed me a song titled, How Do You Like My...
00:32:10Great.
00:32:11I said you can't do that in public.
00:32:13I said even I wouldn't dare.
00:32:15So he made a few small changes.
00:32:18Now I can sing it anywhere.
00:32:22It's the same old thing in the same old hole, but when you say it in Espanol it sounds fine.
00:32:47Como te gusta mi pinga, es muy caliente.
00:32:55Como te gusta mi pinga, es grande plente.
00:33:00You don't go around shouting, you're well hung.
00:33:04But when you do it in another tongue, it's just fine.
00:33:08When the hour's late and I don't have a date and I feel that I can't go on,
00:33:14I lift up my head and I stick out my chin and I talk like Montalban.
00:33:22Como te gusta mi pinga, it sounds so neato.
00:33:27Like a warm quesadilla or a pork burrito.
00:33:32It's the same old cheese and the same old meat, but when it has a Latin beat, it's okay.
00:33:40Como te gusta mi pinga, ole.
00:33:48Ay, ay!
00:33:50Oh, thank you.
00:33:52Thank you very much.
00:33:53And thank you to my favorite piano man, Mr. Lester Sinclair.
00:33:57This makes me seem really desperate and I kind of am.
00:34:03Anyway, it's a long, pathetic story that you don't want to hear,
00:34:06but I met this guy and we don't have a place to go.
00:34:10Oh, I want to hear this story. Where is he?
00:34:13He's cute.
00:34:16He's a go-go boy.
00:34:18No.
00:34:19I can't believe I'm asking you this.
00:34:24What?
00:34:25But, uh, you've got your place to yourself now, right, Gabriel?
00:34:30Trev, of course you can use my co-op for your little love annex.
00:34:33Someone should.
00:34:34But you've got to promise not to break anything, okay?
00:34:36Okay.
00:34:41Gabriel tells me you're a go-go boy. That must be fun.
00:34:44It's a blast.
00:34:45So how often do you participate in Three Ways or 4G?
00:34:48Perry?
00:34:49I'm doing research.
00:34:50For what?
00:34:51My Casanova musical, Mark, Three Ways or 4Gs.
00:34:53Uh, sometimes.
00:34:55What kind of guys do you usually pick up or do you hustle?
00:34:58No.
00:34:59I don't hustle.
00:35:00I bet you wouldn't object if I slipped a ten spot in your undies.
00:35:04Okay.
00:35:05So what's your type?
00:35:07It varies.
00:35:09Interesting, interesting.
00:35:10They aren't all like Gabriel then.
00:35:12Once I dated this guy from Yale.
00:35:14Yeah?
00:35:15He was in the Glee Club.
00:35:16A whiff and poof!
00:35:17You heard of him?
00:35:18I can't resist a lyric baritone.
00:35:20In fact, I've dated three whiff and poofs, four tiger tones, a crocadillo, and two members of the Morbid Tabernacle Choir.
00:35:26So you liked him, this whiff and poof?
00:35:28Yeah.
00:35:29He was really great.
00:35:30I bet you broke his heart.
00:35:32All Casanovas do.
00:35:33Um, you know.
00:35:34Be careful with the musician's heart.
00:35:37We're fragile.
00:35:39So can me and Gabe go back to your place and screw around?
00:35:49My apartment's just up in Chelsea.
00:35:51Would it be okay if you used the futon in the living room?
00:35:53I feel a little weird about the bed.
00:35:55It's fine.
00:35:56How long do you expect this might take?
00:35:58I mean, I wasn't planning on coming back yet.
00:36:00I could go out and let you in and then go back out for maybe two hours.
00:36:04To tell you the truth, I wanted to get south tonight.
00:36:06Who just broke up with his boyfriend?
00:36:08Sorry.
00:36:09No, no.
00:36:10I don't want any sympathy.
00:36:11I just want to forget about him.
00:36:12It's good you boys are coming over, you know.
00:36:14My place hasn't seen any action for two weeks.
00:36:17But I wanted it.
00:36:18You dumped him?
00:36:19No.
00:36:20He dumped you?
00:36:21No, I made him dump me.
00:36:22We were crying and he asked me what I wanted.
00:36:25And I said, I want you to break up with me.
00:36:27I didn't expect him to do it.
00:36:28Three years.
00:36:29I'm single for the first time in three years.
00:36:31God, I want him back.
00:36:33What am I saying?
00:36:34I don't want to see him again.
00:36:35Just his sweaters.
00:36:36I bought most of those sweaters anyway.
00:36:38Before he met me, he had two decent sweaters.
00:36:40Well, three.
00:36:41Maybe four.
00:36:42Let's not talk about this, okay?
00:36:43Let's not talk about it.
00:36:44Gabriel presented his song in class today.
00:36:46That peach who sings your songs.
00:36:47Boy, is she loud.
00:36:49I told him he needed to grab life by the balls,
00:36:51but I never expected.
00:36:52And I'll just look at you.
00:36:54You know, that song is very good, though.
00:36:56Thanks.
00:36:57Now, pastiche, but I like that.
00:36:59How's that begin again?
00:37:00The verse?
00:37:01Yeah, how's that go?
00:37:02I've heard that all the words...
00:37:04Cut it.
00:37:05No one wants to hear that.
00:37:06Cut the verse.
00:37:07Honey, get it out of there.
00:37:08Just go to the chorus.
00:37:09That's the fun part.
00:37:10But what about all the set-up?
00:37:12Gabriel, songwriters have been doing the verse-chorus thing forever.
00:37:15It's tired.
00:37:16Be a maverick.
00:37:17What's the function of a verse?
00:37:18To kill time till we get to the chorus.
00:37:20During the verse.
00:37:21We wait, we wait, we wait.
00:37:22We are waiting for the chorus.
00:37:23Just give us what we want.
00:37:24Chorus, chorus, chorus.
00:37:25Oh, my God, there he is.
00:37:27Sorry, Gabriel.
00:37:28He's cuter.
00:37:29What is it?
00:37:30My accent.
00:37:31Please, let him see me.
00:37:32Please, let him see me.
00:37:33Please, let him see me.
00:37:34What?
00:37:41Perry?
00:37:42Oh, hi.
00:37:49Hey, how have you been?
00:37:51Really great.
00:37:53You got a haircut?
00:37:55Yeah.
00:37:57Looks nice.
00:38:00Thanks.
00:38:01I don't want to interrupt.
00:38:03Oh, no, you're not.
00:38:04It's nice to see you.
00:38:10I'd like to talk to you sometime.
00:38:15Hi, I'm Mark.
00:38:16Hi, Mark.
00:38:17How you doing?
00:38:18I've been better.
00:38:19You know, meeting this guy has been one of the luckiest things that ever happened to
00:38:24me.
00:38:25Really?
00:38:26Are you two dating?
00:38:27Dating?
00:38:28Him?
00:38:29No.
00:38:30We're not dating.
00:38:31Absolutely.
00:38:32Not in the romantic sense.
00:38:33I mean, this thing between us, it's purely animal.
00:38:36Right, Stud?
00:38:37He's an animal.
00:38:38He's an animal.
00:38:39He's an animal.
00:38:40He's an animal.
00:38:41He's an animal.
00:38:42He's an animal.
00:38:43He's an animal.
00:38:44He's an animal.
00:38:45He's an animal.
00:38:46He's an animal.
00:38:47He's an animal.
00:38:48He's an animal.
00:38:49I see.
00:38:50Yeah, but we discovered we're both out now, tops.
00:38:54So, we're making the rounds tonight, looking for a couple of hot bottoms.
00:38:59We got one.
00:39:00Hi.
00:39:01Did I say you could talk?
00:39:02No.
00:39:03No what?
00:39:04No, thank you.
00:39:05No, sir.
00:39:06No, sir.
00:39:07He's still in training.
00:39:10Oh.
00:39:11We fit.
00:39:12I know.
00:39:13We do.
00:39:14We fit.
00:39:15Are you still staying with that choreographer?
00:39:17Yeah.
00:39:18I haven't found a place yet.
00:39:19We should talk.
00:39:20Can I come over?
00:39:21No, sir.
00:39:22No, sir.
00:39:23No, sir.
00:39:24No, sir.
00:39:25No, sir.
00:39:26No, sir.
00:39:27No, sir.
00:39:28No, sir.
00:39:29No, sir.
00:39:30No, sir.
00:39:31No, sir.
00:39:32No, sir.
00:39:33No, sir.
00:39:34No, sir.
00:39:35No, sir.
00:39:36No, sir.
00:39:37No, sir.
00:39:38No, sir.
00:39:39Excuse me, sir.
00:39:40No, sir.
00:39:41No, sir.
00:39:42No, sir.
00:39:49No, sir.
00:39:51It was nice.
00:39:52Yeah, sir.
00:39:56Me?
00:39:57No, sir.
00:40:01I agree.
00:40:02Well, sir, it's nice.
00:40:08It was nice.
00:40:09What?
00:40:11That, what you just did.
00:40:13I didn't do anything.
00:40:16Come on.
00:40:22Ten minutes, ladies!
00:40:24Oh, my God! Everyone I know is here tonight.
00:40:28Oh, how sweet. You have to read this.
00:40:30They're from an old boyfriend of mine.
00:40:31Oh, I wonder if he knows that my new boyfriend is here tonight, too.
00:40:34Oh, my God!
00:40:38Oh, give those to her.
00:40:44Have a great show, everyone.
00:40:50I think I know who these are from.
00:40:52Who?
00:40:53Gabriel.
00:40:54Oh, is that your boyfriend?
00:41:00They're for you.
00:41:01Oh, no. That's okay. There's no more room.
00:41:03You can keep them.
00:41:05Thanks.
00:41:08Rich.
00:41:09What?
00:41:10She's watching us.
00:41:11Who is she?
00:41:12Trixie.
00:41:14So?
00:41:15I think she's lonely.
00:41:16No, she's not lonely.
00:41:17She's... no.
00:41:18I'm sorry.
00:41:19I'm sorry.
00:41:20I'm sorry.
00:41:21I'm sorry.
00:41:22I'm sorry.
00:41:23I'm sorry.
00:41:24I want to feed her.
00:41:25She looks hungry.
00:41:26Hi, Trixie.
00:41:27Hi, Trixie.
00:41:28Who is she?
00:41:29Who is she?
00:41:30Trixie.
00:41:31So?
00:41:32I think she's lonely.
00:41:33Oh, no.
00:41:34She's not lonely.
00:41:35She's... no.
00:41:36I want to feed her.
00:41:38She looks hungry.
00:41:39Hi, Trixie.
00:41:43Do you have any menus? I think I'm hungry.
00:42:02You're always hungry.
00:42:04You're always horny.
00:42:06Hey, he's with me.
00:42:15Don't we need our handstand?
00:42:17No.
00:42:29Hey, sexy.
00:42:31Woo!
00:42:32Hey, you never call me.
00:42:33Yep.
00:42:34Want something to drink?
00:42:36No, thanks.
00:42:46Crowded.
00:42:47Aren't you hot?
00:42:48No.
00:42:49No.
00:42:49I am woman.
00:43:06Hear me roar.
00:43:08Numbers too big to ignore.
00:43:11And I know too much to go back and pretend.
00:43:18Cause I heard it all before.
00:43:22I've been down there on the floor.
00:43:25No one's ever gonna keep me down again.
00:43:30Oh, yes, I am wise.
00:43:35But this wears up for the pain.
00:43:40Yes, I paid the price.
00:43:43But look how much I gain.
00:43:46If I have to, I can do anything.
00:43:51I am strong.
00:43:52I am strong.
00:43:54Strong.
00:43:56I am invincible.
00:43:58Invincible.
00:44:00I am woman.
00:44:01Yeah.
00:44:02You can win but never break me
00:44:17Cause it only serves to make me
00:44:21More detour to achieve my final goal
00:44:26And I come back even stronger
00:44:31Not a novice any longer
00:44:34Cause you deepen the conviction in my soul
00:44:41Yes, I am wise
00:44:45But it's wisdom for the pain
00:44:48Yes, I pay the price
00:44:52But look how much I gain
00:44:55If I have to
00:44:58I can do anything
00:45:01I am strong
00:45:04I am invincible
00:45:08I am woman
00:45:11I am woman
00:45:21Watch me grow
00:45:23See me standing toe to toe
00:45:26As I spark my love
00:45:29Hey girl, Dino
00:45:31Man, I am fucking horny tonight
00:45:35I better get laid
00:45:37That's all I'm saying
00:45:38Should it be too hard
00:45:39Hi
00:45:39I got a tattoo yesterday
00:45:42What?
00:45:43A tattoo on my ass
00:45:44You gotta see it
00:45:45It's so cool
00:45:46It's hot in here
00:45:48Are you hot?
00:45:48Down, boy
00:45:49You're wasted
00:45:50Totally trash
00:45:52I can see that
00:45:53Do you need to sit?
00:45:53No, I wanna stand here with you
00:45:55And you
00:45:57Oh, I forgot to put white men on it
00:46:02My tattoo
00:46:03It's so cool
00:46:04It's a sailor
00:46:05Total beach cake
00:46:06I can't see him without a mirror
00:46:09Where's the bathroom?
00:46:13What?
00:46:13The bathroom
00:46:14Back there
00:46:16Where'd you pick up Priscilla?
00:46:42Gabriel
00:46:42What a drag
00:46:44Girl needs to loosen up
00:46:45Girl, leave him alone
00:46:46Let's get out of here before he comes back
00:46:50Dino
00:46:51I know, a friend invited me to a party in Tribeca
00:46:53Yeah, which friend?
00:46:54Some rich guy
00:46:56Look, I'm not into hanging out with a bunch of party burnouts
00:46:58It's not like that, baby
00:47:00It's yummy
00:47:00It's yummy
00:47:02Ooh
00:47:15So, uh, are you and Mark boyfriends?
00:47:34I'm sorry?
00:47:36What's your name?
00:47:38What's your name?
00:47:39Uh, Gabriel
00:47:40Gabriel
00:47:41Gabriel
00:47:42As in, blow Gabriel, blow?
00:47:46I've heard that before
00:47:48Yeah, well
00:47:49I miss Coco Peru
00:47:51Hello
00:47:52Hi
00:47:53Hello
00:47:54Hi
00:47:55Oh
00:47:56So, is Mark your boyfriend or just a trick?
00:48:01I don't know what we are
00:48:03Oh, I've heard that before
00:48:07Oh, Gabriel
00:48:09Gabriel, Gabriel, Gabriel, Gabriel, Gabriel, Gabriel, Gabriel, Gabriel
00:48:14Look, I'm not one to gossip
00:48:16It's not my nature
00:48:17Truth
00:48:18Truth
00:48:19Truth
00:48:20Now that's my nature
00:48:22Uh, can you stand over there?
00:48:24A little peace shine?
00:48:25Oh, don't worry
00:48:26Miss Coco's here to help
00:48:28Gabriel
00:48:29You look like a nice person
00:48:31You do
00:48:32So, as a truth seeker
00:48:34I feel it's my duty to tell you
00:48:37That Mark is a no good fucking piece of rat shit
00:48:40Don't get me wrong
00:48:42He's handsome
00:48:44He's charming
00:48:46Huge penis
00:48:48Huge penis
00:48:51Oh, believe me, Gabriel
00:48:54I know
00:48:55I know
00:48:57I'd, uh
00:48:59I'd really like to hear this
00:49:00But could you
00:49:01Turn around?
00:49:02Sure
00:49:03Yeah
00:49:05I remember the first time I met him
00:49:07Oh, yeah
00:49:08It was two years ago
00:49:09Gay Pride Day
00:49:10I was on the train
00:49:12Going home from the festivities
00:49:14And he was sitting across from me
00:49:17Sleeping
00:49:18But he wasn't really sleeping
00:49:20Oh, no
00:49:21No
00:49:22He was pretending to sleep
00:49:24Because he knows he looks like an angel when he's sleeping
00:49:27And not the anti-Christ he really is
00:49:29And even though I could tell he was faking
00:49:31I went along with it
00:49:33Calling me crazy? I don't know
00:49:35Anyway
00:49:37We started talking
00:49:38And he gives me some line about some old lady he lives with
00:49:42And he asked if he could go back to my place
00:49:44I told him
00:49:45I don't invite strangers up to my apartment
00:49:48And then
00:49:49He looks down at his crotch
00:49:51And then back up at me
00:49:52And he says
00:49:53It's big
00:49:54It's beautiful
00:49:56And you're gonna love it
00:49:58And I said
00:49:59Oh
00:50:00All right
00:50:01And
00:50:03As he walked me back to my apartment on that gay night of nights
00:50:08He took my hand gently into his
00:50:11And for a moment
00:50:13I felt like the luckiest drag queen in the world
00:50:17And I fantasized
00:50:18Yes
00:50:19This is it
00:50:20This is the man I'm gonna spend the rest of my life with
00:50:24Oh
00:50:25I'd be the one to show him the virtues of a loving heart
00:50:29But do you know what he did?
00:50:31He took that heart
00:50:33He tossed it on the floor
00:50:34And with his little sight and hopes he jumped
00:50:36He jumped hard
00:50:39The truth is Gabriel
00:50:41When we got back to my apartment
00:50:42He grabbed me
00:50:43He threw me on the bed
00:50:44He tore off all my clothes
00:50:45Will you hold on what god damn minute?
00:50:47Come on
00:50:48Jesus Christ
00:50:51Now I forgot where I was
00:50:53Where was I?
00:50:54He threw you on the bed
00:50:55Tore off all your clothes
00:50:57Right
00:50:58Right
00:51:00So I'm licking his balls
00:51:01Next thing I know
00:51:03He comes in my eye and he's out the door
00:51:06Gone
00:51:07You ever get cum in your eye Gabriel?
00:51:10It burns
00:51:13So
00:51:14There I was
00:51:15Lying in the middle of my bed
00:51:16Completely naked
00:51:17With an eye full of cum
00:51:18Thinking to myself
00:51:19Oh
00:51:21Oh
00:51:23Oh no
00:51:25And then
00:51:26The next day
00:51:27When I called the number he'd given me earlier
00:51:29It was the Brooklyn Botanical Gardens
00:51:31And would you believe
00:51:32They never even heard of a Mark Miranda
00:51:36But
00:51:37Am I bitter?
00:51:39Absolutely
00:51:40Let's face it Gabriel
00:51:41You're just another little phone number on a dirty cocktail napkin shoved into the bottom of his pocket
00:51:51Good boy
00:51:53But
00:51:54Do what you will
00:51:56I only offer you this information because
00:51:59I'm a giver
00:52:01Who knows
00:52:02Maybe someday we'll meet again
00:52:03And
00:52:04I'll be able to look at you and say
00:52:06Gabriel
00:52:08Gabriel
00:52:10Oof
00:52:12I told you so
00:52:13It's totally sick right?
00:52:23Sick
00:52:33I'm glam baby
00:52:35You don't even know how glam I am
00:52:40You want me?
00:52:41You want me?
00:52:42Yeah!
00:52:43Woo!
00:52:44Woo!
00:52:45Woo!
00:52:46Yeah!
00:52:47Woo!
00:52:48Baby
00:52:50Baby
00:52:51Baby
00:52:52Baby
00:52:53I told you
00:52:55Baby
00:52:57One of these days
00:52:59Love ain't been to me
00:53:02I'm cold
00:53:04Baby
00:53:05I'm leaving Monday
00:53:06Yes I
00:53:07Baby
00:53:08I'm leaving a side
00:53:09Good night Dino
00:53:10Good night Dino
00:53:11What?
00:53:12I'm going
00:53:14One of these days
00:53:15Love ain't sense to me
00:53:17I couldn't take it no more
00:53:19I couldn't take it no more
00:53:22Thank God
00:53:23Thank God
00:53:24Thank God
00:53:26How long
00:53:27How long
00:53:28How long
00:53:29How long
00:53:30How long
00:53:31How long
00:53:32How long
00:53:33How long
00:53:34How long
00:53:35How long
00:53:36How long
00:53:37How long
00:53:38Oh, one of these days, love and sin.
00:54:08Hey, hey, why are you sitting in the hall?
00:54:30How'd you come back?
00:54:34You're upset.
00:54:36No, no, I'm not upset.
00:54:39We shouldn't have gone there.
00:54:41No, no.
00:54:42No, it was good we went, really.
00:54:46You, uh, you didn't need to come back.
00:54:48Yes, I did.
00:54:51Can we go in and talk?
00:54:54They're, uh, they're still going at it.
00:54:58Oh, yeah, so you should probably, you should probably go home.
00:55:06I can't.
00:55:11I think I left my keys in your apartment.
00:55:16Knock.
00:55:21Shit.
00:55:22Shit.
00:55:23Oh, Bob.
00:55:24Yeah, um, yeah, who is it?
00:55:26It's Gabe.
00:55:27We're not finished.
00:55:29Can you come to the door?
00:55:30I need to talk.
00:55:31Yeah?
00:55:32Sorry.
00:55:33What do you need?
00:55:34Mark thinks he left his keys.
00:55:35Judy, did you see some keys?
00:55:37Where'd you leave them?
00:55:38I don't know.
00:55:39Maybe near the bed.
00:55:40I don't see them.
00:55:41Maybe you guys should just come in and look.
00:55:43Okay.
00:55:44It'll be faster that way.
00:55:45No, you're not coming in.
00:55:46Rich.
00:55:47He can't go home until he finds his keys.
00:55:48All right, all right.
00:55:49But you better be gone by the time I'm out of the bathroom.
00:55:50All right.
00:55:51Hi, Gabriel.
00:55:52Hi.
00:55:53Can you help us look?
00:55:54Well, where would they be?
00:55:55I'm not sure.
00:55:56I'm not sure.
00:55:57I'm not sure.
00:55:58I don't know.
00:55:59I don't know.
00:56:00Maybe near the bed.
00:56:01I don't see them.
00:56:02Maybe you guys should just come in and look.
00:56:04Okay.
00:56:05It'll be faster that way.
00:56:06It'll be faster than you guys.
00:56:07Okay.
00:56:08Hey, Gabriel.
00:56:09Hi.
00:56:10Can you help us look?
00:56:11Well, where would they be?
00:56:13I'm not sure.
00:56:14Gabriel.
00:56:17Did you guys just meet each other tonight?
00:56:19Yeah.
00:56:20Uh, can we make this as fast as possible?
00:56:22And you want to do each other?
00:56:27Yeah.
00:56:28Gabriel, how do you know you can trust this guy?
00:56:31You don't really know a thing about him.
00:56:33You're right.
00:56:34I don't know him at all.
00:56:36I think it's kind of a turn-on, don't you?
00:56:38Anonymous sex.
00:56:39It's pretty hot.
00:56:41Yeah, pretty hot.
00:56:42Uh, let's just look for the keys.
00:56:44That's the great thing about anonymous sex.
00:56:47You can say you're just about anyone,
00:56:49and your partner can't disagree.
00:56:50Do you want to see ID?
00:56:54Well, I do.
00:56:55Oh, you went to a SUNY school?
00:57:04What'd you major in?
00:57:06Journalism.
00:57:07Well, his name's really marked, Gabe.
00:57:10I-I don't see them.
00:57:12When you know too much about a person sometimes,
00:57:14it's hard to think of them sexually.
00:57:17But when you know someone only in a sexual way,
00:57:20it's hard to think of them as a person.
00:57:23Can I have my wallet back?
00:57:25I want to be a sex counselor someday.
00:57:27That's my dream.
00:57:29Great.
00:57:30You know, personally, as a sexually active female,
00:57:34I find the idea of two men getting on incredibly hot.
00:57:38Are-are you sure they're here?
00:57:40No, I'm not sure.
00:57:42Can you stand still for a second and let me explain?
00:57:44No.
00:57:45You know what they say.
00:57:46Everyone's bisexual to a degree.
00:57:49But to a degree everyone is.
00:57:52There's this part in Paris where everyone's bi.
00:57:55Everyone.
00:57:56There's no straight, there's no gay.
00:57:58Just bi.
00:57:59And anyone who hasn't been doesn't even know.
00:58:02It's great.
00:58:04Have you ever been to Paris, Gabriel?
00:58:06No.
00:58:07I bet you have, haven't you, Mark?
00:58:12Can we just find the keys?
00:58:14Oh, it hasn't been a very good night for someone.
00:58:17You guys done yet?
00:58:19We're looking!
00:58:20Why are you so upset, Gabriel?
00:58:22I'm not upset.
00:58:23Gabriel.
00:58:24Okay, I'm upset.
00:58:26Do you want to talk about it?
00:58:28No.
00:58:29Well, that's valid.
00:58:31Mark?
00:58:32I'm sorry.
00:58:33We never should have gone to that club.
00:58:35We were kissing him.
00:58:36Do you notice this guy I used to date?
00:58:39And actually he was kissing me.
00:58:41But technically you're right.
00:58:42And I'm sorry.
00:58:43I guess, I don't know.
00:58:44I don't usually go there with anybody.
00:58:48Especially not somebody I...
00:58:54I don't know what's happening tonight.
00:58:55I don't know how you feel about me.
00:58:58Gabriel, I think now's a good time for you to verbalize your feelings.
00:59:03Why did you just leave?
00:59:04Why didn't you say anything to me?
00:59:06Gabriel!
00:59:07I pay rent here too, you know!
00:59:09Gabriel, maybe Mark deserves to know why you left without telling him.
00:59:14I left because of what the drag queen in the bathroom told me.
00:59:19There was a drag queen in the bathroom?
00:59:22Here we go.
00:59:23What did he say?
00:59:24He said a lot.
00:59:25But the gist of it was that tonight was just a whole routine for you.
00:59:29What?
00:59:30Tonight.
00:59:31It was all lines.
00:59:32Oh, look at me.
00:59:33I'm sleeping on the subway.
00:59:34I was tired.
00:59:35You didn't have to stare.
00:59:36Because of this old lady I live with.
00:59:37I don't like bringing guys back to my place.
00:59:39And so what?
00:59:40I was trying to pick you up.
00:59:45Well, it worked.
00:59:46Why is that such a problem?
00:59:48Why were you even listening to him?
00:59:49Well, I didn't have much of a choice.
00:59:52I slept with him one time.
00:59:53He mentioned that.
00:59:55Look, did he also tell you he videotaped it?
00:59:57Oh, shit.
00:59:58Yeah, without telling me.
01:00:01And then, right when I'm about to, you know...
01:00:04Orgasm?
01:00:05Right.
01:00:06He tells me to move into the light.
01:00:08And I figured it out.
01:00:09So I grabbed the tape and I got the fuck out of there.
01:00:11Well, he didn't say that.
01:00:13About the video.
01:00:15But he said you left.
01:00:17You know, this whole night should have been over hours ago.
01:00:22It's gotten way too complicated.
01:00:24I just keep waiting for the other shoe to drop because...
01:00:27You know, I know that you're just gonna dump me like you dumped that whipping poof.
01:00:30What the hell is a whipping poof?
01:00:33A singer!
01:00:34Oh.
01:00:35I feel stupid spending this entire evening looking for a place just to get off.
01:00:40Was that all we were doing?
01:00:41That's all I was doing.
01:00:42Really?
01:00:43Definitely.
01:00:44You know...
01:00:45I know I picked you up on the subway and all.
01:00:46So I don't know why you'd be any different than...
01:00:48I don't know.
01:00:49I don't know.
01:00:50I thought there was something more going on tonight.
01:00:55And just for the record, the whipping poof dumped me.
01:01:00Oh.
01:01:01Oh.
01:01:02Oh.
01:01:03Oh.
01:01:04Oh.
01:01:05Oh.
01:01:06Oh.
01:01:07Oh.
01:01:08Oh.
01:01:09Oh.
01:01:10Oh.
01:01:11Oh.
01:01:12Oh.
01:01:13Oh.
01:01:14Oh.
01:01:15Oh.
01:01:16Oh.
01:01:17Oh.
01:01:18Oh.
01:01:19Oh.
01:01:20Oh.
01:01:21Oh.
01:01:22Oh.
01:01:23Oh.
01:01:24Oh.
01:01:25Oh.
01:01:26Oh.
01:01:27Oh.
01:01:28Oh.
01:01:29Oh.
01:01:30Oh.
01:01:31Oh.
01:01:32Oh.
01:01:33Oh.
01:01:34Oh.
01:01:35Oh.
01:01:36Oh.
01:01:37Oh.
01:01:38Oh.
01:01:39Oh.
01:01:40Oh.
01:01:41Oh.
01:01:42Oh.
01:01:43Oh.
01:01:44Oh.
01:02:15Hey, Mark.
01:02:25Judy found your keys.
01:02:36Thanks.
01:02:45Are you hungry?
01:02:53Oh, my God.
01:03:14It's so hysterical that you guys are here.
01:03:16Isn't that hilarious?
01:03:18French fries.
01:03:19You know, Gabe, it's really good you didn't come to the show tonight.
01:03:22We were really off.
01:03:23You want some?
01:03:24Yeah.
01:03:25Anyway, the girl playing John the Baptist, horribly allergic to gladiolas.
01:03:30Who knew?
01:03:30So there's a chance it might go on tomorrow night.
01:03:32You think we heard a cheese fries?
01:03:34Oh, yeah.
01:03:35Should we tell her?
01:03:37We're out of Thousand Island.
01:03:39I gave you ranch.
01:03:40Oh, well.
01:03:43Oh, my God.
01:03:43I have to tell you about this really artsy party this French-Canadian girl in my acting
01:03:47class threw.
01:03:48Like, everyone there, they wrote, like, poems or novellas or something.
01:03:50So this one college guy, he was Asian.
01:03:52He gets up with this little leatherette portfolio with a satin ribbon to tie it shut, and he's
01:03:56going to read poetry.
01:03:57But before he starts reading, he tells us about his fascination with the human body.
01:04:01But he says what fascinates him even more is what comes out of the human body.
01:04:06Oh, I know I'm lactose intolerant, but I really wish these had cheese on them.
01:04:10Anyway, evidently, he's tasted everything that's come out of his body except shit.
01:04:13And he says he'll probably taste that one day, too.
01:04:15And then he reads a poem about shit.
01:04:17So I'm thinking, okay, this guy really likes shit, right?
01:04:19But then he keeps reading, and he reads 17 poems all about shit.
01:04:2317, I'm not kidding.
01:04:24And he's talking about the smells and the colors and the farting.
01:04:27Gave Pete, pass me the ketchup.
01:04:28Thanks.
01:04:29Anyway, I was so relieved when he got tired of reading.
01:04:31Then this ethnic woman stands up.
01:04:33She was, like, Native American or Filipino.
01:04:35I can never really tell the difference.
01:04:36She didn't have a poem to read.
01:04:38So she tells us about a problem that she's having, the sex problem.
01:04:41She said there's, like, some force that's just making her screw around all the time.
01:04:45That all these guys are after her.
01:04:47And, I mean, she's not what I would call sexy.
01:04:50Well, not that I'm into women that way.
01:04:51But, you know, I can tell when a woman's sexy.
01:04:52I mean, it's not that she was a skank or anything.
01:04:56She just wasn't what I would call sexy.
01:04:57That's all.
01:04:58So, anyway, this is really funny.
01:05:00I drank so much homemade rosehip iced tea that I really had to pee right in the middle of her story, right?
01:05:06So I get up.
01:05:07I go to the bathroom.
01:05:08But the bathroom door's locked.
01:05:09So I'm kind of just standing there.
01:05:10I'm looking at the wallpaper.
01:05:11Whoa, whoa, which is really kind of giving me a headache.
01:05:13Then all of a sudden, the toilet flushes.
01:05:15The door opens.
01:05:15And the shit guy walks out.
01:05:17And he's smiling.
01:05:18And not one of those, like, polite acknowledgement smiles.
01:05:20He's, like, smiling, like he's happy about something.
01:05:23And all of a sudden, I didn't have to pee anymore.
01:05:25How's everything?
01:05:27Fine.
01:05:27Everything's fine.
01:05:28Hey, do you want to hear the audition monologue I've been working on?
01:05:30Catherine!
01:05:31No, I have all new intentions.
01:05:32You really...
01:05:33You really don't get it.
01:05:35What?
01:05:38You've been...
01:05:38You have been monopolizing this entire conversation since we got here.
01:05:44Look, you're my best friend.
01:05:46You know I love you.
01:05:47But right now, I don't want to hear your audition monologue.
01:05:50I didn't come here to have you sit down, invite yourself over, and talk about shit.
01:05:58I was just talking.
01:06:00I know, but...
01:06:01Why...
01:06:01Why are you being such a jerk all of a sudden?
01:06:06Yeah.
01:06:07Shit's funny.
01:06:08Shit's shit.
01:06:10Give it a rest, you Nancy Pris-ass, and let us enjoy ourselves.
01:06:13Yeah.
01:06:15Okay.
01:06:16Okay.
01:06:17I promise I'll call tomorrow.
01:06:20I promise I'll see your show.
01:06:21But right now, I need to be alone.
01:06:24With Mark.
01:06:25Look, please, don't ruin this for me.
01:06:30Gabriel, what are you trying to say?
01:06:32Go someplace else.
01:06:34Take your girlfriends, practice your audition monologue on them, whatever, but please, just go.
01:06:46You know, every time that you insinuate that I should sleep with women, I feel like...
01:06:52I didn't mean...
01:06:53I don't know.
01:06:55I...
01:06:55I...
01:06:55I feel like I have to respond respectfully or something, because I don't want you to think
01:07:00that I think that it's wrong, or it's bad, or it's nasty.
01:07:03I didn't mean...
01:07:04But you bring it up every five minutes.
01:07:05It's annoying.
01:07:06It's probably the most annoying thing about you.
01:07:07Don't get upset.
01:07:08I don't want to sleep with women.
01:07:10I'm sorry, Gwen.
01:07:11I can't tell you why.
01:07:13You're not that way.
01:07:15That's why.
01:07:16Catherine.
01:07:17Yes, I can.
01:07:18I can.
01:07:19This may be hard for you to believe, gay boy, but I am heterosexual.
01:07:24Yes, yes, there are such things as heterosexuals in this world, and I am one of them.
01:07:28But you won't listen to me.
01:07:29You just won't drop the subject.
01:07:31Just because it bothers you so much, it's obvious you have lesbian issues you're too afraid
01:07:35to face.
01:07:35God, it's like when my dad asked why I won't move to New Jersey.
01:07:49What?
01:07:50Well, if I moved to New Jersey, it would take me an hour and a half just to get to an audition.
01:07:53Can you imagine if my dad said I can tell by your reaction there's a part of you that
01:07:56wants to move to New Jersey, but you're just too afraid to face it?
01:07:58Holy wow.
01:08:00God, doesn't anybody here get it?
01:08:02I'm not a lesbian.
01:08:03I don't want to move to New Jersey.
01:08:05And where's the cheese?
01:08:06Where's the cheese on these goddamn fucking fries?
01:08:08Can you let me out?
01:08:30Can you let me out?
01:08:38Hey, puss.
01:08:57I'm sorry, babe.
01:08:59I'm sorry that I got so mad.
01:09:02I'm sorry.
01:09:03It's my fault.
01:09:08We may have a dike, I don't know.
01:09:11It'd be a whole lot easier to get a date.
01:09:23Oh, God.
01:09:26Why can't you be straight?
01:09:29I don't like any straight men.
01:09:31I don't know any straight men.
01:09:33Cass, are you okay?
01:09:38Oh, yeah, I'm fine.
01:09:39You owe me four dollars for the french fries.
01:09:41We're going back to my place to watch a video of tonight's show.
01:09:43Do you want to go?
01:09:44Sure, one second.
01:09:45Ugh.
01:09:46Well, you better get back inside.
01:09:54Now, I'm going to put your name on the accomplice for tomorrow night.
01:09:57Okay.
01:09:58I'll be there.
01:10:02You better motherfucker.
01:10:03I'll be there.
01:10:33But, you know, some of the mess.
01:10:36I mean, I did have a good time tonight.
01:10:41Even though you've got to admit it was really a mess.
01:10:47You know, I would have invited you back to my place, but...
01:10:51Oh, it's all right.
01:10:52Don't worry about it.
01:10:53No, I would have, but the lady I told you about...
01:10:57Yeah?
01:10:57She's my mother.
01:11:01I live at home.
01:11:14I have to pee.
01:11:18Me too.
01:11:19We're alone.
01:11:39And to you, while I hit showtime, I hear the music of a...
01:11:52And to you...
01:11:56You're singing it wrong.
01:11:58What?
01:11:59Don't sing it.
01:11:59It's a good song.
01:12:05Shut up.
01:12:07It is.
01:12:10You're being polite.
01:12:11Shut up.
01:12:19You really think so?
01:12:21Yeah.
01:12:22It's really good.
01:12:24And to you, that's all I know.
01:12:27You have to seize me the rest.
01:12:30I need a piano.
01:12:32We've already established that.
01:12:33You're being polite.
01:12:34You're being polite.
01:12:34You're being polite.
01:12:35You're being polite.
01:12:36You're being polite.
01:12:36You're being polite.
01:12:37You're being polite.
01:12:37You're being polite.
01:12:38You're being polite.
01:12:38You're being polite.
01:12:39You're being polite.
01:12:39You're being polite.
01:12:40You're being polite.
01:12:40You're being polite.
01:12:41You're being polite.
01:12:41You're being polite.
01:12:42You're being polite.
01:12:42You're being polite.
01:12:43You're being polite.
01:12:44You're being polite.
01:12:44You're being polite.
01:12:45You're being polite.
01:12:46You're being polite.
01:12:47You're being polite.
01:12:48You're being polite.
01:12:49You're being polite.
01:12:50You're being polite.
01:12:51You're being polite.
01:12:52You're being polite.
01:12:53You're being polite.
01:12:54You know, I think it's good how this turned out.
01:13:08You do.
01:13:10Yeah, we get the hard part over with.
01:13:14What about sex?
01:13:18What kind of a girl do you think I am?
01:13:24What about sex?
01:14:54Hey, this is Mark.
01:15:01You got me.
01:15:03Leave a message.
01:15:04Enter you.
01:15:25You brought the house down with a dance and a dumb ditty.
01:15:35Enter you.
01:15:37In less than no time, this ugly drama has become pretty.
01:16:02The scene's too long, life was like an uninspiring flame
01:16:08But without a fear, the gates be centered
01:16:13I thought my story life was true
01:16:17Then come the first, next, you are
01:16:31I thought my story life was true
01:17:01I thought my story life was true
01:17:31I never thought I'd find someone like you
01:17:51Though in my every fantasy, I saw you every day
01:17:58I thought there was no way to make my dream come true
01:18:04I always thought that I would be alone
01:18:10Afraid to dream that anyone was ever gonna see
01:18:17The love inside of me
01:18:20But how could I have known?
01:18:27A trick of fate would bring us together
01:18:33A trick of fate would alter our lives
01:18:39We had to wait, it seemed like forever
01:18:45But never say never
01:18:51To a trick of fate
01:18:58What were the chances I'd be here with you
01:19:06Then after all the lonely years
01:19:10Searching everywhere
01:19:13I turn and you'd be there
01:19:16Then clear out of the blue
01:19:19Our lives are in the hands of destiny
01:19:26And though we try to take control
01:19:29And though we try to take control
01:19:30That's not the way it goes
01:19:33A higher power knows
01:19:34A higher power knows
01:19:35A higher power knows
01:19:36How it's supposed to be
01:19:40A higher powermadre
01:19:41A higher power knows
01:19:42A higher power means
01:19:43To a incredible heart
01:20:04Never say never to a trick of fate And now something has begun, something very new
01:20:24And suddenly the future's looking right
01:20:28Somehow when two hearts beat as one Fairy tales come true
01:20:36And anything seems impossible tonight
01:20:42A trick of fate brought us together A trick of fate alter our lives
01:20:54We had to wait and sing like forever
01:21:02But never say never to a trick of fate
01:21:12It just goes to show That you never know Where love's gonna grow
01:21:26Oh, it's a trick of fate
01:21:34Oh, it's a trick of fate
01:21:47Wow
01:21:51Oh, it's a trick of fate
01:21:54Oh, it's a trick of fate
01:21:56It looks simple
01:21:56That we're going to die
01:21:58Hello
01:22:00Hello
01:22:00Oh, it's a trick of fate
01:22:01Whoa
01:22:02Oh, it's a trick
01:22:02In a happy Interior
01:22:03Yeah, there's a trick here
01:22:04Them just flip it
01:22:06right
01:22:07Yeah, Stay
01:22:08Okay, Annie
01:22:09There is a trick here
01:22:11Where are you going?
01:22:12To it
01:22:12Step
01:22:13Telltёр
01:22:14To it
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