- 5/7/2025
Kategori
🎥
Film pendekTranskrip
00:01My name is Leonardo da Vinci.
00:03You're the eccentric that Ferrocchio employs.
00:05I'm an artist, and an anatomist, and an engineer of some life.
00:09Search for the Book of Leaves.
00:11Fate has chosen you, Leonardo.
00:13Why do I start myself then?
00:15The hanged man.
00:16The Jew that was hanged.
00:17I wanted to unearth his body.
00:18My mistress insisted that you be the one to capture her beauty.
00:24I take the Vatican's hand behind this.
00:26You need weapons of your own, your magnificence.
00:28This will greatly increase your gunner's rate of firepower.
00:31The Medici's have employed him to design siege weapons.
00:34You know this how?
00:35Because I have an agent within Lorenzo's ranks.
00:58My trimmeric makes its own home and its own case too much.
01:01I have to stick out a sense.
01:02It � portraying them andены at first?
01:03We are going to attend an incredible job and have to you rack up,
01:17regardless of the safety.
01:19They manufacturers believe that in others we hold them.
01:22To be continued...
01:51He told me the river was circular.
01:57That one man's death paves the way for the birth of another.
02:00Indeed. And men like ourselves, we can change the river's course.
02:07I'm like you.
02:12I find that hard to believe.
02:15You don't know who I am, do you?
02:17My brother and I, they were bandits.
02:23They tried to take my honour.
02:25Where?
02:25Down the path to the left.
02:27Get the horses.
02:27Hurry, hurry.
02:28This way, this way.
02:29Go on in.
02:33All right.
02:35You should be safe in there.
02:36I'm sorry.
02:46The falls locked the gate.
02:48The falls are worth worrying about.
02:50They're locked gate.
02:54Not so much.
02:55There is no yesterday, you see.
02:59No tomorrow.
03:02Time is all one single continuum.
03:07We have met, haven't we?
03:10Of course.
03:12We're brothers.
03:15Who are you?
03:15Start with your heel, roll to your toe.
03:18You have a lot yet to learn, Bean Sproul.
03:19I already have a maestro's zone.
03:21Yeah, I'm not suggesting you abandon the Vincers Council.
03:23I'm suggesting you enhance it.
03:25There.
03:29What is it?
03:31They don't like their graves being violated,
03:33so they cover them in sand and press letters
03:34to alert them if mischief has occurred.
03:36What does it say?
03:38Funnily enough,
03:41taken.
03:42I'm the son of the earth
03:45and starry heaven.
03:48I'm thirsty.
03:51Please,
03:53give me something to drink
03:55from the fountain of memory.
04:04See as I have seen
04:06into infinity
04:08and you will be a god.
04:12But know this.
04:16You will
04:17suffer.
04:18One corpse
04:21freshly
04:23clucked.
04:25Was it a nightmare maestro?
04:28No, it was something else entirely.
04:33Take notes, would you?
04:34I perceive
04:37the expected
04:37ligature marks
04:38from strangulation,
04:41crushed larynx,
04:43an eco,
04:44diminished musculature,
04:46slightly from
04:46malnutrition,
04:48circumcised member.
04:50I've never seen
04:50one of those before.
04:51what is that?
04:57The missing fingernail
04:59and the right
05:00digitus primus.
05:01Leo,
05:10what are you doing?
05:12Turk said
05:13to start my quest
05:14with a hanged man,
05:16specifically
05:18the seat
05:19of the soul.
05:21It's a euphemism
05:22for the stomach.
05:23The missing fingernail.
05:42Odd that he would
05:43ingest it.
05:44One man's death
05:58opens the doorway
06:01for another.
06:02Did your husband
06:14give you that?
06:19It's a family heirloom
06:21from Ceylon.
06:24It's a stone
06:25called Serendibite.
06:32What's troubling you?
06:35Apparently Count Riorio
06:37is coming
06:37to pay us a visit.
06:39Oh?
06:40For what purpose?
06:42Oh,
06:43nothing pleasant,
06:43I'm sure.
06:46But whatever
06:47the viper's intentions,
06:48I'll be expected
06:48to wine and dine
06:49whilst hosting
06:50the rest
06:50of Florence's elite.
06:53Will you come?
06:56Where you can
06:57keep Riorio entertained?
06:59Won't Clarice be there?
07:01Of course.
07:02We can steal glances
07:06throughout the evening.
07:10I'll even invite
07:11that scoundrel,
07:13if you like.
07:16Da Vinci.
07:18The one who's supposed
07:19to be painting
07:20your portrait
07:21and building me
07:24a weapon.
07:32you're late, son.
07:44Contract
07:44signed.
07:48And now
07:49binding.
07:51Did you not even read it?
07:52We don't really
07:53agree with the terms.
07:53But not the administration
07:55of those terms.
07:56I told you
07:57to stay away.
07:59I let you know
07:59there would be consequences.
08:01What do you think
08:02you've done?
08:03Painting
08:03Lucretia Donati,
08:05fraudulently leading
08:06the Medici's
08:07to believe
08:07you can deliver
08:08preposterous weapons
08:09of war.
08:10You've overreached.
08:11And now
08:12I've made it
08:13so you'll soon
08:14be gone.
08:15There isn't
08:15a contract
08:16you can devise
08:17that can contain me.
08:19You're the bastard
08:20son of a servant girl
08:21I spilled my seed into.
08:23Your heritage
08:24contains you.
08:47What's wrong?
09:16What's changed?
09:17Something's
09:19shifted
09:20in you,
09:21Signora,
09:22since last we met.
09:23Perhaps it's
09:24just you and me
09:25here in Lorenzo's
09:26home.
09:27You're feeling guilty?
09:29It's not as if
09:29I don't have affection
09:30for him.
09:32Or
09:33perhaps
09:34I'm
09:36guilty
09:37about feeling
09:38guilty.
09:40It's not as if
09:41I don't have affection
09:42for you as well.
09:43Which guilt
09:44do you prefer, then?
09:45I have known
09:46Lorenzo
09:47since I was a girl.
09:48I've known you
09:48a week.
09:49That's not an answer.
09:50The Jew
09:57they executed.
10:01What was his
10:02offense?
10:04He said he had to run
10:06from cutthroats
10:07and he took refuge
10:09in a bookstore.
10:11The authorities
10:12suspect he stole
10:13something
10:13but nothing was
10:15missing
10:15and the bag
10:17and the bag
10:17that he carried
10:17was empty.
10:19So they
10:20hanged a man
10:21for stealing
10:23something that
10:23wasn't missing.
10:27The scene of the crime
10:28requires further
10:30investigation.
10:33Does it?
10:34Patrono, prepare the horses.
10:43I want to be off at once.
10:46Oh.
10:48So you finished today's
10:49sitting already?
10:50Yes.
10:51Signor da Vinci
10:52has somewhere to be.
10:53Ah, yes.
10:54He's testing his gun
10:55for us.
10:57Today
10:57he gives
10:58Florence
10:59its sting.
11:01Well, I show him mine.
11:05It's quite considerate
11:06he left us a moment
11:07to be alone.
11:10Mmm.
11:14Lorenzo,
11:15anybody could walk in.
11:17I just needed
11:17a bit of you.
11:19And you will have it
11:20for it is yours alone.
11:27Good luck today.
11:29Patrono!
11:30We're off!
11:35Good luck.
11:36Mmm.
11:37That
11:38bit of you
11:39it's not his alone.
11:43No.
11:45It's not.
11:46But
11:47it will always
11:48be his
11:49first.
11:57Do you have any
12:13salt, Peter?
12:14Maestro Andreja?
12:15What the devil
12:16do you need
12:16potassium nitrate
12:17for?
12:18Gunpowder.
12:19The maestro
12:19is designing
12:20a weapon.
12:21Calls it
12:21the pipe organ
12:22musket.
12:27The recoil
12:30will kill him.
12:31Don't worry.
12:31He's worked it out.
12:33Thank God.
12:34He's corrupted
12:35you already.
12:37Over there
12:38third shelf
12:39from the top
12:40between the
12:40Vermillion
12:40and the
12:41Ultramarine.
12:42And tell him
12:43I expect to be
12:44paid in coin
12:45not idle
12:46boasts
12:47like last time.
12:51Come on.
12:53God!
12:54Careful,
12:55Giuliano.
12:56Fucking hell.
12:57Look, what are
12:57we doing here?
12:58We're in the
12:58middle of nowhere.
12:59Where is he?
13:00Perhaps he's
13:01simply late.
13:02Or perhaps he
13:03realized what he
13:04actually proposed
13:04was much more
13:05than a flying
13:06party trick.
13:07No, I wouldn't
13:07be surprised if he
13:08had no intention
13:09of coming here
13:09at all.
13:10I'm telling you,
13:10brother, the man's
13:11a lunatic
13:12and a coward.
13:14God!
13:14Shit!
13:15Keep control
13:15of yourself,
13:16brother.
13:16They're only cut out.
13:17Quickly!
13:19Soldiers
13:19advancing on
13:20Florence!
13:27How...
13:29How dare you?
13:31You are pointing
13:32a weapon directly
13:33at the house
13:33of Medici.
13:34Men, take him!
13:35Hold.
13:36Obviously, the gun
13:37passed its first test.
13:38It's done nothing.
13:40No, it's done
13:41a great deal,
13:42actually.
13:43Intimidation.
13:44Now,
13:45if you will
13:46proceed to the gallery,
13:48we will proceed
13:49with testing its
13:50less ephemeral utility.
13:52You've picked
13:53quite a day for it,
13:53Da Vinci.
13:54Yes.
13:55You like it?
13:56I think that's
13:56the verisimilitude.
13:58I question
13:59the company
14:00the maestro keeps.
14:01That man's
14:02a known reprobate.
14:04Are these soldiers
14:04meant to be Swiss?
14:06And you will be?
14:07Commander Quattrone,
14:09leader of the
14:10Florentine militia.
14:11His magnificence
14:12thought it wise
14:13to bring a military
14:14strategist
14:15to the demonstration
14:16in order to better
14:18evaluate your work.
14:20I wish I brought
14:20a boat.
14:21Well,
14:21the commander
14:22has a keen eye.
14:23What you see
14:24before you
14:25is a representation
14:26of Rome's
14:27private mercenary
14:29regiments.
14:30It's, uh,
14:31a bit of theatrics,
14:32but often
14:33presentation
14:34is more than
14:35half the performance.
14:36Well, get on
14:36with it, Da Vinci.
14:38While you delay,
14:39we drown.
14:41Where was I?
14:42Mm-hmm.
14:42Yes!
14:43Come on!
14:44Quickly!
14:45Soldiers advancing
14:47on Florence!
14:48Yes, yes, yes.
14:49Man is mad.
14:49I don't know.
14:51Ar?!
14:52No.
14:53No!
14:54No!
15:02No!
15:03No!
15:04No!
15:04No!
15:05No!
15:05No!
15:06The house of Medici has invested hundreds of florins
15:27in this project.
15:29According to your contract, the failure of this contraption
15:32constitutes fraud.
15:34Men, take him away.
15:38On your feet, maestro.
15:41Paul, you have one week, Altista.
15:47Lorenzo, no.
15:48The materials alone will cost another 200 florins.
15:51One week.
15:53That sounds quite reasonable.
16:04Don't have words with you, boy.
16:15We found footprints in the graveyard where the Jew's body was stolen.
16:18A donkey's, a man's, and a child's.
16:23Long-toed poo lanes, such as you are wearing.
16:29Do you know who I am?
16:44I am Lord Girolamo Riario.
16:48Count and Captain General of the Holy Roman Church.
16:53Nephew of His Holiness.
16:56Pope Sixtus IV.
16:59Signor Morgante has informed us of your recent grave-rubbing exploits.
17:03I don't know what you're talking about.
17:05Don't insult us, boy.
17:07We're well aware of who your master is.
17:10Um, Your Excellency, there was the matter of payment.
17:14Well, yes, of course.
17:18Yes, of course.
17:20Captain Grumvold.
17:26Now.
17:33Jesus.
17:38Now that we've established my propensity for directness,
17:41I trust our conversation will proceed smoothly.
17:45Now we're interested in why da Vinci required the Jew's body,
17:50and lest you be tempted to feign further ignorance.
17:54I wanted to demonstrate a remarkable device
17:57I recently acquired from the Orient.
18:01It's called the Widow's Tear.
18:15The source of the discomfort you're feeling is an exquisitely tooled,
18:20diamond-needled the tequila.
18:23Widow's Tear.
18:25And as I turn the handle to diamond,
18:28slowly incises a circle of skin.
18:33From the back of the hand, one layer of epidermis at a time.
18:38Now, I want you to weigh your next answer very, very carefully.
18:47Why did da Vinci unearth the Jew's body?
18:57Very well, another turn.
18:59Stop!
19:12Stop! Stop!
19:17It's all right, Nico.
19:19Just a few simple words,
19:22and we can end all this unpleasantness.
19:27He was searching.
19:30The Jew saw her something.
19:33What, child?
19:39A key.
19:44Leave nothing unturned.
19:45Just find the key.
19:54Stop!
19:58You won't find it.
20:15That's what you're looking for.
20:30Open it.
20:31I can't.
20:32It's locked.
20:34Hack it apart!
20:35Wake a moment!
20:44Wake a moment!
20:52Get out of here!
20:54Hurry!
20:55Let's get out of here!
20:57You, Jack!
20:58You!
21:00Jack!
21:02You have defied instruments of the Lord's will!
21:05Leonardo!
21:07Go!
21:09Go!
21:10Leonardo!
21:11Are you all right?
21:16Oh, merciful heaven!
21:18What happened here?
21:19These men are agents of papacy.
21:21Well, it wasn't enough to tangle with the Medicis,
21:23and now you're...
21:25Lico, you're talking about the Pope!
21:27Not to worry.
21:28We'd only have our entrails torn out with rusty socket forks.
21:30Nico!
21:32Who did this to you?
21:33Count Riario.
21:36The papal nephew and attack dog.
21:37He snatched me from the market.
21:40I told him...
21:41I'm sorry.
21:43I told him you took the key from the juice body.
21:45Well, you may have told them that,
21:46but you showed them something else.
21:49You've done something exceptional, Nico.
21:53You've saved your own life into the bargain.
21:55Yes.
22:04Be still.
22:07Our visitor was expected.
22:10You know I can't be seen meeting with you.
22:12There are too many prying eyes in Florence.
22:14If I had been stopped on the road...
22:15You needn't lecture me on the necessity of discretion.
22:21I wouldn't jeopardize such a valuable asset as yourself
22:24without ample reason.
22:30Now, take these.
22:34A list of secure locale hidden throughout Florence.
22:37I need more information.
22:41Details of Lorenzo and Da Vinci's activities.
22:45If you have something pertinent to convey,
22:47inscribe the Greek letter, Alpha, above whichever locale is convenient.
22:54If we have something to convey to you,
22:57we will inscribe the letter, Omega.
23:00Omega.
23:04Are you clear on all of this?
23:06That stamp bears the official papal seal.
23:08Mark your messages with it.
23:10And, uh, one final thing.
23:15What is it?
23:17Instructions will be forthcoming.
23:19In the meantime, keep it hidden.
23:21Hidden.
23:23Now, Da Vinci,
23:25has your celebrated artist made any mention of a key?
23:30What about the Jew?
23:31He asked me about his capture.
23:33He wanted to return to the scene of the crime.
23:36That's how he put it.
23:38He was preoccupied with why a Jew would hide in a bookshop.
23:41Da Vinci has the key.
23:42Why would he concern himself with a bookshop?
23:44I don't know.
23:45Perhaps Da Vinci is more clever than you.
23:48But then that would be heresy, wouldn't it?
23:51Keep an eye on that bookshop.
23:54If we're lucky, Da Vinci will complete our investigations for us.
23:58And you,
24:00Mr. Narty,
24:02do continue ensnaring Lorenzo and Da Vinci with that...
24:06pretty little cunt of yours.
24:09You're a bastard.
24:11Yes.
24:12And the architect of my pedigree
24:15is the Holy Father himself.
24:18Now go.
24:19Lest the prying eyes of Florence see us together and question your...
24:22already compromised character.
24:30She grows more...
24:32impersonate with every encounter.
24:34Hmm.
24:38Even a mouse occasionally bears its teeth when it's about to be crushed.
24:41Scudos.
24:44The papal currency.
24:47Let's review the events again, Da Vinci.
24:52They took the boy and ransacked your workshop.
24:56What were they looking for?
24:58My weapon designs, I presume?
24:59Well, let Rome have them.
25:01By this time next week, they'll have decimated themselves.
25:08By this time next week, they could decimate us!
25:11Lorenzo!
25:12Open your eyes, brother!
25:14We no longer enjoy Milan's protection.
25:17I want your men to surround this building.
25:19No one to come in or out save for Da Vinci and the boy.
25:22You!
25:23Will accompany Da Vinci wherever he goes.
25:26I hardly think that's necessary.
25:31Go.
25:32You have three days for a successful fire of your gun.
25:38If it fails, there will be no second chances.
25:41There will be no trial.
25:42You.
25:43Will.
25:47Whatever you need to accomplish this, you will possess.
25:51Money.
25:52Materials.
25:53Men.
25:55Make your vision real, Da Vinci.
25:59For your very life.
26:02When the black hood pulls the lever, be sure to clench.
26:17Those guards are going to make it exceedingly difficult to sneak off to the turban.
26:21I should not hear what Lorenzo said.
26:22Yes!
26:25That's why I need to think.
26:27And if I need to think, I need to drink.
26:33This place is wonderful.
26:35So much better than the convent.
26:38A million thanks to you.
26:41Leonardi?
26:43What are you doing?
26:44I'm just trying to envision what kind of lock cylinder the notches on this key might correspond to.
26:49Nice.
26:51It's alright.
27:11Niko.
27:12Do you have that coin in turk?
27:14I'll take it, can't we?
27:24I thought so.
27:27Two keys.
27:40Whatever lock this corresponds with, I'd wager the key.
27:44The key represents only half of the mechanism needed to open it.
27:48Honestly, who cares?
27:50Just give the damn thing to Riari. You have a musket to complete.
27:53Inspiration can't be forced.
27:54Oh, we'll tell it to the hangman. Hangman, inspiration cannot be...
27:57The fact that Riari would jeopardise a formal visit just to acquire this...
28:02...is telling.
28:03Obviously, it's linked to the Book of Leagues.
28:05The Turk confirmed it.
28:06Of course, the Turk. You're your little mystery man.
28:09Yes! And since we have a mystery here...
28:12I intend to see it through to its conclusion.
28:15What mystery? The Jew stole a key.
28:18He swallowed it to prevent his pursuers from getting it the end.
28:21Why would the Jew bother breaking into a bookshop?
28:23Did it ever occur to you that that's where the key was in the first place?
28:26That's why he broke in.
28:27No, the narrative doesn't hold up. The bookshop reported nothing missed.
28:30Oh, for fuck's sake.
28:31And the bag the Jew was found with was empty.
28:34And why the fingernail again? And why was the Jew being pursued?
28:39Before the bookshop.
28:41According to accounts, the Jew crossed the Piazza del Duomo...
28:55...and then entered the Via dei Brai here.
28:59Perhaps someone witnessed the event.
29:03Please, senor. Can you offer any charity?
29:07Tell me, good man.
29:09Were you here the night the Jew was caught?
29:11Indeed I was, for this is my home and I have no other.
29:14Now he's lacking vision. Can't you see this man's blind?
29:17A florin, senor?
29:23You could identify that by itself?
29:25I am well versed in the respective tone and weight of our realm's coinage.
29:29If you would, my friend.
29:31Could you describe what you heard that night?
29:33It was pleasure.
29:34It was a cold night.
29:36When I first heard the shouts, I thought that I was dreaming.
29:39They were coming from the Duomo.
29:41Then I heard the Jew's footsteps and his breath.
29:45He was terrified. I could tell that.
29:49Then he fell.
29:51Dropped something.
29:53Pages fluttering like birds' wings.
29:55Then I heard the Jew say,
29:57Whoa! Whoa!
29:59And I heard more shouts, his pursuers calling after him.
30:03I did not understand a word they said, except for halt.
30:07Halt!
30:09I still fail to see how it sheds any light on your mystery.
30:13The men who were chasing the Jew spoke a foreign tongue.
30:17Yet they used the word halt.
30:19Only two languages use that word, German and English.
30:21So?
30:22So the Swiss mercenaries who were employed by Rome speak German.
30:25And in speaking it, they must have assumed the Jew understood it.
30:27Which makes sense since most Jews speak Yiddish.
30:29A form of German.
30:31The word, Whoa, in Yiddish, means where.
30:35The Jew wasn't fearful.
30:37He was searching for something.
30:39See, I believe the Jew had two items in his possession.
30:43The first was small enough for him to swallow the key.
30:46The second was larger, forcing him to find a hiding place for him.
30:50The first was fluttering pages of book.
30:52Precisely.
30:53And where would one best hide a book?
30:57Would you mind skulking around making the proprietary at Brent?
31:07Why me?
31:08Because you reek of dishonesty.
31:11Oh.
31:12As usual.
31:13Signor Brasici!
31:15How goes it?
31:16Tell me.
31:17How many rows of shelves do you have here?
31:19Ten.
31:20What of it?
31:21You there!
31:22Did you just dust something into your rows just now?
31:24I beg your pardon.
31:25You offend me.
31:26I was simply hefting the weight of this handsome toe.
31:28The fingernails are a clue to the second item's location, yeah?
31:31Ten shelves.
31:32Ten fingers.
31:33No, you're facing the west.
31:35It would be more obvious when counting to orient oneself towards the opposite cardinal direction.
31:40The east and the rising sun.
31:45Additionally, Hebrew is the sacred language of the Jews, which is read from right to left.
31:51So, if we count from the right, we get row number five.
32:00Blood.
32:02And we know he bit off his fingernail.
32:07Look.
32:08Look.
32:09Niko.
32:10There.
32:11A heavy layer of dust.
32:12And no one's disturbed these books in ages.
32:13But here!
32:18There's no dust at all in this book.
32:21In Hebrew, no less.
32:23I think we found item number two.
32:24Take it all back.
32:25If you had tits, I'd marry you.
32:26So, you long for the soul of a man, bit the breasts of a woman.
32:27You have a treacherous road ahead, my friend.
32:28Artista.
32:29Artista.
32:30You will come with us.
32:31If you resist...
32:33Well, just ask your little friend about Riario's hospitality.
32:38Well, unfortunately, we will have to decline the Count's invitation.
32:45What is that?
32:46Well, you're acquainted, I believe, with my infernal devices.
32:50The exploding chest in my workshop.
32:51Well, this...
32:52Well, you're acquainted, I believe, with my infernal devices.
32:53The exploding chest in my workshop.
32:54Well, this...
32:56Works on the same principle.
33:08It is a granado, it's packed with gum or water.
33:13Is it right there to be a bakery?
33:16It's worth nothing ofistan.
33:17Yes.
33:18Thank you so much.
33:23It's packed with gunpowder activated by a push button on its base and if I remove my thumb
33:33The device will explode he's lying. It's a snuffbox
33:37Don't test my result. I do not care for you to die on this day or any other
33:43You think the greatest mind in all of Europe needs the bluff then try us
33:47There's a vendor in the market that sells those things by the dozen. This is da Vinci you're staring down
33:52If you said it's a granada, it's a fucking granada
33:59Fuck me split up
34:22I
34:24I
34:26I
34:28I
34:30I
34:32I
34:34I
34:36I
34:38I
34:40I
34:42I
34:44I
34:46I
34:48I
34:50I
34:52I
34:54I
34:56I
34:58I
35:00I
35:02I
35:04I
35:06I
35:08I
35:10I
35:12I
35:14I
35:16I
35:18I
35:28I
35:30I
35:32I
35:34I
35:36I
35:38I
35:40I
35:42I
35:44I
35:58I
36:00I
36:02I
36:04I
36:06I
36:08I
36:10I
36:12I
36:14I
36:16I
36:18I
36:32I
36:34I
36:36I
36:38I
36:40I
36:42I
36:44I
36:46I
36:48I
36:50I
36:52I
36:54I
36:56I
36:58I
37:00I
37:02I
37:04I
37:06I
37:08I
37:10I
37:12I
37:14I
37:16I
37:18I
37:20I
37:22I
37:24I
37:26I
37:28I
37:30I
37:32I
37:34I
37:36I
37:38I
37:40I
37:42I
37:44I
37:46I
37:48I
37:50I
37:52I
37:54I
37:56I
37:58I
38:00I
38:02I
38:04I
38:06I
38:08I
38:10Please
38:12inform the Holy Father that you and Salviati should assemble the largest army you can find
38:16because the only way you're setting foot in pizza is if I am dead and buried
38:22I see
38:24So that's your proposed condition
38:26Rome fire the first Salvo not I
38:28And we intend to fire the last
38:30Good
38:32Good night
38:34Magnificent
38:36Good night
38:38Magnificent
38:40How in Christ's name
38:42Did he know all that
38:44troubling
38:46What
38:48Did he know all that?
38:50Troubling
39:12You look very fetching in your night shirt Andreia
39:14What are you doing skulking around like that?
39:16I could have hurt you
39:18With a drafting compass
39:22Why are you here Leonardo?
39:24I can't go down to my courses the Vatican thugs are scouring the streets looking for me
39:28Lorenzo's men have been in and out of here all day looking for you
39:32Lorenzo gave me a deadline on my musket
39:34Frankly I'm not sure I can make it
39:36I'm not surprised
39:38You have three layers of cannons on top of one of them
39:40Yes?
39:42Well obviously there's going to be some powder contamination between the three tiers
39:48But I promised Lorenzo a repeating musket that could be fired, called and loaded simultaneously
39:52This is a dangerous game you're playing with Lorenzo
39:54Are you sure you haven't overreached?
39:56Oh for Christ!
39:58Andrea! The whole point of progress is overreaching!
40:00Why doesn't anyone understand that?
40:02Drake!
40:14Now, do you want to tell me what this is all really about?
40:23Have you heard?
40:25Off the book of leaves
40:27It's a myth, no more real than a unicorn
40:31I have reason to believe it exists
40:33What a book of wonders containing the secret history of the world, please
40:38The Jew that was hanged
40:39Hmm?
40:41This was his
40:43Your Hebrew is better than mine
40:44Perhaps you can tell me what it concerns
40:54It's...
40:55It's a treatise on the origins of the universe
41:00Astronomy
41:03And keeps referring to the vault of heaven
41:05How it...
41:06Can be opened
41:07Or perhaps
41:08Ha ha ha ha
41:09So the vault of heaven could refer to the night sky
41:12So
41:13Perhaps the book of leaves can be found by looking for a specific constellation
41:15Leo
41:16Give up on this fool's errand and focus on your commission
41:20Stop borrowing trouble based on a fable
41:22This fable
41:27It's fable
41:31It's bound up in the fate of my mother
41:38I can draw anything I've seen
41:40Andrea
41:41Anything
41:42But I can't draw her face
41:47I've tried
41:49I can't
41:50I just can't remember it
41:53If there's any knowledge to be out of her
41:56Bound up in this quest
41:58I need to see it through
42:00Then your need will most likely end up getting you killed
42:05Hmm
42:06Hmm
42:07Hmm
42:08Hmm
42:25He told me the linens were from Maples
42:28Yeah
42:29Isn't that right dear?
42:30Me
42:32Me
42:33A textile merchant
42:35I suggested he start getting his wine from the Orient while he's at it
42:39Shouldn't you be working on Lorenzo's musket?
42:42Well unlike you father I'm actually capable of doing two things at the same time
42:45Drinking
42:47And digging your own grave
42:48What?
42:49What?
42:58Yours
43:02The question you asked of me earlier
43:05Which guilt do I prefer?
43:12You seem very uncomfortable Maestro
43:13I don't often attend affairs such as this
43:16Well I do
43:18It's a confection of pretense and masks
43:22Smile
43:24Lorenzo's watching us
43:32Your pardons and indulgences
43:35Your pardons and indulgences
43:37Welcome
43:39All of you
43:41To a feast of Florence
43:43So full of life and vibrancy
43:48So
43:50Like Eden
43:52Full
43:54Of fresh fruits
43:58Full of bird and game
44:00And game
44:14Full of nature's grace
44:16Full of nature's grace
44:17Blood and magic
44:18So
44:36So like Eden
44:38So, like Eden, but, of course, Eden had guests, as do we.
44:52Of course, our guest is somewhat more pleasant than the serpent.
44:57Please, let us welcome Count Girolamo, Riario, emissary from Rome, to our Eden, to our Florence.
45:08Dinner is served.
45:30What do you see?
45:33I know who you are, you know who I am, we both know what's transpired.
45:37Now tell me, what do you see?
45:39I believe I saw someone call you a snake in front of all those people.
45:44And I see a key that you'll be giving to me, along with whatever you took from that bookstore.
45:51Well, but the key and the book that you hid are quite useless, unless one actually has the intellect required to find the Vault of Heaven.
45:59Then I'll have you as well.
46:01Or why would I possibly surrender myself to Rome?
46:03Perhaps you value your life.
46:06Not enough to betray Florence.
46:10Then, um, perhaps you value the life of another a little more.
46:17I know desire when I see it, and I am very well versed in the myriad ways of exploiting it.
46:25You know, this, um, this doesn't have to be contentious, Da Vinci.
46:31Join us, and the whole of the Vatican's secret archives can be at your disposal.
46:37You're offering me forbidden fruit now.
46:41That's what serpents do, isn't it?
46:46Meet me tomorrow at sunrise, and then the key, all of its secrets, can be yours.
46:55And your services.
46:57Surely, if I'm to find the Book of Leaves, I'll need those as well.
47:27What is he doing?
47:45He's playing with a bottle.
47:47Of course he is.
47:49I'll admit he eluded us once.
47:51At this time, we were ready for it.
47:57There.
47:59It makes sense.
48:01He was already working with the Roman scum.
48:27Do we need any more proof than this?
48:36He is complicit with them.
48:40Consider this a retainer.
48:42For your services to Rome.
48:46Why do you hesitate, Da Vinci?
48:48This is the next step.
48:50Sorry. I don't follow you.
48:52Why did you exhume the Jew?
48:55Why do you endeavour to find the vault?
48:59I don't endeavour.
49:02I found it.
49:04The Vault of Heaven, which presumably contains the Book of Leaves.
49:09I've had it put on wheels so I might move it for safekeeping.
49:13Apparently, it requires two keys to open.
49:19The Jew.
49:20The Vault of the Book.
49:23You've done all this because you want to know
49:27what's next.
49:29Between the base animal clawing for money
49:31and the enlightened man's reach for God
49:35lies knowledge.
49:38You just want to know what's next.
49:40I do too.
49:41Well, that's not what you want.
49:44You want to suppress knowledge?
49:46No.
49:47I want to administer it.
49:50Someone has to.
49:51Why not an agent of God?
49:54Well, if God exists,
49:55surely he intended his knowledge to be shared by all.
49:59The truth is, progress frightens you and your ilk.
50:04Not at all.
50:06We embrace it.
50:07Really?
50:08Really?
50:10Really?
50:12Are we at an impasse then?
50:15That would be unfortunate.
50:18This is your last chance for an amicable partnership.
50:22I decline your offer.
50:26I pledge allegiance to Lorenzo the Magnificent,
50:30his foolish brother,
50:33and the whole of Florence.
50:35You want to tame Florence,
50:38but I prefer it wild
50:41for all its quirks and criminals.
50:43So why don't you scurry on back to Rome
50:47and tell your Pope
50:49that neither Florence nor Da Vinci
50:52will be contained.
50:53You hurt, my friend!
51:00You hurt, my friend!
51:03Thou!
51:04Run, you fool!
51:05Thou!
51:06Thou!
51:08Thou!
51:10Thou!
51:12Thou!
51:14Thou!
51:16Thou!
51:17Thou!
51:18Thou!
51:19Thou!
51:21Thou!
51:22Thou!
51:48Thou!
51:50Thou!
51:52why aren't we meeting at the palace
52:10I come here to retreat from public life
52:16the words I would have with you aren't meant to be public
52:20I believe there may be a spy in my court
52:24Riario knew the details of our arrangement
52:27the exact amount of the stipend I've advanced you
52:31you suspect my allegiance
52:36no
52:40no the fact that you just killed six of the papal guard
52:44releases you from the circle of suspicion
52:47now you wanted me to witness your meeting with Riario today didn't you
52:53what makes you say that
52:54you managed to evade my officers
52:57despite the fact that I insisted they watch over you
53:00and then today conveniently you slip up
53:03you intended for us to track you to the quarry
53:05I thought you might appreciate seeing the gun work against real opponents
53:08rather than just wooden ones
53:09how did you fix the gun's flaws?
53:12I realised the cannons needed more separation
53:14so the rotating drama fashion did just that
53:17and can your musket now be produced on a large scale?
53:20well given the resources
53:21absolutely
53:23then you will have them
53:25you have done well Da Vinci
53:28we struck Riario quite a blow today
53:32but it won't be long before he retaliates
53:36Lorenzo we didn't have much
53:38I'm sorry I thought we were alone
53:42no it's all right Lucretia it's only Da Vinci
53:45and I trust we can rely on his discretion
53:49absolutely
53:51good man
53:54get to work maestro
53:57Florence is counting on you
54:01why do you laugh?
54:29one day Lupo
54:30all that you see here will fall under Rome's rule
54:34and if that day happens just a bit further down the road
54:39because of Da Vinci's intervention
54:40so be it
54:43but he has the key
54:46that makes him one step closer to obtaining the book of leaves
54:51let him keep it for now
54:53at least we know where it is
54:54and besides
54:56the key is useless without its counterpart
55:00and what if Da Vinci obtains that?
55:05he won't
55:06how do you know?
55:10well because I have it
55:12and now you know dear Lupo
55:20why I find the whole affair
55:23so amusing
55:25why the long face Leo?
55:40the maestro's never satisfied sir
55:42possibility of perfection
55:44yet another puzzle looming over the horizon
55:47how many letters are there in the Hebrew alphabet?
55:4927
55:50there are 27 illustrations in this book
55:54so?
55:57have you gone mad?
55:59how do we move this table back?
56:01Hebrew
56:04as we've already established
56:05is written from
56:06right
56:07to left
56:08if
56:11the first
56:12illustration
56:13corresponds with the first page of the Hebrew alphabet
56:16Aleph
56:17and the second page
56:19corresponds with the second
56:20babe
56:21and the third page
56:23follows the same pattern
56:25Gimel
56:26do you see how the gold gilt
56:28lines up from one page to the net?
56:30have you heard of steganography?
56:32it's a type of cryptography
56:33developed by the Greeks
56:34it means
56:35concealed writing
56:36it's basically
56:37hiding a coded message
56:39in plain sight
56:40leaves in the forest
56:41if we make
56:42a grid
56:42of three rows
56:44each of them
56:45nine across
56:46what is it?
56:47patience
56:48Nico
56:49that's with no puzzles
56:51needs to be viewed
56:53from a different perspective
56:55the vault of heaven
57:03isn't a metaphor
57:04it's an actual vault
57:06containing
57:08the book of leaves
57:09and that
57:11gentlemen
57:12is a map
57:14detailing the vault's location
57:16the land this describes
57:18doesn't exist
57:18well then we'll just have to discover it
57:21won't we?
57:25we'll just have to discover it
57:27we'll just have to discover it
57:28we'll just have to discover it
57:29we'll just have to discover it
57:30we'll just have to discover it
57:31we'll just have to discover it
57:32we'll just have to discover it
57:33we'll just have to discover it
57:34we'll just have to discover it
57:35we'll just have to discover it
57:36we'll just have to discover it
57:37we'll just have to discover it
57:38we'll just have to discover it
57:39we'll just have to discover it
57:40we'll just have to discover it
57:41we'll just have to discover it
57:42we'll just have to discover it
57:43we'll just have to discover it
57:44we'll just have to discover it
57:45we'll just have to discover it
57:46we'll just have to discover it
57:47we'll just have to discover it
Dianjurkan
47:05
|
Selanjutnya
46:05
45:09
45:14
43:24
46:15
48:08
42:15
45:47
47:22
45:17
48:56
49:33
53:43
48:05
1:34:11
1:37:27