- 5/7/2025
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Film pendekTranskrip
00:00This video is brought to you by S.T.A.L.D.
01:00Will you smoke with me, Da Vinci?
01:09Well, that depends on what's in the pipe.
01:12It is a mixture of tobacco and black hellebore, and is rumored to induce visions and summon demons.
01:21Well, I play for neither.
01:22Then why do you struggle so hard to keep both at bay?
01:30History is a lie that has been honed like a weapon by people who have suppressed the truth.
01:42The knowledge you are destined to learn will upend the established order of things.
01:47How could you possibly know that?
01:49You have heard the phrase, time is a river.
01:52Yes.
01:52What most fail to grasp is that the river is circular.
01:57One man's death opens a doorway to the birth of the next.
02:03Would you like to know how this particular doorway opened?
02:07Yes.
02:08Be forewarned then.
02:09Some doorways lead into darkness.
02:14Out you go, boy.
02:43Get home with you.
02:44Go on, go on.
03:01Chico!
03:02What day is it today?
03:12Palm Sunday.
03:14Oh, balls.
03:15The Duchess and your children are already waiting at the church.
03:20Could you round me up some coddled eggs?
03:22I have a beastly hangover, and my bowels are in a tumble.
03:25Well, I'll be dressed in about a minute.
03:28At ease, people, I've arrived.
03:52Be gone, you artless fuckwit.
04:01This is my moment.
04:02And thanks to the secret archives, it's the last you will ever enjoy.
04:05Tell me a secret, Leonardo.
04:28What was your earliest memory?
04:34Or better yet, your greatest fear?
04:38In my case, the two go hand in hand.
04:41I was, um...
04:41I was six months old.
04:45No-one remembers back that far.
04:46Or perhaps I'm unique.
04:48Oh.
04:49My mother, um, put me in a cradle out in the field.
04:57And a falcon flew down.
05:00I can still recall it.
05:01It just perched there, looking at me.
05:04It's almost as if it were trying to reveal some kind of mystery.
05:08My mother drove it away.
05:11Yeah, as clear as that memory is,
05:14the one thing I can never recall is my mother's face.
05:17I can draw anything I've seen.
05:22Even in passing.
05:25And when it comes to my mother, all I see is a void.
05:28She disappeared that night.
05:30I've been trying to recall her face ever since.
05:33All men are searching for their mothers.
05:35That's what guides you between our fights.
05:38I pay you to pose, Vanessa.
05:40Not plumbly in the most depth of my character.
05:42If you expect me to bear my figure for you,
05:44I expect you to bear your soul in return.
05:48So tell me,
05:49is there nothing else you fear?
05:58Only imperfection.
06:00Maestro!
06:01Maestro!
06:02You're late, Nico!
06:05Well, you're late.
06:07Verrocco's been looking for you.
06:08Well, you can wait!
06:10We've an experiment to conduct.
06:11You're meant to play a principal role in it.
06:13Come on.
06:14Hello.
06:16They're called breasts, Nico.
06:17Everyone possesses them.
06:19Nico!
06:20That's Vanessa.
06:21She's newly liberated from the convent of St Anthony.
06:24Just help me with this.
06:27Just climb into that harness.
06:30Okay, today we are attempting to ascertain
06:32whether or not this kite
06:33can provide the necessary wind resistance
06:35to support your weight.
06:37Well, Maestro, what if it can't?
06:38Vanessa!
06:39Hmm?
06:39Do you mind just prancing about for a moment?
06:41You see?
06:42Those weighted ribbons
06:43allow me to calculate
06:45the strength and direction of the wind.
06:46In this case, I would say...
06:48It's about 20 knots
06:50and shifting westerly.
06:54Ha, ha, ha!
06:56Ha!
06:57Wait, Maestro!
06:58What if our calculations are wrong?
06:59Wait, Maestro, Maestro, Maestro, please!
07:08Please, stop!
07:10Oh, wait, Maestro!
07:11Oh, my God, please!
07:29You're flying, Ego!
07:44My strong!
07:47It's perfect!
07:52Look, look!
07:54Look so high!
08:03My coach!
08:03Look so high!
08:04Oh, my God.
08:34It works! It works, my show!
08:40I've never had any doubt!
08:46Oh, God, I hate this place.
08:48What?
08:49Where else do we practice our flights but in Florence?
08:53Anywhere else, we'd just be burnt at the stake for our efforts.
08:56But here, I'm just another free-thinking heretic.
09:00Chaos, culture, it's all celebrated
09:03within these walls.
09:05Florence only demands one thing of its people.
09:08To be truly awake.
09:13Like that angelic vision.
09:16Don't even think about it, maestro.
09:17That's Lucretia Donato.
09:19And Lorenzo Donatich's mistress.
09:20I'm not aware of who she is.
09:22Well, we'll break on the wheel if we catch you looking at her.
09:26But what if she's caught looking at me?
09:33Bad tidings from the land, maker.
09:39How can you tell?
09:40That serpent on the rider's surcoat is the bestiality.
09:43It's the Sforza family emblem.
09:46If he was bringing good news,
09:47he'd have been dressed in the more traditional
09:49red and white shield of Milan.
09:51Whatever the message is, Lorenzo won't be happy with it.
09:54I don't know.
10:15How old are you?
10:20Lorenzo?
10:21Lorenzo?
10:21The Duke of Milan is dead.
10:27Assassinated.
10:28By whose hand?
10:30Visconti and two others.
10:31An honour killing, then.
10:33They say the Duke deflowered his niece.
10:37Sforza was a pig of epic appetites.
10:39Yes, but he was our pig!
10:43I sense the Vatican's hand behind this.
10:45The timing is just too perfect.
10:48If you're right, this upsets the balance of power in Italy, Lorenzo.
10:51Oh, by God, Becky, this more than upsets.
10:53This all but decapitates the concept and shits down its throat!
11:04We need to shore up public support.
11:07Easter holiday is nearly upon us.
11:09Let's throw a carnival.
11:11Allow the people of Florence to celebrate the end of Lent as they do its arrival.
11:15The more flamboyant the pageantry, the stronger we appear.
11:18You're not fucking peacocks, Giuliana.
11:21A carnival is all well and good, but if it has no teeth behind it, we might as well slit our own throats.
11:26You're frightened?
11:37No, most holy father.
11:40Lying is a sin, my dear boy.
11:42Separates us from God's dreams.
11:48Yes.
11:49I'm frightened.
11:50But that's also a lie, isn't it?
11:56At least, a partial word.
11:59A venial sin, perhaps.
12:02So, which statement is correct?
12:09Speak, child.
12:11Don't you want to enter heaven?
12:12The proper answer would be...
12:19Please, it's hopelessly easier than any visitors.
12:24Our men succeeded, your grace.
12:27Sforza is dead.
12:31Florence is ripe for the picking, your eminence.
12:34Trust me.
12:35You know this how?
12:38Because I have an agent within Lorenzo's ranks.
12:42The Medicis are throwing a carnival in a pathetic bid to win the people's favor.
12:49They're weak, your herdiness.
12:51This is your chance to strike.
12:53Not mine.
12:55Nephew.
12:55The Lord is...
12:59There's another reason for haste.
13:02The Turk has arrived in Florence.
13:05He's after the Book of Leaves.
13:14I am truly sorry.
13:21Why?
13:22Because you can't have heard this.
13:26No!
13:57Do you have the plans for the Columbina or not?
14:01We do. And they're breathtaking.
14:04Then produce these miraculous renderings and let us evaluate them.
14:08Unfortunately, I can't.
14:10Because they don't exist.
14:12By God! If you think you can defraud the House of Medici!
14:15No, no, no! They do exist, I promise you.
14:19They're in this chest.
14:23Open it.
14:24It's locked.
14:25Well, then I'll take my sword.
14:27Wait! Wait!
14:29The chest is rigged to explode if anyone tampers with it.
14:33Are you mad?
14:35Why would anyone engineer such an infernal contrivance?
14:38To protect my ideas.
14:40Obviously.
14:42Gentlemen.
14:44Leonardo da Vinci.
14:45Ah.
14:46I've heard of you. They say you're quite the free thinker.
14:49You're late.
14:50Great.
14:51So!
14:52The first citizen of Florence is desperate for us to fashion him a Columbina.
14:56Desperate is a strong word.
14:58And yet it happens to be the word I used.
15:01But!
15:02Let's review.
15:03Every Easter, a grand procession makes its way through the streets of Florence, terminating at the cathedral where mass is held.
15:09Why do you insist on stating what every child of three already knows?
15:13Why do you insist on interrupting me?
15:15I have a methodology.
15:16We can follow it or we can flail about.
15:22I'll take your silence as a vote for the former.
15:23Onward!
15:24At the culmination of mass, a mechanical dove, the Columbina, is flown from the altar on a wire out into the public square.
15:31It soars.
15:32Ignites a cart full of fireworks.
15:34The Republic celebrates.
15:35They don masks.
15:36They engage in drunken reverie.
15:38Now, for years, the House of Medici has contracted with inferior workshops to produce said ceremonial dove.
15:47But this year, if I am to understand the politics of foot, the same shoddy pageantry just won't do.
15:57No one's carped about our dove before.
15:59To call your previous efforts a dove is to insult the entire avian class.
16:03Enough!
16:04Just show us the damn thing.
16:06All right.
16:28That's but a quarter scale model.
16:30There.
16:31It's a thing of beauty, I'll grant you that.
16:36Yes.
16:37And it can be yours for 30 florins.
16:3930?
16:40Yeah.
16:41The contract stated 12.
16:42That was for a bird that needed a guide wire.
16:45This miracle requires no such handicap.
17:0130 florins is sodomy.
17:02Perhaps I should be negotiating with your older brother instead.
17:06Ha!
17:07Ha!
17:08Ha!
17:09Ha!
17:10Ha!
17:11Ha!
17:12Ha!
17:13Ha!
17:14Ha!
17:15Ha!
17:16Ha!
17:17Ha!
17:18Ha!
17:19Ha!
17:20Ha!
17:21Ha!
17:22Ha!
17:23Ha!
17:24Ha!
17:25Ha!
17:26Ha!
17:27Ha!
17:28Ha!
17:29Ha!
17:30Ha!
17:31Ha!
17:32Ha!
17:33Ha!
17:34Ha!
17:35Ha!
17:36For God's sake, Becky.
17:37Just pay the degenerate and be done with it.
17:39You win, Artista.
17:40As is customary with commissions, we shall pay half now.
17:41And half upon completion.
17:42While we're on the subject of commissions, I'm told that there's an open one to paint Lucretia
17:44Donati.
17:45Lorenzo's mistress?
17:46Stick to your whirligicks and parlor tricks, Da Vinci.
17:47Take a lesson from Icarus.
17:48For once, I'll pay half now.
17:49And half upon completion.
17:50While we're on the subject of commissions, I'm told that there's an open one to paint
17:57Lucretia Donati.
17:59Lorenzo's mistress?
18:01Stick to your whirligicks and parlor tricks, Da Vinci.
18:06Take a lesson from Icarus.
18:09What?
18:10For once you're ready...
18:23Don't put any pressure...
18:27It's the bird.
18:28It's the organism...
18:30I don't know.
19:00So tell me, is there nothing else you fear?
19:30Are you all right?
19:34It's just a nightmare.
19:40You have them all too frequently.
19:42I'm having some issues with my mathematics.
19:45That's all.
19:47Issues?
19:48I'm not sure that the Colombino will be flight-worthy based.
19:53But the model was...
19:54There's a model.
19:56Once I scale up the dimensions, the calculations don't fall.
19:59That's annoying!
20:03Smoking opium won't help matters.
20:05Close my head.
20:05It clouds it.
20:06What are you, my nursemaid?
20:08I think too much, all right?
20:10I need to dull my thought or I will be eviscerated by that.
20:13I would have thought that you would have...
20:15Stop that!
20:16Fight me!
20:17Ow!
20:20The tears of the poppy have medicinal properties.
20:24Priests in Egypt understood that...
20:25We are not in Egypt.
20:26And you are no priest.
20:36You have a gift, Leo.
20:38A kind of...
20:39Genius.
20:41The likes of which I've never seen.
20:43Because of that, people will always seek to destroy you.
20:48Please.
20:51Don't aid them in their endeavor.
20:56Oh, my God.
21:26Six denarii apiece.
21:28I'll give you two soldi for the lot.
21:30Are you trying to offend me?
21:32No, if I was trying to offend you.
21:34They're coming on the scent of faecal matter wafting from your hindquarters.
21:38Do you want the soldi or not? They're my last.
21:41I'm bored.
21:46No, I'm only interested in the birds.
21:48Just open the cage on my say-so.
21:50He's obsessed with flight, studies him for inspiration.
21:56Now!
22:06Now!
22:26Now!
22:28Now!
22:30Now!
22:32Now!
22:34Now!
22:36Now!
22:38Now!
22:40Now!
22:42Now!
22:44Now!
22:46Now!
22:48Now!
22:50Now!
22:51Now!
22:52Now!
22:53Now!
22:54Now!
22:55Now!
22:56Now!
22:57Now!
22:58Now!
22:59Now!
23:00Now!
23:01Now!
23:02Now!
23:03Now!
23:04Now!
23:05Now!
23:06Now!
23:07Now!
23:08Now!
23:09Now!
23:10Now!
23:11Now!
23:12Now!
23:13Now!
23:14Now!
23:15Now!
23:16Now!
23:17Now!
23:18Now!
23:19Now!
23:20Now!
23:21Now!
23:22Now!
23:23Now!
23:24Now!
23:25Now!
23:26Now!
23:27Now!
23:28Now!
23:29Now!
23:30Come on, Nico. Let's stir the pot a little.
23:34You're magnificent.
23:37My name is Leonardo da Vinci.
23:39Perhaps you've heard of me. I'm designing your Easter Columbina.
23:42Oh, yes, sir.
23:44You're the eccentric that Ferrocchio employs.
23:48I'm an artist, yes, and an anatomist, and an engineer of some note.
23:51Extortionist is the word I recall using.
23:53I drive a stiff bargain. It's true.
23:55But the fact is, I have designed a more ambitious series of devices
23:59that I know your Precipian mind will take into account.
24:02Move along, vermin.
24:08Another time.
24:10Perhaps.
24:19I'm wounded, Nico.
24:22I need wine.
24:25How goes business, Zoroaster?
24:37Execrable since the Duke's demise is the dark times for Florence.
24:41Case in point, those mercenaries flooding into town.
24:43If war does break out, they'll be the only ones gainfully employed.
24:46And, speaking of employment,
24:48two-headed calf stillborn on Zito's farm.
24:51I can procure it if you like the medical studies.
24:52The last corpse you robbed me was already decomposing by the time I took a scalpel to it.
24:56Leo, grave robbing is like fishmongering.
24:57Sometimes you're at the mercy of the day's catch.
24:59Come on.
25:00Bore sausage.
25:01You know damn well that I am a vegetarian.
25:04Yeah, I keep hoping to corrupt you.
25:05Oh, I'm corruptible.
25:07I just prefer not to eat anything with eyes.
25:09Taters have eyes.
25:10Oh, fuck off, Nico.
25:12Maestro.
25:14May I model for you again?
25:17No one looks at my form as you do.
25:18No one looks at any form as I do.
25:20Go pedal your way as a pot of celli.
25:21He's an easy mark.
25:25Model.
25:26That boy's nothing but a hustler.
25:27And an artless one at that.
25:29A bit pleasing to the eye.
25:31Nonetheless.
25:31Piss.
25:33Here.
25:34Have a gander at these.
25:35My latest venture.
25:37They're called tarot cards.
25:40They're used to divine fortunes.
25:43Here.
25:44Pick one, Nico.
25:45We'll see if it squares with your temperament.
25:47Funny.
25:48It's a trick.
25:49Is it?
25:50Or am I simply channelling the powers of the ancients?
25:52How many women has that line worked on, Zoe?
25:54A respectable amount, thank you very much.
25:56And a goody number of gentlemen as well.
25:59Well, a card can symbolise not just one's temperament,
26:02but one's fate.
26:04Do you dare see yours?
26:13Tell me.
26:15Don't hold back.
26:19This one represents sacrifice.
26:24Suspension between life and death.
26:26And then, perhaps, a great awakening.
26:33I'm an idiot.
26:36Those mercenaries.
26:37Florence has no army of its own,
26:38so they're here to sell their muscle, right?
26:41But what if there was a more lucrative way
26:42to traffic in the Republic's unease?
26:45Like what?
26:45I should be promoting myself
26:47as a military engineer,
26:48not a painter.
26:50War has always been the handmaiden of progress.
26:53If I want to explore my ideas,
26:55I just need to cloak them
26:56in the guise of Florence's defence.
26:58Why are the officers
26:59and night bothering that man?
27:02He's a Turk.
27:04Heathen.
27:04Isn't that reason enough?
27:05No.
27:11No, this isn't your fight, Leo.
27:13Well, when's that ever stopped me?
27:18What seems to be the trouble, Bill?
27:20About your sketchbook scribbler,
27:22this isn't your concern.
27:23You see, unfortunately,
27:27I have this character flaw
27:30that compels me to intervene
27:32whenever stupidity rears its head, so...
27:34You see?
27:37That was stupid.
27:38Because your man's grip was too loose.
27:40And now he finds himself
27:42staring down this handsome spud of filo.
27:47It's more stupidity!
27:50Like, if you just asked around,
27:52anyone will tell you that I'm ambidextrous.
27:54I'm perfectly capable of fighting two...
27:56Or even...
27:57Even three men, simultaneously.
28:02Bully someone else, Dragonetti.
28:08You made a serious miscalculation tonight,
28:12Artista.
28:13No, it wouldn't be the first time.
28:22Are you all right, sir?
28:27I am more than all right.
28:28I am a son of Earth
28:30and starry heaven.
28:34I return to Constantinople
28:35the day after tomorrow,
28:37but I am staying
28:38at the Inn of the Black Swan.
28:41Come see me before I leave.
28:45Maestro.
28:45A bit weird.
28:52What did he give you?
28:55A tip, I think.
28:58As gone as my witness,
28:59it was her mother.
29:02Same odds.
29:04Very different faces.
29:05And when I realised,
29:07I did a little sick on her tip.
29:09Take him, Nico.
29:11Jesus.
29:12And never make it home alone.
29:13Are you sure, Maestro?
29:14It's after curfew.
29:15They're bound to be rogues about.
29:16Then I'll fit right in.
29:18Go.
29:18Listen, Nick.
29:19What?
29:19I didn't do that, man.
29:22That was all you.
29:25It was an omen.
29:26It was just like the two-headed cop.
29:27No, I don't believe in omens.
29:28Where?
29:29No.
29:29Neither should you.
29:30Go.
29:31Go!
29:32Go!
29:34I need my bed.
29:43I know it's you, Dragonetti.
29:50Did you not learn your lesson, Alia?
29:58Ah.
30:01I guess you did learn.
30:02That's enough.
30:14That's just enough.
30:15People are talking about you.
30:18And not in a positive light.
30:21Oh, I can't care less.
30:23What are they saying about you?
30:24I care!
30:25I'll not have you tarnishing our family's name
30:29with your flippant tone
30:30and your vulgar attempts at self-promotion.
30:35Perhaps I should disown me, then.
30:37You're my firstborn.
30:38And much as I may wish to disavow you,
30:41our reputations are intertwined.
30:44Firstborn?
30:48You say that as if...
30:49My wife, Margarita,
30:52bore me a son.
30:55This past week.
30:58A legitimate heir.
31:02Well, my condolences to...
31:03I wonder how long it will take him
31:06to curse his lineage.
31:08As a bastard,
31:10your rank within the social order
31:11has been rigidly defined.
31:13You should endeavor to remain within it.
31:15Stay away from the Medici's, Leonardo.
31:19I'll not warn you again.
31:20I'll wager you will.
31:21Why do you have to make this so difficult?
31:23This is my nature!
31:25I see things as they are,
31:26not as they might be!
31:28You will never achieve greatness.
31:44Where is I?
31:49I already am.
31:58You're kneeling in a dungeon,
32:01about to be hit again and again
32:03by men who know how to hit.
32:07that's what you've achieved, Leonardo.
32:22Beat him for another hour
32:24and toss him back onto the street
32:27with the rest of the garbage.
32:29Hold out the scribbler's hand.
32:33No!
32:38I mean, to be fair,
32:44you actually look more wretched than I,
32:46so...
32:47well done.
32:50Perhaps you should see a physician.
32:52I'm fine.
32:52Oh, they're executing a Jew today.
32:56Apparently they caught him breaking into the bookshop on the Via de Libre.
32:59It should be a good sport.
33:00I'm not sure a man's death should be characterised as a sport.
33:04This fucking spot is too sunny. Can't we move over into the shade?
33:07No.
33:08Why?
33:09Because every morning at precisely this time,
33:11Lucretia Genotti comes to this exact spot to purchase flowers.
33:17There.
33:22She's appealing, grant you that.
33:27I'd rather bed that old toothless hag over there.
33:30No, you're just being contrary.
33:32It takes no great skill to fuck a pretty face,
33:35but a truly ugly woman, that actually requires discipline.
33:39And let me tell you, my friend, done right, transcendent experience.
33:52What the devil are you up to, Leo?
34:14She wants to speak with you.
34:40Uh-huh.
34:41Walter, I'm busy.
34:42You're seriously not turning her down?
34:44Tell her, isn't her?
34:46Timing is all.
34:51He can't right now.
34:56Behold!
34:57A criminal in our midst!
35:00A Jew, no less!
35:02Watch him dance!
35:03Watch him dangle!
35:06Bring your fruit and small stones!
35:09God protect the Republic of Florence!
35:11I'm a son of earth and starry heaven.
35:21I'm thirsty.
35:23Please, give me something to drink from the fountain of memory.
35:26Are you all right, Maestri?
35:46I need to leave.
35:47Is there a foreigner staying here?
35:57A Turkish man.
35:58He said you could find him at the Roman ruins, north of town.
36:01And he said you should to trade?
36:09No.
36:10Look, I'm praying.
36:11Yes?
36:11He said any.
36:12It's shown to be able to follow this.
36:14He's a s Biden family.
36:15Good night.
36:19Have aå‘€.
36:22Go, go, go.
36:22I've counted this.
36:23Go, go.
36:24Go, go, go.
36:25Go, go.
36:25Go, go, go.
36:26Will you smoke with me, Da Vinci?
36:48Well, that depends on what's in the pipe.
36:56History is a lie that has been honed like a weapon by people who have suppressed the truth.
37:12Centuries from now, your own history will also be suppressed.
37:16How could you possibly know that?
37:18You have heard the phrase, time is a river.
37:21What most fail to grasp is that the river is circular.
37:27One man's death opens a doorway to the birth of the next.
37:33I saw a man executed today.
37:36He said something to me.
37:37I am a son of earth and starry heaven.
37:41I am thirsty.
37:44Please give me something to drink from the fountain of memory.
37:47It is an implication away from members of our fraternity to recognize one another.
37:54I am not a member of your fraternity.
37:55Are you sure?
37:59This temple was once a place of worship for a religion that originated long before Christ.
38:07We are known as the sons of Mitzra.
38:11Much of what you call progress has simply been a matter of remembering what was once forgotten.
38:16This knowledge was set down in a compendium known as the Book of Leaves.
38:22Recently, certain clues have surfaced regarding the Book's location.
38:28Abram Ben Yusuf was following those clues when he was apprehended and put to death.
38:34Perhaps you have heard of the secret archives the Vatican has assembled.
38:40Its curator is a man called Lupo Mercuri, a fallen son of Mithras.
38:46Where we seek to disseminate and preserve knowledge, they seek to alter and suppress it.
38:54I still don't understand what any of this has to do with me.
38:58What do you know about your mother?
39:04Almost nothing.
39:07She disappeared.
39:08She was a servant girl.
39:10She was a slave.
39:13Taken from Constantinople against her will.
39:17Do you remember an incident that occurred in your childhood?
39:26You have suppressed it.
39:27I was a boy in Vinci.
39:37I'd been sent to fetch some sheep that had wandered off.
39:42I found a cave.
39:47I was scared to go inside, but I was curious.
39:54So I ventured in.
39:58The next hour was blank.
40:03I remember stumbling out.
40:11My hands and face were covered in blood.
40:18And somehow I knew it wasn't my own.
40:27One day, you will sip from the fountain of memory.
40:32And learn more of what occurred in that cave.
40:37When that day comes, we will meet again.
40:40What do I do then?
40:42Search for the Book of Leaves.
40:45Fate has chosen you, Leonardo.
40:47I don't believe in things.
40:50Then believe in yourself.
40:53Well, where do I start myself then?
40:55But the Hanged Man,
40:57the Seat of the Soul,
41:00has already opened the door for you.
41:03And my mother?
41:04She will be waiting for you on the other side.
41:09All you have to do
41:15is enter.
41:27Flash track.
41:27You're right to be near me.
41:32We've been looking for you
41:33since last night.
41:33What happened?
41:40The Turk was here.
41:42I don't know.
41:47There's a statue.
41:49An altar.
41:51It must have waited a ton.
41:53This place has been empty for centuries, Leo.
41:56Maestro, the officers in the night have been searching for you.
41:58They say Lorenzo Medici himself has asked for you.
42:28Leonardo de Ser Piero da Vinci.
42:48I am told you are my notary's bastard son.
42:54I am.
42:55I am also told that you are a troublemaker,
42:57that you are arrogant, impolitic,
43:00and utterly incapable of keeping your opinions to yourself.
43:04Arrogance implies that I exaggerate my own worth.
43:08I don't.
43:13My mistress, Lucretia,
43:16seems to think that you have a singular talent for portraiture.
43:21She insisted that you and none other be the one to
43:25capture her beauty.
43:26I'd say she has a discerning eye, then.
43:28A warning, sir.
43:29The man has a reputation for taking many commissions, but finishing few.
43:34I wrestle with details.
43:36Abhor easily.
43:38Call it a character flaw.
43:40Well, with this commission,
43:42you would be wise to overcome it.
43:44When it comes to Miss Donati,
43:46boredom is the last thing I fear.
43:49I'll have your father draw up a contract, then.
43:56Sir.
43:57If I may, I have a few other designs.
44:05Some designs that I think you might be interested in.
44:08This will greatly increase your gunner's rate of firepower.
44:12So while the top rack's being fired,
44:14the rack below that one can be loaded,
44:16and the rack below that one is allowed to cool.
44:19The cannons are arranged in a fan-like spread,
44:20which allows a greater distribution of the projectiles.
44:22That will be enough, Da Vinci.
44:23This is an armoured cart.
44:25Propulsion's achieved by two men.
44:27They are housed within,
44:28and they operate cranks which rotate the wheels,
44:30and the cannons can be mounted around the perimeter of the cart.
44:45It's a flying machine.
44:47It's modeled after the articulated wings of a bat.
44:49Madness.
44:50If man were meant to fly...
44:51He would have been born with wings, yes.
44:53But a similar assertion could have been made prior to the invention of gunpowder,
44:56or the wheel, or any other invention conceived since fire.
45:00I believe man will fly.
45:03And I base this assumption on the fact that God has blessed us
45:06with minds that are capable of imagining it.
45:09Anything that can be dreamt of will eventually be built.
45:13Anyone who says otherwise is a fool.
45:18What exactly do you propose?
45:20I wish to be employed as a military engineer.
45:25I am a humanist, Da Vinci.
45:28I have no interest in waging war.
45:31And yet your humanism is precisely why war will happen.
45:33Florence has no standing army.
45:36And nor does Rome.
45:38And necessarily, you've both made alliances with states that do.
45:42Florence with Lalland and Rome with Naples.
45:48Now, Sforza's death has upended the game board.
45:51You need weapons of your own, your magnificence.
45:53I will give you a modest stipend.
46:03To see whether these contraptions of yours can actually be realized.
46:08Shall we say a hundred florids?
46:09Fifty.
46:12And if you haggle any further, I'll cut out your tongue.
46:14As you say, sir.
46:16You used Lucretia to gain access to me, didn't you?
46:22I utilize any device at my disposal in order to realize my goals.
46:25Clever.
46:28But I'd caution you not to be too clever around me.
46:30The clockwork loses its luster once one glimpses the gears beneath its face.
46:38Point taken.
46:46Is there a problem?
46:57No, not at all.
47:00Good day.
47:00Good day.
47:13Congratulations, Leonardo.
47:14Word travels fast.
47:15Ah, there are no secrets in Florence.
47:18How the devil did you do it?
47:19Oh, you played on a woman's vanity.
47:21Your stratagems become clear, you bastard.
47:24A bastard of the highest order.
47:26Ah!
47:27Drink up, everybody, and then get back to work.
47:30We've got a Columbina to build!
47:33The Jew that was hanged, I want to unearth his body.
47:35I need to examine it.
47:36And my compensation?
47:39Well, that depends how fresh the corpse is.
47:41Oh, well, then I'd best get digging.
47:42Huh.
48:01It's so.
48:01Take care of ourselves when we're going.
48:02Because that is wonderful.
48:03That is worth it.
48:05You did notè·¨
48:20with mud'.
48:22Ah, here's the Patsy clan, schema Francesco and old man Jacopo, probably the oldest family
48:41in Florence, definitely the most ornery.
48:52The Patsy family entrusts Lorenzo de' Medici with this new fire struck on stones from the
49:01Church of the Holy Sepulchre.
49:03As is our right, granted to our ancestor for his actions during the First Crusade.
49:22The Kolobin is about to fly.
49:37Welcome, all of you, into God's home.
49:41The Patsy family is about to fly.
49:53The Patsy family is about to fly.
50:00The Patsy family is about to fly.
50:05The Patsy family is about to fly.
50:16The Patsy family is about to fly.
50:21The Patsy family is about to fly.
50:27The Patsy family is about to fly.
50:38It's about to fly.
50:43The Patsy family is about to fly.
50:46The Patsy family is about to fly.
50:50The flames of the phoenix suit you well.
51:20Tell me, truly, are you always this wistful with the whores, you bet?
51:25But you're no whore, Signora.
51:29We need not continue this pretense any longer, Mr. Natty.
51:33I knew it was you for the moment you approached me.
51:36How did you know?
51:38I sketched you.
51:42Your features, your form, your bearing.
51:46The more salient question is,
51:50why would a noblewoman risk her reputation on a lowly artisan?
51:58Well, isn't that the point of Carnival?
52:01To pretend for a knight that you're some when you're not?
52:05No, I think there's more to it than that.
52:06Oh.
52:07Yeah.
52:08Tell me then.
52:10You're intrigued by my sketch.
52:12Yeah, so...
52:14I mean, you felt that it captured an aspect of yourself
52:20that remains hidden from your husband.
52:23No, from your lover, Lorenzo.
52:26But the only time you see this aspect
52:31is on the rare occasions that you glimpse yourself in the mirror
52:34and you find a stranger staring back at you.
52:41You knew I'd seek you out then.
52:45Well...
52:47Hey.
52:49I try to work out what motivates people,
52:51and then I proceed accordingly.
52:53You manipulate them.
52:55No, I prefer to think of it as gently redirecting their trajectories.
52:58Oh.
53:18Lorenzo was quite taken with your designs.
53:21Well, may I see one of these marvels?
53:28What is it?
53:39It's a device for slowing one's rate of descent.
53:42Oh.
53:43Yeah.
53:44And under what circumstances would I possibly have use for this?
53:50Say that you were trapped in a fortress.
53:52A fortress?
53:53A fortress that had been breached.
53:55I mean, you could strap yourself into this.
53:59And you'd safely flunk down to freedom.
54:01Oh, thank goodness.
54:07It would appear Lorenzo's interest in you was justified.
54:10But tell me...
54:12I have risked my reputation by sleeping with you.
54:16You've risked more.
54:18Perhaps even death.
54:20And to what do you ascribe my reckless behavior then?
54:24Love.
54:26Don't be absurd.
54:27You saw me, you dreamed that you fell in love.
54:30It's as simple as that.
54:32Add in the fact that I am forbidden root.
54:37And your fate was sealed.
54:39You're the third person this week to lecture me on fate.
54:47Well, perhaps it's time you started listening.
54:51Now.
54:58Fuck me again, Leonardo.
54:59Leonardo.
55:00This time.
55:02Remember.
55:07You're not the only one capable of manipulation.
55:09I know.
55:10How?
55:11How?
55:13How?
55:22The secret archives are open only to His Holiness's closest advisors.
55:28For obvious reasons, we can't have you parading through the front door.
55:36How rude of me.
55:37I promised you your payment first.
55:50I take it you're satisfied.
56:07You're Eminence.
56:09I bring news from Florence.
56:10Get on with it then.
56:11A new player has entered the stage.
56:13An artist known as Leonardo da Vinci.
56:16The Medicis have employed him to design siege weapons.
56:21Artists are as common as court jesters.
56:24I see no reason why this news should concern us.
56:25This artist is different.
56:26His ideas are unusual.
56:27Revolutionary.
56:28My agent in Florence.
56:29You trust your wife?
56:30And you trust your wife?
56:31Yes.
56:32My agent in Florence.
56:33Are you in the world?
56:34No.
56:35No.
56:36No.
56:37No.
56:38No.
56:39No.
56:40No.
56:41No.
56:42No.
56:43No.
56:44No.
56:45No.
56:46No.
56:47No.
56:48No.
56:49No.
56:50No.
56:51No.
56:52No.
56:53No.
56:54No.
56:55No.
56:57No.
56:58You trust your intelligence to a woman?
57:01When one seeks to convey a message,
57:03I prefer to use vessels others would readily dismiss.
57:07If I am not mistaken,
57:09you are Lupo Mercuri, Curator of the Secret Archives.
57:12What of it?
57:13It may interest you to know
57:15that da Vinci has made contact with the Turk.
57:20He's searching for something called the Book of Leaves.
57:24It will appear the Turk has found a new champion.
57:28Continue watching him.
57:32See if he can be co-opted.
57:34And if he can't?
57:36Then da Vinci will be consumed
57:39in the fiery sorrows of Hell,
57:41along with the rest of God's enemies.
57:58This is very difficult for you to love.
58:00You can see a new heart of Hell.
58:02We've seen people who just had all the truth down.
58:02Today we've seen people who have heard the colors.
58:04We've seen people who have known him before.
58:05This film has had only been commissioned by a group of enemies.
58:06This film may be filmed by a group of branches,
58:07but in the film is one of the most recent people who have learned to follow the truth.
58:08The film is The ìš•'s really beautiful.
58:09This film is the film by the N.I.
58:10This film is the film.
58:11This film is the film by The Tricon all the way.
58:12This film's really famous.
58:13This is the film.
58:14This film is the film by The Tricon.
58:15This film is The Tricon.
58:16Transcription by CastingWords
58:46Transcription by CastingWords
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