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Style de Vie
  • 7/1/2025
The Portrait (2023) is a mystery drama centered around a captivating painting that draws a young couple into an unsettling series of events after they move into an old estate. As they uncover the story behind the portrait, secrets from the past begin to surface. With a moody atmosphere and emotional depth, the film explores memory, art, and the connection between past and present.
the portrait, the portrait 2023, mystery drama, psychological thriller, haunted painting story, emotional suspense, art and secrets, atmospheric movie, 2020s film, moody mystery, character driven drama, past and present, unsettling discovery, independent film, eerie atmosphere
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30Wow
00:02:50It's beautiful
00:02:53You were right, baby
00:03:00You
00:03:02You
00:03:04You
00:03:06You
00:03:08You
00:03:10You
00:03:12You
00:03:14You
00:03:16You
00:03:18You
00:03:20You
00:03:22You
00:03:24You
00:03:26You
00:03:28Remember this place?
00:03:55Huh?
00:03:56You remember?
00:03:58You remember?
00:04:28You remember?
00:04:34Hello.
00:04:38Mr Brooks.
00:04:40Just Brooks.
00:04:42Nice to meet you.
00:04:43I'm Sophia.
00:04:44Nice to meet you.
00:04:45I'll get your bags.
00:05:02I'll show you around.
00:05:05Housekeeper quit.
00:05:06Sorry about that.
00:05:06But my sister can help.
00:05:07She's not much of a cook, but she'll keep things tidy.
00:05:13We'll be okay, thank you.
00:05:14Well, whatever you need.
00:05:27This is you, isn't it?
00:05:30And your grandma.
00:05:31Still selling?
00:05:45It's improving.
00:05:48Until you get better, right?
00:05:53You gonna be okay?
00:05:54Just you and him?
00:05:55Yes.
00:06:08I got all kind of weird shit up here.
00:06:13You still sleep together?
00:06:17The bags.
00:06:19Same room?
00:06:20Yes.
00:06:22Okay.
00:07:52What if you're quoting me?
00:07:53Well, you're the expert.
00:07:55Yeah.
00:07:56It's Alex.
00:07:57You'd rather be dead than live like this, you know that.
00:08:38So tomorrow we'll take a walk. See if you remember something.
00:08:53You can't still hear me, right? I know you can.
00:09:02You're gonna be okay, Alex. We're gonna get you there.
00:09:08Yeah.
00:09:17Come on, baby.
00:09:22Babe.
00:09:26It's okay.
00:09:27It's okay, baby. It's just me.
00:09:48I'll sleep well.
00:09:58Can't bite taste.
00:10:18There we go.
00:10:22Turn it right.
00:10:23You got the call?
00:10:50I got the call.
00:10:52The end?
00:10:54Jesus, Ali, please, come on.
00:10:58Okay, they're in.
00:10:59They're in the whole way.
00:11:01We did it.
00:11:03So, you gotta come celebrate with us?
00:11:06God, yes.
00:11:08I love you so much, baby.
00:11:09I love you.
00:11:10This is a good day for all of that.
00:11:13A great day.
00:11:15I would like to say a special thank you to my wonderful wife.
00:11:19Better scientist than all of them.
00:11:22I'm so proud of you.
00:11:26Call in sick.
00:11:27I can't.
00:11:28You know I can't.
00:11:29I'm teaching.
00:11:30You choose a day at work over a day with me?
00:11:33It's not a choice.
00:11:34It's my job.
00:11:35Doesn't matter.
00:11:36Because I'm not on the cover of TechInvest?
00:11:38But you're not.
00:11:39Are you?
00:11:40No, you're being an ecnery.
00:11:41Seriously?
00:11:42Don't.
00:11:43I know you're being an ecnery.
00:11:44Seriously?
00:11:45Don't.
00:12:13That's kind of a choice.
00:12:14I don't want to have one thing.
00:12:16I could be a mother, uncle.
00:12:17I don't want to have two com oderced, right?
00:12:27Once we'reâ brass into one of the other things that are knocked out of thee,
00:14:04Babe, did you just go to the bathroom?
00:14:08Alex?
00:14:08Sofía, are you high?
00:14:20Sofía, are you high?
00:14:34Sofía, are you high?
00:15:04Sofía, are you high?
00:15:22Calvin DeVolse, 1937.
00:15:32What the fuck?
00:15:52A little, maybe.
00:16:06A little?
00:16:08I mean, there's a resemblance, yeah.
00:16:11Em, are you kidding me?
00:16:13It's him.
00:16:16OK, hang on.
00:16:17Let me get my glasses.
00:16:18No, no, no, it's OK.
00:16:19Trust me.
00:16:20It's Alex.
00:16:21Just look under the signature.
00:16:24I can't read that, honey.
00:16:25What does it say?
00:16:271937.
00:16:28That's when it was painted?
00:16:29Yeah, and on the back it says Calvin DeVolse,
00:16:32self-portrait.
00:16:34So what you're seeing is a family thing, yeah?
00:16:38No.
00:16:40I'm seeing Alex.
00:16:41You just said it.
00:16:42I know, it can't be, but it is.
00:16:49No!
00:16:50No!
00:16:51No!
00:16:52No!
00:16:53No!
00:16:54No!
00:16:55No!
00:16:56No!
00:16:57No!
00:16:58No!
00:16:59No!
00:17:00No!
00:17:01No!
00:17:02No!
00:17:03No!
00:17:04No!
00:17:05No!
00:17:06No!
00:17:07No!
00:17:08No!
00:17:09No!
00:17:10No!
00:17:11No!
00:17:12No!
00:17:13No!
00:17:14No!
00:17:15No!
00:17:16No!
00:17:17No!
00:17:18No!
00:17:19No!
00:17:20No!
00:17:21No!
00:17:22No!
00:17:23No!
00:17:24No!
00:17:25No!
00:17:26No!
00:17:27No!
00:17:28No!
00:17:29I don't know.
00:17:59You fucking with me, Alex DuBose?
00:18:09Huh?
00:18:13Very funny.
00:18:22I found something weird last night.
00:18:25Up at the attic.
00:18:29It's a painting.
00:18:31And it looks just like...
00:18:34Oh.
00:18:35I'm so sorry.
00:18:42You okay?
00:18:45There you go.
00:18:48Good as new.
00:18:49Here it is.
00:19:01Who's that handsome fella, huh?
00:19:04It's like looking in the mirror, no?
00:19:08Hmm?
00:19:08Okay.
00:19:13Let's go find a memory.
00:19:15Okay.
00:19:15Let's go find a memory.
00:19:15Here we go.
00:19:41Let's go.
00:19:56I'm sorry.
00:20:04I'm sorry.
00:20:05Who's got keys to the house?
00:20:30Just me.
00:20:31Were you in there last night?
00:20:33No.
00:20:35Why?
00:20:35Don't worry about it.
00:20:50Let's see if we can find your cousin, Jackie and Dylan.
00:20:56Look over here, baby.
00:20:59Okay, I'll find them.
00:21:02Come on, Alex.
00:21:05Jesus.
00:21:15You know I'm trying to help you.
00:21:18That's why we're here.
00:21:22Let's find Calvin, your time twin.
00:21:25Here we are.
00:21:31April 1936, Calvin painting at the villa.
00:21:36There's no...
00:21:38Oh, Jesus.
00:21:40Oh, my God.
00:21:42Can I help you?
00:21:45That's the first day at Princeton.
00:21:48I wonder what she's thinking.
00:21:50That's you?
00:21:51Yeah.
00:21:51That's me.
00:21:52Your family?
00:21:53Your family?
00:21:54I'm Margo.
00:21:56Cousin Mags.
00:21:57Oh.
00:22:00You're Sophia.
00:22:02Yes, I am.
00:22:02It's nice to meet you, Sophia.
00:22:04Good to meet you, Mags.
00:22:05Sorry I didn't make the wedding.
00:22:06Oh.
00:22:07That's okay.
00:22:08It was just him and I.
00:22:10That's what he wanted.
00:22:11Well, with a family like ours.
00:22:14Oh.
00:22:16How are you, Alex?
00:22:19I heard about the accident.
00:22:23Damn shame.
00:22:26No, we had our knockdown drag outs.
00:22:29We couldn't agree on anything.
00:22:31But don't worry.
00:22:34You'll be back.
00:22:37That's the thing about our family.
00:22:39We always come back.
00:22:41Even when they don't want us to.
00:22:52Hmm.
00:22:55Uniforms.
00:22:56I'm sorry?
00:22:59Uniforms.
00:23:00You know, my great-grandfather, DuBose,
00:23:02came here with a dream.
00:23:05Fine clothes for fine ladies.
00:23:07But the fine ladies didn't share his dream.
00:23:11By 1914, he was sleeping on the floor of his warehouse,
00:23:16eating out of a can.
00:23:18Then, the war happened.
00:23:22Uniforms, money, and the Villa de los Sueños.
00:23:28Wow.
00:23:30I didn't know that.
00:23:32You know, with a fine body like that,
00:23:34you could have modeled for him.
00:23:36Hmm.
00:23:36I'm serious.
00:23:41You're a beautiful woman.
00:23:45You knew we were here.
00:23:47We are there.
00:23:48My grandmother hated me, but she let me live up there.
00:24:10Who did you think I was?
00:24:14When I first came in, you were scared.
00:24:18Surprised.
00:24:19Hmm.
00:24:22Did you think I was someone else?
00:24:26No.
00:24:26What'd she take?
00:24:42What do you mean?
00:24:43She has a bag.
00:24:45She took something.
00:24:46She'd do that?
00:24:48Keep her doors locked.
00:24:49I bet you used to play with these.
00:24:57I bet you used to play with these.
00:25:19You remember him.
00:25:25You remember him.
00:25:37Yes.
00:25:39You do, don't you?
00:25:42I bet you used to play with these.
00:25:44I bet you used to play with these.
00:25:46I bet you used to play with these.
00:25:48I bet you used to play with these.
00:25:52I bet you used to play with these.
00:26:15You bet you used to play with them.
00:26:17You bet you'll play with them.
00:26:18Let's get started.
00:26:48Oh, yeah, baby, I love you so, yeah, and I never feel it, baby, I never feel it, baby,
00:27:18I never let you...
00:27:48Baby, you say I want you so, baby, I love you so...
00:28:26How's my day been?
00:28:45Thank you for asking.
00:28:51It's been good.
00:28:53I think we're making some real progress here.
00:28:57Don't you?
00:29:02What was that?
00:29:04Yes.
00:29:06You're right, baby.
00:29:08The doctors don't know shit.
00:29:11We're gonna figure it out together, aren't we?
00:29:14We're gonna figure it out together.
00:29:23We're gonna figure it out.
00:29:25I'm gonna figure it out.
00:29:27When you see a man in the night
00:29:57Life is a new life
00:30:01It's a new life
00:30:14Today's video was released on June
00:30:19The Oprah Universal Pyrotechnics
00:30:27Did you do this?
00:30:35It's okay.
00:30:57I'm so sorry.
00:31:27I'm so sorry.
00:31:57I'm so sorry.
00:32:27I'm so sorry.
00:32:57I'm so sorry.
00:33:27Hey.
00:33:28He was hungry, weren't you, buddy?
00:33:39Hey, baby.
00:33:41Hey.
00:33:53Don't let us keep you.
00:33:55Oh.
00:33:56Hey, baby.
00:34:00Glad to get help out.
00:34:09Hey.
00:34:10Hey.
00:34:11Hey.
00:34:12Hey.
00:34:13Hey.
00:34:14Hey.
00:34:16Hey.
00:34:17Hey.
00:34:18Wait.
00:34:19Hey.
00:34:22Sure.
00:34:23Oh, yeah.
00:34:24What?
00:34:28B.A. Yale, best known for his portraits,
00:34:32M.A. École de Beauvoir,
00:34:33this exhibit in Paris, Rome, New York,
00:34:36has a big deal.
00:34:58What did she take?
00:35:26You good?
00:35:49Hi.
00:35:50Are you sifting up?
00:35:51Yes, uh, this is Alex, Margo's cousin.
00:35:55And you are?
00:35:59You got any food?
00:36:02Uh, no, not with us.
00:36:06I'll go get him.
00:36:25Is everything all right?
00:36:34Oh.
00:36:35Is everything all right?
00:36:47Oh.
00:36:48Yeah.
00:36:49I'm sorry.
00:36:50Are we intruding?
00:36:51No, not at all.
00:36:52I found a painting in the attic.
00:37:02The self-portrait.
00:37:03You found it.
00:37:07It's Alex.
00:37:08Do you think so?
00:37:10They're identical.
00:37:13Hmm.
00:37:14What can you tell me about Calvin?
00:37:16Calvin?
00:37:17Why do you ask?
00:37:21I mean, they're exactly the same, right?
00:37:23Well, all art is in the eye of the beholder, is it not?
00:37:26I'm, I'm not, I'm not talking about art.
00:37:30Well, of course there are similarities.
00:37:36I mean, we're all DuBose after all.
00:37:40Aren't we, Alex?
00:37:41So why aren't there any photos of Calvin?
00:37:46Because he didn't exist.
00:37:49According to some family members, anyway.
00:37:52Why?
00:37:55Because...
00:37:58Oh.
00:37:59Oh, baby.
00:38:02He liked to hurt women.
00:38:07He was sick.
00:38:08But...
00:38:11He was a genius.
00:38:13Not just as an artist.
00:38:15He was an incredible scholar.
00:38:17Of this world.
00:38:19And beyond.
00:38:20What do you mean beyond?
00:38:22Alex married a scientist.
00:38:25Didn't you?
00:38:27Like him, you probably think that these kind of things are nonsense.
00:38:31What happened to Calvin?
00:38:33Oh, that's a good question.
00:38:35He hired a housekeeper.
00:38:37A housekeeper.
00:38:38A very pretty young thing.
00:38:40And he became obsessed with her.
00:38:42And he painted her over and over again.
00:38:46And then her husband died.
00:38:47And her grief...
00:38:48Well, her grief to Calvin made her even more attractive.
00:38:53He loves his wounded birds.
00:38:55Loves?
00:38:56He asked her...
00:38:58Huh?
00:38:59He told her...
00:39:00To move in.
00:39:01She was already sleeping with a young boy in town.
00:39:05So, the next morning...
00:39:07He dragged her...
00:39:09For four miles.
00:39:11Kicked in their door.
00:39:13Raped her in front of her lover.
00:39:15And then beat the two of them to death.
00:39:17We...
00:39:19As DuBose...
00:39:21We have a really serious, jealous streak.
00:39:27So, Calvin?
00:39:28Well, the police came and he had locked himself in his attic.
00:39:34They knocked down the door...
00:39:37And...
00:39:39He was gone.
00:39:41He escaped?
00:39:43Disappeared.
00:39:44People don't...
00:39:45Just...
00:39:46Disappeared.
00:39:47People don't...
00:39:48Just...
00:39:49Disappeared.
00:39:50No, they don't.
00:39:53So, that was...
00:39:54The last time anyone saw him?
00:39:57Except...
00:39:58In that portrait.
00:40:02What are you...
00:40:04What are you saying?
00:40:09The paint was still wet.
00:40:11Good story.
00:40:17Good story.
00:40:19Yes, it is.
00:40:22Something wrong, dear?
00:40:24We just have to get going, Alex.
00:40:34I haven't seen him.
00:40:36Not yet.
00:40:41You did it.
00:40:59You did it.
00:41:11Not yet.
00:41:12I think it is.
00:41:14Not yet.
00:41:16I am...
00:41:18I am.
00:41:20I am...
00:41:23Not yet.
00:41:24How did I get this?
00:41:26What's wrong?
00:41:28What do you mean?
00:41:30How did I deal with that?
00:41:33I had to stop what's wrong?
00:41:35So, I'm not very close.
00:41:37I'm not very close.
00:41:38I don't know.
00:42:08I don't know.
00:42:38I don't know.
00:42:40I don't know.
00:42:42I don't know.
00:42:44What's your name?
00:42:45Esther.
00:42:46What are we doing here, Esther?
00:42:49She tells me scary stories.
00:42:52Mags does.
00:42:53Then she fucks me.
00:42:57She likes it better when I'm scared.
00:43:01Her stories aren't true.
00:43:03You know that, don't you?
00:43:051937.
00:43:17So it did happen.
00:43:21And Calvin did it, huh?
00:43:28She loves this shit.
00:43:331942.
00:43:37Why am I looking at this?
00:43:39There was a war then, right?
00:43:41And there were soldiers up here.
00:43:43The sick one.
00:43:45But it was an accident.
00:43:47She fell down the stairs.
00:43:49The attic stairs.
00:43:51This one is a family friend.
00:43:55Ran at her screaming one night.
00:43:58They found her at the bottom of the cliff.
00:44:01And called it suicide.
00:44:05Just four years ago.
00:44:11That's all.
00:44:12She said there was more, but the family kept them quiet.
00:44:15Money can do that.
00:44:17You've seen him, haven't you?
00:44:31Seen who?
00:44:33Calvin.
00:44:35I'm tired.
00:44:37Please.
00:44:39I'm going to bed.
00:44:47What?
00:45:07Maybe.
00:45:09Mean.
00:45:15Sounds good.
00:45:16What did she say?
00:45:37Not much.
00:45:46So, Calvin, am I a wounded bird?
00:46:16I'm a wounded bird.
00:46:46You're pushing yourself too hard, Fia.
00:46:56I feel like my mind's playing tricks on me.
00:47:00It doesn't help that you're up there all by yourself.
00:47:03I'm not here by myself, Emily.
00:47:05No, I know, of course.
00:47:07I'm sorry.
00:47:11You know, in the Jewish tradition, when someone dies in the house, we cover the mirrors.
00:47:14The idea is that it's no time for vanity, but some psychologists, myself included, think
00:47:23that there's another reason.
00:47:26We think it's so that when you look, you don't see the face of the dead.
00:47:31So you think I'm losing my mind.
00:47:32Is that what you're saying?
00:47:33No, no.
00:47:34I'm saying that there's a condition called pathological grief.
00:47:39It's not uncommon, and it's powerful.
00:47:44It's so powerful that it can cause hallucinations and visions of the ones that we lost.
00:47:49Mom, I'm not crazy like that.
00:47:51No, of course not.
00:47:53But we're talking about grief, okay?
00:47:57Deep grief that can happen to anyone.
00:48:01Yeah, well, Alex isn't dead, so...
00:48:03I'm just saying...
00:48:04Not now.
00:48:07Not tonight.
00:48:08Sorry, Em.
00:48:09I'm just saying...
00:48:39Remember this?
00:48:45Come on, it's your playlist.
00:48:49No.
00:49:09I'll be right back, okay?
00:49:28Hi.
00:49:39Alex?
00:49:46Hey.
00:49:48I heard what happened to you, are you okay?
00:49:53Hey.
00:49:55Hey.
00:49:57Hey.
00:49:59I heard what happened to you, are you okay?
00:50:03I heard what happened to you, are you okay?
00:50:08Alex, it's me, Jen.
00:50:11You alright?
00:50:20It's the only deal anyone makes
00:50:26It's a damn fool's gamble
00:50:36The highest stakes
00:50:43What was that here?
00:50:45Alex, hey, are you okay?
00:50:47Alex?
00:50:49What's going on?
00:50:50Alex, no!
00:50:52What are you doing?
00:50:53Get him out of here!
00:50:54Get him out!
00:50:55Get him out of here!
00:50:56Get him out of here!
00:50:57Get him out of here!
00:51:03Come on.
00:51:04Get in the car.
00:51:11This arm...
00:51:12This arm...
00:51:13Alex...
00:51:14For Christ's sake, Alex!
00:51:15Help me out!
00:51:25You are a good friend!
00:51:26To your soul...
00:51:27You make this one...
00:51:28You take a deep breath...
00:51:29I'm not a good neighbor...
00:51:30He has always been in the car...
00:51:32He's not a good neighbor...
00:51:33, but you're not an ordinary one...
00:51:35Yes.
00:51:36That's what I'm looking for.
00:51:37I'm looking for you...
00:51:38I'm looking for you...
00:51:39To your back...
00:51:40You have to do...
00:51:41To your back...
00:51:42To your back...
00:51:43To your back...
00:51:44To your back...
00:51:45To your back...
00:51:46To your back...
00:51:47To your back...
00:51:48I don't know.
00:52:18I don't know.
00:52:23Alex.
00:52:25Please.
00:52:26Here.
00:52:27Hey, it's all right.
00:52:28It's all right.
00:52:29I'm just...
00:52:30Alex, stop!
00:52:31Whoa, whoa, whoa, whoa!
00:52:32Stop!
00:52:33You're so fucking crazy.
00:52:39Wouldn't let a dog suffer like that.
00:52:45No.
00:52:46No.
00:52:47No.
00:52:48No.
00:52:49No.
00:52:50No, no.
00:52:52Why not?
00:52:54I'm so scared.
00:52:55I'm so scared.
00:52:57No.
00:53:02I'm so sorry, baby.
00:53:27I'm sorry.
00:53:28I love you.
00:53:33I love you so much, but I'm running out of ideas here.
00:53:36Please.
00:53:39Please give me a clue.
00:53:42Anything.
00:53:44Do anything.
00:53:50Please.
00:53:51Please.
00:53:51Please.
00:54:02Please.
00:54:08Please.
00:54:10Please.
00:54:42Um, I'm sorry.
00:54:44I shouldn't have said that.
00:54:47How's your rest?
00:54:49I'd say I'll survive.
00:54:53Can I be honest?
00:54:55Yeah.
00:54:56You look like you used a freaking break.
00:54:59Yeah.
00:55:04Anything you need?
00:55:05No, thank you.
00:55:08It can help to talk, even if it's just me.
00:55:11I've got vodka.
00:55:20Vodka it is.
00:55:21No, no.
00:55:22No, no, no.
00:55:24Yeah.
00:55:31No, no.
00:55:34Okay.
00:55:35hi hi where is he in his room
00:55:58yeah thank you
00:56:04cheers and uh good luck
00:56:12you deserve it
00:56:28from your lips to god's ears
00:56:34you believe her
00:56:36in a god that would do this to my husband
00:56:40no
00:56:43he's the only one that's been there for me
00:56:58and when i stray which i have a lot
00:57:05he leads me back
00:57:09touch it
00:57:15come on come on for good luck
00:57:20go on
00:57:23yeah come on
00:57:27whoa
00:57:37sorry
00:57:44no
00:57:44you have nothing to be sorry for
00:57:49come on
00:57:53let him in
00:57:58sophia
00:58:02let him in
00:58:05don't be afraid
00:58:19you have nothing to be afraid
00:58:30you have nothing to be afraid
00:58:31you have nothing to be afraid
00:58:32my man
00:58:32do you have nothing to be afraid
00:58:38let him in
00:58:39next
00:58:42here
00:59:14Are you okay?
00:59:22Go on, let's get back to bed.
00:59:25Alex, please.
00:59:27Too tired for this baby.
00:59:36Alex!
00:59:39Please, no!
00:59:40I'm so...
00:59:42Ugh!
00:59:50Let's go.
01:00:20Let's go.
01:00:50Let's go.
01:01:20I'll call you back.
01:01:50Brooks?
01:01:56I got it.
01:02:04I got it.
01:02:34Okay.
01:02:56I got it.
01:03:26What have you got?
01:03:28He didn't make it.
01:03:33I'm taking your husband in.
01:03:36No.
01:03:37Why?
01:03:38No, you've got nothing.
01:03:39I've got a dead man and another one prone to violence.
01:03:41He's not violent.
01:03:42That's not who he is.
01:03:43That's not how he was.
01:03:45I have known Alex my whole life, but even you saw what he did to me.
01:03:48There's a bunch of people that live around here.
01:03:50What if, what if Brooks owed money to the wrong person?
01:03:53What if he slept with the wrong man's wife?
01:03:55Did he?
01:03:56Fuck you.
01:03:58Be very careful, Miss Reyes.
01:04:00Brooks was hit in the head multiple times.
01:04:02We don't even know how many.
01:04:04Never seen anything like it.
01:04:06Well, Alex didn't do it.
01:04:08We have forensics out there.
01:04:09Give us 48 hours.
01:04:10We don't find anything.
01:04:11He's free to go.
01:04:12You want to lock him up for two days?
01:04:14You've seen what he's like.
01:04:15I've asked for a psychiatrist.
01:04:17No, no, you've, you have no evidence.
01:04:20And we're leaving.
01:04:21Okay, you're not going anywhere.
01:04:23Listen to me.
01:04:24It is my job to protect people.
01:04:26Protect whom?
01:04:27Hm?
01:04:28Who's he gonna hurt?
01:04:29You.
01:04:33Well, then that's a risk I'm willing to take.
01:04:37But you lock him up.
01:04:39Then you'll send him to a place he might never come back from.
01:04:42Miss Reyes, I understand.
01:04:44You have been through.
01:04:45You know this family, right?
01:04:46You said you did.
01:04:50So you know the kind of money they've got.
01:04:54You do this.
01:04:56You meet their lawyers.
01:04:59So please.
01:05:04Please.
01:05:11I'm leaving my deputy here.
01:05:13You don't have to do that.
01:05:14I wasn't giving you a choice.
01:05:15I'm giving you a choice.
01:05:16I'm giving you a choice.
01:05:45I don't even explain.
01:05:46You're not giving me a choice.
01:05:47You're not giving me a choice.
01:05:48I don't know the truth.
01:05:49I hospitality and I if this is not coming.
01:05:50You're not running without going on θα went away.
01:05:51You hold it.
01:05:52You're not giving me as a choice.
01:05:54You're not going to take me.
01:05:55You're not earning.
01:05:56You're scraping the way.
01:05:57You're basing.
01:05:58You're going to go.
01:05:59I will take my fancy flowing.
01:06:00But once I getyim.
01:06:01Cl 맛 hai.
01:06:02You're giving me a choice.
01:06:03You're giving me the choice.
01:06:04I'll go.
01:06:06You're giving me some donné.
01:12:13He's in the house.
01:12:19He's in the house.
01:12:29He's in the house.
01:12:33He's in the house.
01:12:37Alex!
01:12:39Alex!
01:12:41Alex!
01:12:43He's in the house.
01:12:49He's in the house...
01:13:19No, no, no, no, no.
01:13:49Alex?
01:14:19No.
01:14:21Maggie?
01:14:25No.
01:14:27No.
01:14:29No.
01:14:31No.
01:14:33No.
01:14:35No.
01:14:37No.
01:14:39No.
01:14:41No.
01:14:43No.
01:14:45No.
01:14:47No.
01:14:49Alex?
01:14:51Alex?
01:14:53Alex?
01:14:55Alex?
01:14:57It's okay, baby.
01:15:01It's okay.
01:15:03It's okay.
01:15:05It's okay.
01:15:07It's okay.
01:15:11It's okay.
01:15:13I love you.
01:15:22I love you.
01:15:26God!
01:15:27God!
01:15:43God!
01:16:13She won't leave him.
01:16:34Show me.
01:16:35The coroner's on the way.
01:16:37Is she okay?
01:16:43Who are you?
01:16:44I'm Sofia's friend.
01:16:45Sofia Reyes.
01:16:46Is she okay?
01:16:47Get back in your vehicle and stay there.
01:16:49What's wrong?
01:16:50Please, in your vehicle.
01:16:51Now!
01:17:13Come on.
01:17:14Come on.
01:17:15Come on.
01:17:16Come on.
01:17:17Come on.
01:17:18Come on.
01:17:19Fia.
01:17:20Please.
01:17:21Oh.
01:17:22Oh, no.
01:17:23Dispatch, please.
01:17:24Come on.
01:17:25Dispatch.
01:17:26Come on.
01:17:27Come on.
01:17:28That's what he wanted.
01:17:31That's what he wanted.
01:17:33That's what he wanted.
01:17:35That's what he wanted.
01:17:36That's what he wanted.
01:17:37That's what he wanted.
01:17:42That's what he wanted.
01:17:43Oh, no.
01:17:45Oh, no.
01:17:46You're so flattered.
01:17:47Dr. Mappas, please report to Mappas.
01:18:17Now, the important thing is, you don't have to worry.
01:18:23Our lawyers have taken care of everything, and they've kept it out of the press.
01:18:40Money can do that.
01:18:47Sophia, I need to know what happened.
01:18:55It's important that I know, okay?
01:18:57Well, maybe next time.
01:19:18I needed him.
01:19:22Needed who?
01:19:25Kelvin.
01:19:31He was there, wasn't he?
01:19:33For me.
01:19:42He was there for me.
01:19:46I could have never hurt Alex.
01:19:52Kelvin.
01:19:55He helped me.
01:19:57I needed him to let him go.
01:20:10Goodbye, Sophia.
01:20:11I have the beholder, remember?
01:20:21It's in the eye of the beholder.
01:20:23He let's go.
01:20:34Behold on the other day for Twitter,
01:20:35Bye forward.
01:20:37Bye.
01:20:38Bye.
01:20:39Bye.
01:20:39Bye.
01:20:41Bye.
01:20:41Bye.
01:20:42Bye.
01:20:43Bye.
01:20:43Bye bye.
01:20:45Bye bye.
01:20:46Bye bye.
01:20:47Bye bye.
01:20:49Bye bye.
01:20:49Bye bye.
01:20:50Bye bye.
01:20:51Bye bye.
01:20:52I've got $11,000 right here.
01:21:02$12,000.
01:21:03$12,000.
01:21:03I've got $12,000 here.
01:21:05$12,000.
01:21:06$250,000.
01:21:06$12,005.
01:21:08Do I hear $13,000?
01:21:10$12,000.
01:21:10I've been looking at $13,000.
01:21:11$13,000.
01:21:12Little gentleman right here.
01:21:12Do I hear $14,000?
01:21:14$13,000.
01:21:14Do I hear $14,000?
01:21:16$13,000 is going once.
01:21:19$13,000 is going twice.
01:21:20Sold for $13,000, gentlemen.
01:21:24Thank you so much.
01:21:25Our next item up for bid is this magnificent portrait.
01:21:29Lot number 236.
01:21:31Open your catalogs, please, and read the description.
01:21:34However, as you will see, this is a very nice early 20th century self-portrait by Calvin
01:21:41DuBose.
01:21:44Now, we do have a reserve on this painting at $20,000.
01:21:48So, ladies and gentlemen, we will start the bidding at $20,000.
01:21:53Do I hear $20,000?
01:21:56$20,000 is going to be looking at $21,000.
01:21:58I've got $21,000 for the gentleman.
01:21:59Thank you so much.
01:21:59$21,000 is going to be looking at $22,000.
01:22:01$22,000 in the back.
01:22:02Thank you so much.
01:22:03$23,000 to the young lady.
01:22:04She is determined at $23,000.
01:22:07$24,000 back to the gentleman.
01:22:08$24,000 is going to be looking at $25,000.
01:22:10I've got $25,000 here.
01:22:12A bit of looking at $26,000.
01:22:13$25,000 here is going once.
01:22:15$25,000 here is going twice.
01:22:19Final and last call.
01:22:22So, for $25,000 to the young lady.
01:22:25Well done.
01:22:25Well done.
01:22:38Good night.