- 7/2/2025
Lights Out is an American old-time radio program devoted mostly to horror and the supernatural.
Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television. Lights Out was one of the earliest radio horror programs, predating Suspense and Inner Sanctum, and was the first to gain a large following.
Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television. Lights Out was one of the earliest radio horror programs, predating Suspense and Inner Sanctum, and was the first to gain a large following.
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00:00Arch Obelers lights out everybody.
00:10It is later than you think.
00:24This is Arch Obelers bringing you another in our series of stories of the unusual.
00:34And once again we caution you, these lights out stories are definitely not for the timid soul.
00:40So we tell you calmly and very sincerely, if you frighten easily, turn off your radio now.
00:48Cut.
00:48Cut.
00:54You can stop me from cuddling, too.
01:02You can take me, Nina, it's all right.
01:04Now get me from the cuddling.
01:06Girls, girls, cut it out, cut it out.
01:08From 1 o'clock till night.
01:10Oh, I love that song, Queenie.
01:12I am just fine.
01:13I am just fine.
01:13I am just fine.
01:14I am just fine.
01:14Cut it out, will you?
01:15Your husband will be tan down here in a minute.
01:17Come on, Queenie.
01:18We better blow out of here.
01:19Yeah, you'll keep that going.
01:21No, no, don't go.
01:22Don't go.
01:22I don't want to be alone.
01:23What do you mean, allowing your husband's in the next room, Annie?
01:26Oh, that guy.
01:27What does he know about having fun?
01:29Work, work, work.
01:30It makes me sicker.
01:31I've never been sick before.
01:34Oh, come on.
01:35Get sick around.
01:35Let's have some more fun.
01:36You can't stop me.
01:38Oh, she has the most marvelous song I've ever heard.
01:41Linda, come on.
01:42Let me take Linda.
01:45Well, speak of the devil.
01:47Hiya, Johnny boy.
01:48Come on in.
01:49The water's fine.
01:51Only it ain't water, huh?
01:53Hey, Warren.
01:53I'm going for heaven's sake.
01:54I'm trying to work.
01:56Oh, go away.
01:57Go away.
01:58You're spoiling my party.
01:59Throw him out of here, Kenny.
02:00He's only my husband.
02:02Hey, Warren.
02:02Take it easy.
02:03Get out of here, you.
02:04Take that other woman with you.
02:05Go on.
02:06Come on.
02:06Come on.
02:07No, no, wait.
02:08Don't listen to him.
02:09It's my house.
02:10It's my house.
02:12You.
02:14You kicked them out.
02:16My friends.
02:18You kicked them out.
02:20Linda, haven't you any consideration at all?
02:22I begged you, pleaded with you, to try to keep these people out of the house while I'm getting
02:27some work done.
02:28And you persist in doing just the opposite.
02:30You kicked them out.
02:32My friends.
02:34Yes, yes.
02:35I kicked them out and I'll do it again every time I find them here.
02:38They're no good.
02:39You've given me your word time and time again to give them up.
02:42I'll call them back.
02:43I'll call them all back.
02:44You can't tell me what to do.
02:46Not me.
02:48They're my friends.
02:49Mine.
02:50I'll give a dozen of you for one of them.
02:51All right, Linda.
02:53If that's the way you feel, I guess you and I have finally come to the end of the road.
02:57You haven't got a grain of loyalty in you.
03:00All I ask is a little peace and quiet in my own home and I can't even have that.
03:04Ah, go away.
03:06Go away.
03:06Night after night, you and those people, yowling and screaming like a pack of alley cats.
03:12And you the worst of all.
03:14I'm through, Linda.
03:15I'm through with you for good.
03:17Oh, no, you're not.
03:21Oh, no, you're not.
03:25Keep away from me.
03:28Keep away.
03:30Oh, Linda.
03:34See?
03:36You're not through with me at all.
03:39You'll never be through with me.
03:42Never.
03:44Oh, Linda.
03:47Linda.
03:48Now.
03:49Now, let me go.
03:50Let me go.
03:52I don't want you, you fool.
03:55You're not through with me.
03:58I'm through with you.
03:59No, no, Linda.
03:59I'm tired of you.
04:00Do you hear me?
04:01I'm tired of you.
04:02I'm going to get so far away from that smug face of yours that I couldn't see it with a telescope.
04:08Linda, my wife.
04:09Your wife.
04:10Why do you think I married you?
04:15I thought you loved me.
04:16I married you because I was sick of working in a two-bit barbershop.
04:20Because I was sick of living in a hall bedroom wearing bargain sale dresses.
04:23I wanted dough.
04:24Plenty of it.
04:25All I could get.
04:25You were the best chance to get it, but came my way.
04:29No, no, Linda.
04:30You did love me.
04:31You must have loved me.
04:32I loved you about as much as that canary up there loves its keys.
04:35I told myself I'd stay with you a year.
04:38Divorce you, stick you for plenty of alimony, and then get out.
04:41We've been married five years.
04:42Yeah.
04:43Five years.
04:44Five years.
04:45Because you fooled me.
04:46That's why.
04:47I fooled you?
04:49Yeah.
04:50Huh.
04:51You started to make a lot of money.
04:53More money than I ever thought you could make.
04:55Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
04:57Hey, so you're giving me the air, huh?
05:01No, no, Linda.
05:02I love you.
05:03I'll always love you.
05:04I didn't mean what I said.
05:05Well, I did.
05:06Oh, Linda, don't leave me.
05:08You're no good.
05:09I know you're no good, but heaven help me, I love you.
05:12I'll never love anybody else.
05:13Get out of my way.
05:15No, no, I won't let you go.
05:16You've got to stay.
05:17Take your hands off me.
05:19You're no good.
05:20You've cost me my self-respect.
05:22But you'll stay with me.
05:23You'll stay with me, or I'll cut you off and have a cent.
05:26You won't get a dime from me.
05:28Not a dime.
05:30Stop that.
05:31Stop that.
05:33Oh, you sap.
05:36You fat-headed sap.
05:39Stop that.
05:43Say, you're going to cut me off without a cent, are you?
05:46Oh, you fool.
05:49I've got everything that belongs to you now.
05:51You hear me?
05:52Everything.
05:53What are you talking about?
05:54What are you saying?
05:56This house.
05:57It's in my name, isn't it?
05:59The car.
06:00It's in my name, isn't it?
06:02I know, but...
06:04Oh, no, you...
06:05You wouldn't.
06:06Oh, wouldn't I?
06:08Well, listen to this, my darling husband.
06:11I cleaned out the bank account yesterday.
06:14No.
06:14Every cent of it.
06:16I won't be in the street.
06:18You will.
06:19Now, this is my house.
06:20Get your things and get out of here.
06:21All right.
06:22I'll kill you.
06:23No, stop it.
06:24I'll kill you.
06:24You come near me.
06:25Let me go.
06:26Let me go.
06:27I...
06:28Ah!
06:29Oh.
06:32You won't touch me again.
06:34I'll tear your eyes out.
06:36You...
06:36You cat.
06:38Get out of my way.
06:39That's what you are.
06:40A cat.
06:41A big, white, heartless cat.
06:44You think like one.
06:45You screech like one.
06:46You claw like one.
06:47You even look like one.
06:48A cat.
06:50That's what you are.
06:51A great, white cat.
06:53I didn't marry a woman.
06:55I married a cat.
06:56Keep it up.
06:57Keep it up.
06:58You're doing swell.
07:00Laugh at me.
07:01Go on.
07:01Laugh at me.
07:02But you're a cat.
07:04A sneaky, yowling cat.
07:09Now, listen up, Les.
07:11You stop saying it.
07:12A cat.
07:13A cat.
07:14You hear me?
07:14A cat.
07:17Stop staring at me like that.
07:20Stop staring at me.
07:26John.
07:29What's happening to me?
07:32John.
07:34My head.
07:37I can hardly see.
07:40John, help me.
07:42John.
07:43Linda.
07:44What are you staring at?
07:47What are you staring at?
07:49What are you...
07:50Linda.
07:52Linda.
07:53Linda.
07:54Linda.
08:03Now, John, you've got to control yourself.
08:06Everything will be all right.
08:08Oh, Doctor.
08:09What have I done?
08:10What have I done?
08:11John, please.
08:13Pull yourself together.
08:13You're not entirely to blame for what happened.
08:17All I do...
08:19I did it.
08:20I'm to blame.
08:21Stop talking like that.
08:23It's preposterous to say you're to blame.
08:26She was hysterical, John.
08:28And the suggestion that she was a cat caught her in an unguarded moment and resulted in a temporary neurosis.
08:34Oh, Doctor.
08:35She's got to get well.
08:36She's got to.
08:37Of course, she'll be all right.
08:39A little rest, quiet, and in a few days, it'll all be forgotten.
08:45Is she...
08:46Is she sleeping?
08:48Yes.
08:49I gave her a sedative.
08:51She's resting very comfortably.
08:54Can I go in and see her?
08:56But I tell you, she's sleeping, John.
08:58I know, but...
09:00Oh, I've got to see her.
09:02I've got to look at her.
09:04I've got to make sure she's all right.
09:06Don't you see?
09:07I've got to make sure...
09:09John, please.
09:10You've had a hard time with it.
09:12You'd better get to bed and get some rest.
09:15Oh, no, Doctor.
09:16Listen to me.
09:17I've got to see her again.
09:18I've got to make sure that she's all right.
09:20I can't rest until I know, I tell you.
09:24Oh, very well.
09:26Just for a moment.
09:27Yes.
09:31Be very quiet.
09:33Yes.
09:35There.
09:36You see?
09:37She's resting very nicely.
09:42Doctor.
09:44Look.
09:45What?
09:46Her hands.
09:48Look at her hands.
09:49There.
09:51They're claws.
09:51Her teeth.
09:52Her teeth.
09:54Linda.
09:54No, no, no, John.
09:55You'll waken her.
09:56Linda.
10:08To her.
10:10Listen to her.
10:11Steady, John.
10:12I can't stand it.
10:14I tell you, I can't stand it.
10:17She's Linda.
10:18She's my wife.
10:19My beautiful wife.
10:20Linda.
10:21Linda.
10:21Linda.
10:21Linda.
10:21Linda.
10:24Sorry, John.
10:30It's all right.
10:33I guess I'm going a little crazy myself.
10:39What's happening to her?
10:41What is it?
10:42I don't know, John.
10:43I don't know.
10:44Oh, listen to her.
10:51You've got to do something, doctor.
10:52You've got to.
10:53You're my friend.
10:54You've got to help me.
10:56What?
10:56In the name of all that's rational, what?
10:58Don't think.
10:59There must be something you could do.
11:01A drug.
11:02Something.
11:03Anything.
11:03Oh, John, I don't know what to say.
11:06I can't think.
11:08I'll call in someone else.
11:10That's it.
11:11I'll inform the authorities.
11:12They'll take care of everything.
11:14Oh, no, no.
11:14Wait.
11:15What?
11:15What's the matter?
11:16What is it?
11:17You're going to inform the authorities?
11:20Yes.
11:20Yes, of course, John.
11:22Don't you see it's the simplest way out?
11:24Way out?
11:25Of course.
11:26Of course.
11:27For you and for me.
11:29What do you mean?
11:30John, this horrible thing that's happened to Linda, it goes beyond just you and me.
11:37It goes beyond the normal into the supernatural.
11:40Everyone should know about it.
11:42The world should know about it.
11:43You mean you're going to let everybody know what's happened to Linda?
11:46Of course I am.
11:47But you can't do that.
11:49She's my wife.
11:50Do you hear me?
11:50My wife.
11:51No, no, no.
11:51Now, don't get excited again, John.
11:53Listen sensibly.
11:55We owe it to science.
11:56Science?
11:57Who cares about science?
11:59She's Linda.
12:00She's my wife.
12:01And I cursed her to God and turned her into a yowling face.
12:05It's my shame.
12:07Mine.
12:08And you're not going to tell a living soul about it.
12:10No one.
12:11You hear me?
12:12No one.
12:12That's my duty, John.
12:13I must inform the authorities.
12:16No, no.
12:16Keep away from that phone.
12:18Keep away, I say.
12:19I'm sorry, John.
12:21Oh.
12:24John.
12:26My friend.
12:27No, no.
12:40Try to sleep, darling.
12:43Try to sleep.
12:48Yes.
12:49Yes, I know.
12:50I know, darling.
12:51But it's almost morning.
12:54You must rest.
13:01Sleep, Linda.
13:04Sleep, what lovely.
13:10All right.
13:12All right, darling.
13:15I've got to be strong.
13:16I've got to help you.
13:18I've got to help you.
13:22And I did help you.
13:25He was going to tell them about you.
13:27Everyone.
13:29They have taken you away from me.
13:31Locked you up.
13:33Pointed at you.
13:34Laughed at you.
13:35But I stopped him, Linda.
13:37I stopped him for you.
13:40He called me friend.
13:47But you're my wife, my beloved, and I love you.
13:53I've pleased you, haven't I, my darling?
13:56I never could please you before, could I?
14:02And now I've pleased you.
14:05I killed him, Linda.
14:07I killed my friend to save you.
14:12And if anybody comes, I'll say he never came here.
14:16And no one will know, darling.
14:18No one but you and I.
14:21What is it, darling?
14:30What's the matter?
14:32Why are you getting up?
14:39What is it?
14:40Why go to the window?
14:42What do you want?
14:47Oh, if I could only understand you.
14:50If I could only know what you're trying to say to me.
14:56Oh, oh, oh, no.
15:01Linda, Linda, stop.
15:04I beg you to stop.
15:05Linda, beloved, stop.
15:07Stop.
15:07Stop.
15:08Stop.
15:09Stop.
15:18Yes, I'm coming.
15:20I'm coming.
15:23Good morning, Mr. Taylor.
15:25Oh, it's you.
15:27I found this note saying you wanted to talk to me.
15:30Gee, I hope you're not going to quit taking milk from me, Mr. Taylor.
15:32I know I've been kind of late with deliveries the last couple of days, but you see, it's my
15:36heart.
15:36Oh, no, I'm not going to stop taking milk.
15:39That's what I want to see you about.
15:40I want milk, more milk, cream, everything.
15:43Oh, sure, sure.
15:45How much do you want?
15:46Oh, four bottles of milk.
15:47No, no, no.
15:48Six.
15:49Six?
15:50Yes, and cream.
15:51Six bottles of cream.
15:52Is something wrong, Mr. Taylor?
15:54Wrong?
15:56Why do you think something's wrong?
15:58Well, I only meant...
16:00You meant what?
16:01Speak up.
16:02You meant what?
16:02Oh, now, don't get sore, Mr. Taylor.
16:04I just meant, well, you don't look too good, and you know how it is.
16:09Sometimes a fellow has a couple too many, and he starts storing all the milk in the world.
16:13You fool.
16:16I'm not drunk.
16:18Do you want to tell me that milk, or do I have to get another milkman?
16:22No, no, no.
16:22I'll get it for you.
16:23I'll get it for you.
16:24Hurry.
16:25Six quarts.
16:26Six cream.
16:27Only him and his old lady.
16:29The guy's nuts.
16:37Drink the milk, my beloved.
16:39Please.
16:40Please.
16:40But you haven't eaten anything.
16:47You're hungry.
16:48You must be hungry.
16:51Oh, my darling, what do you want?
16:55I'll get you anything.
16:57Anything.
16:58Just eat.
17:02No.
17:03No, I can't let you out of the room.
17:06I can't.
17:07Someone might come to the door.
17:09Or they'd see through the windows.
17:12Oh, be patient, Linda, darling.
17:15I'll think of something.
17:17Oh, drink the milk for your own good, Linda.
17:22Please.
17:24No, no, no, dearest.
17:26Don't do that.
17:29All right.
17:31All right, dear.
17:32All right.
17:34I'll let you into the dining room.
17:35But you've got to stay away from the windows.
17:39If someone should see you.
17:42Here.
17:43Let me carry you.
17:45All right.
17:47All right, darling.
17:48All right.
17:49I won't.
17:50I won't.
17:51Go yourself.
17:53Go yourself.
17:54You see, my darling, your pretty living room.
18:02Everything in it, just the way you fixed it.
18:06Everything.
18:08Oh, Linda.
18:11Linda.
18:11This horrible thing that's happened to us.
18:15I tell myself it isn't real.
18:16I'll wake up soon and everything will be the way it used to be.
18:20You and I.
18:23Linda.
18:25Where are you?
18:28Oh, Linda.
18:29Don't.
18:30Don't.
18:30Don't.
18:31Don't.
18:31No, Linda.
18:32Linda.
18:33Don't touch my father.
18:35Linda.
18:38Linda.
18:39Linda.
18:39How could you do it?
18:42Oh, could you do it?
18:46Oh.
18:49Oh, good morning, Mr. Taylor.
18:57Early again this morning, ain't you?
18:59Morning.
19:00Ever since you sent your wife to the country, my first customer.
19:04Every morning for the last three days you've been.
19:07Like I was saying to my wife this morning, I said, yes, yes, Mr. Hyrie.
19:11If some other time I'm in a hurry.
19:13My order, please.
19:14Yeah, yeah, but you ain't give me no order yet.
19:17How about a nice steak, but you can broil?
19:20No, no, nothing like that.
19:21But to broil a steak?
19:23Oh, I tell you, that's nothing.
19:24When my wife, she goes to the country, that's what I always make for myself.
19:29You lay the steak in the pan and then you light the cake.
19:31I'm in a hurry, I tell you.
19:33Yeah, yeah, all right, all right.
19:35You don't have to get so high blood pressure, Mr. Taylor.
19:38If you can tell me what you want, by God, I'll give it to you.
19:43Well, I don't know exactly.
19:48Oh, a couple of pounds of liver.
19:50Yes, that's it.
19:51Fresh liver.
19:52What?
19:53Again?
19:53You hurt me.
19:55Sure, sure, I hurt you.
19:56But by golly, for three days, ever since your wife, she went away, you eat nothing but liver.
20:03Are you going to fill my order?
20:05Sure, sure, sure, I will fill your order.
20:10There.
20:11Did you ever see such nice, fresh liver?
20:15Oh, two pounds?
20:18Jawohl, there we are.
20:21By golly, it could be you was raising a catch or something.
20:27Why do you say that?
20:28Well, every day you buy liver.
20:31This morning, I catched a couple of mouses in a trap.
20:36Maybe you like to take them along for the cat, too, huh?
20:39Don't say that!
20:40Don't say that!
20:41Mr. Taylor, deliver, you forgot.
20:45By golly, that man is for it.
20:49Now, what did I say that was wrong?
20:52Cats like to eat mouses.
20:54Oh, my Linda, my dearest Linda, close to me, close to me.
21:12Oh, my darling, my darling, it's better this way.
21:18You can't leave me now.
21:19I'll have you with me always.
21:22I'll keep you here.
21:24Just you and I.
21:31I won't answer it.
21:33They'll go away.
21:39All right, all right.
21:41I'll answer it.
21:42No, no, stay here, my beloved.
21:46They mustn't see you.
21:48Be very quiet.
21:52Be very quiet.
21:57Yes, yes, I'm coming, I'm coming.
22:03Well, what is it?
22:05What is it?
22:06Are you the owner of this building?
22:08Yes, what do you want?
22:10Kerrigan is the name.
22:11I'm your neighbor.
22:12I've got that place across the alley from you.
22:14Neighbor.
22:15Yeah, Kerrigan is my name.
22:17I'm with the department.
22:18The department?
22:20Yes.
22:20I'm desk sergeant at the third district station.
22:24Alisson?
22:25Yes.
22:26I'm off duty today, so I thought I'd drop over and speak to you.
22:30Hey, do you mind if I step in for a moment?
22:32Step in?
22:33Oh, no, no, not at all.
22:35Not at all.
22:37There, you've got a nice place here.
22:43Yes, yes, nice.
22:45Very nice.
22:47You know, the same contractor's made this place has made mine.
22:50You didn't know that, I'll bet.
22:52No, I didn't.
22:54Yes.
22:55Irishman by the name of Gil Hooley.
22:57You put up all these bungalows along here are nothing but blarney and a shoestring.
23:01You've got to turn a sorry window, they tell me, the day after the stock market crash.
23:05He, he, he, he, he, he.
23:07Lucky for him.
23:08If he was alive now, some of the people around here, the bad place, he thought he would murder him.
23:13What would the trouble they'd have in?
23:15Trouble?
23:16Say, now, speaking of trouble reminds me why I come over.
23:19If you don't mind, I'll tell you.
23:21Yes?
23:22No, no, it ain't me that's complaining, Mr. Taylor.
23:25I'm the kind of man that can sleep in a boiler factory.
23:29But it's big 80.
23:30Ah, there's a light sleeper for you.
23:32I always say that if a star in heaven twinkles too much, the noise wakes up me, Katie.
23:38What?
23:39What is the trouble?
23:41Well, you know how the women are.
23:44Always finding something to make a fuss about.
23:48Hey, I'm not disturbing her, am I?
23:52Ah, yes.
23:54You know your missus.
23:56She's not sleeping in the bedroom, ladies.
23:58No, no, of course not.
23:59There's no one in there.
24:00I thought maybe seeing the doors.
24:02Oh, no, I tell you, there's no one in there.
24:04My wife, she's out of town.
24:08Oh, well, that's fine.
24:10That's fine.
24:11I always like to talk things over man to man without the women around.
24:15The women are all right, I say, but they don't know how to straighten our little troubles
24:19with neighbors without calling names and pulling hair.
24:24Oh, what is it?
24:25What's wrong?
24:26What do you want to tell me?
24:27Well, to put it plain, it's a cat.
24:32Cat?
24:33Yeah, the cat.
24:34You just got it, didn't you?
24:36You, you heard a cat?
24:39Yeah.
24:40It started a few nights ago.
24:42Now, it ain't just a mean one, like I said, but, but, Miss Katie,
24:46well, you see our bedroom window faces right on the alley.
24:49And by golly, she hears everything me all that animal makes.
24:52You, you're wrong.
24:55Eh?
24:56I have no cat.
24:58But, but, Miss Katie heard.
25:01I heard it too, for that matter.
25:02I have no cat.
25:04But I'm telling you, it's come right from this house.
25:06I tell you, I have no cat.
25:07Isn't that sufficient?
25:08Well, now, seeing that you put it so plain, I'll be speaking up plain myself.
25:12I'm telling you, I heard a cat yowling last night, and the night before, and the night before that.
25:17And as soon as me name is Thomas Kerrigan, it come right from this house.
25:20Now, what do you say to that?
25:22Get out.
25:23Now, wait a second, Nabucco.
25:24Wait a second.
25:25Don't get on your high heart.
25:27Get out.
25:27Well, now, see here, I'm not saying you're lying.
25:33I'm just thinking maybe the animal's caught in your cellar without you knowing it.
25:37Now, if you let me go down...
25:38I tell you, there's no cat here.
25:40Get out.
25:41Get out of here.
25:42Oh, it's like that, is it?
25:43You heard me.
25:45Get out of my house.
25:46Well, you sure are making a lot of noise about nothing, young fella.
25:50But it's your house, and if that's the kind of neighbor you want to be, I get...
25:54What?
25:56What are you standing there for?
25:58Get out.
25:58Get out.
25:59Now, just a minute.
26:00Take it easy.
26:02No cat, eh?
26:03Well, what was that I just...
26:05Nothing at all.
26:07You've got no right to...
26:07Listen, you may not be a liar, but you sure are something close to it.
26:12If that ain't a cat in that bedroom there, then I ain't never heard one.
26:15Get out.
26:16Get out of here.
26:17Oh, no, I won't.
26:19Listen to that cat.
26:21If that ain't creating a public nuisance, I'd like to know what it is.
26:24It's none of your business.
26:25This is my house.
26:27Get out of here.
26:28Now, stop fooling at me, me booko.
26:30I may be off duty, but I'm still an officer of the law.
26:33And I'm telling you, that cat, you've got an idiot of violating the city ordinance.
26:37Now, if you don't make it, shut up.
26:38Disturbing me, Katie.
26:40I will.
26:41Stay away from that door.
26:43Stay away from that door.
26:45Hey.
26:46Listen to it.
26:49That ain't no cat you've got in here.
26:51What?
26:52Oh, I'm sorry.
26:53Yes, yes.
26:53I lied.
26:55It is a cat.
26:56Just a cat.
26:57But I'll make it be quiet, but go away.
26:59Go away.
27:01Wait a minute.
27:01Take it easy.
27:03If it's just a cat, what do you get in the road?
27:05No, no, I'm not.
27:06I'm not.
27:06Look at you.
27:07Your eyes are blazing.
27:09What's going on here?
27:11I think I'll have a look.
27:12No, no.
27:13Stay away.
27:15Oh, no.
27:16No.
27:16Get away.
27:17Take it away.
27:18I told you.
27:19I told you to go.
27:20Big one.
27:21If I already had the gun.
27:23You'll never use it.
27:24Never.
27:24Keep away from it.
27:25Help.
27:26Help.
27:26Help.
27:26Help.
27:28Oh.
27:35I asked you to go, didn't I?
27:37I asked you to.
27:39Didn't I, Linda?
27:41You heard me.
27:43You heard me asking.
27:46Linda.
27:47Linda, what's the matter?
27:48What are you going to do?
27:50Linda, keep away from him.
27:51What are you going to do?
27:52No, no, Linda.
27:54Get away from him.
27:55Linda, Linda.
27:56Stop.
27:57Stop.
27:58Stop.
28:00Stop.
28:01My eyes.
28:02My eyes.
28:03My eyes.
28:04My eyes.
28:05My eyes.
28:09My eyes.
28:12My eyes.
28:14My eyes.
28:16Oh.
28:18I can't see.
28:21Let God not finally find it.
28:26Blood.
28:27Blood in my eyes.
28:29I'm blind.
28:31Oh.
28:31Oh, God.
28:35I'm pity on it.
28:37Help me to find it.
28:38It must be here.
28:40I dropped it.
28:42Somewhere.
28:45Oh.
28:47You're back now.
28:50Brace it against me.
28:53Oh, God.
28:55Let me find that gun.
28:56I dropped it here somewhere.
29:00Let me find it.
29:02Got it.
29:04Got it.
29:07Yes.
29:08Yes.
29:09Press close to me.
29:11I can't see you.
29:14Press close to me.
29:16I mustn't miss.
29:19There.
29:20Press.
29:21Claw.
29:22What does it matter?
29:23You cursed animal.
29:25You've taken everything from me.
29:27My eyes.
29:28My life.
29:28Now I'll take.
29:30Linda.
29:32I heard my beloved.
29:46I heard you.
29:47I'm coming with you.
29:49Wait for me, Linda, my beloved.
29:59Wait.
29:59It is later than you think.
30:29It is later than you think.
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