- 7/4/2025
Ever wonder which smash hits almost went to other artists? From Britney Spears' "...Baby One More Time" to Rihanna's "Umbrella", we're diving into iconic songs that were initially rejected! Discover which singers passed on these legendary tracks and how they found their way to the artists we know and love. Get ready for some surprising revelations and near-miss musical moments! Which song would you have liked to hear by a different artist?
Category
🗞
NewsTranscript
00:00Welcome to Ms. Mojo, and today we're counting down our picks for some of the most legendary
00:10songs by famous artists that were almost sung by someone else.
00:22Number 30, Can't Get You Out of My Head, Kylie Minogue, offered to S-Club and Sophie Ellis
00:27Beckster. This chart-topping hit from the aughts has been permanently lodged in our brains ever
00:31since it was released. All it takes is the catchy hook to kick in, and we are transported in time.
00:44It is Kylie's magnetic performance that gives the song its timeless appeal, but she almost didn't
00:49get her hands on it. Kathy Dennis and Rob Davis, who wrote and produced the track, initially had
00:54the Britpop group S-Club in mind for it. That collaboration didn't work out, so the duo
01:05pitched it to singer Sophie Ellis Beckster, but failed to bring her on board. As fate would have
01:10it, it ended up with Minogue's reps, and she wasted no time getting in the studio, creating a massive
01:15success out of it.
01:24Number 29, Same Old Love, Selena Gomez, offered to Rihanna.
01:37Written by Charli XCX, Benny Blanco, Stargate, and Ross Golan, this song was first offered to Rihanna.
01:43She even posted a lyric from the track on her Twitter account back in 2014. However, due to a
01:48change in her creative vision, Rih Rih let Same Old Love go. That's when Selena picked it up and
01:53imbued it with new meaning.
02:03Through the lyrics, she expressed her feelings about her equation with her dad, as well as other unhealthy
02:08relationships. Her sweet and raspy voice gave the song a sensual but defiant tone, which
02:12resonated with fans. While Rihanna would have brought her own bold magic to the record,
02:17we cannot imagine anyone but Selena on it.
02:24Number 28, I Can Dream About You, Dan Hartman, offered to Hall & Oates.
02:29Getting a hit in the 80s was no cakewalk. So when Dan Hartman realized that a track he wrote had the
02:34potential to go big, he left no stone unturned in making sure that it did.
02:46He wrote I Can Dream About You for Hall & Oates, who declined the offer. They had received it right
02:51before releasing a brand new album, so their calendars did not align. Then the song was used
02:56in the film Streets of Fire, where it was sung by Winston Ford for a band in the movie called
03:00The Sorelles.
03:12However, by the time the film's original soundtrack album came out, the song was controversially but
03:17successfully being promoted with Hartman's vocals. One way or another, he got his breakthrough.
03:22Number 27, I Want You Back, The Jackson 5, offered to Gladys Knight and the Pips and Diana Ross.
03:35We don't want to imagine a world where one of the greatest songs of all time didn't see the light
03:40of day. I Want You Back was passed around at Motown Records before it reached its rightful
03:49destination. First, it went to Gladys Knight and the Pips, and then to Diana Ross. When the
03:53Jackson 5 found it, everything fell into place.
04:03With lead vocals by a very young Michael Jackson, the song achieved massive commercial and critical
04:08success. To this day, it is celebrated as one of the finest outputs of the band.
04:13Number 26, We Found Love, Rihanna featuring Calvin Harris, offered to Leona Lewis and Nicole Scherzinger.
04:34The ultimate anthem of young love that feels faded, this Grammy-winning song dominated Airwaves at the
04:39time of its release. It was a turning point in Harris' career that shot him to the pop stratosphere.
04:52Rihanna, who was already an icon in her own right, maintained her winning streak. However,
04:57the buzz around the song brought forward several claims. Leona Lewis revealed she was allegedly the
05:03first choice for the song but rejected it, and insisted her version was, quote, better. Then,
05:07Nicole Scherzinger said she passed on it because she wasn't interested in a dance track. Either way,
05:12the stars aligned for Riri and spelled success for her.
05:22Number 25, See You Again, Wiz Khalifa featuring Charlie Puth, offered to various artists.
05:28It is virtually impossible to listen to the song and not ball. Honoring Paul Walker after his untimely
05:40passing, See You Again is a touching ballad that holds a special place in the hearts of Fast and
05:45Furious fans. Wiz Khalifa's hard-hitting rap verses, paired with Charlie Puth's emotional vocals,
05:50make it unforgettable. Before this winning combination was finalized, rappers like 50 Cent,
06:02Eminem, and Tyga were considered. Remarkable vocalists like Chris Brown, Jason Derulo,
06:07Sam Smith, and even Adele were also interested. After much consideration, Atlantic decided to go
06:12with Puth and Wiz Khalifa, and they did not disappoint. Number 24, Irreplaceable, Beyonce,
06:26offered to Chrisette Michelle. This song was written by Neo, and ended up being one of Queen
06:30B's most memorable songs. However, it wasn't always intended for her.
06:34The Stay singer was flirting with country music at the time, and had icons like Faith Hill and
06:47Shania Twain in mind for Irreplaceable. After switching things up a bit, he took the R&B
06:52route. The production team originally proceeded with a male vocalist before realizing the power
06:56a woman could hold with the track.
06:58We was on the fence a little bit, and L.A. Reed was kind of the tipping factor. Like,
07:01you know what? Yeah, I definitely feel like this song would get more power punch with a woman
07:08singing it.
07:08It was presented to Chrisette Michelle, who rejected it, and finally it landed on Beyonce's
07:13lap. We're so glad it did.
07:20Number 23, Bye Bye Bye, NSYNC, offered to Five.
07:25The release of the album No Strings Attached was one of the defining musical moments of
07:35the 2000s. The track, Bye Bye Bye, in particular, became a global hit, propelling NSYNC to even
07:40greater fame than they were already enjoying.
07:42It's strange to discover that the song was made to bring this level of acclaim to a different
07:53group. The Simon Cowell Managed Five. Members of that British boy band were hardly pleased with
07:58the track, and the lead vocalist even called it, quote, ridiculous and, quote, crap. Their
08:03inability to recognize the song's worth probably turned into a lifelong regret, as NSYNC took it up
08:09and solidified their place in the glorious annals of pop music.
08:18Number 22, Everything I Do, I Do It For You, Brian Adams, offered to Kate Bush, Annie Lennox,
08:24and Lisa Stansfield.
08:31This song, which was played while the credits rolled for the film Robin Hood, Prince of Thieves,
08:35left the audience spellbound at first listen. It has been covered by countless musicians,
08:39since, but no one owns it like the Groover from Vancouver.
08:49For decades, his inimitable husky voice in this track has broken hearts and put them back together.
08:54That said, the song almost went to a female artist who would sing it from Maid Marian's point of view
08:59for the 1991 movie. When big names like Kate Bush, Annie Lennox, and Lisa Stansfield refused to
09:05participate, Brian Adams stepped in and gave us a masterpiece.
09:14Number 21, Shape of You, Ed Sheeran, written for Little Mix, Rihanna, and Rudimental.
09:20Girl, you know I want your love. Your love was handmade for somebody like me.
09:25One of the most ubiquitous songs of all time nearly had a totally different vibe.
09:30Imagine Little Mix's effortless vocal runs, Rihanna bringing her Empress energy to the table,
09:35or Rudimental taking it to a whole other level with drum and bass.
09:39There's no doubt that these artists would make the song their own.
09:42In fact, that was the plan.
09:43I think out of any musician, Rihanna has the best taste out of anyone.
09:48She always picks just really, really great songs.
09:50So as songwriters, you know, within the songwriting community, you're always writing songs to pitch to Rihanna.
09:57Though Ed Sheeran co-wrote the track with other singers in mind, his label urged him to keep it.
10:02Figuring the Fenty Beauty founder wouldn't vibe with his lyrics, he decided to give it a shot himself.
10:06The rest, as they say, is history.
10:08Everything is covering something brand new.
10:11I'm in love with the shape of you.
10:14Number 20.
10:15Call Me.
10:15Blondie.
10:16Offered to Stevie Nicks.
10:18Legendary Italian producer Giorgio Moroder composed the music of Call Me as part of the soundtrack for the American Gigolo movie.
10:26If I love me, I'm Kyla, darling.
10:29I know who you are.
10:31Once done, Giorgio needed a leading artist to bring the song to life,
10:35and he turned to Fleetwood Mac vocalist Stevie Nicks.
10:39Sadly, Nicks turned down the offer, reportedly to avoid a contractual breach.
10:43The song then landed in the lap of Debbie Harry,
10:46whose band Blondie was experiencing one of the highest points of their career.
10:50The group released Call Me in 1980, and it became an unstoppable hit,
10:55topping the charts in the U.S., Canada, and the U.K.
10:58Call Me!
11:00Call Me!
11:01Call Me!
11:02Call Me!
11:03Call Me!
11:03Any, any, any time.
11:05Number 19.
11:06Thinkin' About You.
11:07Frank Ocean.
11:08Offered to Bridget Kelly.
11:10Frank Ocean's modern classic debut studio album Channel Orange
11:14established him as one of the most ingenious musicians of his generation.
11:18No, I don't like you.
11:19I just thought you were cool enough to kick it.
11:22Gotta be just I could sell you an item.
11:25Its lead single, Thinkin' About You, received widespread critical acclaim
11:29and was nominated for the Grammy for Record of the Year.
11:33But it's crazy to think that all of that may have never happened.
11:36The song was initially written by Ocean for Rock Nation signee Bridget Kelly.
11:40However, he ended up posting his own recording online
11:43before ultimately fine-tuning it and featuring it on his album.
11:47Oh, do you not think so far ahead?
11:52But if you want to hear the Kelly version,
11:54just check out her 2011 EP Every Girl and play Thinking About Forever.
11:59I remember, how could I forget how you feel?
12:05Number 18.
12:06Don'tcha?
12:07The Pussycat Dolls featuring Busta Rhymes.
12:09Offered to Paris Hilton.
12:11The song that we've all come to know as the Pussycat Dolls' smash debut hit
12:15was actually first released by singer Tori Alamaze.
12:18Don't you wish your girlfriend was hot like me?
12:22Don't you wish your girlfriend was a freak like me?
12:26That version failed to achieve much success,
12:28and it was refurbished as the hit single for the Pussycat Dolls.
12:32But before it became the number two Billboard hit that launched the group into the celebrity
12:36stratosphere,
12:37Don'tcha was offered to Paris Hilton.
12:39Hilton turned down the song as she reportedly didn't care for it.
12:42But according to the billionaire heiress,
12:45she wouldn't have hesitated to take the song
12:47if she'd heard the version we all jam along to now.
12:50Boy, don't you think she wishes she could turn back time?
12:53Don't you wish your girlfriend was fun like me?
12:56They're fun, don't you?
12:58Number 17.
12:59Wrecking Ball.
13:00Miley Cyrus.
13:01Written for Beyonce.
13:03What could we say about this song that you aren't already aware of?
13:07Well, probably that it wasn't even intended to be performed
13:10by the one and only Miley Cyrus.
13:12Don't you ever say I just walked away?
13:16I will always want you.
13:19Wrecking Ball, which appeared on her Bangers album,
13:22was actually penned during a songwriting session for Beyonce.
13:25But apparently the writers could immediately tell it wasn't right for her.
13:29So it was promptly offered to Cyrus,
13:31who was in the process of transforming her public image
13:34from teen idol to mature pop star instead.
13:36I never meant to start a war.
13:39I just wanted you to let me in.
13:44Could we see Beyonce on a wrecking ball and licking a sledgehammer?
13:48Eh, not quite.
13:49So we guess some songs eventually end up with the artists they were destined for.
13:53All you ever did was wreck me.
13:58Number 16.
14:00Danger Zone.
14:01Kenny Loggins.
14:02Offered to Toto,
14:03Bryan Adams,
14:04REO Speedwagon,
14:05Jefferson Starship,
14:06and Corey Hart.
14:08The wild success of the hit soundtrack to 1986's Top Gun
14:11is largely attributed to the popularity of its single Danger Zone.
14:15The song, which was composed by Giorgio Moroder,
14:24was offered to a slew of artists before reaching Kenny Loggins.
14:28They reportedly included rock bands Toto,
14:30REO Speedwagon,
14:31and Jefferson Starship,
14:33as well as singers Bryan Adams and Corey Hart.
14:36But all these folks either exited the project
14:38or turned it down for various reasons.
14:41So Loggins,
14:42who had recorded the number one soundtrack hit Footloose
14:44just two years earlier,
14:45stepped in as a last-minute replacement.
14:48He managed to strike gold again,
14:50sending Danger Zone to the number two spot on the Billboard Hot 100
14:54and creating a long-lasting legacy for the Top Gun franchise.
15:03Number 15.
15:04Alive.
15:05Sia.
15:06Rejected by Adele.
15:07Sia's songwriting skills are second,
15:09possibly only to her vocal prowess.
15:12I was born in a thunderstorm.
15:16The Australian artist has become known
15:18as one of the 21st century's most prolific songwriters,
15:21having crafted tunes for everyone from Rihanna to Beyonce and even Adele.
15:26For the latter's third album, 25,
15:28Sia co-wrote this synth-pop power ballad.
15:31I found solace in the strangest place.
15:36Adele, another one of the tune's writers,
15:38ultimately turned it down.
15:39When putting together her 2016 album This Is Acting,
15:42which featured songs she had penned for different artists,
15:45Sia decided to include Alive.
15:47And we couldn't be more grateful that she did.
15:50Her raw and rousing vocals perfectly communicate the emotions of the song,
15:54and it's hard to imagine anyone else singing it.
15:57In the early 80s, Curtis Hudson and Lisa Stevens,
16:09both from the band Pure Energy,
16:11wrote a song titled Holiday,
16:12which ended up being pitched to other artists.
16:15The song was presented to Mary Wilson,
16:17one of the founding members of the Supremes,
16:19but she chose to pass on it.
16:21It then found its way into the hands of a young Madonna,
16:23who was still very much in search of a breakout hit.
16:31In Holiday, she found what she was looking for.
16:34The track, which was rearranged to fit her style,
16:37became a huge success and made an international star out of her.
16:41It was a chart's success in multiple countries,
16:43and even snagged the number one spot on Billboard's Dance Club Songs chart.
16:47Number 13, It's Raining Men, The Weather Girls,
16:59offered to Donna Summer, Diana Ross, Cher, and Barbara Streisand.
17:03After penning It's Raining Men in just a matter of hours,
17:06Paul Jabara and Paul Schaefer offered the song to the disco queen herself, Donna Summer.
17:11As a born-again Christian,
17:13Summer felt the track conflicted with her beliefs,
17:15viewing it as, quote, blasphemous, and turned it down.
17:19Jabara and Schaefer also apparently pitched it to Cher,
17:22Diana Ross, and Barbara Streisand,
17:24and got resounding no's from all of them.
17:27But in the hands of the Weather Girls,
17:29all of that was washed away.
17:39Although they initially disliked it,
17:41the duo ended up recording It's Raining Men for their third album's success.
17:45And indeed, that is exactly what it was,
17:48charting extremely well in both the United States and abroad.
17:59Justin Timberlake joined forces with Chad Hugo and Pharrell Williams to write Rock Your Body,
18:06which was meant for Michael Jackson.
18:09But not every song can make the cut,
18:11and this was among those that was rejected by the King of Pop
18:14when he was putting together his Invincible album.
18:16Likely not wanting to waste such a well-written track,
18:19Timberlake included it on his first solo album, Justified.
18:27Rock Your Body peaked at number 5 on the Billboard Hot 100,
18:30and was an international hit as well.
18:33While Timberlake's version is extremely groovy in its own right,
18:36we can't help but imagine what heights Jackson would have taken the song to.
18:49Ariana Grande's 2018 pop hit God Is A Woman
18:54was almost recorded by somebody else.
18:56The pop star only got the chance to perform the song
19:02after it was passed on by Camila Cabello.
19:05Cabello said she was given the song when it only had a chorus.
19:11She then added her own verses and recorded it,
19:16but ended up not really feeling the result.
19:19So she decided to give it up.
19:20It was then given to Ariana Grande,
19:23who fleshed it out with different verses
19:25and put her signature sultry spin on it.
19:27The track hit the top 10 in almost 20 countries
19:30and earned a Grammy nomination for Best Pop Solo Performance.
19:38Number 10.
19:39What's love got to do with it?
19:41Tina Turner offered to Cliff Richard, Phyllis Hyman, and Donna Summer.
19:45After a tumultuous period in her career,
19:47Tina Turner made a phenomenal comeback when her 1984 single,
19:51What's Love Got to Do With It?
19:52hit the top of the charts.
20:01But as synonymous as the song now is with Turner's name,
20:05it went on quite the journey before getting into her hands.
20:08It was reportedly presented to Cliff Richard,
20:10but the British singer decided not to move forward with it.
20:13The writers are then said to have passed it on to Phyllis Hyman
20:16and later Donna Summer,
20:18but neither of those options panned out either.
20:20Thankfully, Turner eventually got her hands on the track,
20:23and the rest is pop music history.
20:25What's love got to do?
20:28Got to do with it.
20:29Number 9.
20:30Let's Get Loud.
20:31Jennifer Lopez, rejected by Gloria Estefan.
20:35These days, we all know Jennifer Lopez
20:37as a successful dancer, actress, singer, and businesswoman.
20:41Let's get loud.
20:42Let's get loud.
20:44It all began with projects like Selena
20:46and this salsa-infused song.
20:50Featured on her very first studio album,
20:52Let's Get Loud was co-written by none other than Gloria Estefan.
20:55Though Estefan was reportedly going to use the song
20:58for herself at the start,
21:00she ultimately decided to go in a different artistic direction.
21:03So Lopez got it.
21:05Of course, it earned her a Grammy nomination
21:07and remains one of her most beloved works.
21:16Curious fans can still check out Estefan's take on the song
21:19on the Target version of her Miss Little Havana album, though.
21:22Let's Get Loud.
21:26Let's Get Loud.
21:28Number 8.
21:29What Do You Want From Me?
21:30Adam Lambert, rejected by Pink.
21:33Co-written by Pink, alongside Swedish hitmakers Max Martin and Shelbach,
21:37What Do You Want From Me? was originally intended to appear on Pink's Funhaus album.
21:41In fact, she had already recorded the song,
21:43but it was ultimately scrapped from the track list.
21:46Instead, it was handed over to Adam Lambert,
21:48who was fresh off his American Idol run
21:51and was putting together his debut studio album for Your Entertainment.
21:55Just don't give up.
21:58I am walking it out.
22:01What Do You Want From Me? became a huge success for Lambert,
22:04cracking the top 10 in many areas and receiving a Grammy nomination.
22:08Pink's version still appears on select releases
22:10of her compilation album Greatest Hits So Far.
22:13What do you want from me?
22:14What do you want from me?
22:15What do you want from me?
22:17What do you want from me?
22:18Number 7.
22:19How Will I Know?
22:20Whitney Houston, offered to Janet Jackson.
22:23This song, which has been highlighted as one of Whitney Houston's standout tracks,
22:27very nearly wasn't recorded by her.
22:30Oh, I lose control.
22:34Can't seem to get enough.
22:36Uh-huh.
22:37How Will I Know? was penned by George Merrill and Shannon Rubicam,
22:41and the intended recipient wasn't Houston, but Janet Jackson.
22:44The songwriters presented the material to Jackson and her team,
22:48but they rejected it, leaving the duo rather disappointed.
22:51Still, all hope was not lost,
22:53as the track eventually found its way into the hands of Arista Records executive Jerry Griffith,
22:58who was crafting Houston's first album.
23:00It was then reworked to suit Houston's style,
23:03becoming a smash hit that climbed to the very top of the Billboard Hot 100 following its release.
23:09How Will I Know?
23:10How Will I Know?
23:12How Will I Know?
23:13Number 6.
23:14Gold Digger.
23:15Kanye West, featuring Jamie Foxx, offered to Shauna.
23:19Believe it or not, Kanye West's award-winning collaboration with Jamie Foxx
23:23was initially written to be sung from the female perspective.
23:26West had co-produced the beats and crafted the chorus for rapper Shauna's debut album, Worth the Wait.
23:31But after Shauna decided not to use the song,
23:34West kept it for himself and made some tweaks to tell the story from a male point of view.
23:43Upon its release, Gold Digger became a critical and commercial success.
23:48It was heavily praised by music critics
23:50and reached what was then a record-breaking number of digital downloads in one week.
23:56West scored a number one single on the Hot 100 with this track
23:59and earned a Grammy for Best Rap Solo Performance.
24:08Number 5.
24:09Umbrella.
24:10Rihanna, featuring Jay-Z, offered to Britney Spears.
24:14Back in 2007, Britney Spears was going through a heavily publicized rough period in her personal life.
24:20When songwriters Tricky Stewart, The Dream, and Cucurel received the song Umbrella,
24:24they intended to secure the pop star's next big hit.
24:27However, Spears' team turned it down.
24:30Apparently, they felt adding another track to her upcoming Blackout album was unnecessary.
24:35The demo floated around for a bit until it eventually reached Rihanna,
24:38who connected to the song almost instantly.
24:45She recorded it for her Good Girl Gone Bad album,
24:48and the result was a worldwide chart-topper and a Grammy-winning tune.
24:53You can stand under my umbrella,
24:56Ella, Ella,
24:58Yeah, yeah, yeah.
25:00Number 4.
25:00Happy.
25:01Pharrell Williams, offered to CeeLo Green.
25:04Pharrell Williams scored one of the most successful songs of the 2010s with the up-tempo Happy,
25:10which topped the charts in over 20 countries around the world.
25:13The extremely catchy song also won two Grammy Awards
25:22and was nominated for the Academy Award for Best Original Song.
25:27All of this glory could have easily slipped from Williams' hands
25:29had the song been recorded by the intended artist,
25:32CeeLo Green.
25:33Williams had crafted the number earlier for Green,
25:36who recorded his own version but was prevented from releasing it.
25:39Apparently, Green's label wanted to focus their energy on his upcoming holiday album instead.
25:45We bet they aren't so happy with that decision now.
25:47Cause I'm happy.
25:48Clap along if you feel like a room without a roof.
25:53Number 3.
25:54Since You've Been Gone,
25:55Kelly Clarkson,
25:56offered to Pink and Hilary Duff.
25:59Everyone's favorite breakup song had to pass through not one,
26:02but two rejections before it landed in the right hands.
26:05You're dedicated, you took the time.
26:08Wasn't long till I called you mine.
26:12Right from the point of inception,
26:14Max Martin and Dr. Luke had intended to give Since You've Been Gone to Pink.
26:18But when the pop rock goddess passed on the track for unknown reasons,
26:21they decided to offer it to Hilary Duff instead.
26:24However, it ended up not being the right fit for her vocal range,
26:27so nothing concrete came of that.
26:29After some deliberation,
26:30the track finally found its home with Kelly Clarkson.
26:33She made it her own by amping up the rock elements,
26:36turning it into a phenomenal anthem.
26:44Number 2.
26:45I Don't Want to Miss a Thing.
26:47Aerosmith.
26:48Intended for Celine Dion.
26:50Veteran songwriter Diane Warren penned this rousing ballad
26:53for the 1998 blockbuster movie Armageddon.
26:56Conceptually, she intended for it to be sung by a woman.
26:59She's named Celine Dion,
27:01who at the time was riding the tide of My Heart Will Go On from Titanic,
27:05as a vocalist she had in mind.
27:07Of course, things ended up going in a different direction,
27:10as Aerosmith recorded the track.
27:12Lying close to you,
27:14feeling your heart beating.
27:18It couldn't have hurt that frontman Steven Tyler's daughter Liv
27:23was one of the movie's leads.
27:24The band made the track fit their style,
27:26but retained all of the raw emotion Warren had written into it.
27:30I Don't Want to Miss a Thing was a resounding hit,
27:32promptly snagging the top spot on the Billboard Hot 100.
27:35Before we continue,
27:42be sure to subscribe to our channel
27:44and ring the bell to get notified about our latest videos.
27:47You have the option to be notified for occasional videos or all of them.
27:51If you're on your phone,
27:52make sure you go into your settings and switch on notifications.
27:57Number 1.
27:58Baby One More Time.
28:00Britney Spears.
28:01Offered to TLC.
28:02A widely popular music group passed on Baby One More Time
28:06before it was recorded by a then-unknown Britney Spears.
28:16Indeed, after writing the lyrics to the song,
28:19Max Martin offered it to TLC.
28:21They, however, declined to take it on.
28:24A few other names were reportedly considered,
28:26but the track was ultimately given to Spears,
28:28who immediately loved it
28:30and jumped at the opportunity to record it
28:32as her debut single.
28:33Still a teenager,
28:34she was launched onto the global stage
28:36with the release of the song,
28:38which was a hit not just in the States,
28:40but internationally too.
28:41Hit me, baby, one more time.
28:44It wouldn't be the only time
28:46a rejected song became a Britney Spears classic either.
28:49Just ask Kylie Minogue
28:50how she feels about TLC now.
28:52Do you think any of these songs
29:00would suit their originally intended artist better?
29:03Tell us in the comments section.
29:04You had to shit,
29:06she blew it
29:08outside
29:09out of mind
29:11out of mind
29:22out of mind
Recommended
3:32:04
|
Up next
10:00
0:26
11:27
11:34
22:27
14:27
21:35
20:06
13:47
11:36
12:53
12:15