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00:00:00For more information, visit www.fema.gov
00:02:48Hey, Elon!
00:02:50Hey, Elon!
00:02:52Hey, Elon.
00:02:54Hey, Elon!
00:02:56See you.
00:02:58Hey, Elon!
00:03:00Hey, Elon!
00:03:02Hey!
00:03:03Oh, he's still alive.
00:03:04Tell me.
00:03:08Damn.
00:03:32Leland Drum, a good friend, shot dead.
00:03:35But I don't know what, and buried in this spot by Coley Boyard, his good friend, in April.
00:03:46Coley!
00:04:05Who is that down there?
00:04:10Willett!
00:04:11Is that you, Coley?
00:04:12Willett who?
00:04:13Gachet!
00:04:14Gachet!
00:04:15What's the matter for you?
00:04:16You step out so as I can see if it's you.
00:04:20Gachet!
00:04:21Gachet!
00:04:22What's the matter for you?
00:04:23You step out so as I can see if it's you.
00:04:31You look!
00:04:32That over there's a pack mule and that's Fraser, ain't it?
00:04:35Well, so who could I be?
00:04:37Willett?
00:04:38He's crazy.
00:04:39That's right!
00:04:40It's me!
00:04:41I, Will!
00:04:42Been setting up in the mine for two days.
00:04:43Spooking it crazy.
00:04:44Would have shot anything on two legs moving, Will.
00:04:46Except you.
00:04:47If I knowed it was you, I sure wouldn't have...
00:04:48Never mind.
00:04:49Just tell me what you're telling me.
00:04:50You should have been here, Willett.
00:04:51Let me go on thinking everyone's dead and me next.
00:04:53I pull up fever sick, I said, Gauley.
00:04:54Now become calm and tell me in a way I can understand where's Coyne.
00:04:58Well, like I said, after you was gone, Bill and Coyne decided to run into Winslow.
00:05:02For the pleasure, Coyne says.
00:05:03Can I go?
00:05:04He says no.
00:05:05I'll go.
00:05:06He says no.
00:05:07Well, like I said, after you was gone, Bill and Coyne decided to run into Winslow.
00:05:09For the pleasure, Coyne says.
00:05:10Can I go?
00:05:11He says no.
00:05:12He says no.
00:05:13No.
00:05:14No.
00:05:15No.
00:05:16No.
00:05:17No.
00:05:18No.
00:05:19No.
00:05:20No.
00:05:21No.
00:05:22No.
00:05:23Someone's got to watch over stores and things, so you stay, Coyne.
00:05:25Well, then, they go off.
00:05:27Not coming back till next morning, early.
00:05:30I get waked by them pounding in like hell bent.
00:05:34Then I hear them talking mad and arguing, so as I conclude they are drunk.
00:05:38I mean to go back to sleep when your brother Coyne tears inside you and grabs up as roll mad
00:05:43as I ever seen.
00:05:44I said, what are you doing, Coyne?
00:05:46Shut up, he says.
00:05:47I am taking your horse.
00:05:49And he tears back out.
00:05:51Sure enough, I see him throw onto my shorty and dig out fast.
00:05:54And there stands Leland, spitting in the dust, disgusted.
00:05:57How come Coyne rode off that away, Leland?
00:06:00He rode a man and a little person down in the streets of Winslow.
00:06:04Maybe it was a child, Leland says.
00:06:06But did he kill him, I ask?
00:06:08He's not for sure, but he ain't waiting to find out.
00:06:11And now he's running.
00:06:12Oh, I hate to hear it, I says.
00:06:15Then I crawls back into sleep, assuming Leland done the same.
00:06:19But damn if I don't get wake again.
00:06:22Leland's voice I hear, and I don't know whose.
00:06:25Thinking it's your brother, I open up the flap and look out at Leland drinking coffee.
00:06:29I can't see nothing else, so I ask, who are you talking to, Leland?
00:06:32He looks like he's making the answer, or to take a mouth of coffee when...
00:06:37Just like that.
00:06:39His face all spitters out.
00:06:41Spilling in his coffee and all over his cells.
00:06:44When none of his face left on, will it?
00:06:47I reckon someone come to settle with Coyne on account of what happened in Winslow and got Leland instead.
00:06:52Figuring out next I'd jump back inside, scared white.
00:06:56Give me the whips and jingles so bad, Will, I can't even catch hold of myself.
00:07:05Is that the whole way of it, Coyne?
00:07:08I believe.
00:07:11My mind's all unsatisfied with it.
00:07:14I don't know.
00:07:15Seeming like if Leland had been involved with the event in Winslow, he'd have rode off too, wouldn't he?
00:07:19Like the way you told me Coyne done.
00:07:21Run a man and a little person down.
00:07:23That's all Leland said.
00:07:25Maybe it was a child.
00:07:27Used to sitting there getting killed that way.
00:07:29I got no understanding of it at all.
00:07:32It's a terrible thing.
00:07:34Give me over your gun, Coyne.
00:07:36What you want it for?
00:07:37I might be going to need it, so just give it to me.
00:07:39No, I might be just needing it too. I don't know all these happenings.
00:07:43I hate to tell you all why I look like you are, but I've been trailed most the way here, but I don't know who.
00:07:49Where's your own gun?
00:07:51Go and use your own gun.
00:07:52Well, it plainly ain't there. I wouldn't be asking you now, would I?
00:07:55Well, sure. No. Not with trouble on the way.
00:07:57I'm tired, Coyne.
00:07:59Well, that can't give me no sleep that you'd give it to me.
00:08:02What about me?
00:08:04It's all right.
00:08:06You'll be dependent on me.
00:08:11Where has it? It wouldn't have worked out till the way around.
00:08:31Well, here I sit.
00:08:37Just keep in here, Coyne.
00:08:38Sure. Them with a gun can sleep.
00:08:41Zoey ain't been hawking night sounds till they can't tell a twit from a twig.
00:08:44Shoot. I'm as tired as you ever bit.
00:08:51Will it?
00:09:06Hey, Will.
00:09:07Hey, Will.
00:09:10I'm depending on you.
00:09:11Okay?
00:09:20Lord Almighty.
00:09:22I'm so hungry I could chop my own arm.
00:09:24I wouldn't sit there, Will.
00:09:26That's right where he was at.
00:09:27Right like you're sitting.
00:09:28Drinking coffee.
00:09:29Go out and sell them stores in the tent, Coyne.
00:09:30Go out and sell them stores in the tent, Coyne.
00:09:31Go out and sell them stores in the tent, Coyne.
00:09:33Maybe...
00:09:34Maybe could have been your imagination.
00:09:35Oh, Will, you think?
00:09:36Do like I say.
00:09:37Oh, shoot.
00:09:38Come on.
00:09:39Come on.
00:09:40Come on.
00:09:41I always got a beat on one hand.
00:09:42Sure gonna be a bunch of ugly work out there.
00:09:43Come on.
00:09:44Come on.
00:09:45Come on.
00:09:46Come on.
00:09:47Come on.
00:09:48Come on.
00:09:49Come on.
00:09:50Come on.
00:09:51Come on.
00:09:52Come on.
00:09:53.
00:10:16One more thing to my liking.
00:10:18Come on.
00:10:19Come on.
00:10:21Come on.
00:10:22Oh, Bill, you can have my saddle.
00:10:49George, you can take my bed.
00:10:51Jack can have my pistol, boys, after I am dead.
00:10:58Something's coming.
00:10:59Boys.
00:11:02Hey, remember Willard Howell Leland used to sing that song?
00:11:06Remember?
00:11:08Oh, boys, think upon me kindly.
00:11:12As you gaze upon the dream.
00:11:14You, you, you, you, you, you.
00:11:23Oh, my niños.
00:11:29Thank you, Michael.
00:11:29You and me, George.
00:11:32Let's go.
00:11:46Yes, sir.
00:11:50Hey! You crazy!
00:11:53You crazy! Don't stand that kid!
00:11:57What's coming?
00:12:02Golly, Willett! Cover yourself!
00:12:04I ain't got no gun, remember?
00:12:06How am I gonna be depending on you standing out there in the sky like that?
00:12:09Shut up!
00:12:12I see something!
00:12:14Something's coming!
00:12:15From where?
00:12:16Stay ahead!
00:12:17A bit to the right!
00:12:19Well, get up here, Willett, Willett! It's still time!
00:12:21Just one?
00:12:23I can't see.
00:12:25Yeah, yeah, one!
00:12:27All right, Coley, get quiet now.
00:12:29Duck back down. Don't say nothing at all.
00:12:38Will!
00:12:39Go, Mark!
00:12:40Go!
00:12:41Go, Mark!
00:12:42Go.
00:12:43Go!
00:12:44Go!
00:12:45Go!
00:12:46Go, you!
00:12:47Go!
00:12:48Go!
00:12:49Go!
00:12:50Go!
00:12:54Go!
00:12:55Go!
00:12:56Go!"
00:12:57It's a woman.
00:13:27It's a woman.
00:13:38Will you look?
00:13:39Will you just look at that.
00:13:42I'd be grateful if you'd sell me one of your horses.
00:13:46You didn't arrive all to hear afoot.
00:13:49My horse stumbled and broke a leg.
00:13:52I shot him.
00:13:54I'll pay you well for a good horse and for some shelter.
00:13:59And if you would help me, please,
00:14:01I need to get my things off my horse.
00:14:04Well, I'd sure be glad to, ma'am.
00:14:06Wouldn't we, Will?
00:14:08No trouble at all.
00:14:13I like the brown one.
00:14:15The bay?
00:14:17Oh, well, that bay there is Will's.
00:14:19His, I mean, ma'am.
00:14:21I like that one.
00:14:23The main thing is, I believe Will, he does too.
00:14:30I like the brown one.
00:14:32I won't give you that black over there, miss.
00:14:35He belongs to a dead man, so you don't have to pay for him.
00:14:38Coley, fetch Leland's pony out just to bridle on him.
00:14:48What about corns, Will?
00:14:50Well, he looks stove-up.
00:14:53Leland, I don't want to be stuck with him.
00:14:56Are you looking at me, Mr. Gachet?
00:14:59How do you come by that name?
00:15:00I hear you're a bounty hunter, Mr. Gachet.
00:15:03I wouldn't name myself as that.
00:15:05No.
00:15:06It was just a way of making wages once.
00:15:08And now?
00:15:09Mine suits me justice.
00:15:13Well, you look less than prosperous at it.
00:15:23How much would you ask to take me across the seplicio to Kingsley?
00:15:27I ain't asking.
00:15:28I told you I'd pay you very well.
00:15:33And I said I'm doing just fine.
00:15:37Look at me, Mr. Gachet.
00:15:40Without perishing from the tricks of my own mind, how could I possibly get to Kingsley on my own?
00:15:47Well, I ain't the only one who knows the way, ma'am.
00:15:49But it's you I'm asking.
00:15:58Please think about it.
00:16:02That's just what I'm doing.
00:16:08Real nice pony you had here, miss.
00:16:12Looks to me like you're running to death, though.
00:16:14Good for him like this, hard to come by.
00:16:24What'd you shoot him for?
00:16:27There ain't a broke or unsound bone in his body.
00:16:37I'll give you 500 now and 500 when we get there.
00:16:42How long would it take?
00:16:43Two weeks, three.
00:16:45How much gold could you dig out of this mine in three weeks, Mr. Gachet?
00:16:49Three weeks?
00:16:51Let me figure.
00:16:53All I'd say, being it's a pretty dead hole, I, uh, well, it wouldn't be a hell of much.
00:17:03Would you say, Will?
00:17:05Yeah, I'd done the best I could for old Lee.
00:17:07By the time I got out my gun to help, why, he was already dead.
00:17:10And what would Will's brother run off?
00:17:14Well, it was only me.
00:17:16To do the best I know how.
00:17:18For old Lee and Drum.
00:17:20It isn't April.
00:17:23What's that?
00:17:25It's March.
00:17:27Oh.
00:17:29His good friend in...
00:17:32March?
00:17:40She don't like me much.
00:17:42I don't know.
00:17:44Sure holds out good wages, though.
00:17:46Yep.
00:17:48But for what, she don't say.
00:17:51Take her to Kingsley, she say.
00:17:53We'll see.
00:17:56We're going?
00:17:58I don't know.
00:18:01What, Will?
00:18:03Well, if Coy hadn't got him bad, he went and harmed someone or killed someone.
00:18:09A man and a little person?
00:18:11I'm wondering why nobody's come out here looking after him.
00:18:14Maybe it was a child.
00:18:23Ma'am, I gotta...
00:18:25This water is not clean.
00:18:27In fact, it's stagnant.
00:18:29Oh.
00:18:30Please.
00:18:32Oh, hold on.
00:18:34Frogs breed in this water?
00:18:36Not frogs.
00:18:37Well, what then?
00:18:39Oh, other things.
00:18:40Here.
00:18:43I'm sorry.
00:18:46Well, what is that?
00:18:48Well, that's all I could find.
00:18:50Some type of snake's a node to take a rope in that water.
00:18:53And this water?
00:18:54Oh, yeah.
00:18:55And people been known to swallow one of their little eggs and it'll hatch out inside them without there's no one until it's too late.
00:19:00What do you mean, too late?
00:19:02Well, suppose it was a poison snake and it'd hatch out hungry, as they do.
00:19:06Well, what's it going to eat but the nearest thing to it, and that's you?
00:19:09Not me, because I didn't swallow any of it.
00:19:12Well, you're lucky then.
00:19:14Say, ma'am.
00:19:16Ma'am?
00:19:18I've been considering and I got an offer to make.
00:19:21Say, ma'am?
00:19:23Yes?
00:19:25I'll take you up to Kingsley like you ask, but now Coley here's gonna have to go along with me.
00:19:29And that's why I'm asking $1,000.
00:19:32So's I can pay him, too.
00:19:35And then there's that five you mentioned when I get you there.
00:19:40And that's it.
00:19:42That's my offer.
00:19:43All right.
00:19:47Not fine, but all right.
00:19:49Let's get started.
00:19:51Take it, Coley.
00:19:53No, you take it, Mr. Gachet.
00:19:55I'm ready to go.
00:19:56We'll go tomorrow.
00:19:58Now.
00:20:00Morning always makes a good start.
00:20:02Would you like to go with me now?
00:20:04Me?
00:20:06Well, sure.
00:20:08Coley.
00:20:10Take up the bunny, then.
00:20:12Coley.
00:20:14Go on!
00:20:16Coley!
00:20:18What, Will?
00:20:20Back the mule.
00:20:22No mule.
00:20:24I do not intend to be held back by any mule.
00:20:27Well, he doesn't hold you back like no fiddles, ma'am.
00:20:29No mule!
00:20:31I do not intend to be held back by any mule.
00:20:34Well, he doesn't hold you back like no fiddles, ma'am.
00:20:37No mule!
00:20:46Good day!
00:20:48Do you know cross-tree?
00:20:50I do.
00:20:52Well, catch for there, please.
00:20:55Cross-tree ain't Kingsley.
00:20:57Never mind. First cross-tree.
00:21:00It's out of the way.
00:21:01By how much?
00:21:0320, 25 miles.
00:21:05Which way?
00:21:09Well, we'll have to go faster, then.
00:21:12Yes, sir.
00:21:14If you run on four now, you walk on two later.
00:21:18High freight, Coley!
00:21:30Look at that splain-egg glanted spabbin' windbroke damper!
00:21:31Look at that splain-egg glanted spabbin' windbroke damper!
00:21:32Oh, come on!
00:21:33Look at that splain-egg glanted spabbin' windbroke damper!
00:21:34Droopin' that galled stumble like corn-wattin' stuck me with!
00:21:35Look at that splain-egg glanted spabbin' windbroke damper!
00:21:36Droopin' that galled stumble like corn-wattin' stuck me with!
00:21:37Take it shorty!
00:21:38What was the sound of the nickel?
00:21:39Look at that splain-egg glanted spabbin' windbroke damper!
00:21:43Look at that splain-egg glanted spabbin' windbroke dam!
00:21:44Look at that splain-egg glanted spabbin' windbroke damper!
00:21:45Look at that splain-egg glanted spabbin' windbroke dam!
00:21:50Gloopin' that galled stumble like corn-wattin' stuck me with!
00:22:03The take-it shorty, what was the sound of the nickel?
00:22:06You can't haul no pale, pink, ratty, wall-eyed devil mule behind those horses.
00:22:11You ain't got the strength to switch flies.
00:22:13Phew.
00:22:14No kidding.
00:22:15This ain't no fun.
00:22:19Howdy, miss.
00:22:24We're stopping, I guess.
00:22:29Oh, yeah.
00:22:39She sold again?
00:22:44In fact, the grub out of those mules, Lissy.
00:22:59You could try and be a little more pleasant.
00:23:06Is that mule tethered, Tony?
00:23:09You sure have a pretty way.
00:23:12I surely don't ask that you be fond of me.
00:23:15Send the mule.
00:23:17Fond of me.
00:23:19Surely fond of me.
00:23:22Hold it tall.
00:23:24Not even snake water could be more poisonous than this coffee.
00:23:28Ma'am, uh, do you think that maybe I could call you by your name or something?
00:23:37I mean, of course, uh, miss this or that.
00:23:40You know.
00:23:41And respectful.
00:23:42Until you knew me better.
00:23:44All right.
00:23:45You just tell me what is your most favorite name.
00:23:48Well, uh, my most favorite name?
00:23:53Let's see.
00:23:55Let's see.
00:23:56My most favorite name is...
00:24:03Glory.
00:24:04Sure is hard to think of a lady type name.
00:24:06Let's see.
00:24:07Uh, well, uh...
00:24:10Yeah.
00:24:11There's my momma's name.
00:24:12I know that one.
00:24:14But now, I never did call her that though.
00:24:16You know, just momma.
00:24:18That's all right, Coley.
00:24:19You just tell me what was it.
00:24:21Well, let's see.
00:24:22Uh, my daddy called her by, uh, Hortensia.
00:24:27Well, don't ever call me that.
00:24:31Ma'am?
00:24:33Just could you tell me what though?
00:24:35Uh, she's been japing you, can't she, since?
00:24:38Now quit with her before you get talked of.
00:24:41Ma'am.
00:24:44Didn't you hear what she say, Will?
00:24:47She called me Bacoli.
00:24:49She say,
00:24:51That's all right, Bacoli.
00:24:54Boyard.
00:24:56His good friend and...
00:24:58I don't know, something's been scratched off.
00:25:02Looks to me like somebody's settled with one of them.
00:25:04Yeah, it looked like.
00:25:05You gonna want to find out?
00:25:07Well, it don't matter.
00:25:09What about the other one?
00:25:10We'll be anywheres.
00:25:13Well, might be they're just trying to throw us off with this here grave.
00:25:17Well...
00:25:19Then I'm through.
00:25:20You mean we ain't following?
00:25:22Hell, I got my duties.
00:25:30Papa!
00:25:31How satisfying.
00:25:32Ma'am, you ain't sleepy?
00:25:34Come on, let's get started.
00:25:37Where's the mule?
00:25:40I told you to tether the mule.
00:25:42I did, Will.
00:25:43In there?
00:25:44I did, Will.
00:25:45I hobble him.
00:25:46Right over here.
00:25:47Where?
00:25:49You see?
00:25:50This here's what I touch on.
00:25:54Well, somebody just went and unattached him.
00:25:59Will you please help me?
00:26:00I wouldn't do that past you, ma'am.
00:26:15Fraser's laying back his ears.
00:26:17He just likely let fly.
00:26:23Exquisite!
00:26:24Curse it, hellish son!
00:26:25Well, blow on your wrist.
00:26:26Oh, shut up.
00:26:28You mind telling me why we're going to Cross Street?
00:26:30We're going to Cross Street, huh?
00:26:31Well, what for, Will it?
00:26:32Well, fresh horses, huh?
00:26:34That's right.
00:26:35Fresh horses.
00:26:36Yeah.
00:26:37So long, old funeral.
00:26:38March!
00:26:40Boy.
00:26:42Get two horses in as much storage as you can find.
00:26:44I'm going to cross street, huh?
00:26:45You mind telling me why we're going to Cross Street?
00:26:47You mind telling me why we're going to Cross Street?
00:26:49We're going to Cross Street, huh?
00:26:50Well, what for, Will it?
00:26:51Well, fresh horses, huh?
00:26:52That's right.
00:26:53Fresh horses, huh?
00:26:55I'm going to cross street.
00:26:56I'm going to cross street, huh?
00:26:57I'm going to cross street.
00:26:58I'm going to cross street.
00:26:59I'm going to cross street.
00:27:00Eats, you're going to cross street.
00:27:01Oh, I'm going to cross street, huh?
00:27:02Get two horses in as much storage as you can pack on behind the three of them.
00:27:06And no mule?
00:27:07No mule.
00:27:08Only two ponies, Will?
00:27:09How about old Fraser?
00:27:10He's sound.
00:27:11Only two.
00:27:12Wait, Will!
00:27:13See, could I have me a little of that money for myself?
00:27:14What for?
00:27:15Oh, shoot, nothing.
00:27:16Just so I could, you know, get me some do-funnies.
00:27:17Hell, something.
00:27:18You just get me some do-funnies.
00:27:19Hell, something.
00:27:20You just get me some do-funnies.
00:27:23You just get them horses packed and, uh, get yourself a gun.
00:27:39Yote.
00:27:41You just come from over there and seen this friend of mine.
00:27:46Uh, did she? A woman?
00:27:48Uh, well, that's all right. I'm traveling right along with her.
00:27:51Uh, what's her name? Uh, I saw a yay.
00:27:57Huh?
00:27:58Hold on here.
00:28:03Now, listen here. You tell me who she is and what she's doing over there, I'll break you in halves.
00:28:08I'll give you a paper.
00:28:12What do you mean, a paper?
00:28:16Writing? Yeah, a letter?
00:28:19Do you read?
00:28:22Uh, who gave it to you?
00:28:25Bear.
00:28:27Bear?
00:28:29Bear man.
00:28:31Bearded man?
00:28:33That's all. No name.
00:28:35Bear man.
00:28:37Where'd he go?
00:28:39Far.
00:28:41North.
00:28:43Far.
00:28:44We got to see you.
00:28:45I'm a guy.
00:28:53The people who are here with my neighbors, and I'm a cop.
00:28:55I'm a little wrong.
00:28:56That's not that a bad wolf.
00:28:58I thought my boy would be a real man.
00:29:00I'm a doctor ofè—¤.
00:29:02You're a police officer.
00:29:04I'm a medical officer.
00:29:06You're a police officer.
00:29:08You're a police officer.
00:29:09You're a police officer.
00:29:11Oh, you did?
00:29:13You didn't care about me?
00:29:15Look.
00:29:17Yes, sir.
00:29:19Poor sorry sight you are.
00:29:21Hey.
00:29:23Want a piece of candy, Shorty?
00:29:25Is that Shorty?
00:29:27I will.
00:29:29Look who this is.
00:29:31My old Shorty.
00:29:33All done.
00:29:35With a real bad cracked foot.
00:29:37Coin's been here.
00:29:39Coyne been here.
00:29:41Where's he at, did you ask?
00:29:43He ruined him. Traded him off.
00:29:46The man's gonna get rid of him, he says.
00:29:49Because he ain't no use.
00:29:51Well, what did he tell you of Coyne?
00:29:53Ah, just nothing.
00:29:55Coyne come here a while back.
00:29:58He just left a couple days ago.
00:30:00The man don't know where he's, either,
00:30:02because I asked him all them kind of things.
00:30:04He don't know nothing about it.
00:30:05He just sold him a horse.
00:30:07Even poor old Shorty would.
00:30:15Hey, Will.
00:30:17What's he running from?
00:30:19Well, he wasn't running. The man didn't say he was.
00:30:21Hey, Will.
00:30:23Could you give me...
00:30:25fifty dollars?
00:30:27I want this one.
00:30:29Change my saddle over to this one.
00:30:31Right off.
00:30:33What do you want fifty for?
00:30:36All you know.
00:30:38So's he won't.
00:30:40Well, sooner or later, Tully.
00:30:42What's fifty dollars, Will?
00:30:44Just let him stand and eat till I get back.
00:30:46I'd like to be asked my preference first.
00:30:50Mr. Gachet.
00:30:54You want a piece of candy, Will?
00:31:02Now you begin to earn your pay.
00:31:04Kingsley?
00:31:06We'll see.
00:31:08Plan to shoot a bit.
00:31:14What if I just up and pull out?
00:31:16Eat the money.
00:31:18Unless I know right here and now what you're after.
00:31:20You're not the only one who knows the way.
00:31:22You're the only one who knows the way.
00:31:24Yes, sir.
00:31:26You're the only one who knows the way.
00:31:28Let's go.
00:31:58Lookin' for somethin' in there?
00:32:03A day and a half, near two days old.
00:32:28You sure are gettin' good at that, ma'am.
00:32:40So are you, Coley.
00:32:41Me?
00:32:42So is Mr. Gachet.
00:32:45We're making time.
00:32:47Why are we all the time hurryin'?
00:32:49What's the pleasure?
00:32:50I'm the one gettin' all the dust!
00:32:58Oh, up in the mornin',
00:33:00before daylight,
00:33:02before I peeped,
00:33:04a new shine bright,
00:33:06and my horse tossed me off.
00:33:09You think it's all good?
00:33:11And my horse tossed me off, brother.
00:33:17Oh, I jumped in his saddle,
00:33:19drabbled the horn,
00:33:21West Flame County!
00:33:22If I hear your name, I wouldn't know it.
00:33:28I popped my foot in...
00:33:30Would I?
00:33:31No.
00:33:39I don't see no point to it.
00:33:41There isn't any.
00:33:49What's that?
00:33:52Oh, I heard he didn't hollerin'.
00:33:53I'm just singin'!
00:33:54It's all right, Coley.
00:33:56And it done real well.
00:33:57And the boss said,
00:33:58Boy, go and get the cow!
00:34:04You sure you don't wanna lie down?
00:34:06How's the trail?
00:34:14Pretty cold.
00:34:15But you'll pick it up, won't you?
00:34:19That's what I'm supposed to do, ain't it?
00:34:21Not if you're a gold monitor, Mr. Gachet.
00:34:26Come and fly out, Mr. Gachet.
00:34:27Come and fly out, Mr. Gachet.
00:34:28Come and fly out, Mr. Gachet.
00:34:29Come and fly out, Mr. Gachet.
00:34:30Come and fly out, Mr. Gachet.
00:34:31Come and fly out, Mr. Gachet.
00:34:38Oh, stray in the herd.
00:34:39The boss said, kill it.
00:34:40So he shot him in the rump with a handle of it.
00:34:42Willett!
00:34:43Look over yonderly!
00:34:44Yes, sir.
00:34:45Oh, damn.
00:34:46Mikey, some folk, huh?
00:34:47Maybe so.
00:34:48Maybe so.
00:34:49He's seen us too, you think?
00:34:51Oh, yeah.
00:34:52He's seen us.
00:34:53Oh, yeah.
00:34:54He's seen us.
00:34:55Oh, yeah.
00:34:56He's seen us.
00:34:57Oh, no.
00:34:58That's a great deal.
00:34:59Oh, he's seen us.
00:35:00And he's Henry, you're right, Mr. Gachet.
00:35:02Come and fly out, Mr. Gachet.
00:35:03Come and fly out, Mr. Gachet.
00:35:04Come and fly.
00:35:05apenas.
00:35:07Hey.
00:35:08He's seen us too, you think?
00:35:09Oh, yeah.
00:35:10He's seen us.
00:35:27What is it?
00:35:45The track is freshening a bit.
00:35:47The trail breaks off here and heads that way.
00:35:59Too bad.
00:36:02Wait, where are you going?
00:36:04Kingsley.
00:36:07No, follow that.
00:36:10Well, look to me like this and his head is dead into the police.
00:36:14That's bad enough. We've got a cross part of it to get to Kingsley.
00:36:22You won't get there that way at all.
00:36:27Then why would someone want to go this way?
00:36:30To get themselves lost is the only reason outside ignorance that I can give.
00:36:35Well, follow it, Mr. Gershade.
00:36:44Hell, I don't see nothing.
00:36:47What are we following, anyhow?
00:36:58You think you know who lay down this trail better than I do, miss?
00:37:01How do you know it's going to show up what you're after?
00:37:04And I just can see you, you know, all up in them gall-durn pretty fluts.
00:37:10Hold your horse.
00:37:19What's this shooting all the time?
00:37:21You're trying to tell someone where we're at, ain't that so?
00:37:23You're so stupid.
00:37:25You're going to tell me what this is all about.
00:37:30I hate you.
00:37:31Why, she's just practicing, Will.
00:37:34What's the matter with you, miss? You got something wrong?
00:37:38She looks like sick, Will.
00:37:39Who touched me?
00:37:40That rider back there, who is he?
00:37:42He's up following after us.
00:37:43Right up on her, Will, can't you see?
00:37:46Oh, now what could you've done, miss?
00:37:48She's waltzing.
00:37:49Let me help you down off.
00:37:50They stopped groping at me.
00:37:52Are you slipping?
00:37:53I'm not.
00:37:56It's just an excuse to touch me.
00:38:01Will you stop staring at me?
00:38:03Get back up on your horse.
00:38:06Mr. Gachet.
00:38:07If you're feeling that bad, miss, maybe you ought to light down.
00:38:10How much sun's left?
00:38:12An hour, maybe.
00:38:16Well, we're keeping on the dark, I guess.
00:38:23You don't like her much, Will, do you?
00:38:32She ain't showing me nothing to like.
00:38:34But you're going along with her, then, because she's pretty.
00:38:37Hell.
00:38:39Pretty ain't nothing.
00:38:41It'll pleasure you nothing but the eye.
00:38:43Well, a coral snake, it's ring pretty in a rainbow, but it's got a real mean way of painting, is a fact.
00:38:50Well, I'm glad, Ann. You ain't crazy after her.
00:38:54No.
00:38:56It's just a feeling I got to see through.
00:39:00Just that.
00:39:02The reason being, because I am.
00:39:03I wouldn't want us getting touchy over Miss...
00:39:07Her.
00:39:13Will you just try and forget about her, Coley?
00:39:17Because she's got other interests than you.
00:39:20Saying what, Will?
00:39:28Saying I pretty much believe she means to kill someone.
00:39:33I came well.
00:39:34She came well.
00:39:43Can I please help me?
00:39:52Would it be too much to expect that you might have some tea?
00:39:56Tea?
00:39:57I got tea!
00:39:58See? How about that?
00:40:03Ask her if she want a cold oyster and a spoon.
00:40:06I've seen and got it special. Tea. Special tea.
00:40:10Tea.
00:40:12Look.
00:40:16Lay Ling's Cut Black Comfort Tea.
00:40:19Foresight R.I.
00:40:23How sweet.
00:40:24Sweet.
00:40:45What are you working on him for?
00:40:47He's easier than you.
00:40:50He don't see what I see.
00:40:54Maybe he's the more useful to me.
00:40:58You think that he's gonna be able to lead you on this trail in his police, huh?
00:41:03If you won't, maybe.
00:41:04Maybe nothing, miss.
00:41:06He may go panting after you like a little doggy, but he can't lead you nowhere.
00:41:12Well, he can't stop me either.
00:41:15Now leave me alone and let me sleep.
00:41:17I've seen that, Howard Dunn.
00:41:18Get me back!
00:41:19Disgusting!
00:41:20Stupid!
00:41:22What's the matter? He went and gave the wrong signal for you this time?
00:41:23What's the matter? He went and gave the wrong signal for you this time?
00:41:26What's the matter? He went and gave the wrong signal for you this time?
00:41:27What's the matter?
00:41:35He went and gave the wrong signal for you this time.
00:41:57What's it mean, huh?
00:41:59Come in or stay off.
00:42:09Who's out there?
00:42:17Who is it?
00:42:19No, please.
00:42:21No, please.
00:42:23No, please.
00:42:25Don't put your hand anywhere near your gun. He can see you.
00:42:46Who the hell is out there?
00:42:50Billy Spears?
00:42:55What?
00:42:57No, no.
00:42:59No, no, no, no.
00:43:01What?
00:43:02No.
00:43:03No.
00:43:04What's the trouble?
00:43:30Nothing, Billy.
00:43:32It was a mistake.
00:43:34A mistake?
00:44:04It was a mistake.
00:44:05It was a mistake.
00:44:06It was a mistake.
00:44:07It was a mistake.
00:44:08It was a mistake.
00:44:09It was a mistake.
00:44:10It was a mistake.
00:44:11It was a mistake.
00:44:12It was a mistake.
00:44:13It was a mistake.
00:44:14It was a mistake.
00:44:15It was a mistake.
00:44:16It was a mistake.
00:44:17It was a mistake.
00:44:18It was a mistake.
00:44:19It was a mistake.
00:44:20What do you want with him?
00:44:25He did something.
00:44:28See how she looked like him.
00:44:31Hell, I don't see that.
00:44:33He's about as unfriendlike a thing as I've ever seen.
00:44:36No, sir, I don't like him.
00:44:38Well, I hope you're gonna keep that to yourself, Cody.
00:44:41Why should I? What do I care?
00:44:43For the reason being out there is a higher gun if ever I've seen one.
00:44:46Well, I don't want you to do nothing to put yourself in the way of it, okay?
00:44:53Well, if you say, okay.
00:44:57Shoot. Real strong on the pretty, ain't he?
00:45:00The way he got himself up.
00:45:16What's that you got there?
00:45:21Oh, just a game.
00:45:23You're supposed to get them little buckshot in the feller's eyes, see?
00:45:27The same into his mouth.
00:45:29It's real hard to do. I ain't been able to yet.
00:45:46This is Billy Spear.
00:45:57He wasn't to join us until later, but now it doesn't matter. He's here.
00:46:02He'll be going on with us.
00:46:05That figures.
00:46:05Mr. Gashade, but does that figure it's now a three or a four?
00:46:13Well, let me see.
00:46:15Whatever you brought him along for, one thing it ain't is for following signs.
00:46:19Or you wouldn't have to shoot up half the countryside to get him here.
00:46:24So, Ferdinand, that way, I ain't displaced and I'm still earning my pay.
00:46:29Well, hey, you got them in, every one of them.
00:46:32How about that?
00:46:32Hey, I got another one, too, but with a nigger's face. You want to try?
00:46:40Good, then. I hope we'll make an effort now to all try and get along.
00:46:48So we'll get started, say, in three hours.
00:46:51Say, son up.
00:47:02Hey, look, miss. There's one of them pretty little blue jay birds.
00:47:09Make a wish. It's a true sign of good luck.
00:47:16How's that, Billy Spear?
00:47:18Real sharp.
00:47:20Poor draw.
00:47:21These are the last trees you're going to see for a while.
00:47:31So if you're planning to shoot anything else up, then...
00:47:41Yes, sir.
00:47:41These here appear to be as fresh as yesterday's, miss.
00:47:53And there ain't no hurry to them.
00:47:56Like they don't think they're being followed and they don't care.
00:47:59It shouldn't take us too much longer to catch up to them, should it?
00:48:03Yeah, miss. I say they.
00:48:05The one we've been following got joined a little ways back by another.
00:48:08These tracks is made by two horses.
00:48:10Two men.
00:48:12Let's go.
00:48:15Hold on, miss.
00:48:16Leave me alone, Gashade.
00:48:18I can see the trail easily.
00:48:20I don't even need you.
00:48:23Billy!
00:48:34Oh, ha, ha!
00:48:40Hey, you got no wipes?
00:49:07Here, you can use mine.
00:49:10Move along.
00:49:11Oh, you got nowhere.
00:49:12A little mountain is gone.
00:49:12Here.
00:49:13I have to go.
00:49:26Is this really ever easy?
00:49:28There is a full Periodic crew.
00:49:29Hold up!
00:49:39You don't feel that, can't you?
00:49:41That horse going lame?
00:49:44No, no.
00:49:47That ain't gonna make no difference to the horse.
00:49:50It's gonna make no difference to the horse.
00:49:53It's gonna make no difference to the horse.
00:49:56It's gonna make no difference to the horse.
00:49:58It's gonna make no difference to you, that's all.
00:50:00Be it your grub you're tossing off, not mine.
00:50:03You're willing to instruct everything.
00:50:06Even yourself.
00:50:15Quit with that.
00:50:22I say something to you.
00:50:28I don't give a curly hair, a yellow beard, double dog damn if you did.
00:50:35I'm gonna blow your face off.
00:50:46I say something to you.
00:50:55You're gonna make no difference.
00:50:58I don't know.
00:51:01I don't know.
00:51:11Two up on old Frazier.
00:51:12She's gonna be pretty nasty for him.
00:51:14You want a walk?
00:51:14No, but hell...
00:51:16Why wouldn't she get on behind me?
00:51:18If you don't shake your mind loose of her...
00:51:20I got no respect for you, dammit.
00:51:22You don't remember her near shooting your head off?
00:51:28Will?
00:51:34What?
00:51:35I got a funny feeling.
00:51:38I don't even know if to say or not.
00:51:40Well, don't then.
00:51:40Just try shutting up, dammit.
00:51:42I don't want to lose this horse.
00:51:44Okay, okay, Will.
00:51:45I'm likely this spooking again anyhow.
00:51:47Triple them wages and triple them again, I ain't going that far.
00:51:50And you just move to me one more time about her
00:51:52and I won't knock you down without a word.
00:51:53I wasn't talking about her.
00:51:56Well, you went and gave up your horse to her
00:51:57just the easiest and makes me sick.
00:51:59And here you are now, a burden of mine.
00:52:01I'm sorry, Will.
00:52:02Well, just shut up.
00:52:03I can't take no more of you.
00:52:05No, sir.
00:52:06For all that dirty, rotten, gall and hate of a thing
00:52:09that ought never above the ground be called a woman.
00:52:11No, sir.
00:52:13I've lost it.
00:52:15Will you please go ahead now?
00:52:17Take on Coley, then.
00:52:20Right there and change the damn packs.
00:52:25No.
00:52:26You take them.
00:52:27You want to ride with me, boy?
00:52:35Leave him.
00:52:37You better be japing.
00:52:39I ain't.
00:52:41Mr. Gashade, it's not a bad idea.
00:52:45We'll make better time and then we can come back for him.
00:52:49You'll need this pack, Coley.
00:52:51Take it off.
00:52:54Will?
00:52:54It's all right.
00:52:56You ain't staying.
00:52:58You see?
00:52:59You see, just this minute he's taking up time.
00:53:01I have to insist that he stays.
00:53:04Come on.
00:53:05Get back up here, Coley.
00:53:06He'll ride you just fine.
00:53:17You see the way of it, Coley?
00:53:21You'll be all right here.
00:53:23You just bide it easy.
00:53:26I'll come back for you.
00:53:29How long you think that'll be, Will?
00:53:31Bring me over the guns, boy.
00:53:33I'll be all right.
00:53:45Not long.
00:53:51They ain't got left but one sack of grub.
00:53:55There's no way of knowing it.
00:53:56I ain't gonna lead them straight into hell.
00:53:57Move on.
00:54:06Coley?
00:54:23Find some shade.
00:54:27Oh, wait, miss.
00:54:42Could I get my things out of there?
00:54:44Oh, I almost forgot.
00:55:06Thank you, Coley.
00:55:07It's all right.
00:55:11See y'all later, I guess.
00:55:14You want to ride with me, boy?
00:55:23Okay.
00:55:24I'd soon not get left behind here like this.
00:55:29How'd you like the way I done Leland drums?
00:55:31Like I say, I'll blow it off the first word out.
00:55:34Go sit down over there.
00:55:44And think on this.
00:55:53Far as your voice gone carry,
00:55:55ain't too far for me to turn right round
00:55:57and hit you in the eye.
00:55:58go sit down over there.
00:56:06Your brains gonna fry out here, you know that?
00:56:08It's easier to stay behind.
00:56:35If I let you go, too, would you go?
00:56:38Do you hear what I'm saying?
00:56:40I could have left any time.
00:56:42I'm talking about now.
00:56:46I got my reasons for staying.
00:56:48Reasons?
00:56:50There ain't gonna be no kill.
00:56:52The reason, Mr. Gashade, for a hunt is the kill.
00:56:56Are you talking to me?
00:57:08No, Billy.
00:57:10I feel like you was.
00:57:14It was just to myself.
00:57:16I've read a person's thoughts many times.
00:57:22You never take those off, do you?
00:57:26Are you talking to me?
00:57:28Not even with a woman.
00:57:30What do you have to say?
00:57:32He knows why you're here.
00:57:34I wouldn't worry after your friend, you know.
00:57:36He's got a real relaxing time compared to us.
00:57:42No.
00:57:43That's right.
00:57:44No worries.
00:57:45He's where I want him.
00:57:46Back there.
00:57:47Clear and safe of you.
00:57:48No.
00:57:49That's right.
00:57:50No worries.
00:57:51He's where I want him.
00:57:52You can get me out of here.
00:57:53See it.
00:57:54How are you going out of here?
00:57:55Who would you like to see?
00:57:56Who would you like to see?
00:57:57I wouldn't worry after your friend, you know.
00:58:00He's got a real relaxing time compared to us.
00:58:06No.
00:58:07That's right.
00:58:08No worries.
00:58:09He's where I want him.
00:58:10Back there.
00:58:11Clear and safe of you.
00:58:21Look at that.
00:58:51Wait, I'll go first now.
00:58:56Billy, keep him back away.
00:59:21Who is he?
00:59:28Ask her.
00:59:30Do you know him?
00:59:35Is she paying you good for this?
00:59:40Good as you?
00:59:50Twice as much wouldn't buy you off.
00:59:55Yeah, I figured you'd likely do it for nothing.
00:59:59Nearly nothing.
01:00:01What for?
01:00:08For her.
01:00:10What does she mean to you?
01:00:13She likes me.
01:00:17Do you know anything about her?
01:00:31Her name, even?
01:00:36Ask her.
01:00:40What lies in that direction?
01:00:45More the same.
01:00:46No, but beyond that.
01:00:50Kingsley.
01:00:51You're right.
01:00:52Kingsley, Gachet.
01:00:53Not Hell.
01:00:54What about him?
01:00:55He don't interest you?
01:00:57No, not now.
01:00:58His leg's broken.
01:00:59Who is he?
01:01:00Just a friend.
01:01:01A friend, huh?
01:01:02Like me and him?
01:01:03Yes, like you and Billy.
01:01:08Where's this horse?
01:01:09I don't see no horse.
01:01:10He must have wandered away.
01:01:11You thinking of Coley?
01:01:12Yeah.
01:01:13He could have used it.
01:01:14Being as you're leaving, that poor Jay laying out there staring up at the sun.
01:01:30I left him some water.
01:01:32Well, ain't that something.
01:01:35Why'd you just shoot him?
01:01:38Billy, did you ever leave behind a friend?
01:01:41I never did have one.
01:01:46How about you, Willett?
01:01:48It's different.
01:01:50He's better off where he's at.
01:02:11In the meantime.
01:02:12In the meantime...
01:02:13Let him kill him.
01:02:16Maybe of you...
01:02:17Maybe of you?
01:02:18It's Zone.
01:02:19But as I've seen TCM see You must have randomized.
01:02:21You can't quite know that crowshow.
01:02:23Are you feeling so quick?
01:02:24I know I need you, Nick.
01:02:25That's the end.
01:02:26It's Scotland.
01:02:27It's this the end.
01:02:28Since the day of Rosembeyло,
01:02:31mystery room is even bigger.
01:02:33Seven, eight months.
01:02:34Harvest gun into the space room.
01:02:35Why isn't the sea let you?
01:02:37There's a place home.
01:02:38Yes, hot47.
01:02:39There's a piece.
01:03:10When?
01:03:31This morning.
01:03:40Let's eat him.
01:03:42No, Billy.
01:03:44You don't want any?
01:03:46It's candy.
01:03:48It's all I gotta give.
01:03:50I'm sorry.
01:03:53Don't mention it.
01:03:55And I'm real sorry, too.
01:03:56I can't help you, none.
01:03:58Being as I gotta catch him as fast as I can.
01:04:02You underly?
01:04:03That way, you say?
01:04:10What?
01:04:12Oh, oh, sure.
01:04:14I'll be back for you.
01:04:15Me and Will.
01:04:16I hate to leave you laying, you know.
01:04:21Oh, say.
01:04:23Here, now.
01:04:23You take one of these, too.
01:04:28Which one do you like?
01:04:31That one?
01:04:33I'm surprised.
01:04:34Most people wouldn't have chose that one.
01:04:38Huh?
01:04:39What?
01:04:42I said it's all gone.
01:04:45Here we go.
01:05:04Um...
01:05:05Um...
01:05:07Um...
01:05:08Um...
01:05:08Uh...
01:05:09Um...
01:05:10Um...
01:05:11Um...
01:05:41I don't like that, what you're doing.
01:06:11This horse is going.
01:06:16So's his.
01:06:24How long to catch up?
01:06:27It depends.
01:06:29And who's going to last?
01:06:31Him or you?
01:06:31And who's going to last?
01:08:36Don't do it!
01:09:00Why did you do that?
01:09:30He'd draw on me first.
01:09:34He was gonna shoot.
01:09:35Ask him.
01:09:38It's too bad.
01:09:41But he should have stayed behind.
01:09:44He didn't like me.
01:09:46That's why.
01:09:48He should have known to not draw on me.
01:09:50What are you doing?
01:09:53What are you doing?
01:09:53What are you doing?
01:09:57What are you doing?
01:09:58What are you doing?
01:10:11What are you doing?
01:13:50Keep falling.
01:13:52Keep falling.
01:13:54Can you see him?
01:13:55Making for that ride.
01:19:20THE END
01:19:50THE END
01:20:20THE END
01:20:50THE END
01:20:55THE END