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  • 2 days ago
FULL HOT MOVIE
Lana Clarkson

Three sexy cops will have to go undercover to catch a ruthless pornographer who is murdering young runaway girls.

*
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Transcript
00:01:01Freeze!
00:01:03Get out of here!
00:01:21Shit, it's a chick.
00:01:27Fight!
00:01:28You're busted.
00:01:29You're busted.
00:01:31You're busted.
00:03:47How about a nice club soda?
00:03:49You've earned it.
00:03:51How about a nice shot of tequila?
00:03:53Straight, no chaser.
00:03:56Come on, Coop.
00:03:59I thought you were on the wagon.
00:04:00And I thought you were a bartender.
00:04:02Come on, sweetie.
00:04:04Give me a break.
00:04:05Let's go.
00:04:35Is this right? Do I look okay?
00:04:50You know, back when I was a cop, we didn't have any nifty parties for a promotion.
00:04:56No? What'd you get?
00:04:58Well, they handcuffed me to the legs of a pool table, and then the guys, they sent in this great big hula dancer.
00:05:07A hula dancer?
00:05:08Yeah.
00:05:08And, well, she started to, uh...
00:05:12Why the hell am I telling you this?
00:05:15I have no idea.
00:05:17Pour me another, will you?
00:05:18Listen, don't look now, but, uh, here comes Chandler. Looks like he's got a date.
00:05:29With her? Not a chance.
00:05:36Well, Detective Cooper. Heard you had a little trouble getting to bed last night.
00:05:41Buy you a drink, boss? It's my party.
00:05:43I heard two cops on foot patrol found you passed out in front of your apartment building.
00:05:48They had to drag you upstairs, put you to bed?
00:05:54Look, you gonna congratulate me or chew me out?
00:05:57That's the captain's special way, Coop.
00:06:00Promote, then pounce.
00:06:03Cooper, I want you to meet your new partner, Detective Block.
00:06:05Block, Detective Cooper.
00:06:07Congratulations, Detective Cooper.
00:06:11Um, call me Coop. Everybody does.
00:06:14Block just transferred from San Francisco.
00:06:17Well, have a seat, Block. Let me buy you a drink.
00:06:20I don't drink.
00:06:22Oh, um, well, uh, sweetie serves a mean club soda.
00:06:26Orange juice, please, bartender.
00:06:28You got it.
00:06:30And then there's this.
00:06:34I know.
00:06:34Eight street kids killed in two months.
00:06:39Cool.
00:06:40Great music.
00:06:47Towards you?
00:06:53I want you and Block to go undercover on this.
00:06:55You know Lieutenant Russo?
00:06:58Russo.
00:06:58Fat guy with hair on his back?
00:07:01Hardly.
00:07:01He's your go-between with homicide.
00:07:03He has the case summary.
00:07:04He's at your disposal.
00:07:07I'm also sending you a tech expert from downtown in a couple of days.
00:07:11Tech expert?
00:07:13What are we, secret agents?
00:07:15Stop whining.
00:07:16You're gonna need all the help you can get.
00:07:19Look, I've gotta run.
00:07:21Congratulations.
00:07:23Captain, you leaving so soon?
00:07:24We didn't even get a chance to dance.
00:07:27My protege.
00:07:28Well, looks like it's you and me, Block.
00:07:33Looks that way.
00:07:35Sweetie, give us another round and I'll quit forever.
00:07:39Last one, Coop.
00:07:40So, do you have a first name?
00:07:49Edith.
00:07:50It's Edith.
00:07:52No, really.
00:07:53I mean, what's your first name?
00:07:57It's Edith.
00:07:57Okay, I think I'll just stick with Block, if that's all right with you.
00:08:04I'd appreciate that.
00:08:06You know, back in my day, we didn't have any vice girls, but I've decided it ain't a bad idea.
00:08:36You know, your name sounds really familiar to me.
00:08:54Block.
00:08:56Are you sure we never worked together before?
00:08:58I don't think so.
00:09:00I've watched in San Francisco most of my career.
00:09:02Frisco?
00:09:03Love that town.
00:09:04Great seafood.
00:09:34I got it.
00:09:37You're that cop that got her partner shot because you were too tough to call for backup.
00:09:40That's enough, Beasley.
00:09:41No, no, no.
00:09:42I knew she looked familiar.
00:09:43I remember now.
00:09:44You know what everybody's saying?
00:09:45That in a way, you killed your own partner.
00:09:49Hey.
00:09:51That incident was a year ago.
00:09:53I have been totally cleared of all allegations.
00:09:55Now, as of 12 noon today, I am back on the force.
00:10:02Understand?
00:10:03You got a case summary for me?
00:10:05I left it on the bar.
00:10:07Great.
00:10:09Captain said you were my disposal.
00:10:11Hey, wait.
00:10:11Hey, hey.
00:10:12Where are you going?
00:10:14Your cuffs.
00:10:15Did we lose him?
00:10:41Yeah, of course we did.
00:10:43Nobody can catch us.
00:10:44What did you get?
00:10:47A box of paper clips, a fancy pen, and it looks like an adjustable date stamp.
00:10:57All I got was some stationery.
00:11:00Well, we can use the pen and the stationery and write all our loyal friends and loving
00:11:07family's thank yous.
00:11:09Yeah, all we need are some stamps.
00:11:11Actually, I'm looking at my only friend.
00:11:16Jesse?
00:11:17Yeah?
00:11:18You think it was a stupid idea to rob a stationery store?
00:11:21You mean, instead of, like, fruit stand or the bank or something?
00:11:27Yeah.
00:11:28Hey, Jesse.
00:11:44Polly.
00:11:45Hey, Coop.
00:11:46Want to buy a pen?
00:11:47Let's see it.
00:11:50Two bucks.
00:11:52Tell you what.
00:11:53Got some stuff here.
00:11:54Just a blanket and some food.
00:11:56How about we make a trade?
00:11:57For a cop, you're not too bad.
00:12:01So did you guys check out that runaway shelter yet?
00:12:04Yeah, we checked it out.
00:12:06Somebody stole Jesse's shoes the first night.
00:12:08Shoes?
00:12:09Oh, Jesus.
00:12:11Sorry about that.
00:12:12You know, I might have an extra pair of land around somewhere.
00:12:14Will you just stop trying to help us?
00:12:16We're doing fine, okay?
00:12:18Thanks anyway, Coop, but, um, I stole them back.
00:12:22Listen, there's something else, and it's really important.
00:12:25There's been a few murders around here.
00:12:27Young kids just like you.
00:12:29A few murders?
00:12:30I count nine.
00:12:31Where have you been?
00:12:32Polly, she's just trying to help.
00:12:33She's right.
00:12:34It's nine.
00:12:35Did you know that last girl, Michelle?
00:12:37You're even dumber than I thought.
00:12:39Of course we knew her.
00:12:40Take it easy, Polly.
00:12:41Did you ever see her talking to anybody, or...?
00:12:43I didn't see anything.
00:12:44Michelle was a very nice kid.
00:12:46Look, she's just really, really stupid, and Jessie and I aren't stupid.
00:12:49I know you're not stupid, Polly.
00:12:53All right, just be careful, okay?
00:12:55Thanks for the stuff.
00:12:58I'll see you around.
00:13:02Bye, Coop.
00:13:05Man, you dug into her.
00:13:08Come on, she's just looking out for us.
00:13:10The only person Coop is looking out for is herself.
00:13:16This is Cooper.
00:13:26Leave a message.
00:13:28Cooper, this is John.
00:13:32John Russo.
00:13:33I left a couple of messages before, and...
00:13:36I know.
00:13:37I'm sorry I've been so busy.
00:13:38I just thought that after the other night,
00:13:42um, that it's, uh...
00:13:43Well, I wanted to see you again,
00:13:45and I could take you on a proper date.
00:13:49What's a proper date?
00:13:51Well, I guess, um...
00:13:52Just give me a call, okay?
00:13:54555-6373.
00:13:57Bye.
00:13:58Too eager, Russo.
00:14:21Strangulation, just like the others.
00:14:22I'd say she was killed someplace else, though,
00:14:26then dropped here.
00:14:29You okay?
00:14:34What?
00:14:37Jessie.
00:14:38Her name's Jessie.
00:14:40You knew her?
00:14:41I'm sorry.
00:14:42I wonder if that was even a real name.
00:14:46I was just talking to them yesterday.
00:14:49She's 15.
00:14:51Was 15.
00:14:53Them?
00:14:55She and her friend, Holly.
00:14:58Well, maybe she saw something.
00:15:03Let's calm this crime scene.
00:15:05Can't afford to miss a thing,
00:15:06not a single thing.
00:15:07Detective, this one found her body.
00:15:10What's her name?
00:15:12Crystal.
00:15:15What happened, Crystal?
00:15:17I had some business to conduct here in the alley.
00:15:20You had business with whom?
00:15:21Forget it.
00:15:22He's long gone.
00:15:25All right, go on.
00:15:26So, like I already told the cop,
00:15:28me and the guy,
00:15:29walk down the alley,
00:15:31bam, there's this dead body.
00:15:32He freaks out and takes off.
00:15:35I have a little bit of a conscience,
00:15:36so I called the cops.
00:15:37You didn't see anything else?
00:15:39You didn't see anything else?
00:15:39No.
00:15:40All right, thanks.
00:15:42Take down her address if she has one.
00:15:45Two interesting items over by the body.
00:15:48What's this?
00:15:49Lens cap.
00:15:50Looks new.
00:15:53Yep.
00:15:53And this.
00:15:55What is it?
00:15:56A piece of plastic?
00:15:57But it's new.
00:15:57There's no dirt on it.
00:15:59It's shrink wrap.
00:16:00It says Hi-8 Super Crown.
00:16:04Videotape.
00:16:04That's right.
00:16:06I don't know.
00:16:36I think I might have seen something.
00:17:06I think I might have seen something.
00:17:13I told him I was thinking about putting some strippers in here, and I needed his advice.
00:17:17And, well, he bought it and trotted right on over here.
00:17:20Listen, you girls be careful because he's on something.
00:17:23No problem.
00:17:25Sweetie, thanks. I owe you one.
00:17:26Yeah.
00:17:28Remember, we need this guy. This has got to work.
00:17:31Locke, Wolfgang Luck does not carry a weapon. We're just going to talk to him.
00:17:36Think of it as a conversation piece.
00:17:38Hold it, fights!
00:17:48Fuck you.
00:17:50Didn't they teach you anything in prison, Wolfie? I don't have to send you back there.
00:17:53Up yours, babe.
00:17:54Wow. Maybe you can teach me that sometime.
00:18:04It would be my pleasure.
00:18:09Penny for your thoughts.
00:18:11Dollar for your death.
00:18:13Oh, I just love these little impromptu gatherings, don't you, Wolfie?
00:18:16Oh, I ain't saying shit to you till I see my lawyer.
00:18:19Well, you know, you might not need your lawyer.
00:18:21Hey, sweetie, give me a beer here for my pal, Wolfgang.
00:18:24Block?
00:18:25Tomato juice.
00:18:26Oh, what is this, a goddamn tea party?
00:18:28Oh, yeah, Wolfie. And you're the guest of honor.
00:18:31We need a favor, and frankly, you owe us one.
00:18:37About three grams of favor, I'd say.
00:18:39I guess you've heard there's been a rash of killings.
00:18:46Yeah, hookers.
00:18:48Kids! Street kids!
00:18:51Yeah?
00:18:52Well, I don't do kids, and I never whacked anybody before.
00:18:55Hey, what's this all about? Get on with us, okay?
00:18:58What, are you in a hurry?
00:18:58Yeah, I gotta fucking pedicure it, too.
00:19:02You still on that adult video store down on Central?
00:19:04Maybe.
00:19:05You know what maybe gets you these days, Wolfie?
00:19:08About ten years in the big house.
00:19:10And considering your past indiscretions,
00:19:12I think they might even keep you longer.
00:19:15Yeah, yeah, I own a place. Big deal.
00:19:18Can I get some of that beer? I'm dying here.
00:19:20Some of these kids.
00:19:25Russo, you never call?
00:19:29Cooper?
00:19:31This is Lieutenant Mindy Turner.
00:19:33Chandler brought her on. She's your tech support.
00:19:35I know, Mindy. I requested her.
00:19:37Hello, Coop.
00:19:38Lieutenant, this is Detective Block.
00:19:43I know, Block.
00:19:45Well, great. Then we're all friends here.
00:19:47Russo, what do you got?
00:19:48What about him?
00:19:49What about my beer?
00:19:50Oh, don't worry about Wolfie.
00:19:53He's just about to sign on with the Vice Girls.
00:19:55Vice Girls?
00:19:58That's cute.
00:19:59Listen, we got a link here for what it's worth.
00:20:02Turner?
00:20:02The lens cap found at the scene comes from a Hi-8 video camera,
00:20:07which would match the Hi-8 shrink wrap.
00:20:09They film a lot of pornography on this type of camera.
00:20:12They're not too expensive, and the quality is pretty good.
00:20:14What do you think about it, Turner?
00:20:16Well, I'd say somebody was taping the killings.
00:20:19Snuff films, perhaps?
00:20:20Oh, and Snuff fell himself for lots of money, don't they, Wolfie?
00:20:28Yeah, well, I wouldn't know.
00:20:30I'm only into what's legal.
00:20:32Anyway, I'm a fine, upstanding member of the community now.
00:20:36I try and stay away from that stuff.
00:20:38Well, we've got a list of suspects here.
00:20:42I want you to invite them to your little, uh, autograph party.
00:20:45What?
00:20:46That'll fuck my business!
00:20:47Yeah, you're already fucked, Wolfgang!
00:20:49Coop, I need a word.
00:20:50You think about it.
00:20:53Dolvecchio, in my office.
00:21:05So, what's up, Russo?
00:21:06Well, um, I wanted to, to talk to you about the party the other night.
00:21:14Uh, you and I at the party, and, and, you know, what, what happened and all.
00:21:18But, um, I just, I, I get the feeling that you don't.
00:21:22I don't what?
00:21:24You just don't want to talk about it.
00:21:26Oh, on the contrary, Russo.
00:21:28I'd love to talk about it.
00:21:30I had a great time.
00:21:31What about you?
00:21:33Well, yeah, uh, you know, I had a, I had a, I had a,
00:21:36I had a great time, too, actually.
00:21:39Great, then everybody's happy.
00:21:43So, are you gonna, uh, join me for a tinkle here, or what?
00:21:48No.
00:21:50Bitch!
00:21:51Hey, hey, hey, what the hell's going on here?
00:22:08I thought we were all friends.
00:22:11Detective Turner knew my, uh, partner.
00:22:14Uh, shit.
00:22:23Are you happy, Turner?
00:22:24Her partner was my friend.
00:22:26What, do you think she did it on purpose?
00:22:28That's not the point.
00:22:29That is entirely the point, Mindy.
00:22:32Do you think she's the first cop that ever made a mistake?
00:22:36Lost a partner in the line of duty?
00:22:39All right, maybe she should have called for a backup.
00:22:41She didn't.
00:22:42Maybe she thought she could handle it.
00:22:45I made a mistake like that once myself.
00:22:50We all make mistakes.
00:22:53We do things that we regret for the rest of our lives.
00:22:58Look, you're cops.
00:23:04People get killed.
00:23:05That is the goddamn job.
00:23:09So why don't you get out there
00:23:11and do the job you've been hired to do.
00:23:15Catch that killer.
00:23:25I'm all right.
00:23:28I just love female bonding.
00:23:32Who doesn't?
00:23:33Why don't you shut the hell up?
00:23:36All right, here's the deal.
00:23:38You help us out
00:23:39and we forget about your little sinus condition.
00:23:43You chicks are nuts!
00:23:50Fuck me.
00:23:51Fuck me.
00:23:58How's it going, Quentin?
00:24:03It's going great, Mr. Love.
00:24:05We're selling out of everything.
00:24:07You know, this is just like a real movie set.
00:24:09Dominique Starr right here in the store.
00:24:11The cops in the back with a sting operation.
00:24:13Will you keep your mouth shut about that, you idiot?
00:24:16Sorry, boss.
00:24:17Do you think you could introduce me to Dominique Starr?
00:24:20All right.
00:24:21Look, just don't go on about the movies the way you do, okay?
00:24:24Say hello, nice to meet you, goodbye, and that's it.
00:24:28Got it?
00:24:29Got it.
00:24:30Go.
00:24:42Excuse me, Dominique.
00:24:43This is my store clerk, Quentin.
00:24:45He wanted to meet you.
00:24:47Quixi, nice to meet you.
00:24:50Nice suit.
00:24:51Thanks.
00:24:52You know, Miss Starr, I'm a big fan of yours.
00:24:54I've seen all your movies.
00:24:56And I'm a filmmaker, too.
00:24:58Maybe we could get together sometime
00:25:00and discuss the state of the cinema,
00:25:02trends and applications.
00:25:04Nice to meet you.
00:25:06Goodbye.
00:25:07Nice to meet you.
00:25:08Goodbye.
00:25:09Bye-bye.
00:25:13Mr. Trope, how are you?
00:25:23I'm fine, just fine.
00:25:25Listen, you asked me to let you know
00:25:27if I ran into anything special
00:25:29in the area of your interest.
00:25:32Oh, like that last item.
00:25:34That was superlative.
00:25:36Listen, I have a live item today.
00:25:39Very tender.
00:25:40You might say a young nubile.
00:25:44Oh, a nubile.
00:25:46You don't say.
00:25:48I do say, Mr. Trope.
00:25:50And for a mere 60 bucks,
00:25:52she'll do her little schoolgirl dance for you.
00:25:54Right now, live.
00:25:57Well, Mr. Love,
00:25:58I happen to have 320s right here in my pocket.
00:26:01Will 60 do?
00:26:0260's perfect.
00:26:04Just go on back, right through the door.
00:26:06You know the way.
00:26:07Thank you, Mr. Love.
00:26:08Thank you very much.
00:26:10Thank you very much.
00:26:40Excuse me, Mr. Love.
00:27:10This is the schoolgirl dance, isn't it?
00:27:16What?
00:27:17Let me zoom in on him.
00:27:29Well?
00:27:32Here.
00:27:33I'll turn up the volume in the left breast.
00:27:38No, it's not him.
00:27:39I don't think so.
00:27:41Well, I mean, it's hard to tell.
00:27:42It was so dark.
00:27:47What I mean is,
00:27:49you're not.
00:27:51You've got to be 25 years old.
00:27:53You, sir,
00:27:54are an insulting pedophile.
00:27:56And I was told you were 12.
00:27:59Vice,
00:28:00you're busted.
00:28:01What?
00:28:02Tape anything interesting on that video camera, Mr. Trope?
00:28:05Why?
00:28:06Where's your lens cap?
00:28:07I lost it.
00:28:08Yeah, right.
00:28:08Come on, let's go.
00:28:10But I didn't do anything.
00:28:11Yeah, well, we'll think of something.
00:28:12Come on, give me a break.
00:28:13I have to make a little adjustment here.
00:28:19Excuse me.
00:28:19Mm-hmm.
00:28:22I must admit, Turner,
00:28:23this is the most intriguing surveillance device
00:28:25I've ever operated.
00:28:27Thanks.
00:28:28Just be careful of the nipples.
00:28:31They're very sensitive.
00:28:32Right.
00:28:33Right.
00:28:43Send back one more.
00:28:45You got it.
00:28:53Hey,
00:28:54this ain't what I paid for.
00:28:56Really?
00:29:01No, it's not him.
00:29:02No, it's not him.
00:29:13No, it's not him.
00:29:43No, it's not him.
00:30:13No, it's not him.
00:30:13She must have taken off.
00:30:42Who?
00:30:44Polly.
00:30:45The whole place is empty. Wolfgang's got it all locked up.
00:30:48When the hell did she slip out?
00:30:50I don't know, but I think she really felt bad about coming up shore today.
00:30:54Yeah, but that's not her fault.
00:30:56She is only 15.
00:30:59The captain finds out we lost the one person who might have seen...
00:31:03Too late.
00:31:07He just found out.
00:31:09Don't you ever knock, Captain?
00:31:11I take it you accomplished nothing here other than losing the one person who saw the killer? Am I right?
00:31:16We'll find her.
00:31:17Let me see if I got this straight.
00:31:20You three meter maids spent a whole day trying to finger-perf with a 15-year-old hooker who might have seen something somewhere.
00:31:30Russo tells me a simple line-up of suspects wasn't good enough for you.
00:31:33Well, I didn't exactly say that.
00:31:35Shut up, Russo.
00:31:37You had to go through this whole straight.
00:31:39Is that it?
00:31:40The facts exactly, sir.
00:31:42Block.
00:31:43Block.
00:31:44If I were you, I'd start getting serious about doing my job.
00:31:50Just one more thing.
00:31:56While you three were goofing off, there was another murder.
00:32:02Let's go, Russo.
00:32:03Sorry, Coop.
00:32:04Why don't you three badge bimbos get the hell out of my store?
00:32:21Bad timing.
00:32:22Very bad timing!
00:32:23Dad!
00:32:24Forget about it!
00:32:25Dad!
00:32:26Forget about it!
00:32:27Dad!
00:32:28Forget about it!
00:32:29Dad!
00:32:30Forget about it!
00:32:31Easy!
00:32:32Sounds like my little speech worked.
00:32:34I hope so.
00:32:35I still need you to keep an eye on Coop.
00:32:37She tends to bend the rules a little too much.
00:32:41I don't want her to screw up this case.
00:32:44Stay on top of her.
00:32:46Understand?
00:32:47I will, sir.
00:32:53You know, an obvious thing has occurred to me in the captain's absence.
00:32:57How can a scum sucker like you be in this business and not know about snuff films?
00:33:01Where to get them?
00:33:02Who makes them?
00:33:04You know, ladies?
00:33:06I think Wolfie here knows far more than he's letting on.
00:33:10Now, you see this gun?
00:33:13Poor little gun.
00:33:14It only has one bullet.
00:33:19But where?
00:33:22Now, every time I ask you a question and you don't tell me what I want to hear, I pull the trigger.
00:33:30You didn't answer me, that's one!
00:33:31Please don't, don't, don't.
00:33:34No!
00:33:35Jesus Christ, you didn't even ask me a question!
00:33:37Tell me what I want to know!
00:33:38I don't know anything.
00:33:39I don't handle that stuff!
00:33:42I swear to you.
00:33:44Maybe.
00:33:45Three's a charm then.
00:33:46No, no, no, no!
00:33:47It's...
00:33:48It's in a file cabinet in the second drawer.
00:33:49Check it, Locke.
00:33:51You better not be playing with me, Wolfgang.
00:33:54It's empty.
00:33:55It's in there!
00:33:56It's in there!
00:33:57It's taped up underneath, I swear!
00:33:59Got it.
00:34:00Thanks, Wolfie.
00:34:01Here's a little party favor for you.
00:34:03Ooh, that was good.
00:34:04I want some more.
00:34:05Is your friend still...
00:34:06Hey!
00:34:07What the hell are you doing with that?!
00:34:08Hey!
00:34:09Hey!
00:34:10No!
00:34:11Good Lord.
00:34:13Well, there's not much to go on.
00:34:14Yeah, but it's all we've got.
00:34:15Listen Wolfgang, you're gonna get us an introduction of the person who made this tape.
00:34:27Fuck me.
00:34:28go on. Yeah, but it's all we've got. Listen, Wolfgang, you're going to get us an introduction
00:34:38to the person who made this tape. Fuck me. What am I doing here? I'm supposed to be tech
00:34:46support. Stop complaining. We're undercover. I'm a little bit too undercover for my liking.
00:34:51I think you look great, babe. Are you afraid? Certainly not.
00:34:57Then, Pet? Pet him?
00:35:11Trulane! Mr. Love, you skanky smut peddler. Glad you could make it. And, Julie?
00:35:17Thank you. As you can see, I deliver. This is Jan, Edith, and Miss.
00:35:27Mindy. Mindy? An ancient name. I watched you walk in. Reminded me of that beautiful goddess
00:35:34Isis. You must have me confused with some other goddess. Mindy, what?
00:35:41You know, Trulane, these babes really dig your movies. Films, Wolfgang. Films.
00:35:47Oh, yes, we love all your films. Really?
00:35:49Come all ye faithful. A holiday classic. Is that your video camera?
00:35:55Oh, one of many. Marvellous little device, really.
00:35:57The Night of the Naughty Necrophiliac. I loved it. It looks like you lost your lens cap.
00:36:04Well, aren't you the observant little cinematographer?
00:36:06The Island of Dr. Lesbo. Now, that's a movie.
00:36:12Mindy, it's clear to me that you are a true sextilectual. It's funny your friends don't look it up.
00:36:18We don't?
00:36:19No. What do we live by?
00:36:23Cops.
00:36:28I'm kidding! Relax, I boo!
00:36:34Wolfgang, why don't you show Jan and Edith to the dance floor? I'll entertain Mindy.
00:36:41I, um...
00:36:43All right, let's dance.
00:36:53Loosen up, Mark.
00:36:55Rip it!
00:37:07Trulane, you're one heck of a dancer.
00:37:09Isis, you're my wet dream come true.
00:37:13Well, hello there, darlin'.
00:37:23Hello, Elvis.
00:37:26Tell me.
00:37:27Thank you very much.
00:37:30Cheryl, you really think you're the only one whose libido is manipulated by external forces?
00:37:35Well, I hope not.
00:37:36I strongly resent having my libido pulled to and fro by every Madison Avenue huckster, not to mention Hollywood and its minions.
00:37:45Congratulations.
00:37:46Come and suffer.
00:37:48Theudes.
00:37:48Oh, yes!
00:37:55Oh, yes!
00:37:56Oh!
00:37:57Whoa!
00:37:58Whoa!
00:37:58Ah!
00:38:01Oh!
00:38:02Oh!
00:38:03Oh, yes!
00:38:04Oh, yeah.
00:38:10Oh, yeah.
00:38:13Oh, yeah.
00:38:16Hey.
00:38:17Oh, yeah.
00:38:19Oh, baby.
00:38:21Mm-mm.
00:38:24Oh, yeah.
00:38:27Oh, yeah.
00:38:30Oh, yeah.
00:38:33Mm-mm.
00:38:34Hey.
00:38:44Oh.
00:38:47Fascinating.
00:38:56I mean, I split and I go home and I get in the shower and all of a sudden I'm staring at the shower head.
00:39:02And, you know, I'm staring at it and I start thinking, what if shower heads could talk?
00:39:07Well, I'm planning on becoming a really big, big star.
00:39:13What if the damn thing had eyes?
00:39:16What if it's looking at me?
00:39:17Hey, what if it's looking at me right now?
00:39:20What if it's looking at me right now?
00:39:21Oh, wait.
00:39:22What if it's looking at me?
00:39:23Oh.
00:39:24Oh, yeah.
00:39:25Oh, yeah.
00:39:26I'm looking at the shower.
00:39:27And I'm looking at it.
00:39:28Oh, yeah.
00:39:29Oh, yeah.
00:39:30Yeah, I'm looking at it.
00:39:31Oh, yeah.
00:39:32Oh, yeah.
00:39:33I'll arrange a little... audition.
00:39:39Detective Cooper?
00:39:40What are you doing here?
00:39:42I'm doing cover quite uncool act.
00:39:44You've certainly got the look down for this party, Detective Cooper.
00:39:47My friends call me Coop.
00:39:49How'd you get into this party anyway? I thought it was pretty exclusive.
00:39:52It's all who you know.
00:39:53You know, I'm kind of Trillian's protege.
00:39:55He's actually quite brilliant, and he's very, very well respected in the genre.
00:39:59You snuck in, didn't you?
00:40:01You think I'm part of the kitchen staff.
00:40:03What are you looking for down there?
00:40:08Actually, I...
00:40:10No, don't tell me. You lost your lens cap.
00:40:12Yeah, did you find it?
00:40:14No.
00:40:18So, yeah, yeah, so I jumped out of the shower.
00:40:20I couldn't take it anymore.
00:40:27Tango?
00:40:28Why not?
00:40:33It appeared that Trillian has made his choice.
00:40:39You think she'll be okay?
00:40:41My impression has been that Minty can take care of herself.
00:40:44She really nailed you with that beer bottle.
00:40:47I would remind you that she took me by surprise.
00:40:50Well, no sense embracing an open bar.
00:40:53Come on, Bob.
00:40:54Coop, I told you, I don't drink.
00:40:55I know, but maybe they've got some imported guava juice or something.
00:40:59Come on.
00:41:00Hmm.
00:41:01I quite like guava juice.
00:41:02I haven't showered since.
00:41:07I can't.
00:41:08I can't.
00:41:09Fred, I think you're full of crap.
00:41:13I've been thinking about my older days
00:41:16And I'm wondering if I'm wasting my life
00:41:19To me, the creative act is one of struggle.
00:41:25An effervescent battle between heaven and earth.
00:41:27A throbbing, thrusting, ungulate...
00:41:30Idiot!
00:41:33Mr. Trillane.
00:41:36I don't know you.
00:41:37How did you get into my party?
00:41:39Actually, I...
00:41:41Where did you get that video camera?
00:41:43Did you steal it?
00:41:44Absolutely not, sir.
00:41:46I'm a filmmaker, too.
00:41:47And I'm your biggest fan.
00:41:49A fan!
00:41:50Well, do you mind?
00:41:53I'd be honored.
00:41:54Ah.
00:41:57Now, get out.
00:42:00But I've seen all your movies.
00:42:01Get out before I have you thrown out.
00:42:04Out.
00:42:10Now.
00:42:13We have got to get her out of there
00:42:15Before she blows our cover.
00:42:17Come on.
00:42:18You could at least try and walk.
00:42:19I could walk on.
00:42:20This is bad.
00:42:21This is very bad.
00:42:23Are you guys ignoring me?
00:42:24We're not ignoring you.
00:42:25Let's go.
00:42:26I just love you guys.
00:42:31I'm fine.
00:42:32You're not.
00:42:35Come on, lovey.
00:42:37Here you go.
00:42:37Will you quit looking at me like that, Block?
00:42:50I know my limit.
00:42:51Well, it doesn't appear that you do.
00:42:54Look, thanks for the ride, Block.
00:42:56Good night.
00:42:59Do you need anything before I go?
00:43:00Well, um, there's some aspirin on the bookshelf in my dining room.
00:43:08Could you bring me four?
00:43:09No more.
00:43:11All right.
00:43:21Really?
00:43:24Don't show us.
00:43:25Come on.
00:43:25Ah.
00:43:26Come on.
00:43:27Come on.
00:43:32Come on.
00:43:33Nope.
00:43:34Come on.
00:43:34How well?
00:43:35Come on.
00:43:36Okay.
00:43:36Welcome.
00:43:37I think we're going on.
00:43:37joy.
00:43:38Here.
00:43:49Why do you have a picture of you and Polly?
00:43:55Detective, what does this picture mean?
00:43:58It's none of your goddamn business.
00:44:00This girl is involved in the investigation of several homicides.
00:44:04If you don't tell me the nature of this picture,
00:44:06I'll have no other choice than to involve Captain Chandler.
00:44:08Yeah, you're a good cop-blocker.
00:44:10You're gonna loosen up a little.
00:44:17Look, I haven't done anything wrong
00:44:19unless you call having a picture of my sister in my home crime.
00:44:23Your sister?
00:44:24Yeah, Polly's my sister.
00:44:28My parents were killed three years ago by...
00:44:31It doesn't matter, they're dead, right?
00:44:36Polly came to live with me.
00:44:38It just didn't work, you know?
00:44:40I mean, we fought all the time.
00:44:43Well...
00:44:45I drank and she fought.
00:44:48I tried to convince her to come home and she just wouldn't...
00:44:52You know, I've tried and I've tried, but she...
00:44:54You have not tried hard enough.
00:44:58You know, there isn't a day that goes by that I don't worry about her
00:45:01and wonder what scumbag she might have to...
00:45:04She's a big girl, Block, you know?
00:45:09Polly is 15 years old!
00:45:11She's 15!
00:45:13Good night, Block.
00:45:16But why did he pick me?
00:45:18I'm just supposed to be tech support.
00:45:19Oh, relax, Melissa.
00:45:20You techies are always fantasizing about getting down and dirty.
00:45:21Here's your chance.
00:45:22Are you ladies okay?
00:45:23Yeah, sweetie, we're fine.
00:45:24Listen, now.
00:45:25I don't know.
00:45:26I don't know.
00:45:27But why did he pick me?
00:45:28I'm just supposed to be tech support.
00:45:29Oh, relax, Melissa.
00:45:30You techies are always fantasizing about getting down and dirty.
00:45:33Here's your chance.
00:45:34You ladies okay?
00:45:35Yeah, sweetie, we're fine.
00:45:36Listen, I'll hire you another one.
00:45:37You got that right.
00:45:38What are you doing, anyway?
00:45:39Modern science, sweetie.
00:45:40Mindy rigged up this, uh, high-tech bullet bra.
00:45:42It's coming pretty handy.
00:45:43It's got audiovisual capabilities, computer audiovisual capabilities,
00:45:44and computer audiovisual capabilities.
00:45:45I don't know.
00:45:46I don't know.
00:45:47I don't know.
00:45:48I don't know.
00:45:49But why did he pick me?
00:45:50I'm just supposed to be tech support.
00:45:51Oh, relax, Melissa.
00:45:52You techies are always fantasizing about getting down and dirty.
00:45:53Here's your chance.
00:45:54You ladies okay?
00:45:55Yeah, sweetie, we're fine.
00:45:56Listen, I'll hire you another one.
00:45:57You got that right.
00:45:58What are you doing, anyway?
00:45:59Modern science, sweetie.
00:46:05Modernized chassis, and it's fully adjustable.
00:46:08Oh, look at that.
00:46:09This way she can keep in contact with Block and myself at all times.
00:46:12And the underwire acts as the antenna.
00:46:15Okay.
00:46:17Let's, uh, check that nipple focus.
00:46:27Looks good from here.
00:46:29Picture perfect.
00:46:31Switching to tracking.
00:46:33Great.
00:46:34Also, should Trulaine want to take her elsewhere for the audition?
00:46:37We can track her for miles with this thing.
00:46:39Hey, there we are.
00:46:41I'm impressed.
00:46:46What are you staring at?
00:46:49I was just contemplating whether perspiration could cause any kind of electrical shock.
00:46:53It's fully grounded.
00:46:55Where are you gonna hide your peace?
00:46:57Don't ask.
00:46:58Hey, sweetie.
00:46:59Hey, how you doing, buddy?
00:47:00Good, man.
00:47:01Block.
00:47:02Wow.
00:47:03Mindy, you look slutty.
00:47:06Thanks, Russo.
00:47:07Yeah.
00:47:09Detective?
00:47:12Russo?
00:47:16Well, I just came by to see if you needed anything.
00:47:18We don't need your help, Russo.
00:47:21You're the one who sent Chandler to Wolfgang's video store after us in the first place.
00:47:25It was not pleasant.
00:47:26Well, I just did it by the book, Cooper.
00:47:29Section 12, paragraph 4.
00:47:30No, that's your problem, Russo.
00:47:31You're a friggin' bookworm.
00:47:32Coop, I suggest we don't have time for this right now.
00:47:33Bookworm?
00:47:34Well, thank you very much, Vice Girl.
00:47:35In my office now.
00:47:36Very nice.
00:47:37What?
00:47:38What?
00:47:39What?
00:47:40What?
00:47:41What?
00:47:42What?
00:47:43What?
00:47:44What?
00:47:45What?
00:47:46Oh, what?
00:47:47What?
00:47:48What?
00:47:52What?
00:47:53I hope that's perfectly clear, Mr. Russo.
00:48:01What?
00:48:05And I hope that's perfectly clear, Mr. Russo.
00:48:17What happened? Where's Russo?
00:48:20You know, Coop, I think you should take it easy on the guy.
00:48:22I think he's got a crush on you.
00:48:24Think so?
00:48:25So, everybody ready?
00:48:27Block?
00:48:27Ready.
00:48:28Mindy?
00:48:29Ready.
00:48:30Sweetie?
00:48:31For a guy that ain't going no place, I guess I'm ready.
00:48:33Great. Let's do it.
00:48:35Let's take it easy, girls.
00:48:42Good luck.
00:48:44Oh, my God, there's Polly.
00:48:49Where the hell have you been?
00:48:51Leave me alone.
00:48:53Polly, what happened?
00:48:55Look, why don't you just get back in the car with your friends and leave me the hell alone?
00:48:59Polly, why the hell did you run out on us?
00:49:01I couldn't ID the guy.
00:49:03It was too dark that night.
00:49:05I thought I could, but I couldn't.
00:49:08Polly, can't you see if you...
00:49:10I know what you're going to say.
00:49:11You're going to tell me to get off the streets and go live with you.
00:49:14What is with this sudden interest in my life?
00:49:16What, you run out of money for booze?
00:49:22Polly!
00:49:22Come here nice.
00:49:42Polly!
00:49:48Polly!
00:49:48Polly!
00:49:49Polly!
00:49:50Oh, mighty Isis.
00:50:17Chalain.
00:50:18Come in, my beloved.
00:50:20I won't be long, dear.
00:50:28I'm just shooting a very emotional scene upstairs.
00:50:30Pivotal moment for the characters, really.
00:50:32Oh, I'm so weary of lifting everyone up, up, up.
00:50:34Although it is creatively invigorating.
00:50:37Don't go away now.
00:50:38I do so love auditions.
00:50:43I just got stage fright.
00:50:44Okay, I'm out.
00:51:01Doing some snooping.
00:51:04Switching to visual.
00:51:06Do I do?
00:51:08Well...
00:51:11One more time.
00:51:24One more time.
00:51:25One more time.
00:51:26Nothing downstairs.
00:51:40I'm going to go to the second floor.
00:51:45Be careful, Melissa.
00:51:47She can't hear you.
00:51:49I know.
00:51:56I'm upstairs.
00:52:11Here's the people moaning.
00:52:14Must be the movie.
00:52:15It sounds pretty fake.
00:52:18I'm going to take a peek.
00:52:26Oh, oh, oh, oh.
00:52:33Oh, oh, oh, oh.
00:52:36She lands in there.
00:52:38I think he's got a gun.
00:52:39This doesn't feel right, Block.
00:52:40Get in there.
00:52:41I'll call for backup and be right behind you.
00:52:48Good, good, good, Bob.
00:52:49Now move aside.
00:52:52Hey, what the hell?
00:52:54No, don't.
00:52:57Vice, everybody freeze.
00:53:06What's going on?
00:53:07This isn't in the script.
00:53:10What the hell is going on here?
00:53:13It's a movie.
00:53:15What?
00:53:16Fake bullets, fake blood.
00:53:18She's fine.
00:53:20You're fine, right?
00:53:21Fine.
00:53:22Fine?
00:53:23Yeah, fine.
00:53:24Don't shoot me, mighty Isis.
00:53:26I don't have a gun, Trelane, or I just might.
00:53:29It was an accident.
00:53:30You startled me.
00:53:31Isis, you're magnificent, stupendous,
00:53:34sexational.
00:53:36Trelane, what is going on here?
00:53:38We're making magic, of course.
00:53:40And, well, simply buckets of money.
00:53:43The really sick people out there think it's real,
00:53:44and I'm only too happy to supply the illusion.
00:53:47How old are you?
00:53:51Uh, 21.
00:53:53Yeah, let's see your ID.
00:53:54I left it in my other pants.
00:53:56What other pants?
00:53:57You're not wearing any pants.
00:53:58How old are you?
00:54:0017.
00:54:0217.
00:54:03I'm surrounded by vipers.
00:54:08Book them.
00:54:08Oh, yeah.
00:54:11Oh, yeah.
00:54:11Oh, yeah.
00:54:12Oh, yeah.
00:54:17Oh, yeah.
00:54:21Yes, yes, she was fine.
00:54:51But you know how it is.
00:54:53They only seem to last through one film.
00:54:56The cops?
00:54:57Well, they had to let me go.
00:54:59My lawyer's too good for them.
00:55:02Besides, what do you think they have on me?
00:55:04A 17-year-old hooker?
00:55:06She'll never testify.
00:55:07You can trust me on that one.
00:55:11Yes, it was a good thing I was firing blanks.
00:55:14But the footage does not look good.
00:55:16I think we'll have to go back to tried and true methods.
00:55:19Yes, I got some good possibilities at the party.
00:55:24Mm-hmm.
00:55:28I'm well aware of that, Steve.
00:55:31Well, you'll just have to stall them.
00:55:33All right.
00:55:48This is Grandma's recipe.
00:55:50She's probably looking down at us in complete shock that I'm cooking, let alone cooking her soup.
00:55:56Let me see that thermometer.
00:56:07Hey, looks like that aspirin worked.
00:56:09You're getting better already.
00:56:13Go ahead, eat.
00:56:14Remember this day?
00:56:25Yeah, I remember it.
00:56:26Before I knew what a lush was.
00:56:32Look, Polly, I know I've been a rotten sister.
00:56:35I know I've let you down.
00:56:37Nobody's perfect.
00:56:38I mean, I'm not.
00:56:40Mom and Dad being gone still really hurts.
00:56:42But what hurts me even more is knowing you're out there on the streets.
00:56:48I wish things could be different, you know?
00:56:52I mean, I just wish that you would make an effort.
00:56:55You could try.
00:56:56Spare me.
00:57:00I'm gonna go crash on the couch.
00:57:02I'm gonna go crash on the couch.
00:57:32I guess some eggs.
00:57:33Is that okay?
00:57:36Yeah, it's great.
00:57:43Cooper.
00:57:44It's Block.
00:57:46Yeah, Block, what is it?
00:57:48We received a tape.
00:57:50What kind of a tape?
00:57:51It's the real thing.
00:57:52Apparently from our killer.
00:57:55It was addressed to you.
00:57:57All right, listen.
00:57:59Meet me at Sweetie's Bar.
00:58:00I don't want to run into Chandler.
00:58:01Listen, Polly, I have to go.
00:58:09Yeah, well, me too.
00:58:10I gotta go.
00:58:11No, listen.
00:58:13Polly, I want you to stay here with me and be safe.
00:58:17Will you just try it?
00:58:20Please?
00:58:20Okay.
00:58:30Great.
00:58:32I'll call you as soon as I can, all right?
00:58:33Okay.
00:58:34Sweetie, what can I say?
00:58:46Three.
00:58:47You owe me three.
00:58:48Yeah, I know.
00:58:50Let's see the tape.
00:58:50Okay.
00:58:50So, you're going to make me a star?
00:59:13This is so cool.
00:59:15I feel like a real movie star.
00:59:20Great music.
00:59:29Towards you?
00:59:30That was no fake.
00:59:52Indeed.
00:59:53Analysis block?
00:59:55The brand name unlocks that much as that of the shrink-rocking evidence.
00:59:58Yes. It appears to be the same killer.
01:00:01Go on.
01:00:02Well, the killer's hand reaching from behind the camera appeared to be a man's hand.
01:00:06And based on the strength required for strangulation, I'd say that was a safe assumption.
01:00:10And this tape was dropped off, not mailed?
01:00:13That's correct.
01:00:19Take the tape back to headquarters.
01:00:20Start going through all the surveillance tapes of the precinct entrance.
01:00:23That will take some time.
01:00:25Well, then get going.
01:00:27Turner?
01:00:27Yes, Coop.
01:00:29How pock?
01:00:29I was afraid you'd say that.
01:00:41Buy you a beer?
01:00:44What?
01:00:45A beer.
01:00:46Can I buy you a beer?
01:00:49Isn't it against regulations to drink on duty?
01:00:52It's 10 a.m. already.
01:00:54What are you, a bookworm or something?
01:00:55Block, I wanted to tell you that, I just wanted, I've been trying to tell you that.
01:01:05Yes, detective?
01:01:07Well, you remember back at Tulane's mansion, right?
01:01:10Yes, I can recall that.
01:01:11I know you can remember it, Block.
01:01:14Do you have to be so damn literal all the time?
01:01:17I do endeavor to be precise.
01:01:19Well, that's not the point, Block.
01:01:21I'm trying to say thank you.
01:01:22I'm trying to say thank you, you idiot.
01:01:24I'm trying to say thank you.
01:01:27Yes.
01:01:28For what?
01:01:29For saving my life.
01:01:31Actually, I did not save your life.
01:01:36Tulane was firing blanks.
01:01:39Yeah, but you didn't know that when you jumped between us.
01:01:41And I just wanted to say thank you.
01:01:43I only did what any other trained law enforcement officer would have done.
01:01:47So your thank you is misplaced.
01:01:49I'm trying to say thank you, you idiot.
01:01:52You're welcome.
01:01:58And Block?
01:02:00Yes?
01:02:01About what happened in San Francisco.
01:02:04I know you're a good cop.
01:02:10You know what, sweetie?
01:02:11I think I'll have coffee instead.
01:02:15Coffee?
01:02:18I'm turning over a new leaf.
01:02:20Coffee is a sensible drink.
01:02:22You want regular or decaf?
01:02:24Don't push it.
01:02:29All right, so what shall we toast to?
01:02:32Let's toast to family.
01:02:35We'll toast to family.
01:02:37To all the families all over the world.
01:02:40Carpe diem and e pluribus unum and justice for all.
01:02:44You know, I didn't think what happened, Russo, but, uh, you may be coming around.
01:02:54Is that a good thing?
01:02:56Well, you passed the head test with flying colors.
01:02:58The head test?
01:03:00Great hat on demand.
01:03:01You're obedient, Russo.
01:03:03I like that in a love slave.
01:03:10What?
01:03:11What is it?
01:03:13Your tie.
01:03:14My tie?
01:03:15You like that?
01:03:16I don't know.
01:03:17On the tape.
01:03:19A tie.
01:03:20The victim had a skinny little tie around her neck.
01:03:24Where have I seen a tie like that before?
01:03:26I don't know.
01:03:26Tie town?
01:03:27How could I be so stupid?
01:03:31What, um, what's the name of that guy, uh, the video guy, uh...
01:03:34Wolfgang Love?
01:03:35No, no, the other guy.
01:03:37Oh, Quentin?
01:03:38Yeah, exactly.
01:03:39Sweetie, give me the phone.
01:03:41Wait a minute.
01:03:41Are you talking about, uh, Wolfgang's assistant, that weird, quirky little guy, always wears the same outfit?
01:03:48That's the one.
01:03:49Gotta call Polly.
01:03:50His name's not Quentin.
01:03:52It's Arnold.
01:03:53Arnold, uh, uh, uh, Hillowitz.
01:03:55I know because I've checked his ID a dozen times just to bust his balls.
01:04:05Shit, no answer.
01:04:06Arnold Hillowitz?
01:04:08I'm sure of.
01:04:10Let's hit it, Russo.
01:04:15She's gone.
01:04:17He's got her.
01:04:18I can feel it.
01:04:19Maybe she just left on her own.
01:04:20No, this place is a mess.
01:04:23So what?
01:04:23Russo, Polly's not like that.
01:04:26And look, a street kid does not leave her jacket behind.
01:04:30Nah, it doesn't feel right.
01:04:32Something bad has happened.
01:04:34Get an APB out on Arnold Hillowitz, a.k.a.
01:04:37Quentin.
01:04:38Call Block and Turner at the station and have him meet you here.
01:04:41Then meet me at Wolfgang's video store.
01:04:43I'm taking your car.
01:04:45There you go.
01:04:46Shit.
01:05:09Shit.
01:05:10Shit.
01:05:11What do you think?
01:05:37A little persuasion.
01:05:38No, no, we don't have a search warrant.
01:05:40Bruce-o!
01:05:41Where's Coop?
01:05:42She should be here.
01:05:43Bruce-o!
01:05:46Alright.
01:06:00Block!
01:06:01Bruce-o!
01:06:04He's dead.
01:06:05Oh, shit.
01:06:07I'll call the captain.
01:06:08You two need to find Coop.
01:06:09Coop's place first?
01:06:10Might be some clues there.
01:06:11Then Trillane's mansion.
01:06:12He should be empty.
01:06:13Go!
01:06:14Go!
01:06:15He'll be empty.
01:06:16Go!
01:06:27Hillewitt, you murdering bastard!
01:06:28Where is my sister?
01:06:30It's Quentin.
01:06:31It's Quentin.
01:06:37Polly!
01:06:38Are you okay?
01:06:39Has he done anything to you?
01:06:42Mm-mm.
01:06:43Say something, Coop.
01:06:47I always knew you'd make an excellent actress.
01:06:49I just had to have you in one of my films.
01:06:52And now I've had the good fortune of snagging both Cooper sisters.
01:06:57What a coup!
01:06:58I know that you're both ready to give a really excellent performance.
01:07:02I'm not performing anything for you, you bastard!
01:07:05And that's the key, isn't it?
01:07:07You're not performing.
01:07:09And yet...
01:07:11What a performance.
01:07:13What are you talking about, Hillewitts?
01:07:15I'm talking about how difficult it is to find somebody who can make it truly believable!
01:07:19You know what I mean?
01:07:22You're sick, Arnold.
01:07:25Never call me Arnold.
01:07:44And those other two, your partners?
01:07:46What are their names?
01:07:47Blockhead and Curly?
01:07:50They just don't have that special something that the camera loves.
01:07:56But you have it, Coop.
01:07:58And a nickname to boot.
01:08:00Look, if it's me you want, you've got me.
01:08:02Why don't you let Polly go?
01:08:04Oh, no.
01:08:06If I did that, I'd have to rewrite the entire script.
01:08:09And believe me, that can be a real pain in the ass for the director.
01:08:12You'd be lucky to direct traffic.
01:08:16That's what my ex-boss Wolfgang said.
01:08:18What do you mean, ex-boss?
01:08:21Oh, didn't you hear?
01:08:23Wolfgang went to that big peep show in the sky.
01:08:26Can you believe that bastard wanted me to work overtime?
01:08:30Well, forget it.
01:08:32Not for minimum wage.
01:08:34So I shoved a few of my favorite films down his throat and that was that!
01:08:37Do you think I qualify for unemployment?
01:08:47Top five and no special order.
01:08:50That's easy.
01:08:51Godfather?
01:08:52Of course.
01:08:54Taxi driver?
01:08:55Naturally.
01:08:56Midnight cowboy?
01:08:58I love that one.
01:08:59How many is that?
01:09:00Three.
01:09:02Gosh, let's see.
01:09:03No special order, remember.
01:09:05Right, thank God for that.
01:09:07I know.
01:09:09Oh!
01:09:11The Magnificent Seven.
01:09:13Interesting.
01:09:14One more.
01:09:19Guys and Dolls.
01:09:20Really?
01:09:21I wouldn't have never pegged you for a musical theater guy.
01:09:25Oh yeah, I love that stuff.
01:09:27In fact, I'm hoping to make my life story into a musical someday.
01:09:31Kind of a neurotic thriller.
01:09:34A real song and dance man, huh?
01:09:36You betcha.
01:09:38Hey!
01:09:40What are you trying to pull?
01:09:41You think I'm fresh out of film school or something?
01:09:50I believe this is your gun, Detective Cooper?
01:10:00I'm not usually much into firearms, although they do come in handy.
01:10:05I'm more of the hands-on type.
01:10:08I think you know what I mean.
01:10:10Did you get a chance to view my work?
01:10:12Your work?
01:10:14The tape I sent you.
01:10:17You're a sick fuck, Arnold.
01:10:18I said Quentin!
01:10:23So did you see it?
01:10:24Yeah, I saw it.
01:10:26What did you think?
01:10:27Of what?
01:10:29Her performance.
01:10:31She was good?
01:10:34She stank!
01:10:36She couldn't take direction.
01:10:38She couldn't hit her marks.
01:10:39That girl couldn't act to save her life!
01:10:42Now it's your turn, Polly.
01:10:43Let's see what you can do.
01:10:44What do you say?
01:10:46Quentin, don't do it!
01:10:49You asshole, you killed Jessie!
01:10:52She couldn't take direction either.
01:10:54Polly!
01:10:55I'm sorry, Jan.
01:10:57It's my fault, I don't want to be sorry.
01:11:00Hmm.
01:11:01That was pretty good.
01:11:02But let's try it once more.
01:11:04With feeling!
01:11:05No!
01:11:06No!
01:11:07Please don't!
01:11:08Don't!
01:11:09Gee, Polly, you put the rest to shame.
01:11:10Let's loosen you up and see what you can do, huh?
01:11:23Now stand on the bed, Polly.
01:11:26Go ahead, Polly.
01:11:28It'll be alright.
01:11:29Do it, Polly!
01:11:30Stand on the bed!
01:11:31Stand on the bed!
01:11:40Now dance a jig.
01:11:42A cute little ditty that would make your parents proud.
01:11:44You don't have to do that, Polly!
01:11:47There you go again!
01:11:49One director, one set.
01:11:52You know, Polly, now would be a great time to tell him to go straight to hell!
01:11:58Go to hell.
01:11:59You're ruining everything!
01:12:04I know, Arnold.
01:12:08Get the gun, Polly!
01:12:10Back off!
01:12:11Untie me, Polly!
01:12:24Now dance.
01:12:26I said dance, Arnold!
01:12:30This is for Jesse!
01:12:34Freeze!
01:12:36This is a close set.
01:12:42Cut!
01:12:54Jan, are you okay?
01:12:56Of course I'm okay.
01:12:58Block, untie me!
01:13:00He's dead, Jan.
01:13:02Oh.
01:13:03Are you okay?
01:13:05That's the question.
01:13:07I don't know.
01:13:09I'm shaking all over.
01:13:10What took you guys so long?
01:13:14We got here as soon as we could.
01:13:15Just in time, I'd say.
01:13:17I killed him.
01:13:20I killed the murderer.
01:13:21No, you didn't.
01:13:22No, you didn't.
01:13:25Detectives Turner and Block did it.
01:13:28But I shot him with your gun.
01:13:31No.
01:13:32It was Tulane's gun.
01:13:33It only shoots blanks.
01:13:34Now, aren't you glad you didn't kill somebody?
01:13:43I was so scared.
01:13:46Oh, I know, sweetie. I know.
01:13:48But it's all over.
01:13:51And I promise you that no one is ever going to hurt you again.
01:13:58It's going to be okay.
01:13:59Okay.
01:14:03He's an ex-what?
01:14:05Agent.
01:14:06Turns out Quentin was Arnold Hillowitz's ex-Hollywood agent and big time psycho.
01:14:11They all want to direct.
01:14:12When no one would let him behind the camera, he decided to branch out on his own.
01:14:15Coop, did you ever suspect that Quentin was after you?
01:14:18Not at all.
01:14:19I guess Polly must have been next on his list.
01:14:21He followed her to my house.
01:14:22I was his lucky bonus.
01:14:24It's a good thing Polly doesn't know the truth about that gun.
01:14:26What gun?
01:14:28Never mind.
01:14:29All right. Can I buy you a drink, Coop?
01:14:33No, thanks.
01:14:35How is Polly?
01:14:36Great. She's back at the house with me.
01:14:37She's talking about going back to high school.
01:14:40It's hard to believe that we spent so much time at that video store with Polly trying to catch a killer.
01:14:43It was right under our noses.
01:14:45You know, it sure is.
01:14:46I remember this one time I was on this case, and it was in...
01:14:49Sorry, sweetie.
01:14:50You know, I've already heard this one.
01:14:51Would you excuse us for a minute?
01:14:53All right, but just one more thing, Coop.
01:14:57What's that?
01:14:58How in the world did Mindy and Block find Quentin's place?
01:15:03Sweetie, I'm surprised at you.
01:15:05That's an easy one.
01:15:08All it took was brains, brawn, and one hell of a bra.
01:15:13Come on.
01:15:18Come on.
01:15:21Well, okay.
01:15:24Yeah.
01:15:25Yeah.
01:15:26The end of the day.
01:15:27Go, see ya.
01:15:28Awesome.
01:15:29Hey, I want to see you guys.
01:15:30Oh, love you!
01:15:32Even for this, you're able to give me an opportunity to see her.
01:15:34See ya.
01:15:36I'm so excited.
01:15:37I'm so excited.
01:15:38I'm so excited.
01:15:39I'm so excited.
01:15:40I'll be here.
01:15:41But see you guys next time next time.
01:15:43I'm so excited.
01:15:44I am so excited to see you and go.
01:15:45Bye.
01:15:46Yeah.
01:15:47Bye.
01:15:48Bye.
01:15:49Bye.
01:15:50Bye.
01:15:52Bye.
01:15:54Bye.

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